jessta james tour 2023

Jessta James

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Jessta James

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Potbelly's

Riverfest - Ingalls Harbor

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Jessta James

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Featured events, troye sivan, rod stewart, pet shop boys, ††† (crosses), vypsaná fixa – 30 let.

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Out 12th April

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Latest News

Warm up gig in bournemouth announced.

18th March 2024

We are excited to announce an exclusive warm up show at the O2 Academy Bournemouth on Wednesday 29th May, ahead of our UK Arena Tour! Pre... Read more

'Our World', second single from 'Yummy', released tomorrow

28th February 2024

'Our World', the second single from our upcoming album 'Yummy', will be released tomorrow morning… we can't wait for you to hear it! ... Read more

'Yummy'! Available to pre-order in all formats from 10am Thursday

24th January 2024

We are very excited to announce our upcoming album ‘YUMMY’. Released on 12th April 2024, our 18th studio album features 12 brand ... Read more

Tonight I raise my glass to an old friend. Angelo Badalamenti.

12th December 2022 | Tim

Tonight I raise my glass to an old friend. I'm sad and brimming with happy memories – Angelo Badalamenti died yesterday evening. I spent most of 1995 working with him making the 'Booth and the Bad Angel' album over an idyllic year in New York. I was obsessed with the Julee Cruise 'Floating Into The Night' CD and h... Read more

Playground Festival, Glasgow – September 2021

2nd December 2022 | wearejames

Photos by Elly Lucas Photographics.... Read more

RIP Dick Rabel

18th November 2022 | Jim

Dick Rabel was our front of house soundman, the guy that makes the gig sound great. Dick loved working with us, and us him. He loved our anarchic approach and revelled in the spontaneity and unpredictability that scared off lesser soundmen. His beaming grin appearing in the dressing room after the show to grac... Read more

@wearejames

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2nd single from forthcoming album ‘Yummy’—coming 12 April. Pre-order on all formats here .

Is This Love

1st single from our brand new album ‘Yummy’—coming 12 April & available to pre-order on all formats from 25 Jan

Sometimes (Orchestral)

From the orchestral album Be Opened By The Wonderful , out now on 2xCD, 2xLP & D/L.

Love Make A Fool

The singular brand new track on the new orchestral album Be Opened By The Wonderful , coming 9th June.

She's A Star (Orchestral)

From the forthcoming orchestral album ‘Be Opened By The Wonderful’. Out 9th June on 2xCD, 2xLP, D/L. Pre-order here .

Miss America (Library Session)

From the Campfire EP .

Getting Myself Into

From the album All The Colours Of You .

Beautiful Beaches

First single from the album All The Colours Of You .

James on Tour

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Featured merch

Video: “Back In The Day” by Jessta James

Newcomer Jessta James has a new video out for his song, “Back In The Day.”  Check it out and let us know if you think it’s a hit or not!

Long Way Home - Single

June 9, 2023 1 Song, 3 minutes ℗ 2023 Jessta James

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Q&A: James Taylor on his 2024 U.S. tour, the possibility of new music and his legacy

Not long after his 76th birthday, james taylor & his all-star band will hit the road for a u.s. tour, by maria sherman | associated press • published 4 hours ago.

He's gone to Carolina in his mind and on tour for much of 2024 .

Not long after his 76th birthday,  James Taylor & His All-Star Band will take their show on the road in the United States, hitting 24 cities for 31 shows in five months.

Over Zoom from his studio in western Massachusetts, Taylor tells The Associated Press “It's been September since the last time I've been out." That, he says, is “a long time for me.”

The tour kicks off in Los Angeles at the Hollywood Bowl on May 29 and ends at Wolf Trap Filene Center in Vienna, Virginia, on Sept. 15.

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The tour hits Salt Lake City; Morrison, Colorado; Kansas City, Missouri; St. Louis; Highland Park, Illinois; Noblesville, Indiana; Nashville, Tennessee; North Little Rock, Arkansas; Thackerville, Oklahoma; Clarkston, Michigan; Darien Center, New York; Syracuse, New York; Bethel Woods, New York; Bangor, Maine; Gilford, New Hampshire; Lenox, Massachusetts; Philadelphia; Wantagh, New York; Saratoga Springs, New York; Bridgeport, Connecticut; Burgettstown, Pennsylvania, and Boston.

This interview has been edited for clarity and brevity.

Entertainment News

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AP: Before the continental U.S. tour, you're headed to Japan, the Philippines, Australia, New Zealand and Hawaii. What keeps it interesting?

TAYLOR: The audience, always. The event itself has never failed to supply the motivation and the energy that is required. You know, it’s very compelling to go a great distance and to find a crowd of people that have bought tickets to come see me and the band play again.

Over time, it’s something you learn to do, to keep your strength up, keep your health... also, I don’t do more than a couple of shows in a row without a day off. I’ll do more than that if I’m in one town, but generally speaking, we pace ourselves now.

AP : That's good advice.

TAYLOR : I definitely burned myself out a few times.

AP: You're performing at Tanglewood, in your home state of Massachusetts, 50 years since you first performed there. What significance does it hold?

TAYLOR: I was trying to figure out whether or not it was 50 years or 50 shows that I’ve been playing at Tanglewood, and it turns out it’s both. 1974 was the first time I played there. It averages out to one a year, although at one point we skipped a whole decade.

We had an episode where one of my crew members, in a fit of pique, drove a truck across the Tanglewood lawn and made a mess of it. He was told he had to get the truck off the lawn because it had been raining and it was making an imprint on it. As we were breaking down after the show, he was driving out there to unload the mixing board and stuff. But he put it in reverse, stomped the accelerator and tore a great trough, a great furrow in the Tanglewood lawn. And they never asked me back. It was only when (my wife) Kim came along and resurrected my reputation that I was allowed to come back.

It’s been a great privilege... It's turned out to be a great thing for me, to play Tanglewood every year.

AP: Does an anniversary like that — 50 years — allow you to reflect on your career?

TAYLOR: This is  the time of life  when you feel like you ought to get in touch with a lawyer and make a will. You see, the older generation, the people that were your friends and mentors, sort of  checking out one by one . It is a time when you feel as though things are being summed up a little bit and you start thinking about, the whole thing as a totality. You know, a line from one of my songs, “Copperline,” is “I'm only living 'til the end of the week,” and I think that really does describe me.

But, you know, it is a period of time when you look back and see the whole thing, it's important not to internalize that idea of being a big deal. It's important to focus on what it is that you do — and that thing as a craft that allows you to have your place in the world.

AP: What has that allowed you to learn?

TAYLOR: As time goes by, I think it’s wrong for people to judge other people and even to evaluate them, and yet it’s something we constantly do, and we can’t avoid it. But we should mitigate it by knowing that when we judge someone, we’ve got it wrong. They know who they are, and not we. But, of course, in a million ways, all day long, we evaluate ourselves and other people and it’s complicated. It's not up to me determine what my ultimate position in popular culture turns out to be 50 years from now.

AP: That's a value judgment, too.

TAYLOR : I see people selling the rights to their catalogs. That baby boom generation musical expression, which happened between '62 and 1980, that sort of 20 years of amazing activity that happened, I was in the center of it and actually got my start in London  with the Beatles . So, I had a real sense of this generational phenomenon that the music that I was part of, was a big feature in the landscape and we were communicating to each other. We invented a kind of music there. It was predicted by rhythm and blues and folk music. And those two resurgences sort of fueled it and supplied it. It was big.

You see those people now, being in my sort of age group generally, selling the rights to their catalogs and sort of evaluating what their life’s output was worth. You know,  David Bowie  ’s went for like 250 million. I think  (Bob) Dylan ... got like 300 million...  (Bruce) Springsteen  is said to have gotten more than that, like half a billion or something. It’s sort of like monopoly money.

AP: What do you hope people take away from your live show, and are you working on a new album?

TAYLOR: I feel like I’ve got another one in me — sounds like an egg — but I'm writing a little bit.

And as to what I hope people take away from live performances, I hope they take away a sense of connection. You know, live music — the thing that I’m so attached to about it, why I can’t let it go — is that there’s something (that) happens when people come together for a couple of hours for two or three hours and have a sort of collective experience.

It's indescribable. You prepare for it, but when it happens, it’s spontaneous and, in a way, unique. I love it when that happens, and it does most nights.

AP : Give us a call if you consider selling your catalog.

TAYLOR: If someone comes sniffing around, I'll get in touch.

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Representatives from the following countries will be participating in the event: Algeria, Argentina, Armenia, Azerbaijan, Bahrain, Brazil, Bulgaria, Chile, China, Chile, Colombia, Croatia, Cuba, Egypt, Ethiopia, Georgia, India, Iran, Israel, Kazakhstan, Kenya, Kyrgyzstan, Kuwait, Madagascar, Mongolia, Morocco, Oman, Pakistan, Palestine, South Africa, Saudi Arabia, Serbia, South Africa, Spain, Tajikistan, Turkiye, Uganda, Uzbekistan, UAE, Yemen, Zimbabwe.

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