daniel caesar tour review

• Presidential Search
• Editor's Pick

Daniel Caesar Concert Review: A Showcase of Musical Versatility

Daniel Caesar made the sold-out MGM Music Hall feel intimate with his Boston performance on Oct. 16. While shredding electric guitar solos, spinning sophisticated harmonic tapestries on a Wurlitzer, playing stripped-back acoustic versions of his songs, and even accompanying his fans’ singing, he transcended the boundaries of genre and stage.

Music enthusiasts were treated to an unforgettable evening, starting as opening act Montell Fish set the stage ablaze. His signature falsetto, booming baselines, and flashing red and blue lights captivated the crowd. Fish even ran through the audience, drawing screams from the first rows. His high energy antics and flashy backdrop provided a stark contrast to Caesar’s calm entrance.

A brief intermission bathed the stage in ethereal white light, creating an atmosphere of mystique and anticipation. Through the smoke, Caesar appeared, and the crowd erupted.

Recovering from illness the day before, Caesar addressed his devoted fans with gratitude and vulnerability.

“I’m going to need you guys to carry me through this one tonight. Just hold me down,”Caesar said.

The opening songs featured Caesar's distinctive raspy timbre, beautiful despite recent illness. Translucent curtains surrounded him for the opening songs, and video screens behind him played surreal visuals. When the curtains lifted, he seamlessly transitioned to playing a Wurlitzer piano. Caesar’s skillful accompaniment drew on his gospel roots.

During his performance of “Entropy,” the backdrop featured scrolling Bhagavad Gita passages, including one which read “Now I am become death, the destroyer of worlds.” With a dreamlike backdrop and the constant presence of smoke, the stage created an otherworldly setting for the song’s haunting lyrics, such as, “Ain’t no stopping entropy.”

Throughout the performance, the crowd's enthusiasm was palpable, with occasional screams of adoration and declarations of love. Despite the mellowness of his discography and his relaxed stage presence, every song brimmed with energy, a testament to his fanbase’s fervor.

Fans held up posters declaring their affection, with messages like “I love Daniel Caesar” and “Still asking for Omar’s number.” Someone in the audience FaceTimed a friend, allowing them to watch the performance from their bed in a state of jealousy and awe. Caesar engaged with the crowd often, holding the microphone out for them to sing along and building off of their energy.

Caesar surprised the audience with a few acoustic renditions of old hits, in one instance admitting, “I haven't played this song in like 5 years.”

When he forgot the lyrics to “Show No Regret,” a diehard fan took over. Caesar let her take the lead. She belted her heart out while he accompanied her on the guitar. It was a touching moment that showcased the intimate connection between the artist and his fans.

His performance focused mainly on the music — he kept his stage banter minimal. With the audience's unwavering support, however, Caesar was visibly moved.

“You guys are the fucking best for real, this is the only thing I need right now,” he said.

As the night continued, Caesar showcased his musical prowess with a series of electrifying performances. He shredded an alternating-picked guitar solo, dazzling the audience with his pentatonic blues runs and whammy bar tremolos. The crowd came alive during “Superpowers,” raising their hands to the sky to the lyrics.

The night continued with a Wurlitzer-only edition of “Valentina,” and the entire crowd joined in on the melismatic refrain of “Play it cool.”

Caesar closed his show with “Always,” a standout heartbreak ballad from his 2023 album “Never Enough,” joined by seemingly every member of the audience. As the night concluded, Caesar expressed his gratitude.

“I enjoyed that very much. Y'all were absolutely incredible,” Caesar said.

E NHARMONIC  M AGAZINE

• Savanah Alvarado
• Oct 6, 2023

Live Review: Daniel Caesar "Superpowers World Tour"

As the glowing lights dimmed at Hollywood Bowl, fans anticipated what was on the way. At approximately 9:26 PM on September 22, 2023, murmured conversations transformed into screaming matches over a live video feed of Daniel Caesar as he walked onstage. The anxious energy that flooded the venue was enormously heightened with a point-of-view shot. He graced the crowd with a look back into the camera, causing concert attendees to scream louder (and a few octaves higher), before reaching the main stage. Despite Caesar being known for his slow soulful rhythms, a wild excitement still filled the Bowl. There he was, in all of his glory; Daniel Caesar had arrived.

Tears were shed as audience members hugged and swayed from side to side, hearing the first lyrics come out of Daniel's mouth: "In the nick of time, that's when you appeared." He opened up the show with "Ocho Rios", a song from his latest album, Never Enough .

"In the nick of time, that's when you appeared."

Instantly, you could hear microphone feedback of screaming fans from the floor section, both of which remained ongoing throughout the show. Whether on the floor or in higher sections, viewers shared a natural rush and undying love for their favorite artist.

Caesar stepped out in a monochromatic grey outfit: a short sleeve hoodie and long shorts that just passed his knees. His whole set matched perfectly with his "master of discretion" aesthetic as concertgoers viewed very minimal shots of the front of his face. Backed by an entire band, Caesar's set lit up with many alternating grey, blue, black, and white tones. Smoke and strobe lights created dream-like effects, which corresponded to each song's lyrics.

Daniel Caesar performed songs from Case Study 01, Freudian, Never Enough, Acoustic Break, Pilgrim's Paradise, and Praise Break. Songs from Never Enough ranked first, with the majority of the songs performed coming from the album.

From Case Study 01 he performed "Cyanide", "Enthropy", "Open Up", and "Superpositon". Out of the three, "Superposition" was the only unplanned song of the concert. Right before singing, Caesar stated, "this is the part where I decide on the fly what I'm going to do". Fans experienced a surprise acoustic rendition of the track, much to their delight.

From Freudian , he performed "Best Part", "Get You", and "Loose". Since "Best Part" and "Get You" feature artists H.E.R. and Kali Uchis, Caesar relied on the audience to sing their parts. They delivered, even performing the ad-libs, which acted as another humorous aspect of the interactive crowd. During "Best Part", the big screen switched from footage of Daniel Caesar to pans and close-ups of the audience. The twenty-somethings in the crowd beamed while singing along, a couple snuck in kisses, and others shielded their weeping faces out of embarrassment. While he performed "Get You", the artist interacted with the audience, singing: "who would've thought I'd get you?" He asked, "oh yeah?" as a question, which prompted the audience to reply, "oh yeah, babe". During "Loose", the stage lights went dark and a piano arrived front and center. A single spotlight illuminated Caesar's silhouette from above.

"Los Angeles, I'm not lying to you when I say this... this may be the best show of my entire life, I love you guys," Caesar admitted. The crowd went berserk as he reassured every person in the crowd that the concert affected him as much as it had them. He spoke as if history was being made with every second of the performance.

As the show reached the beginning of its end, Caesar performed "Always" from the Never Enough LP. The audience sang and swayed in a simultaneous trance, all while staying in perfect harmony. The star strutted off stage after completing the song; little did the audience know that this was the last time they would see Daniel Caesar in the show. With the dim lights a perfect cue, the anxious crowd began to understand the situation. Caesar performed "Streetcar" as an encore backstage–the same way the concert began–through a live feed on a handheld camera. The phenomenal show, sadly, came to an end.

Daniel Caesar's connection with his fans remains unmatched. There is an unspoken understanding between the showman and his audience, making for an absolutely electric show. His lyrical genius regarding yearning and love create an engaging experience unique to each and every fan.

Who do you want to see covered on Enharmonic Magazine next? Let us know.

Recent Posts

Review: Diana Ankudinova “Burnt Out”

Review: Mitski "The Land Is Inhospitable and So Are We" Tour

Review: .idk & Joey Bada$$ "DENiM" Review

CONCERT REVIEW – DESPITE HIS SUCCESS SO FAR, DANIEL CAESAR IS JUST GETTING STARTED | SUPERPOWERS TOUR

Despite his success so far, his is “still just getting started” says Kevin Bourne in his Daniel Caesar Superpowers Tour review.

Friday night, Daniel Caesar brought his Superpowers Tour to Toronto as the Oshawa native performed in front of a hometown crowd. Caesar joins an impressive list of hometown heroes who packed out the Scotiabank Arena in their own city in 2023, including NAV and Drake.

Before Caesar took to the stage, opening acts took turns getting the crowd warm. While Toronto’s Charlotte Day Wilson accompanied by fellow Torontonian jazz band BADBADNOTGOOD are a lock to put on a good performance, Moses Sumney stole the show. From his waist movements and dancing, to his naturally deep voice, out of this world vocal range, and his ability to play multiple instruments, Sumney looked like the second coming of Prince as he drew cheers and applause from the crowd.

Then Caesar went through his set, including “Best Part”, “Please Do Not Lean”, “Shot My Baby”, “Superpowers”, “Cool” , and “Get You” . He was joined on stage by Mustafa as the Toronto vibes continued, with the two performing “Toronto 2014” . The brotherhood and playfulness between the two was evident. It was a moment of pride to see two young Black men from the Toronto area come together to perform in a sold out arena; in their own city. It not only marked a celebratory moment for two of Toronto’s still rising stars, but the coming of age of Toronto as a hotbed for global superstars. Thanks to one Aubrey Graham , Toronto is finally learning to be a fan of itself and it’s a beautiful thing to see.

He finally closed with “Always” which drew the biggest crowd reaction of the night. At least we thought it was the end. As Caesar walked to the back, as seen on the video screens, he joined Mustafa and Charlotte Day Wilson for an encore as the trio performed a cover of fellow Canadian, Neil Young’ s classic “Old Man” . It wasn’t the only cover of the night though. Earlier, Caesar performed a cover of Radiohead’s “Creep”.

What separates Daniel Caesar from the pack is that his music resonates with such a wide audience, regardless of age or ethnicity. Watching a dark skinned Black man receive so much adoration from people who don’t look like him was both a bit shocking and a source of pride.

What also makes him standout is that he simply makes beautiful music, both sonically and through the content of his writing, which is in stark contrast to the hip-hop and R&B of today. Singing about love almost seems counterculture and rare in 2023. Caesar gave the ladies anthems about love they can sing at the top of their lungs (like 90’s R&B used to do). He also gave the fellas a few alley oops as men in the crowd, who probably couldn’t write a song if their lives depended on it, used Caesar’s words to serenade the ladies in their lives.

Despite the capacity crowd, the show still felt more like an intimate gathering than an arena concert, with Caesar at times sitting down on stage and at other times lying down like he was in his living room at home. There were also no background singers unlike in his previous performances allowing him to connect with the audience one-on-one (or one on 19,000).

The intimacy of the music and relationship between Caesar and his fans was brought home by the serene and minimalist stage design which was mostly white, including when Caesar performed surrounded by white curtains early on in the show. The minimalism was only broken up by the occasional strobe lighting and Caesar’s DC initials being shined brightly onto the crowd.

Sonically, Caesar blurs the lines between R&B crooner and rockstar. At one point, he was joined on stage by a Black guitarist who played an electric guitar solo, even playing behind his head. Jimi Hendrix would be proud.

From his musicianship to his timeless sound, Daniel Caesar is a gifted performer and a talent the Toronto area should be proud of, and despite his success so far, there’s a sense that he’s still just getting started.

Kevin Bourne is SHIFTER’s Toronto-based editor and Senior Entertainment Reporter focusing on Black music and film & TV. He was named one of 310  international voters  for the  81st   Golden Globe Awards  by the Hollywood Foreign Press Association and a  Tomatometer-Approved Critic  by Rotten Tomatoes.

Related content:

CONCERT REVIEW – LIL YACHTY SHOWS ARTISTIC GROWTH AT SOLD OUT SHOW IN TORONTO

CONCERT REVIEW – LIL YACHTY SHOWS ARTISTIC GROWTH AT SOLD OUT SHOW IN TORONTO

• GET INVOLVED
• SUBMISSIONS

SUBSCRIBE TO OUR NEWSLETTER

Get the latest news from SHIFTER about music, lifestyle, and culture.

By signing up, you agree to the our terms and our Privacy Policy agreement.

• Privacy Policy
• Terms & Conditions

Type above and press Enter to search. Press Esc to cancel.

Raffles Press

Review & Recommend: Daniel Caesar’s “Superpowers” World Tour

By Syaura Nashwa (24S03R)

On 17 July, Daniel Caesar was glad to be back in Singapore after his last Asia Tour in 2018. People who seemed to have emerged straight out of Pinterest filled The Star Performing Arts Centre. Doc Martens and baggy jeans were often seen amongst the indie singer’s concert goers.

As the concert began, a familiar local singer performed an opening act. Shye-Anne Brown, better known as ‘Shye’, has opened for many well-known artists in recent years. A notable example is the “Men I Trust” concert this May that I had gone to as well. Passionate and down-to-earth, she easily charmed the audience with her original lyricism and wholesome demeanour.

The build up to Caesar’s entrance was quite a ‘vibey’ one. Songs from other famous indie or alternative artists like Frank Ocean and Steve Lacy were meshed beautifully, which frankly (haha) made me anticipate a surprise guest performer. Although my intuition was wrong, my attention was quickly diverted when Caesar blessed the stage with his presence.

Caesar wasted no time once he entered the stage. He opened the concert with ‘Ocho Rios’—undoubtedly a catchy track with repetitive lyrics that the audience could easily follow.  The song was inspired by Caesar’s Jamaican heritage which sparked past collaborations with reggae singers originating from his home country. “You’re my saving grace, grace, grace” echoed throughout the auditorium. A 10/10 start to a concert that continued to be a gift that kept on giving.

“Ain’t gon’ sleep tonight,  my dreams exhaust me,  I’ll be awake ‘til the light”

Initially, these lyrics felt relatable: I thought Caesar was talking about H2 subjects. Though obviously, Caesar and I were referring to two vastly different things. Personally, I was reminded of my overdue assignments when I listened more intently. Perhaps I shouldn’t have gone to a concert impulsively on a school night. In fact, I had seven lectures due that day. Anyway, here, Caesar was referring to becoming impatient with his partner and wanting to leave. This song might resonate with those who have commitment issues. Clearly a fan favourite, ‘Let Me Go’ is one of Caesar’s top 6 most-streamed songs. Elegant was a gross understatement to describe Caesar’s voice. The usage of his own voice as backing vocals, combined with his impeccable range, made this song a conventionally superb listen. Go have a listen, and if you enjoy this song greatly, I’d recommend ‘do you light up?’ by indie Los Angeles based singer, Dijon, ‘Self Control’ by Frank Ocean, and ‘Waste’ by BROCKHAMPTON.

Entropy, Open Up, Valentina, Violet & Cyanide

Apologies for generalising songs which deserve individual praise. Backed with an R&B-inspired beat, sultry tones and, well, “interesting”-looking visuals, these few songs are great to recommend to your crush. When one listens to them, artists like The Weeknd, Brent Faiyaz and Xavier Omar come to mind.  Although the music was not particularly loud or dynamic, the crowd was certainly hyped up. It was a surreal experience especially because I enjoyed  the dance music with people who had similar tastes. If you’re looking for obscure R&B/Soul infused songs with unique beats, do listen to ‘Breathe’ by Sam Willis and ‘Lustre’ by Jiwoo.

Unstoppable

‘Unstoppable’ was specially dedicated to Caesar himself. Expressed as his favourite song that he has ever written and/or performed, his devotion to songwriting was clearly displayed by his gassed-up performance.  The last track of Caesar’s latest album ‘NEVER ENOUGH’, this song happened to be a freestyle recorded in Jamaica. Aligning with the album’s overall message, Caesar hinted towards overcoming his feelings of inadequacy via powerful lyricism and a much more confident spirit. Check out ‘Kids’ by Childish Gambino or ‘Mirror’ by Kendrick Lamar for a similar sound.

Sparks & Swallowed in the Sea

Caesar paid homage to Coldplay, whom these songs were originally performed by, when he played these songs live on stage. The crowd swayed along to the beat with their mobile phone flashlights. As I took a panorama of the sea of lights, I couldn’t help but feel at peace.  The sound of live acoustic guitar and bittersweet lyrics were a great addition to the concert despite these songs not being one of Caesar’s own discography. They were perfect for concert-goers who came with their romantic partners.

Please Do Not Lean (feat. BADBADNOTGOOD)

A personal favourite: this collaboration with progressive jazz fusion group BADBADNOTGOOD tempts you to find the lyrics from Genius Lyrics (an online music encyclopaedia)  so you can sing along. Caesar’s plea accompanied by a piano arrangement and Mac Ayres inspired drum beat becomes a soul-searching experience for every listener.  This song encapsulates the situation in which one has to figure out oneself’s life, before accommodating others’ needs— a message that should be heard by those overwhelmed with what they have on their own plate (I hope you are doing okay). Even though it is something like an anti-love song, it still feels hopeful in the sense that Caesar will eventually find his way—”Please understand, I’m just a man that nearly figured out his master plan”. Although the romantic aspect is not really relatable to most 17-year-olds, the notion of being too unstable to open up to people might just be a universal experience before you get to really know yourself amidst the difficulties of life. If this is your jam, melancholic tracks which lie on the same plane as this song include: ‘people’ by boy pablo, ‘Numb’ by Men I Trust and ‘Heavy’ by The Marias.

Best Part & Get You

Featuring H.E.R. and Kali Uchis respectively, these two sensual love songs were mandatory to be included in the concert setlist. Amassing around 2 billion streams in total, these two songs were proven to be Caesar’s best work. The audience was the loudest here as Caesar prompted the crowd to sing along.  The inclusion of the aforementioned female R&B/Soul artists was very much deliberate. Harmonising with H.E.R. and Uchis’ higher-pitched and masterfully controlled head voices, Caesar took us to a Los Angeles summer day. These songs were basically sweet escapism in the form of music.

I’m definitely biased, but I was pretty sure that 100% of the audience enjoyed the concert as much as I did. However, a good handful were slightly disappointed when Caesar left the stage in a seemingly abrupt manner without performing his break-out song ‘Japanese Denim’. ‘Japanese Denim’ is an all-too-famous song that every Caesar fan knows. They might even scoff at you if you tell them it’s your favourite Caesar song knowing how popular and mainstream it is.

“‘Japanese Denim’, really? Do you even listen to Daniel Caesar?” Every Daniel Caesar fan, probably

That aside, Caesar impressed the audience by including an unreleased track that he had written 8 hours prior to the concert. Aesthetically pleasing visuals, a talented performer and an engaged audience—what more can you want from a concert? With Caesar’s clear love for music, it’s quite impossible to be let down by any piece he creates.

Share this:

Related posts.

One thought on “Review & Recommend: Daniel Caesar’s “Superpowers” World Tour”

nba youngboy better

Leave a Reply Cancel reply

Discover more from raffles press.

Subscribe now to keep reading and get access to the full archive.

Type your email…

Continue reading

Daniel Caesar

How good are they live, live rating  , real live certified  , critic consensus, festivals in 2024, latest release, artist info, critic concert reviews, the santa barbara independent (usa).

Full Review

QRO Magazine

Cjlo 1690am (canada), bands of tomorrow (denmark), soundvenue (denmark), parklife dc (usa), beatroute magazine (canada), past critic reviews published in, image credit.

FEATURED ARTISTS

Sign up to our newsletter

Artists on tour.

Taylor Swift

George Strait

The Lathums

Black Pumas

all ArtiSTS

Featured festivals.

Roadburn Festival 2024

The Metal Fest 2024

Moon Crush Pink Moon 2024

High Water Festival 2024

Two Step Inn Festival 2024

Pandemonium Rocks Melbourne 2024

All festivals.

How good are they LIVE?

SUBSCRIBE TO OUR Newsletter

MENTAL HEALTH ADVOCACY THROUGH MUSIC THERAPY

• MUSIC REVIEWS
• MEET THE TEAM
• SPOTIFY PLAYLIST

DANIEL CAESAR CLOSES OUT HIS SUPERPOWERS WORLD TOUR AT THE MET IN PHILLY 10.19.23

Daniel Caesar delivered an enticing performance at The Met Philadelphia, captivating the crowd with his velvety voice and raw emotion through a blend of contemporary R&B and soul.

Montell Fish

Hailing from the genres of gospel and Christian music, Montell Fish has garnered widespread acclaim for his emotionally charged artistry and introspective songwriting. The artist is undoubtedly recognized for his top two most streamed songs Fall in Love with You. and Hotel. His latest single, I Just Wanna Feel Your Love Again , deserves ample recognition. Montell’s set was a blend of raw emotional depth and musical finesse, enticing the audience with his stage presence. Not to mention, it was a special night for Montell , closing out the tour on his birthday! His overall performance transcended boundaries with an unparalleled sense of vulnerability and authenticity. His unique blend of R&B, hip-hop, and soul captured the hearts of his audience, making him the perfect complement to Daniel Caesar’s rich and evocative sound.

Daniel Caesar

With a sold-out crowd eagerly awaiting his arrival, the Canadian singer-songwriter did not disappoint as he took the stage with Ochos Rios . Daniel Caesar’s performance was nothing short of a realm of emotions. He flawlessly rendered songs from his critically acclaimed albums, Freudian and Case Study 01 , infusing each tune with a vulnerability that resonated deeply with the audience, along with songs from his newest album Never Enough . It was a sight for sore eyes when Get You reverberated across the venue and the audience ended up serenading Daniel for his song’s duration. Shortly after, he teased his crowd with the mention of a new album in the works.

The energy was highest when Daniel sang Japanese Denim , drawing the audience into a moment of collective melody. In that moment it was a seamless blend of Daniel’s mesmerizing vocals with the crowd’s harmonics, creating a collective of chords between the singer and his audience. What made the performance truly exceptional was a moment the singer shared with a lucky fan, who was gifted his guitar and Daniel lightheartedly voiced, “Hopefully you play guitar, but if you don’t, please learn.”

The visual experience was equally enchanting, a minimalistic display of lighting and visuals that complemented the emotional intensity of each track, allowing Daniel’s emotive performance to take center stage. The interplay of shadows and light added an ethereal feel to the concert, enhancing the emotional impact of his music.

Spread the word. Share this post!

Elis Moustafa

National Suicide Prevention Lifeline 800-273-8255

• Presidential Search
• Editor's Pick

Daniel Caesar Concert Review: A Showcase of Musical Versatility

Daniel Caesar made the sold-out MGM Music Hall feel intimate with his Boston performance on Oct. 16. While shredding electric guitar solos, spinning sophisticated harmonic tapestries on a Wurlitzer, playing stripped-back acoustic versions of his songs, and even accompanying his fans’ singing, he transcended the boundaries of genre and stage.

Music enthusiasts were treated to an unforgettable evening, starting as opening act Montell Fish set the stage ablaze. His signature falsetto, booming baselines, and flashing red and blue lights captivated the crowd. Fish even ran through the audience, drawing screams from the first rows. His high energy antics and flashy backdrop provided a stark contrast to Caesar’s calm entrance.

A brief intermission bathed the stage in ethereal white light, creating an atmosphere of mystique and anticipation. Through the smoke, Caesar appeared, and the crowd erupted.

Recovering from illness the day before, Caesar addressed his devoted fans with gratitude and vulnerability.

“I’m going to need you guys to carry me through this one tonight. Just hold me down,”Caesar said.

The opening songs featured Caesar's distinctive raspy timbre, beautiful despite recent illness. Translucent curtains surrounded him for the opening songs, and video screens behind him played surreal visuals. When the curtains lifted, he seamlessly transitioned to playing a Wurlitzer piano. Caesar’s skillful accompaniment drew on his gospel roots.

During his performance of “Entropy,” the backdrop featured scrolling Bhagavad Gita passages, including one which read “Now I am become death, the destroyer of worlds.” With a dreamlike backdrop and the constant presence of smoke, the stage created an otherworldly setting for the song’s haunting lyrics, such as, “Ain’t no stopping entropy.”

Throughout the performance, the crowd's enthusiasm was palpable, with occasional screams of adoration and declarations of love. Despite the mellowness of his discography and his relaxed stage presence, every song brimmed with energy, a testament to his fanbase’s fervor.

Fans held up posters declaring their affection, with messages like “I love Daniel Caesar” and “Still asking for Omar’s number.” Someone in the audience FaceTimed a friend, allowing them to watch the performance from their bed in a state of jealousy and awe. Caesar engaged with the crowd often, holding the microphone out for them to sing along and building off of their energy.

Caesar surprised the audience with a few acoustic renditions of old hits, in one instance admitting, “I haven't played this song in like 5 years.”

When he forgot the lyrics to “Show No Regret,” a diehard fan took over. Caesar let her take the lead. She belted her heart out while he accompanied her on the guitar. It was a touching moment that showcased the intimate connection between the artist and his fans.

His performance focused mainly on the music — he kept his stage banter minimal. With the audience's unwavering support, however, Caesar was visibly moved.

“You guys are the fucking best for real, this is the only thing I need right now,” he said.

As the night continued, Caesar showcased his musical prowess with a series of electrifying performances. He shredded an alternating-picked guitar solo, dazzling the audience with his pentatonic blues runs and whammy bar tremolos. The crowd came alive during “Superpowers,” raising their hands to the sky to the lyrics.

The night continued with a Wurlitzer-only edition of “Valentina,” and the entire crowd joined in on the melismatic refrain of “Play it cool.”

Caesar closed his show with “Always,” a standout heartbreak ballad from his 2023 album “Never Enough,” joined by seemingly every member of the audience. As the night concluded, Caesar expressed his gratitude.

“I enjoyed that very much. Y'all were absolutely incredible,” Caesar said.

Concert Review: Daniel Caesar

The gig was held in a small and intimate venue, which only added to the experience. At first, I thought seeing Daniel Caesar anywhere other than London was going to lessen the performance, but to my surprise I preferred the setting and location. The Canadian singer opened his set with a crowd pleaser: Japanese Denim . The song set the tone for the night, one that proved to be simultaneously entertaining and mellow. His voice throughout the concert was authentic and true to his music. It was as if I was listening to his album, Freudian , through headphones. The only difference was the live band, who arguably brought his set list to life. Nonetheless, Daniel did not let them outshine him whatsoever. On certain songs, such as Best Part (Ft. H.E.R.), he would play the instrumentals on guitar himself, whilst the crowd sang along with him. The way in which Daniel Caesar interacted with his fans was also heart-warming and genuine. During Neu Roses (a personal favourite), he came off stage, down to the front of the screaming masses where he stayed for the duration of the song. He also spoke briefly during short intervals but the focus was on the music and there seemed to be a consensus of appreciation about that. Even the lighting was minimal with no gimmicks necessary during the set or on stage; his artistry spoke for itself.

The gig was held in a small and intimate venue, which only added to the experience. At first, I thought seeing Daniel Caesar anywhere...

Daniel Caesar Is a Contemplative Horndog on ‘Case Study 01’

By Danny Schwartz

Danny Schwartz

At some point in the middle of this decade, the brooding, atmospheric, synthetic R&B pioneered by Toronto artists like Drake and The Weeknd reached a saturation point. One artist who helped break this Canadian fever was Daniel Caesar. His 2017 debut album, Freudian, was a breath of fresh air , a blend of stripped-down acoustic guitar, choral gospel hums and Caesar’s sheepish voice. He attempted to inhabit and observe the undulations of his love life and tastefully integrated various religious references that had stayed with him since he left the church as a teenager.

Caesar’s new album comes with a sanitized name, Case Study 01 , but it is far from the sanctified equilibrium of Freudian , even though it follows the same structure—10 tracks, 43-44 minutes. The most pronounced difference is the fact that Caesar has become significantly hornier since Freudian . “ Been sniffing around all over the town / I just can’t stop settling down,” he sings on opening track “Entropy.” Later, on “Open Up,” he brags about having sex on his piano. He’s even horny for the music itself: on “Cyanide,” he adopts a thick patois and supplicates himself to the goddess of song: “Sweet melody, wind up your body ‘pon me.”

He spends much of the Case Study  grappling with the mercurial success of Freudian , which earned three Grammy nominations. Success has seemingly sparked not only unexpected bursts of sexual energy (“Never got pussy acting like a pussy”), but ruminations about his past (“Used to steal all my groceries and now I get to the racks.”) Still, for the most part, he is occupied with the present, exploring the void that exists between two people and evoking a sense of negative space through spare arrangements and slow tempos rarely exceeding a brisk walk.

Case Study  benefits from a wealth of strong features: a vintage turn from Brandy, dense harmonies from internet-jazz prodigy Jacob Collier, tender, unobtrusive guitar from John Mayer, and delightfully gauzy synths from Pharrell. Caesar lets himself down with half-assed relationship insights, like on “Superposition,” when he muses, “Life’s all about contradiction / Yin and yang / Fluidity and things.” Case Study has gorgeous moments, but it lacks the overall clarity and focus of Freudian ; it is muddled from the very beginning, by its sample of Robert Oppenheimer’s famous Bhagavad-Gita invocation, “I am become death, the destroyer of worlds.” These grand, empty kind of gestures, as well as expressions of his greatly enhanced libido, don’t play to Caesar’s strengths. He resonates most when he’s attempting to make sense of the liminal emotional space where one person ends and another begins.

Camila Cabello Joins Lana Del Rey During Weekend Two of Coachella

• By Tomás Mier

Peso Pluma Surprises Coachella's Weekend Two Crowd With Anitta, Eslabon Armado, and More

• ¡ARRIBA MÉXICO!

Taylor Swifts Invites Fans to Play 'Fortnight Challenge'

• #ForAFortnightChallenge
• By Charisma Madarang

Morgan Wallen Breaks Silence After Nashville Arrest: 'I'm Not Proud of My Behavior'

• CRIMES AND COURT
• By Jon Blistein

Taylor Swift, Post Malone Go Mad in Stunning 'Fortnight' Video With Ethan Hawke Cameo

• Endless February
• By Brittany Spanos

Most Popular

Ryan gosling and kate mckinnon's 'close encounter' sketch sends 'snl' cold open into hysterics, the rise and fall of gerry turner's stint as abc's first 'golden bachelor', i dream of jeannie’s barbara eden showed everyone she’s even more magical at 92 with this rare tribute, masters 2024 prize money pegged at $20m, up $2m from prior year, you might also like, taylor swift’s record-breaking first day at spotify with ‘tortured poets’ didn’t stop at 200 million streams — it actually surpassed 300 million, caitlin clark’s stylist on dressing her in prada and louis vuitton and why fashion brands should pay attention, the best yoga mats for any practice, according to instructors, taylor swift’s ‘fortnight’ music video brings in cinematographer rodrigo prieto, buffalo bills hire allen & company to sell stake in team.

Rolling Stone is a part of Penske Media Corporation. © 2024 Rolling Stone, LLC. All rights reserved.

Verify it's you

Please log in.

Review: Daniel Caesar is back and better than ever with ‘Never Enough’

By Basma Bedawi     4/11/23 11:26pm

Rating: ★★★½

Top track: ‘Valentina’

After almost four years since his last studio album “Case Study 01,” Daniel Caesar is back with his long awaited work “Never Enough,” released on April 7. The themes of this album are nothing new for Caesar, dealing with the ups and downs of love and heartbreak, as well as the painful passage of time. This work feels familiar as it employs many of the usual tools and sounds of past Caesar, but it takes it to a new level, experimenting with production in new ways that definitively mark this as a new era. Although all distinctively Caesar, each song on this album is unique and differentiates itself from one another, displaying the artist’s prowess on his most personal album yet. 

Caesar is in love as the album opens, proclaiming “In the nick of time, that's when you appeared / Girl, I was lost, 'til you found me here” on first track “Ocho Rios.” The song is tender and dreamy before slowly growing into a drum-backed, upbeat celebration. It is the perfect opening for what is to come, letting the listener get a taste for the different sounds Caesar is going to employ over the next 14 tracks without revealing all the tricks he has up his sleeve.   

The following “Valentina” is some of Caesar’s best work yet, continuing with this feel of tenderness but with an extra layer of unrequited love. Over a synthesized, trap-inspired beat, Caesar struggles to toe the line between confidence and conceit, between yearning and toxicity, a common theme of much of the album.

“Toronto 2014” brings listeners back to the beginning of Caesar's career, both paying tribute to his origins and celebrating how far he has come since he released his first large body of work “Pilgrim’s Paradise” in 2014. Over a simple beat, he proclaims that he used to be worried about the future but finally feels secure. 

After this powerful three-track run, Caesar also shows his ability for swelling, emotional ballads with weeping piano in “Always” and “Cool.” Caesar’s distinctive and enthralling falsetto is on full display throughout the album, creating moments where it feels like the music is lightly lifting you off the ground, and this is especially true for these two tracks. He also dips into his lower register at many parts throughout this work, proving that he not only has the range but the skill to employ it right when it would hit the hardest. 

However, Caesar’s attempts to foray into employing metaphors did not land. This weakness is on full display in “Shot my Baby.” With this song, the album took a stark turn for the worse. Caesar walks through a scenario where he catches his partner cheating on him and shoots both her and the man she was with. It comes off as an incredibly transparent attempt to ride off of the success of SZA’s “Kill Bill” and reads as a fantasy about an opportunity for violence against a partner to be justified. This track would have been better played for a therapist, or even no one at all.

It takes some time for Caesar to recover from this stumble, with the following “Pain is Inevitable” and Ty Dolla $ign supported “Homiesexual,” one of the most cringe-inducing song titles I’ve seen, both paling in comparison to the other tracks on the album. Caesar’s lyrical ability is at its worst as the album winds down, with the simplicity of his words proving a hindrance. 

Closing track “Unstoppable” is where the album finally recovers, serving as an appropriate and triumphant end to “Never Enough.” With lyrics and backing music paying homage to his Jamaican roots, this track is rebellious as Caesar proclaims that he is on top of the world. While the album had its low points, Caesar believes that no one can say he is anything short of remarkable, and he just might be right.

Editor's Picks

• Reflecting on four years: a heartfelt farewell to the Thresher
• Decoding the Texas Pornhub ban
• Everything fits right: Student completes campus Lego model

Most Popular

• 1 7.5% acceptance rate marks lowest in Rice history
• 2 Decoding the Texas Pornhub ban
• 3 After discrimination complaint, Rice orders SA to table resolution divesting from Israel-aligned companies
• 4 To bike or not to bike? Beer Bike 2024 sees tents, possible wind
• 5 Senate debates resolution to boycott, divest SA funds from Israel-aligned companies

The Rice Thresher

More from The Rice Thresher

Super Smash Bros. ultimate tournament sees smashing success

The Super Smash Bros. Club held their second annual ultimate tournament Friday, April 12. Club president Jashun Paluru said all Smash players were welcome, regardless of ability, experience or involvement in the club. The event was held in collaboration with Owls After Dark, a late-night activity series headed by the Rice Student Center, at the Rice Memorial Center’s Grand Hall.

Tribute band ‘Suede Hedgehog’ talks inspirations, legacies

Last Thursday, the halls of the RMC were graced with smooth melodies and funky grooves courtesy of “Suede Hedgehog,” Rice’s very own tribute band to “Silk Sonic,” a musical duo made up of Bruno Mars and Anderson .Paak. Although the tiny desk concert only lasted about 20 minutes the atmosphere was electric, and Coffeehouse — their venue — was packed with listeners.

Seniors showcase their artistic journey in ‘Opia’

“Opia,” the title of this year’s visual and dramatic arts senior showcase, is defined by the artists as “the intense vulnerability of looking someone in the eye, and the beautiful discomfort of seeing yourself reflected in their gaze.” These concepts of introspection and interpersonal connection resonate powerfully across the diverse bodies of work produced by a class of 17 artists, who will open up their showcase to the Rice community on Thursday April 18.

Please note All comments are eligible for publication by The Rice Thresher .

DANIEL CAESAR SHOWCASES SUPERPOWERS IN ORLANDO

Daniel Caesar’s ‘Superpowers’ World Tour Transforms Hardrock Café into a Musical Wonderland. -review and photos by Isaiah Stephens

September 23rd, 2023

On a rather calm Sunday night at the Hardrock Café, in Orlando, Florida, Daniel Caesar showcased his superpowers of visual storytelling and superb musical ability on his ninth stop of his “Superpowers” World Tour. The Hardrock, being located within Universal Studios “CityWalk”, made an interesting sight to see as a stream of theme park goers left and a parallel stream of concert goers arrived. Daniel’s performance, starting promptly at 9pm, sent 3,000 devoted supporters into a trance that would only be broken at the end of the show.

Amongst a three-piece band in a bassist, an electric guitarist, and a drummer, Daniel Caesar slowly commenced his performance with a surefire crowd-pleaser: “ Ocho Rios. ” This melodic overture set the prevailing mood for the evening, a harmonious blend of sheer entertainment and mellowness amongst a floor of smoke that felt like clouds. Continuing with “ Let Me Go, ” an undoubtedly catchy track with repetitive lyrics that the audience could easily follow, Daniel receded behind a thin white veil, as if a ghost had dissipated into thin air. His soft yet powerful voice echoed through the venue, accompanied by the chants of the crowd providing a backtrack of surround sound akin to a series of background vocalists. Daniel remained in his veiled cocoon for his next few hits, using his silhouette as a visual cue for beat drops and dance moves alike.

After setting a melodic vibe for the night, Daniel moved to a more upbeat song “ CYANIDE ” amongst the sudden drop of the curtains, as he stepped forward onto the stage. Daniel continued with this energy through the next few songs, moving purposefully back and forth across the stage, simultaneously pointing the microphone out over his sea of supporters. Not a single word was missed and Daniel let the crowd carry certain moments of his songs. As if his stage presence and crowd control wasn’t masterfully executed enough, Daniel had one of his crew follow him on stage while his performance was live streamed on the long rectangular LED screens behind him. This imaginative idea yielded a plethora of candid moments from both Daniel’s perspective on stage and his supporters’ perspective. As if featured on a jumbotron, the crowd went berserk every time they saw their faces on screen and this clearly strengthened the symbiotic relationship between Daniel and his supporters.

Having turned the crowd up a notch, Daniel settled back into slower songs such as “ We Find Love ” and “ Do You Like Me? ,” showcasing his skill on the piano with beautifully timed notes and rhythmic riffs, while serenading his audience. A single light illuminated Daniel from behind, creating a halo effect around him with stark contrast that yet again contributed to the whimsical yet ghostly vibe of the show. After, as he methodically got up from his piano and picked up his guitar, Daniel rolled into his biggest hits “ Best Part ” featuring the R&B artist H.E.R. and “ Peaches, ” which symbolized perhaps the peak of the entire show. At this precise moment, it seemed as though every single soul in attendance was swept away by the music’s hypnotic spell. The audience embarked on a collective odyssey, repeatedly serenading the choruses of both songs, their voices melding into a poignant and heartwarming symphony. This enchanting interlude was so profoundly moving that it felt as though time itself had stilled, and the desire for the performance to extend indefinitely coursed through the hearts of every attendee.

When what seemed like the final note reverberated through the venue, the reluctance to depart was palpable. It was as if no one was prepared to bid adieu to this sublime musical journey, and for a moment, it seemed as though the journey was indeed over as some fans began to exit the concert hall. However, in spectacular fashion and to the chants of an encore, Daniel gave the fans what they deserved and came back on stage to perform “ Streetcar .” Amongst a sea of cell phones and an ocean of tears, Daniel bid his supporters farewell as he ended the night.

With 23 stops to go of his 32-stop tour, Daniel Caesar proved to be a real-life superhero with real-life superpowers, and his prowess will only continue to get bigger and better.

The Wet Hot All-American Summer Tour Arrives in Denver

Lana Del Rey – REVIEW

You may like

Orlando’s BRIGHTSIDE Music Festival Announce Lineup

Jazz in the Gardens Back with a Bang and Then Some!

Teeing Up for Good Causes

RedCoach Expands Network with New Atlanta-Orlando Route

A Perfect Valentine’s Story: Starring Boyz II Men

MegaCon’s Fandom Strikes Back in Orlando

Summertime with T-Pain!!!

Get Ready for T-Pain’s Mansion in Wiscansin Party Tour in Miami! (more…)

Sun, sand & sounds: the magic of the tortuga music festival.

From Electrifying Performances to Eco-Conscious Initiatives: Tortuga Music Festival 2024 Shines as a Beacon of Music, Conservation, and Community Engagement Along the Stunning Shores of Fort Lauderdale. (more…)

Live Dead and Brothers Keep the Tunes Alive

Live Dead and Bros Capture The Hearts of Fans Old and New With Classic Blues Rock Tunes – Review and Photos of the Live Dead and Brothers Concert at the Revolution Live in Ft Lauderdale, FL

(more…)

Circle Jerks and Descendents Mosh Into Florida

Legendary Hardcore Pioneers Circle Jerks and Descendents Prove That Punk Rock Ain’t Dead –  Photos and Review of the Circle Jerks, Descendants and Adolescents Concert at the Revolution Live in Ft Lauderdale, FL

Celebrating 35 Years: DJ Maseo & Prince Paul of De La Soul at Art of Hip Hop

Hip Hop Icons Take Center Stage as DJ Maseo & Prince Paul of De La Soul Host Unforgettable Night Filled with Nostalgia and New Memories. (more…)

Ministry Brings Orlando To Its Knees

Ministry and Friends Deliver a Legendary Industrial Three-For-All to the Hard Rock Live – Photos and Review of the Ministry Concert at the Hard Rock Live in Orlando, FL

Highway to the beach: jason aldean’s journey to tortuga.

Jason Aldean Talks Music, Collaboration and Life’s Journey Ahead of the Tortuga Music Festival. (more…)

Jazz in the Gardens Returns, Bringing a Fresh Wave of Grooves and Good Vibes to the Block with Iconic Artists! (more…)

World’s Largest Bitcoin Conference Moves To Nashville

Pebble Beach Food & Wine – REVIEW

Maltz Jupiter Theatre’s 2024/25 Season

DURAN DURAN – INTERVIEW with Bassist John Taylor

Morbid Angel & Revocation

Film Producer Sean Stone – Interview

An Interview with Cannons’ Michelle Joy

Cruz Rock – INTERVIEW

Top 7 Reasons to Attend Sol Fest 2024

Broward Center’s The Prom Is A Night to Remember

Natural Hair Transplants Emerges in South Florida

Christian Kukuk Wins Rolex Grand Prix at Wellington International

• Visual Essays
• Print Subscription

Review: ‘NEVER ENOUGH’ is Daniel Caesar’s most intimate project to date

“never enough” is a poignant and introspective reintroduction to the r&b artist’s musical persona..

“NEVER ENOUGH” is by far Daniel Caesar's most brutally personal and candidly human project to date. Released on April 7, Caesar’s third studio album is a melancholy amble into the Grammy award-winning artist’s psyche. The album delves into themes like death, romance, fame and maturity. Spread over 15 tracks with a run time of about 50 minutes, Caesar’s latest release — despite its title — is sure to satisfy his fans’ four-year itch for new music.

I approached “NEVER ENOUGH” as a casual “Get You” and “Best Part” enjoyer — two of Caesar’s most well-known songs. As neither an intense fan nor a doubtful skeptic, I simply put on my headphones and played the album from start to finish on a breezy Sunday afternoon, curious to hear what the renowned singer had to offer. In retrospect, I believe this was the best way to experience Caesar’s new work. The artist’s airy synths, ethereal vocals, serenading keys and sunset-beckoning strings arrive just in time to ease listeners back into the spring season.

The album opens with “Ocho Rios,” a slow-rising spectacle of classic Caesar proportions that tells the story of a lovesick songbird, a nameless muse and inevitable heartbreak. Caesar manipulates the pitch of his voice, singing the first verse in his signature falsetto and the second in a synthetic baritone. Like most of the neo-soul artist’s songs, Caesar’s lyrics are minimal and direct, lending the emotion of the song more so to his voice than to his pen. A choir of Caesar’s vocals back his main vocals, harmonizing with one another in a fluttering tapestry of tones. The song ultimately crescendos into a rose-petaled flurry of instrumentals by fellow Torontonian band BADBADNOTGOOD before melting into the second track “Valentina.” 

The production of “NEVER ENOUGH” is a standout, accentuating the intimacy and introspection of the project as a whole. Songs like “Toronto 2014 (with Mustafa), ” “Cool” and “Buyer’s Remorse (feat. Omar Apollo)” possess refrained instrumentations which allocate space for Caesar’s vocals to navigate complex topics like regret, nostalgia and longing. The dreamy chords of “Pain Is Inevitable” and “Vince Van Gogh” hug the listener’s ears as Caesar’s distorted voice warbles about existential anxieties like losing one’s innocence and desperately wanting to be remembered. “Do You Like Me?” has Caesar singing about the immaturity of young romance over a swaying, punchy beat, interspersed with distorted minor chords to reflect his love-drunk uncertainty. “Always” and “Superpowers” lean into more traditional R&B tropes, setting Caesar’s lyrics within a familiar and accessible ballad-infused backdrop.

At its core, “NEVER ENOUGH” is an album about new beginnings: The context surrounding its development certainly seems to suggest so. In 2022, Caesar signed to Republic Records — the record label giant behind megastars like Drake and Taylor Swift — officially departing from his status as an independent artist, which had long been an important part of his public persona. More significantly, Caesar had faced backlash in 2019 for his controversial comments regarding the attitudes of Black people towards cultural appropriation, with his “cancellation” largely being attributed for the lukewarm reception of his sophomore album “CASE STUDY 01”. Since the widely publicized incident, Caesar has largely avoided the public eye, taking advantage of the pandemic’s isolation to quietly participate in predominantly features and collaborations.

The pandemic also enabled Caesar to take on the role of producer, a first for the 28-year-old artist. The result is a project which is made all the more intimate by Caesar’s deeper-than-ever involvement — all but four songs on the album credit Caesar as a producer. In an interview with Variety, Caesar noted how producing influenced his music-making process, stating “I would [record instruments] first, because that came easiest, and I didn’t have to think so much. Then, I had to think really deeply about the lyrics.” Caesar also acknowledges that he’s still an amateur, saying “I’d been itching to [produce], and it was just the right time. I’m still stepping into it.” 

New beginnings are also reflected in Caesar’s lyrics through a variety of forms. “Disillusioned (with serpentwithfeet)” dichotomizes Caesar’s fears about the future with his hopefulness in starting a relationship with an unnamed lover. In the song’s chorus, he admits “and I, I’m scared of gettin’ older, it weighs upon my shoulders,” before suggesting, “and you, you're scared of it too.  / So we, maybe should get together.” In “Pain Is Inevitable,” Caesar repeats the lines “Pain is inevitable.  / Misery’s a choice,” revealing that while the afflictions of everyday living are unavoidable, remaining in that suffering is ultimately within our control. This hopeful chorus, which echoes throughout the song despite the despair permeating Caesar’s verses, implies a philosophical mantra through which the artist has come to newly understand his plight. “Unstoppable,” the closing track of the album, includes lines like “Who Jah bless, no man can curse” and, “And who’s gon stop me? I’m unstoppable, yes,” reaffirming a victorious Caesar who will not be held down by anyone — even himself.

It is this glimpse into a reborn Daniel Caesar which makes “NEVER ENOUGH” both a gratifying reward for loyal fans and a worthy introduction for new listeners. The album is a portrait of our most guarded emotional experiences, tugging and tearing at heartstrings in one song while soothing and subduing the soul in another. It invites listeners to wander in the minimalist magic of Caesar’s production and wonder at the angelic harmonies of his distinct voice. And while the album is certainly not groundbreaking sonically or lyrically, Caesar masterfully manipulates his talents to produce a work that is delicately familiar while also captivatingly refreshing. Truly, Caesar’s latest album is a triumph in that it leaves listeners excited for the future of his music. In the season of new life, “NEVER ENOUGH” feels like a gust of invigorating air, not just to the contemporary R&B scene, but to today’s musical landscape as a whole. 

Rating: ★★★★★

Julia Cross ’24 dies at age 21

College community reacts to Dartmouth’s ‘C’ grade on ADL’s antisemitism report card

Dartmouth hosts Dimensions for the Class of 2028

Letter to the editor: a member of the men’s basketball team speaks out in opposition to unionization, dartmouth names honorary degree recipients, james parker up for parole in may, 23 years after the zantop murders.

The Dartmouth

Here Is Daniel Caesar’s ‘Superpowers Tour’ Setlist

Daniel Caesar’s Superpowers Tour kicked off earlier this week to support his new album Never Enough , and now that we’ve had a couple of representative shows, we know what the setlist should look like for the duration (although, I suppose it is subject to change at the whims of the artist). Courtesy of setlist.fm, here is the setlist for Daniel Caesar’s Superpowers Tour.

The Toronto singer is being supported by a huge number of opening acts on the tour which includes BADBADNOTGOOD, Flying Lotus, Moses Sumney, and more. While the majority of the dates will feature either Philadelphia singer-songwriter Orion Sun or Pittsburgh crooner Montell Fish, all of the Canadian tour dates, except for Caesar’s hometown show, will feature Moses Sumney. The Toronto show will feature BADBADNOTGOOD and Charlotte Day Wilson, while shows in Los Angeles and New York will have guest stars Flying Lotus and Omar Apollo, respectively

You can see the setlist below and the remaining tour dates and tickets at Daniel Caesar’s official website .

• “Ocho Rios”
• “Let Me Go”
• “Disillusioned”
• “Toronto 2014”
• “Cyanide”
• “Violet”
• “Do You Like Me?”
• “Entropy”
• “Open Up”
• “Japanese Denim”
• “Best Part”
• “Please Do Not Lean”
• “Pain Is Inevitable”
• “Shot My Baby”
• “Superpowers”
• “Loose”
• “Sparks”
• “Are You OK?”
• “Cool”
• “Get You”
• “Always”

• Latest News

‘El Rey Bravo’: Tito Puente’s Latin Jazz Masterpiece

‘oh darling’: the story behind the beatles’ song, ‘mezzanine’: how massive attack took things to a whole new level, best reggae producers: 10 pioneers of jamaica’s musical legacy, ‘ain’t no mountain high enough’: marvin and tammi’s towering pop classic, ‘flashpoint’: the rolling stones rock the world with ‘undiminished soul’, best lionel hampton songs: 20 jazz essentials, elton john celebrates 50 years of ‘caribou’ with vinyl reissue, new live video, pearl jam share new album ‘dark matter’, benny the butcher announces ‘everybody can’t go’ tour, ringo starr and his all starr band announce fall tour dates, taylor swift shares new double album ‘the tortured poets department: the anthology’, frank zappa & the mothers of invention to release ‘whisky a go go, 1968’ live album, queen rock montreal heading to disney+ with imax enhanced sound, daniel caesar announces ‘almost enough: the intimate sessions’ 2023 tour.

The run will see the Grammy-winning artist perform in North America and Europe

Published on

Daniel Caesar has announced details of a new tour set to take place next month, dubbed the Almost Enough: The Intimate Sessions tour.

The run of dates will kick off the day before the release of the star’s highly-anticipated new album, Never Enough , which arrives on April 7.

The multi-platinum, Grammy-winning singer, songwriter, multi-instrumentalist, and producer will deliver once-in-a-lifetime performances on the Almost Enough: The Intimate Sessions tour, which will take him across North America and Europe. The shows will take Caesar back to his roots and into intimate venues that hark back to the small spaces he began his career in.

‘E=MC2’: Mariah Carey’s 2008 Album Is A Celebration

The glorious gospel of peacock records, best peabo bryson songs: afro-optimism anthems.

The tour will begin in LA on April 6 before stopping in New York, Toronto, Paris, London, and Berlin. Tickets will go on sale via a special artist pre-sale at 10am local time on March 23, with a general sale beginning at 10am local time on March 24. Tickets will be available to purchase here.

Caesar shared his latest single, “Let Me Go,” in February, the second preview of Never Enough after January’s “Do You Like Me?.” Earlier this month, the artist shared a new video for the former track, which reached No.25 on the R&B Radio Chart. The visuals center around the star running out of a barn and through lush green hills. He will also perform the song live for the first time on Jimmy Kimmel Live! on March 30.

Never Enough will follow Caesar receiving a 2023 Juno Awards nomination for the Traditional R&B/Soul Recording category for his 2022 single “Please Do Not Lean feat. Badbadnotgood.”

The song arrived following a career-defining headlining performance at Coachella Valley Music and Arts Festival. That set drew massive crowds and featured a surprise appearance by Justin Bieber to sing their smash hit “Peaches,” mirroring Caesar’s cameo during Bieber’s Grammys appearance earlier that year.

Pre-order  NEVER ENOUGH . View Daniel Caesar’s tour itinerary below.

Apr 6 – Los Angeles, CA – The Belasco Apr 11 – New York, NY – Irving Plaza Apr 13 – Toronto, ON – History Apr 18 – Paris, FR – Elysee Montmatre Apr 19 – London, UK – Here at Outernet Apr 22 – Berlin, DE – Huxleys Neue Welt

Your email address will not be published. Required fields are marked *

Save my name, email, and website in this browser for the next time I comment.

Ashanti & Nelly Confirm Pregnancy And Announce Engagement

Lucky daye is caught up in a ‘hericane’, monica, victoria monét, shenseea & more booked for first blavity house party music festival in nashville, mandisa (1976-2024), nicolay & creative theory spark up a jam with ‘roll up (i can’t lose my high)’, arthur ‘pooch’ tavares (1942-2024), keith sweat keeps it coming with ‘lay you down’, jalen ngonda is in it for the long run on ‘here to stay’, ledisi, october london, coco jones & more highlight the 54th annual hampton jazz & music festival lineup, raheem devaughn takes on a soul classic with ‘love ballad’.

Daniel Caesar Is Ready To Serenade A City Near You With Massive ‘Superpowers World Tour’

Daniel Caesar offered up his heart and soul with the release of his latest album NEVER ENOUGH . Now that he’s thrilled us all through our speakers, he’s ready to do so in person. To that effect, he’s announced that he’ll be embarking on his upcoming Superpowers World Tour this summer and fall.

The ambitious world tour will kick off this July and see the crooner traversing Asia, the United States and Canada. The Asia leg is up first and will mark the first time Daniel has toured Asia since 2018 and see him touching down in several countries. First up, he’ll appear in Seoul for the Have A Nice Trip Festival on July 15th. From there he’ll mix up other festival appearances and standalone dates throughout the continent — including stops in Singapore, Manila, Jakarta and Hong Kong — before wrapping the first leg up in Niigata, Japan for the Fuji Rock Festival .

After taking a month off, the tour will start its second leg on August 29th in Indianapolis. He’ll then hop all across the U.S. and Canada as he makes sure to stop everywhere he can in the two countries until mid-October. That includes dates in Detroit, Chicago, Atlanta, Houston, Dallas, Los Angeles, Seattle, Vancouver and Washington, D.C.

The tour will also feature a number of supporting acts, including Montell Fish and Orion Sun . Those attending his New York, Toronto and Los Angeles dates are in for special treats, however. In New York, he’ll be supported by Montell Fish and GRAMMY-nominated rising star Omar Apollo . In Toronto, he’s invited BADBADNOTGOOD , Moses Sumney and Charlotte Day Wilson onto the bill. Los Angeles, meanwhile, will see Flying Lotus and Orion Sun join Daniel on the stage.

Tickets for the Superpowers World Tour will go on sale to the general public on Friday, June 16th at 9 a.m. local time. Those who can’t wait that long, however, will want to subscribe to the singer’s newsletter to take advantage of the pre-sale, which opens at 10 a.m. local time on Tuesday, June 13th. Tickets can be purchased via Ticketmaster or Daniel’s own website , where you can also find more information about the tour. Check out the full list of dates below.

Daniel Caesar Superpowers World Tour – Leg 1: Asia Dates: July 15 – Seoul, South Korea, Have a Nice Trip Festival July 17 – Singapore, The Star Theatre July 19 – Manila, Philippines, World Trade Centre July 21 – Kuala Lumpur, Malaysia, Good Vibes Festival July 22 – Jakarta, Indonesia, We The Fest July 25 – Hong Kong, KITEC Star Hall July 28 – Niigata, Japan, Fuji Rock Festival

Daniel Caesar Superpowers World Tour – Leg 2: US and Canada Dates: Aug 29 – Indianapolis, IN – Murat Theatre at Old National Centre Aug 30 – Detroit, MI – The Fillmore Detroit Aug 31 – Cincinnati, OH – The Andrew J Brady Music Center Sep 2 – Milwaukee, WI – The Eagles Ballroom Sep 3 – Chicago, IL – The Salt Shed Sep 5 – Columbus, OH – KEMBA Live Sep 7 – Atlanta, GA – Coca-Cola Roxy Sep 9 – Miami, FL – FPL Solar Amphitheater Sep 10 – Orlando, FL – Hard Rock Live Sep 12 – Houston, TX – 713 Music Hall Sep 13 – Austin, TX – Moody Amphitheater Sep 14 – Dallas, TX – South Side Ballroom Sep 16 – Denver, CO – Fillmore Auditorium Sep 17 – Salt Lake City, UT – The Complex Sep 20 – San Diego, CA – Gallagher Square Park at Petco Park Sep 21 – Los Angeles, CA – Hollywood Bowl Sep 23 – Santa Barbara, CA – Santa Barbara Bowl Sep 24 – Phoenix, AZ – Arizona Financial Theatre Sep 26 – Berkeley, CA – The Greek Theatre at UC Berkeley Sep 28 – Portland, OR – Alaska Airlines’ Theater of the Clouds Sep 29 – Seattle, WA – WAMU Theater Sep 30 — Vancouver, BC — Pacific Coliseum Oct 3 — Calgary, AB — Scotiabank Saddledome Oct 5 — Edmonton, AB — Rogers Place Oct 6 — Saskatoon, SK — SaskTel Centre Oct 7 — Winnipeg, MB — Canada Life Centre Oct 10 — Ottawa, ON — Canadian Tire Centre Oct 12 — London, ON — Budweiser Gardens Oct 13 — Toronto, ON — Scotiabank Arena Oct 15 – Washington, DC – The Anthem Oct 16 – Boston, MA – MGM Music Hall at Fenway Oct 17 – New York, NY – Madison Square Garden Oct 19 – Philadelphia, PA – The Met Philadelphia

You May Also Like

• About SoulBounce
• Advertising & Sponsorship
• Contact SoulBounce
• Intern For SoulBounce
• Privacy Policy
• Shop @ SoulBounce
• SoulBounce Archives
• SoulBounce Staff
• Subscribe To Newsletter
• Write For SoulBounce

Stay In The Know

© 2022 SoulBounce.com a division of Kimberly Shines Media, LLC. All Rights Reserved.

Privacy Overview

Philippine Concerts

Concerts, gigs, live performances and other musical events, a superpower space: daniel caesar concert.

Canadian soul-R&B-jazz fusion artist Daniel Caesar makes an exciting return to the country with a successful concert held last July 19. This comes after the enormous success of his prior two shows, his Manila debut as part of the Wanderland Music & Arts Festival, and his first Manila solo headline show in 2019. He returned to Karpos stage to promote the release of his third studio album, Never Enough. The Best Part singer/songwriter brought his SUPERPOWERS tour to the World Trade Center.

Fans are even lucky to have an extra-special treat as Jason Dhakal, [“Manila,” “Body & Soul,”] opened the show for everyone.

As for the moment we all have been waiting for, the Grammy award-winning singer-songwriter popped up in front of everyone holding a camera trying to film may all our excitement. To see him stood there are finally hearing the songs the crowd love is sonically fitting for the mood.

As the show began with” Ocho Rios” Daniel cracked a joke in front of his adoring throngs, saying, “You guys are “shockingly” silent.” How are you all doing? “You guys are surprisingly quiet today; it’s kind of strange; last time, pre-COVID, you guys had more strength,” Daniel teased in front of his hollering fans.

Getting his crowd amped, Daniel sang his songs “Let Me Go,” “Entropy,” “Do You Like Me?” “Open Up,” “Valentina,” and “Always.” To which his fans turned the venue into a massive karaoke lounge and sang their hearts out with all of their feelings. Daniel even appreciated the whole thing, saying, “That’s my favorite part of going here. Because all of you sing like crazy.”

He also performed his crowd favorites “Violet,” “Best Part,” and Invincible,” delivered an encore performance of “Japanese Denim,” Are You Okay,” “Sparks,” and wrapped up the night with “Get You,” a certified classic.

After his four-year hiatus, Daniel proved that he still has the Superpower to move people through his craftmanship and have their hearts sing in a loop. We can’t wait to have more of him and listen to his songs on repeat. Thank you Karpos Media for bringing him back!

More Philippine Concert News:

• HORI7ON Confirms January Comeback
• Jeff Satur's “Space Shuttle Tour No.8” to Land in Manila in March 2024
• Alexander 23 to Perform in Manila in June
• Warner Music Philippines Unveils Remarkable Compilation Album in…
• CENTERPLAY AT CITY OF DREAMS MANILA STAGES ANOTHER SOLD-OUT CONCERT…

Tags Always Best Part Daniel Caesar Daniel Caesar 2023 Daniel Caesar Superpowers World Tour Get You karpos live Karpos Media wanderland music & arts festival

• Previous ZOMBIEVERSE Official Trailer Released
• Next King the Land Paves the Way for a Heartfelt Lineup on Netflix

No Ticket Selling in the Comments Section. 0 thoughts on “A Superpower Space: Daniel Caesar Concert”

Leave a reply cancel reply.

Your email address will not be published. Required fields are marked *

Get the Latest Concert Updates

• Recent Posts
• Popular Posts
• Recent Comments

Stars Gather on May 11 and 12 for Ryan Cayabyab’s “Gen C” Birthday Musical Tribute

Tate McRae to Tour Asia in Think Later World Tour 2024

Netflix Greenlights Cashero Features Down-to-Earth Superheroes Set to Transform the Genre

Ang Parokya ni Edgar Musical – Buruguduystunstugudunstuy

PREP Live in Manila 2024

Park Min Young Expresses Excitement for 1st Manila Fan Meeting

Bullet Dumas to Stage First Solo Concert in Five Years in June

Win tickets to see taylor swift live on february 19, 2011.

Win Tickets to watch The Script Live in Manila

Win MTV Music Evolution Manila 2016 Passes

Win Tickets to Watch Circuit Fest

The Black Star Tour: Avril Lavigne live in Manila 2012

On Stage Epilogue: BTS Live in Manila 2016

Nicki minaj live in manila.

More Philippine Concert News

Daniel Caesar

• Discount Codes

Hear NewJeans’ Hanni cover Daniel Caesar and H.E.R’s ‘Best Part’

The latest in the group's ongoing cover series, 'By Jeans'

NewJeans ‘ Hanni has covered ‘Best Part’ by Daniel Caesar and H.E.R , as part of the girl group’s ongoing YouTube series ‘By Jeans’.

• READ MORE: Seori on the weight of creating personal art: “Comforting words are not as helpful as your honest emotions”

NewJeans’ Hanni released her cover of ‘Best Part’, originally released by Daniel Caesar and H.E.R in 2017, on April 18. Speaking about why she chose the song, the singer said: “I really love this song. I love the R&B genre and within R&B, this type of subtle and simple song is what I like the most.”

“Something I think I really like about this song is the simplicity in the lyrics and the soundtrack,” she added. “If you listen to the music, from start to finish, there’s just the same guitar progression that repeats and I think that’s what makes the song really calming to listen to.”

For her rendition, Hanni stayed faithful to the original song’s minimalistic, acoustic instrumentation. “You’re my water when I’m stuck in the desert / You’re the Tylenol I take when my head hurts / You’re the sunshine on my life,”  she sings on the song’s pre-chorus.

Earlier this month, NewJeans released a preview of their upcoming song ‘Bubble Gum’ through new commercials for the shampoo brand Essential from Japanese company Kao. The snippet of the song used in the commercials included lines in Japanese and English.

‘Bubble Gum’ was first announced last month, when NewJeans teased their upcoming release plans for 2024. The song will be featured on the single album ‘How Sweet’, which is set to be released on May 24 alongside a title track of the same name.

Recommended

In June, the girl group will also release a Japanese single album with two songs: ‘Supernatural’ and ‘Right Now’. Additionally, the quintet have also  teased plans to embark on a world tour sometime in 2025 .

• Related Topics

You May Also Like

Jack antonoff: “i’ve always felt really misunderstood – it’s like a driving, pounding feeling in me”, ben schwartz is on a mission to save improv: “so much comedy has been dying”, touring luxembourg with francis of delirium, the indie star making big waves in a tiny country, ‘fallout’ review: learn to love the bomb in this fun yet flawed adaptation, ‘life eater’ review: twisted kidnapping simulator strikes at the heart, more stories, taylor swift drops video for post malone collaboration ‘fortnight’, lana del rey brings out camila cabello during weekend 2 of coachella, brian eno talks remixing david bowie on “powerful” new release ‘get real’ to combat climate change, stalker who sent harry styles 8,000 cards is jailed and banned from gigs, glastonbury 2024 to debut first ever south asian dedicated stage, courtney love says after kurt cobain died, “the hatred towards me reached a completely new level”.