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Tishoury Tours

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Tishoury Tours - All You Need to Know BEFORE You Go (2024) - Tripadvisor

Tishoury Tours

9 Hours Private Tour of Giza Pyramid Sphinx Saqqara and Memphis

Tishoury tours (cairo, egypt): hours, address, - tripadvisor.

Tishoury Tours

9 Hours Private Tour of Giza Pyramid Sphinx Saqqara and Memphis

Tishoury tours (cairo, egypt): hours, address, - tripadvisor.

Tishoury Tours

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Tishoury Tours (Nasr City, Egypt): Address, Phone Number - Tripadvisor

Tishoury Tours Egypt :   Tishoury Tours Company is the most reputable destination management company in Egypt . It offers complete solutions for the widest array of travel services including cultural, recreational, adventure, corporate, conferences and special group arrangements as well as the most exciting incentive travel packages.

1- Tishoury Tours Company is a Joint-Stock Company with Capital  Ten Million Egyptian Pounds. (Commercial Record No. 41481 – Ministry of Investment)

2- Holds Tourism License Type (A) , the Highest Rank among the Tourism Companies in Egypt.  (License No. 1916) .

3- A Member at the International Air Transportation Association (IATA), Membership no. 90217105.

4- The Company is Certified by ISO 9001 Certificate (Applicable Quality Standards) and Internationally Registered.

5- The Company Facilitates the Embassies Procedures for Passengers (Based on the Embassies Instructions and Required Documents)

6- The Company Prices are Special, Fixed and Economic, all Groups Accompanied by the Company Tour Leader.

7- Tishoury Tours Company is offering its Services to 750 Operating Tourism Companies in Egypt including the National Company (MISR TRAVEL), Excluding Tishoury Tours Direct Clients.

8-FINALLY TISHOURY TOURS COMPANY IS NOW BECOMES THE BIGGEST NAME AT CHARTER FLIGHTS IN EGYPT.

Tishoury Tours Company Branches: 1-Main Branch: Building No. 8, El Obour Buildings, Salah Salem Road, Cairo, Egypt

2-Alex Branch: Building no. 4, Fawzy Moaaz St, Semoha, Alexandria, Egypt

3-Cyprus Branch: 35 Sotiraki Markidi Ave. 8036 Kato Paphos, Cyprus

Our Services: 1- We offer Charter Flight from your destination to Sharm El-sheikh , Hurghada, Loxor, Beirut, Cyprus Guarantee Availability and Booking all hotels 3, 4, 5 Stars all over the world 2- We offer all transportation services . 3- We provide all excursions with a tour guide in your language 4- Booking all air tickets

Tishoury Tours

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Tishoury Tours Guide - All You Need to Know BEFORE You Go (2024)

• Tour schedule
• How to buy tickets
• How much do tickets cost?
• Who is opening?

Will there be international tour dates?

How to buy madonna tickets for 2024 tour.

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Madonna is wrapping up her current concert tour over the next few days with a trilogy of shows in Mexico City. Prices have been climbing over recent days, so you'll have to be sharp if you want to buy Madonna tickets for these dates while you can for the The Celebration Tour.

Before she takes her final bow of the Celebration Tour concert series in April 2024, Madonna will have performed 52 shows across 27 cities in the US, Canada, and Mexico. While many dates earlier in the tour were available for under $100, these final dates will cost you at least $245 at the time of writing. Still, it's a few grand cheaper than the Swifties have been paying this year.

• More events: Olivia Rodrigo tickets | Taylor Swift tickets | Adele tickets | Rolling Stones tickets

With the concert series being a retrospective celebration of her iconic career, The Celebration Tour's setlist unsurprisingly includes plenty of Madonna's timeless hits. Songs like "Like a Prayer," "Vogue," "Don't Cry for Me Argentina," and "Like a Virgin" have been performed across various dates on her tour.

We've got you covered if you're still looking for tickets to Madonna's Celebration Tour. Here's our breakdown of Madonna's remaining 2024 tour schedule, purchasing details, and original and resale ticket prices. You can also browse the available tickets for sale on StubHub and Vivid Seats at your leisure.

Madonna 2024 tour schedule

All concert times are listed in local time zones.

How to buy tickets for Madonna's 2024 concert tour

Madonna tickets have been on sale for a while now, so all original ones via Ticketmaster are long gone.

However, Madonna tickets are still available through verified resale vendors like StubHub and Vivid Seats .

How much do Madonna tickets cost?

The price for standard original tickets to Madonna's 2024 tour varies depending on date, location, and demand. For example, concert dates in major cities like New York City tend to be more expensive.

Standard original tickets still available on Ticketmaster a few weeks ago  were comparable to prices on verified resale platforms. However, the remaining original tickets have all been snapped up though, so resale vendors are your only hope now.

The Celebration Tour originally had VIP tickets available for premium prices. Madonna's 2024 concert series had The Immaculate VIP Package, Iconic VIP Package), You Can Dance Premium Ticket Package, and Where's The Party Premium Ticket Package. The prices for original tickets for each package on Ticketmaster started at $1,750, $895, $545, and $475, respectively.

Who is opening for Madonna's tour?

Madonna has not announced any additional opening acts for her 2024 concert dates. However, the artist is joined by Bob the Drag Queen, a special guest in each of her shows, who helps introduce the concert and interacts with Madonna as the emcee.

Madonna's 2024 tour began with the international leg in Europe, so the only remaining concerts in The Celebration Tour outside the United States are in Mexico.

In April, she'll have five performances in Mexico City, where she'll take her final bow of The Celebration Tour on April 26.

You can purchase logo and accolade licensing to this story here . Disclosure: Written and researched by the Insider Reviews team. We highlight products and services you might find interesting. If you buy them, we may get a small share of the revenue from the sale from our partners. We may receive products free of charge from manufacturers to test. This does not drive our decision as to whether or not a product is featured or recommended. We operate independently from our advertising team. We welcome your feedback. Email us at [email protected] .

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Taylor Swift's 'Tortured Poets' is hauntingly brilliant, even the 15 surprise songs

Taylor Swift ’s vulnerability is her superpower.

From the glorified diary entries of her 2006 debut to her 2024 album of the year Grammy winner “Midnights," she has proudly worn her heart on her sleeve.

That heart is bloodied and battered, but ultimately beating on “The Tortured Poets Department,” Swift’s 11th studio album that she surprise announced while collecting the first of two more Grammys in February.

Then came a bigger surprise when, at 2 a.m. Friday, Swift declared that "TTPD" was really a double album, with "The Anthology" tacked onto the the title and the addition of 15 songs to join the initial 16.

These 31 pensive pop tracks are the antithesis to “Lover.” Heartbreak and misery wrapped in melody. Rainbows faded into sepia tone. An era endured not enjoyed.

"TTPD" is bookended with a prologue – a poem by Stevie Nicks – and an epilogue framed as Swift’s summary report as the chairman of The Tortured Poets Department (Chaos, “leads the caged beast to do the most curious things,” she writes).

As she grapples with blame for the fizzling of a six-year relationship, she isn’t worried about pride. Former boyfriend Joe Alwyn is the obvious unnamed antagonist in most songs ("My Boy Only Breaks His Favorite Toys"), though Swift shoulders plenty of culpability ("The Tortured Poets Department" title track).

With these songs, Swift pulls listeners into the depths of misery catalyzed by a public breakup while she staged the biggest concert tour in history. It's an exploration of extremes told with intimate details. Is this her “Tapestry" ? Her “Blue" ? Her “Like A Prayer" ?

Maybe the old guard still isn’t ready to anoint Swift to the echelon of Carole King and Joni Mitchell (Madonna? Absolutely). But “TTPD” springboards off Swift’s vibrant storytelling on “Folklore” and “Evermore” and spotlights the open-hearted confidence she presented on those musically minimalist albums.

Swifties can exhaust themselves excavating lyrical clues in the F-bomb-dropping “Down Bad” (“If I can’t have him, I might die”) and surmise if “But Daddy I Love Him” is funny or cruel (“I’m having his baby. No I’m not, but you should see your faces”), but it hardly matters.

Like the most successful artists in history – The Beatles and Beyoncé, perhaps – Swift is untouchable. Critic proof. Adored whether she unveils a masterpiece or a stopgap collection of songs.

“TTPD” falls closer to masterpiece territory, if not musically – similar cadences and production from Jack Antonoff and Aaron Dessner coat many songs with the same sheen – then lyrically.

It’s a bonafide headphones album, best experienced in the quiet to fully absorb the sadness and exasperation in Swift’s voice when she sings in the resentful “So Long, London,” (“I’m pissed off you let me give you all that youth for free”) and her ache on the melancholy piano ballad “Loml,” which will make your heart feel raked over with nails.

What guests does Taylor Swift have on her new album?

Post Malone is dancing closely to the fire known as "Call John Legend For a Feature" with his high-profile drops not only on Swift’s album, but Beyoncé’s “Cowboy Carter.”

While he offered a pedestrian contribution with Beyoncé, Posty fares better on “Fortnight,” the opening song on “TTPD” which he co-wrote with Swift and Antonoff.

A gentle thrumming in the background cushions Swift's darkly funny lyrics (“I was a functioning alcoholic ‘til nobody noticed my new aesthetic”) while Post Malone dips into the mesmerizing rhythm with some sweet vocals.

It’s also one of two songs to namedrop Florida. But the second, “ Florida!!! ,” co-written by and co-starring Florence Welch, is the standout, with Swift and Welch trading vocals over a stomping backbeat that is both cinematic and purposeful.

More: Taylor Swift name-drops Patti Smith and Dylan Thomas on new song. Here’s why

While it’s impossible to out-lyricize Swift, Welch nudges impressively close with her self-penned contribution: “Barricaded in the bathroom with a bottle of wine, well, me and my ghosts had a hell of a time.”

These two are ideal companions, musically and philosophically.

‘I Can Do it With a Broken Heart’ is one of Swift’s best Trojan horses

Synths flutter, an electro-pop beat pulses and the melody is structured as one of Swift’s trademark glistening pop gems.

But then the lyrics of “I Can Do it With a Broken Heart” kick in and Swift travels through the most potent psychological exploration of “the show must go on” since Smokey Robinson and The Miracles described “The Tears of a Clown” in 1967.

“I’m a real tough kid,” Swift sings, defiant as ever. “They said baby, gotta fake it til you make it … and I did.”

With humor and grace, Swift unfurls the anguish she hid while remaining very visible the past year, including blasting through an awe-inspiring three-hour show several nights a week on her world-spanning Eras Tour. But the song achieves liftoff with the dichotomy of Swift’s honeyed voice and her chant-singing, “I’m so depressed, I act like it’s my birthday, every day.”

It’s a clever entry into the complexity of mental health, and Swift, she of limitless ambition, flips her sorrow into something constructive, a Superwoman unbowed by pesky things like misery.

“I cry a lot but I am so productive,” she chirps, tongue firmly in cheek. “It’s an art … you know you’re good when you can do it with a broken heart.”

The capper is Swift declaring, “I’m miserable and no one even knows it!” as she laughs through the end of the song. But after recognizing what she’s endured, even her giggles lacerate.

More: All 11 of Taylor Swift's No. 1 songs ranked ahead of her 11th album release

Who is Clara Bow?

One of the most intriguing songs on “TTPD” is named for a 1920s-era silent film star and the layers run deep (paging all excavating Swifties!)

Is the choice of an actress who was seen and not heard on film a metaphor for her life with Alwyn, a cornerstone of which was privacy?

Or, as Swift sings from an observational post, does she merely resemble the alluring dark-lipsticked 20 th century star?

The wispy ballad finds Swift mimicking the words she (possibly) heard in her upstart years, such as “You look like Stevie Nicks ,” before the storyline comes full circle with a new rookie being told, “You look like Taylor Swift … you’ve got edge, she never did.”

It’s meta, yes, but Swift often subscribes to glancing back to lunge forward – always saturated in poetic sensitivity.

What is ‘The Tortured Poets Department: The Anthology’?

The 15 additional songs Swift dropped a mere two hours after providing an emotional wallop with the first batch include four of the tracks already announced as bonuses: “The Manuscript,” “The Bolter,” “The Albatross” and “The Black Dog.”

Among the others, Swift is especially pointed on the gently swelling acoustic guitar-based “Chloe or Sam or Sophia or Marcus,” a song that seemingly references her fling with Matty Healy (she laments being unable to save someone who “needed drugs” and was always just out of reach).

Her strongest vitriol, however, is reserved for “Thank you, Aimee,” which fans surmise digs into her feud with Kim Kardashian . But Swift is bold and forthright when schooling “Aimee” about her success in spite of criticisms – a familiar, if still welcome, page from Swift’s playbook.

A trio of “name” songs – “Cassandra,” “Peter” and “Robin” – are all winsome ballads couched in pretty piano melodies. “Peter” is especially endearing with its waltzing rhythm and Swift’s warm vocals on this ode to a childhood friend (“The goddess of timing once found us beguiling,” she sings).

But a highlight is the bouncy “So High School,” which finds Swift singing and strumming guitar with the breezy glow of ‘ 90s-era Sheryl Crow. Is her focal point current paramour Travis Kelce ? Lyrics including “You know how to ball, I know Aristotle” and “I feel so high school every time I look at you,” are significant indications. But more importantly, the song pulls Swift out of the sludge and into the sun.  

Tishoury Tours

9 Hours Private Tour of Giza Pyramid Sphinx Saqqara and Memphis

Tishoury tours (cairo, egypt): hours, address, - tripadvisor.

(+2) 012 2688 5666 [email protected]

Tishoury Tours Group:

Egypt Branches: Tishoury Tours Cairo :  8 El-Obour Building, Salah Salem Road ,Cairo , Egypt Tel.: +(2) 02 2405 5062 – 2405 5063 – 2405 5064 Fax: +(2) 02 2405 5027 Hotline # 19821 

Hot Line # +2 012 26885666

Email:  [email protected] Email:  [email protected] Website:  www.tishourytours.com

Tishoury Tours Alexandria: 4 Fawzy Moaaz St. – Sumoha , Alexandria, Egypt Tel.: +(2) 03 424 2594 – 03 420 8193 – 03 420 8196

© Tishoury Tours Group - All Rights Reserved. Last Update 2023 

Entertainment | BROADWAY REVIEW: ‘Heart of Rock and Roll’ is…

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Subscriber only, entertainment | broadway review: ‘heart of rock and roll’ is funny, unpretentious ’80s fun.

Back in the 1980s, Huey Lewis and the News were sometimes compared with The Cars and even Elvis Costello. But their string of catchy hit singles also had the distinctive everyman air of flowing out of a bunch of regular dudes who could just as easily have been headlining your local tavern.

That’s presumably why book writer Jonathan A. Abrams (working from a story co-written with Tyler Mitchell) set the new jukebox musical “ The Heart of Rock and Roll ” in Milwaukee and Chicago, even though Lewis was born in NYC and raised in California. His numerous hits like “This is It,” “Stuck With You,” “Giving It All Up for Love,” and “Power of Love” just seem to fit the Midwest gestalt.

Over time, these earworms often have become disassociated with their creators; most everyone knows “The Heart of Rock and Roll,” but Huey Lewis and the News are rarely top of mind.

Ideal fodder, then, for a modestly scaled and warm-hearted jukebox show that might prove to be one of the sleeper hits of the season. That’s thanks to an inestimably witty book with plenty of hard laughs and a suite of winning lead performances under director Gordon Greenberg .

With the help of a killer ensemble decked out in glittery ’80s trashiness, Lorin Latarro’s tour de force choreography starts on an industrial assembly line and then lets young bodies move energetically and unpretentiously through time and space. The show captures much of “Road House” or even “Dirty Dancing,” as well as drawing from the Broadway world of “ Rock of Ages ” and “ School of Rock .”

It’s a sort of gritty, Midwestern “ Mamma Mia ,” with paper-pushers and Lake Michigan basement dwellers taking the place of the beautiful Greeks astride the Ionian Sea.

The premise here is that working-class Bobby (Corey Cott) has given up on his dream of being in a successful band and gone to work for a Wisconsin cardboard box company (an industry that keeps on giving in the gag department. But you can’t keep an ambitious guy down. Bobby crashes a sales convention in Chicago’s Drake Hotel, simultaneously trying to prove to company owner Stone (John Dossett) and his daughter — and Bobby’s love interest — Cassandra (McKenzie Kurtz) that he can strike a deal with an IKEA-like mogul, Fjord (Orville Mendoza), for more boxes than Milwaukee has Miller Lites.

Obstacles are in the way: Cassandra has a Princeton “Pez Dispenser” (Billy Harrigan Tighe) wooing her and Bobby has old bandmates (F. Michael Haynie, Raymond J. Lee and John-Michael Lyles) who want him back. Then there’s the head of H.R., Roz (Tamika Lawrence), who has dreams of her own.

None of this is to be taken too seriously, and there is no reinvention nor pretentious grabs for awards and critical acclaim. “The Heart of Rock and Roll,” which does not look like it cost $30 million dollars and is all the better for that, feels happy to play to its target audience of Huey fans who prefer a decent beer to Moet & Chandon any night of the week.

Aside from a truly lovely central performance from Cott, all handsome heart and full-on commitment to his loser guy’s optimism, the biggest surprise of this show is how funny it turns out to be. There’s a series of wicked lines that reminded me of both Tina Fey and “The Office,” given how often H.R. and paper factor in the plot.

The show is never crass and does not overpush its genuinely warm welcome from the work-weary. Hip to be square indeed.

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