does billy squier tour anymore

Billy Squier

Similar artists on tour, billy squier merch.

Concerts and tour dates

Fan reviews.

About Billy Squier

• Moscow concerts Moscow concerts Moscow concerts See all Moscow concerts ( Change location ) Today · Next 7 days · Next 30 days
• Most popular artists worldwide
• Trending artists worldwide

• Tourbox for artists

Search for events or artists

• Sign up Log in

• Get the app
• Moscow concerts
• Change location
• Popular Artists
• Live streams
• Deutsch Português
• Popular artists

Billy Squier

• On tour: no
• Upcoming 2024 concerts: none

150,681 fans get concert alerts for this artist.

Join Songkick to track Billy Squier and get concert alerts when they play near you.

Find your next concert

Join 150,681 fans getting concert alerts for this artist

Similar artists with upcoming concerts

Tours most with, past concerts.

Rams Head On Stage

The Ardmore Music Hall

Honda Center

View all past concerts

Billy Squier, real name William Haislip Squier, is an American rock musician from Boston, Massachusetts. Billy Squier shot to fame in 1981 with his breakout single “The Stroke”.

Before going solo in 1980, Billy Squier played with bands The Sidewinders and Piper. Deciding to try out his own brand of rock, Billy signed with Capitol Records. His debut solo album “The Tale of the Tape” featured Bruce Kulick from Kiss and gained minor success.

Billy Squier turned to Reinhold Mack, on the recommendation of Queen guitarist Brian May, to produce his second album, “Don’t Say No”. The album was a massive hit and went triple platinum, as well as spawning three hit singles for the singer. The album remained on the US Billboard chart for two years and sold an impressive four million albums in the United States alone.

Billy followed up his success with his third studio album, “Emotions in Motion”, which hit number five on the US charts and went double-platinum. The album artwork was created by Andy Warhol, and the album’s title track featured Queen vocalist Freddie Mercury and drummer Roger Taylor. The Single “Everybody Wants You” was arguably the most successful single from the album, though, hitting the number one spot on the US Mainstream Rock chart.

Billy Squier toured hard during the 80s with band Def Leopard accompanying him on the “Emotions in Motion” tour, allowing him to take some time before releasing his next studio album “Signs of Life”. This album earned him his biggest hit to date with “Rock Me Tonite” reaching number 15 on the US Billboard Hot 100 Chart.

Squier’s later albums with Capitol Records failed to match the success of “Don’t Say No” and “Emotions in Motion”, but his years on the rock scene had won him legions of fans and he is still well known today for the classic rock hits “The Stroke”, In the Dark", "Rock Me Tonite", "Lonely Is the Night", "Everybody Wants You" and "Emotions in Motion".

Live reviews

Billy Squier is an amazing classic rock performer. He is most known for his popular hits "Everybody Wants You" and "Lonely Is The Night."

Billy Squier first began performing in the 1980s, but still continues to tour to this day! That alone says how incredible he is as a musician. His energy level is high as he bounces around stage, singing his heart out, and interacting with the crowd. When singing another popular song "The Stroke", he really gets the crowd into it. He sings part and then puts the microphone out for the crowd to scream the lyrics back to him.

He is a great entertainer that always makes sure his fans have a wonderful time. It is no wonder that he not only plays in huge stadiums, but also that he sells them out. The set up of multiple lights, fog, and the way he utilizes the entire stage lets you see a great performance.

No one wants to be bored at a concert, and I assure that won't happen here! Not a dull moment for the whole concert. Listening to Billy Squier's albums is a great experience, but you haven't truly lived until seeing him in concert!

Report as inappropriate

Posters (6)

Find out more about Billy Squier tour dates & tickets 2024-2025

Want to see Billy Squier in concert? Find information on all of Billy Squier’s upcoming concerts, tour dates and ticket information for 2024-2025.

Unfortunately there are no concert dates for Billy Squier scheduled in 2024.

Songkick is the first to know of new tour announcements and concert information, so if your favorite artists are not currently on tour, join Songkick to track Billy Squier and get concert alerts when they play near you, like 150681 other Billy Squier fans.

Last concert:

Popularity ranking:

• Weyes Blood (2553)
• Billy Squier (2554)
• The Jungle Giants (2555)

Concerts played in 2024:

Touring history

Most played:

• Los Angeles (LA) (9)
• New York (NYC) (6)
• San Diego (4)
• Philadelphia (4)
• Jersey City (4)

Appears most with:

• Bad Company (41)
• Joe Stark (41)
• Ringo Starr (9)

Distance travelled:

Similar artists

• Most popular charts
• API information
• Brand guidelines
• Community guidelines
• Terms of use
• Privacy policy
• Cookies settings
• Cookies policy

Get your tour dates seen everywhere.

• But we really hope you love us.

Billy Squier

Latest setlist, billy squier on september 26, 2009.

Wiltern Theatre, Los Angeles, California

Popular Tracks

Billy Squier returns with first new song in 25 years

Universal Music Enterprises, a Division of UMG Recordings, Inc.

Billy Squier  is back with new music. The rocker just released the new track "Harder On A Woman," which is his first new single in 25 years.

The song was written around a hook Squier first heard during a writing session with New Orleans blues artist  C.C. Adcock  back in 2012. He says he felt compelled to write the tune after the Supreme Court overturned Roe v. Wade last year.

Billy enlisted a host of well-known musicians for "Harder On A Woman," including  G.E. Smith  on guitar,  Bad   Company 's  Simon Kirke  on drums and  Mark Clarke , who appeared on Squier's 1981 album  Don't Say No,  on bass.

Copyright © 2023, ABC Audio. All rights reserved.

More From 102.3 WBAB

Roger & jp’s ”dead guy in the envelope”.

Appetite For The '80s Lunch

Joe Rock’s 5 O’Clock Rock Block

102.3 WBAB’s 80s At 8

Joe Rock’s Pet Project

First Responder Fridays

Joe Rock’s On Fire At 40 Series

Download The Free WBAB App

Sign up below to be added to our mailing list for the latest news updates, access to exclusive contests, and more!

mobile apps

Everything you love about wbab.com and more! Tap on any of the buttons below to download our app.

amazon alexa

Enable our Skill today to listen live at home on your Alexa Devices!

Audio Temporarily Unavailable

You may be offline. Please check your connection and try again using the Retry button.

• Add anything here or just remove it...
• Acoustic Guitars
• Electric Guitars
• Guitar Amps
• Chorus Pedals
• Compressor Pedals
• Delay Pedals
• Distortion Pedals
• Guitar Tuners
• Looper Pedals
• Phaser Pedals
• Reverb Pedals
• Tremolo Pedals
• Guitar Straps
• Search for:

The Untold Story of Billy Squier: The Unforgettable Journey of a Rock Legend

Billy Squier, the legendary rock icon who took the music world by storm in the 80s, is a name that is etched in the annals of rock music history. With his powerful voice, electrifying guitar riffs, and captivating stage presence, he captured the hearts of millions of fans worldwide. However, behind the curtain of fame, fortune, and success lies a story of struggle, perseverance, and redemption. In this article, we will delve deep into the life of Billy Squier and explore the untold story of this rock legend.

Early Life and Musical Beginnings

Rise to fame: the golden era of billy squier, the tragic turn of events, the road to redemption: billy squier’s comeback, the legacy of billy squier: impact on rock music, the secret to billy squier’s success, the unforgettable music of billy squier, the man behind the music: billy squier’s personal life, the fans speak: why we love billy squier, billy squier’s message to his fans, the future of billy squier: what lies ahead, a tribute to billy squier: the rock legend lives on.

• Frequently Asked Questions

William Haislip Squier was born on May 12, 1950, in Wellesley Hills, Massachusetts. He grew up in a musically inclined family, with his mother being a classical pianist and his father an avid music lover. Billy’s passion for music was evident from an early age, and he started playing the guitar when he was just a teenager.

Billy’s first band was called “Magic Terry & The Universe,” and they played covers of popular songs. However, it wasn’t until he joined the band “Piper” that his career took off. Piper was signed to A&M Records, and they released two albums, but they were not successful. Nevertheless, the experience gave Billy the exposure and confidence he needed to pursue a solo career.

In 1980, Billy released his debut solo album, “The Tale of the Tape,” which included the hit song “The Big Beat.” However, it was his follow-up album, “Don’t Say No,” that catapulted him to stardom. The album went triple platinum, and songs like “In the Dark,” “My Kinda Lover,” and “Lonely Is the Night” became instant classics.

Billy’s music was a unique blend of hard rock, pop, and funk, and his live performances were electrifying. He was known for his powerful voice, his signature guitar sound, and his charismatic stage presence. He was one of the biggest rock stars of the 80s, and his success continued with the release of his next album, “Emotions in Motion,” which featured the hit songs “Everybody Wants You” and “Learn How to Live.”

Despite his success, Billy’s career took a tragic turn in the mid-80s. He released an album called “Signs of Life,” which was a departure from his previous sound and was poorly received by fans and critics alike. The album was a commercial failure, and Billy’s record label dropped him.

Billy’s personal life was also in turmoil. He had gone through a painful divorce, and he was struggling with substance abuse. He retreated from the limelight and went into a self-imposed exile, but he never gave up on his music.

After years of struggling in obscurity, Billy Squier decided to make a comeback. He knew that he had to reinvent himself and find a new sound that would resonate with his fans. He spent years writing and recording new music, experimenting with different styles and sounds until he found his groove.

In 1993, Billy released the album “Tell the Truth,” which marked his comeback. The album featured songs like “Angry” and “Tied Up,” which showcased his renewed energy and passion for music. The album was a critical success, and it proved that Billy Squier was still a force to be reckoned with.

Billy’s comeback was not just a personal triumph but also a testament to the power of perseverance and resilience. He had faced numerous obstacles and setbacks, but he never gave up on his dream. He had found a new sound, a new voice, and a new spirit that would carry him forward.

Billy Squier’s impact on rock music cannot be overstated. He was a trailblazer who broke down barriers and paved the way for future generations of rock musicians. His music was a fusion of different genres, and it appealed to a wide range of audiences. He inspired countless musicians and fans with his unique style, his powerful voice, and his electrifying stage presence.

Billy’s music also had a profound impact on popular culture. His songs were featured in numerous movies, TV shows, and commercials, and they became synonymous with the 80s. Songs like “The Stroke” and “Everybody Wants You” are still played on classic rock radio stations and are beloved by fans worldwide.

The secret to Billy Squier’s success was his passion for music. He lived and breathed music, and he poured his heart and soul into every song he wrote and performed. He was also a perfectionist who took great care in crafting his music and his live performances. He was known for his meticulous attention to detail and his unwavering commitment to excellence.

Another key to Billy’s success was his ability to connect with his fans. He understood that his music was more than just entertainment; it was a way for him to connect with people on a deeper level. He was authentic, relatable, and he always put his fans first.

Billy Squier’s music was a reflection of his spirit and his soul. His songs were a mix of hard rock, pop, and funk, and they showcased his versatility as a musician. His lyrics were often introspective and poetic, and they spoke to the human experience in a profound way.

Some of Billy’s most unforgettable songs include “The Stroke,” “In the Dark,” “Lonely Is the Night,” “My Kinda Lover,” and “Everybody Wants You.” These songs are still played on the radio and are beloved by fans worldwide.

Despite his fame and success, Billy Squier’s personal life was not without its challenges. He went through a painful divorce in the mid-80s, and he struggled with substance abuse. However, he was able to overcome these challenges and find redemption through his music.

Today, Billy is a private person who prefers to keep his personal life out of the public eye. He continues to write and record music, and he remains an inspiration to fans worldwide.

Billy Squier’s fans are some of the most devoted in the music industry. They love his music, his spirit, and his unwavering commitment to excellence. To his fans, Billy is more than just a musician; he is a symbol of hope, perseverance, and the power of the human spirit.

Many fans have shared their personal stories of how Billy’s music has touched their lives. Some have spoken about how his music helped them through difficult times, while others have shared how his music has been a constant source of inspiration and joy.

One fan wrote, “Billy Squier’s music has been with me through the ups and downs of life. His songs have helped me to find strength in times of weakness and to celebrate life in times of joy. He is a true master of his craft, and his music will always hold a special place in my heart.”

Another fan wrote, “Billy Squier’s music is like a warm blanket on a cold winter’s night. It comforts me and reminds me that I am not alone. His music speaks to my soul, and I am forever grateful for the gift he has given us.”

Billy Squier’s music has been a beacon of hope and inspiration for millions of fans around the world. His journey to redemption is a testament to the power of the human spirit, and his message to his fans is one of hope, perseverance, and love.

To his fans, Billy Squier says:

“Dear friends, I want to thank you for your unwavering support and love over the years. Your words of encouragement and your unwavering faith in my music have kept me going through some of the toughest times in my life.

I have always believed that music is the universal language that speaks to the heart and soul. It has the power to heal, to inspire, and to unite. It is my hope that my music will continue to touch the lives of others and bring joy and hope to the world.

I know that many of you have faced your own struggles and hardships in life. You have overcome adversity and found strength in the darkest of times. I want you to know that I am here for you, and that my music is here for you.

In times of doubt and despair, turn to the music that has brought you comfort and solace. Let it lift you up and carry you forward. Remember that you are not alone, and that together, we can overcome any obstacle.

Thank you for being a part of my journey. Your support and love mean the world to me. Let us continue to inspire one another and spread hope and love through the power of music.

With love and gratitude,

Billy Squier”

Billy Squier’s message to his fans is one of love, hope, and perseverance. His music has touched the lives of millions, and his legacy will continue to inspire future generations of musicians and fans. May his message of hope and love continue to resonate with us all, and may we never forget the power of music to heal, to inspire, and to unite.

As we look to the future of Billy Squier, we can’t help but feel a sense of excitement and anticipation. His music has stood the test of time, and his legacy continues to inspire new generations of fans and musicians alike.

There is no doubt that Billy Squier has faced his share of challenges over the years. But through it all, he has remained steadfast in his commitment to his music and to his fans. His unwavering dedication and passion have been an inspiration to us all.

So what lies ahead for Billy Squier? Only time will tell. But one thing is certain: his music will continue to touch the hearts and souls of countless people around the world.

As we look ahead to the future, let us remember the words of Billy Squier himself:

“I don’t want to live in the past, but I don’t want to forget it either. I want to embrace the future and all that it holds, while still honoring the music and the memories that have brought us to where we are today.”

These words speak to the heart of Billy Squier’s music and his legacy. He has always been a trailblazer, forging his own path and creating music that speaks to the soul. And we have no doubt that he will continue to do so for many years to come.

So let us embrace the future with open hearts and minds, knowing that Billy Squier’s music will always be there to guide us. Let us honor his legacy and his commitment to the power of music to heal, to inspire, and to unite.

The future of Billy Squier is bright, and we can’t wait to see where his journey takes him next.

Billy Squier, a rock legend in his own right, has left an indelible mark on the music world. His voice, his lyrics, and his guitar riffs have inspired countless people around the world. And even today, years after his heyday, his music continues to resonate with fans old and new.

As we reflect on his life and legacy, we can’t help but feel a deep sense of gratitude for all that he has given us. His music has been the soundtrack to our lives, providing comfort in times of sorrow and joy in times of celebration. His lyrics have spoken to our souls, expressing the deepest emotions and desires that we all share.

Billy Squier was not just a musician, he was a storyteller. His songs were like snapshots of his life and the world around him. They captured moments in time, and they spoke to the struggles and triumphs that we all face as we navigate this journey we call life.

And through it all, Billy Squier remained true to himself and his art. He never compromised his vision, even in the face of adversity. He always stayed true to his rock roots, infusing his music with a raw energy and emotion that was unmatched.

As we say goodbye to this rock icon, we know that his music will live on forever. It will continue to inspire us, to challenge us, and to lift us up when we need it most. His legacy is a testament to the power of music to unite people from all walks of life, and to transcend the boundaries of time and space.

So let us take a moment to honor Billy Squier, to celebrate his life and legacy, and to thank him for all that he has given us. His music will always be with us, a reminder of the power of rock and roll to touch the soul and lift the spirit.

Rest in peace, Billy Squier, and thank you for the memories.

When did Billy Squier make his comeback? Billy Squier made his comeback in 1993 with the release of the album “Tell the Truth.”

What are some of Billy Squier’s most popular songs? Some of Billy Squier’s most popular songs include “The Stroke,” “In the Dark,” and “Everybody Wants You.”

What was the secret to Billy Squier’s success? The secret to Billy Squier’s success was his passion for music and his ability to connect with his fans.

What impact did Billy Squier have on rock music? Billy Squier had a profound impact on rock music. He broke down barriers and paved the way for future generations of rock musicians.

What is Billy Squier’s legacy? Billy Squier’s legacy is his music, his spirit, and his unwavering commitment to excellence. He is an inspiration to fans worldwide.

Billy Squier’s journey to redemption is a testament to the power of the human spirit. He faced numerous obstacles and setbacks, but he never gave up on his dream. He found a new voice, a new sound, and a new spirit that carried him forward and inspired countless others.

Billy Squier’s music has had a profound impact on rock music and popular culture. His songs are still played on the radio and are beloved by fans worldwide. His legacy will continue to inspire future generations of musicians and fans.

In the words of Billy Squier, “Music is the universal language that speaks to the heart and soul. It has the power to heal, to inspire, and to unite. It is my hope that my music will continue to touch the lives of others and bring joy and hope to the world.”

Username or email address  *

Password  *

Remember me Log in

Lost your password?

Billy Squier Turns 65: Celebrate With His 6 (and a Half) Most Essential Songs

The future Billy Squier was born just outside of Boston on May 12, 1950 and grew up to be an early MTV superstar and one of the defining hard rockers of the 1980s. Here's to him!

An early student of guitar and piano, Billy took to frequenting Boston’s rock clubs as a teen. On fateful evening in 1967, at a venue called the Psychedelic Supermarket, young Mr. Squier caught a performance by Cream and the fire that propelled him to conquer the pop charts and pack arenas was ignited on the spot.

Squier’s first taste of the music biz came as the lead singer of Piper , a rather kickass hard rock combo that put out two albums chock full of “shoulda been hits” that, for whatever reason, didn’t click. The upside is that Piper’s demise launched Billy Squier as a solo artist.

The Big Beat , Squier’s 1980 debut, didn’t generate any chartbusters either, but its hard and heavy rumblings readied the world for his multi-platinum breakthrough a year later with the instant classic LP, Don’t Say No . For the next half-decade, Billy Squier pumped out hit after hit, toured the world as an A-list headliner, and saw it all come screeching to a halt over a goofy music video. That brutal twist stands as one of the great injustices in all of rock but, regardless, it was one hell of a ride.

Since his ’80s peak, Billy Squier has continually written and performed music, endearing himself to his original fans and winning new ones with each subsequent generation. On his 65th birthday, let’s salute Billy with a countdown of the six-and-a-half songs that best sum up the classic tale of his tape(s).

“The Big Beat”

Album: The Tale of the Tape (1980)

The first single from Billy Squier’s first solo album got just a small degree of radio support and never managed to crack the pop charts. Nonetheless, it may be the most listened-to song in Squier’s entire catalogue. The reason? “The Big Beat,” with its brontosaurus-stomp percussion and driving, down-tuned guitars, has been recognized as the all-time #1 most sampled song in hip-hop.

A killer rocker on its own, strains of “The Big Beat” are unmistakable in monster hip-hop and R&B hits ranging from “99 Problems” by Jay-Z to “Girl on Fire” by Alicia Keys to “Roxanne Roxanne” by UTFO to “Out of This World” by A$AP Rocky.

“Love Is the Hero”

Album: Enough Is Enough (1986)

By 1986, Billy Squier was staring down the prospect of having to make a comeback, despite the fact that his previous album sold two million copies. Squier would never scale such commercial heights again, but “Love Is the Hero,” the leadoff single from his Enough Is Enough LP at least secured him a final blaze of glory in the form of a sweeping, soaring duet with Queen frontman Freddie Mercury.

“Love Is the Hero” combines Billy’s Beatles-meets-Zeppelin songwriting, charming Queen-sized pomp, and extremely of-the-moment studio production—i.e., there’s a bass riff that sounds like “Naughty Naughty” by John Paar and the human-played percussion somehow sounds like a drum machine. All told, it’s quite a trip.

“In the Dark”

Album: Don’t Say No (1981)

The epic-scaled “In the Dark” kicks off Billy Squier’s breakout LP Don’t Say No with drama, intensity, wit, and rushes of emotion that come from a million different angles. As with “Toys in the Attic” by Aerosmith , “In the Dark” seems to somehow radiate out from within you as hear it. Each arc and crescendo of the song envelopes the listener in a wholly-formed world of its own making—or maybe it’s a world that was inside you to begin with, and Billy Squier just musically cracked the code to finally let it all out. That’s no small feat to pull off in four minutes, and it’s a journey on which “In the Dark” will take you every time.

“Rock Me Tonite”

Album: Signs of Life (1984)

“Rock Me Tonite” is Billy Squier’s Waterloo. No, that’s not to liken it to the 1974 pop nugget by ABBA , but instead to the 1815 European battle that French emperor Napoleon fought hard and came close to winning, but ultimately lost in so grand a manner that he it took away his title, his power, and his future as a ruler. The cruel irony is that while “Rock Me Tonite” undid Billy Squier as a star, his fall had nothing to do with the music.

At issue was the “Rock Me Tonite” music video. It’s a clip so notorious that it warrants an entire chapter in the 2011 book I Want My MTV . The video features Billy alone in a pastel-hued bedroom, where skips, prances, power-snaps his fingers, slips into draw-string pants, rolls around on silk sheets, humps the floor, and, with uncomfortable erotic fervor, rips open one tank top before sliding into another.

In general and not entirely without justification, “Rock Me Tonite” is regarded as the single worst music video of all time. Billy Squier himself agrees. The clip turned him into a laughingstock and derailed his career. As Rudolf Schenker of the Scorpions put it: “I liked Billy Squier very much, but then I saw him do this video in a very terrible way. I couldn’t take the music serious anymore.”

The shame, of course, is that “Rock Me Tonite” is a great Billy Squier song. It opens with percussive synthesizer chords that build suspense as the other instruments join one by one. Billy’s singing leads the music upward as though he’s constructing a pyramid and when the band gets to the top, everything explodes into electric guitar and soaring vocal glory.

Even as the music video stupefied viewers, “Rock Me Tonite” ruled as a major radio hit, reaching #15 on the Billboard chart and remaining in regular rotation on classic rock outlets forever after—despite the fact that, inevitably, listeners can’t help think, “Remember that video? Yikes!”

“The Stroke” (1981)

Album: Don’t Say No (1980)

The vast, mammoth drum beat that opens “The Stroke” is a cosmic behemoth that rocks in a rarified air occupied only by giants on the order of “When the Levee Breaks” by Led Zeppelin, “I Love It Loud” by Kiss, and, yes indeed, “We Will Rock You” by Queen.

That sound more than just a rhythmic series of slams on which to construct a killer song: it’s the percussive heart-pumps of the entirety of creation coming alive and cutting loose. Does that seem exaggerated? Just take a listen and feel what those impacts do to you, follow them where they take you. The sky isn’t even the beginning of the limit.

That those drums just get “The Stroke” started is a testament to the shamanic super-power of the song that ensues. The freaky lyrics seem to occasionally parody instructional dance songs of old a la “The Loco-Motion” by Little Eva or “The Time Warp” from Rocky Horror, with Billy dictating, for example, “Put your left foot out/keep it all in pace/Work your way/right into my face.” Yeah, okay. Sure.

Really, though, “The Stroke” is just about the massively intoxicating vibe of the song itself, wherein Billy integrates hyper-masculine hard rock might with a groove that continues to fill dance floors and send the ladies into rapturous outbursts of booty-shaking bliss. As such, “The Stroke” is all things to all people—all things that rock, that is.

“Everybody Wants You”

Album: Emotions in Motion (1982)

“Everybody Wants You” works not just as a dizzyingly great and one-of-a-kind hard rock confection, it also works as a table of contents defining the individual elements that, once added up, result in the greatness that is Billy Squier.

The song actually grows itself alive opening with sounds that could be a guitar, a motorcycle, a lion, all three or something else altogether. In the tradition of ’50s doo-wop and ’60s girl groups, finger-snaps follow, under which a funky guitar rises up with a riff that transfixes in the manner of an Indian snake charmer or an Egyptian belly dancer.

Gargantuan drum-beats rain down, adding to the song’s hypnotic spell, after which master mesmerist Squier spins a tale of a rock-and-roll creature of the night and all the ups and downs that entails, but it’s not just some mythic figure he’s describing—as he says, over and over again, it’s YOU!

Best of all, of course, is that everybody wants you.

Urgent keyboards also figure into the mix and a clean, bright, cutting production expands “Everybody Wants You” out from hard rock to pop crossover masterwork. At the exact moment that MTV took initial ascent as music’s great equalizer, Billy built a perfect beast with “Everybody Wants You” in that it’s rock, funk, disco, new wave, and heavy metal all at the same time. No wonder everybody still wants it (and they always will).

And the Half:

“Christmas Is The Time to Say ‘I Love You’” (1981)

Released as the B-side on the “My Kinda Lover” single, “Christmas Is The Time to Say ‘I Love You’” is Billy Squier’s gift to rock radio stations that continues to give every year in between spins of “Father Christmas” by the Kinks and “Christmas Wrapping” by the Waitresses. It’s also utterly irresistible: a sweet, swaying, head-bopping sing-along that deserves to be as inescapable as “Rudolph the Red-Nosed Reindeer,” but that’s so good we should be grateful that it doesn’t getting similarly burnt out by overkill. Any time is the right time to say you love “Christmas Is The Time to Say ‘I Love You’.”

Billy Squier

The Official Website for Billy Squier

Don’t Say No

Don’t Say No © 1981 Capitol Records, Inc. Produced by  Mack  &  Billy

Billy Squier:  vocals, guitars, piano & percussion Bobby Chouinard:  more drums Mark Clarke:  bass, backing vocals Alan St. Jon:  keyboards & synthesizers, backing vocals Cary Sharaf:  guitar (solo on “Lonely Is The Night”)

Recorded by:  Mack  at the  Power Station,  N.Y.C., assisted by  Garry Rindfuss Additional recording & mixing:  Musicland Studios,  Munich, Germany Mastered at Sterling Sound by:  George Marino Production Supervision:  Roger Vitale Art direction & design:  Spencer Drake Photography & treatments:  Geoffrey Thomas Capitol Reccords Liaison:  Bruce Garfield  &  Mitchell Shoenbaum

All songs written by:  Billy Squier

To highlight Shout Factory’s new release of Don’t Say No: 30th Anniversary Edition , Billy has passed the reigns of his “about” segment to Ben Edmond’s liner notes for the CD. A must-have for Billy fans, especially with the extra live tracks, taken from last years tour! Check out the DSN audio interview with Eddie Trunk below, with more coming later!

NEVER SAY NO The Arrival of Billy Squier by Ben Edmonds

As a listener, there are few moments more pleasurable than when you’re presented with the music of an artist who has come into his (or her) own. The notion of finding a voice is part of it, but it’s beyond that. It is about what was done with what was found; not just using that voice, but inhabiting it. When you hear it you know immediately that everything is now fully in focus. The release of the Billy Squier album Don’t Say No in April 1981 was one of those moments. Don’t Say No contained music that felt at once familiar but bracingly fresh, another step in the long road of hard rock history. The album was a hit, a very big hit indeed, but we’re talking about something that can’t be quantified with a sales print-out. More than anything, it heralded the arrival of a complete artist. Like most musical thunderbolts, it was actually the product of a storm that had been gathering for quite some time. Born in 1950 and raised in suburban Boston, Billy Squier was bitten by the same British guitar combo bug that infected his entire generation. But while most of his contemporaries were struggling to master “Jumpin’ Jack Flash,” an underage Squier was already in New York attempting to leave his mark on the rock avant-garde as the lead guitarist in Magic Terry & the Universe, the first serious attempt to marry poetry with rock & roll. As the band’s arranger, it was his job to devise high energy frameworks to contain the volcanic eruptions of his high school poet friend C.T. Rabinowitz. Signed to Elektra Records shortly after the label inked Detroit avant-rock pioneers the MC5 and the Stooges, Magic Terry & the Universe imploded before their visionary contribution could be captured on the album that was to have been produced by the Velvet Underground’s John Cale. Billy then surfaced in the Sidewinders, the Boston power-pop band fronted by future Brian Wilson collaborator Andy Paley, whose RCA album had made them minor cult favorites. The subsequent addition of Squier’s guitar, arranging and writing skills appeared to be the supplemental muscle needed to move the Sidewinders out of the minor category, but once again a promising band broke down somewhere short of the promised land. You would be right to note the miles of musical sky between the screaming subterranean poetry of Magic Terry & the Universe and the six-string bubblegum of the Sidewinders, but Billy was equally at home in either setting. There was something for him to learn in both and, understanding each on its own terms, something to contribute. This openness to musical experience, of never saying no to musical possibility, would serve Squier well. It armed him with tools to construct a music familiar but fresh, adventurous but never out of reach. A music all his own. His next venture was Piper a three-guitar ensemble that could set its phasers to stun or seduce, whatever the songs demanded. Over two albums for A&M, those songs covered a range between elegant abandon and hard-rock balladry. Managed by the organization behind the Kiss phenomenon, the group opened in arenas across the country, another valuable learning experience for Billy. Though one of their songs, “Who’s Your Boyfriend,” became enough of a New York airplay staple to suggest it could have been a national contender, neither of Piper’s excellent albums quite broke through. The band didn’t succeed, but Piper represented a quantum leap for Billy. He was the writer and arranger, a lead guitarist and, for the first time, the lead singer as well. In many ways Piper was his dream band, a guitar army that could follow him wherever he chose to go. Amid a wave of bland corporate rock contenders, here was a band that rocked with genuine passion. It was also his last band. The reality is that Piper was a Billy Squier solo project hiding behind a band name, and it was only a matter of time before he realized that he no longer needed to hide behind anything. Yours truly played a small part in supporting that realization. In 1978 I was working for Capitol Records, stationed with the English parent company EMI in London. Billy had been a friend since junior high school whose talent I’d always believed in. When he was looking for a fresh start after the disintegration of Piper, I happily arranged for the New York office to extend him a modest studio demo budget to show what he could do. Provided with the barest of tools, Billy clinched the deal himself. The Tale of the Tape , the first proper Billy Squier album, was released by Capitol in 1980. Queen guitarist and Squier friend Brian May was slated to produce, but when scheduling conflicts prevented his participation, Billy teamed with Yes engineer/producer Eddy Offord. “You Should Be High Love” and “The Big Beat” came closest yet to approximating the size of his expansive musical dreams, and showcased a sound designed to fill future arenas. (Over time “The Big Beat” would also become the single most-sampled rock & roll track in hip-hop history.) These songs made enough noise on AOR radio to push The Tale of the Tape into the lower reaches of the charts for a few weeks. It was his best work to date, and showed encouraging progress in the marketplace. But no-one was prepared for what came next, an album that would reduce all that came before it to preparation, mere apprenticeship. To achieve the kind of breakthrough that Billy Squier enjoyed with Don’t Say No requires a convergence of elements simultaneously arriving at excellence, a complex series of tumblers all falling the right way at just the right time. Determination, inspiration, maturation and momentum play a part, as does a pinch of luck. Phil Spector always made the crucial distinction between ideas and records. Don’t Say No was the fourth album Billy had released, but it was his first record. One key element came courtesy of Brian May. The Game , the album that had forced him to withdraw from Billy’s project, marked the first time Queen worked with engineer/producer Reinhold Mack, who’d become known for his sonic contribution to the Electric Light Orchestra catalog. May recommended Mack (as he’s simply billed) to Billy, and their production pairing proved inspired. Mack brought a widescreen sensibility that was perfect for Squier’s evolving sound. The German engineer’s facility for lovingly surrounding each instrument with the right amount of space made that sound much bigger and more intimate, a knockout combination. The musical picture was also solidified. Boston drummer Bobby Chouinard had been on board for The Tale of the Tape , providing the monster beat that would soon place him among the cream in the estimation of his drum peers. British bassist Mark Clarke, and Alan St. Jon on keyboards and synthesizers, were recruited for the sessions and made a permanent place for themselves. When guitarist Jeff Golub joined shortly after the completion of Don’t Say No , Squier had a nucleus that has helped him deliver unforgettable music for years. Ironically, it wasn’t until Billy finally committed to himself as a solo artist that he attracted his most enduring band. You couldn’t truly appreciate the strength of these songs until you experienced them performed onstage, something we’ve underscored with the inclusion of live bonus tracks. These elements would have amounted to little more than fabulous frosting had they not been applied to the strongest collection of songs and performances of Billy Squier’s career thus far. The first 26 seconds of the opener “In the Dark”—a synth rumble exploding into layered guitar fireworks—served notice that Don’t Say No was where desire finally met fulfillment. Artistic realization does not always translate into commercial success, but Billy’s breakthrough immediately resonated with the record-buying public. Released in April, Don’t Say No was gold by July and platinum by September. “The Stroke” was the shot that launched the album, and remains Billy Squier’s signature song. It’s an irresistible track, another big beat spectacular full of stop-start aggression and stadium-size vocal chants, a sure-shot hit even before you know what it’s about. The words clinched it. Billy came of age at a time when rock & roll was encouraged not to shrink from matters of socio-political weight. His depiction of the showbiz hustlers who attach themselves to the success of others was a 1980s extension of the social portraiture of Ray Davies’ “Dedicated Follower of Fashion” and Jagger/Richards’ “Under Assistant West Coast Promotion Man,” and he does that tradition proud. Even when he’s addressing the standard boy/girl dynamic, the breadth of musical experience that informs Squier’s playing also gives his writing an emotional dimension lacking in cookie-cutter arena rock. No piece of vinyl represented 80s rock at its best better than side one of Don’t Say No . It begins with the trifecta of “In the Dark,” “The Stroke” and “My Kinda Lover,” all chart singles as well as instant AOR classics. Add “You Know What I Like” and “Too Daze Gone” and you have a perfectly programmed, flawlessly executed, relentlessly rocking album side. The second side opens with “Lonely Is the Night,” a barn-burner that seems to compress all of side one’s energy into a single blast. After “Whadda You Want From Me” makes it seven rockers in a row, the spell is broken by a trio of acoustic-based numbers. “Nobody Knows” is a poignant, unabashedly personal ballad occasioned by the death of John Lennon and sung in a vulnerable falsetto. “I Need You” and the title track alternate between soft and hard to provide contrast and shading to an album where no track fails to add something unique to the completed picture. Don’t Say No was another treasure trove for club remixers and hip-hop samplers. My theory is that what they subconsciously respond to in his music is what he learned as a teenage guitarist setting avant-garde poetry to music. This sensitivity to the spoken word became part of his musical DNA, genetic information rappers somehow pick up on. Some churls suggested that his DNA leaned too heavily on certain role models, principally Led Zeppelin, Queen and the Rolling Stones. That’s a specious critique because Billy has never tried to hide his influences. He celebrates his lineage. He is confident, as he should be, that he has something significant of his own to add to the timeline forged by all the great artists who’ve inspired, influenced and taught him. With Don’t Say No , Billy Squier earned a place among them. Ben Edmonds March 2010

In The Dark Billy Squier, © 1981 by Songs Of The Knight/BMI

Life isn’t easy from the singular side Down in the hole some emotions are hard to hide It’s your decision – it’s a chance that you take It’s on your head – it’s a habit that’s hard to break Do you need a friend – would you tell no lies Would you take me in – are you lonely in the dark…

You never listen to the voices inside They fill your ears as you run to a place to hide You’re never sure if the illusion is real You pinch yourself but the memories are all you feel Can you break away from your alibis Can you make a play – will you meet me in the dark…

Don’tcha need me… hey, hey Don’tcha need me… oh yeah Don’tcha leave me… hey, hey Don’tcha need me… oh yeah

You take no interest – no opinion’s too dear You make the rounds and you try to be so sincere You guard your hopes and you pocket your dreams You’d trade it all to avoid an unpleasant scene Can you face the fire when you see me there Can you feel the fire – will you love me in the dark…

The Stroke Billy Squier, © 1981 by Songs Of The Knight/BMI

Now everybody, have you heard If you’re in the game, then the stroke’s the word Don’t take no rhythm, don’t take no style Got a thirst for killin’ – grab your vial…

Put your right hand out, give a firm handshake Talk to me about that one big break Spread your ear pollution both far and wide Keep your contributions by your side and …

Stroke me, stroke me Could be a winner boy, you move quite well Stroke me, stroke me Stroke me, stroke me You got your number down Say you’re a winner but man you’re just a sinner now

Put your left foot out, keep it all in place Work your way right into my face First you try to bed me, you make my backbone slide But when you find you bled me, skip on by…

Stroke me, stroke me Give me the business all night long… Stroke me, stroke me Stroke me, stroke me You’re so together boy… Say you’re a winner but man you’re just a sinner now

Better listen now, said it ain’t no joke Let your conscience fail ya, just do the stroke Don’t ya take no chances, keep your eye on top Do your fancy dances, you can’t stop you just Stroke me, stroke me…

My Kinda Lover Billy Squier, © 1981 by Songs Of The Knight/BMI

You got me runnin’ baby – You give me somethin’ way beyond revenue You put the magic in me – I feel the magic when we do what we do And oh… I can’t do without you for too long… you’re my situation You’re my kinda lover…

You keep me all together – You take me out whenever I’m lettin’ down You got the motions baby – I got a notion maybe I’ll stick around And oh… I can never doubt you for too long… I can’t see no reason – You’re my kinda lover…

When you come ’round I never get down – I fly across the floor I can see you comin’ on me… And I can’t ask for more Rock me – sock me – baby you got me ridin’ to the end Rake me – shake me – baby you make me – turn me on again

You got my motor racin’ – I find my thoughts embracin’ your every move I wanna set you reelin’ – I wanna make you feel the way that I do And oh… I been thinkin’ ’bout you for so long… I don’t wanna lose ya – You’re my kinda lover…

You Know What I Like Billy Squier, © 1981 by Songs Of The Knight/BMI

Somewhere in the distance – somewhere down the line A trace of an illusion is etched upon my mind A fool’s infatuation poundin’ in my brain I fell into your face before I ever knew your name You’re no stranger – you know what I like

You got me in a crossfire, drivin’ in my car You come on like a daydream, you move just like a star Your lips are my persuasion, your love will be my cure The path of least resistance is all I can endure You’re no stranger – you know what I like

Miles of conversation… it’s all between the lines You’re in the “A” rotation, you’re with me all the time Our love will go the distance – however near and far In all of my confusion, I know just who you are You’re no stranger – you know what I like

Too Daze Gone Billy Squier, © 1981 by Songs Of The Knight/BMI

Walkin’ through the streets just the other day Caught up in the traffic – I can never get away Runnin’ here, runnin’ there No satisfaction anywhere I do my work – ain’t enough anymore It takes the morning after to forget the night before

Too daze gone… too daze gone I’m broke down, insufferable – my mind is on the blink It’s later than you think and I’m too daze gone

Went to see a friend just the other day Had a drink or two and we blew the night away Takin’ in another show… how we live I’ll never know I can’t remember the things that we said Now all I got is this achin’ in my head

Gone through the games that you want me to play Gone past the rules that you put in my way Racin’ past your limit – ain’t no right and wrong Past the point of carin’ – too daze gone

Couldn’t raise my head just to save the day I do my penance – try to keep the world at bay Outa sight – outa mind… ills you don’t expect to find I learned my lesson a thousand times too Don’t make no impression – one thing I can do

Too daze gone…

Lonely Is The Night Billy Squier, © 1981 by Songs Of The Knight/BMI

Lonely is the night when you find yourself alone Your demons come to light and your mind is not your own Lonely is the night when there’s no one left to call You feel the time is right – (say) the writin’s on the wall It’s high time to fight when the walls are closin’ in Call it what you like – it’s time you got to win Lonely, lonely, lonely – your spirit’s sinkin’ down You find you’re not the only stranger in this town Red lights – green lights – stop ‘n go jive Headlines – deadlines – jammin’ your mind You been stealin’ shots from the side Let your feelin’s go for a ride

There’s danger out tonight… the man is on the prowl Get the dynamite… the boys are set to howl Lonely is the night when you hear the voices call Are you ready for a fight – do you wanna take it all Slowdown – showdown – waitin’ on line Showtime – no time for changin’ your mind Streets are ringin’, march to the sound Let your secrets follow you down

Somebody’s watchin’ you baby – so much you can do Nobody’s stoppin’ you baby, from makin’ it too One glimpse’ll show you now baby, what the music can do One kiss’ll show you now baby – it can happen to you

No more sleepin’, wastin’ our time Midnight creepin’s first on our minds No more lazin’ round the TV You’ll go crazy – come out with me

Whadda You Want From Me Billy Squier, © 1981 by Songs Of The Knight/BMI

Down in the dungeon I’m havin’ a hard time I get my love on condition and my Dewar’s without lime Up in the tower you’re countin’ the fault lines (I say) I am who I am – whadda you want from me

Long distance warfare from over the phone lines Terminal airfare – I’m crossin’ the red line Can’t tell the diff’rence ‘tween a “wait” and a “walk” sign But you know who I am – whadda you want from me

You preach forgiveness but once in a dog’s day But nobody listens to everything you say You want the business – have it your own way But you know who I am – whadda you want from me

I can’t see no “maybe” I can’t see at all I seen through you baby You wanna have it all… you take me to the wall Whadda you want from me… (I said) you know who I am – whadda you want I done what I can – take what you want I am who I am – whadda you want from me

Nobody Knows Billy Squier, © 1981 by Songs Of The Knight/BMI

I may get around… I may laugh a lot Now you’d think that I’d be happy with the life I got Nobody knows… nobody sees Ain’t nobody really knows the inner side o’ me I may seem secure… I could have it made You might think you see a lucky man who made the grade Nobody knows what dreams I see Ain’t nobody really sure just who they wanna be

But everybody has a place and time A chance to live… a need to find We all got somethin’ that we care about I propose you find it out

It’s not in a book… or in a magazine Or the stars who guide our fortunes on the silver screen Nobody knows… it’s up to me Ain’t nobody who can say it like it ought to be

I see my future at the rainbow’s end Happy hours… timeless friends And if I ever chance to find my way Rest assured… I will stay

You may see your life as a compromise You may live to find the promise dancin’ in your eyes Nobody knows… it’s meant to be Let the magic of the moment say it all to me

(Dedicated to the life of John Lennon)

I Need You Billy Squier, © 1981 by Songs Of The Knight/BMI

I rise at the break of day – your smile sets me on my way I need you See the light shinin’ in your eyes – see the hopes that I realize For you I am alone… my odds are long… s’all I can do I need you Take the road where the eagle flies… man follows where his fortune lies I leave you Shadows fall and the day is done – the curtain calls but more than anyone I need you When I feel low… my amps they blow… when I feel blue I need you

And I forget all my sorrow, I forget all my pain I relinquish my doubts at the sound of your name I can feel your desire when I walk through that door I believe in the power that can even the score

Never knew it could take so long – never knew it could feel so wrong Without you They say a woman knows the reasons why – no man ain’t supposed to cry I need you When after all… my tears they fall… when I pull through I need you

Don’t Say No Billy Squier, © 1981 by Songs Of The Knight/BMI

We live in confusion times – my world is a vice Nobody gets out alive… but you can break through the ice – Don’t say no My wounds are the open kind – I bleed every day I pray for a change of mind… you could take me away – Don’t say no

Take on the system, playin’ on the wrong side Spend all my money tryin’ to have a good time Come ’round to see you from time to time – Weak in the knees and I’m busted

Some people they treat me kind… some drive me away Some people they blow your mind… it’s not easy today – Don’t say no I live on the borderline… you come from the void I beg you to cross the line – you take good care of your boy – Don’t say no

Got me a ticket sittin’ on a gold mine Send me the int’rest, take me where the sun shines Come ’round to see me from time to time Bring it to me when I’m busted One minute I’m outa time… I don’t fit in your game

You kill me in overtime… I don’t remember my name One minute you’re on my mind… next minute you’re gone You tell me to read the signs… they tell me we’re on Don’t say no