trip at festival

Festival Activities: Fun Activities at Festivals To Attend!

Curious about adding some festival activities to your plans for your next trip? Festivals happen year-round and are the perfect way to get a unique and authentic travel experience!

Whether you’re dancing in the desert at Coachella or joining in the famous Mardi Gras parade in Downtown New Orleans, you’re sure to have a great time and a one-of-a-kind experience at a festival.

Festivals are a great way to get an authentic experience wherever you travel. You’ll get to know the people, try local food, and discover new experiences.

There are so many kinds of festivals you can drop in on. There are festivals for music, food, seasons, holidays, and local celebrations. The options are endless, and you can find new and exciting activities every year!

Before heading out the door to your next festival, check out this festival essentials list to ensure you have everything you need to have a good time.

In this post, I’ll look at some of the best activities to try at your next festival.

Best Activities to Try at Outdoor Festivals

Doing a quick online search for festival activities brings up many different types of festivals ranging from kid-friendly to adults-only. Great festival activities for kids include carnival games and rides. But, thankfully, these can be enjoyed by adults too!

Festival activities for adults include watching an outdoor music performance or trying out food and wine samplings. Make great memories with your besties at these popular festivals packed with fun festival activities!

‍A Man Sampling Wine at the Denver Food Festival

Food Tastings

If you’re a foodie this is THE festival activity for you. Grab a couple of your closest friends for a delicious night out. Food festivals are a great way to try the different flavors of a city in one night!

Check out our list of unique festival foods and where you can find them to get an idea of the best food festivals to travel to this year.

Many major cities host city-wide food festivals during the summer. At these food festivals, you can find food trucks, local restaurants, and city-based businesses that hand out samples or sell small bites of their most popular dishes to taste.

There are also often wine, beer, and spirit tastings to enjoy. Sit back and enjoy the warm summer weather as you sip a delicious glass of your new favorite drink.

When you arrive at the food festival, a physical map or a list of food vendors will make things much easier! You can plan your way through the stalls and make sure to catch your favorites before the end of the night.

‍People Enjoying their Evening at a Food Festival in India

Carnival Games

Carnival games are great for kids and for the young at heart. There are many carnival games to try at most outdoor festivals, usually lined up in stalls. With fun prizes to be won, it’s time to embrace the joy of carnival games!

The experience might seem a little cheesy, but you’ll make unforgettable memories with your friends as you all try your best to win a little stuffed bear.

Popular carnival games include basketball throwing, balloon darts, and ring throwing. There are also usually skeeball games and bean bag throwing. Try your hand at these festival activities and see how your skills stack up against your friends.

Often, carnival games vendors at festivals only take cash, so remember to bring a few extra dollar bills!

A Woman Playing Ring a Bottle game at the New York State Fair Midway

Contests and Competitions

Do you have a hidden talent you’d like to share? Many festivals have contests or competitions as part of their lineup of festival activities. These can range from food-eating competitions to singing or dancing contests.

Don’t just be an onlooker! Sign up for a competition and become a part of the festival. Create a fun memory of trying to finish an entire pie by yourself in the shortest amount of time. Even if you don’t win, you’ll have priceless photos you can laugh about later!

Check the festival website you’ll be attending for the most up-to-date information about contests or competitions they’ll be hosting that year. You may have to register online ahead of time.

Music Festival Activities to Check Out With Your Friends

Music festivals are trendy and the perfect summertime outdoor activity. Listen to your favorite music, dance, and let loose at one of these exciting events.

Many cities have their own music festivals. Some are more intimate and sophisticated , while others are like gigantic parties . These festivals usually have fun, memorable activities in addition to musical performances.

For example, Coachella offers a variety of activities to try during your downtime. There’s an activity tent available with classic games, video games, and dance competitions. Stop by and win a prize! Or, take a whirl on the Ferris wheel and exercise at the Energy Playground.

If you’re tired from a long, busy day, take a breather at the camp lounge. Relax in the shade and enjoy the free wi-fi as you prepare for the night ahead.

There are also a lot of fun activities in the surrounding Coachella Valley that you can check out if you want a break from the crowds.

‍Two Women Having Fun at the Coachella music festival

Lollapalooza

Lollapalooza is another staple outdoor music festival in the US that offers countless festival activities for adults and children. There is a family-friendly activity time during the weekend. You can also enjoy mini yoga lessons and interactive shows.

The festival is hosted on a beautiful lakefront, so soaking up the views is a great shout. Many people like to take some time away from the crowds and enjoy the sand and sun at one of the nearby beaches .

Activities You Can Take to an Outdoor Festival

Still looking for activities to pass the time while at a festival? You can plan some activities to bring with you to play with your group while you’re taking a break or relaxing in the shade. Here are a few great options:

Playing cards are easy to carry and can be used anywhere. They’re also a great festival activity for meeting new people.
Mobile yard games are miniature versions of those carnival games that are so much fun. They’re a great way to create some friendly competition among your group!
A football or frisbee is perfect for getting to know other people quickly. Just start playing, and others will want to join in!

Festival Fun With Pilot

If you want to include some of these great festival activities on your next trip and need help planning your itinerary, give Pilot a try. Pilot makes planning festival activities easy and keeps everyone in the group informed!

Disclosure : Pilot is supported by our community. We may earn a small commission fee with affiliate links on our website. All reviews and recommendations are independent and do not reflect the official view of Pilot.

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Queen Mary Waterfront 1126 Queens Hwy Long Beach, CA 90802

Breathe in the fresh ocean air & sun-soaked vibes, as Day Trip Festival takes over the scenic waterfront at Queen Mary Park in Long Beach. Two stages & two days of Strictly House Music All Day Long at one of the most historic locations in the SoCal area! This one is for our 21+ family only, see you on the waterfront!

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Day Trip Festival 2023 Announces Dates, Ticket Info, and New On-Site Hotel Option

Photo Credit: Troy Acevedo for Insomniac Events

Day Trip Festival will return to the Queen Mary Waterfront in Long Beach for another house-fueled weekend on June 24-25.

The past few summers have been hotter than ever in Southern California, and that’s due in part to the rise of Day Trip . This house-driven brand under the Insomniac umbrella has gifted the scene with a plethora of curated shows all season long at Academy LA in the past, but when they launched their very own festival, it really kicked things up a notch. Last year saw Day Trip Festival find a new home at the Queen Mary Waterfront in Long Beach , and now the festival is set to return for another round on June 24-25 .

While this multi-day event made some waves with its latest edition , this year will see Day Trip Festival kick everything up a notch. This includes modifications to the venue so that attendees can have a comfortable experience with added shade structures and dance floor space, and enhanced VIP offerings with a new elevated deck and more. An official after-party will also take place on the rooftop deck of the Queen Mary. Additionally, parking woes will be no more as an arrangement with the City of Long Beach has been made to allow for pre-paid spaces to guarantee your spot for a more seamless process.

Not only will the festival grounds be expanded to incorporate areas aboard the Queen Mary itself – but those who are looking for a complete experience can stay on board as well. After three years of being closed, the famed ocean liner will be reopened for overnight hotel stays during the festival for those who opt-in for the weekend travel packages that include accommodations, tickets, access to pre and after-parties, and in-and-out privileges all weekend. Check out the package options via Vibee .

GA passes for Day Trip Festival start at $109.99 (+taxes and fees), with VIP passes starting at $209.99 (+taxes and fees). Both pass types are available on layaway plans for a $10 deposit at the time of purchase.

Pre-sale tickets for Day Trip Festival go on sale Thursday, March 2 at 12pm PT, with the general sale beginning Friday, March 3 at 12pm PT via Front Gate . Head to their official website , stay tuned for the full lineup reveal, and don’t forget this festival is for house music lovers who are 21+!

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Grant Gilmore’s authoritative voice as a media professional lends credibility not common to EDM journalism. As the founder of EDM Identity he has effectively raised the bar on coverage of the past decade’s biggest youth culture phenomenon. After ten years of working for nonprofit organization Pro Player Foundation, Gilmore launched EDM Identity as a media outlet offering accurate informative coverage of the rave scene and electronic music as a whole. Although they cover comprehensive topic matter, they have taken special care in interviewing the likes of Armin van Buuren, Adventure Club, Gorgon City, Lane 8 and Afrojack. In addition to household names, they have also highlighted unsung heroes of the industry through their ID Spotlight segment. Whether he’s covering it or not, you can expect to find Grant Gilmore attending the next big electronic music event. To find out what’s next on his itinerary, follow him via the social links below.

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16 Amazing Cultural Festivals Worth Traveling the Globe For

Posted: April 21, 2024 | Last updated: April 21, 2024

<p>Traveling to unique worldly destinations but experiencing them at the height of a cultural festival brings a whole new dimension to your trip. Be inspired, surprised, and swept away in the magical energy of centuries-old traditions celebrated by thousands. These celebrated global events are your ticket to an extraordinary adventure, from pulsating music and vivid parades to tantalizing cuisine. Which one will you put on your bucket list first?</p>

Traveling to unique worldly destinations but experiencing them at the height of a cultural festival brings a whole new dimension to your trip. Be inspired, surprised, and swept away in the magical energy of centuries-old traditions celebrated by thousands. These celebrated global events are your ticket to an extraordinary adventure, from pulsating music and vivid parades to tantalizing cuisine. Which one will you put on your bucket list first?

<p>The Songkran Festival celebrates the New Year and is held annually in mid-April. The Thai people celebrate by splashing water on each other to wash away the old year’s troubles and keep you moving forward in the new year. Many take this time to visit spiritual temples and remember those they have lost.</p>

1. Songkran Festival, Thailand

The Songkran Festival celebrates the New Year and is held annually in mid-April. The Thai people celebrate by splashing water on each other to wash away the old year’s troubles and keep you moving forward in the new year. Many take this time to visit spiritual temples and remember those they have lost.

<p>If rolling around in the mud with strangers sounds fun, book your ticket to South Korea this summer. Held in July every year, this festival draws people from all over to participate in mud wrestling, mud bathing, and anything else mud-related. This slop-fest started to promote the mineral-rich mud found in the Boryeong region but has become more of a social festival.</p>

2. Boryeong Mud Festival, South Korea

If rolling around in the mud with strangers sounds fun, book your ticket to South Korea this summer. Held in July every year, this festival draws people from all over to participate in mud wrestling, mud bathing, and anything else mud-related. This slop-fest started to promote the mineral-rich mud found in the Boryeong region but has become more of a social festival.

<p>Held every year in March, the Holi festival is where people of all ages unite to promote unity, forgiveness, equality, and personal growth. Also called the “Festival of Colors,” people throw colored powder at each other to celebrate springtime’s arrival. Participants are usually covered in vibrant colors and wide smiles when the festival ends.</p>

3. Holi Festival, India and Nepal

Held every March, the Holi festival is where people of all ages unite to promote unity, forgiveness, equality, and personal growth. Also called the “Festival of Colors,” people throw colored powder at each other to celebrate springtime’s arrival. When the festival ends, participants are usually covered in vibrant colors and wide smiles.

<p>Are you a manly man who wants to test your manliest skills against other men? The Naadam Festival involves all the testosterone fuel you will ever need. The traditional Mongolian festival is centered around the “Three Manly Sports”: horse racing, archery, and wrestling. The festival is held in July and showcases traditional Mongolian art, dances, and classic Mongolian cuisine.</p>

4. Naadam Festival, Mongolia

Are you a manly man who wants to test your manliest skills against other men? The Naadam Festival involves all the testosterone fuel you will ever need. The traditional Mongolian festival is centered around the “Three Manly Sports”: horse racing, archery, and wrestling. The festival is held in July and showcases traditional Mongolian art, dances, and classic Mongolian cuisine.

<p>Get your pitching arm ready if you find yourself in Bunol, Spain, in late August. This is an hour-long tomato fight. Participants chuck tomatoes at each other until they and the streets are covered in tomato juices. The first food fight started in 1940 and quickly became a national event that drew thousands worldwide.</p>

5. La Tomatina, Spain

Get your pitching arm ready if you find yourself in Bunol, Spain, in late August. This is an hour-long tomato fight. Participants chuck tomatoes at each other until they and the streets are covered in tomato juices. The first food fight started in 1940 and quickly became a national event that drew thousands worldwide.

<p>Prepare to feel like a Nordic Viking during the Up Helly Aa festival in Lerwick in late January. The celebration starts off the Shetland Islands coast with a torch-lit procession, followed by a ceremonial burning of a Viking longship. The ceremony is a throwback to the ancient Nordic Heritage and is a unique cultural experience.</p>

6. Up Helly AA, Scotland

Prepare to feel like a Nordic Viking during the Up Helly Aa festival in Lerwick in late January. The celebration starts off the Shetland Islands coast with a torch-lit procession, followed by a ceremonial burning of a Viking longship. The ceremony is a throwback to the ancient Nordic Heritage and is a unique cultural experience.

<p>Every May, this festival kicks off with a parade of decorated boats through the channels of Venice, ending with the ceremonial wedding of the sea. City leaders throw gold rings in the sea to celebrate the union of the sea and the city of Venice. Venice has long had a maritime culture, and the residents hold the ocean as a key factor to their blessing in life.</p>

7. Festa Della Sensa, Venice, Italy

Every May, this festival kicks off with a parade of decorated boats through the channels of Venice, ending with the ceremonial wedding of the sea. City leaders throw gold rings in the sea to celebrate the union of the sea and the city of Venice. Venice has long had a maritime culture, and the residents hold the ocean as a key factor to their blessing in life.

<p>Come hungry if you plan to attend the Sagra del Pesce festival held in May off the coast of Camogli. The festival is a giant fish fry, where people come to enjoy the freshest fried fish and local wines. The historic fishing village celebrates by feeding thousands of people as they celebrate another successful year of fishing.</p>

8. Sagra Del Pesce, Camogli, Italy

Come hungry if you plan to attend the Sagra del Pesce festival, held in May off the coast of Camogli. The festival is a giant fish fry, where people come to enjoy the freshest fried fish and local wines. The historic fishing village celebrates by feeding thousands of people as it celebrates another successful year of fishing.

<p>Some of the most prolific musicians and performers come from all over Africa to attend the Festival au Désert in Mali. The Sahara Desert turns into a giant music festival that celebrates the lively dance and music culture of Mali and the Tuareg people’s nomadic culture.</p>

9. Festival AU Désert, Mali

Some of the most prolific musicians and performers come from all over Africa to attend the Festival au Désert in Mali. The Sahara Desert turns into a giant music festival that celebrates the lively dance and music culture of Mali and the Tuareg people’s nomadic culture.

<p>The Fes Festival of World Sacred Music aims to promote unity, understanding, and acceptance among diverse cultures of the world. Every religion, ethnicity, gender, and age group is encouraged to come and enjoy the music and dances of artists from every corner of the world. There’s love, happiness, and equality for all who attend this fantastic festival.</p>

10. Fes Festival of World Sacred Music, Morocco

The Fes Festival of World Sacred Music aims to promote unity, understanding, and acceptance among diverse cultures of the world. Every religion, ethnicity, gender, and age group is encouraged to come and enjoy the music and dances of artists from every corner of the world. There’s love, happiness, and equality for all who attend this fantastic festival.

<p>So, we all love to point out how different Boomers and Millennials are—like they’re from different planets. But you know what? We’re discovering that some good ol’ Boomer ways aren’t so bad after all! It’s time to spill the whole tea pitcher on the 18 Boomer gems Millennials wholeheartedly embrace.</p>

11. Lake of Stars Festival, Malawi

Celebrate and engage in Malawi’s vibrant music and art culture in this festival held once a year off the coast of Lake Malawi. Centered around music and dance, the festival also holds workshops to give attendees a glimpse into the life of Malawi. It draws musicians and artists from all across the continent.

<p>This party held in Cusco is the celebration of the New Year on the Inca calendar. The town has dance performances, colorful parades, and various re-enactments of ancient Inca ceremonies. The festival puts you into a time capsule sent to the past to get an insight into the ancient Inca civilization.</p>

12. Inti Raymi, Peru

This party held in Cusco is the celebration of the New Year on the Inca calendar. The town has dance performances, colorful parades, and various re-enactments of ancient Inca ceremonies. The festival puts you into a time capsule sent to the past to get an insight into the ancient Inca civilization.

<p>Every year on November 1, Mexico throws a Dia de los Muertos party to celebrate the lives of deceased loved ones and show respect for the cycle of life and death. Also known as the Day of the Dead, participants paint their faces and build colorful altars, offering food and drinks to those who have passed. It’s a unique look at life and death and is a cultural event I suggest people experience.</p>

13. Dia de Los Muertos, Mexico

Every year on November 1, Mexico throws a Dia de los Muertos party to celebrate the lives of deceased loved ones and show respect for the cycle of life and death. Also known as the Day of the Dead, participants paint their faces and build colorful altars, offering food and drinks to those who have passed. It’s a unique look at life and death and is a cultural event I suggest people experience.

<p>This Christian-themed festival celebrates the arrival of the Magi, or the Wise Men, who came to visit baby Jesus. It’s held on January 6 and includes many parades, gift-giving, and plenty of food. Dia de los Reyes Magos translates to Three Kings Day and is a joyous time that many religious residents of Latin America look forward to every year.</p>

14. Dia de Los Reyes Magos, Many Latin American Countries

This Christian-themed festival celebrates the arrival of the Magi, or the Wise Men, who came to visit baby Jesus. It’s held on January 6 and includes many parades, gift-giving, and plenty of food. Dia de los Reyes Magos translates to Three Kings Day and is a joyous time that many religious residents of Latin America look forward to every year.

<p>This festival is celebrated in an old monastery in Gangtey, Goemba. It’s a festival that celebrates the arrival of endangered birds back home. Long considered a sacred symbol in Bhutan, these birds represent longevity and are portrayed in many folklore traditions. As these birds migrate home, Bhutan residents celebrate another year of prosperity and good health. If you find yourself in Bhutan in November, stop by and indulge in some classic folk dances and musical performances while children show off their homemade crane costumes.</p>

15. Black-Necked Crane Festival, Bhutan

This festival is celebrated in an old monastery in Gangtey, Goemba. It’s a festival that celebrates the arrival of endangered birds back home. Long considered a sacred symbol in Bhutan, these birds represent longevity and are portrayed in many folklore traditions. As these birds migrate home, Bhutan residents celebrate another year of prosperity and good health. If you find yourself in Bhutan in November, stop by and indulge in some classic folk dances and musical performances while children show off their homemade crane costumes.

<p>Wear many layers to celebrate the summer in the northern city of Harbin. This Arctic city hosts one of the most famous winter festivals in the world. The festival lasts for a full month, and attendees can come to stare in awe at some of the biggest and most creative ice sculptures of all time. Stroll through cities made of ice or hit the slopes for world-class skiing.</p><p>Source: <a href="https://greenglobaltravel.com/best-cultural-festivals-around-the-world/">Greenglobaltravel</a></p><p>Source: <a href="https://hiddenlemur.com/cultural-festivals-around-the-world/">Hiddenlemur</a></p>

16. Harbin International Ice and Snow Sculpture Festival, China

Wear many layers to celebrate the summer in the northern city of Harbin. This Arctic city hosts one of the most famous winter festivals in the world. The festival lasts for a full month, and attendees can come to stare in awe at some of the biggest and most creative ice sculptures of all time. Stroll through cities made of ice or hit the slopes for world-class skiing.

Source: Greenglobaltravel

Source: Hiddenlemur

<p>One of my favorite things about this country is the differences in each state. A cross-country road trip can take you from the mountains to the desert, coast, and swampland, with each region representing its unique charm and culture.</p> <p>I’m an avid road tripper and have had the privilege of spending some time in these small towns. They left their mark on me in the best way possible.</p>

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I’m an avid road tripper and have had the privilege of spending some time in these small towns. They left their mark on me in the best way possible.

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<p><span>World history is an ongoing obsession for many of us, not in the least because of the unanswered questions records may bring.</span></p> <p><span>Mysterious, confusing, and all-around odd, countless historically recorded happenings do not make sense. It’s all utterly intriguing. </span></p>

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<p><span>There is an old saying, “You get what you pay for,” often rings true. Always choosing the cheapest option might seem like a <a href="https://www.kindafrugal.com/is-beefing-up-your-savings-account-a-smart-move/">smart move</a> initially, but it can lead to unforeseen costs down the line.</span></p><p><span>For instance, a cheap pair of shoes might not last as long, or a budget contractor might not do the job right the first time. Instead of automatically going for the least expensive option, focus on value for money.</span></p><p><span>This means considering factors like durability, functionality, and overall quality.</span></p><p><span>Remember, an item or service with a higher price tag could end up saving you money if it lasts longer or does a better job. So next time, don’t just look at the price; look at the value, too!</span></p>

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50 Years Ago: Grateful Dead and Big Brother & the Holding Company Begin the Haight-Ashbury Era at the Trips Festival

On Jan. 21-23, 1966, the Longshoremen's Hall in San Francisco was the site of the Trips Festival. The event, which featured performances by the Grateful Dead and Big Brother & the Holding Company , is widely credited with being the start of the hippie counterculture that would emerge within the next year.

The Trips Festival was the brainchild of author Ken Kesey, who was conducting "acid tests" -- wild parties in the Bay Area that featured music, dancing, theater, strobe lights, Day-Glo paint and free access to LSD, which was legal at the time. He and writer Stewart Brand decided to take it to the next level and hold a three-day festival. More than 6,000 people filled the hall.

Promoter Bill Graham helped organize the event, billed as a "new medium of communication & entertainment" that promised "a JUBILANT occasion where the audience PARTICIPATES because it's more fun to do so than not."

The acid test was held on Saturday, Jan. 22, featuring punch spiked with LSD. Tom Wolfe described the scene in The Electric Kool-Aid Acid Test. "Lights and movies sweeping around the hall; five movie projectors going and God knows how many light machines, interferrometrics, the intergalactic science-fiction seas all over the walls, loudspeakers studding the hall all the way around like flaming chandeliers, strobes exploding, black lights with Day-Glo objects under them and Day-Glo paint to play with, street lights at every entrance flashing red and yellow, two bands, the Grateful Dead and Big Brother & the Holding Company and a troop of weird girls in leotards leaping around the edges blowing dog whistles."

"That's where we learned what it was that we were up to," Dead bassist Phil Lesh recalled in The Trips Festival Movie . "It wasn't just, you come and you sit, we deliver and you take it in. There was more an ebb and flow between the band and the audience."

The Trips Festival was one of Big Brother's first public performances; Janis Joplin had yet to join the band. After Big Brother's brief set, the Grateful Dead took the stage, fully buzzed.

"I look out over the people, and they are an ocean, oily swells moving on the vast deep; even though we're not playing yet, there's plenty of rhythm – audible, tactile, visible, with waves of light connecting the dancers as they move," Lesh wrote in Searching for the Sound: My Life with the Grateful Dead . "We play – what else? 'In the Midnight Hour,' our signature rave-up jam-out lost-in-the-stars tune; and just how did that R&B standard love-call turn into some kind of cosmic anthem, anyhow?"

The Festival's innovative mix of music, theater and light enjoyed by thousands of stoned hippies forecast what was to come as Trips Festivals were staged in other cities. Graham began to stage regular rock concerts at the Fillmore Auditorium. San Francisco's Human Be-In took place in January 1967. The Monterey Pop Festival followed in June and the Summer of Love vibe spread across the country. Wolfe and many others cite the Trips Festival as the catalyst.

"For the acid heads themselves, the Trips Festival was like the first national convention of an underground movement that had existed on a hush-hush cell-by-cell basis," Wolfe wrote. "The heads were amazed at how big their own ranks had become – and euphoric over the fact that they could come out in the open, high as baboons, and the sky, and the law, wouldn't fall down on them […] The Haight-Ashbury era began that weekend."

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Power Trip Festival 2023: Full Lineup and Details Announced

It may be the biggest North American rock festival ever

UPDATED: July 11, 2023

The stacked lineup for the all-new festival Power Trip is here. Earlier this week, headliners Metallica, Iron Maiden, Ozzy Osbourne, AC/DC, Tool , and Guns N’ Roses all teased the festival on their official social media. Now, the full lineup is officially confirmed for what may very well be the biggest hard rock festival ever in North America.

On Monday, July 10, Ozzy Osbourne revealed that he would no longer be performing at Power Trip. On Tuesday, July 11, it was announced that British metal icons Judas Priest would be stepping in for Ozzy. Priest will now play opposite AC/DC on Saturday, October 7.

Check out the full lineup artwork below.

Goldenvoice, the company behind Coachella, Stagecoach, Cruel World, and more will be putting on Power Trip. The festival will take place in Indio, California at the Empire Polo Grounds (home of Coachella) on October 6 through October 8, 2023.

Tickets go on sale Thursday, April 6 at 10am PT. Hotel and VIP Packages available starting Tuesday, April 4 at 10am PT. Fans can register for the on-sale now HERE . 3-Day General Admission tickets start at $599 + fees, or turn the volume up with GA + Shuttle ($699), The Pit ($1,599), Reserved Floor ($799 – $1,599), Grandstand Seating ($1,099 – $1,399), and various VIP Packages ($1,749 – $2,999). Payment plans (50/50) are available for general admission tickets.

Camping options include Car & Tent Camping, ready-to-go 2 person Lodge/4 person tents, RV spots and more. Amenities and activities are available for all campers. Accommodations include hotel packages: Bundle your Power Trip tickets with nearby hotel accommodations and “any line” shuttle passes. Available for groups of 2 or 4 people, exclusively through Valley Music Travel . Packages start at $3,199 + fees.

Fans who want to commemorate the weekend can pre-order a Power Trip Commemorative Poster. The premium quality giclee print poster delivered in advance of the show. Designed and printed by artist J. Bannon (limited edition of 1,000), the posters are available in 18×24 on fine art textured stock. For now, you must purchase a ticket in order to add the poster to your order.

After announcing his retirement from touring back in February, Rock and Roll Hall of Famer Ozzy Osbourne has recently expressed his desire to still perform at some capacity in the future. Commercially, Ozzy is enjoying the fruits of his widely successful album Patient No. 9 . He won two GRAMMY® Awards at the 65th annual event in Los Angeles last month. He took home the hardware for Best Metal Performance and Best Rock Album. It marked the metal legend’s first solo GRAMMY® win since 1994 when he won Best Metal Performance for “I Don’t Wanna Change the World ( Live & Loud ).

“I’m one lucky motherfucker to have won the Best Rock Album Grammy,” the now a five-time GRAMMY® Award winner exclaimed. “I was blessed to work with some of the greatest musicians in the world and Andrew Watt as my producer on this album. Winning the Best Metal Performance was equally gratifying being that the song featured my longtime friend and Black Sabbath bandmate, Tony Iommi.”

Metallica’s upcoming eleventh studio LP 72 Seasons arrives on April 14 via the band’s own Blackened Recordings. Produced by Greg Fidelman with frontman James Hetfield and drummer Lars Ulrich, and clocking in at over 77 minutes, the 12-track 72 Seasons is Metallica’s first full length collection of new material since 2016’s Hardwired…To Self-Destruct . The album will be released in formats including 2LP 140-gram black vinyl and limited edition variants, CD and digital download.

Additionally, Metallica are returning to the road this summer. The band previously announced their M72 Word Tour which will see the band perform back-to-back nights at each stop with no repeat performances. In each city, special guests on Night One will be Pantera and Mammoth WVH. Five Finger Death Punch and Ice Nine Kills will serve as support on Night 2. Tickets are on sale now HERE .

Iron Maiden brought their Legacy of the Beast Tour back to North American last year for another massive run. The band’s latest album Senjutsu arrived in 2021. The album peaked at No. 3 on the Billboard 200, and No. 1 on Billboard’s Top Rock and Top Hard Rock Albums charts.

In 2020, AC/DC released their seventeenth studio album Power Up . The record peaked at No. 1 on the Billboard 200, and topped the charts in several other countries around the world. Once again, Angus and Malcolm Young’s nephew Stevie Young, who took over rhythm guitar duties for Malcolm after his passing in 2017. AC/DC have not toured since their Rock or Bust trek wrapped up in 2016.

Tool have a number of festival appearances slated for 2022, including a headlining slot at Aftershock. Last summer, they released their GRAMMY®-Award winning fifth album Fear Inoculum as a new black vinyl set via RCA Records. The 3-disc 180 gram set on black vinyl features new artwork by guitarist Adam Jones. It comes in a triple gatefold jacket and an exclusive 12″ x 36″ double-sided poster. Last March, Tool released a re-imagined version of “Opiate,” the title track from their first EP. To celebrate the 30th anniversary of their first commercially-available release, the band re-worked and extended the song – “Opiate 2 “ – with an accompanying short film.

Guns N’ Roses are embarking on a massive world tour this summer. The North American leg runs through October 16m making stops in Boston, Chicago, Nashville, Charlotte, Vancouver, and more. The band is also returning to Hersheypark Stadium in Pennsylvania for the first U.S. show of the tour. They previously kicked off their We’re F’N Back! Tour there back in 2021. Revisit our review and live photos from the show HERE .

Last year, Guns N’ Roses came out with a a new EP Hard Skool . The record was released nearly a year ago on February 25, 2022. It was the first time in 28 years that vocalist Axl Rose, guitarist Slash, and bassist Duff McKagan collaborated together on new material together.

The trio was accompanied on the new studio effort by the current members of the GNR lineup, which is completed by guitarist Richard Fortus and drummer Frank Ferrer, as well as keyboardists Dizzy Reed and Melissa Reese. The EP featured live recordings of the band’s ‘91 power ballad “Don’t Cry” and “You’re Crazy” from their seminal debut LP Appetite For Destruction .

Released back in August of 2021, the single “Absurd “ was the first new Guns N’ Roses song in 13 years.

Fresh off their 50th anniversary celebrations , Judas Priest are reportedly working on music for the follow-up to their acclaimed 2018 album Firepower . The record is the band’s biggest commercial success, charting at No. 5 on the UK Albums Chart and Billboard 200 as well as hitting No. 1 on Billboard’s Top Hard Rock Albums chart. After delays due to the COVID-19 pandemic, Judas Priest toured relentlessly to celebrate the success of Firepower and the band’s five decades of heavy metal.

Power Trip Festival lineup updated Judas Priest

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The Trips Festival Explained By Adam Hirschfelder

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The Trips Festival was a transformative event that helped mark the beginning of the hippie counterculture movement in San Francisco. Organized by Stewart Brand, Ramon Sender, Ken Kesey and the Merry Pranksters, and Bill Graham at the Longshoremen’s Hall for January 21-23, 1966, the event brought together the city’s diverse underground arts scene, including rock music groups, experimental theater performers, dance companies, light show artists and film producers.

Trips Festival Poster. Courtesy of http://rosamondpress.com/

Over 10,000 people, many taking LSD, attended the three-day event. Although the event included music, it was not billed as a concert per se. Rather, it was promoted as an immersive and participatory multi-media experience. Virtually the entire Bay Area’s avant-garde arts scene was involved, including the San Francisco Mime Troupe, the Open Theater, the Dancer’s Workshop and the San Francisco Tape Music Center. Yet it was the performances by emerging rock music groups the Grateful Dead and Big Brother and the Holding Company which captured the attention of attendees. It was the first major performance by the Dead in San Francisco, and the combination of the band’s music, the hall’s sound system and the visually captivating light shows over the three days that created a format that would soon dominate the city’s music halls. Bill Graham took over the Fillmore Auditorium for good just two week later, and his first weekend was advertised as the “sights and sounds of the Trips Festival.” As Tom Wolfe says in the Electric Kool-Aid Acid Test , “the Haight-Ashbury era began that weekend.” The world would never be the same.

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Music + Concerts | Field Trip Fest will celebrate community, beer…

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Music + concerts, music + concerts | field trip fest will celebrate community, beer and folk music in san juan capistrano, the single-day music and craft beer festival will feature sets by donavon frankenreiter, nikki lane and robert jon & the wreck at rancho riding park on saturday, march 30..

“Inside our brewery, the largest word written on the wall is ‘community,’ and we’re pretty serious about it,” said Brian Hendon, president and co-founder of San Juan Capistrano’s Docent Brewing, during a recent phone interview.

“A lot of times, people say things, and it’s hard to know if they are true, but trust me, this is what we do everything for. It’s always about the community,” he continued.

This commitment to the community lies at the heart of Docent Brewing, a sentiment that resonates deeply as they gear up to celebrate its 7th anniversary with Field Trip Fest . The festival, set to take place at Rancho Riding Park in San Juan Capistrano on Saturday, March 30, will offer attendees a vibrant blend of folk music and brews.

Donavon Frankenreiter (pictured performing on day one of the BeachLife Ranch Festival on Friday, Sept. 22, 2023, at Seaside Lagoon in Redondo Beach) is set to play at this year’s Field Trip Fest at The Rancho Mission Viejo Riding Park in San Juan Capistrano on March 30. (Photo by Howard Freshman, Contributing Photographer)

Nikki Lane (pictured performing on the Palomino Stage during the Stagecoach Country Music Festival at the Empire Polo Club in Indio on Saturday, April 29, 2023) is set to headline at this year’s Field Trip Fest at The Rancho Mission Viejo Riding Park in San Juan Capistrano on March 30. (Photo by Jennifer Cappuccio Maher, Contributing Photographer)

Donavon Frankenreiter (pictured performing on the Highlands Stage on day one of the BeachLife Ranch Festival on Friday, Sept. 22, 2023, at Seaside Lagoon in Redondo Beach) is set to play at this year’s Field Trip Fest at The Rancho Mission Viejo Riding Park in San Juan Capistrano on March 30. (Photo by Howard Freshman, Contributing Photographer)

Day Trip Fest will also host a free Volkswagen bus show produced by the South County Bus Society, where attendees can browse through 80 classic Volkswagen buses as well as a handful of eclectic cars. (Photo courtesy of Field Trip Fest)

One of two stages is set for this year’s Field Trip Fest, which will take place at Rancho Riding Park in San Juan Capistrano on Saturday, March 30. (Photo by Mark Christensen)

Leroy From The North is set to play at this year’s Field Trip Fest at The Rancho Mission Viejo Riding Park in San Juan Capistrano on March 30. (Photo by Skyler Barberio)

Robert Jon & The Wreck will perform at this year’s Field Trip Fest at The Rancho Mission Viejo Riding Park in San Juan Capistrano on March 30. (Photo by Rob Blackham)

Docent Brewing began its journey in 2017 and introduced its inaugural Field Trip Fest in 2019 to mark its second anniversary that March. The festival’s name stems from the team’s decision to christen their beer cans ‘field trips’ at the brewery as a playful nod to embracing adventure and exploration outdoors, fostering a connection with childlike wonder. This year, the tradition continues as cans retain the same name, offering fans a familiar experience to enjoy.

The single-day fest will debut at a new location this year, just a stone’s throw from its previous spot. Nestled on the opposite side of the creek from its former home at Reata Park , the larger outdoor space was a strategic move, Hendon shared, as the team wanted to keep the fun in the same vicinity, but just with more space.

Despite the festival’s significant expansion since its reinstatement post the COVID-19 pandemic in 2022, Hendon said that its core objective remains unchanged: to commemorate and celebrate Docent Brewing’s anniversary each year, coincidentally accompanied by a star-studded lineup of folk acts.

The music and craft beer festival will include two stages with performances by alt-country rocker Nikki Lane and singer-songwriter Donavon Frankenreiter , along with performances by Alabama folk outlaw Early James, Orange County rockers Robert Jon & The Wreck , Eric Roebuck, Leroy From The North and Alice Wallace .

“When we first created Field Trip Fest, the initial goal was to create a folk festival, but I personally didn’t think we had many in Southern California,” Hendon said. “I’m originally from West Virginia, and there’s some really great rootsy and folk festivals in Colorado and back east and the Appalachian Mountains, (so we’re) bringing that energy over here. It’s also important for us to bring local acts to the stage, and fans seem to appreciate that sense of community in music.”

Hendon is equally excited about the festival’s Volkswagen bus show produced by the South County Bus Society, where folks can browse through 80 classic Volkswagen buses as well as a handful of eclectic cars.

There will be more than 40 local breweries in attendance, offering those 21-and-older samples of a variety of brews from 1-4:30 p.m. Adding to the culinary list, Heritage BBQ , renowned as one of South Orange County’s premier eateries, will be on the grounds.

As Field Trip Fest commemorates another anniversary, it also honors the inauguration of Docent Brewing’s third brewery in Corona Del Mar, alongside its latest establishment in San Clemente. While expansion is on the horizon, Hendon remains steadfast in his desire for the festival to uphold the values of community, friendship and good music that have defined Field Trip Fest and continue to shape its legacy.

“When we first started, it was just us inviting our closest friends, whether it came to breweries or musicians we knew, and that’s how it’s kind of always stayed. It’s the core of who we are.”

Field Trip Festival

When: Saturday, March 30

Where : Rancho Riding Park, 30753 Avenida La Pata, San Juan Capistrano

Tickets : Passes start at $59-$89; parking passes are $20 at fieldtripfest.com .

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Day Trip Festival

Breathe in the fresh ocean air & sun-soaked vibes, as Day Trip Festival takes over the scenic waterfront at Queen Mary Park in Long Beach. Three stages & two days of house, techno, & disco at one of the most historic locations in the SoCal area! This one is for our 21+ family only, see you on the waterfront!

Experiments in Environment: The Halprin Workshops, 1966-1971

Inside Outside: on the Significance of the Trips Festival

“If I were to tell you that an event of major significance in the history of religion is going to take place in this City of Saint Francis this weekend, you would say, ‘You stayed out of work too long.’ So, in mid-January of 1966, wrote Lou Gottlieb, one-time Limelighter folkie and, for a brief time, a music columnist for the San Francisco Chronicle. Gottlieb would go on to found the famous Morningstar Commune in Sonoma County (which is currently, at least according to its Wikipedia page, up for sale by his heirs if anyone is interested in restarting it). In his colorful way, Gottlieb didn’t just stop with religion. He continued, “And if I were to tell you that an event of major significance in the history of the arts is going to take place simultaneously, you would pat my hand and say, ‘Drink this glass of warm milk slowly and try to get some rest.’” He even went on, in his most wonderfully ridiculous metaphor of all, to note that the event was technologically significant: “In his infinite wisdom,” wrote Gottlieb, “the Almighty is vouchsafing visions on certain people in our midst alongside which the rapturous transports of old Saint Theresa are but early Milton Berle Shows on a ten-inch screen.” What had been in black and white, in other words, was about to go Technicolor.

Gottlieb was, as you might guess, hyping the Trips Festival. He certainly thought it was going to be pretty significant. But what do we make of the event now, fifty years to the day from when it occurred? We might start to address that question with another preview of what was to occur that weekend, this time not in the purple prose of a hip Chronicle columnist, but in the evocative imagery of a poster artist.

Wes Wilson’s Op-Art Trips Festival poster pulls you in. Or does it spit you out? It’s a vortex. It’s a technological cave. It’s a broadcast signal. It’s a gyroscope.

At its off-center center, there is a chart. It’s a radio frequency. It’s a Dow Jones ticker. It’s a brain wave reader. It’s an electrocardiogram for the heart. It’s a polygraph test. Whatever it is, it’s registering energy. The year 1966 is prominently featured in large grey letters at the bottom of the poster. Everyone knew what year it was already. But the year matters. There is a sense of history present, intensified. This isn’t just an advertisement for a one-off weekend of fun. It’s an advertisement to be remembered. The image sends a message.

The poster is an entrance. Or is it an exit? Whether in the window of a shop on Haight Street in the early weeks of January 1966 or to the Chicken on a Unicycle website of historic San Francisco posters in 2016, wherever Wes Wilson’s Trips Festival poster, like the event it publicizes, travels, it is forever pinned to a threshold. It beckons us to step through its spiral, to come in from the cold to its pulsating electric core. But what is in there beyond that chart with the line racing up and down across it?

To be drawn in to the Trips Festival by Gottlieb’s hype or Wilson’s more cool, mysterious iconography, to want to see what’s there, to hope to join in, this was the key to the Trips Festival. It pulled people in to something alluring, different, strange, mysterious, potentially transformative. It announced that a path to the outside from mainstream, conformist, bureaucratic, alienating postwar America was available. It was, as Ben Van Meter titled his psychedelic film about the event, “an opening.”

How did this opening open up?

Inspired by the Acid Test parties that Ken Kesey and the Merry Pranksters had started putting on in 1965, The Trips Festival marked a moment when those anarchic, underground events got organized and went fully public. Not that the Trips Festival itself didn’t unleash a good dose of chaos into the world, too, but unlike previous nascent hippie events of the 60s San Francisco Renaissance, it possessed more of a framework for weirdness to ensue. It was organized by Prankster associate Stewart Brand, a onetime infantryman and parachutist in the US Army on a campaign to get a space-program photograph of the entire earth publicized, and soon himself to publish the Whole Earth Catalogue and go on from there to a lustrous career as a computer tech and iconoclastic ecological activist. Joining him were Ramon Sender, an avant-garde electronic music composer and co-founder of the San Francisco Tape Center, Roland Jaccoppeti, a photographer and actor involved with the Open Theater in Berkeley, and Zach Stewart, who along with Brand created a participatory, multimedia installation piece of teepees and slideshows called America Needs Indians. The Trips Festival eventually brought on the radical advertising activist Jerry Mander and then San Francisco Mime Troupe business manager Bill Graham to help pull off the event.

It was advertised as “an LSD experience without the LSD.” Acid was the subtext for the whole event. But while LSD was certainly to be had at the Trips Festival, the event suggested larger interests than just blowing your mind on drugs. To be a bit of a hoidy-toidy and theoretical academic about it, the Trips Festival proposed that LSD and other hallucinogenic drugs were tools, technologies for probing new understandings of the self and society, individuality and community.

As Merry Prankster Carolyn Adams, Mountain Girl, puts it: “it’s really a mistake to try to qualify all this as ‘sex, drugs, and rock and roll.’ Because that’s not what was going on. What was going on was experimental communications of a whole new kind, using these new technological tools.”

Could, she and the Trips Festival organizers wondered, the self be altered, improved, transcended, realized, through these technological engagements? What kinds of human being and human society were possible in the age of mass communications systems? What sorts of new communities and intersubjectivities could emerge in the on-off blasts of the strobe lights, within the flashing light shows and films spreading off the walls, in the amplified howls and tribal stomps of the rock bands, and through the circuitry of cables and microphones and speakers and public address system machinery that the Pranksters, along with LSD-chemist and all around bohemian alchemist Owsley “Bear” Stanley, brought to the affair?

These were some big-time questions. And then again, the Trips Festival was just a party. One weekend affair in the midst of the bustling mid-60s San Francisco Renaissance. And this too is what makes it important. For The Trips Festival did not occur in isolation. It became a key event, a kind of coming out party, in a quickly accelerating line of transformative, adventurous, strange, places to be in the Bay Area in late 1965 and early 66.

The poster tells us as much. This festival was going to take you on a trip, maybe one out of your skull and into the electro-techno-charged cosmos, but that trip had to start somewhere quotidian, some place concrete. In this case, it was a place literally made of concrete. As the poster instructs in smaller letters above the large grey 1966 numerals, the Trips Festival took place at the fairly new, modernist, concrete and copper, hexagonal-domed hiring hall of Harry Bridges’s ILWU, the Longshoreman’s Hall, down on Fisherman’s Wharf.

Built in 1958, the spaceship-looking Hall had served as the venue for the very first Family Dog rock music dances in 1965. Now it was 1966—January 21, 22, 23, from 8 to 12 pm to be precise—and those early rock dance events, “little séances” as Grateful Dead bassist Phil Lesh described them to Family Dog organizer Luria Castell when he came to attend one, seemed to be moving toward something more epic.

But what, exactly? Eric Christensen’s wonderful documentary film will let us enter the Trips Festival on those days fifty years ago to get a glimpse of what happened and give us details as to why and how it mattered. For now, I want to emphasize that we think of the event as a threshold, a moment of passage, a transition, a switch point. Beat giving way to hippie (Allen Ginsberg, pictured here, never actually showed up at the event), underground flowing up into the hyper-mediated spotlight, the membership of an insider’s club opening up its ranks rapidly, acid freak elite spreading out to a far broader, electrified audience.

Organized as what Brand calls a kind of “contest,” it was an overlapping, a meeting ground, a liminal zone, what one reporter called an “electronic circus.” It was a coming together, a unification of bodies and spirits that mutated out in all kinds of new directions. It was a pulling in of people, ideas, and forces pulled together from a far-flung network of bohemian activity and pushed together through a psychedelic bottleneck, the genie let loose, unleashed into the open. It was, in its historical moment, an announcement of marginalized energies moving to the center of society, and, when the event was over, it had helped to fragment the center all to the edges. “Can you die to your corpses?” the Pranksters announced of their Acid Test portion in the Trips Festival program, “Can you metamorphose? Can you pass the twentieth century? “What is total dance?”

At the Trips Festival, we see older beatnik artsy modes of happenings and installation art dying to their corpses indeed, and what would become, with Bill Graham at the helm, the modern rock music concert industry, emerging. The psychedelic light shows are just getting going. They are still as much theatrical and visual arts experiments as a codified form of larger-than-life music concert spectacle and entertainment. Ron Boise’s Thunder Machines were present for people to bang around in, and Anna Halprin (about whose powerful work you can learn much more at the California Historical Society exhibition ) and her San Francisco Dance Workshop ensemble members served as “kinetic catalysts” for the event, though from the looks of things, it didn’t take much to get people moving.

Much of the art, even the older bohemian stuff and certainly the acid-tinged futuristic-ecstatic elements, oriented itself toward frenetic, urgent, get out of your head and into your body participation. Certainly this was the ethos of the Merry Pranksters’s Acid Test, of Boise’s Thunder Machines, of the light shows and rock bands too. Spectatorship was out. Participation was in. Circuits of crackling energy, in which selves and groups could explore the boundaries between internal and external, was the scenario to create, the milieu to foster, the activity to accentuate. You put on your mask to show your true self. Outside disguises of dazzling creative originality might allow for inside authenticity to emerge. Prankster Paul Foster wrapped himself up in gauze and tape like a mummy and hung a sign around his neck that read, “You’re in the Pepsi Generation and I’m a pimply freak.” For others, you frugged yourself silly to get away from inner demons. Or, like one young woman, you leapt on stage to strip off your shirt, pulling away the conventional costumes of everyday constraint to get natural and free. Inside coming outside, outsiders coming in under the spotlight. Across the increasingly permeable and playful line between inside and outside they went at the Trips Festival.

The event was set up to encourage this. The idea—one still with us in the current digital age—was that technology could help individuals and groups, and society as a whole, achieve participatory self-realization and collective liftoff to a better world. From the program: “This is the FIRST gathering of it’s kind anywhere. the TRIP—or electronic performance—is a new medium of communication & entertainment. the general tone of things has moved on from the self- conscious happening to a more JUBILANT occasion where the audience PARTICIPATES because it’s more fun to do so than not. maybe this is the ROCK REVOLUTION. audience dancing is an assumed part of all the shows, & the audience is invited to wear ECSTATIC DRESS & bring their own GADGETS (a. c. outlets will be provided).”

Indeed, this was much of what went on at the Trips Festival. Within Longshoreman’s Hall, society’s inside outsiders, those younger Bay Area baby boomers who were at once the inheritors of postwar American abundance and alienated outsiders to its halls of Vietnam War-escalating corrupt power, flooded in. The facts do get a bit murky though, and the legends and myths start to take over at this point. Publicity for the event brought anywhere between 6000 and 15000 attendees, from different accounts, and the event netted anywhere between $4000 and $12500 depending on whom you read. The line out the door of the Trips Festival lasted until 2 am each night, some report.

Inside, under the flags and banners hung from the rafters to lend the event an air of festivity and dampen the echo of all the buzzing amplifiers in the room, an outsider’s chaos broke loose. A new, unruly group was taking the reigns of hip, cool culture. As Jerry Garcia remembered: “It was like old home week. I met and saw everybody I had ever known. Every beatnik, every hippie, every coffeehouse hangout person from all over the state was there, all freshly psychedelicized.”

Trying to steer the proceedings somewhat, or to sail things off even further into the great beyond, the Pranksters constructed a control tower at the center of the affair. Ken Babbs stood at the insanely wired captain’s deck, narrating and commenting the affair, like some wild combination of sports event color commentator and spaceship commander.

Meanwhile, even higher on the tower, Ken Kesey hid out, disguised in a space helmet because he had been busted for marijuana possession earlier in the week, scrawled evocative phrases on acetate to project at massive scale on the walls of the hall: “Anyone who knows he is God go up on stage.” “The outside is inside, how does it look?”

A pre-Janis Big Brother and the Holding Company performed even though Prankster Babbs tried to stop them. But it was Garcia’s up-and-coming band, still known to insiders as the Warlocks or the house band for the Merry Pranksters, but now newly rechristened as the Grateful Dead, who stole the show.

At least according to some. They performed on both Saturday and Sunday nights, and, as Stewart Brand tells the story, it became clear that they were the winners of the Trips Festival. As Jerry Garcia tells the story, however, the Grateful Dead were too zonked on acid to perform at all. His memory of the event was that no one cared whether they played at all. “Everybody was just partying furiously. …It was a great, incredible scene and I was just wandering around. I had some sense that the Grateful Dead was supposed to play sometime maybe. But it really didn’t matter.”

At least it didn’t except to Bill Graham, who as the well-known tale goes, desperately attempted to put back together Garcia’s guitar after it fell apart so that the Dead could perform. “Here is this helpful stranger,” Garcia remembered fondly of the soon-to-be concert impresario.

Whether the Dead played or not, and from one quick shot in Ben Van Meter’s film about the event, it looks like they were on stage at least for a bit, the Trips Festival marked the start of something older ending and something new beginning: the divide between show and audience was crossed. On acid or in the electrified wavelengths of the Trips Festival, the theatrical fourth wall got smashed.

Here was something that took to the edge of anarchy what historian Fred Turner describes as an American intellectual-bohemian goal of the mid-twentieth century—to use multimedia to concoct “democratic surrounds,” in which technology encouraged active, democratic engagement rather than passive, totalitarian helplessness among populations. The Trips Festival was a peculiarly California mode of doing so, an installment in what the great historian of modern California art-making, Richard Candida Smith, calls the effort to use personal experience to, as he writes, “redefine and expand the public order as a forum for exchange and perpetual revision of meaning.” For Candida Smith, California artists pioneered the effort to render private revelation through artistic experience so that it could become, in his words, “an arena where the imaginary could be put into flux so that people could repropose themselves, that is to say, repropose the relationships determining their position in society.” For Candida Smith, “In this conception of social life, the arts, both popular and elite, become a primary form of collective governance, though one lacking any effective sanctions….” The Trips Festival was a kind of culmination of this ongoing California artistic effort to assemble a lose network of artists and bohemians into a new public life, a model for what democratic interaction in the technological age of mass communications could be.

Well, that’s a bit grandiose. And a bit of grandiosity was certainly a part of the Trips Festival too. But putting it in less academic, world-historical terms, Chronicle music critic Ralph Gleason caught some of the more basic, surface-level energies taking place. “The truth about the Trips Festival is that it was a three-night, weekend-long dance with light effects. When the dull projections took over, it was nowhere. When the good rock music wailed, it was great.” The point was that people didn’t want to sit and watch. They wanted to interact, join in, play a part, get involved. They wanted to dance. They wanted to participate. They wanted to move across the line between inside and outside, insiders and outsiders. They didn’t want to only watch the show; they also wanted to be the show. It was, Bill Graham decided, “Living theater. Taking the music and the newborn visual arts and making it all available in a comfortable surrounding so it would be conducive to open expression.” What he glimpsed at the Trips Festival was that, in his words, “when all this truly worked, that space was magic.” And for him, “the key element was the public. Their reaction was the payoff.”

Of course, taking their money for putting on the event successfully was a payoff for Graham too, and this is what he would quickly gain notoriety for, and that was fine as well. But his and others’s understanding of the Trips Festival as an event at which private bohemia went public, outsiders came in, and insides were projected out through dance, multimedia, and participatory involvement, is telling. This was a gathering that saw some attempting to unleash individuality from the masses, self-expression from within the crowd.

There were limits to this pursuit of limitlessness, to be sure, whether they be of racial boundaries, gender norms, or cultural and economic differences of class. And there was the dangers of limitless too, a “whiff of danger” around the Pranksters that made even a close associate such as Stewart Brand wary. The whirling search for utopia had more ominous streaks shot through it—darkness as well light made the strobes flicker. But at an event that emphasized criss-crossing boundaries, moving outside inside and inside outside, there were also opportunities to try, at a level humming tentatively and awkwardly below all the ecstasy and pleasure, to address larger issues of social justice and equality.

Not that the Trips Festival’s program provided some kind of political manifesto. It was, through and through, just an arty party that turned into a crazed, immersive dance spectacle. But it also strove for beauty and connection between and among participants, through joining in around actions of individual creative flair and originality. It was about creating a system in which singularity and unity might arise simultaneously, across the boundary between coordination and improvisation, a self redefined and a collective coming together.

Within this radically pluralistic mix, to borrow a term that Nick Bromell borrows from William James to describe the effects of hallucinogenics and rock music that many young people experienced in the 1960s—within this setting that combined distinction with dissolution, assertion of self with a melding into something larger—we see glimpses, in the strobes, of social change occurring.

Individuals—young women, for instance—grabbing opportunities to stretch themselves toward new, less constrained modes of public presence.

Men and women reached out to each other in ways that brought old and new modes of courtship together in search of communion.

And in this amazing photograph snapped by Gene Anthony, a young man arrives in cross dress, a reminder that the gender politics of the counterculture were always more complex than the typical (and yes, mostly correct) portrayal of it as a hyper-macho affair.

In all these ways, the Trips Festival’s point, its significance, was to amplify and intensify this effort to probe the possibilities of participation: of dissolving boundaries of inside and outside, the movie and the world beyond the frame, the show and the spectators, art and life itself. This is what made it part of a deeper tradition of avant-garde modernism, a cultural installment of the 1960s search for participatory democracy fully realized, and also, in its strange pastiche of high and low art, improvised tableau vivants and psychedelicized noisy white-boy versions of rhythm and blues, carnivalesque circus festivity and serious interpersonal questing, something futuristically sci-fi postmodern.

“It had that acid edge to it,” Ken Kesey remarked years later, “Which is, ‘this is something that might count.’” Its point was, as Ben Van Meter lyrically puts it, “no point.” “And I don’t mean pointless,” he goes on to say at a roundtable that is included on the DVD of Eric Christensen’s film, which we are about to see. “I mean it in the Zen sense.” For Van Meter and for others, the Trips Festival immersed participants in a transformative experience of connection that they could draw upon forever after. It did so sensorially, affectively, artistically, politically, ethically, morally. When a young person at the Trips Festival, in Van Meter’s phrasing, “reaches out his hand and looks at it and it becomes difficult for him to tell where the point is that he ends and everything else begins,” that’s when, according to Van Meter, “he’s got a moment of enlightenment there that will come back to him the rest of his life, periodically, because he realizes there is no point where he ends and everything else begins.”

And so the Trip Festival ended, fifty years ago. And with it, a certain era of Bay Area bohemia ended too, as another era, a far more mass-mediated spectacle on the Summer of Love national and international stage, began. In between, on those three nights, people partied, furiously, pleasurably blurring the lines between self and strangers in a psychedelic maelstrom of technologically augmented experience. It’s worth lagging with them for a moment, blurry as they are, on those nights in Longshoreman’s Hall, to listen and look in on what they did, to tune in historically to the Merry Prankster’s lag system of tape delay sound reproduction equipment, which we can still, perhaps, faintly hear echoing its crazed and sometimes brilliant incantations into the present. Let us lag there for a moment so that we too might remind ourselves of our own immersions in the contemporary world of mediated collectivity—with all its alienations and, so too, its possibilities. So that we too might strive, both alone and together, to frug and vibe, feel and talk, dance and think, act and interact, our way to something better.

Allen Ginsberg
America Needs Indians
Anna Halprin
Big Brother and the Holding Company
Bill Graham
Candida Smith
Carolyn Adams
Fisherman's Wharf
Fred Turner
Gene Anthony
Grateful Dead
Jerry Garcia
Jerry Mander
Longshoreman's Hall
Lou Gottlieb
Luria Castell
Merry Pranksters

Michael Kramer

Mountain Girl
Open Theater
Paul Foster
Ramon Sender
Roland Jaccoppeti
San Francisco Dance Workshop
San Francisco Mime Troupe
San Francisco Tape Center
Stewart Brand
Thunder Machines
Trips Festival
Whole Earth Catalog
Zach Sterwart

Lawrence Halprin and George Lucas at the Letterman Digital Arts Center Opening, June 25, 2005 Courtesy of Robert David

Lawrence Halprin, Self-Portrait before Leaving Israel, 1998 Courtesy of Anna Halprin

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Lakeshore Art Festival And Exhibition 2024 | Downtown Muskegon Now

The Lakeshore Art Festival and Exhibition, taking place from June 29th to June 30th, 2024, in Muskegon, is a prestigious event showcasing a wide array of artistic creations. Visitors can expect to be captivated by a diverse selection of fine art, including ceramics, photography, glasswork, mixed media, performance art, and textiles. This event goes beyond traditional artwork, extending its scope to include furniture, ceramic vessels, glass objects, and jewelry materials associated with this creative field. The Lakeshore Art Festival and Exhibition 2024, held in the heart of Muskegon at Downtown Muskegon Now, offers a unique opportunity for art enthusiasts to immerse themselves in a world filled with artistic expression and passion. With its serene and calming ambiance, this event is sure to enchant visitors, providing a platform for both established and emerging artists to showcase their incredible talents. Join us at this extraordinary event and experience the beauty and ingenuity of the Lakeshore Art Festival and Exhibition 2024.

Provided by Kinga | Published Apr 24, 2024

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Edogawa Fireworks Festival: Hanabi Festivals (Fireworks Festival) 2024 | Edogawa Riverside

Edogawa Fireworks Festival 2024 is an annual event held in Tokyo, specifically at the picturesque Edogawa Riverside. This highly anticipated festival will take place on August 3, 2024, offering a mesmerizing display of fireworks that will captivate visitors from near and far. Located along the Edogawa Riverside, visitors can enjoy the festival’s enchanting atmosphere while taking in the stunning views of the city. Each firework is carefully choreographed to create a symphony of light and sound, leaving spectators in awe of the skill and precision involved in their creation. The festival grounds provide ample space for spectators to gather and witness the awe-inspiring fireworks show. Whether you choose to relax on a picnic blanket or find a comfortable spot along the riverbank, you are guaranteed a front-row seat to this extraordinary event. Edogawa Fireworks Festival 2024 is an event not to be missed, offering a unique opportunity to witness the beauty and grandeur of Japan’s fireworks tradition. Mark your calendars for August 3, 2024, and join us at the Edogawa Fireworks Festival 2024 in Tokyo. Immerse yourself in the magic of this spectacular event and create memories that will last a lifetime.

Provided by Zelma | Published Apr 24, 2024

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Best Multigenerational Cultural Trips 2024: Visit Harbin’s Snow & Ice Festival UBC News World

If you're planning a vacation for the whole family, you may be wondering how you're going to keep everyone happy. We Love Travel Blog recommends some of the world's best cultural festivals that everyone will cherish for years to come. Learn more at https://welovetravelblog.com/family-friendly-cultural-festivals-for-multigenerational-family-trips/ (https://welovetravelblog.com/family-friendly-cultural-festivals-for-multigenerational-family-trips/) We Love Travel Blog City: Santa Fe Address: 530b Harkle Road Website: https://welovetravelblog.com/

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Military Music Festival in Moscow: Spasskaya Tower Means Brotherhood

By skope • august 30, 2017.

‘Spasskaya Tower’ Festival is taking place at the Moscow Red Square now. You have an opportunity to see X International Military Music Festival till the 3rd of September.

Spasskaya Tower is a music fiesta, a spectacular show, staged on the background of the monumental walls of the Kremlin, and a great ‘battlefield’ of the bands from different countries fighting for the love and admiration of the audience. The harmonious combination of military, classical, folk and popular music, military band parades and dance shows, laser and pyrotechnical effects makes the Festival one of the brightest and most memorable events of the year.

Tix: http://kremlin-military-tattoo.ru/en/tickets/

Participants from Austria, Armenia, Belarus, Egypt, India, Italy, Kazakhstan, China, Russia, Turkey, Uzbekistan, Switzerland and the European Union perform at the Red Square in Moscow. The Chilean equestrian band Escuadra Ecuestre de Palmas de Peñaflor demonstrates its skills as a part of the day program of the Festival.

The 10th anniversary of the “Spasskaya Tower” is the main theme of the Festival. In the course of ten years, more 150 bands from 50 countries have taken part in the Festival, many foreign orchestras became permanent participants and real friends of “Spasskaya Tower”. It has become one of the most important military tatoos in the world.

http://kremlin-military-tattoo.ru/en/

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Edogawa Fireworks Festival: Hanabi Festivals (Fireworks Festival) 2024 | Edogawa Riverside

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40 facts about elektrostal.

Written by Lanette Mayes

Modified & Updated: 02 Mar 2024

Reviewed by Jessica Corbett

Elektrostal is a vibrant city located in the Moscow Oblast region of Russia. With a rich history, stunning architecture, and a thriving community, Elektrostal is a city that has much to offer. Whether you are a history buff, nature enthusiast, or simply curious about different cultures, Elektrostal is sure to captivate you.

This article will provide you with 40 fascinating facts about Elektrostal, giving you a better understanding of why this city is worth exploring. From its origins as an industrial hub to its modern-day charm, we will delve into the various aspects that make Elektrostal a unique and must-visit destination.

So, join us as we uncover the hidden treasures of Elektrostal and discover what makes this city a true gem in the heart of Russia.

Key Takeaways:

Elektrostal, known as the “Motor City of Russia,” is a vibrant and growing city with a rich industrial history, offering diverse cultural experiences and a strong commitment to environmental sustainability.
With its convenient location near Moscow, Elektrostal provides a picturesque landscape, vibrant nightlife, and a range of recreational activities, making it an ideal destination for residents and visitors alike.

Known as the “Motor City of Russia.”

Elektrostal, a city located in the Moscow Oblast region of Russia, earned the nickname “Motor City” due to its significant involvement in the automotive industry.

Home to the Elektrostal Metallurgical Plant.

Elektrostal is renowned for its metallurgical plant, which has been producing high-quality steel and alloys since its establishment in 1916.

Boasts a rich industrial heritage.

Elektrostal has a long history of industrial development, contributing to the growth and progress of the region.

Founded in 1916.

The city of Elektrostal was founded in 1916 as a result of the construction of the Elektrostal Metallurgical Plant.

Located approximately 50 kilometers east of Moscow.

Elektrostal is situated in close proximity to the Russian capital, making it easily accessible for both residents and visitors.

Known for its vibrant cultural scene.

Elektrostal is home to several cultural institutions, including museums, theaters, and art galleries that showcase the city’s rich artistic heritage.

A popular destination for nature lovers.

Surrounded by picturesque landscapes and forests, Elektrostal offers ample opportunities for outdoor activities such as hiking, camping, and birdwatching.

Hosts the annual Elektrostal City Day celebrations.

Every year, Elektrostal organizes festive events and activities to celebrate its founding, bringing together residents and visitors in a spirit of unity and joy.

Has a population of approximately 160,000 people.

Elektrostal is home to a diverse and vibrant community of around 160,000 residents, contributing to its dynamic atmosphere.

Boasts excellent education facilities.

The city is known for its well-established educational institutions, providing quality education to students of all ages.

A center for scientific research and innovation.

Elektrostal serves as an important hub for scientific research, particularly in the fields of metallurgy, materials science, and engineering.

Surrounded by picturesque lakes.

The city is blessed with numerous beautiful lakes, offering scenic views and recreational opportunities for locals and visitors alike.

Well-connected transportation system.

Elektrostal benefits from an efficient transportation network, including highways, railways, and public transportation options, ensuring convenient travel within and beyond the city.

Famous for its traditional Russian cuisine.

Food enthusiasts can indulge in authentic Russian dishes at numerous restaurants and cafes scattered throughout Elektrostal.

Home to notable architectural landmarks.

Elektrostal boasts impressive architecture, including the Church of the Transfiguration of the Lord and the Elektrostal Palace of Culture.

Offers a wide range of recreational facilities.

Residents and visitors can enjoy various recreational activities, such as sports complexes, swimming pools, and fitness centers, enhancing the overall quality of life.

Provides a high standard of healthcare.

Elektrostal is equipped with modern medical facilities, ensuring residents have access to quality healthcare services.

Home to the Elektrostal History Museum.

The Elektrostal History Museum showcases the city’s fascinating past through exhibitions and displays.

A hub for sports enthusiasts.

Elektrostal is passionate about sports, with numerous stadiums, arenas, and sports clubs offering opportunities for athletes and spectators.

Celebrates diverse cultural festivals.

Throughout the year, Elektrostal hosts a variety of cultural festivals, celebrating different ethnicities, traditions, and art forms.

Electric power played a significant role in its early development.

Elektrostal owes its name and initial growth to the establishment of electric power stations and the utilization of electricity in the industrial sector.

Boasts a thriving economy.

The city’s strong industrial base, coupled with its strategic location near Moscow, has contributed to Elektrostal’s prosperous economic status.

Houses the Elektrostal Drama Theater.

The Elektrostal Drama Theater is a cultural centerpiece, attracting theater enthusiasts from far and wide.

Popular destination for winter sports.

Elektrostal’s proximity to ski resorts and winter sport facilities makes it a favorite destination for skiing, snowboarding, and other winter activities.

Promotes environmental sustainability.

Elektrostal prioritizes environmental protection and sustainability, implementing initiatives to reduce pollution and preserve natural resources.

Home to renowned educational institutions.

Elektrostal is known for its prestigious schools and universities, offering a wide range of academic programs to students.

Committed to cultural preservation.

The city values its cultural heritage and takes active steps to preserve and promote traditional customs, crafts, and arts.

Hosts an annual International Film Festival.

The Elektrostal International Film Festival attracts filmmakers and cinema enthusiasts from around the world, showcasing a diverse range of films.

Encourages entrepreneurship and innovation.

Elektrostal supports aspiring entrepreneurs and fosters a culture of innovation, providing opportunities for startups and business development.

Offers a range of housing options.

Elektrostal provides diverse housing options, including apartments, houses, and residential complexes, catering to different lifestyles and budgets.

Home to notable sports teams.

Elektrostal is proud of its sports legacy, with several successful sports teams competing at regional and national levels.

Boasts a vibrant nightlife scene.

Residents and visitors can enjoy a lively nightlife in Elektrostal, with numerous bars, clubs, and entertainment venues.

Promotes cultural exchange and international relations.

Elektrostal actively engages in international partnerships, cultural exchanges, and diplomatic collaborations to foster global connections.

Surrounded by beautiful nature reserves.

Nearby nature reserves, such as the Barybino Forest and Luchinskoye Lake, offer opportunities for nature enthusiasts to explore and appreciate the region’s biodiversity.

Commemorates historical events.

The city pays tribute to significant historical events through memorials, monuments, and exhibitions, ensuring the preservation of collective memory.

Promotes sports and youth development.

Elektrostal invests in sports infrastructure and programs to encourage youth participation, health, and physical fitness.

Hosts annual cultural and artistic festivals.

Throughout the year, Elektrostal celebrates its cultural diversity through festivals dedicated to music, dance, art, and theater.

Provides a picturesque landscape for photography enthusiasts.

The city’s scenic beauty, architectural landmarks, and natural surroundings make it a paradise for photographers.

Connects to Moscow via a direct train line.

The convenient train connection between Elektrostal and Moscow makes commuting between the two cities effortless.

A city with a bright future.

Elektrostal continues to grow and develop, aiming to become a model city in terms of infrastructure, sustainability, and quality of life for its residents.

In conclusion, Elektrostal is a fascinating city with a rich history and a vibrant present. From its origins as a center of steel production to its modern-day status as a hub for education and industry, Elektrostal has plenty to offer both residents and visitors. With its beautiful parks, cultural attractions, and proximity to Moscow, there is no shortage of things to see and do in this dynamic city. Whether you’re interested in exploring its historical landmarks, enjoying outdoor activities, or immersing yourself in the local culture, Elektrostal has something for everyone. So, next time you find yourself in the Moscow region, don’t miss the opportunity to discover the hidden gems of Elektrostal.

Q: What is the population of Elektrostal?

A: As of the latest data, the population of Elektrostal is approximately XXXX.

Q: How far is Elektrostal from Moscow?

A: Elektrostal is located approximately XX kilometers away from Moscow.

Q: Are there any famous landmarks in Elektrostal?

A: Yes, Elektrostal is home to several notable landmarks, including XXXX and XXXX.

Q: What industries are prominent in Elektrostal?

A: Elektrostal is known for its steel production industry and is also a center for engineering and manufacturing.

Q: Are there any universities or educational institutions in Elektrostal?

A: Yes, Elektrostal is home to XXXX University and several other educational institutions.

Q: What are some popular outdoor activities in Elektrostal?

A: Elektrostal offers several outdoor activities, such as hiking, cycling, and picnicking in its beautiful parks.

Q: Is Elektrostal well-connected in terms of transportation?

A: Yes, Elektrostal has good transportation links, including trains and buses, making it easily accessible from nearby cities.

Q: Are there any annual events or festivals in Elektrostal?

A: Yes, Elektrostal hosts various events and festivals throughout the year, including XXXX and XXXX.

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" DIR: West; bigger nice evening sun but louder due to main street DIR:East; Quiter, very bright in the morning if sun rises "

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DAY TRIP FESTIVAL 2024 TICKETS CONTACT US. LA State Historic Park: On The Promenade. 1279 N Spring St. Los Angeles, CA 90012 (323) 785-2680. General Inquiry [email protected] TABLE RESERVATION [email protected] Join The Day Trip Team [email protected] QUESTIONS AND COMMENTS Name * Email * Messages * ...
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The Trips Festival was a transformative event that helped mark the beginning of the hippie counterculture movement in San Francisco. Organized by Stewart Brand, Ramon Sender, Ken Kesey and the Merry Pranksters, and Bill Graham at the Longshoremen's Hall for January 21-23, 1966, the event brought together the city ' s diverse underground arts scene, including rock music groups, experimental ...
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The Trips Festival eventually brought on the radical advertising activist Jerry Mander and then San Francisco Mime Troupe business manager Bill Graham to help pull off the event. It was advertised as "an LSD experience without the LSD." Acid was the subtext for the whole event. But while LSD was certainly to be had at the Trips Festival ...
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Details. Edogawa Fireworks Festival 2024 is an annual event held in Tokyo, specifically at the picturesque Edogawa Riverside. This highly anticipated festival will take place on August 3, 2024, offering a mesmerizing display of fireworks that will captivate visitors from near and far.
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'Spasskaya Tower' Festival is taking place at the Moscow Red Square now. You have an opportunity to see X International Military Music Festival till the 3rd of September. Spasskaya Tower is a music fiesta, a spectacular show, staged on the background of the monumental walls of the Kremlin, and a great 'battlefield' of the bands…Read more →
Edogawa Fireworks Festival: Hanabi Festivals ...
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Moscow Air Show 2019
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16 Amazing Cultural Festivals Worth Traveling the Globe For

1. Songkran Festival, Thailand

2. Boryeong Mud Festival, South Korea

3. Holi Festival, India and Nepal

4. Naadam Festival, Mongolia

5. La Tomatina, Spain

6. Up Helly AA, Scotland

7. Festa Della Sensa, Venice, Italy

8. Sagra Del Pesce, Camogli, Italy

9. Festival AU Désert, Mali

10. Fes Festival of World Sacred Music, Morocco

11. Lake of Stars Festival, Malawi

12. Inti Raymi, Peru

13. Dia de Los Muertos, Mexico

14. Dia de Los Reyes Magos, Many Latin American Countries

15. Black-Necked Crane Festival, Bhutan

16. Harbin International Ice and Snow Sculpture Festival, China

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