travel zoom point and shoot

Best point-and-shoot camera 2024: top picks for simple shooting

The best point and shoot cameras for phone-beating snaps

Best overall

Best rugged

Best premium

Best instant

Best bridge camera

• Best compact zoom

Best for Canon fans

Best action

Best for hobbyists

• How to choose
• How we test

1. The list in brief 2. Best overall 3. Best rugged 4. Best premium 5. Best instant 6. Best bridge camera 7. Best for video 8. Best compact super-zoom 9. Best for Canon fans 10. Best for action 11. Best for hobbyists 12. How to choose 13. How we test

The best point-and-shoot cameras offer something that you still don't get with the best camera phones in 2024, such as a huge optical zoom, premium build quality and better user experience. 

Our number one point-and-shoot camera, the Panasonic Lumix TZ200, offers 15x optical zoom and features in our best cameras for beginners too. The best bridge cameras , like the Sony RX10 IV, provide even more zoom capabilities but these are, more often than not, also pricier. 

Other than zoom, you might be in the market for a point-and-shoot camera because you want a waterproof camera like the Olympus Tough TG-7. Or, if you want to capture video in scenarios where you don't want to risk damaging your phone, take a look at the GoPro Hero 12 Black action camera. Alternatively, if you just want to get up and running as quickly as possible then the Polaroid Now+ is a fantastic instant camera, as are any of our best cameras for kids .

We've reviewed all of the cameras in this buying guide to make sure you've got all the best hands on information to compare the options. Alongside links for the most up-to-date prices, each camera has been categorized to help you see the key strength for each product.

Tim is TechRadar's Cameras editor, with over 15 years in the photo video industry and most of those in the world of tech journalism, Tim has developed a deeply technical knowledge and practical experience with all things camera related. The point-and-shoot camera market has been decimated by the rise of smartphones, but in 2024 is making somewhat of a comeback with models like the Nikon Coolpix S6900 trending. 

The quick list

If you want a shortcut to the best point-and-shoot cameras, our quick summary below will give you an overview of the top options for every budget. When you find one that fits the bill, use the links beneath to jump down to our full write-up.

One of the best all-in-one cameras that delivers incredible zoom range and great image quality, all in a compact body.

Read more below

A great compact camera that can be taken anywhere you want without fearing it'll get damaged. It is also a great choice for beginners.

High image quality, detailed 4K videos and a respectable autofocus system all come with an equally high price tag.

Get your photos instantly with this super-fun camera that opens up a world of creative possibilities. Also a great camera for kids.

A camera that goes beyond a simple point-and-shoot thanks to its fast 24-600mm lens. For those who want more from their compact camera.

A capable lens, amazing autofocus and a side-flipping screen make this the perfect solution for vloggers who need a compact solution.

Load the next 4 products...

Best compact super-zoom

A 24-720mm f/3.3-6.4 zoom lens provides a huge zoom range with a more than respectable f-stop range.

With a market saturated by the likes of Sony and Panasonic, this Canon option boasts a fantastic lens and a range of specific features for videographers.

It doesn't get more simple in terms of point-and-shoot than this action camera, which includes amazing image stabilization and 1-bit log footage.

Point-and-shoot photographers who want enjoy the process of capturing the world around them can do no better than the Lumix LX100 II.

• ^ Back to the top

The best point-and-shoot cameras in 2024

Why you can trust TechRadar We spend hours testing every product or service we review, so you can be sure you’re buying the best. Find out more about how we test.

Below you'll find full write-ups for each of the best point-and-shoot cameras in our list. We've tested each one comprehensively, so you can be sure that our recommendations can be trusted.

The best point and shoot camera overall

1. panasonic lumix tz200.

Our expert review:

Specifications

Reasons to buy, reasons to avoid.

Our Panasonic Lumix ZS200/TZ200 review describes this compact as "the most advanced travel zoom camera you can buy", and that's still the case. What sets the ZS200/TZ200 apart from other travel-zooms is that it has a large 1-inch sensor – that's around four times the size of a typical 1/2.3-inch chip used in most of the other cameras in this list, and larger than many smartphones.

That sensor size can be found in other compacts, but not in ones with such a long-reaching lens as the 15x optical zoom unit here, which gives you a very useful 24-360mm reach. Being a Panasonic camera, the ZS200/TZ200 is also crammed full of excellent features; a 3-inch touchscreen, 2.3 million-dot EVF and 4K video recording up to 30fps.

The drawback? Well, of course, you do pay for all of this power. If this model is a bit too pricey for you, look out for deals on its ZS100/TZ100 predecessor. But for a point-and-shoot all-rounder with good image quality, you still can't do better than this without spending megabucks on the Sony RX100 VII (see number three below).

• Read our in-depth Panasonic Lumix ZS200 / TZ200 review

The best rugged point and shoot camera

2. OM System Tough TG-7

The OM System Tough TG-7 is exactly what you want in terms of a point-and-shoot. Take it on your travels, throw it in your bag, and even give it to your kids. Wherever you take it and whatever you do with it, you can rest assured that it'll withstand all the knocks and scrapes along the way. As well as being rugged, the Tough TG-7 is also waterproof with an IPX8 rating, making it perfect not only for rainy days but also for submerging up to 15m underwater.

The camera has a 1/2.3-inch BSI CMOS sensor, which produces 12MP images. Video resolution goes up to 4K at 30 fps, and if you want slow motion, you have the option of 60 fps at 1080p. Even though this camera can't deliver sharp, cinematic video, you'll still be guaranteed fair-quality, usable footage. Even though some smartphones have better optics, the Tough TG-7 does a unique job of breaking down the barrier between you and nature, encouraging you to get out and about more than ever.

• Read our in-depth OM System Tough TG-7 review

The best premium point and shoot camera

3. Sony RX100 VII

Sony's RX100 series has long been the pinnacle of premium compact cameras and the RX100 VII is the series' high water-mark. It's practically bursting with features, but the key one for its point-and-shoot usability is its class-leading autofocus. This means it can reliably track moving subjects like speeding pets or lock onto people with its Face/Eye AF mode, which means you can simply focus on composition.

The RX100 VII is also a pretty dab hand at video too, offering detailed 4K footage with minimal rolling shutter and handy features like a microphone jack. Aside from its price tag, we found that this camera's only real downsides are its lack of touchscreen functionality and a fairly average battery life. Some may also prefer the handling and shooting experience of the Canon PowerShot G7X Mark III (see no.7 below). But otherwise this is the best money-no-object compact camera around.

• Read our in-depth Sony RX100 VII review

The best instant point and shoot camera

4. Polaroid Now+

Instant cameras are some of the most affordable point-and-shoots around – and we think the Polaroid Now+ is the most user-friendly model you can buy. This is largely thanks to its built-in autofocus, which we found to be mostly reliable in our tests and reduce your number of throwaway shots. But unusually for an instant camera, the Now+ also has built-in Bluetooth and a companion smartphone app, which brings some extra creative shooting modes that lift it beyond its rivals.

If you don't need this extra versatility, which lets you dabble with double exposures and manual shooting, then the standard Polaroid Now is also worth considering. It's also worth bearing in mind that the cost of this camera's Polaroid I-Type film can add up. But the flipside is that you get good-sized prints from a super-versatile instant camera that we think is also the best point-and-shoot of its kind.

• Read our in-depth Polaroid Now+ review

The best point and shoot bridge camera

5. Sony RX10 Mark IV

The Sony RX10 IV is still one of the most versatile and capable cameras around, and redefined what we could expect from a point-and-shoot camera. We can't quite squeeze its plethora of top-line features into this short summary, but here goes. It's a weather-sealed bridge camera packing a 25x optical zoom with 24-600mm coverage, supported by excellent stabilization and the larger-type 1-inch sensor, so images look great at any setting.

For photography, you can shoot up to 24fps with continuous metering and class-leading continuous AF – and that's in raw mode, too, which allows you to retain information that you can play with in editing software afterwards. Video-wise, 4K UHD shooting is included, plus a range of slow motion modes up to an astonishing 1000fps, although the latter naturally comes with reduced image quality. There's a mic input and a headphone jack, while the touchscreen and EVF both look great, too.

• Read our in-depth Sony RX10 Mark IV review

The best point and shoot camera for video

6. Sony ZV-1

Looking to mostly shoot video rather than stills? The Sony ZV-1 is the best compact point-and-shoot you can buy. Effectively a video-focused version of Sony's RX100 series (see no.3 above), this camera has been designed for vloggers and YouTubers who want something small and simple-to-use. In our tests, its autofocus did an excellent job of keeping faces and moving subjects in focus, with its Product Showcase mode particularly handy for YouTubers who regularly do product reviews.

We also found the video quality from the ZV-1's 20.1MP 1-inch sensor to be very impressive, as long as you shoot in good light, and this is backed up by a 3.5mm mic port for boosting audio quality, too. While it is also a capable stills camera, the ZV-1's bright 24-70mm f/1.8-2.8 lens doesn't give you quite the same reach as the RX100 VII, so photographers should lean towards that model. But if you need something compact and affordable that'll still give you natural background blur in both stills and photos, the ZV-1 should be top of your shortlist.

• Read our in-depth Sony ZV-1 review

The best point and shoot camera for compact super zoom

7. Panasonic Lumix ZS70/TZ90

Pioneers of the 'travel-zoom' type of point-and-shoot camera, Panasonic brought us the smallest camera with 10x optical zoom back in 2006. Of course, the tech has moved on and we now have a 30x optical zoom with 24-720mm focal range, supported by a five-axis image stabilization that we have found to be very effective. There are similar cameras with bigger zooms, but in our tests we found the TZ90 offers the most well-rounded package.

Key features include the lovely 3-inch touchscreen that tilts up for an intuitive selfie mode. Unlike many models in this list, you also get a 0.2-inch viewfinder. It's on the small side and you'll err towards the lovely touchscreen instead, but most other cameras at this level (and of course smartphones) simply don't have a viewfinder at all, so the option is very welcome.

Like the Canon SX740 HS, there's a 1/2.3-inch sensor with 20.3MP and a 10fps continuous shooting mode. But the TZ90 can also shoot in raw format and offers in-camera raw editing, too. With impressive 4K video quality too, the ZS70/TZ90 offers excellent value for money.

• Read our in-depth Panasonic Lumix TZ90/ZS70 review

The best point and shoot camera for Canon fans

8. Canon PowerShot G7 X Mark III

PowerShot is Canon's sub-brand for its point-and-shoot camera range and, alongside the pricier Canon PowerShot G5 X Mark II, this is its best one yet. Both cameras have 1-inch 20MP sensors and touch-sensitive flip-screens, with the main difference between the two (other than price) being the lack of an electronic viewfinder on the G7 X Mark III. For point-and-shoot fans, this setup should be fine, but the G5 X Mark II is another fine option if you do need that viewfinder.

The G7 X III does also have a few other video-related tricks up its sleeve that you don't find on its more expensive sibling. The main one is the ability to livestream directly to YouTube , but it also has a microphone input for improved audio quality. The AF system may be slightly dated and not quite up to Sony's RX100 series, but but otherwise the G7 X III is still a fine, video-focused compact with excellent image stabilization.

• Read our in-depth Canon PowerShot G7X Mark III review

The best point and shoot camera for action

9. GoPro Hero 12 Black

The GoPro Hero 12 Black isn't your typical point-and-shoot camera, but that doesn't mean it's not a great option for simple, compact shooting. It's an industry-leading action camera with superb 5.3K videocapabilities and 27MP photos. It might not provide the best image quality in low light, but it features a HDR video mode to capture more detail in challenging lighting is required. If the lighting conditions are okay, then the results are pretty super-impressive. Our full review found the footage to be more crisp and less subdued, especially compared to DJI action cameras. 

The fact that the camera includes an amazing level of  image stabilization and versatile mounting options means you can capture footage in almost any scenario. Crop ratios of 16:9, 9:16, and 8:7 make it a very versatile camera, especially if you want to create content that can be posted directly onto social media platforms that adopt portrait formats.

• Read our in-depth GoPro Hero 12 Black review

The best point and shoot camera for hobbyists

10. Panasonic Lumix LX100 II

If you consider yourself to be a hobbyist photographer and are looking for a tiny but capable point-and-shoot, then the Panasonic Lumix LX100 II should definitely be on your shortlist. Its USP is its large sensor size. It's the same Micro Four Thirds sensor format as used in the company's 'Lumix G' mirrorless cameras, being almost twice the size of the 1-inch sensor found in other high-end point-and-shoot cameras in this round up.

Squeezed into this impressively compact body is a 24-75mm f/1.7-2.8 lens. That's only a 3.1x optical zoom, but the lens aperture is very fast, letting in more light and providing greater control over depth of field. In other words, you can blur those backgrounds more easily. While smartphones rely on image processing for blurred-background portraits, it's all real here. 

The viewing experience is good, with a high-quality 2.76-million dot EVF, though sadly the rear touchscreen is fixed. We'd love a tilt function for waist-level viewing, especially when out-and-about doing reportage photography. All in all, every choice from design to features makes the LX100 II ideal for photography enthusiasts, and it's all found in an impressively compact package.

• Read our in-depth Panasonic Lumix LX100 II review

How to choose the best point and shoot camera

Which brand of point-and-shoot is the best.

Traditionally, the best point-and-shoot camera brands have been Panasonic, Sony, and Canon. And while all three have largely stopped making budget models due to the rise of smartphones, they collectively make the best user-friendly, pocketable cameras you can buy (outside of the phone world). This is reflected in our list above. What Lumix, Cyber-shot and Powershot cameras lack in computational photography skills, they more than compensate for with high-quality optics, large sensors, handling and, in some cases, impressive zooms. Sony, Panasonic and Canon also make the best bridge cameras around. If you have a more specialist need, like a super-rugged cameras for stills or video, that's when other brands come into play. Olympus (now OM System) has great heritage with its Tough series, currently topped by the TG-6. And GoPro continues to be the best point-and-shoot experience around for video creators who need some rugged and waterproof for outdoor adventures.

What is the biggest drawback of point-and-shoot cameras?

Nearly all point-and-shoot cameras were made in a time before the rise of smartphone computational photography, which really started taking off with the Google Pixel 4 in 2019. This kind of image processing, which involves intelligently combining multiple frames, was fueled by super-powerful mobile chipsets that simply aren't available to the traditional camera brands, whose heritage is instead in hardware and lens design. This means that the biggest drawback of point-and-shoot cameras, compared to phones, is their lack of in-camera processing. The photos they produce are often more natural as a result, lacking the saturated or hyper-real HDR look that some phones tend to prefer by default. But point-and-shoot cameras can also struggle to match the balanced shots that phones manage when they effectively stack multiple exposures of the same scene. You can achieve similar effects yourself by shooting in raw and editing the images later using software like Photoshop or Snapseed, but this is less of a point-and-shoot experience. This means that point-and-shoot cameras often fair worse than smartphones in challenging lighting conditions, but can still outshine them when you play to their strengths (for example, when using optical zoom on distant subjects, or a bright lens to produce natural bokeh).

How we test point and shoot cameras

Real-world tests are the most revealing way to get under the skin of the best point-and-shoot cameras. So alongside with standardized tests for factors like ISO performance, we take every camera we test for a spin to see how it fares in real-world scenarios.

We'll use it both handheld and, if possible, on a tripod to get a sense of where its strengths lie, and test its startup speed. We also use a formatted SD card and shoot in both raw and JPEG (if available), testing its burst shooting and buffer performance. 

For autofocusing, we use the different autofocus modes on hand in single point, area, and continuous modes. Naturally, we take a look at how accurate and reliable its metering is, how well it handles noise, and how well it minimizes things like fringing and distortion. Its video shooting skills are tested as well by shooting some test footage at different frame-rates and resolutions.

We also look at the camera's design, handling, and user interface while getting a sense of what kind of photographer it's most ideal for. Battery life is tested as well over the course of the day with the screen set to the default settings. Once the battery has reached zero, we'll then count the number of shots to see how it compares to the camera's CIPA rating. 

Once all is said and done, we take all our data and everything we've learned about the point-and-shoot camera and compare it to its price tag to see if it offers great value for your money.

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Tim is the Cameras editor at TechRadar. He has enjoyed more than 15 years in the photo video industry with most of those in the world of tech journalism. During his time as Deputy Technical Editor with Amateur Photographer, as a freelancer and consequently editor at Tech Radar, Tim has developed a deeply technical knowledge and practical experience with cameras, educating others through news, reviews and features. He’s also worked in video production for Studio 44 with clients including Canon, and volunteers his spare time to consult a non-profit, diverse stories team based in Nairobi. Tim is curious, a keen creative, avid footballer and runner, and moderate flat white drinker who has lived in Kenya and believes we have much to enjoy and learn from each other. 

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The Best Point-and-Shoot Camera

By Phil Ryan and Ben Keough

A great compact camera should have a relatively large sensor, be small enough for you to carry anywhere, and allow you to capture images that would be impossible to replicate with your smartphone. Whether that means the architectural details of European cathedrals, your child speeding across a soccer field, or dinner at your favorite restaurant, the Sony RX100 VII is a far better option than your phone’s camera.

Its 8.3x zoom lens makes it a perfect traveling companion, as it’s capable of capturing wide scenic vistas or zooming in for stunning portraits and delightful architectural details.

Plus, its tilting touchscreen makes shooting up high or down low easy, and the physical controls can help even experienced photographers feel at home while teaching novices the art of photography. Best of all, its autofocus tracking is the best we’ve ever seen in a compact camera.

Note: Many of the high-end compact cameras we recommend in this guide are produced in small batches that sell out quickly. These models may be backordered or out of stock at the stores we link to—an unfortunate side effect of the hype surrounding them. However, none have been discontinued, and if you place an order, you will eventually receive a camera. Just be prepared to wait, or buy one used instead.

Everything we recommend

Sony RX100 VII

The ideal smartphone-camera upgrade.

This camera isn’t much bigger than a pack of playing cards, yet it captures beautiful images and video in nearly any situation, offers ample customizable controls, and has a great pop-up viewfinder.

Buying Options

Panasonic Lumix DMC-FZ300

The best compact camera for wildlife and sports photos.

This powerful point-and-shoot doesn’t have the most zoom or megapixels, but it does provide the best balance of reach, image quality, and features of all the superzooms we’ve tested.

Ricoh GR III

The best image quality in a truly pocketable camera.

This camera looks like a classic soap-bar-style point-and-shoot but packs a big APS-C sensor and a seriously sharp lens. But it shoots only wide-angle photos, and it lacks a viewfinder.

May be out of stock

Ricoh GR IIIx

Same great camera, longer focal length.

This camera is identical to the GR III, except that its lens is a “normal” 40mm equivalent rather than wide-angle. Which model suits you better comes down to how and what you like to photograph.

Fujifilm X100VI

A digital camera that makes you feel like you’re shooting film.

This retro-styled camera offers loads of tactile control dials, evocative film simulations, and a hybrid optical/electronic viewfinder, all of which combine to create a unique shooting experience.

How we picked

A bigger sensor gives you superior light-gathering ability for cleaner images and faster shutter speeds, especially in dim conditions.

A wide aperture allows a lens to capture more light, which improves low-light images and helps make subjects pop.

Image quality is important, but a compact camera’s first job is to be something that you can carry everywhere, so smaller is better.

A good camera should have ample controls that you can customize. A viewfinder, a tilting screen, and image stabilization are pluses.

The Sony RX100 VII isn’t cheap, but it is made to handle almost anything you’re likely to photograph (above water, anyway). Whether you’re an experienced photographer and a parent of a champion field-hockey player, say, or a novice learning more about photography while capturing the landscapes and cuisine of the French countryside, this camera delivers. And it’s a camera that you can grow with as you enhance your skills.

Its focus tracking is the best you can find in a compact camera, and its pop-up electronic viewfinder makes composing shots on sunny days easier. Crucially, its 20-megapixel 1-inch sensor delivers sharper images, with more realistic color and better background blur when you want it, than the best smartphone cameras can produce.

The RX100 VII’s 24–200mm lens is both wide enough and long enough to handle the vast majority of photo opportunities. Due to its relatively narrow maximum aperture range, it sacrifices a little background blur and low-light shooting ability in comparison with some larger compact and mirrorless cameras, but its telephoto capabilities and diminutive size make it the best all-around travel companion.

Its 4K footage is colorful and sharp, as well, and it can output live, uncompressed 4K footage via HDMI. (That said, vloggers should look to our pick for vlogging .)

If you primarily shoot sports and wildlife but prefer the simplicity and affordability of a point-and-shoot over the complexity, bulk, and cost of an interchangeable-lens camera system, choose the Panasonic Lumix DMC-FZ300 . This camera’s 24x zoom lens (25–600mm) has a much wider range than those of our other picks, providing ample reach for birding , capturing stadium sports, and even documenting your travels (though our other picks are better for long trips, since they’re much more portable).

Its image quality is superior to what you can get from other small-sensor superzooms thanks to its f/2.8 constant-aperture lens, and with its blazing-quick autofocus and burst shooting, you can easily capture fast-moving action. It has a great electronic viewfinder and a touchscreen that can swing out to help you shoot selfies or capture shots at odd angles. And its weather-sealed, DSLR-like body is both comfortable to hold and stuffed with customizable controls.

The Ricoh GR III is the Platonic ideal of a street-photography camera, especially if you like to shoot quickly and covertly. Its minimalist design won’t catch anyone’s attention, you can easily slip it into and out of a pants pocket, and its wide-angle field of view and unique Snap Focus feature let you quickly shoot from the hip. If you want to take more time with your compositions, it’s a great all-around travel camera, too.

But skinny-jeans pocketability comes at a cost: This camera lacks an electronic viewfinder (an optical viewfinder is available separately), its rear display doesn’t tilt, and its wide-angle lens doesn’t zoom.

If you prefer a field of view closer to that of a classic “normal” lens, Ricoh makes a variant called the GR IIIx . It’s exactly the same camera as the GR III but with a 40mm f/2.8 lens. The company also recently announced the GR III HDF and GR IIIx HDF , variants that replace the built-in neutral density filter with a highlight diffusion filter that you can switch on for a dreamy, old-school look.

Fujifilm’s X100VI is another popular choice for street photography thanks to its fixed 35mm f/2 lens. But instead of encouraging a run-and-gun mentality, its retro-inspired design pushes you toward a slower, more thoughtful shooting style.

This camera is packed with features not found on most other compact models, including a unique hybrid optical and electronic viewfinder with an electronic rangefinder, a 40-megapixel stabilized APS-C sensor, and Fujifilm’s wide array of film simulations, which aim to re-create classic film stocks in digital form. And it’s encrusted with tactile dials that provide manual control over every aspect of the shooting experience.

It’s quite pricey, especially for a camera that can’t zoom or change lenses, and if you want to pocket it in your jeans, they’d better be JNCOs. But it delivers excellent image quality and an overall shooting experience that no other compact camera can match.

The research

Why you should trust us, who this is for, how we picked and tested, our pick: sony rx100 vii, the best superzoom: panasonic lumix dmc-fz300, also great: ricoh gr iii and gr iiix, also great: fujifilm x100vi, other good point-and-shoot cameras, the competition.

Phil Ryan has been covering cameras for Wirecutter since 2017 and is senior staff writer for camera coverage. As the former technical editor for Popular Photography and senior editor for imaging at CNET, he oversaw camera testing and has used the vast majority of the cameras released for over a decade.

Supervising editor Ben Keough has been testing and writing about cameras since 2006 for publications including DigitalCamera-HQ, PentaxForums, and Reviewed.com, in addition to Wirecutter. He is also an avid photographer in his own right, and from time to time people have even paid him to take pictures.

If you own a recent smartphone, you have a pretty good camera in your pocket right now. But it has limitations: If you look at your photos on anything bigger than a phone screen, you see blurry, blocky results that are far from the shots you’d get from a DSLR or mirrorless camera. And using digital zoom only makes smartphone image quality worse.

If you’re frustrated by these limitations, here’s why an advanced compact camera is probably right for you:

• Better image quality: These cameras use much larger image sensors than phones do, offering correspondingly improved image quality—especially indoors or when the sun goes down, thanks to better low-light performance.
• Smartphone-like shooting: Most advanced point-and-shoots give you a touchscreen interface for changing essential settings and choosing your focus point, which makes the step up from smartphone photography even smoother.
• Room to grow: Although you can just pick up one of these cameras, point, and shoot, they also include all the custom controls you’d get from more-expensive DSLRs and mirrorless cameras. They’re a great way to start if you’re just beginning to get serious about photography.
• Fast focusing: Smartphone cameras focus much more quickly today than they used to, but they’re still nowhere near as fast as a proper camera with a proper autofocus system. The difference is night and day when you’re tracking moving subjects like sports, kids, and pets.
• Still portable: These cameras are bigger than phones, but they’re still compact enough to slip into a jeans or jacket pocket, or a small bag, without weighing you down. Their large sensors and wide-aperture zoom lenses capture lots of light, providing most of the power of a full DSLR or mirrorless system without the bulk of a larger body and a set of lenses.
• More flexible than a phone: Most cameras in this category offer versatile 3x zoom lenses that go from wide-angle to portrait focal lengths without degrading the image quality. Many also provide nifty extras, such as a flip-up screen or an electronic viewfinder, that make shooting easier.
• Better video: The best point-and-shoot cameras are also excellent tools for videography, capable of producing noticeably crisper footage with less noise and more detail than what you can get from even a flagship smartphone. YouTubers and Twitch streamers will especially appreciate the 4K recording capability, uncompressed HDMI output, and flip-up screens that the top models provide.

So why not just buy a DSLR or mirrorless camera ? After all, those models can provide even better images and video, more-comfortable ergonomics, and more physical controls.

The answer, of course, is size and weight. The cameras we recommend in this guide provide a noticeable bump in image quality over a smartphone camera but can still fit in a pocket or purse. Mirrorless cameras and DSLRs require a bigger bag, and their added weight can give you a sore neck or shoulder over a long day of shooting.

Note that as smartphones have become ubiquitous, point-and-shoot cameras—especially cheap ones—have dropped out of camera manufacturers’ lineups. What’s left are mostly enthusiast-oriented, large-sensor compact cameras that are far more expensive than the nearly disposable pocket cameras of yore.

Today’s best point-and-shoots cost as much as many mirrorless cameras, which can be tough for a shopper to swallow considering that these models lack interchangeable lenses and in some cases can’t even zoom. But their portability, image quality, and ability to help center you on the process of image-making can nevertheless make them a great value for the right photographer.

To find the best point-and-shoot cameras, we started out by establishing key traits that any great camera should possess.

• Large sensor: Since we’re looking for cameras that provide significantly better image quality than a smartphone can produce, it makes sense for us to prioritize a significantly larger sensor. Sensor size isn’t the only determining factor in image quality—lens design and processing also play a major role—but it is a significant one. All else being equal, a larger sensor can capture more light, which reduces image noise and increases dynamic range . Specifically, for this guide we look for a 1-inch or larger sensor for most cameras or a 1/2.3-inch or larger sensor for superzooms due to their unique design.
• Wide-aperture lens: To make the most of their big sensors, these cameras should have lenses with a wide aperture throughout the zoom range—the wider, the better. A wide aperture lets in more light, which allows you to shoot at a lower ISO setting (reducing image noise) or a higher shutter speed (reducing blur). It also allows you to shoot portrait photos with more pronounced blur (or bokeh ) behind your subject. (If aperture and f-numbers are new to you, here’s an easy-to-understand primer .)
• Compact design: A good point-and-shoot camera is one that you can comfortably carry every day, which means it should fit in a pants or jacket pocket or perhaps a small bag. The one exception in this regard is superzoom cameras, which include a lens that produces a view far enough for birding, photographing sports, or capturing architectural details. Still, we try to recommend superzooms that are as portable as possible.
• Ease of use: All of the cameras in this guide are easy to use in auto mode, and many owners may elect not to go any further. But if you choose to dive into the menus, they should be easy to navigate, and the camera should offer a quick menu for convenient access to key shooting settings. We give bonus points for customizable buttons and dials that allow you to set up the camera for the way you like to shoot.
• Touchscreen, tilt screen, or electronic viewfinder: These features add a ton of usability to any camera, so having one or more is a big plus. Touchscreens let you tap to focus and scroll through menus or swipe through photos with your finger. Tilt screens allow you to easily shoot below or above your head, and they sometimes flip 180 degrees for selfies. Electronic viewfinders make it easier for you to compose shots on especially bright days, when glare wipes out the image on the rear display.
• Wireless connectivity: Whether it’s Wi-Fi, Bluetooth, NFC, or some combination of the three, these cameras should have a way to connect directly to your phone in order to receive firmware updates, transfer photos, and shoot with remote control.
• Solid video specs: Any modern camera should be able to record video at a bare minimum of 1080p resolution and 60 frames per second. Since 4K displays are now more common, we give bonus points to models capable of recording at 4K resolution at a minimum of 30 frames per second. Other extras, such as uncompressed HDMI output and advanced video-codec options, are icing on the cake.

With the above criteria in mind, we canvassed the available options and called in the most promising contenders, including 1-inch-sensor cameras from Panasonic and Sony, fixed-focal APS-C compact models from Fujifilm and Ricoh, and superzooms with large sensors, large apertures, or both.

We tested these cameras both in head-to-head studio tests and on extended outings in the real world. We carried them on a drive through the forests and rivers of Bend, Oregon; a hike amidst the majestic sweep of the Colorado Rockies; dog walks in Santa Fe, New Mexico; an extended vacation through five cities in Japan; and the streets and subways of New York City.

While these cameras have plenty to offer to more experienced photographers, they’re particularly appealing to people who are taking their first step up from a smartphone camera. With that in mind, we focused on testing for pain points that might frustrate, annoy, or otherwise put off newcomers from using these cameras.

We performed image-quality tests for things such as sharpness, bokeh , close-focusing ability, low-light performance, and dynamic range . We also considered the effectiveness of image stabilization and autofocus.

We examined the usability of each camera’s menu system and on-screen info, the responsiveness of its touchscreen, the tactile feel of its buttons, and—especially for cameras with an electronic viewfinder—how easy or difficult the controls were to find and operate by feel.

Finally, we connected each camera to our smartphones to see whether remote shooting and image transfer were a pain or a pleasure.

If you’re interested in a small camera that can definitively outclass the one built into your smartphone, the Sony RX100 VII is a great choice. Its 24–200mm lens covers a huge range of shooting situations, its electronic viewfinder lets you easily frame shots on sunny days, its quick autofocus can reliably track even fast-moving subjects, and its video quality is the best you can expect from a compact camera.

It might seem like a lot of camera, and a lot of money, if you’re just stepping up from a smartphone camera, but its perks—faster and longer burst shooting, quicker focusing, and a longer lens—are worth the price if you’re serious about photography.

The RX100 VII delivers excellent photos. In our tests, its 1-inch, 20-megapixel sensor produced sharp, but not overly sharp, JPEGs with a pleasing amount of contrast and saturation. Of course, you can tweak those parameters to your preference in-camera, and if you shoot raw, you can control every aspect of the final image when you develop it in software.

Its 8.3x zoom lens covers a lot of ground. The 24–200mm lens has a narrower maximum aperture at full zoom than we’d like, but it still has a wider maximum aperture than you can get from the lenses of cheap compact cameras, and its long zoom range makes this model one of the best travel cameras you can buy.

Its pop-up electronic viewfinder helps in bright light. One of the coolest things about the RX100 VII is Sony’s pop-up EVF—an excellent addition for people who prefer eye-level composition over framing shots on the rear display.

Considering the overall size of the camera, the EVF is remarkably large and clear, and its clever retracting design is unusual. The EVF makes shooting in bright daylight less of a guessing game, and it also provides a way for you to shoot more discreetly in dark environments since the camera’s rear display doesn’t light up when the EVF is in use.

Its 4K video looks great. The RX100 VII shoots 4K video at up to 30 frames per second and a 100 Mbps bit rate. Sony offers a variety of formats and codecs, including its proprietary XAVC S.

In our tests, this Sony camera’s video footage was sharp in both its 4K and 1080p 60 fps recording modes. XAVC S footage looks best but requires a specific type of memory card, a Class-10 SDXC/SDHC card with at least 64 GB of storage. We used a SanDisk Extreme Pro SDXC UHS-II card; it worked flawlessly for us, but it doesn’t come cheap.

Its video is versatile. Although 4K footage has a minor crop, it isn’t much, so you can shoot great wide-angle footage capturing moments such as your baby crawling through the space between your coffee table and your couch. And the RX100 VII can go up to 960 fps (albeit for only two seconds at a time and at reduced resolution) to create 32x ultra-slow-motion footage—say, your dog jumping, or a race car’s exhaust backfiring.

As the icing on the cake, the RX100 VII can output live, uncompressed 4K video via its HDMI port—perfect for YouTube and Twitch streamers.

It’s delightfully small. The RX100 VII basically lived in a jacket pocket and tagged along everywhere during our testing. At 4 by 2.29 by 1.69 inches, it has a smaller footprint than most smartphones but is significantly thicker. It’s about 0.4 inch thicker than Ricoh’s GR III but a little less wide and tall. Fujifilm’s X100VI is larger and heavier than both this Sony model and the Ricoh camera.

You can wirelessly transfer photos to your phone. Sony’s smartphone app, Imaging Edge Mobile ( iOS , Android ), makes pairing your phone to the camera fairly simple : A QR code appears on the camera’s screen, and you scan it using the app on your phone.

Once the two devices are connected, you can control the camera remotely, as well as transfer photos and video to your phone. Like a lot of compact cameras, the RX100 VII is somewhat limited in what it can transfer—specifically, it can’t send raw photos, AVCHD videos, or particularly high-bit-rate XAVC S videos to your phone—but for most people, the JPEGs and lower-bit-rate video that it can transfer will suffice for Instagram and Facebook.

Flaws but not dealbreakers

• This camera isn’t weather-sealed, so you have to be careful about using it in anything more than a drizzle or in heavily dusty or sandy conditions.
• It offers plenty of controls, including customizable buttons, but the camera’s compact design requires many of them to be small. As a result, they can be tough for you to find by feel, without taking your eye away from the viewfinder.
• The battery is compact, and while its 260-shot capacity is better than the Ricoh GR III’s 200 shots, having an extra battery on hand, if possible, is still a good idea.
• This camera has no hot shoe, so you can’t add a flash, a camera-mounted microphone, or a third-party thumb grip. That said, a small pop-up flash is built in. It’s powerful enough for fill light but doesn’t provide effective coverage past the midpoint of the zoom range.

Though the Panasonic Lumix DMC-FZ300 doesn’t have the most zoom we’ve seen in a superzoom, it provides the best balance of image quality, usability, and portability that you can get from a camera in this class. It’s the ideal camera if you shoot a lot of sports or wildlife and don’t want to step up to a heavier, more complex, and more expensive mirrorless or DSLR setup.

The FZ300’s f/2.8 constant-aperture lens lets in more light than the variable-aperture zoom lenses found on 60x-plus superzooms like the Canon PowerShot SX70 HS . That translates into sharper, cleaner-looking photos in dim conditions and more pleasing background blur at long focal lengths. Its stabilization is effective, its autofocus is quick and accurate, its 4K video looks great, and we love its comfortable grip and its arsenal of customizable buttons and dials.

Images from the FZ300 look great. In our tests, the wide-aperture lens and relatively conservative zoom range helped JPEGs appear sharper, with more detail and less image noise than in those from cameras with longer zooms such as the Canon SX70 HS. Whereas competing cameras pump up color saturation and contrast, the FZ300 produces photos that look more neutral. One caveat: The images are only 12 megapixels, so you have little leeway for cropping.

It can capture raw files. If you’re willing to invest the time, you can edit the FZ300’s raw files with Adobe Lightroom or another editing suite to fine-tune the noise reduction, sharpening, and color balance to create results that suit your taste.

Video footage is similarly impressive and similarly neutral. The FZ300 can shoot 4K clips at 30 frames per second, and the 100 Mbps maximum bit rate captures plenty of detail. With its high-quality footage, optical stabilization, excellent autofocus tracking, and impressive lens, the FZ300 might be one of the best budget 4K video cameras money can buy, at least among cameras with this kind of telephoto reach.

Its autofocus is both speedy and accurate. In our testing, the FZ300’s continuous autofocus mode with subject tracking was able to keep a dog’s face in perfect focus as she ran at full speed toward the camera. Other superzooms in this price range missed at least 25% of their shots in the same situation.

When shooting still subjects, the FZ300 was quick and decisive, intelligently choosing the right object to focus on nearly every time. Whereas other superzooms we’ve tested often hunt for focus at their longest focal lengths, the FZ300—perhaps thanks in part to its shorter zoom design—consistently locked on without hesitation.

It has a large, high-resolution electronic viewfinder and a fully articulating rear display. The contrasty, vibrant OLED EVF was a welcome relief when we found ourselves shooting at a dog park on a brilliantly sunny, snowbound day. The big, bright, high-res rear screen was also a joy to use, when it wasn’t outmatched by the sun.

Since the rear screen swings out and rotates 180 degrees, you can use it for taking selfies, vlogging, or simply grabbing shots over a crowd. And because it’s a touchscreen, you can tap to focus or shoot, tag your subject in AF tracking mode, adjust menu settings, and swipe between photos in playback mode, among other, more esoteric tasks.

It has a comfortable grip and a good control system. The FZ300’s sculpted grip and well-balanced overall design made it easier to hold than any other camera in our test group. We also love the array of customizable function buttons (four physical, plus five more on-screen) and dials (two), which you can set for one-touch access to dozens of shooting settings. A rocker switch on the lens barrel provides ultrasmooth zoom action for video recording, as well.

Panasonic’s 4K Photo and Post Focus modes are helpful. Both modes allow this camera to provide real utility that other superzooms can’t match. 4K Photo mode augments the camera’s already impressive 12 fps burst capabilities, shooting 4K video clips at 30 fps and then letting you extract the best frames as 8-megapixel still photos.

Post Focus leverages the 4K Photo technique to capture a one-second burst of 30 shots at different focus points, after which you can tap the screen to choose what to focus on. Obviously, this function really works only with static subjects, but it’s a nifty trick nonetheless.

Its battery outlasts those of its closest competitors. The FZ300’s battery is larger than what most compact cameras offer, since it has a bigger body for the battery to slot into. The battery is rated for 380 shots when you use the rear display and 360 shots when you use the EVF.

In our experience, we found those claims to be accurate, and possibly even conservative, depending on how often you power your camera on and off. The Canon SX70 HS, in contrast, is rated for just 325 shots with the main display and a truly disappointing 255 shots with the viewfinder.

It’s dust- and splash-resistant. That means you can use this camera in the forests of the Olympic Peninsula or the desert of Death Valley without too much concern over water or dust getting into the sensor and other sensitive components. (It would still be smart to stay out of heavy downpours.)

If you want a camera that fits in a tight pants pocket yet delivers image quality rivaling that of many mirrorless cameras, the Ricoh GR III is your best bet. This compact powerhouse is beloved by street shooters because its anonymous looks, compact design, sharp wide-angle lens, and unique Snap Focus mode allow for quick, covert shooting. But even if you’re not a street photographer, its portability and image quality make it an attractive option for lightweight travel.

Of course, the slim design means you lose a few features that our other picks offer. You won’t find an electronic viewfinder or a tilting screen here, and the lens doesn’t zoom. This camera isn’t weather-sealed, either, so you need to treat it with care, avoiding heavy rain, blowing dust, and the like. If those features are more important to you than extreme pocketability, the Fujifilm X100VI might be a better choice.

If you like the sound of the GR III but prefer a tighter field of view, the Ricoh GR IIIx is exactly the same camera but with an equally sharp 40mm f/2.8 lens. Choose whichever model suits your shooting style.

Both of these cameras produce beautiful photos. The GR III and GR IIIx produce crisp images at any f-stop, and they can focus remarkably close in macro mode—as close as 6 inches for the GR III and 12 inches for the GR IIIx. Surprisingly, for lenses that open only to f/2.8, they can also produce lovely close-focus portraits with beautifully blurred backgrounds.

Raw images and JPEGs that we took using the Standard image-control mode exhibited accurate color and pleasing contrast, and while the lenses in these cameras didn’t produce sunstars, they did a reasonably good job of preventing flare when we shot against bright light (something that the more expensive Fujifilm X100VI struggled with).

Their JPEG output is excellent, even without editing. Few cameras produce JPEGs that experienced photographers can be satisfied with, but the GR III and GR IIIx are two of the rare exceptions. Like the Fujifilm X100VI, the Ricoh GR III and GR IIIx are loaded with fun alternative JPEG shooting modes, and both cameras let you create or load custom “recipes” for unique looks.

The preloaded options include the usual suspects, such as Vivid and Monotone, plus more esoteric choices that you can adjust to suit your tastes, like Hard Monotone (which inverts bright skies with a dark, posterized look) and Positive Film (which produces especially hard contrast and slightly desaturated colors). When you’re tweaking these presets to create your own recipes, you can change things such as saturation, hue, high- and low-key lighting, contrast (overall, highlight, and shadow), sharpness, shading, and clarity.

They’re a pleasure to shoot with. Considering that they’re just little bricks, the GR III and GR IIIx are ergonomic wonders. They rank among the very few serious cameras that you can shoot with entirely one-handed, thanks to intelligently placed control dials, a handy rocker switch for exposure compensation and menu navigation, and a well-designed touchscreen interface (if you choose to use it).

Because these controls allow for extensive customization, you can arrange them so that the settings you use most are never more than a button press away. And the command dial offers three User modes, so you can set up custom shooting profiles for different situations—say, a Soft Monotone mode with Snap Focus enabled for street shooting on an overcast day, or Negative Film with JPEG only for casual beach snaps with a retro vibe.

Snap Focus is a godsend when you’re shooting from the hip. One of the GR series’ calling cards is a unique feature called Snap Focus. This mode lets you preset the focus distance (anywhere from 0.3 to 5 meters, or even infinity) and simply mash the shutter button (skipping the usual half-press-to-focus) to quickly capture a shot. For street photography, where the decisive moment can come and go in a flash, this feature is a game-changer.

The lenses don’t zoom, but you have a couple of workarounds. If you want to shoot at something other than the 28mm- or 40mm-equivalent focal length these cameras come with, you have two options.

First, the GR III and GR IIIx each have in-camera crop modes that provide a bit more telephoto reach at the expense of resolution. The GR III can crop to 35mm or 50mm, while the GR IIIx can crop to 50mm or 71mm.

Second, you can get add-on conversion lenses for both cameras; the GR III has a wide conversion lens that takes the field of view to 21mm, while the GR IIIx can pair with a tele conversion lens that narrows its perspective to 75mm or 107mm (with crop mode enabled). The downside, of course, is that either conversion lens adds considerable bulk to a camera whose portability is its selling point.

They put the “compact” in “compact camera.” All of the cameras in this guide, our superzoom pick aside, are compact in comparison with a mirrorless or DSLR camera, but most stretch a jeans pocket—especially in their thickness. The GR III and GR IIIx are the only models here that can easily slip into and out of pretty much any pair of pants (or at least those with functional pockets).

Both the GR III and GR IIIx measure just 4.29 by 2.44 by 1.3 inches. Our top pick, the Sony RX100 VII , is slightly smaller in width and height but thicker at 1.69 inches. Four-tenths of an inch might not sound like a lot, but it can mean the difference between a comfortable fit and a struggle, or carrying your camera in a pants pocket versus a looser jacket pocket. Compared with the 5.04-by-2.95-by-2.18-inch Fujifilm X100VI, the GR III and GR IIIx are positively minuscule.

Battery life, autofocus speed, and video quality are pain points. The GR III’s stated battery life of 200 shots per charge is the lowest of any camera we recommend in this guide, and our real-world experience showed that actually getting to that number is unlikely—we averaged around 150 shots before the battery went kaput. If you buy this camera, invest in some extra batteries and a wall charger, or you’ll regret it.

Autofocus is another weak point: It’s sufficient for static subjects—landscapes, still life, portraiture—but it’s slow compared with the AF in competing cameras, and you can forget about trying to track moving subjects. Snap Focus can assist in this regard, but it isn’t a great option for every kind of photography.

Finally, the less that’s said about the GR III’s video quality, the better. Its footage is shaky, blocky, generally unattractive, and limited to just 1080p at 60 frames per second. Even our top pick from Sony, which debuted three years before the Ricoh GR III, offers 4K video.

Beware of dust. Finally, the GR series has always had issues with dust ingress. Because the lens lacks weather-sealing and extends and retracts when you power it on and off, respectively, it acts like a bellows and can suck small dust particles inside. The sensor is surrounded by a gasket that is supposed to keep dust at bay, but many owners have found that over time it still accumulates dust spots that appear in images shot at narrow apertures.

You can have these cameras serviced to remove the dust—which is not cheap once your camera is out of warranty—or you can clone the spots out via software. Even so, this problem is a real downside to the GR design.

If you want a compact camera that can rival the Ricoh GR III in image quality, but run-and-gun shooting isn’t your style, the Fujifilm X100VI is a great way to go. Though it offers a powerful blend of cutting-edge tech, including a 40-megapixel stabilized APS-C sensor and a high-resolution hybrid viewfinder, its old-school design and its array of 20 nostalgic film simulations truly set it apart.

This camera’s emphasis on manual control and aesthetic creativity encourages a slower, more contemplative shooting experience that may suit some photographers better than the GR series’s shoot-from-the-hip style. And the film simulations—while great on their own—allow you to extensively tweak them to create your own unique personal visual identity.

But as with the GR III cameras, the X100VI’s lens—35mm f/2, in this case—doesn’t zoom, so it’s less versatile than what you get with some of our smaller-sensor picks.

It has almost everything you can ask for in a high-end compact camera. In many ways, the X100VI plus-ones most of what the Ricoh GR III offers. Its sensor is higher-res, its screen tilts, and even its fixed focal length is a little longer. The body is also weather-sealed (though the lens requires an adapter ring and filter for full protection), while the GR III is not. It’s simply a lot more camera.

But that complexity comes at the expense of, well, expense: The X100VI typically costs $600 more than the GR III. It’s also slightly less portable and a lot less discreet, especially since its ascent to TikTok fame . If you go street shooting with this camera—especially with the silver version—you’re going to get noticed.

The retro appeal is real. The X100VI has a design that recalls film-era Fujica cameras, as well as iconic rangefinders from Leica and other legacy brands. It’s made from aluminum and has pleasingly tactile dials for every major adjustment, including aperture, shutter speed, ISO, and exposure compensation.

As a result, unlike most modern cameras, it’s a joy to use in full manual mode. And even if you shoot in aperture priority, you can leave everything else on auto and adjust the aperture ring to get the depth of field you want. We can’t say exactly why, but we found that method more satisfying than turning a DSLR-style control wheel.

But that old-school design brings some compromises. Like the film cameras it emulates, the X100VI isn’t an ergonomic delight. It’s a metal brick, with a minimal grip around the front and little purchase for your thumb on the rear.

You can fix that, to some degree, by adding accessories—a thumb grip that mounts at the hot shoe, a front grip that screws into the tripod mount, and so on. But this is already an expensive camera, and extras add up quickly. They also add bulk to the camera. People who have smaller hands may be less annoyed by this problem than we were, but we think many people are likely to find the ergonomics wanting.

Its image quality is similar to that of our top mirrorless camera pick. The X100VI uses Fujifilm’s APS-C–sized X-Trans V HR (high-resolution) 40.2-megapixel backside-illuminated sensor—the same sensor found in the company’s X-T5, which we recommend in our guide to mirrorless cameras .

While some full-frame mirrorless models offer upward of 60 megapixels, we think that’s overkill; 40-megapixel models, which provide impressively sharp details and lots of room for cropping, are more than enough for amateurs and pros alike. Speaking of which, the high-resolution sensor in the X100VI allows for two digital teleconverter modes that crop the image to extend the focal length to 50mm (at 20 megapixels) or 70mm (10 megapixels).

The sensor is also stabilized (for the first time in the X100 series), providing up to six stops of compensation for hand movement. That means you can shoot in very dim environments with slow shutter speeds and still get crisp results.

The lens is great (mostly). Fujifilm has paired its high-res sensor with a lens inherited from the older X100V. Overall, it’s very sharp and contrasty, especially when stopped down a bit. At wider apertures, it delivers an old-school rendering that’s every bit as evocative of film-era rangefinders as the camera’s physical design is.

But photographers who are used to the clinical perfection of today’s DSLR and mirrorless lenses may be frustrated to find that the X100VI’s lens is pretty soft wide-open at f/2 when shooting near its minimum focus distance. (It does, however, represent a notable improvement over earlier X100-series models, up to the X100F.)

The lens also flares badly when you’re shooting with the sun or other bright lights anywhere near the frame, a trait that the GR III shares but to a lesser extent. And like the GR III’s lens, this lens doesn’t produce well-defined sunstars, though the upside is that its bokeh is beautifully smooth at f/2.

Fujifilm’s film simulations are a joy to use. Beyond this camera’s retro styling, Fujifilm’s film simulations are its sharpest hook. In many cases named after iconic film stocks from the late 20th century—think Astia, Provia, Velvia, and the like—these modes try to emulate the films’ characteristics in digital form.

In general, they do a beautiful job, and each stock simulation serves a distinct purpose: Astia is saturated and soft, Velvia is vivid and bold, Classic Chrome is slightly desaturated and contrasty. The list goes on.

You can make your own, too. But perhaps the coolest and most addictive thing about Fujifilm’s film simulations is that you can create your own. The X100VI offers seven custom shooting modes in which you can tweak one of the stock film sims, adjusting the dynamic range, white balance, saturation, sharpness, shadow and highlight adjustments, and much more.

Not only does this mean that you can create your own visual identity, but it also means that you can get great JPEG images that don’t require extensive post-processing. Hundreds of user-created recipes are available online too, if you’d prefer to just load a sim and start shooting.

The hybrid viewfinder and the tilting screen add versatility. The X100VI, as well as other X100-series cameras, features a unique hybrid viewfinder—simply pull a lever on the front of the camera, and it switches between optical and electronic. In optical mode the viewfinder also offers a smaller, inset electronic rangefinder view that lets you punch in on your point of focus, as well as review the shot you’ve just taken.

The rear display tilts up 90 degrees for shooting at low angles or down 45 degrees for shooting over your head. Unlike the Fujifilm X-T5’s screen, though, this model’s screen can’t tilt in portrait orientation—just landscape. Even so, it’s a useful upgrade over the GR III’s fixed monitor.

The video quality is very good, but this is primarily a stills camera. You can shoot at up to 6.2K resolution at 30 fps with a slight crop or drop to 4K 60 fps with an even smaller crop. The camera even has a 1080p 240 fps mode for slow motion, and you can record in an F-Log2 profile with more than 14 stops of dynamic range. In-body image stabilization works with video, too, as does subject tracking.

All of that is great, but the X100VI is far from Fujifilm’s best choice for video recording. For one thing, you’re stuck with one lens. But beyond that, this camera lacks a full-size HDMI port (it’s Micro HDMI only) and a 3.5 mm audio jack (so you can’t add a mic), and to switch between stills and video you need to go menu-diving, as there’s no physical switch.

It isn’t as small as the GR III, but it still fits easily in a jacket pocket. Although the X100VI is a compact camera, it’s significantly chunkier than our other fixed-focal APS-C pick. To be specific, it’s about 17% wider, 21% taller, and a whopping 61% thicker (largely because the lens doesn’t retract) than the Ricoh GR III. Here’s a visual size comparison of the two cameras.

The upshot is that while the X100VI still fits comfortably in a jacket pocket, tucking it into jeans is probably a no-go.

It has its own array of add-on accessories. In addition to the aforementioned adapter ring and protective filter, available add-ons include a telephoto conversion lens that narrows the focal length to 50mm, a wide conversion lens that expands it to 28mm, and a lens hood that may help a bit with flare.

If you like the sound of our top pick but don’t care as much about video: The Panasonic Lumix DMC-LX10 is our former top pick. It pairs a 1-inch sensor similar to the one in our current top pick with a 24-72mm–equivalent f/1.4-2.8 lens—a combo that produces great photos in all but the most extreme lighting conditions. In addition, the LX10 offers an intuitive touchscreen interface, its screen flips up 180 degrees for selfies and 4K video streaming, and it focuses quickly. Many of its rivals have some of those features, but none provide such a compelling combination at such a reasonable price. Unfortunately, this camera is being discontinued. If you can find it new at a good price or used in good condition, it’s an excellent choice.

If you want a superzoom with better image quality and don’t mind giving up some telephoto reach: The Panasonic Lumix DMC-FZ1000 II was the upgrade pick in our standalone guide to superzoom cameras because its 1-inch sensor and its shorter 16x 25–400mm f/2.8–4 zoom lens combine to provide even sharper images than what you can get from the Panasonic FZ300. That said, the FZ1000 II doesn’t have as much reach, and its body is a bit bigger. If you don’t mind those trade-offs, the FZ1000 II has all of what we love about the FZ300, plus a larger, more comfortable grip.

If money is no object in a superzoom: The Sony RX10 IV puts an impressively sharp 24–600mm f/2.4–4 lens in front of a 1-inch sensor to make images that best those of the Panasonic FZ300 while offering more zoom than the FZ1000 II. Its tracking autofocus isn’t quite as nice as that of the newer Sony RX100 VII, but it’s still plenty fast and capable of tracking subjects even more doggedly than the AF in the FZ300. The RX10 IV is also more comfortable to hold than the FZ300 and has a nicer electronic viewfinder and a higher-res rear display. The catch: It weighs more than twice as much as our superzoom pick and costs about three times as much. If that doesn’t make you wince, this model is worth considering.

This is not a comprehensive list of all point-and-shoot cameras we have tested. We have removed cameras that are discontinued or no longer meet our criteria.

The Canon PowerShot G7 X Mark III lacks an EVF. In addition, the Sony RX100 VII provides a better video experience, and the Panasonic LX10 offers a more tactile control scheme and greater flexibility in its aperture, ISO, and shutter speed for still photos.

The Canon PowerShot SX70 HS was an also-great pick in our standalone guide to superzoom cameras because its 21–1365mm lens offers dramatically more reach than the FZ300’s 25–600mm design. However, that lens doesn’t let in anywhere near as much light as that of the FZ300, this camera’s images are not as nice, and its feature set leaves you less room for growth as a photographer.

The Panasonic Lumix DMC-FZ2500 is a more video-centric cousin to the FZ1000 II, with a slightly wider and slightly longer 24–480mm f/2.8–4.5 lens. It offers more resolution and bit-rate options, as well as a built-in neutral density filter to tame overly bright shooting conditions. However, it typically costs about a hundred dollars more than the FZ1000 II, so that camera or the FZ300 makes more sense unless you’re primarily interested in capturing video.

The Sony RX1R II is a full-frame 42-megapixel compact camera with a 35mm f/2 lens—a combo that’s capable of creating genuinely stunning images. It has a pop-up EVF comparable to that of the RX100 VII, and though this model’s tilting screen isn’t a touchscreen, it’s higher-res than the one in that camera. The grip is anemic, as is the 220-shot battery life (which shrinks to 110 shots if you use only the EVF to frame photos). Still, even though this model is rumored to be discontinued , truly dedicated photo nerds might consider getting one, especially used , as it’s the only option for a full-frame compact camera aside from Leica’s Q2 , Q2 Monochrom , or Q3 .

This article was edited by Ben Keough and Erica Ogg.

Meet your guides

Phil Ryan is Wirecutter’s senior staff writer for camera coverage. Previously, over 13 years he covered cameras and other photo-related items for CNET and Popular Photography. As the latter's tech editor and then senior tech editor, he was responsible for maintaining and refining the lab testing for cameras, and as the main camera tester,  he used and wrote reviews of many of the cameras released in that timeframe.

Ben Keough is the supervising editor for Wirecutter's working from home, powering, cameras, and hobbies and games coverage. He previously spent more than a decade writing about cameras, printers, and other office equipment for Wirecutter, Reviewed, USA Today, and Digital Camera HQ. After four years testing printers, he definitively confirmed that they all suck, but some suck less than others.

Further reading

Gen Z Is Bringing Back “Vintage” Point-and-Shoot Cameras. Our Experts Weigh In.

by Annemarie Conte

Vintage compact point-and-shoot cameras are all the rage. Here’s how to get one of your own or something you might like even better.

Why We Don’t Recommend Buying a New DSLR Camera

by Phil Ryan

If you’re buying a new camera, look for a mirrorless model—most camera makers aren’t developing DSLRs anymore.

How Much Camera Zoom Do You Really Need?

How much zoom do you need in a lens? What do all those “mm” numbers mean? Let us explain.

How to Choose the Camera Sensor Size That’s Right for You

A camera sensor’s size affects the size of the cameras and lenses it can work with, as well as their performance.

Savvy Travel Advice

Best Compact Cameras for Travel

Last updated: January 1, 2024 - Written by Jessica Norah 116 Comments

Almost everyone takes a camera with them on vacation, and we’ve decided to put together a guide to the best point-and-shoot cameras for travel to help you choose the best option for you. Having a great travel camera will help you capture those wonderful travel moments and share them with your family and friends.

This guide is based on our knowledge and experience as full time professional travel photographers and writers who use a range of cameras on a day to day basis, including point and shoot cameras, smartphone cameras, mirrorless cameras and DSLR cameras. We rarely go anywhere without at least one camera!

Cameras come in all shapes and sizes these days, from the one on your smartphone to compact cameras to professional level DSLRs. We personally think though that the best camera you have is the one on you and one that you know how to use. For many people, a compact camera, often called a point-and-shoot camera, is the perfect travel camera as they are generally small, lightweight, easy to use, and budget friendly.

We’ll help you decide if a point-and-shoot camera is a good choice for you, provide advice on how to choose the best compact camera, and share a list of the best compact cameras currently available across various price points. We also give some tips on how to make the most of your point-and-shoot camera.

Table of Contents:

Choosing a Point-and-Shoot Camera for Travel Photography

Before we get into all the various compact camera options though, we want to first explain how a compact camera compares to other camera options, point out the advantages and disadvantages of point-and-shoot cameras, and discuss the various features and specs to look for when choosing a compact camera.

What is a Digital Compact Camera?

A compact camera, also commonly known as a point-and-shoot camera, is a small and portable camera which is designed to make photography easy and accessible to everyone.

In most of the world, “compact camera” and “point-and-shoot camera” are used synonymously which is how we use them in this article. However, in some countries, the terms can have different meanings where “compact camera” refers to any smaller lightweight camera and “point-and-shoot” specifically refers to a fully automatic camera regardless of its size.

The idea is that you can point the camera at whatever you want to take a picture of and just press the “shoot” button, and the camera will handle all the technical stuff. It will shoot in an “auto” mode by default and try to choose the best settings given the conditions.

A compact camera is designed to help you capture great photos without needing to understand the underlying mechanics of how a camera works or fiddling with manual settings and dials. However, more advanced compact camera models do allow for those with more photography knowledge to use manual controls and have a number of professional quality features.

Is a Compact Camera the Right Type of Travel Camera for Me?

A compact camera is one of several types of cameras you might choose for taking photos while traveling. Photos from compact cameras are generally perfect for capturing memories, sharing with family and friends, posting on social media, or printing at a standard size.

Point-and-shoot cameras are not, however, generally ideal for professional photography, wildlife photography, portraits, or printing at a larger size. Although the more advanced and expensive compact camera models do have professional-level features, large sensors, and can take very high quality photos.

There are many options when it comes to picking the perfect camera for travel photography, which broadly fit into four major categories: smartphones, mirrorless cameras, and DSLR cameras.

There is also a sub-category of compact cameras known as action cameras, and these are cameras like a GoPro . These are however for very specific types of photography, and aren’t in most cases ideal for general travel photography use. But they can be a great option for the more outdoorsy and adventurous traveler who needs something small and more rugged than a regular camera. You can read our guide to the best action cameras if interested in those.

We’ll compare and contrast compact cameras versus smartphones, mirrorless cameras, and DSLR cameras, and discuss the general advantages and disadvantages of these cameras to help you choose the right type of camera for you.

Point-and-Shoot Camera vs. Smartphone

The first, and probably most common type of camera in the world today is the one in your smartphone. These have the major advantage that nearly all of us have a smartphone which we carry with us everywhere, and the newest ones all have decent cameras. So using these as a camera doesn’t require any additional purchase or gear.

The disadvantage of a smartphone camera is that they are usually very limited in terms of optical zoom, meaning that you can’t usually shoot subjects that are particularly far away. They also tend to have a limited battery life (which also gets eaten up by all the other things you do on your phone), and most have very small sensors which means they don’t perform well in limited light situations.

Smartphone cameras are used by a very large and broad number of people and are probably becoming the most common type of device used by tourists to capture vacation photos. However, because of their limitations they are not normally the sole camera of those wanting to capture high-quality photos or those wanting to use a camera in all situations, but can serve as a good back-up option.

Point-and-Shoot Camera vs. Mirrorless Camera

Mirrorless cameras are the newest type of camera on the market and unlike the DSLRs do not have optical mirrors or an optical viewfinder. They offer interchangeable lenses, meaning you have flexibility in your lens choice, but in a relatively compact form factor compared to more traditional DSLR’s.

They are generally considerably larger, costlier, and bulkier than most point-and-shoot cameras, but do offer improved image quality and flexibility. Mirrorless cameras are popular among keen hobbyists and amateur photographers who want more control over their photography and some professionals.

Point-and-Shoot Camera vs. DSLR

Digital single-lens reflex cameras (DSLR) like mirrorless cameras also have interchangeable lens. DSLR cameras were the pinnacle of camera technology, although mirrorless cameras are rapidly catching up to them.

They tend to be the largest and heaviest of all the cameras, but they offer excellent image quality, long battery life, and the widest selection of lenses and accessories due to the fact they have been around the longest. As an example of the lens selection, check out my guide to the best lenses for travel photography , which will give you an idea of what is available.

The disadvantage of DSLRs are their bulk, weight, and cost of these cameras means that they are not the best option for most travelers. DSLRs are generally best suited for professionals or very keen amateur photographers.

Advantages of Compact Cameras

Here are the general advantages of a point-and-shoot camera:

• Specifically designed to take photos and be easy to use so that they can be used efficiently by almost anyone.
• Better image quality than the majority of smartphones and have optical zooms.
• Portable, lightweight, and small. Most models fit easily into pockets, purses, and backpacks, and don’t add much weight to luggage.
• Inexpensive compared to other types of cameras and there are many good value options out there.
• No expensive additional purchases needed to use the camera. Unlike mirrorless and DSLRS where you have to purchase a camera body and at least one lens, the only extras you need for a point-and-shoot camera is a memory card and perhaps some extra batteries.
• Due to their size, point-and-shoot cameras are much more discreet and unobtrusive than larger cameras.
• Perfect for capturing memories for those who plan to share photos with family and friends, post on social media, or print at a standard size
• Higher end compact cameras have a number of advanced features allowing you more control and can shoot at a quality similar to some mirrorless cameras.
• Great for situations where you are worried about damage to a more expensive camera such as during a hiking, climbing, skiing, boating, backpacking, or camping trip.

Disadvantages of Compact Cameras

Here are the disadvantages of a point-and-shoot camera:

• Requires you to carry a dedicated camera compared to just using the one on your phone.
• Most allow less manual control over photos than with most mirrorless or DSLR camera. This makes it more difficult to do more advanced types of photography like long exposure or time lapse photography.
• Small size means that they have smaller sensor sizes than most mirrorless and DSLR cameras, resulting in lower image quality, especially in lower light situations.
• Not ideal for those who want to sell their photos, use their photos for professional purposes, do wedding or portrait photography, or print them at larger sizes. Although at the high-end range (over $800) you can get professional quality results.

If after reading this you are leaning more towards a mirrorless or DSLR camera than a point-and-shoot one, I’d check out our mirrorless cameras for travel guide , guide to best DSLR cameras for travel , and this general  camera guide .

If your are looking to give a camera as a gift, you might want to also check out our guide to the best gifts for photographers for more ideas.

What to Look for when Buying a Point-and-Shoot Camera for Travel

When you are shopping for a compact camera (or any type of camera), you might find yourself quickly overwhelmed by technical jargon and features, and wonder which of them is actually important. Here are some of the key features you should keep an eye out for when looking at and comparing various camera models.

Optical zoom

An optical zoom is one of the main reasons to invest in a compact camera over a smartphone, so obviously this is an important feature to look out for! The number in the optical zoom signifies the difference in zoom between the most zoomed out setting and the most zoomed in setting.

So for example, a camera with a 10x optical zoom will be able to make an object seem ten times larger from one end of it’s zoom range to the other. We’d suggest a zoom of at least 8x would be a good number to aim for.

Note that optical zooms are not always directly comparable between cameras. Two cameras can have a “10x” optical zoom, but one might make your subjects seem bigger. This is because the “10x” just refers to the difference between the zoomed out and zoomed in positions of the lens, and if one lens has a wider angle at its most zoomed out setting, then the zoomed in result will be different to a lens with a narrower wide angle.

Image stabilization

Image stablization is a really important feature for any camera to offer, and compact cameras are no exception.

Generally when we take pictures, and especially with compact cameras, we are likely to be holding them in our hands. And I don’t know about you, but I find it’s generally impossible to hold anything entirely still for any length of time.

Unfortunately, the motion produced by our hand movements can quickly translate into blurry images that aren’t sharp. Thankfully, image stabilization resolves this problem by compensating for small movements from our hands, and letting us produce images that are still sharp. This is particularly important when shooting in lower light conditions, as the camera has to use a lower shutter speed to let more light in, meaning movement is picked up on the images even more apparently.

It’s also important to have image stabilization when shooting zoomed in as the zoom exacerbates the motion a great deal. So you really want to be sure that any camera with a longer optical zoom, say 8x or higher, has good image stabilization.

Aperture rating

When it comes to compact cameras, you will often see talk of a camera’s aperture rating. Usually this is denoted as a sequence of number, say 3.5 – 5.6, and may also be written at f/3.5 – f5.6.

The aperture of a camera refers to the size of the hole inside the lens through which light passes through. In most cameras, this aperture is variable and the camera can change the size of the aperture to let more or less light in, depending on the scene.

As a rule of thumb, the smaller the aperture number, the bigger the actual aperture, and the more light the camera will be able to let in. This will lead to improved image quality, especially in low light situations, and wider apertures are a desirable feature.

If you see the aperture is labeled as something like 3.5 – 5.6, this means that the maximum aperture varies depending on the zoom. So at its most zoomed out setting, a camera may have a maximum (widest) aperture of 3.5, and when zoomed in, the maximum aperture will reduce to 5.6.

Overall, the wider the maximum aperture, the better, as this will let more light in. A maximum aperture of f/3.5 or higher would be ideal, with more expensive cameras offering apertures as wide as f/1.8.

Sensor size

The sensor inside the camera is the modern day equivalent of a piece of film, and this is the part of the camera which records the light and saves it as image data.

The size of the image sensor is directly related to the quality of the image the camera will produce, with larger sensors producing better images. So generally the larger the sensor, the better quality the photos will be, especially in lower light situations.

For a long time, most compact cameras had similarly sized smaller sensors, but as of 2012, 1 inch sensor camera have become more popular. These offer improved image quality and better low-light performance, although the cameras tend to be a little bit heavier and more expensive as a result.

RAW / Manual controls

If you would like to have a bit more control over your photography process, you might want to invest in a camera that offers manual controls and/or RAW image support .

Manual controls just mean that you can adjust the settings of the camera, and specifically shutter speed, aperture and ISO yourself. So if you want to have more control over your settings, this may be a feature you want.

RAW is a file format and describes how the camera saves the image data, and RAW is essentially an uncompressed unaltered version of the more common JPG or JPEG file format. But unlike JPG or JPEG files which can be used, shared, or printed directly, RAW files cannot be used directly and need to be opened through a program and edited in a software program like Lightroom in order to create a usable image.

If you don’t see yourself doing either of these features, and just want a point and shoot camera that does everything for you and produces usable images, these are unlikely to be features you should worry about paying extra to get. However, if you think that in the future you may want more control over your photography, you might invest in a camera with these features but you can set the camera in Auto mode and use JPG or JPEG images until that time.

Video features / 4K support

Although compact cameras are mainly used to take photos, most compact camera these days also features video support. So if you are comparing cameras and there doesn’t seem to be much between them, take a look at the video support which might be a way to tell them apart.

As a rule of thumb, cheaper cameras shoot in lower resolutions. 720p is usually the lowest resolution available, followed by 1080p and finally, the most modern compact cameras offer high resolution 4K support.

Shooting video is quite demanding for a camera, so only a camera with fast image processing hardware can shoot at higher resolutions like 1080p and 4K. If you are thinking about doing video, then you might want to invest in a camera with 4K video support.

Many of the camera in this guide feature WiFi connectivity. WiFi connectivity isn’t critical but it is a handy feature that allows you to remotely control the camera and copy pictures from the camera to your smartphone or computer for easy sharing without having to use the camera cable or remove the memory card.

NFC (Near-Field Communications) is another technology that many cameras come with. This is a very short range wireless transmission technology that makes it easy to connect two devices together, such as when you want to pair your phone to your camera. This is definitely a “nice to have” but not a necessity, as you usually only need to pair your phone and your camera once, so I would definitely advise against worrying if a camera doesn’t have this one!

Battery life

Battery life is an often overlooked feature, but one that you will definitely start to care about when you find out that you camera dies after only taking 150 photos!

The battery life of compact cameras definitely varies a lot. It’s usually rated by number of shots the camera should be able to take in “average” conditions, although what exactly these conditions are is often a little vague. It’s always worth checking online reviews from real people to see if anyone reports noticeably lower battery life than that suggested by the manufacturer.

Generally you’ll want a camera that will go for around 300 shots or more per charge, although bear in mind that those big touch screens and additional features can drain batteries. Plus, you can always buy extra batteries quite easily, so don’t make this a deal breaker if it’s the only feature you’re not impressed by.

Size & Weight

Although most compact cameras are by nature fairly small and lightweight, there is a lot of variation in terms of size and weight of the cameras that are marketed as compact cameras. So it is important to still pay attention to the weight and dimension information, especially if size and/or weight is important to you.

Compact cameras often range between about 4 ounces (113 grams) and 14 ounces (396 grams) in weight, with the majority at 10 ounces or less. Cameras with larger sensors and more features are often heavier than more basic models.

In terms of size dimensions, most point-and-shoot cameras are 4 to 5 inches (102 mm to 127 mm) in width, 2 to 3 inches (50 mm to 76 mm) in height, and 1 to 2 inches (25 mm to 50 mm) in depth. 

One of the reasons most people choose compact cameras is because they are smaller and more lightweight. The tradeoff, of course, is they lack some features that are common on mirrorless and DSLR cameras. So we’d look for cameras at 12 ounces or less. If you are OK with heavier and bulkier cameras, you might instead consider a mirrorless camera as you can find consumer-level mirrorless cameras in that weight range.

We list the weight for the camera as per Camera & Imaging Products Association (CIPA) standards which includes the approximate weight of the camera body with the camera battery and memory card. 

The cameras on our list range between about 4 oz. (113 g) and 12 oz. (340 g). These camera can usually fit easily into large clothing pockets, small purses, backpack pockets, and fanny packs. They can also be comfortably worn with a camera strap around the neck or across the body.

Image burst shooting

Last on our list of features to look out for is burst rate, also known as continuous shooting or continuous frame rate. This refers to how many pictures the camera can take if you put it into burst mode, often used for capturing the moment when shooting action scenes.

Like video, continuous shooting requires high end camera hardware, and if a camera has a high burst rate, you can be fairly confident that the hardware inside is top notch. Of course, it’s not important for everyone and not a feature most people looking for a compact camera care too much about, but it can certainly be nice to have a better burst rate.

As an example of the difference, the Canon Elph 180 has a burst rate of 0.8 photos per second, which isn’t exactly great. The Sony RX100 VII on the other hand, can take 24 photos every second. Quite a difference!

The Best Compact Cameras for Travel Photography 

Now we’re going to go through what we think are the ten best compact cameras for travel photography across a variety of price points. These are ordered by price, from least expensive to most expensive. For each pick, we’re going to share a little bit of detail of each model. This compact camera comparison will hopefully help you choose the perfect camera for you.

We have chosen point-and-shoot cameras that we think would be ideal for every budget. Note that our suggested starting price point is $100 USD and while there are some cheaper compact cameras out there, we think at that price point you would likely be better off sticking with your smartphone rather than investing in something that may not perform well.

Here is our list of the best point-and-shoot cameras for travel photography.

Note that many brands are no longer actively developing compact cameras and stock levels have started to become low for some models. Unfortunately, with the switch to smartphones, we don’t forsee this situation improving significantly any time soon.

1. Canon PowerShot ELPH 180

If price is your key consideration, then this Canon Powershot Elph is a great option. Both Jess and I’s first compact digital camera were from the Canon ELPH range. We were always impressed by the image quality and features given the price point.

With image stabilization, an 8x optical zoom, a variety of creative shooting modes, and positive reviews, this is a great entry level compact camera for those on a tighter budget. Very lightweight at only 4.44 ounces and will even fit into your pocket.

Note there’s a very similar model, the Elph 190 . This has a slightly wider zoom range, and includes WiFi connectivity. It’s also marginally heavier and slightly more expensive.

Weight : ~ 4.44 ounces / 126 grams Check price on Amazon here , B&H here , and Adorama here

2. Sony DSC-W830

Sony have an excellent reputation for building excellent cameras, and even at the lower end of the price spectrum this little compact camera offers a number of great features.

Weight: ~ 4.23 oz / 120 g Check price on Amazon here , B&H here , and Adorama here

3. Canon PowerShot ELPH 360

The Canon PowerShot ELPH 360 is another excellent compact camera from Canon at a budget price point. With a 12x optical zoom and image stabilization, this model also offers a number of extra features over the lower end models, including Wi-Fi connectivity and NFC.

If you’re into video, this PowerShot also lets you shoot at 1080p high definition, which is a step up from the 720p of the Sony. The extra optical zoom is also nice. Lightweight at around 5 oz. Offers great value at this price point.

Weight: ~ 5.19 oz / 147 g Check price on Amazon here , B&H here , and Adorama here

4. Sony Cybershot WX220

Our next compact camera recommendation is another Sony, this one offering a few more features at a slightly higher price point. The main focus on this camera is its small physical size – somehow this diminutive compact camera manages to fit a 10x optical zoom with image stabilization, Wi-Fi, and NFC into a package weighing just over 4 oz!

Definitely an excellent option if size is a primary concern. The image quality also receives positive feedback from reviewers.

Weight: ~ 4.27 oz / 121 g Check price on Amazon here

5. Panasonic Lumix ZS70 / TZ90

Stepping up the price a little bit, this is the first entry on our list from Panasonic, who have a solid reputation for making excellent compact cameras. This ZS70 is no exception, and your extra money largely goes towards the lens as this camera offers an impressive 30x optical zoom lens. This makes it perfect for capturing the action even when it’s far away.

You also get a number of other features, including good low light performance, the option to shoot in RAW for more control over your images, and an advanced optical stabilization system.

This is also the first compact camera in our list to feature an electronic viewfinder, which can make taking photos in brighter conditions easier.

It does come in at a little over 11 oz when you add the battery and memory card, but considering the size of the zoom, this might be a worthwhile compromise. This is our pick for the best compact camera at this price point.

Note that the Panasonic Lumix ZS70 is the same as the Panasonic Lumix TZ90 which is the camera model name in some markets such as the UK.

Weight : ~ 11.3 oz / 322 g Check price on Amazon here , B&H here , and Adorama here

6. Sony RX100

The Sony RX100 line of compact cameras marked a shift in compact camera thinking when first released in 2012, as it was one of the first compact cameras to feature a “1-inch” sensor. This larger sensor meant better quality images and better performance in low light situations, and the camera was named best invention of the year in 2012 by Time Magazine .

Since its release, seven models of the RX100 have been released, but if you look around you can still pick up the original, and to be honest, it’s an absolute bargain for what you get. With full manual controls, a 3.6x optical zoom, and a weight of 8.5 oz, this is a great compact travel camera for the price.

Weight : ~ 8.47 oz / 240 g Check price on Amazon here

7. Canon PowerShot G9 X Mark II

As with the Sony RX100, the well regarded PowerShot G9 Mark X II compact camera from Canon features a 1-inch sensor, offering good low-light performance and superb image quality.

The G9 X Mark II only features a 3x optical zoom. However, it has a wealth of manual controls, RAW support and a touch screen, as well as fast burst shooting and Wi-Fi support. All this fits in a package that weighs just over 7 ounces. If image quality means more to you than optical zoom, this is a good deal. This would be our pick for the best compact camera in this price range.

Weight : ~ 7.26 oz / 206 g Check price on Amazon here , B&H here , and Adorama here

8. Canon PowerShot SX740 HS

If optical zoom is more important to you than a large image sensor, then the Canon PowerShot SX740 should definitely be on your compact travel camera shortlist.

This model offers a remarkable 40x optical zoom, image stabilization, 4K video support, the ability to shoot at a fast 10 frames per second as well as a tilting LCD screen. It also offers manual controls, but no RAW support. That optical zoom does increase the weight a bit though, to just over 10 ounces.

Weight : ~ 10.55 oz / 299 g Check price on Amazon here , B&H here , and Adorama here

9. Panasonic Lumix ZS200 / TZ200

The last few cameras in our compact travel camera round up are somewhat more expensive, but you certainly get what you pay for, with near professional level features and image quality in remarkably small formats.

If you have the budget, this would definitely be our pick for the best point and shoot camera under $1,000.

Note that the Panasonic Lumix ZS200 is the same camera as the Panasonic Lumix TZ200. It just marked under different names in different markets.

Weight : ~ 11.9 oz / 340 g Check price on Amazon here , B&H here , and Adorama here

10. Canon G5X Mark II

New in 2019 from Canon is the Canon G5X Mark II, one of Canon’s premium compact camera options.

The G5X Mark II features a 20.2MP 1 inch sensor, a 5x optical zoom optically stabilised lens with a wide f/1.8 – f/2.8 aperture, meaning this will perform relatively well in low light situations.

There’s a tilting touchscreen as well as a popup electronic viewfinder. The camera can shoot in RAW continuously at 20fps as well as 30fps in burst mode, and there are full manual controls as well.

There’s 4K video support, a built-in flash, as well as both bluetooth and wifi connectivity. It comes in at 12 oz, and has a rated battery life of 230 shots. You can charge the camera in battery via USB, and it also comes with an external battery charger so you have the option of both.

11. Sony RX100 VII

At the top of Sony’s RX100 range is the RX100 VII. Released in August 2019, this offers a 1-inch sensor alongside an 8x stabilized optical zoom, world-leading autofocus performance, 24fps burst shooting, 4K video recording. and WiFi video connectivity. It also has RAW support and full manual controls.

Naturally, image quality is superb, and the camera manages to fit all this into a package that weighs just over 10 oz. It can’t quite match the optical zoom of the Panasonic Lumix TZ200, but it certainly has an impressive pedigree.

We currently have a prior version of this camera, the Sony Cyber-Shot RX100 V , and can recommend this model if you are looking for something less expensive. It’s a great compact camera.

Weight : ~ 10.7 oz / 302 g Check price on Amazon here , B&H here , and Adorama here

**You can also see all the compact cameras we recommend above in a single page on Amazon here  with current prices for an easy and handy reference.**

Tips for Taking the Best Photos with a Compact Camera

Now that you’ve hopefully decided on the best point-and-shoot camera for you, we wanted to share a few tips for getting the most out of your new compact camera. We also have a guide to using a compact camera here , which you might find helpful.

Learn how to use your camera properly

I always think that you will get more out of your equipment if you understand the various features, modes, and buttons that it offers. Whilst the idea behind a point and shoot is to make your photography life easier, every camera has a variety of features that can help you take better photos. We’d suggest having a look through your camera’s owner’s manual, or looking online for information about your particular camera model.

It is also important that you understand how to enable and disable features on your camera if required. For example, when traveling there are often restrictions on the use of flash photography, especially in museums which house valuable art and objects that can be damaged by light. Flash is often set as automatic on compact cameras so being able to disable and enable features like this can be really important.

Finally, learning the limitation of your camera can be the difference between frustration and understanding. For example, point-and-shoot cameras are not usually great in low-light situations, so if you are trying to take photos in a dark room or at night, you are probably not going to get the most ideal photo. However, you can compensate for limitations such as this one by using a tripod or finding a low light mode that helps.

Learn how to compose a great photo

Many people think that the better a camera, the better the photo will be. This is untrue. Someone who knows how to compose a great photo can usually get good results, regardless of their photography gear.

Photography composition is the art of understanding what makes a good photo, and how to place your subjects, using ideas such as the rule of thirds, color, and leading lines. Check out our full guide to photography composition for more ideas.

Learn some basic editing techniques

In the case of point-and-shoot cameras, especially if you are shooting in JPG, for the most part, images will look good straight out of the camera. However, you might want to learn some basic photo editing techniques so you can do things like crop images, straighten photos, fix red eyes, adjust the lighting, and so on.

For editing on smartphones or tablets, we highly recommend Snapseed ( Android app version /  iOS version ), which is an excellent free photo editing tool app. On computers, your camera may come with free editing software or you can a free online editor like Canva or one like PicMonkey (small monthly fee).

Or for more serious editing, we recommend investing in something like Adobe PhotoShop or Lightroom . You can see our list of paid and free photo editors to decide what might be best for you.

Take advantage of the light

Photography is the art of capturing the light, but did you know that not all light is the same when it comes to photography? For example, the light at the start and the end of the day, around sunset and sunrise, is generally softer and warmer, and results in more pleasing images. In contrast to this, the light in the middle of the day is usually a bit harsher and less flattering.

As well as time of day, direction, and availability of light is important. Generally, the more light that is illuminating a subject the better. If the sun is covered by clouds and you can wait until the clouds move, you will generally get a better photo with more color and pop. Although the sun is a photographer’s friend, you will generally want to avoid shooting directly into the sun as this will result in very high contrast photos.

Consider getting some camera accessories

Although you won’t need as many accessories as larger cameras, there are still a few extras you’ll likely want to consider: 

• Extra batteries and memory cards. To ensure you can use your camera all day while out traveling, you’ll want to keep spare memory cards and batteries (and maybe your charger) handy. For the best performance of your memory card (and to keep from having to replace it a lot), we recommend getting a larger and faster one, we use these ones . Also remember that in cold weather, batteries will drain faster and you can check out these cold weather photography tips .
• Camera case to store the camera and protect it when not in use, particularly recommended for those using it as a travel camera. We recommend a protective case like this one (we use the large version of this one for our Sony RX100 V) or this one that will easily fit where you need it (e.g., purse) and store your camera plus your most used accessories (e.g., spare batteries, cable, and memory cards). Some cases come with shoulder or neck strap and a way to affix to a belt or belt buckle.
• You probably won’t need a camera strap with a lightweight compact camera. However, if you choose a heavier model or prefer to have your camera around your neck when traveling, a camera strap might be a good investment. Many of the colorful iMo straps are great for more lightweight cameras.
• If you want to enhance your photography, you might want to consider a tripod. A tripod can help you shoot in low light conditions, capture  better photos of yourself , and take better couple photos when traveling. Although a bulky tripod is not ideal for traveling, you can get a foldable mini-tripod like this one  that can fit into a purse or backpack. We have a travel tripod guide  to help you explore your options.

Think about taking a photography course

Finally, photography is very much a skill that benefits from practice and training, and one of the best way to improve is to take a photography class or workshop. Laurence teaches a popular  online travel photography course which allow you to learn at your own pace while getting personalized feedback. The course will teach you everything you need to know about taking better travel photos, and it even has a whole lesson dedicated to how to get better photos with a compact camera.

Whether you decide to take a course or not, one of the best ways to improve your photography is to practice, practice, practice. Don’t just dust off your compact camera when its time to take a vacation or capture a special event. Take your camera with you to family outings, hikes, cafes, museums, sporting events, and even while out walking the dog.

Take the time to look through your photos with a critical eye, and you’ll naturally see improvement with more practice. Practice, experiment, and have fun!

And that’s it for our advice on choosing the best compact camera for travel! Hope this helps give you if you are looking for a compact camera or trying to take better photos with your point-and-shoot c amera.

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Do you have any of your own tips or advice choosing or use a point-and-shoot camera? Have a questions about compact cameras or travel photography? If so, just let us know in the comments below!

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Anne Post author

November 16, 2022 at 7:09 am

Hi! I am planning a trip to the UK in September, and I have heard it can be quite a wet climate at that time. I will be traveling through Scotland and Ireland and I am looking for a camera that takes landscape pictures and video as well as good pictures of the numerous attractions I will be touring. Ease of use and battery life are of a higher priority. What camera would you recommend for me?

Jessica & Laurence Norah Post author

November 16, 2022 at 8:28 am

Yes, it can be quite wet here in the UK and Ireland so it is good to consider that when packing both your clothing as well as your gear. So for a camera, most compact cameras have little or no real weatherproofing (generally the best weather proofing and sealing is on the larger and more expensive camera models). So they are not designed for being used in the rain and can get water trapped inside if they get rained on or submerged in water. But you can easily prepare for this by simply having a waterproof camera case, bag, or even a sealable dry bag or Ziploc bag with you so you can always put it in there to protect it. Many camera bags and cases come with an included raincover if they are not waterproof.

So if it is raining hard or blowing rain and have a camera without any weathersealing, we’d probably recommend putting away and protecting your camera. But if it is just drizzling/sprinkling you can often still shoot if under an unbrella, camera rain cape, awning, etc. But to be honest, if it is pouring down rain, you are unlikely to get any good shots anyway 😉

So in terms of cameras, it really depends on your budget. But if you want a general recommendation of a mid-range compact camera, we’d suggest considering perhaps this Panasonic Lumix compact camera , which offers 380 shot battery life, has a great zoom, 20.3 megapixel sensor, and is pretty easy to use. Gets good reviews. But if you would like more suggestions, just let us know your budget.

Hope that helps, and just let us know if you have any further questions as you choose a camera and plan your trip to Scotland & Ireland!

Best, Jessica

Friadon Kader Post author

July 26, 2022 at 10:26 am

Hi I fully injoid your article, many useful subjects. I haven’t read the comments. I have a comment about choosing a compact/point-and-shoot camera which is”GPS” built. I did not see any referring to GPS in your article, it is very crucial to geotag any photo or video. I am looking for a compact/point and shoot camera with a focus on some criteria as: must be compact, GPS build-in, an optical zoom greater than 10, touch screen “3´”, wifi, good aperture and finally a price up to 800 $. Best Friadon

July 28, 2022 at 3:12 am

Hi Friadon,

So as you have observed, very few compact cameras these days come with GPS built in, and so it wasn’t a criteria we included as you will have a hard time finding a newer cameras with this feature. It was a popular feature a few years ago, but most manufacturers no longer include it as most users didn’t use it and so to save cost they leave it out. This is the same for larger cameras as well. We also like to geotag our images, so appreciate this is a bit frustrating.

The main issue with built-in GPS is that it uses a lot of battery so was mainly a feature on DSLRs as they typically don’t use as much battery as mirrorless and compact cameras. For example, the DSLR camera bodies we own have built-in GPS but neither our mirrorless or compact cameras offer this feature.

The good news is that many camera manufacturers still allow you to geotag your photos by pairing the camera with a smartphone, and then the app adds geotagging information from the phone as you go. This is an extra step you have to remember to do, but it does work, and is what we currently do with our mirrorless camera which does not have built-in WiFi. So you will just need to check to see if the manufacturer and camera you choose supports this and has an app that can do the geotagging.

Some example, cameras that include this functionality are various Sony compact cameras including the Sony RX-100 VII, RX100 VI, DSC-WX800, DSC-WX700, DSC-HX99, DSC-HX95. It’s also supported on the Panasonic ZS200. Other brands like Canon should also support it but you would need to check.

Based on your requirements, I would say the Panasonic ZS200 might be the best option, it has a 1 inch sensor, 15x optical zoom, relatively wide aperture and a touch screen. It’s also under budget. The other option would be the RX100 VI , which has similar features but it is more expensive. Performance on both is quite similar in most situations.

Hope this helps! Laurence

July 28, 2022 at 9:43 am

Hi Jessica & Laurence Norah Thanks a lot to you wherever you are on this planet. Your information is clear and useful. I came to a lot closer to decide my next camera. Especially these criteria as an app helps to geotag, compact form, 3´ inch touch, excellent optical zoom, wide aperture, 4k and at last under my budget is exactly what I am looking for. Sony cameras are excellent but usually overpriced everywhere even in my country Denmark. But the “Panasonic ZS200” might be the proper choice for me at this time. last week I spent a lot of time finding a camera close to all my preferences, but now I have this option Panasonic ZS200 from you. Usually, I am using my smartphone while I am travelling I enjoy plotting my photos on a google map “Coordinates and names” thanks to the GPS in the smartphone. But as we know smartphones are proper for taking photos to close, up to 7-10 meters away.  Greeting Friadon

Laurence Post author

July 29, 2022 at 6:29 am

Glad to hear it was helpful! We hope you enjoy your new camera 🙂

Laurence & Jess

Friadon Post author

July 29, 2022 at 7:45 am

Hi Laurence & Jess

Thanks for your time and assistance, good luck.

Best Friadon

Zeb Grassi Post author

July 12, 2022 at 5:34 am

great post, a bit overwhelmed though as don’t know much about cameras. Just want a pocket camera that has decent zoom and fairly easy to use so can get good photos when traveling on an upcoming trip. Budget for camera up to around $500 or less. Live in USA. thanks for your kind assistance.

July 12, 2022 at 5:44 am

I would recommend taking a look at the Panasonic ZS70 . Based on what you are wanting, it sounds like it would be a good option, it is compact, has good image quality, good zoom, and comes in under your budget.

Hope that helps. If you have any further questions, just let us know!

Pam Post author

July 7, 2022 at 12:24 pm

Not sure what the update was, since nearly every camera is out of stock. Shame, because I thought the assessment was terrific and would have like to see more of your work. However, based on the comment dates this information is 4 years old, and there’s been plenty of changes since then.

July 8, 2022 at 5:16 am

This post was updated earlier this year. These are our latest recommendations for compact cameras. All the links worked fine when we checked today.

Unfortunately, the compact camera segment has become a little stagnant over the past years as consumers switch to smartphones or more powerful options. We checked all the cameras on our list and they are all showing as in stock on Amazon. B&H has less stock, but they don’t tend to focus on compact cameras, and there have been worldwide supply chain issues which are likely also contributing to that. But it will depend on where you live but if you live in US, Canada, Japan, or most of Europe, you should be able to get most of these camera models online. It can be a bit harder in other markets as it is with all types of cameras.

Some of the cameras we list have been discontinued by the manufacturer, but we keep them on the list while there is stock available and either a) they haven’t released an upgraded version or b) the upgraded version doesn’t offer significant improvements (such as the Panasonic ZS70 to ZS80) that make it worth paying more for.

We do keep this post up to date, as we strive to with all our content, however the reality is that there hasn’t been a lot new to recommend when it comes to compact cameras over the last couple of years, and as such our current recommendations still stand.

Which compact cameras are you interested in and where do you live? We are happy to try to see if we can help point in the right direction where you can purchase the camera of interest or suggest an alternative if it is not available in your particular region of the world.

Best, Jessica & Laurence

Anna Post author

August 14, 2021 at 6:30 am

Great article!

I have the Sony DSC-W830 and we love it. It’s very compact and cheap too! We bring it anywhere and let the kids use it. Will definitely consider the other cameras on this list, though.

Stay safe and cool!

August 14, 2021 at 10:31 am

Thanks for taking the time to let us know that you enjoyed our compact cameras for travel article!

Glad you like your Sony DSC-W830 . Sony makes nice compact cameras and that is definitely one of the better priced on our list. It was released in 2014, so there are definitely better models out there when you need to upgrade or replace it, but that camera sounds like it is great for your current needs!

If you have any questions about point-and-shoot cameras just let us know!

william henry Post author

February 3, 2021 at 11:51 am

I love travelling and want to buy this compact camera. Thanks for share!

February 8, 2021 at 6:24 am

Hi William,

Glad our compact camera guide was helpful in choosing a camera – if you have any questions about a specific camera, just let us know!

Steve martin Post author

November 9, 2020 at 3:13 am

Thanks for such an amazing blog, great information about compact cameras.

November 9, 2020 at 5:57 am

Thanks so much for taking the time to comment and let us know it was helpful. If you are looking for a new compact camera and have any questions, feel free to ask!

John Post author

June 1, 2020 at 10:57 pm

Hi Cats, I am looking for a camera at the moment and I’m finding it very difficult to choose the right one. I love your photos and I’m very interested in what you use to take them. I have a few questions I hope you can answer. 1) What camera models do you use for this website and in what situations do you use each of the cameras? I would love to be able to associate a camera to a picture if possible. 2) If you could only use one camera from a number of cameras you own which one would it be and why? 3) Which camera do you use the most? 4) Which camera do you love the most and if you don’t use it the most why is that? 5) If you’re looking at upgrading to another model of camera(s) at the moment which model(s) are they? 6) I have looked at your photos in more detail and have noticed that you have managed to reduce photo file sizes to a very small size (like 65KB and under) and still have the pictures looking great. What software do you use to reduce the file size? I only seem to be able to reduce down to 80-100KB at the most before a noticeable drop in quality. Can you tell me the settings you typically use in your software package to reduce the file size down to these very small file sizes. 7) At the moment I am torn between a camera with a larger sensor (1 inch) or a better zoom (30x or 40x). If you had to choose a camera based on having one of these advantages alone and giving up the other, which would you prefer to have? By the way this website is awesome. I look forward to exploring more of it. All the best, John

June 2, 2020 at 8:14 am

We have used a variety of cameras to take photos on Independent Travel Cats and Finding the Universe as photos span over a 10 year timeline! So these are no easy answer to that question as it depends on the specific photo as we have used over 10 different cameras. You can check here, for a list of all the travel photography and camera gear we are currently using.

But in general, the camera we use most during our travels is a Canon EOS 6D, this is a DSLR camera so I would guess most photos were taken with that camera across our two travel blogs. But for example, in this post, all the photos (those that are not photos of compact cameras) were taken with a compact camera since it is a post about compact cameras.

But our go-to camera is the Canon EOS 6D as we both have one of these which makes it easy to share lenses. It has a full frame sensor and takes great photos and is a camera we both enjoy using. However, for most people wanting an all-around travel camera, we’d generally recommend a smaller camera such as a mirrorless camera since they are generally more travel friendly.

There is no one best camera for travel, but you should choose one that best fits your needs, how you plan to use, where you plan to use, and your budget. The more important thing is learning how to use your camera to the best of its ability.

The last camera we bought was a Sony RX100 V compact camera. I am not sure what our next camera might be, but perhaps a Canon mirrorless camera. This year’s EOS R5 and R6 releases look very exciting and we hope to get a chance to check them out at this year’s Photography Show.

Image sizing can be a complicated topic, and comes down to both compression and file size. We do almost our editing and exporting through Adobe Lightroom and then further compression through WordPress plugins. Laurence has written about some of this in his guide to image compression here .

Whether you prioritize a large sensor or long zoom really depends on the type of photography you want to do. A larger sensor is better in lower light situations, whereas a longer zoom is better for wildlife and shooting things in the distance. So there’s no one size fits all, it just depends on the type of photos you want to take

It sounds like you have a lot of questions around photography, and we’d definitely recommend checking out Laurence’s Online Photography Course where he covers the basics of photography, how to choose a camera and camera gear, mobile photography, photo editing, advanced techniques, and much more. You also have access to unlimited help from Laurence and a group of like-minded individuals interested in photography.

Hope that helps!

June 3, 2020 at 3:00 am

Hi Jessica, thanks for the great response. I have signed up for your Online Photography Course which looks fantastic so consider me one of the family now. All the best, John

June 3, 2020 at 6:41 am

Awesome to hear, and glad to have you aboard 😉 I think you’ll find the course, the assignments, the private Facebook group, and everything really helpful!

Eli Post author

May 10, 2020 at 10:10 am

HI and thank you for this informative article. We are looking for a camera and would like your advice: this are the features that are important to us: 1. large zoom 2. large sensor 3. under 500$ 4. easy to handle in auto mode

These are the cameras we were looking at, would like to know your advice which would give us the best results: Sony RX100 I, PANASONIC LUMIX ZS100, Canon PowerShot SX530 (small sensor), Canon PowerShot G9 (small zoom), Canon PowerShot SX740 (small sensor) Please advise either between those 5 or if you have a different camera in mind Thank you so much!

May 10, 2020 at 11:01 am

We are happy to help! Based on what you want in a compact camera and price point, I would say the only really contender out of those is the Panasonic Lumix ZS100 .

The RX100 I has a small zoom (up until the RX100 VI model the zoom is only 3x). You have already done a great job of highlighting the shortcomings of some of the cameras you have picked, and I believe the ZS100 is really the only camera that really meets all your criteria from your list.

So I think the Panasonic Lumix ZS100 is an excellent choice available at a great price, and I think you’ll be happy with it. Feel free to follow-up and let us know what you decide and how you like it.

Best, Laurence

May 10, 2020 at 1:14 pm

Thank you! I will

May 10, 2020 at 9:27 pm

Hi again, Just before I buy – how about the PANASONIC LUMIX FZ1000 it has larger zoom and same sensor, a bit more expensive but still in the budget. What do you think? Thank you again so much

May 14, 2020 at 5:34 am

The Panasonic Lumix FZ1000 is a much larger camera, more similar in size to a small DSLR rather than a compact camera. It is a bridge camera so it does not have interchangeable lenses, so in that way it is similar to a compact camera.

But if you are OK with the size and weight of the PANASONIC LUMIX FZ1000, you do get a much longer optical zoon and it will have slightly better image quality and capabilities in low light. But since this is not a compact camera, the two are not directly comparable.

So I think if you are considering those two, you’ll have to decide between the increased features versus the size/weight.

Hope that helps! Jessica

Dave Post author

April 7, 2020 at 11:26 am

Awesome article; the only thing that needs (IMO) rectifying is entering camera weight in grams as weird ounces just don’t cut it. I’m leaning towards Panasonic zs100 but still deciding. Hmm.

April 7, 2020 at 12:08 pm

We will add more of the measurements in grams in a future revision for those who are not familiar with ounces 😉 But it is easy to convert as 1 ounce equals about 28 grams.

The Panasonic ZS100 is a good camera with a nice optical zoom and a decent price. Just let us know if you have any questions as you try to decide on a compact camera!

Lyn Post author

March 21, 2020 at 4:29 pm

Great information! I am struggling to decide what type of compact camera to buy .( even after your wonderful post ) I want a zoom but also good image quality. Would probably only print to 8 x 10 ( possible 11 x17 max ) . If you had to choose which would you recommend , Panasonic Lumix SZ70 or PowerShot SX740. Which has better image quality. Also does Lumix ZS 200 have noticeably better image at 8 x 10 ( 11×17) to warrant twice the price .,

Thanks so much , Lyn

March 22, 2020 at 5:54 am

Between the Panasonic Lumix SZ70 and the Canon Powershot SX740, we would recommend the Lumix SZ70 . It has more manual controls, RAW support, a touch screen, and a viewfinder. While it doesn’t have quite as much optical zoom as the Canon, image quality on the Canon tends to drop off at those longer zooms anyway.

For printing, the Lumix ZS70 (and most cameras on the market) would be fine at that size. Choosing the Lumix ZS200 might make sense if you plan on doing more indoor or low light photography when the larger sensor will make a more noticeable difference to your images – they should be less grainy. However, for more general outdoor photography where there is plenty of light I don’t think you would notice much difference that would justify the much higher price tag, it is certainly not twice as good!

Hope that helps! Jessica & Laurence

March 22, 2020 at 8:05 am

Thank you, that helps a lot !

Rob Post author

March 3, 2020 at 12:21 pm

Ease of use is really important if you not a “serious” photographer. Which of your recommendations are the easiest to use out of the box. My spouse would like something compact and better than her iPhone camera. She sees me struggling to remember how to use my Sony RX100 VI with all its manual options. We would like something that is compact, has a good sensor, has a good optical capabilities, and just a few important manual controls.

March 3, 2020 at 1:53 pm

In terms of those that are most simple to use, most compact cameras are designed to be able to used out of the box and in “Auto” only mode. So most of the cameras will get the settings correct or close to correct when taking a shot most of the time.

If you want a larger sensor, I’d look at the last 3 cameras on the list (by Canon, Panasonic, and Sony). We have the Sony RX100 camera and we find it usually does well just in Auto Mode (or in a setting such as Aperture Priority mode) and has a 1 inch sensor. So someone could probably use the camera that way most of time and still get good photos. But if you want something with less buttons/controls, then you’ll want to look at the less expensive options but then they will have reduced sized sensors. So the compact cameras with larger sensors usually have more manual controls and are geared to more professional users, so you’ll likely have to balance those two wants.

I’d let her have a go with just using your Sony first since you already have it and just set it in Auto and see what she thinks. Also knowing her likes and dislikes on handling that camera may help give you some tips for finding a better one that would suit her.

Another idea if mirrorless cameras are also in consideration is the Fujifilm AX-5 as it is one of the most compact mirrorless cameras. It is also supposed to work really great in Auto and is marketed as a good camera for those looking for a step up from a smartphone.

Hope that helps, and happy to help further if you have more questions.

Jenny Post author

February 29, 2020 at 1:43 pm

Hello, Which Point and Shoot Camera would you recommend that shows a date printed right on the photo ? We like to see a date on the pictures. Thanks

March 1, 2020 at 5:10 am

Several compact cameras do offer the option to add the date stamp on the photos, but many do not. We know that most (perhaps all) of the Canon Powershot ELPH cameras offer this option, including the Canon ELPH 180 . Same with the Sony RX100 range of compact cameras. For instance, I just double-checked and this is a setting available in our Sony RX100 V . So I would just check the specific model before making a purchase if this is a feature you really want.

If there is a specific camera you are considering or a specific budget range, happy to try to check for you.

However, we would generally recommend against adding the print stamps into your print settings in your camera as it will be permanently added to your image, and you’ll never have the option to remove it or change it. So just be sure you will want it on the photos before turning the feature on. You can, of course, change it and turn it on for some photos and off for others. Also be sure that the date and time are correctly set in your camera first (and when traveling you may need to manually change this) before using the feature.

A more flexible option would be to do this with photo editing software or a plugin. For example, free software like FastStone lets you batch add this to your images, which you can save as a copy.

March 1, 2020 at 8:01 am

Thanks Jessica. Your reply was very helpful. We do want the date stamp. We are looking at 3 different camera’s. Out of these 3 Camera’s wish would you recommend as the best one for us to purchase:

Canon Power Short G7 Mark II Nikon Coolpix A1000 Samsung WB350F

We are trying to stay away from Sony. We weren’t happy with the last Sony we purchased. We like Panasonic too. Thank you so much.

March 1, 2020 at 9:15 am

You’re very welcome 😉

So of the three you mentioned, I believe that they all include the option to add the date stamp imprint except for the Canon G7 X Mark II. However, the newer version of this camera, the Canon G7 X Mark III does have this as a feature. So that would be an option if you want to go with a Canon camera.

In terms of the best performing cameras of the three, we would probably recommend either the Canon Powershot G7 X Mark III or the Nikon Coolpix A1000. The Samsung camera is quite a bit older, so the technology is a little bit dated and Samsung has stopped producing cameras.

The Canon has the advantage of a larger sensor, meaning higher quality images and better performance in low light. However, it only has a 3x zoom, which is not a lot. The Nikon Coolpix has the smaller sensor, but the longer zoom (35x), which is quite a big difference. If you often take photos of far away subjects, the Coolpix A1000 would be a better choice of these two.

So if the larger sensor and image quality is more important, we’d probably say the Canon. If the zoom is being able to take pictures of subjects that are further away, then we’d probably say to go for the Nikon. The Nikon Coolpix is also a lot less expensive if price is a concern.

Pat Scussel Post author

February 3, 2020 at 6:17 am

A very interesting and on-target article. Traveling with a pocketable camera really enhances the quality of a trip. I have used a Canon G7X Mark ii for years and have stunning travel photos framed on my walls. The G7X is truly an advanced feature-rich camera well beyond less expensive P&S cameras. It’s f 1.2-2.8 up to 100 mm lens, minor in-camera raw processing, hand held night shooting, and so much more – and its size make it a terrific travel camera. It can still be purchased for a very reasonable price.

February 3, 2020 at 7:23 am

Thanks so much for taking the time to comment and share you experience with the Canon G7X Mark II . So glad that it has been a great compact camera for you and yes, there is something to be said for cameras that are lightweight and easy to fit into a pocket or bag. They certainly are more likley to come on daily outings and travels than a larger camera.

We definitely think the Canon Powershot G Range makes some great compact cameras that pack a lot of features in for a reasonable price point. It is also great that there are a lot of past and recent versions available at different price points.

Kat Post author

October 22, 2019 at 6:51 am

Hi, I am looking for a camera with decent quality picture and decent zoom with in budget. I found the Panasonic Lumix DCZS80 and Canon G7 X Mark II within my budget. Could you please give an advice that which one I should go with.

October 24, 2019 at 9:17 am

The Canon Powershot G7X Mark 2 has a larger sensor and will generally get better photos in a range of situations, including low light, compared to the ZS80.

However, the ZS80 has a much longer zoom and also supports 4k video recording.

If you are primarily going to be using the camera in outdoor and well-lit situations, the ZS80 would be fine and the zoom will likely come in handy. However, for portraits, indoor shooting, and times when there is generally less light available, the Canon will get better images, with the trade off that there is less zoom.

So I’d probably base your decision on whether the sensor size or zoom is most important to you. Hope that helps, and let us know if you have further questions!

Lisa Nussbaum Post author

October 19, 2019 at 11:22 am

Thank you so much for this guide! I am traveling to Costa Rica where I will be taking pictures in the rain forest as well as river rafting and zip lining. I am looking for a small light-weight durable digital camera with wifi capabilities and a viewfinder – I got used to it on me DSLR and find it much more difficult to look at the LCD panel. My budget is under $1000. The most important aspect to me is picture quality. Do you have any thoughts?L

October 19, 2019 at 2:31 pm

Your Costa Rica trip sounds exciting! For river rafting specifically, we’d recommend taking a waterproof camera like an action camera or a camera with waterproof casing to avoid potential damage from the water. Some cameras are weather sealed, so can handle a bit of rain, but not the sort of immersion you could get from river rafting. An action camera would also be a choice for ziplining as they are designed for that sort of activity and can be attached to your head, chest, wrist, etc.

Having said that, if it’s a compact camera you are after then the best option at your price point would probably be the Sony RX100 range. These have larger sensors than most compact cameras and offer great image quality for the size. You can even get an underwater housing for it if you wanted to make it fully waterproof, although these are a bit pricey.

The RX100 has a viewfinder and wifi capabilities, although the viewfinder is electronic. You won’t find an optical viewfinder on anything other than a DSLR.

Hope this helps – let us know if we can help any further!

Laurence & Jessica

J. Johnson Post author

September 27, 2019 at 9:59 am

This was a very well written and informative article. Thank you for sharing your knowledge.

I am having a hard time finding a point-and-shoot camera that fits all of my requirements. I would really appreciate advise.

I want the camera mostly for candid shots of my children. I’d like it for pictures of them playing inside, at home, and outside on playgrounds, for birthday parties, Christmas morning, Easter egg hunts, etc. I also plan it to use at zoos, water parks, hiking, etc.

Unlike the majority of people, I really, really dislike bokeh and would prefer for as much of the picture to be in focus as possible. (This is the most difficult requirement for me because I don’t really understand what specs I should look for to get pictures that lack bokeh.)

I would like an optical and an electronic viewfinder.

I would like it to have image stabilization.

It is very important me that it delivers amazing picture resolution and that it can take pictures quickly.

The ability would to take RAW pictures would be an added bonus.

I’d like a big zoom, but I also need it to take good pictures in low light because my house is often dark due to small windows and poor lighting. I realize that there will be a trade off with zoom and low light capabilities.

I know that to give me everything I’d like to have, the camera will likely not be cheap, and that I may have to concede on some requirements. Do you have any suggestions?

Thank you for your time!

September 27, 2019 at 11:01 am

Thanks very much. So you certainly know what you want, which always makes things easier.

In terms of bokeh, this happens when you shoot at wider apertures, usually between f/1.8 and f/4. These wider apertures let more light in, and also give a more shallow depth of field, which generates that bokeh effect that many photographers love.

So if you don’t want bokeh, you want a camera that shoots at narrower apertures. To be honest, this is easier to do than you would think as it’s the wider apertures that are usually harder to engineer.

However, there is an issue shooting at narrower apertures. Less light enters the camera when the aperture is smaller, which means you either need to shoot at slower shutter speeds (potentially resulting is blurry images) or at a higher ISO (resulting in noisier images). You can read more about how aperture, shutter speed and ISO work together in my guide to the exposure triangle .

In essence, what you want is a camera with a decent optical zoom and a reasonably sized sensor. The larger sensor will help offset shooting at smaller apertures. Another option is to get an external flash unit to provide more light, although that’s a whole other conversation.

In terms of compact cameras that will do what you want, the only model I can really recommend would be the Sony RX100 VI or VII . These both have all the features you are looking for, with the exception of the optical and electronic viewfinder. No compact camera has a true optical viewfinder – only DSLR cameras have optical viewfinders. If you mean a viewfinder you can put your eye to, the Sony does have that, but it is an electronic screen inside the viewfinder. The zoom is also reasonable, although again it’s hard to find a compact camera with a long zoom and large sensor – the physics just doesn’t work out.

I hope this helps – let us know if you have further questions after taking a look at the above!

Fermin Lopez Post author

September 17, 2019 at 6:52 am

I congratulations on the article. I own an old Lumix GF3 with an automated 14-42 lens. I use the camera mostly for outdoor activities like mountaineering. I am planning to renew it and from the lesson learned I am looking for a camera with viewfinder and a good optical zoom (in the range 20x to 30x). But from what i have read, i appears that I have to buy again a Lumix, as others cameras with viewfinder (sony) have a smaller zoom. Am I Right? I would consider Sony should they have a zoom like 15x, but if I am not mistaken they all have optical zooms 3,6X. What do you think? Are there any other options to consider? Thank you very much

September 17, 2019 at 8:09 am

So there are some options for you, depending on how much you are willing to spend and your weight requirements.

The two options I would first suggest would be either the Sony RX100 VII or Sony RX100 VI , both of which have a viewfinder and an 8.3x optical zoom. Then there’s the Lumix Panasonic ZS200 , which has a 15x optical zoom.

Those cameras feature a 1 inch sensor, which gives higher image quality than the average compact camera.

If those are a bit expensive, the Lumix ZS70 is another option to consider. It has a smaller sensor, but a 30x optical zoom.

If you don’t mind carrying something a bit bigger, then the Powershot G3X has a one inch sensor and a 25x optical zoom. It’s also weather sealed. An electronic viewfinder is not included as standard, but you can get one as an add-on feature.

Hopefully one of these options works for you – if not, let us know your budget and size requirements and we can come up with some more options! Laurence

Demir Özkaya Post author

July 28, 2019 at 1:54 pm

Dear jessica and Laurance,

First of all many thanks for your very informative and very well structured article, which is one of the best i have read about compact cameras on the web. I am traveling a lot and considering to buy a compact camera with good zoom facility with the aim of printing some good images in A3 size, taking some videos and sharing some images with my friends. I have a Nikon Coolpix 7100 but if it comes to snapshots from distance or in less light, my images are not so satisfactory. Maybe i cannot master my camera. Beside them it has no wifi facility. So i am considering to buy a new one. I was thinking of getting Canon Powershot SX 740. But in shop i have seen another Canon camera SX70 HS in the size of mirrorless cameras but with 65X optical zoom. It’s heavier and bigger than 740 but it has a good viewfinder, which is a very important feature for taking zoom photos in outdoor and suny weather i think. Which camera should i buy or do you recommend another one considering that i have a budget of 550$. Or should i use my Nikon and wait for sometime to other new opportunities? All the best Demir Özkaya 28th July,2019

July 29, 2019 at 5:59 am

Dear Demir,

Thank you very much, we are pleased to have been able to help. So the two cameras you mention should both produce images that can be printed up to A3 size; however, many cameras will struggle to produce images in low light, and both of these cameras will likely have the same issues. If you want to do low light photography, the best option on a budget is to invest in a tripod.

Of the two cameras you mention, I would say that the only real advantage of the SX70 is the longer zoom, as it has the same size sensor as the SX740. The viewfinder is also a definite benefit.

If you want better low light performance, you would need a camera with a larger sensor, however, these usually have less zoom and are more expensive. An earlier version of the Sony RX100 would be an idea, but they only have a 3x zoom. You might also consider the Lumix ZS100 – it’s a little older now, but it does have a 10x optical zoom, 1 inch sensor and as it’s a bit older it should be available within budget.

I hope this helps!

Laurence and Jessica

Steve Brodsky Post author

June 26, 2019 at 1:56 am

I was looking for features the basic compact cameras and this helped a lot. Thanks for the insightful article.

June 27, 2019 at 5:38 am

Hi Steve, Glad to hear it was helpful! Best, Jessica

Maria Wile Post author

June 23, 2019 at 10:11 am

Hello, I loved reading all the information you shared. Thank you! I do have a question. I definitely don’t have much photography experience, but I am going to be taking a trip to Scotland and need a good compact camera for the trip. My main concern is all the rain that I am expecting while I am there and making sure I get a camera that can handle getting some raindrops on it. Do you recommend any particular camera for shooting pictures in rainy/misty weather? I will be all around Scotland taking scenic pictures and pictures of historical sites, besides just pictures of the people I am going there with. I am very curious what particular camera you might suggest.Thank you so much for your time!!!!!!

June 24, 2019 at 6:38 am

So not too many compact cameras are insulated against the weather. A notable exception is the Canon Powershot G3 X . There’s also the fully waterproof Olympus TG5, but it has a limited zoom.

However, as people who live in Scotland, you don’t really need to get a waterproof camera for Scotland. We normally just hold an umbrella up and take photos from underneath the umbrella to prevent the camera from getting wet. Almost any camera can handle a little bit of rain or mist, you just have to make sure it is limited and that you dry it off quickly. Even a water resistant camera is not really designed to be shooting in heavy rain. So I would focus on choosing the camera that has the features you want within your budget range rather than focusing too much on the weather proofing.

Hope that helps, and just let us know if you have more questions! Laurence & Jessica

Andrei Post author

June 7, 2019 at 2:04 am

Thank you for your recommendation, as I am already using Nikon P900 whose specifications meet beyond my expectation and I am much satisfied to use it in every field of life events, occasions and ceremonies. Thank you for advices and tips for better optimization of camera.

June 7, 2019 at 11:14 am

Hi Andrei, Glad you are enjoying your Nikon P900. That’s a nice bridge camera and definitely better than a regular compact camera if you are using it to primarily shoot event and wedding photography! Enjoy, Jessica

karen gilman Post author

June 3, 2019 at 6:25 pm

I am looking for the best compact camera that has a good view finder so you can actually see what you are taking a picture of when it’s really sunny. The current camera I have takes good pictures but since it only has the screen on the back when it’s really sunny you have to guess what you are shooting at…What is the best camera that you can see what you are trying to capture….. Thanks in advance

June 4, 2019 at 7:48 am

It depends of course on your budget and what other features you want, but the two options we’d suggest are the Sony RX100 cameras and the Panasonix Lumix ZS200 . These are both high quality compact cameras with larger sensors and a popup electronic viewfinder. The RX100 comes in a number of versions, from 1 – 6. We’d suggest either 4, 5 or 6 (RX100 IV, RX100 V and RX100 VI). These all come with a higher quality viewfinder. Each one is priced slightly higher than the previous one. We currently use the RX100 V as our compact camera, and love it.

Alec Post author

May 22, 2019 at 4:46 pm

Great information in the article and comments. My daughter (12) loves taking pictures and she recently commented that she wants a Hauwei P30 Pro specifically for it’s photo quality (great reviews), size, water resistance and the fact that she can still text…(She is saving her money). As far as compact point and shoot cameras are concerned, do the point and shoot cameras take better photos? Do the water proof cameras hold any value? Should I try and convince her to get a decent quality point and shoot, and if so, maybe point out some pro’s and cons or should she just stick with the high-end smartphone? Thank you,

May 23, 2019 at 5:43 am

The Huawei P30 Pro has really good reviews (although we haven’t tried it ourselves), and as it comes with a proper optical zoom, it also overcomes the main disadvantage that most smartphone cameras have. It is definitely not a cheap option though, and you could pick up a mirrorless or high end compact camera for the same price (although of course it wouldn’t do any of the other smartphone things).

In terms of photo quality, there are some advantages to a higher end compact camera as covered in the article, but if she is primarily taking photos to look at on her phone, social media, web, small prints, then her phone is likely going to take as good as photos as a compact camera at that size. Smartphone also tend to have tech built into them for take selfies and the like so are often better for those sorts of things.

I think it really depends on what she wants it for the most. If she is mostly wanting to use it as a smartphone that also takes good photos, then a smartphone with a good camera is the way to go. She might also consider the Google Pixel 3a, which is one of the best smartphone cameras out there at a more reasonable price although it does lack the optical zoom option.

But if she is passionate about learning more about photography and/or considering it as part of a future career, then getting started with a “real camera” is probably the best way to learn as it is going to get her using something more similar to a professional camera. In that case at her age, we’d recommend a higher-end compact camera that shoots in RAW (and JPG) and a photo editing computer program that could learn to edit RAW files if she wishes. Then later she could move into a mirrorless or DSLR camera later if she decides to continue in photography and be able to use more manual controls and work with interchangeable lenses.

Just as a side note, I am sure you know this, but Huawei products are now sort of banned in USA and by many international firms like Panasonic after a number of security issues by the company. This doesn’t look good for the company as many South Korean and UK companies look likely to follow suit. This means that certain software, tech, and security will likely not be available for these phones, including Google’s Android service. We both had bad experiences with Huawei phones in the past and have switched to the Google Pixel. Although we have no experience with their P30 Pro which does have good reviews so far. But may be good to investigate the situation more closely at the time she is planning to purchase a phone as the chips, software, etc. may change in these phones.

I hope this helps,

Michael Perry Post author

May 15, 2019 at 1:17 am

Just found this article and wanted to comment. I originally learned basic stuff on a FujiFilm X100F camera that I bought from eBay gently used. It lived with me here in Southeast asia. In six months in Vietnam, the camera got soaking wet, was dropped a few too many times, and at the end sometimes refused to turn on or would turn off.

I then made a large personal mistake by purchasing a much more expensive Fujifilm X-T2 camera which started having shutter button problems a few months into me having it. I ended up getting rid of that camera after I had it fixed in Singapore and the problems started again in Siem Reap. I then got another FujiFilm X100F and that had problems with the LCD. Finally that camera was unusable in George Town Malaysia so I made the first really good decision. I went to a local shop and looked at the Panasonic Lumix LX10. The entire thing came around to me whilst sitting in my room that this was what I should have done to begin with. Since I live in Southeast Asia and travel wherever I wish these days and like to walk miles each day and take pictures, the best camera always would have been a compact camera. The LX10 also does 4k Video which is something I thought I would never have used but wrong again.

My main message and it took a long time to learn was for my particular use case the Panasonic Lumix LX10 camera is what works the best for me. I just took a roundabout way to realize it and spent way more money than I should have. Now I have this camera that fits in a pocket, can be set to manual or aperture priority mode but it also just lets me shoot in Program or Program Switch mode when I wish. My main goals are to actually take photographs, let other people see them on social media, and archive them in google photos so I have a record forever of the places. I don’t need to shoot in RAW mode. I don’t need something with inter-changeable lens. I just never saw this so went a different direction. Not very smart or fiscally sound I guess. But I ended up with this little beast of a camera that does exactly what I want and need.

So my main message is consider carefully your use cases for a travel camera. Do some research on the brands and their features and functionality. I just know now that my mistakes were not large or small. They were just mine. When discovered what I really wanted out of it all was something if stolen or broken i would not be out $1500, that would let me go where I want here in Asia and see what I want, a camera that could be placed in a pocket or a small over the shoulder bag easily, and finally one that took photographs that I liked and could share easily. It just took me a long route to get there 🙂

May 16, 2019 at 4:24 am

Hi Michael,

Glad you found our article and thanks for taking the time to share you experience. Humid and tropical places like southeast Asia can definitely be harder on cameras and shorten their life span. Glad you have found the camera (Panasonic Lumix LX10) that works best for you, and I think that it is not often not the most expensive camera that is the best fit for most people. Those buying a new camera (especially those relatively new to photography) should definitely consider what they plan to mainly use it for to guide their buying decisions rather than trying to get all the newest bells and whistles which many people may never use.

Thanks again for your story and personal advice!

Kevin Post author

April 30, 2019 at 10:09 am

Great info but my head is still swimming from it all. We’ve made do with (ever-improving) phone cameras but would like something better, especially for travel. Usually for us that means the mountains, lots of hiking, grand vistas, and lots of pics of everything along the way, so size/weight and ease of use matter. I also like getting up close with flowers, etc, and, if possible, zooming in to wildlife in the distance, although that isn’t a priority. Would love to experiment with night sky photos as well. Most of that seems to lean toward a good compact, but we also want to print several of our travel pics at 16×20 or 16×24. Plus, the better compacts are as much or more than some good mirrorless ones that come with a lens or two. But are those kit lenses with the Sony a6000 or Canon EOS M50 or M100 or Fuji X A5 even worth having, or do they defeat the purpose of having a nicer camera, meaning we’d have to spend much more on better lenses – and therefore losing the value of choosing an entry level mirrorless over a top compact? Are included lenses for entry DSLRs the same quality too? Final question: is there a way to carry a camera while hiking that is hands free, secure (i.e. not swinging from a strap), and easily accessible (not tucked inside a closed case)? Like a holster that attaches directly to the front of a backpack kind of thing? Thanks!

April 30, 2019 at 10:46 am

Lots of questions and I will do my best to answer them all ????

So you are correct, a good compact camera is going to be as expensive as a low to mid range mirrorless or DSLR camera. This is partly because fitting all that technology into a tiny body is a challenge!

We use the Sony RX100 V as our compact camera of choice. We settled on this as it has the larger 1 inch sensor, image stabilization and fast lens, whilst being small enough to slip into a pocket. There’s a newer model, the VI, but whilst it has a better zoom, the lens is not quite as fast for low light situations – we often find ourselves needing to take photographs indoors in museums for example, so for us that was a factor.

To answer your question about lenses – kit lenses have definitely improved a great deal over the years, but yes, there is a reason a kit lens is bundled with a camera and only adds $100 to the value, whilst a decent lens will cost you in the region of $800 – $2000 plus. That said, a DSLR or mirrorless camera with a kit lens will likely still yield good printable results. however, if portability is key, a high end compact camera is a great option.

For your final question, yes there absolutely are hand-free straps and clips, and you will want to look into something maybe like the Peak Design Capture Clip .This is a really neat clip system which attaches to a backpack strap or any other belt like apparel (I have used mine on both, it works great), and then you can just clip the camera into it. It works for any camera with a tripod mount, which is basically most cameras ????

Although if you go with a small compact camera, that would be a bit overkill. With a small compact camera, you can stick it easily into your pocket, purse, backpack pocket, etc. or you can get a camera case that clips on your belt loop or backpack.

I hope this helps – let us know if you have any more questions!

May 13, 2019 at 9:00 am

Thanks for your answers. They lead to another question. You’ve probably answered this elsewhere, but…. Is there a noticeable difference between pics with a 1″ sensor and those with MFT or APS-C sensors, other factors being generally equal? I’m guessing there wouldn’t be in a 4×6 or 5×7 print, but would be on a 16×24 size or viewed on a HDTV screen. We’ve printed several gorgeous scenes taken with good cell phones at 16×20 size. They look pretty good… until you look closer. I don’t want to spend several hundred $ on a compact with 1″ sensor and feel the same way looking at the resulting pictures. Thanks again.

May 13, 2019 at 9:13 am

Yes, you are correct, it is really only for larger printing that you are likely to notice a difference, or if you crop your images a lot. Otherwise, for social media use, web images, and smaller prints you likely won’t notice any difference. I’d say up to around 8×10 there won’t be a huge difference for printed photos.

That said, I’ve printed out images from a 10MP camera at 6 feet wide, and they’ve looked OK, because you tend to look at larger prints from further away anyway! So unless you are poring over your images from close up, you might not notice the difference (and other people are even less likely to!).

Hope that helps! Laurence

Luther Post author

March 24, 2019 at 11:51 pm

Hi independenttravelcats, Amazing travel photo advice. And of course you’re right – you certainly CAN take better photos with any decent equipment.

March 25, 2019 at 9:27 am

Hi Luther, Yes, we agree, while the camera and equipment are important (especially for certain types of photography), one’s skills (technical, artistic, editing) are probably just as, if not more, important. Best, Jessica

Pat Post author

March 16, 2019 at 12:35 pm

What are your thoughts about an electronic view finder? I notice that many cameras today are without them but it seems to be a good feature if doing sunny outdoor photography. I could use your advice.

March 18, 2019 at 5:41 am

An electronic viewfinder is definitely more of a luxury item on a compact camera as they take up a bit of space and weight, and add to the cost. This is why you generally only find them on the more expensive and high-end compact cameras. We personally prefer a camera with an electronic viewfinder if possible, for the reasons you’ve given as on a bright day they can make it easier to see what you are doing as the main screen can be harder to see.

But they are of course not necessary and don’t affect the photo quality, so it comes down to weighing the cost versus the convenience of extra features like this. If you have the budget and it is a feature you really like, then you can certainly get a nice compact camera with a view finder.

Barbara Idzerda Post author

March 5, 2019 at 11:35 am

I’m going on an African Safari and also plan to go to Iceland for the Northern lights. I travel very light so I’m wondering what would be the smallest camera I could get away with knowing I will need to zoom and have low lights at night?

March 5, 2019 at 12:00 pm

So this is a challenging requirement unfortunately – longer lenses with high quality capabilities tend to be larger and more expensive, and low light photography is also one of the more demanding types of photography! It might be helpful to know a bit more about your priorities, what you want to be able to use the photos for, your budget, and your photography experience to make the best suggestions.

For the Northern Lights, you are going to need a tripod, there’s not really a way around that if you want good images. So we can recommend reading our travel tripod post . Even a mini tripod that can fold up in a large purse would do that you can set somewhere.

In terms of a camera, we’d probably suggest a micro four thirds sized mirrorless camera like the Panasonic GX9. The reason is that the lenses for these are not too huge, and you can get a long lens for wildlife photography that won’t take up too much space. You can see our guide to lenses for different cameras here: https://www.findingtheuniverse.com/best-lenses-for-travel-photography/ , although we’d also suggest a longer zoom lens for safaris.

If you are committed to the smallest camera possible, then the Sony RX100 VI would be our suggestion. It has a reasonable zoom, great image quality, full manual controls, and with a tripod you’ll be able to photograph the Northern Lights. The other option would be the Panasonic ZS200 , which has a better zoom and so might be better for the safari.

You might also consider renting a zooms lens for Africa and just getting a smaller camera for the rest of your travels.

Mike Steenhuisen Post author

June 30, 2019 at 3:32 am

Hi, I have a similar predicament as far as the African safari. I was looking for advice on a compact with great zoom or a bridge camera and also weather sealed because of the dust. Your assistance is much appreciated and keep up the good work. Regards Mike

July 1, 2019 at 5:37 pm

Hi Mike, As a compact camera, we’d recommend taking a look at the Canon Powershot G3 X which has 25X zoom, a 1 inch sensor, and is dust and water resistant. One minus is that it does not have an electronic viewfinder. For a bridge camera, another option might be the Sony RX10 Mach III or IV , it is more expensive but does have a viewfinder.

We’d recommend getting the camera that sounds like the best fit well before your safari (just make sure it has a refund policy) and practice with it to see if it achieves the sort of results you were hoping for so you have the right camera for your trip.

Mike Post author

July 1, 2019 at 6:06 pm

Hi folks, Many thanks for your help. Kind Regards Mike

Tyler Post author

February 9, 2019 at 8:28 am

There are mentioned about best point-and-shoot cameras for travel. A great basic test you can do with your camera is to shoot a well-lit portrait. This helps you to choose Point-and-Shoot Camera for Travel Photography.

February 10, 2019 at 8:54 am

Hi Tyler, It is indeed a good idea if you are comparing different types of cameras to take a similar photo with each one. Although for travel, portraits may not be the best thing to focus on if you are mainly using it for landscapes, museums, family photos, etc. But that is definitely one way to test a camera! Best, Jessica

Francine Post author

February 7, 2019 at 7:49 am

Do most of the new point and shoot cameras have only the large display/LCD monitor to see what we’re taking a picture of? Is the view finder disappearing? In sunny or bright daylight, the rear display reflects the person taking the picture or the daylight itself, making it difficult to see the picture being taken. I find cameras without a view finder mostly good for inside picture taking.

February 8, 2019 at 12:32 pm

Hi Francine, Yes, the viewfinders are not as common on point and shoot. This is especially the case of the less expensive compact cameras as the viewfinder takes up more space and is more expensive to add. But many of the high end compact cameras do have viewfinders so that is something to pay attention to as you look for a point and shoot camera. You might also want to check out mirrorless camera options as well as more of those types of cameras do have viewfinders. Best, Jessica

Clarence Post author

December 29, 2018 at 5:56 am

Thank you so much for this post, it has been really educational.

I have just started to pick up photography, learning the basics and stuff with my friend’s camera. However, I’m looking into getting one myself, but I’m skipping the DSLR/mirrorless options because I want something more compact.

What I am looking for is to take photos at night. Is there a camera suitable for night photos with low light/light leak or does that all have to be edited in PS? Shots on my phone always tend out to be extremely grainy.

Thank you once again!

December 29, 2018 at 6:26 am

Hi Clarence,

Glad you are finding our guide to compact cameras helpful!

There are always going to be limits to how great photos at night or in low lights situations will be from any camera given they function with light, particularly compact cameras. But if you plan to do a lot of low light photography we recommend the following things in a camera and ways to maximize your results with any camera you choose:

1. Go with a camera with a larger sensor. Of all the specs, a larger sensor size is probably the feature that will help most in low light situations. 2. Get a camera with image stabilization as this will allow you to take photos at lower shutter speeds without them being as blurry. 3. Learn how to use your camera and its features/settings to its full potential. Read the manual and consider taking a photography workshop or online course such as Laurence’s Superstar Photography Course. 4. Yes, editing can always help a photo but it can’t perform miracles so you still have to get a decent photo to start with. If you want to do more in-depth editing, be sure to get a camera that supports RAW format. 5. Consider using a travel tripods to help get better photos at night. 6. A separate flash may be useful if you do a lot of indoor photography.

Hope this helps, and just let us know if you have more questions as you decide on which compact camera may be best for you!

Best, Laurence & Jessica

Valerie Post author

December 28, 2018 at 3:02 pm

Thank you for a great website. After searching the net I decided the Sony RX V1 was the one but I needed more assurance. You confirmed my decision. After owning bulky DSLR ‘s, video cameras, compact cameras with terrible video and looking like paparazzi on holidays I now have everything in one. Thanks a again.

December 28, 2018 at 4:00 pm

Hi Valerie, Glad you found our website useful in deciding on a camera. It sounds like you already knew it was the one for you before you got to our blog. Also just remember (keeping the return policy in mind of course) that you can always try it out for a few days and return it if it isn’t what you were looking for.

Hope that you enjoy the Sony RX100 VI camera and we’d love to hear your thoughts after you have had time to try it out!

December 15, 2018 at 10:13 pm

Thank you for your great article. I’ve done so much research, my head is spinning. I’m traveling in 10 days, and my iPhone 8+ is always filling up with Photos as I take waay too many. ????‍♀️

I’d like a fairly light camera that would fit in my tote. I use a Canon EOS SL1 at home but don’t want to carry it along with two lenses, etc., on the plane as I’m trying to travel light. I’d like a flip screen since my hubby doesn’t like to ask others to take our photo (lol,) WiFi connectivity so I can send the pics to my phone or iPad for editing and sharing, and of course, clear, high quality images. I’d probably not enlarge beyond a 5×7 or maybe a rare 8×10. I’ve mostly used Canon in the past but am open to suggestion.

As long as I spend under $1,000, budget isn’t my top priority. Quality, features and portability are. Any suggestions? Thanks in advance!

December 16, 2018 at 6:03 am

Ah, yes, it can certainly be a daunting task trying to decide on buying a camera, especially right before the holidays and a big trip!

Given your preferences, we’d suggest that you consider the Canon EOS M50 or the Sony RX100 V . The EOS M100 is a mirrorless camera from Canon which has a flip up screen and an APS-C sized sensor, making for great image quality. It comes with a fairly versatile lens and the lens contracts when not in use, taking up less space. It’s slightly larger than a compact camera, but not much, and it should be easy to learn to use to considering you have used a Canon in the past. You can also change the lenses if you want, and even get an adaptor for your existing lenses so you could use them on the body if you wish in the future.

If you wanted something even smaller, we’d suggest looking at the Sony RX100 compact camera range , and specifically in your case the RX100 V. This is a true compact camera with an excellent lens. The advantages are that it is smaller than the Canon, but you are restricted to never being able to change the lens, and the optical zoom is only 3x, so if you often find yourself zooming in on far away subjects it might not be ideal, but for most travel photography uses it will be fine. The sensor is slightly smaller than the Canon too. It has a flipping screen but it’s not a touch screen.

Note that few compact cameras have touch flip screens, but many mirrorless cameras do.

Personally I would likely go with the M100, as the image quality will be better thanks to the larger lens, you have the option to change lenses should you want to in the future, and the size difference is marginal. The touchscreen is also a bonus, and it can be had for a lot less. But it really depends on what is most important to you!

Hope that helps, and feel free to ask any more questions you may have.

December 17, 2018 at 12:23 pm

Thank you for the great suggestions! I notice that the M100 has an EVF wheraeas the M50 only has the LCD screen. I’m thinking about that. Also, I’m going to be touring a lot on foot this trip, and want to carry as little as possible, so my question is, what if I want a camera that will go from wide angle to zoom without changing lenses but still sporting the WiFi, flip screen, excellent photo quality, and maybe GPS ( not a deal breaker?)

I checked out the Sony you mentioned above, but many reviewers dislike the poor battery performance and speak of unreliability, so I’m hesitant to spend close to $1000 on it. I’ve a friend who has a Nikon Coolpix P610, and gets incredible shots, but that’s an older model, I think. What are your thoughts on Nikon?

Any other lighter weight all-in-one point and shoots you like? I should also mention that I love taking low light shots, and will be shooting pics of Christmas decorations after dark on this trip. Most important, though, is to get quality shots of people, with good color saturation. Thank you so much for your help; it’s great to have an expert to ask who is objective! You guys are awesome!!

PS Had tech issues today, so I apologize if this shows up as a duplicate post lol. ????

December 17, 2018 at 1:50 pm

Our pleasure. So to be honest, in terms of battery life any point and shoot or mirrorless camera will suffer from shorter battery life compared to a DSLR. The reason is that they always have to power the screen, be that the EVF or rear screen, and those things suck up battery. The best option is just to buy a spare battery, as there aren’t really any of these types of camera with particularly excellent battery life.

It sounds very much like you want a point and shoot for portability. The Nikon Coolpix you mention is a capable older camera. It’s a bridge camera, which sits between a compact camera and a DSLR in terms of features. However, it’s going to be a similar size to your DSLR, and it seems you would prefer a smaller camera, so this might not be ideal for you. Also, the sensors are about the same size as most point and shoots, so image quality will be roughly on par with those.

That said, if a camera like that has all the features you want, and the size is ok for you, then some options are the:

Panasonic FZ2500 Canon Powershot SX70 HS Nikon Coolpix P900 (or P1000 if you want a crazy amount of zoom)

Another thing to say is that shooting in lower light is probably the most challenging environment for any camera, and this is where the smaller sensors on compact and bridge cameras can really start to struggle. You can get around that by carrying a tripod, but that would sort of negate the benefits of a smaller camera!

So with all that in mind, I would be probably recommend thinking more of the Canon M50 or M100 again.

No camera is going to be perfect or have all the features you want given a need for it to be smaller and lightweight so I’d focus on those that check the top must-have boxes and still fits what you need (smaller and easy to carry for traveling).

valina1981 Post author

December 10, 2018 at 9:35 pm

I bought the Lumix but am still obsessed with this what to buy guide, wish this one had been out when I was deciding. Just need to learn how to use it now!

December 11, 2018 at 7:01 am

Hi Valina, Glad you are enjoying our compact camera guide 😉 Happy to hear you bought a new Panasonic Lumix camera. We’re recommend starting with just reading through the manual and learning the camera settings and functions. Then practice, practice, practice! If you want a boost, then you might consider doing a local photography class or workshop designed for you level of skill, or do an online photography course such as the one run by Laurence. Let us know if you have any questions. Best, Jessica

Jacqueline Sum Post author

November 28, 2018 at 10:13 am

I have a Sony RX100 but am not satisfied with the picture quality. Any suggestions for a point and shoot that gives good quality images?

November 28, 2018 at 11:25 am

Hi Jacqueline!

Generally the Sony RX100 is regarded as one of the better point and shoots for image quality, but there is only so much a compact camera with a smaller sensor can do. If you could elaborate what specifically it is about the image quality that you are unhappy with, and the kind of photography you enjoy, we could provide some more specific suggestions.

if you are definitely keen on another point and shoot, the two options we suggest are the Canon G1 X Mark III or the Fuji X100F which both have an APS-C sized sensor, the same as used in consumer level DSLRs. This should yield improved performance, and better images, especially in low light situations. Otherwise, I’d recommend considering moving up to a mirrorless camera model.

We hope this helps, and happy to answer any additional questions!

November 28, 2018 at 12:20 pm

Thank you for the prompt reply. The Sony RX100 that I have is the first generation. Will a later model make a difference? I have been travelling to destinations that will probably once-in-a-lifetime experiences and a substantial number of the pictures are blur.

I have a DSLR and some lenses and they take marvelous pictures but the camera is big ad clunky. I will be going to Italy in 2 weeks and would like to take a better camera with me. My requirements for the camera is that it is portable and can take pictures in low light. I do not shoot videos, nor do I post on social media. The photos are for my personal consumption.

November 28, 2018 at 12:33 pm

Hi Jacqueline,

Without seeing the images it’s hard to make an exact diagnosis, but I can give some ideas. You can also send a few example photos to us (you can find our emails on our Contact Us page) if you are not sure why they are blurry.

If the pictures are coming out blurry, this is most likely a result of shooting at too low a shutter speed – this can happen when there’s not enough light available, particularly in low light situations. The only real solutions to this problem are a camera with a bigger sensor (like a mirrorless or your DSLR), or a travel tripod . But as sensor size sounds like an issue in your case, I’m not sure a tripod would help and it would give you something else you would need to carry.

The other option is to get a camera with some sort of image stabilisation built in, although this is already a feature of the RX100 you have. A newer model might help as it has newer technology, but I feel that the upgrades probably won’t help too much in this specific case, as there will always be a restriction of how much light a smaller sensor can capture.

Perhaps you might consider a mirrorless camera instead? These are a bit bigger than a point and shoot but smaller than a DSLR. We’d suggest again something with built in image stabilization, like the Lumix or Olympus series, or the Sony a6500.

Whatever you get, I’d get something with a return policy so you can try it out before your trip in different conditions to see if the image quality is what you are looking for.

Hope this helps! Laurence and Jessica

James Post author

November 14, 2018 at 1:55 pm

Hey guys, thanks for the piece. Very informative. Question: what’s the model of Lumix in the main header image on this post? I’ve been happy with several Lumixes (Lumices? haha) over the years and this one looks like the prefect size to serve as a backup to my DSLR. I can’t see any mention of this particular model in the piece, although I assume it could be a special edition of one of the standard Lumix point and shoots. Any guidance you can provide would be awesome. Thanks!

November 15, 2018 at 4:08 am

It’s a Lumix DMC-fx500 (in the first photo pictured outdoors), which is quite old now (purchased in 2011). So we would no longer recommend that one which is why it is not in the list and you’d have to buy it secondhand probably.

The second camera pictured (sitting on a marbled table top) is a Canon Powershot ELPH 360, a much newer model compact camera purchased in 2018. This one is readily available online and in stores.

All of the cameras listed are small in size and most of the cameras on this list weigh only between 4 oz. to 10 oz. so easy to carry around as a back-up or to places where you might not want to take a bulkier DSLR.

But of more recent Lumix compact camera models of similar size and price to the pictured Lumix, we’d recommend checking out the Panasonic Lumix ZS50 . Another recommendation of a similar camera in terms of look and size if you don’t mind a Canon is a Canon PowerShot ELPH 360 (also pictured in post). We currently own both Canon and Panasonic Lumix cameras and have been very happy with them.

If you are looking for a compact camera with more professional features, I’d look at the last 3 ones on the list. One is the Lumix ZS200 which is one we are thinking of getting but is more of an investment at around $800. These ones are also larger than the others on the list with the Lumix ZS200 weighing in at 12 oz. so may not be what you are looking for.

Hope this helps, and do let us know if you have further questions! Laurence

Charla Post author

October 4, 2018 at 11:18 pm

Absolutely love this post! Thank you. I’ve spent the last few weeks drowning in information and agonizing over which camera will be the best for me. As a complete beginner who wants to capture great images but wouldn’t have the slightest idea where to start with changeable lens this guide is ideal. Thank you

October 19, 2018 at 3:29 pm

Hi Charla, Glad this helps you and a compact camera is a great place to start if you are relatively new to photography. They don’t have changeable lenses and are generally fairly easy to learn to use. You can start with it completely in auto and then learn to adjust some of the settings as you get more comfortable. Do let us know if you have any questions in choosing a compact camera – we are happy to help! Best, Jessica

Valentine B Post author

October 4, 2018 at 3:53 pm

I am not real superb with English but this post was very helpful in helping me and my friend decide on what type of compact cameras to buy on upcoming trip to Europe. We needed something not too expensive, good, and lightweight for travelling. Thank you very very much indeed.

October 19, 2018 at 3:25 pm

Hi Valentine, Thanks so much for taking the time to write and so glad you found our article helpful. Do let us know if you have any questions as you research buying a compact camera. Wishing you a wonderful time in Europe. Best, Jessica

Stephanie Post author

August 10, 2018 at 11:39 am

Great informative post on the best compact point and shoot camera to choose. A camera is an important investment to make and with this information makes the decision easier. Thanks for covering all the details. ? Pinned for later use.

August 13, 2018 at 12:53 pm

Hi Stephanie, Glad you found it useful and hope you find the perfect travel camera! Just let us know if you have any questions. Best, Jessica

Kreete Post author

August 10, 2018 at 1:52 am

Some amazing tips here and what an enjoyable read! I am in the market for a new travel camera and will definitely consider some of your recommendations. It’s awesome to have had someone review the cameras before purchasing! And yes, knowing your camera makes a huge difference in your photos!

August 10, 2018 at 7:56 am

Hi Kreete, Yes, doing some research before buying a camera (or any electronics purchase) is always a good idea! Just let us know if you have any questions if you are out camera shopping 😉 Best, Laurence

Anda Post author

August 6, 2018 at 3:07 pm

Great information! I’ll have to look more closely to it because I always struggle with my heavy camera (and lenses) when I travel. I’ve spent a great deal of money on it though and now I don’t feel like giving it up.

August 7, 2018 at 3:52 am

Hi Anda, Yes, we find a compact camera is a great back-up camera that you can use for trips when you might not want to take your heavier and more expensive cameras and lenses. Also great for sticking in the purse just in case when we don’t really plan to take photos. But it is all a matter of preference of course! Best, Jessica

Agness Post author

August 5, 2018 at 5:24 am

A good camera is essential if you want to take good pictures, especially for travellers, Laurence and Jessica. These are some great suggestions and I’ll have to consider which one from these to take and use in my travels!

August 6, 2018 at 4:43 am

Hi Agness, Thanks for taking the time to comment. Do let us know if you have any questions as you are choosing a new camera! Best, Jessica

Alexis Towle Post author

August 4, 2018 at 10:29 am

Unbelievable post on understanding compact cameras. I saved this to my travel board on Pinterest!

August 6, 2018 at 4:42 am

Hi Alexis, Thanks so much for sharing our post, we appreciate it! Best, Jessica

Kay R. Post author

August 4, 2018 at 7:14 am

Awesome tips!

August 6, 2018 at 4:41 am

Thanks Kay, glad you enjoyed it!

goblinette Post author

August 3, 2018 at 2:21 pm

I will use this guide when my current camera dies completely. Probably in a few weeks 🙁

August 3, 2018 at 3:13 pm

Hi there, So sorry to hear that you camera is not working property ;-( But hope this helps and let us know if you have any questions about choosing a travel camera as you search for a replacement! Best, Jessica

Anisa Post author

August 3, 2018 at 2:04 pm

We got a new camera recently and actually decided to go with a mirrorless camera. It’s not too much bigger than a point and shoot camera, which is nice. It’s more complicated to operate though.

August 3, 2018 at 3:12 pm

Yes, mirrorless cameras are great in-between cameras, I usually recommends them to bloggers, and we have had a Panasonic Lumix GX8 for the past few years as part of our photography kit. We use it when we need to take a smaller camera (our DSLRs are very bulky). But the mirrorless cameras are definitely much heavier and bulkier than the average point-and-shoot. Ours is 1.7 lbs for just the body alone (not to mention the lens weight), so it is not a great travel camera for someone wanting something light and easy to carry. But it allows you to change lens, gives you a lot more range in manual controls, and more features than most compact cameras. So definitely a great option for those who want more control.

Our next buy will be for a point-and-shoot camera at 1 lb or less in weight I think – which I imagine we’ll barely notice when carrying it with us 😉

Lolo Post author

August 3, 2018 at 12:37 pm

We’ve literally just been talking about investing in a easy-to-carry, point-and-shoot camera which can fit in my purse because there are just so many times we don’t want to carry all of our lenses and just want something simple but will produce good quality photos. I will be sharing this with my husband!

August 3, 2018 at 1:46 pm

Perfect timing it seems 😉 These are great for when you just need a simple camera and you you can get one for a really good value. Let us know if your husband has any questions and will consult Laurence who seems to get camera buying questions on a daily basis.

I gave my Canon Elph to a friend a few years ago when I moved and we haven’t had a compact camera since but intend to get one soon. We want something easy to carry around in a purse or backpack as a back-up camera and to take to places we don’t feel comfortable taking a larger camera so are looking for a good higher-end compact camera. We haven’t decided yet but do have our eyes on the new Sony RX VI.

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The 13 Best Compact Cameras of 2024

These are the top point-and-shoot options for epic travel photography.

In This Article

• Our Top Picks
• Tips for Buying

Frequently Asked Questions

• Why Trust T + L

Travel + Leisure / David Hattan

What’s the best way to relive your favorite travel experiences over and over again? By taking epic photos that you can upload to social media or transform into a coffee table photo book, of course. Investing in a proper camera with a high-quality sensor and a decent number of megapixels will yield better, more printable results than your phone camera. But that doesn’t mean you need to lug a full-size DSLR and several interchangeable lenses around with you. You can get amazing results with a compact, or point-and-shoot, camera. 

B&H Senior Technologist Mark Steinberg defines a compact camera as one that is “pocketable, with a minimum number of protrusions, that can be used one-handed.” They’re a great option for anyone who prioritizes easy portability or casual photographers who want good results without a steep learning curve. There are several different kinds of compact cameras, from the budget-friendly to the professional quality, and from digital to film and instant. We’ve researched them all to find the best options across several different categories.

Best Overall

Sony cyber-shot dsc-rx100 vii digital camera.

B&H Photo

It has a high-quality sensor, near-instant autofocus, and a lens that fulfills both wide-angle and telephoto functions.

It’s an expensive option for occasional use only.

Chosen by Mark Steinberg as the best overall compact camera, the Sony Cyber-shot DSC-RX100 VII is the seventh generation of a series that has been raising the bar for compacts since its inception. It’s simple to use for novice photographers, with enough manual settings to allow for experimentation and growth. The 1-inch Exmor RS BSI CMOS sensor is a major highlight, allowing for high sensitivity with a maximum resolution of 20.1 megapixels. With 8x optical zoom and 24–200mm equivalence, the ZEISS Vario-Sonnar T* lens gives you the freedom to switch between wide angle and telephoto photography for everything from landscapes to wildlife.

Whatever your subject, the 0.02-second hybrid autofocus ensures sharp images in both still and video mode. You can shoot single, continuous, burst, and self-timer images and set an upper or lower limit for your ISO up to a maximum of 12800 for impressive low-light results. If film is your passion, you’ll love the camera’s 20 frames-per-second, 4K video for its smooth movement and cinema-quality resolution. When it comes to viewing your footage, framing (and taking) your shot, or scrolling through the menu, use the 180-degree-flip LCD touchscreen. In high-glare conditions, you can also revert to the pop-up electronic viewfinder. 

The RX100 VII offers Bluetooth and Wi-Fi connectivity for instant uploads to social media. 

The Details: 20.1 megapixels | 1-inch Exmor RS BSI CMOS Sensor | 24–200mm lens | 3-inch LCD screen | 4K video | 4 x 2.3 x 1.7 inches | 10.7 ounces | Electronic viewfinder

Best Image Quality

Ricoh gr iiix digital camera.

This camera uses advanced lens and sensor technology to deliver undistorted, true-color images with a high level of sharpness across the entire frame.

If video is a priority, bear in mind that the GR IIIx shoots Full HD rather than 4K.

Suitable for all experience levels, the Ricoh GR IIIx Digital Camera was designed with the express purpose of providing superior image quality. The 26.1mm GR lens offers a 40mm angle of view in the 35mm format that’s meant to mirror your natural field of view. It also uses premium technology to eliminate distortion, render colors accurately, and create amazingly sharp images. This is complemented by the camera’s high-resolution CMOS image sensor, which captures HD detail suitable for large-scale prints with up to 24.2 megapixels. 

Other highlights include the camera’s impressive shake reduction technology and its fast, precise hybrid autofocus with eight focus modes to choose from including one that automatically detects the eyes and faces for perfect portraits. We love that you can shoot in macro, while an interval composite shooting mode allows you to capture star trail images (you’ll need to buy a tripod separately.) These are the unique images that set your travel shots apart. The camera offers Full HD video, a LCD touch screen with instantly adjustable brightness, and 2GB of built-in memory — a lifesaver when your memory card malfunctions at the crucial moment. 

The Details: 24.2 megapixels | 1-inch CMOS sensor | 26.1mm GR lens | 3-inch LCD screen | Full HD video | 4.3 x 2.4 x 1.4 inches | 9.2 ounces | No viewfinder

Best Full-frame Compact

Sony cyber-shot rx1r ii digital camera.

This camera packs the full-frame sensor of a professional DSLR into an unbelievably compact, travel-sized body.

You could buy a good DSLR body and lens for a similar price.

The Sony Cyber-shot DSC-RX1R II is meant for professional photographers with a price tag and learning curve to match. The 35mm full-frame back-illuminated CMOS sensor is the largest available, offering more light, more information, better quality, and a greater dynamic range than the APS-C frame found in standard compact cameras. With 42.5 megapixels and the ability to shoot in uncompressed 14-bit RAW, this camera will produce pro-quality, large-scale prints with an astonishing amount of detail.

The ZEISS Sonnar T* 35mm f/2 lens is fixed with no optical zoom, making it best for wide-angle and close-up subjects (and especially, street photography). The large aperture allows you to work in low light and use an unusually shallow depth of field. And, if you’re familiar with terms like moiré and aliasing, you’ll appreciate the inclusion of the world’s first optical variable low-pass filter for reducing these kinds of distortion. Other perks include super-fast hybrid autofocus, Full HD video with the ability to capture slow-motion HD video, an electronic viewfinder, and an adjustable 3-inch LCD screen. 

The Details: 42.4 megapixels | Full-frame BSI CMOS sensor | 35mm lens | 3-inch LCD screen | Full HD video | 4.5 x 2.6 x 2.8 inches | 1.1 pounds | Electronic viewfinder

Panasonic Lumix DC-ZS200D Digital Camera

You can bring subjects 15 times closer without sacrificing image quality, thanks to its optical zoom.

It’s slightly heavier and bulkier than some of the other compact cameras on this list.

If you want to be able to photograph animals, birds, or any other subject from a distance without forking out thousands of dollars for a DSLR with a telephoto lens, the Panasonic Lumix DC-ZS200D is an excellent option. The Leica DC Vario-Elmar 24–360mm lens offers a 15x optical zoom — which brings subjects 15 times closer without any of the pixelation associated with digital zoom. Optical Image Stabilizer technology means your photos won’t suffer from blurry camera shake either. 

The 1-inch MOS sensor with 20.1 megapixels results in bright, colorful images that lend themselves well to print. You can expand your photographic skills by playing around with traditional aperture and shutter priority modes, or use preset scene and filter modes for instantly different effects. We especially love the camera’s Post Focus feature, which varies the focal point while taking 30 photos per second so that you can go back afterwards and select the best one. In terms of video, shoot in 4K or use high-speed Full HD for instant 120 frames-per-second, slow-motion playback. 

The Details: 20.1 megapixels | 1-inch MOS sensor | 24–360mm lens | 3-inch OLED screen | 4K video | 4.4 x 2.6 x 1.8 inches | 12 ounces | Electronic viewfinder

Best Splurge

Leica q3 digital camera.

This is a professional camera that pays equal attention to still images and video, delivering best-in-class results for both.

It’s not the best choice for those who want telephoto functionality.

The Leica Q3 is an ultra-exclusive option limited to one purchase per customer. And don’t be fooled by its compact size — coming in at just under $6,000, it’s a premium product for serious professionals. It boasts a full-frame BSI CMOS sensor for unparalleled photo and video quality. With a maximum aperture size of f/1.7 and a maximum ISO of 100000, it performs unbelievably well in low light conditions. The Summilux 28mm fixed lens includes an integrated macro mode, making the camera ideal for close-up work as well as wide-angle street photography. 

There’s no optical zoom. However, Triple Resolution Technology with up to 60 megapixels means you can use the digital zoom without losing significant detail. You can also shoot in 36 or 18 megapixel mode to save space on your memory card. Video is equally versatile with multiple formats to choose from including 8K, 4K, ProRes, and Full HD. All of your work benefits from hybrid autofocus and subject tracking, while the Leica FOTOS app can be used for audiovisual content creation. Finally, you can frame shots using the 3-inch display or the OLED viewfinder.

The Details: Up to 60 megapixels | Full-frame BSI CMOS sensor | 28mm lens | 3-inch LCD screen | 8K video | 5.1 x 3.2 x 3.6 inches | 1.6 pounds | Electronic viewfinder

Best for Videos and Vlogging

Canon powershot g7 x mark iii camera.

Designed to shoot high-quality video in vertical or horizontal formats, this camera offers Wi-Fi and Bluetooth connectivity and can live-stream direct to YouTube.

To realize full vlogging potential, you may need to purchase a tripod and remote control separately.

Looking for the best camera for filming quality reels? The Canon PowerShot G7 X Mark III is designed especially for this purpose with 4K and Full HD video, the ability to shoot horizontally or vertically, Wi-Fi and Bluetooth connectivity to social media, and the ability to live stream straight to YouTube. Whether you’re shooting video or still photos, the fact that you can tilt the LCD touch screen by 180 degrees makes it ideal for framing quality selfies. 

The technology is impressive, too. We’re talking a 1-inch stacked CMOS sensor paired with a DIGIC 8 image processor for exceptionally fast autofocusing, with facial recognition that puts you in the center no matter how much you move around. The 24–100mm lens is suitable for a versatile mix of wide-angle and short telephoto shots, while the f/1.8-2.8 aperture performs well in low light conditions. Finally, the Optical Image Stabilizer reduces camera shake for clear, crisp results. Adding other gadgets is easy. The camera has a 3.5mm microphone terminal and can be purchased as part of a video creator kit that includes a tripod grip and remote control. 

The Details: 20.1 megapixels | 1-inch stacked CMOS sensor | 24–100mm lens | 3-inch LCD screen | 4K video | 4.1 x 2.4 x 1.6 inches | 10.7 ounces | No viewfinder

Fujifilm X100VI Camera

This camera combines state-of-the-art technology with a vintage aesthetic and a full range of film simulation modes.

The lens is fixed, so any zoom comes with the compromise of digital cropping.

First off, the Fujifilm X100VI just looks cool, with a gorgeous silver-and-black or all-black aesthetic reminiscent of a vintage film camera. Beneath the retro exterior lies a cutting-edge X-Trans CMOS 5 HR sensor with a revolutionary image-processing algorithm for efficient light reception and amazing image resolution at any ISO sensitivity. Thanks to the fixed 23mm f/2 lens, you’ll also get 35mm equivalency in terms of low-light performance and the ability to achieve a shallow depth of field — for a much lower cost than a full-frame compact camera.  

You can zoom digitally by 1.4x or 2x. The 425-point intelligent autofocus system is super fast, while built-in image stabilization reduces the appearance of camera shake by up to six f-stops. And when it comes to video, you can switch between 6.2K, 4K, and Full HD at will. Above all, we love that this camera includes 20 simulation modes inspired by iconic Fujifilm film types ranging from Eterna Bleach Bypass to Nostalgic Neg. You can even shoot using a Grain Effect that replicates the textured look of vintage film photography. 

The Details: 40.2 megapixels | X-Trans CMOS 5 HR sensor | 23mm lens | 3-inch LCD screen | 6.2K video | 5 x 3 x 2.1 inches | 1.1 pounds | Hybrid electronic and optical viewfinder

Kodak Ektar H35 Half Frame Film Camera

It’s an inexpensive and easy-to-use film camera for maximum fun.

There’s a limit to how much you can do with such a basic setup, so it may not be ideal as your primary travel camera.

Perhaps you feel nostalgic for the days of film, or perhaps you grew up in the digital era and want to experience photography as it used to be. Either way, the Kodak Ektar H35 Half Frame Film Camera is great for film novices, those wanting to stretch their abilities as a photographer, and those who just love the retro look of original film. It’s inexpensive in terms of initial layout and because the half-frame format gives you twice as many images per roll as you’d get from a full-frame camera. 

Weighing in at just three and a half ounces, this pocket-sized camera is made for on-the-go convenience. It features a 22mm f/9.5 lens — so with no zoom and no autofocus, it’s best for wide-angle shots and back-to-basics experimentation that’s as fun as it is challenging. You can frame shots using the optical viewfinder and deploy the built-in flash in low light or at night. The camera is compatible with black-and-white and color film and requires one AAA battery to work. Choose yours in Black, Brown, Sand, or Sage. 

The Details: 22mm lens | 4.3 x 2.4 x 1.5 inches | 3.5 ounces | Optical viewfinder

Best Instant

Fujifilm instax mini evo instant camera.

Not only can you print photos instantly, you can also save a digital version to your smartphone via the app.

You’ll need to recharge after approximately 100 photos.

Available with a retro black or brown leather effect, the Fujifilm Instax Mini Evo Instant Camera lets you create 2 x 3-inch prints of your images in approximately 16 seconds. It features an autofocusing 28mm f/2 lens and uses automatic shutter speed and ISO for fool-proof results. Expressing your creativity is easy, with 10 lens effects (including Light Leak, Double Exposure, and Soft Focus) and 10 film effects from Vivid to Sepia. You can use these interchangeably for a total of 100 different possibilities. 

Other features include a built-in flash, a self-timer, a selfie mirror, and a 3-inch LCD screen. What makes this instant camera different from the Polaroids of the past is the ability to use it in conjunction with the INSTAX app. This means being able to use your smartphone as a remote for releasing the camera shutter (handy for group shots and selfies) and being able to save a digital version of your instant prints complete with an INSTAX frame. From there, you can upload them to social media. You can even use Bluetooth to send pictures from your smartphone to the camera to print. 

The Details: 2560 x 1920 pixels | 1/5-inch CMOS sensor | 28mm lens | 3-inch LCD screen | 4.8 x 3.4 x 1.4 inches | 10.1 ounces | No viewfinder

Best Durable

Ricoh pentax wg-90 digital camera.

Drop it, crush it, take it out in a sandstorm or underwater and this camera should still emerge in one piece.

If you’re looking for an underwater camera for scuba diving, scroll on — we’ve found ones with better depth ratings.

When it comes to durability, B&H’s Mark Steinberg recommends the Ricoh Pentax WG-90 above all others. It lives up to its armored appearance with some pretty impressive technical specs. It’s waterproof up to 46 feet underwater for up to two hours of continuous operation, making it ideal for surface water sports or snorkeling. It’s also shockproof against falls from five feet, crushproof against 220-pound-force weights, and dustproof. Heading somewhere cold? Unlike many of the cameras on this list, this one will still operate in temperatures as low as 14 degrees Fahrenheit. 

Toughness aside, it’s also a great little camera from a photography perspective. The 16-megapixel BSI CMOS sensor offers high sensitivity and minimal noise, even when using the maximum ISO setting (6400.) A built-in ring light and flash help out in low-light situations, while the 28–140mm equivalent lens is suited to both wide-angle and short telephoto use with a 5x optical zoom. Choose from a range of shooting modes including Fish-Eye, Sports, and Handheld Night; or capture moving images with Full HD video. 

The Details: 16 megapixels | 1/2.3-inch BSI CMOS sensor | Equivalent 28–140mm lens | 2.7-inch LCD screen | Full HD video | 4.8 x 2.4 x 1.2 inches | 6.1 ounces | No viewfinder

Best for Action Sports

Gopro hero12 black.

This camera stands out for its Emmy Award-winning video stabilization, 177-degree field of view, and action-ready, rugged build.

With a super wide-angle lens and no zoom functionality, this is a specialist camera for POV filming and photography only.

GoPro’s reputation precedes it in the action sports category, and the latest Hero12 camera really is a thing of wonder. Film High Dynamic Range (HDR) video in 5.3K, 4K, 2.7K, or Full HD. Revel in the 177-degree field of view that shows more of your daredevil POV than ever before. And know that whether you’re jumping out of an airplane or racing at high speed down a mountain, the camera’s HyperSmooth 6.0 video stabilization ensures the footage is super smooth. Turning a full 360 degrees? Horizon Lock keeps the horizon level throughout. 

You can film vertically for direct upload to social media and slow things down by up to eight times for an epic fast-action/slow-motion effect. Meanwhile, Bluetooth audio support allows you to connect headphones for sound recording and remote voice commands. The camera also takes 27-megapixel still photos. Or, you can grab 24.7 megapixel stills from your video. The GoPro 12 is waterproof to 33 feet, can run continuously for over two and a half hours on Full HD, and features a new Enduro battery especially for temperatures down to 14 degrees Fahrenheit. 

The Details: 27 megapixels | 1/1.9-inch CMOS sensor | 12–39mm equivalent lens | 2.3 and 1.4-inch LCD screens | 5.3K video | 2.8 x 2 x 1.3 inches | 5.4 ounces | No viewfinder

Best Waterproof

Sealife micro 3.0 digital underwater camera.

This camera dives as deep as you can and takes the stress out of O-ring maintenance with a permanently sealed body.

It’s very definitely geared towards underwater photography rather than as an all-rounder for topside travel shots.

Unlike the other waterproof cameras on this list, the SeaLife Micro 3.0 is designed with scuba divers in mind. It’s waterproof to 200 feet (exceeding recreational dive limits) and is permanently sealed making it suitable for even the most careless or inexperienced underwater photographer. Use the 100-degree wide-angle lens to get as close as possible to your subject for the best results. You can rely on the built-in underwater color correction to counteract the loss of red tones; or, for the more advanced, there’s a manual white balance option. 

We love the large, f/2.8 aperture for its ability to make the most of limited ambient light. But if you tend to dive deep, the camera is also compatible with single or double after-market strobe sets. The camera delivers high-quality, 16-megapixel images in single or burst shooting mode and can also film 4K or Full HD video. And if you get all the way out to the dive site and realize you’ve left your memory card at home? No problem, the 64GB internal memory’s got your back. Finally, Piano Key controls make for easy menu navigation, even with dive gloves on. 

The Details: 16 megapixels | 1/2.3-inch CMOS sensor | 20mm equivalent lens | 2.4-inch LCD screen | 4K video | 4.2 x 2.1 x 2.9 inches | 11.6 ounces | No viewfinder

Best Budget

Kodak pixpro az255 camera.

This is the ideal camera for beginners who want to learn, with automatic and manual settings at a very reasonable price point.

It requires two AA batteries.

If you’re just getting into photography and don’t want to make a major investment just yet, the Kodak Pixpro AZ255 offers plenty of functionality for roughly nine times less money than our overall winner. It uses a 16-megapixel CMOS sensor and is well suited to most kinds of photography with a wide-angle 24mm lens and a 25x optical zoom that brings you significantly closer to your subject without compromising image quality. You can also use the 4x digital zoom, although you should expect some pixelation. 

Optical Image Stabilization helps eliminate blur, a continuous shooting mode ensures you never miss that action shot, and a built-in flash allows for nighttime shooting. And although the autofocus isn’t nearly as advanced as the more expensive models on this list, you’ll still benefit from subject tracking and face detection. Our favorite feature? The ability to keep things simple with 22 preset scene modes or to experiment with aperture priority, shutter priority, and full manual settings. You’re not limited to still photos — this camera also shoots Full HD video. 

The Details: 16 megapixels | 1/2.3-inch BSI CMOS sensor | 24–600mm equivalent lens | 3-inch LCD screen | Full HD video | 4.5 x 3.1 x 2.7 inches | 12.5 ounces | No viewfinder

Tips for Buying a Compact Camera

Understand the specs.

Before purchasing a compact camera, it’s important to understand some of the key specifications to look out for. 

Sensor size: Sensor size has the greatest impact on photo quality and clarity, especially in low-light conditions. The larger the sensor, the better your image quality will be with greater sensitivity and less noise (or graininess). B&H Senior Technologist Mark Steinberg says that BSI, or Back Side Illumination, sensors are superior for their ability to increase light-gathering efficiency. 

Megapixels: A megapixel equals one million pixels. Pixels are the tiny digital squares that make up your image and the more you have, the more detail you’ll capture. Most digital cameras offer sufficient megapixels for viewing on a screen. But the number of megapixels becomes important when zooming in on an image, cropping it, or printing it. Look for a higher number of megapixels if you plan on printing your photos, but bear in mind that more megapixels means larger files and less space on your memory card. 

Zoom: If you plan on photographing wildlife or anything else that requires a zoom, it’s important to understand the difference between optical and digital zoom. Optical zoom brings the subject closer before capturing the image, with a lens that extends outwards from the camera body. This preserves photo quality. Digital zoom simply crops and resizes a smaller section of the original image, resulting in a blurrier, grainier picture. 

LCD screen: The LCD screen is important because it allows you to view and compose your image before taking a picture. It also allows you to play your images back and scroll through the settings menu. Therefore, it’s important to choose a high-resolution LCD screen that displays colors accurately, even in bright light. It also needs to be big enough for you to see details clearly. Some point-and-shoots offer touchscreen capability for increased ease of use. 

Viewfinder: Many compact cameras lack a traditional viewfinder (the hole you look through to view and frame your image). But if you plan on shooting in bright conditions, investing in a camera with a viewfinder is helpful for when glare impacts your ability to see the LCD screen clearly. 

Video resolution: Video resolution refers to the number of horizontal and vertical pixels. The more you have, the more detailed your footage will be. Look for Full HD (1920 x 1090 pixels) as a minimum or 4K (3840 x 2160 pixels) for premium, cinema-quality video. 

Prioritize quality

It goes without saying that for the best results, you should spend as much as you can afford on the best quality camera possible. All of the specifications detailed above are worth considering, but if you focus on just one thing, Steinberg says that the most important factor in terms of image quality is the type and size of the sensor. If you plan on printing your vacation photos or using them to create a photo book or other memento, a reasonable number of megapixels (10 or more) is key. Finally, Steinberg points out that build quality and manufacturer support are also important. 

Choose a camera based on your skill level and goals

Having said that, there’s no point in spending a fortune on a high-end compact camera with advanced specifications if all you really want is a simple way of capturing fun vacation snaps for social media. Beginners should prioritize cameras that are intuitive and simple to use. If your goals are more ambitious, Steinberg recommends looking for manual settings that will allow you to fine tune shutter speed, aperture size, and ISO for the best results. 

It’s also worth considering where you’re traveling and your planned activities. If your camera will be exposed to dust, sand, humidity, or water, then looking for one that’s IP rated against dust and water ingress is crucial. When it comes to interpreting IP numbers, remember that the first number after the IP relates to dust while the second number relates to water. Only water ratings of seven or higher are fully waterproof. Scuba divers should be sure to check depth ratings.

In addition to considering all of the specifications listed above and how they relate to your requirements, Steinberg says it’s important to consider the ergonomics of the camera. Does it feel comfortable in your hands and next to your face? Are the controls and buttons easy for you to access and operate? Can you view the LCD screen clearly and does the menu navigation system make sense? You should also think about the ease of use. If you’re not sure, consider booking a free in-person or virtual appointment with a B&H expert to talk through different options.

Absolutely, and especially if you choose one with a decent number of megapixels. It’s generally accepted that in order for an image to be made into a high quality print, it needs to have 300 pixels per inch (300 PPI). The number of megapixels required to achieve this depends on how big you want your prints to be. For a standard 6 x 4 inch image, you’d need at least 2.2 megapixels. For a 5 x 7 inch image, you’d need at least 3.2 megapixels. It’s also worth remembering that good printing results are dependent on printer and paper quality too.

Before we tackle this question, it’s important to note that while compact cameras lack a mirror (and mirrorless cameras are more compact than DSLRs), mirrorless cameras are not the same as compact cameras for the purpose of this list. We’ve focused on point-and-shoot cameras for novice photographers and more advanced photographers who prioritize portability. Advantages of point-and-shoots over DSLRs include reduced size and weight, ease of use, and cost. 

Mirrorless cameras were introduced in 2004 and have since evolved to compete with DSLRs as the category of choice for intermediate and professional photographers. They have a larger sensor than a traditional point-and-shoot, offering superior image quality. They’re bulkier, cost a lot more, and come with interchangeable lenses. The key difference between mirrorless and DSLR cameras is that mirrorless cameras let light hit the sensor directly whereas DSLRs use a mirror to reflect light onto the sensor. 

This difference makes mirrorless cameras quicker and quieter — key advantages for fast-action and wildlife photography. High-end mirrorless cameras can also offer superior autofocus and better performance in low light conditions. DSLRs still hold the edge in terms of viewfinder accuracy, battery life, and a greater range of compatible lenses.

Why Trust Travel + Leisure

Jessica Macdonald has been writing about travel gear for more than a decade. She’s also a professional photographer who has sold images to many publications including Travel + Leisure. Although she typically shoots with her trusty Nikon DSLR, she has often used compact cameras especially for underwater photography. For this article, she conducted hours of online research and consulted the opinion of Mark Steinberg , a B&H Senior Technologist.

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Related Articles

The best point-and-shoot cameras in 2024

Traditional and portable point-and-shoot cameras—both digital and film—easily allow you to enhance your photography and artistry.

We may earn revenue from the products available on this page and participate in affiliate programs. Learn more ›

Point-and-shoot cameras may be less common these days, in part thanks to smartphones, but there are still some worthy reasons to invest in these pocketable cameras. For starters, even though smartphone cameras have become quite impressive, the sensors in compact cameras are still larger. And the lenses typically have more to offer as well. Plus, sometimes it’s nice to keep the phone tucked away but still be able to take photos. The best point-and-shoot cameras offer great image quality, easy-to-use controls, and compact designs, making them ideal for a wide range of people and situations.

• Best overall:   Sony RX100 VII
• Best for travel:   Canon PowerShot G7 X Mark III
• Best waterproof:   Olympus Tough TG-6
• Best film camera:   Ilford Sprite 35-II Reusable 35mm Film Camera
• Best instant camera:   Instax Mini 11
• Best for street photography:   Ricoh GR IIIx
• Best for content creators:   Sony ZV-1
• Best budget:  Panasonic LUMIX DC-FZ80

How we chose the best point-and-shoot cameras

The writers and editors at Popular Science have decades of combined experience writing about and reviewing cameras because they’re also the writers and editors of Popular Photography . These picks come from a mixture of personal experience, spec comparisons, user reviews, and editorial reviews.

The best point-and-shoot cameras: Reviews & Recommendations

When picking our favorite point-and-shoot cameras, we emphasized models that perform in a variety of different situations while keeping their sizes small. While some of these models climb up over $1,000, we tried to keep the price relatively low for most selections because these aren’t the most advanced models.

• Sensor:  20.1MP 1″ Exmor RS BSI CMOS sensor
• Lens:  f/2.8-4.5 9-72mm (35mm equivalent: 24-200mm)
• Weight:  10.65 ounces
• Dimensions:  4 x 2.29 x 1.69 inches
• Exceptional autofocus
• Versatile zoom range
• Large sensor
• Pricey for a point-and-shoot

The Sony RX100 VII is an awesome little camera. Despite the tiny body, it’s packed with a large, one-inch sensor, resulting in excellent image quality for the category. It also has the best autofocus of any point-and-shoot camera, meaning you’ll get more images in focus even when working with moving subjects.

This compact camera offers a 24-200mm equivalent lens, which is a versatile zoom range. And it is capable of 4K video, making this a well-rounded camera suitable for just about everyone. The only downside is the price. It is quite expensive for a point-and-shoot. But it offers a lot of quality and high-end features in a tiny package, so we think it’s worth the price.

• Sensor : 20.2MP 1″ Stacked CMOS sensor
• Lens : f/1.8-2.8 8.8-36.8mm (35mm equivalent: 24-100mm)
• Weight : 1 pound
• Dimensions:  4.13 x 2.4 x 1.63 inches
• Versatile lens
• Manual control options
• Solid flash
• A little pricey

The one-inch sensor is larger than what you’ll find in a typical compact camera. This translates into better low-light shooting, even when not using the built-in flash. And the sensor has built-in autofocus pixels that help track objects for sharp shots even when your subject is moving. 

The 4.2x optical zoom lets shooters capture more distant objects without sacrificing image quality, and the 3-inch tilting LCD screen allows for shots from creative angles. Finally, raw photo capture provides extra flexibility for travel photographers who want to perfect images with photo editing software once they return from their trip. It’s a great camera for beginners and more experienced shooters alike.

• Sensor:  12MP BSI CMOS sensor
• Lens:  f/2-4.9 4.5-18mm (35mm equivalent: 25 to 100mm)
• Weight:  8.92 ounces
• Dimensions:  4.45 x 2.6 x 1.28 inches
• Extremely tough
• Underwater shooting modes
• Compatible with tons of accessories
• Small sensor

This point-and-shoot camera can go pretty much anywhere. It’s waterproof down to 50 feet without a separate case. It’s totally dust-proof, so it won’t suffer if you take it to the beach or deep in the desert. Plus, it’s crush-proof up to 220 pounds, so you can sit on it by accident and still go shooting later in the day. Most compacts can’t stand up to that kind of abuse. 

Toughness isn’t worth much if the camera isn’t very good. This compact offers a relatively small sensor, but it has a versatile 4x zoom lens that will cover most common scenarios on your adventures. And if you fall in love with the camera, Olympus offers a ton of different accessories like action camera mounts and underwater lights to go with it. (Looking for something cheaper but still waterproof? We’ve got you .)

• Sensor : N/A
• Lens : f/9 31mm
• Weight : 4 ounces
• Dimensions:  4.7 x 2.6 x 1.7 inches
• Comes in eight fun color combinations
• Very affordable
• Fixed settings make it easy to use
• Features a built-in flash
• Fixed settings may be limiting
• Plastic lens results in some softness

If you want to get your feet wet with film, the Ilford Sprite 35-II is a fantastic and fun choice. It’s similar to disposable camera in that it has a plastic lens with a fixed aperture and shutter speed. But it’s reloadable, thus producing less waste. And it simply looks cooler than a disposable camera as well.

The Sprite 35-II features a 31mm lens with a fixed f/9 aperture to ensure that your scene is in focus. It also has a fixed 1/120s shutter speed. There is a built-in flash for low-light situations, perfect for shooting indoors. You won’t get precisely sharp and perfect results from this camera, but we think that’s half the fun. It’s a great outlet compared to highly technical cameras and fun to bring along on outings with friends and family. And since it has no settings at all, it’s a true point-and-shoot that is extremely simple to use, even with it being a film camera.

Abby Ferguson

• Lens : f/12.7 60mm
• Weight : 10.34 ounces
• Dimensions:  4.24 x 4.77 x 2.65 inches
• Produces fun, tiny instant prints
• Easy to use
• Includes a selfie mirror on the lens
• Results aren’t the sharpest

There’s just something special about a camera spitting out an image, and the wait for it to appear seemingly magically. The  best instant cameras  are easy to use and result in attractive prints, which is true of the Instax Mini 11. The results aren’t pristine like you may be used to with your phone or digital camera, but we think that’s part of the charm.

The Instax Mini 11 features a fixed 60mm lens with an f/12.7 aperture that focuses from 11.8 inches to infinity. Or, you can turn the lens to Selfie Mode for a close focusing range of 11.8 to 19.7 inches. And there is a built-in flash, which is ideal for indoor shooting. It is a little slick to hold but comes with a lanyard to prevent drips.

I recently let my nieces and nephews—all under 12—use the Instax Mini 11, and seeing how excited they were was a blast. They all wanted to keep taking photos despite the limited quantity of film I had and ran around showing the rest of the family what they captured. And despite some of them being quite young (and impatient to take a photo), they all managed to take a clear and relatively sharp photo. 

• Sensor : 24.2MP APS-C CMOS sensor
• Lens : f/2.8 26.1mm (35mm equivalent: 40mm)
• Weight : 9.2 ounces
• Dimensions:  4.3 x 2.4 x 1.4 inches
• Large sensor provides excellent image quality
• Compact and pocket-friendly
• 40mm lens is sharp and versatile
• Battery life isn’t great

Ricoh’s GR IIIx is a fantastic pick for  street photography , largely thanks to its compact design. It is pocketable, so you can easily keep it on you when out and about. And it won’t draw much attention when you take it out to snap a photo. It also has slick all-black styling and an easy-to-hold design, even when shooting with one hand.

This discreet look is furthered by the lack of a zoom lens. It uses a fixed 40mm focal length (35mm equivalent), so you won’t lose the compact size when taking photos. 40mm is also an ideal focal length for street photography, as it is wide enough to get some context in the scene but not so wide that you end up with loads of extra space around your subject. If you do want something wider, the  GR III  is essentially the same, except it features a wider 28mm equivalent lens.

The GR IIIx image quality is excellent, partly thanks to the relatively large sensor. Images are sharp all the way to the edges, even when shooting wide open at f/2.8. And it produces vibrant, attractive colors. Interested in learning more? Check out our  full review  of the GR IIIx on Popular Photography .

• Sensor:  20.1MP 1″ Exmor RS BSI CMOS sensor
• Lens:  f/1.8-2.8 9.4-5.7mm (35mm equivalent: 24-70mm)
• Weight:  10.4 ounces
• Dimensions:  4.15 x 2.36 x 1.71 inches
• Excellent lens
• Very compact for its specs
• Above-average autofocus features
• Can feel a little cramped with big hands

Sony’s ZV-1 is a camera truly designed for vloggers and, as a result, is packed with features to make recording yourself easier. The auto exposure settings keep your face bright and clear. It even centers your face and quickly adjusts background blur with the push of a Background Defocus button. And the little camera gets Sony’s impressive autofocus abilities, so if you are showcasing other people or products, the camera will quickly find focus for you.

The forward-directional onboard mic and detachable windscreen will help you get great sound, leaving you fussing with levels in post less. There’s also a handy flip screen so you can preview the frame and capture the perfect shots and angles, making it one of the best point-and-shoot cameras for vlogging.

Best budget:   Panasonic LUMIX DC-FZ80

Specs  

• Sensor : 18.1MP 1/2.3″ MOS sensor
• Lens : f/2.8-5.9 3.6 to 215mm (35mm equivalent: 20-1200mm)
• Weight : 1.35 pounds
• Dimensions:  5.1 x 3.7 x 4.7 inches
• Massive zoom range
• Responsive autofocus
• 4K30p video recording
• Easy to hold
• Not as compact as other options

Panasonic’s Lumix DC-FZ80 is an affordable  bridge camera , offering a DSLR-like body with easy-to-use controls. Because of the deep hand grip, it’s an easy camera to hold than the other point-and-shoots mentioned on our list. It isn’t as compact as a result, so it is a tradeoff, but for many, the classic feel is preferred. 

The built-in lens provides a whopping 60x zoom, making it suitable for just about any situation you find yourself wanting to photograph. And it’s autofocus is quite responsive, so you’ll be more likely to get sharp photos as well. And it’s capable of 4K video, making it a good tool for getting started with video as well. And best of all? It’s cheaper than most alternatives.

Things to consider when shopping for the best point-and-shoot cameras

Point-and-shoot cameras are small and compact cameras that can create sharp, vibrant images. This makes them the best camera for beginners, a good option for travelers, and even a worthy choice for some professional uses. Here are some features to consider when choosing the right one for you.

Are you a true beginner?

A point-and-shoot camera is designed to make the process of photography as simple as possible. They typically feature fully automatic exposure and focus so that you can, as the name implies, point the camera and snap a photo with nothing more than a press of a button. If you are a true beginner and want the easiest-to-use camera, you’ll want to look for models with simple menu systems and fully automatic controls. 

That said, some point-and-shoots offer more settings than others. If you are slightly beyond beginner status or want a camera to grow into, check to see what settings the camera allows you to change. You may want to adjust things like ISO, shutter speed, and aperture down the line, as opposed to relying on auto exposure modes.

Will you travel with your camera?

One of the main purposes of a compact camera is that the camera is, well, compact. With typical dimensions of roughly 2.5 x 3.5 x 1.5 inches, point-and-shoots are specifically designed to easily fit into pockets, purses, fanny packs, and other small compartments. And unlike hefty DSLRs or mirrorless cameras, point-and-shoot cameras weigh way less than a single pound. And if you’re worried about safety, the discreet size of compact cameras makes them less of a target for theft.

While all point-and-shoot cameras are pretty compact, there are still size differences across available cameras. Be sure to pay attention to the dimensions and weight of the cameras you are considering if that is something important to you.

Do you need a tough camera for an active lifestyle?

If you live for the outdoors—hiking steep mountain trails or backpacking through desert Canyons—you need a point-and-shoot camera that can handle adventure. Rugged and waterproof cameras are built to endure and capture the extreme environments you love exploring. Taking electronics to the beach is usually a big no-no, as even a single grain of sand can cause damage. Yet rugged models can resist sand, allowing you to take all the sunset shots you want.

For us less risky folk, these tough cameras can survive your average accidental drops, spills, and kicks. Some of them may be overkill for general use, however. If you don’t intend to take your camera on rugged adventures, you may be able to save some money by getting a camera without extensive protective qualities. 

Q: How much are the best point-and-shoot cameras?

The best point-and-shoot cameras can range anywhere from a measly $100 to over $1,000 if you want a compact with advanced features, a decent sensor, and an excellent lens. If you’re planning to create real work with it, expect to spend close to $1,000. But if you just want something to mess around with, go cheap.

Q: Do professional photographers use point-and-shoot cameras?

Professional photographers do, in fact, use point-and-shoot cameras, mainly for the same reasons amateur or beginner photographers do. The built-in point-and-shoot lens is sharp and wide, making for quality and immersive photos. Being able to operate more advanced compact cameras in full manual mode and adjust aperture and shutter speed is an obvious draw for photographers who want control of their images. But the biggest bonus is that point-and-shoot cameras are lightweight and pocketable, so there’s no need to lug around extra equipment.

Q: Are point-and-shoot cameras better than iPhone?

The iPhone’s sensor and other smartphone cameras may offer impressive software-boosted features, but there are still many benefits to a point-and-shoot camera. Point-and-shoot cameras can have better image quality, a true optical zoom, more ability to manipulate settings, and are less expensive than new-generation iPhones. Higher-quality raw photos are also definitely a major pro, allowing for more data to be pulled from an image for editing purposes.

Final thoughts on the best point-and-shoot cameras

No matter the setting, creative vision, skill level, or age of a photographer, there are high-quality options that meet every need. The ultimate advantage of a point-and-shoot is its size and portability, making it the perfect camera for travel and adventure, as well as documenting day-to-day life.

Why trust us

Popular Science  started writing about technology more than 150 years ago. There was no such thing as “gadget writing” when we published our first issue in 1872, but if there was, our mission to demystify the world of innovation for everyday readers means we would have been all over it. Here in the present, PopSci is fully committed to helping readers navigate the increasingly intimidating array of devices on the market right now.

Our writers and editors have combined decades of experience covering and reviewing consumer electronics. We each have our own obsessive specialties—from high-end audio to video games to cameras and beyond—but when we’re reviewing devices outside of our immediate wheelhouses, we do our best to seek out trustworthy voices and opinions to help guide people to the very best recommendations. We know we don’t know everything, but we’re excited to live through the analysis paralysis that internet shopping can spur so readers don’t have to.

Abby Ferguson is the Associate Editor for Gear and Reviews at PopPhoto, joining the team in 2022. She has been involved with the photography industry in various capacities since her undergraduate training at the University of Kentucky, with work ranging from client photography to program development and management of the photo department at Evolve, a vacation rental company. Education within the photography sphere has always been a big focus for Abby. She strives to help new and experienced photographers alike better understand the technology and techniques necessary to succeed within the medium. Contact the author here.

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The best point-and-shoot cameras

Our pick of the best point-and-shoot cameras for all budgets and skill-levels.

• 1. Best overall
• 2. Best Budget
• 3. Best Premium
• 4. Best Travel
• 5. Best Waterproof
• 6. Best Pocket
• 7. Best Instant
• 8. Best Zoom
• 9. Best Value
• 10. Best Sharp

The Quick list ↴ 1. Overall : Fujifilm X100V? 2. Budget : PowerShot SX740 HS 3. Premium : Sony RX100 Mark VII 4. Travel : Panasonic Lumix ZS200 5. Waterproof: Olympus Tough TG6 6. Pocket: PowerShot G5 X II 7. Instant : Instax Mini Evo 8. Zoom : Nikon P950 9. Value : Lumix FZ1000 II 10. Sharp : Ricoh GR III 11. FAQs :

The best point-and-shoot cameras are perfect for those who just want to get out and take photos without worrying about camera settings, and desire a blend of simplicity and quality in their photography kit. Unlike DSLRs and mirrorless cameras, the fixed lens on a point-and-shoot camera is the only one you're getting – but they also offer significant image quality and handling upgrades compared with using a smartphone.

The term "point-and-shoot" is a bit more flexible these days, and these cameras are generally versatile and adept for those who want to take pictures and not sweat the details too much. They should be equipped with everything you need to simply take photos. But that's not to say they lack power, as some of these cameras have 4K capabilities and high-resolution sensors yet still retain the nature of point-and-shoot.

For a broader set of options, we also have a guide to the best cameras overall, as well as the best cameras for beginners , plus the best disposable cameras to take away on vacation. There's also the best cameras for kids to consider as well as the best memory cards , which you’ll need once you’ve picked your camera.  

The quick list

Don't have much time? Here are our top 3 choices for the best point-and-shoot cameras on the market right now, but we recommend you see our full list to make a truly informed choice.  

This is our pick of the best point-and-shoot camera overall, it's not the cheapest - but the image quality is sublime and it makes photography fun again. 5 stars from us. Read More below

This is the best budget point-and-shoot camera with a price tag of just $449/£379 approximately. It shoots 4K and has a great 40x optical zoom, but no viewfinder. Read More below

This is the best premium point-and-shoot camera option that verges on being a compact bridge camera. Having risen to popularity through TikTok, this camera doesn't come cheap. Read More below

The best point-and-shoot cameras 

Why you can trust Creative Bloq Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out more about how we test .

• Back to the top ⤴

The best Point-and-shoot camera overall

01. Fujifilm X100V

Our expert review:

Specifications

Reasons to buy, reasons to avoid.

This is the premium choice for point-and-shoot cameras, and what a choice it is. The Fujifilm X100V, as we said plainly in our review, is arguably a perfect camera in the sense that it achieves precisely what it's setting out to do. The combination of an APS-C sensor and a fixed 35mm equivalent lens has gone through five iterations essentially unchanged since the original X100 debuted in 2010, and it has remained enduringly popular. This is a fantastic camera for street photography and everyday shooting.

Another strength of Fujifilm X cameras, as we mentioned in our review, is how great the images look straight out of camera. If you aren't someone who likes spending a lot of time editing images in software, then the vivid, crisp JPEGs of a Fujifilm X-Trans sensor may well appeal to you. 

True, it doesn't have a zoom lens, but this is something you know going in – if you want a zoom lens, don't buy this camera. The trade-off of sharpness of the prime lens is well worth it in our view. So really, the only major strike against the X100V is its price, which is considerable, costing more than any other camera on this list. In our view, this camera's premium design and superb engineering make it more than worth the price tag, if you can afford it. 

Read more details in our full Fujifilm X100V review .

The best budget Point-and-shoot camera

02. Canon PowerShot SX740 HS

The Canon PowerShot SX740 HS is a really impressive superzoom camera – even though it’s slim and compact, it offers a whopping zoom range of 24-960mm equivalent. That’s some serious zooming power, and once that smartphones can’t hope to get anywhere near. 

It’s got loads of great photography features too, like its ability to burst-shoot at 6fps, which is great for capturing the kind of wildlife that the zoom lens will allow you to catch a glimpse of. Having a flip-out screen is handy too, especially for video, which on the SX740 HS is stabilised for smoother shots. Autofocus is snappy and responsive.

The only real downside is the sensor, which is a small 1/2.3-inch type. This hurts the image quality and the dynamic range of the camera, and this paired with the f/3.3 maximum aperture means you’ll definitely struggle in low light. If night shots are a big part of your repertoire, look elsewhere – otherwise, this is a highly capable compact camera and a terrific point-and-shoot. 

The best premium Point-and-shoot camera

03. Sony RX 100 Mark VII

This compact point-and-shoot camera is premium for a reason, and has a host of amazing features that make it one of the best cameras on the market right now. It takes a few elements of the latest Sony Alpha Mirrorless cameras, such as the electronic viewfinder and lightweight design, and paired this with a digital CMOS sensor to deliver amazing image quality and 4K resolution video capture. 

One of the best things about this camera, as noticed by music photographers on TikTok , is that it's pretty inconspicuous and can be taken into most places that a DSLR or mirrorless camera cannot. The flashy telephoto lenses you get on interchangeable lens cameras will draw attention to you more often than not, but this compact Sony RX 100 Mark VII doesn't look like a very powerful professional camera and so will be given the green light by security more often than not. 

Aside from this, it has fast hybrid AF (autofocus), enhanced image stabilisation for movie recording, an external microphone jack making it great for vlogging, super slow motion capabilities, and a one-push access viewfinder that can pop pout and be tucked away as you please. You can get this camera for a steal price secondhand, but new it can be too expensive for most to consider. 

The best Point-and-shoot camera for travel

04. Panasonic Lumix ZS200 / TZ200

In our full review of the Panasonic Lumix ZS200 (also known as the TZ200 outside of the US), we praised it as one of the smartest buys you can make if you're looking for a good travel zoom camera. This, for our money, makes it the best choice of point-and-shoot camera, as it delivers supreme flexibility and excellent image quality, all in a body that's small enough to carry anywhere with you. 

With a 1-inch sensor, the Lumix TZ200 delivers excellent images, with plenty of detail and impressive dynamic range. Meanwhile, the 24-360mm equivalent lens is impressively sharp throughout its zoom range – though be aware that at the full telephoto extension, its maximum aperture drops down to f/6.4, which restricts you a little in low light. A bigger aperture would have necessitated a bigger camera, so we understand why Panasonic made the trade-off, but all the same, it's something to be aware of.

The Lumix TZ200 is great for video too, as we noted in our review. The 4K quality is good across the board, as is standard for Panasonic cameras, and it also offers a number of interesting shooting modes. There's 4K Photo, which extracts a high-quality still from 4K footage, effectively giving you a 30fps burst mode. And then there's the more out-there stuff like Post Focus, which quickly fires a series of shots across an image's focal plane, allowing you to choose the focusing point after you've captured the shot.

See our full Panasonic Lumix ZS200 review for more details.

The best waterproof Point-and-shoot camera

05. Olympus Tough TG-6

The Olympus Tough TG-6 is more than just a point-and-shoot. It's a type of camera known as a "tough compact", meaning it's waterproof, shockproof, freezeproof – and more. It's designed to keep on kicking in pretty much any shooting scenario, much like a GoPro, but with more of a traditionally camera-shaped design.

In our full review, we found that the TG-6 is still pretty much the best tough compact you can buy. Its optical zoom lens puts it ahead of many other similarly specced cameras – and is also something GoPros don't have – with a 25-100mm equivalent range that is excellent for a wide range of subjects and perspectives. We also appreciated the fact that it goes to a generous maximum aperture of f/2, which opens up options in low light. Great if you plan to keep shooting well into the evening. 

The thing to be aware of – and this is a consistent issue across tough compacts and action cameras – is that the TG-6 uses a relatively small sensor. Its 1/2.3-inch type sensor is about the same size as you get in most smartphones, so you're not going to see a huge upgrade in image quality and dynamic range compared to your phone.

See our in-depth Olympus Tough TG-6 review where we get into more detail. 

The best pocket-sized Point-and-shoot camera

06. Canon PowerShot G5 X Mark II

A good point-and-shoot camera should be easy to use, versatile, and, ideally, you should be able to put it in a pocket. The Canon PowerShot G5 X Mark II ticks all of those boxes and more. It has a 24-105mm lens, which gives us a very generous zoom range to play with, while its 20MP one -inch sensor produces images that look fantastic, particularly in RAW mode. You can also burst-shoot in RAW mode at a mighty impressive 30fps.

This camera also boasts 4K video, a tilting touchscreen, and even finds room for an electronic viewfinder for those who prefer to compose images the classic way. The only disadvantage is that all this tech drags a little on the battery, which is CIPA-rated for about 230 shots before a recharge. We'd recommend packing a spare. 

The best Instant Point-and-shoot camera

07. Instax Mini Evo

The Instax Mini Evo is the ultimate hybrid digital instant camera (and point-and-shoot option) that can produce amazing printed analogue photos with the ability to add creative effects in-camera. You get a digital and physical copy of your image, and you can choose whether or not you want the image printed after you shoot it to save wasting expensive film. 

The best part of using this Instant camera is that it can also print photos directly from your smartphone image gallery anytime you want, whether or not they were captured using your camera, so essentially it also doubles as a portable smartphone printer too. It has a 3-inch LCD screen on the back to browse through your images, and has the bare minimum in terms of settings to keep it simple. 

The brown retro variant of the Mini Evo is new, released only a few months ago, and has a great aesthetic feel to it. See our full review of the Instax Mini Evo .

The best Point-and-shoot zoom camera

06. Nikon P950

We may be stretching the definition of a point-and-shoot camera a little here, but stretching is the name of the game with the Nikon P950. Its enormous lens puts your zoom potential further than pretty much any other camera out there, on a par in focal length terms with the kind of super-telephotos that run up four-figure price tags. But it would be remiss to over-simplify this bridge camera, which is aimed at intermediate users. 

A compact all-in-one, we could call it, and it may be the only camera you’ll need thanks to the aforementioned huge 83x optical zoom with dual optical vibration reduction built into a focal length equivalent to 24-2000mm in 35mm film terms. 

As well as a respectable f/2.8 maximum aperture, the camera can also shoot 4K video, and it supports the capture of Raw files, which makes it a solid option for enthusiasts who are after a big lens backup camera as well as those looking for a family camera that ticks all the boxes. You can see more Nikons in our guide to the best Nikon camera .

The best value Point-and-shoot camera

09. Panasonic Lumix FZ1000 II

Like the Nikon P950, the Panasonic Lumix FZ1000 II boasts a powerful zoom. However, it's arguably a much more sensible camera, more concerned with overall quality and usefulness than it is grabbing headlines for "biggest zoom EVER". The capable zoom lens covers an equivalent range of 16mm to 400mm, which is a lot by any standards, and it's a high-quality Leica DC Vario-Elmarit optic. It's not as sharp as something you'd find on a real high-end compact camera like the Sony RX10 IV, but that's why this camera costs significantly less.

With a 1-inch sensor, the Lumix FZ1000 II outstrips the P950 in terms of image quality, and its handling is excellent too. Having a vari-angle LCD makes you super-versatile, especially for video, and the high-quality electronic viewfinder is a welcome addition. We could gripe at the lack of weather-sealing, which is an unfortunate omission on a camera that's otherwise so well-suited to outdoor exploring. A bit of dust- and splash protection really wouldn't have gone amiss. But otherwise, this is a highly capable point-and-shoot that offers tremendous value for money. 

The best sharp Point-and-shoot camera

10. Ricoh GR III

The Ricoh GR III represented an impressive comeback from Ricoh, and it was highly anticipated by photographers of all disciplines. It's a brilliant fixed-focal-length APS-C compact that can rival arguably the leader of this type of compact, the Fujifilm X100V which was featured further up our list. The APS-C sensor delivers fantastically crisp results whether shooting 24MP images or Full HD video, and the redesigned 28mm lens produces images that are sharp from corner to corner.

The battery life could be better, lasting only around 150 shots per charge – not really enough for a camera that was only released in 2019. The lack of 4K video is also a shame, and you should look elsewhere if that's important for what you need. But as pocketable compact for still shooters, the Ricoh GR III excels in all other categories.

Update: If you like the sound of the Ricoh GR III but feel a 28mm equivalent lens is a little wide, then Ricoh has announced a companion camera in the form of the Ricoh GR IIIx. It's essentially the same deal on the inside, with the crucial difference that it has a 40mm equivalent lens rather than a 28mm. This narrower perspective is good for a more naturalistic feel, ideal if you're looking to shoot street or documentary images. 

What is a point-and-shoot camera?

'Point-and-shoot' is not an official camera designation the way terms like 'DSLR' or 'mirrorless' are. With that said, the term does have a generally accepted meaning in the photographic community: it's a camera with a fixed-lens that's easy to pick up and use. A fixed-lens camera is also known as a compact; all point-and-shoots are compacts, but not all compacts are point-and-shoots, as some are quite advanced (not to mention expensive) and designed for serious photographers.  

Which point-and-shoot camera has the best zoom?

If you're looking for zoom length and nothing else, then we'd recommend taking a look at superzoom compacts like the Nikon P950. These cameras have incredible optical zoom lenses, which pair with digital zoom technology to give you unbelievable optical reach. This makes them pretty bulky, but their power to close distance is unmatched at their price point.

Which point-and-shoot camera is best in low light?

While point-and-shoots aren't known for their low-light qualities, some careful selection can lead you to a great camera. The things you want to look out for are a decent sized sensor (ideally APS-C, though Four Thirds will do), good high-ISO performance, and a large maximum aperture on the lens – remember, you won't be able to change it. Based on these criteria, from the list above we'd recommend looking at the Panasonic LX100 II, which has a real advantage in the form of its f/1.7 lens, as well as a decent-size sensor. See our guide to the best low-light cameras for more. 

Why should you buy a point-and-shoot camera?

The two main advantages of point-and-shoot cameras are convenience and portability. Point-and-shoots are easy to use, they tend to be light, and they have everything you need to start taking pictures from the moment you open the box. They also tend to be much more affordable than buying the equivalent camera and lens combination would be in a DSLR or mirrorless system.

So why doesn't everyone use point-and-shoots? Well, having a fixed lens does hamper your versatility; you'll never be able to exceed the stated focal range in either direction, meaning you can't go zoom further in or out than the camera was meant to. They also tend to have smaller sensors than interchangeable-lens cameras, which can have an effect on the dynamic range of images, and the camera's low-light performance. 

If you need a decent, affordable camera with some nifty features, and not the best technology in class, then a point-and-shoot is the way to go.

Wanting more photography inspiration? Check our guides to the best camera phones and the best camera for wildlife photography . We also have a detailed guide on how to capture perfect portraits . 

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The best point-and-shoot cameras

The point-and-shoot category encompasses everything from pocketable cameras to hefty superzooms, and the Sony RX100 VII comfortably bridges the gap between them. It fits a relatively large 1-inch-type sensor into a pocketable form factor and still manages to stick on a 8× zoom lens. Beyond that, it includes a wealth of advanced features that will make it attractive to even the most experienced photographers (and videographers), while being easy enough to use for beginners as well.

At a glance:

Best point-and-shoot camera: sony cyber-shot rx100 vii, best superzoom point-and-shoot: sony cyber-shot rx10 iv, best advanced point-and-shoot camera: ricoh gr iii, best cheap point-and-shoot camera: canon powershot g9x mark ii, best point-and-shoot camera for travel: olympus stylus tough tg-6, best point-and-shoot film camera: fujifilm instax mini 90 neo classic, research and buying tips.

But the RX100 VII doesn’t come cheap, and there are a number of other great cameras that may be better suited to specific situations.

• Best point-and-shoot camera overall: Sony Cyber-shot RX100 VII
• Best superzoom point-and-shoot camera: Sony Cyber-shot RX10 IV
• Best enthusiast point-and-shoot camera: Ricoh GR III
• Best cheap point-and-shoot camera: Canon PowerShot G9 X Mark II
• Best point-and-shoot film camera: Fujifilm Instax Mini 90

Why should you buy this:  Impressive performance and image quality.

• The best cheap cameras

Who’s it for:  Photo enthusiasts and pros on the go.

Why we picked the Sony Cyber-shot RX100 VII:

Time and time again, an RX100 camera is found at the top of this list. Sony now gives the stage to the RX100 VII . Like its predecessor, Sony has gone with a 20-megapixel, 1-inch sensor. Also keeping its place is the 8× zoom lens for an equivalent focal length of 24-200mm and aperture range of f/2.8 – f/4.

The features Sony has packed into this tiny point and shoot camera puts it on par with some DSLR and mirrorless systems. Incredibly, the RX100 VII can shoot at 90 frames-per-second (fps) with a new mode they call, Single Burst Shooting. No other camera on this list comes close to that frame rate.

Standard continuous shooting tops out at 20 fps, which is a bit slower than the RX100 VI, but it’s now blackout-free. This means you can track a fast-moving subject perfectly without interruption, all while autofocus continues to work. A particularly advantageous feature for sports and wildlife photographers, where following the subject is essential.

The AF capabilities on this camera are the stuff of dreams. It takes only 0.02 seconds to lock focus on a subject. Sony’s Real-Time Tracking uses artificial intelligence to recognize and track subjects, and Real-time Eye AF can lock on to the eyes of both people and animals.

Then there are Sony’s usual video features. 4K video footage at 30 fps with loads of custom settings to keep even pro video shooters happy. As with stills, Real-time Eye AF is present in video mode. This should certainly be an attractive feature to vloggers who create content while on the move. The camera has a built-in microphone jack, resulting in better sound quality when creating audible visuals.

The Sony Cyber-shot RX100 VII isn’t cheap, but it brings Sony’s best features from its professional mirrorless cameras to a point-and-shoot you can fit in your pocket.

Why should you buy this:  24-600mm zoom, fast performance

Who’s it for:  Nature and travel photographers.

Why we picked the Sony Cyber-shot RX10 IV:

Well, look at that, another Sony RX camera — and, no, this one won’t fit in a pocket. The RX10 is the long-zoom compatriot to the RX100, and the Mark IV is the latest model. It is built around a similar 20MP, 1-inch-type “stacked” sensor as the RX100 VII and offers similar performance, including 24fps burst shooting, 4K video, 0.03-second autofocus acquisition. If the RX100 series is the best point-and-shoot camera that can fit in your pocket, the RX10 is the best point-and-shoot camera that can’t — it’s more capable but less portable.

The RX10 IV is outfitted with a massive, 24-600mm (full-frame equivalent) lens. This camera can shoot everything from open vistas to wildlife close-ups, and the fast AF speed means it can even handle sports and action. We were impressed with not just the speed, but also the sharp image quality of our burst shots. Yes, this does bring the camera up to DSLR size, but a DSLR lens with the same amount of zoom would have to be much, much bigger.

Naturally, the RX10 IV can also shoot great 4K video along with high frame rate video at lower resolutions and. Combined with its versatile zoom, it opens up many creative opportunities for the documentary or travel filmmaker.

But this is not exactly an affordable camera, costing more than some entry-level interchangeable-lens models. But for the reach it gives you, it is less expensive than a DSLR or mirrorless camera and the associated lenses you would need to buy. As with the RX100, earlier models of the RX10 are also still available new for less money.

If you need more reach than the RX10 IV offers, Nikon’s Coolpix P1000 is a good alternative with its 24-3,000mm equivalent lens. It is also less expensive than the Sony, but it doesn’t offer equal image quality or performance.

Read our RX10 IV review .

Why should you buy this:  Retro aesthetic, great image quality

Who’s it for:  Street and travel photographers who want the image quality of a DSLR in a compact body.

Why we picked the Ricoh GR III: 

The GR series has a small but loyal fanbase, and the latest version of this camera brings it to the mainstream with features like a touchscreen, fast phase-detection autofocus, and 5-axis image stabilization. The GR III boasts a 24-megapixel APS-C sensor — the largest of any camera on this list as big as many mirrorless cameras and DSLRs — and a fixed, 28mm equivalent lens, a favorite focal length of street photographers. That means excellent image quality in a pocketable form factor, at the expense of zoom.

This puts the GR III in a relatively small niche compared to something like the RX100 VII, but it also means the shooting experience is very similar to what you’d get with your phone. The 28mm focal length is commonly found on phone cameras, while the touchscreen offers a similar operation. But the GR III’s larger sensor means better image quality — especially in low light. We were also very impressed with the quality of lens, which is incredibly sharp even at the widest, f/2.8 aperture setting. This camera really does rival DSLRs and mirrorless cameras for image quality despite being a fraction of the size.

Price-wise, the GR III rests comfortably in the middle of this list. It may seem high for a camera that lacks the versatility of a zoom lens, but if you’re after an easy-to-use camera that you can take almost anywhere and shoots very high-quality images, it is hard to beat. If you enjoy the simple shooting experience that a phone offers but want better results in a wider variety of settings, the Ricoh GR III is worth a look.

Read our Ricoh GR III review .

Why should you buy this: 1-inch sensor, Wi-Fi + NFC, nice price

Who’s it for:  Casual photographers

Why we picked the Canon PowerShot G9 X Mark II:

If you want the image quality of a Sony RX100 without the price, the Canon PowerShot G9X Mark II is a great choice. It doesn’t match the RX100’s burst rate, focus speed, zoom power, or video quality, but it does capture great-looking still images at an unbeatable price thanks to its 20MP, 1-inch-type sensor (yes, probably made by Sony).

The lens offers a 28-84mm zoom range (full-frame equivalent) and f/2-4.9 maximum aperture, giving it less reach than the RX100 VII, but with an extra stop of light gathering capability at the wide end. That should mean even better low light performance — although if you start to zoom in, that advantage fades away. For outdoor work, it’s a good all-around focal length range that covers most normal shooting scenarios while maintaining a slim profile. From landscapes to portraits, the G9 X Mark II can get the job done.

It also features a 3-inch touchscreen for easy navigation, continuous shooting speed is a respectable 8 fps, and it can shoot Full HD 1080p video at up to 60 fps — but not 4K. It’s not a RX100 VII competitor, then, but it covers the basics for beginners and casual photographers.

These specs are largely identical to the original G9 X, but the Mark II adds Bluetooth for easier connectivity to your phone.  A newer Digic 7 processor also bumps burst rate and autofocus performance slightly.

Why should you buy this: Water, dust, and shock-proof; built-in GPS.

Who’s it for:  Outdoor adventurers and travelers of all types

Why we picked the Olympus Stylus Tough TG-6:

All of the above cameras may be great, but none of them will work underwater. When you need a camera that can handle being dropped down a small cliff into a stream and live to tell about it, the Olympus Stylus Tough TG-6 is for you.

With adventurers in mind, the TG-5 is waterproof to a depth of 50 feet, drop-proof from a height of 7 feet, and features a built-in GPS with geotagging and location logging abilities that can create a map of your adventure viewable in the Olympus Image Track app .

While its sensor is smaller than the 1-inch units in most of the other cameras on this list, it’s still not too shabby in the image quality department. The resolution has actually dropped from the TG-4 to 12MP, but this improves low-light performance, which pairs nicely with the 25-100mm (full-frame equivalent) f/2.0-4.9 lens. It also offers RAW files for maximum quality, a 20 fps burst mode, and 4K video. Plus, it has a couple of tricks up its sleeve, like an excellent macro mode and an effortless Live Composite mode that makes light-painting a breeze.

The TG-6 hasn’t changed much over the older Tough TG-5 , but that was easily our favorite rugged point-and-shoot camera, and the Tough TG-6 maintains that position.

Why you should buy this: Fun instant film from a stylish, versatile camera

Who’s it for: Kids, teens, and anyone who wants to turn their fridge into a real-world Instagram feed.

Why we picked the Fujifilm Instax Mini 90:

Instant film makes for a fun, creative, and often liberating approach to photography. You don’t get the quality or performance of a digital camera, but because of that, you’re free to focus on the experience itself. The Fujifilm Instax Mini 90 has the ideal blend of style, features, size, and price, considering most Instax Mini cameras will have the same image quality as they all use the same film inside.

The Instax Mini 90 offers a classic look in a body that’s not too bulky to tote around. The camera brings in a few features that aren’t as common for instant cameras, including manual settings, a macro mode, and different shooting modes. Modern additions include a rechargeable battery and a small screen for displaying the battery life and shooting settings. It’s a great camera for parties and makeshift photo booths, or as a fun learning tool for kids.

The Mini 90 uses Instax Mini film, which isn’t too expensive, but does mean every shot you take has a cost associated with it (keep this in mind before you hand the camera to your kids). There are several great instant cameras  on the market, but the Fujifilm Instax Mini 90 offers the best blend of features, size, and price. (The Polaroid Originals OneStep 2 offers fun nostalgic images with the original Polaroid dimensions and frames, but is larger and the film is pricier. If budget isn’t an issue, the Lecia Sofort is an excellent option, which also uses Instax Mini film.)

What is a point-and-shoot camera?

Why buy a point-and-shoot camera, how do i choose a point-and-shoot camera.

As the name suggests, a point-and-shoot is a camera designed to be easy to use — just point the camera and press the shutter button. They can be simple compact devices that are fully automatic, or larger, more advanced options with myriad shooting modes and settings. Some may have zoom lenses, others fixed focal length lenses, but the commonality they share is that the lens is not removable, unlike a DSLR or mirrorless camera. This type of camera had been the most popular during the previous decade, but the smartphone has essentially usurped the traditional point-and-shoot’s dominance.

But many standalone point-and-shoots, particularly the advanced models we mention here, offer things a smartphone can’t, and oftentimes that’s because of pure physics: Larger sensors, optical zoom lenses, and mechanical apertures and shutters give these cameras an image quality edge.

Some, like the RX10 series from Sony, can even stand in as filmmaking cameras. While today’s smartphones are ideal for everyday shooting and capable of capturing nice images and videos, advanced point-and-shoots go the extra mile for users who want a bit of control over their camera

With a camera inside every smartphone, why buy a point-and-shoot camera anymore? Cheap point-and-shoots have fallen by the wayside over the last decade as phone cameras have gotten so much better, but as budget compact cameras disappear, manufacturers have moved up into higher-end models.

Dedicated cameras typically offer two big advantages over a smartphone: A zoom lens and/or a larger sensor. Even as phones are coming out now that offer three or more lenses, point-and-shoots can pack in a 30x zoom and remain compact — or a 125x zoom with a larger body.

Advanced point-and-shoots have larger sensors than a phone camera, which gives you better image quality, more control over depth of field (letting you blur the background while keeping the subject sharp), and cleaner images in low light settings. Many pack in a one-inch sensor, while others are even able to squeeze a DSLR-sized sensor into a pocketable form factor, like the Ricoh GR III. While some compacts, like the Olympus Tough TG-6, are still made with a smaller sensor, these cameras often offer additional features your phone can’t beat, including waterproofing and macro modes.

Following this, create a precise list of the features you see as deal-breakers. If you know you won’t be able to live happily without a viewfinder, for instance, you should make this a priority while you’re searching to narrow down your results. This tactic can also help when it comes to things like manual exposure modes and RAW shooting, FPS rates, and how your specific camera model can capture stills and scenes. 

The easiest and quickest way to examine your possibilities is to write down all of your favorite and most necessary features. We suggest considering the cost as you create your list, too, as affordability is always one of the most significant factors to consider. 

For example, the Sony RX camera we evaluated earlier has pretty much everything a photographer could imagine; though, you don’t really need all of its features to capture a jaw-dropping photo. You certainly won’t have to purchase the lowest-priced item on the market, but after you conduct some research, we believe you’ll quickly discover a mid-range camera that fits your individual needs and preferences.

Editors' Recommendations

• The best digital cameras
• With the RX100 VII, Sony took the best point-and-shoot and made it better
• Buying Guides

We all love making memories, and a great way to collect those memories is to take a quick snap of a gorgeous landscape, a party in full swing, or a particularly incredible meal. The Apple iPhone now also adds a location to your pictures, meaning it can collate those images together into a location-themed album, or show you all the shots you've taken in a specific location. It's a fun little addition, and it's one that adds a lot of personality to the Photos app.

[UPDATE: In a message posted on social media on Monday morning, Princess Kate said that she herself edited the image, and apologized for the fuss that the picture had caused. “Like many amateur photographers, I do occasionally experiment with editing," she wrote, adding, "I wanted to express my apologies for any confusion the family photograph we shared yesterday caused."]

Major press agencies have pulled a photo of the U.K.’s Princess of Wales and her children amid concerns that it has been digitally manipulated.

Crutchfield has a huge sale on many different Nikon cameras with some of the best camera deals that we’ve seen in a while. With nearly 30 different items in the sale, the best thing that avid photographers can do is take a look for themselves. However, if you want a little insight before you dive in, take a look at what we have to suggest below.

What to shop for in the Nikon sale Nikon makes some of the best DSLR cameras around with our overall favorite -- the -- available for $2,197 reduced from $2,297. The camera is perfect for both photographers and videographers with a 24.5-megapixel full-frame image sensor. Its rugged magnesium-alloy body is weather-sealed against dust, dirt, and moisture so it’s great for all occasions. The Nikon EXPEED 6 image processor is optimized for low-light performance while maintaining long battery life with an autofocus sensor module with support for 51 focus points. You just need to add a lens to reap the benefits with features like the 273-point phase-detection AF system detecting and tracking subjects throughout the entire frame.

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• Best Budget
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Notable Mentions

Recent updates, all reviews, the 5 best compact cameras for travel - spring 2024 reviews.

Point-and-shoot cameras are a natural choice for travel thanks to their compact sizes and built-in zoom lenses, making it a breeze to capture all your memories abroad without having to lug around a bulky kit with multiple lenses. While smartphone cameras have continued to improve, and they're usually the camera you've already got on you, some point-and-shoots offer improved image quality with larger sensors than the ones typically found in phones, while others offer longer zoom ranges that you simply can't get with the physically limited lenses on your smartphone.

We've bought and tested over 100 cameras in our lab, and below, you'll find the best small travel cameras we've tested. If you don't mind carrying a larger kit with interchangeable lenses, check out our picks for the  best mirrorless cameras for travel . If you want to capture beautiful images of destination vistas, you might also want to check out our  best cameras for landscape photography . Alternatively, if you're less interested in snapping places and more interested in the people that populate them, see our picks for the  best street photography cameras .

Best Compact Camera For Travel

It isn't cheap, but the Sony RX100 VII is the best small travel camera that we've tested. Sony has perfected the formula for compact zoom cameras with its RX100 series. This latest model features a stacked 1-inch sensor that delivers blazing-fast burst rates and great image quality for its class, along with a pop-up viewfinder and flash, a large tilting screen, and a zoom lens—all packed into an incredibly portable camera.

While it doesn't have the widest zoom range on this list, its 24–200mm full-frame equivalent focal length still gives you a fair amount of range, offering some flexibility for framing and composition. The camera also has a highly effective autofocus system, ensuring your subjects stay in focus, even in busier settings. That said, like most compact cameras, it has a pretty short battery life, though you can always pack a spare battery or portable power bank to charge it on the go.

See our review

Best Mid-Range Compact Camera For Travel

The Canon PowerShot G5 X Mark II is a great mid-range option if you don't want to spend as much on a travel camera. It's easily one of the most comfortable point-and-shoots we've tested, thanks to a nicely designed grip and thumb rest. On top of that, its user interface is highly intuitive. It also has a nearly identical pop-up viewfinder as the one found on the Sony RX100 VII , which is great for sunny days when it's harder to see the screen.

The built-in lens here has a fairly wide max aperture, making it decently well-suited to dimmer lighting conditions. However, it has a slightly shorter zoom range than the Sony, with a 24–120mm equivalent focal length. The camera's autofocus system can also struggle to track subjects quickly and accurately, so keep that in mind if you plan on shooting faster subjects in busier settings. Otherwise, this camera has plenty to offer for travelers who want something compact and comfortable to shoot with.

Best Budget Compact Camera For Travel

The Canon PowerShot SX740 is one of the best point-and-shoot cameras to get if you're on a tighter budget. It uses a smaller sensor than the more premium options above, so there's a slight trade-off in image quality. On the upside, its built-in lens has a 40x optical zoom range, giving you a remarkably wide focal length range of 24–960mm. Though it doesn't have a viewfinder like the Canon PowerShot G5 X Mark II , the camera's tilt screen can flip up for selfies or waist-level shots, and it's incredibly portable.

Of course, the most cost-effective choice if your budget is really tight is to simply use your smartphone! Most smartphone cameras these days feature pretty impressive processing to compensate for their smaller sensors, which means you can still get great results despite some hardware limitations. The best part is that you've likely already got a smartphone on you, so it won't cost you anything extra or take up more space in your luggage. Still, if you want the shooting experience of a dedicated point-and-shoot camera, the PowerShot SX740 has quite a bit of value for its price.

Best Compact Vlogging Camera For Travel

While the previous picks are more photography-oriented, travel vloggers should take note of the Sony ZV-1, the best point-and-shoot camera for travel vlogging. Though it doesn't have a viewfinder, it's the only option on this list to feature a fully articulated screen, making it easy to monitor yourself while recording or to take the odd selfie. On top of that, it has vlogging-specific features like a detachable windscreen to reduce ambient noise when recording outside.

The Sony ZV-1 II has since replaced it and features a wider-angle lens that's a good fit for walk-and-talk vlogs. However, the newer model doesn't have optical stabilization, and its digital stabilization feature crops in some of that wider field of view. For those reasons, the original ZV-1 is still our top pick here, especially since you can get it for cheaper. It checks all the boxes for a compact, all-in-one vlogging camera for travel.

Best Large Sensor Compact Camera For Travel

The RICOH GR III is a fantastic option if image quality is your top priority. While you'll still get great images from 1-inch sensor cameras like the Sony RX100 VII or the Canon PowerShot G5 X Mark II , the RICOH boasts a larger APS-C sensor that delivers excellent image quality and better noise handling in low light. Its sleek, minimalist design makes it the most pocketable camera on this list, too, so you can bring it with you wherever your travels take you.

Of course, this isn't the travel camera for everyone. If you want the flexibility to zoom in on farther subjects or you like to shoot video on the side, you're out of luck here since the camera has a fixed 28mm equivalent focal length and has poor video capabilities. If 28mm is too wide for you, you can opt for the RICOH GR IIIx instead, which has a 40mm equivalent lens. Though it lacks a viewfinder or zoom lens, this is one of the best options if you want something super portable that doesn't compromise on image quality.

• Canon PowerShot G7 X Mark III: The Canon PowerShot G7 X Mark III is a good compact vlogging camera. Unlike the Sony ZV-1, it has a built-in livestreaming feature that some travel vloggers may find appealing. However, its autofocus isn't as effective, and the camera doesn't have a fully articulated screen. See our review
• Fujifilm X100V: The Fujifilm X100V is a beautifully designed point-and-shoot with an APS-C sensor. Unlike the RICOH GR III, it has a hybrid optical/electronic viewfinder and a tilting screen, making it more versatile. However, it isn't as compact as other options here, and the manufacturer has since replaced it with the in-demand Fujifilm X100VI. See our review
• Panasonic LUMIX ZS80: The Panasonic LUMIX ZS80 is one of the best budget options you can get, offering a ton of value for its price, and unlike the Canon PowerShot G5 X Mark II, it even has a viewfinder. However, it's been discontinued and is harder to find. See our review

Apr 10, 2024: We brushed up some of the text throughout the article for clarity and added a mention of the Fujifilm X100VI to ensure the article is up to date with the current market.

Mar 14, 2024: We've reviewed the article to ensure the text and recommendations are up to date.

Feb 14, 2024: Moved the Panasonic LUMIX ZS80 to the Notable Mentions because it's been discontinued and is hard to find in stock, and replaced it with the Canon PowerShot SX740 as the main budget pick.

Dec 18, 2023: Reviewed accuracy of picks with no change to recommendations.

Oct 19, 2023: Moved the Fujifilm X100V to Notable Mentions.

Our recommendations above are what we think are currently the best compact cameras for most people to buy for travel, according to their needs. We factor in the price, feedback from our visitors, and availability (no cameras that are difficult to find or almost out of stock in the U.S.).

If you would like to choose for yourself, here's the list of all our compact fixed-lens camera reviews. Be careful not to get caught up in the details. There is no single perfect camera. Personal taste, preference, and shooting habits will matter more in your selection.

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These staff-favorite point-and-shoot cameras are travel ready

A point-and-shoot camera is one of the most compact cameras you can buy. They are typically a bit larger than a smartphone, but still easily fit in a pocket, fanny pack or purse. However, since smartphone cameras have gotten so good at taking detailed photos and videos, brands aren’t making as many point-and-shoot cameras these days, according to our experts.

SKIP AHEAD The best point-and-shoot cameras | How to shop for a point-and-shoot camera

Top-rated point-and-shoot cameras are still in high demand and are often out of stock or backordered at retailers nationwide, however. To find out why, and to find the best point-and-shoot cameras on the market, we spent a month trying some of the most popular options and speaking with professional photographers about what makes point-and-shoot cameras worthwhile.

Selected. Our top picks

select Don't let photos get lost on your phone — try an instant camera instead

What is a point-and-shoot camera.

A point-and-shoot camera is typically a small, compact model with a built-in lens and features like automatic photo and video modes, according to our experts. This is different from DSLR and mirrorless cameras, which can range in size and weight and have larger, removable lenses.

There are lots of sub-categories within point-and-shoot cameras, including “super zoom” models with longer lenses, says Mark Steinberg, the senior technologist at B&H Photo & Video . We focused on the more portable and compact varieties of point-and-shoot.

How we picked the best point-and-shoot cameras

We tried top-rated point-and-shoot cameras from brands like Canon, Sony and Panasonic for about a month. We only included the cameras we felt went above and beyond our expectations. We also spoke with professional photographers for guidance on the more technical aspects of cameras and the state of the camera industry at large. Based on their guidance, we kept the following in mind: 

• Portability : A point and shoot is at its best when it fits easily into a bag and doesn’t weigh you down. All of our top picks weigh one pound at most and are small enough to fit into most bags, purses, fanny packs or even a jacket pocket.
• Control : All our experts agree that point-and-shoot cameras can be easier to use than DSLR and mirrorless cameras, which can be intimidating and cumbersome to use. At the same time, a point-and-shoot camera should let you control elements like ISO ( International Organization for Standardization ), aperture and shutter speed unlike a smartphone, which has more basic camera settings. We prioritized cameras with dials and buttons that make it easy to fine-tune such settings.
• Zoom : One area where point-and-shoot cameras excel is zoom — most can zoom to far distances while still remaining light and compact. We favorited models with ample zoom range for added flexibility shooting people, landscapes and wildlife.

The best point-and-shoot cameras

Our top picks come from large camera brands like Canon, Sony and Panasonic. We list specs like weight, battery life and photography elements like sensor size, zoom, aperture and shutter speed. You can learn more about photography terms on learning sites like Adobe , MasterClass , Skillshare , and Expert Photography .

Best overall: Canon PowerShot G5 X Mark II

Canon PowerShot G5 X Mark II

Elsa Garrison , a senior staff sports photographer at Getty Images, pointed to Canon PowerShot as the point-and-shoot she’s used the most. She did not recommend a particular model, so multiple NBC staffers tried out this PowerShot G5 X Mark II, and thought it was the most intuitive of all the cameras we tried.

NBC Select editorial projects manager Rebecca Rodriguez, who has used instant cameras as well as DSLR and film cameras in the past, was impressed by how detailed the images were, especially with how small the camera is. It was able to capture separation between subject and background very well, and maintain clear colors and edges even when zooming in on photos. She says it was great for social settings — she was able to get more candid shots of friends because of its compact size and subtle design.

Rodriguez used the Canon Camera Connect app to transfer photos from the camera to her phone, with some success. The app would disconnect randomly, or occasionally not transfer the photos. (These are common problems we had with nearly every camera connecting app we used.)

If this model is out of your price range, Canon also makes the similar PowerShot G7 X Mark III at a lower price point, but it does not have a pop-up viewfinder like the G5, however.

Weight: 12 oz / 340g | Dimensions : 4.37 x 2.4 x 1.81 in. | Battery life: Up to 230 shots or 55 mins. of video | Screen : Tilting, flip-up | Viewfinder : Yes, pop-up | Flash : Yes | App : Canon Camera Connect | Zoom : 24-120mm | Aperture : f/1.8-2.8 | Sensor : 1-inch 20.1MP | Shutter speed: 15 to 1/2000 sec. | ISO: 125-12,800 | Photo resolution : Up to 5472x3072 | Video resolution : Up to 4K at 30FPS

Best zoom: Panasonic Lumix ZS100

Panasonic Lumix ZS100

Multiple experts called out the Panasonic Lumix series as lower-priced options with great features. This model has a built-in flash for night shots, 4K video capabilities and more, and costs less than our other top picks.

Its best feature is its long zoom range — up to 250mm, longer than any camera on our list. I used it to take photos of things I couldn’t even recognize with my eyes, like tiny disco balls strung on the rooftop of a five-story building. That long zoom length makes it well-suited to natural subjects — flowers, birds, trees.

Compared to our top pick, this camera captures slightly less detailed images, especially indoors or in poor lighting. It also lacks a flip-up screen.

Weight: 11.01 oz / 312g | Dimensions : 4.4 x 2.5 x 1.7 in. | Battery life: Up to 240 shots, minutes of video not listed | Screen : Fixed | Viewfinder : Yes | Flash : Yes | App : Yes, Panasonic Image app | Zoom : Yes, 25-250mm | Aperture : f/2.8-5.9 | Sensor : 1-inch 20.1MP | Shutter speed: 1 to 1/2000 seconds (1 to 1/16,000 electronic) | ISO: 125-12,800 | Photo resolution : Up to 5472x3648 | Video resolution : Up to 4K at 30FPS

Best splurge: Sony Cybershot RX100 VII

Sony Cybershot RX100 VII

Photographers and artists looking for something compact and high-quality should consider this premium point-and-shoot camera. It took noticeably more detailed photos and videos than every other camera we tried.

NBC News commerce photo editor Kara Birnbaum, a longtime film and digital photographer, says this was the best point-and-shoot camera she has ever used. The images look crisp and clean compared to our Canon and Panasonic recommendations. The small size made it easy for Birnbaum to bring it with her everywhere and snap photos when inspiration struck — something she’s found hard to do with her bulkier film and mirrorless cameras.

This also took the best night shots of our recommendations. It was able to capture crisp images without much noise or grain without using the flash often. That said, its low-light image quality is worse than the larger DSLR and mirrorless cameras Birnbaum typically uses.

If you like the look and feel of these images, but not the price tag, consider the Sony ZV-1 as an alternative. It is more streamlined for taking videos rather than shooting photos, but has largely the same button controls and similar specs.

Weight: 10.65 oz / 302g | Dimensions : 4 x 2.29 x 1.69 in. | Battery life: Up to 260 shots or 130 min. of video | Screen : Tilting, flip-up | Viewfinder : Yes, pop-up | Flash : Yes | App : Sony Imaging Edge Mobile | Zoom : 24-200mm | Aperture : f/2.8-4.5 | Sensor : 1-inch 20.1MP | Shutter speed: 30 to 1/2000 sec. (1/32,000 with electronic shutter) | ISO: 100-12,800 (extended 64-25,600) | Photo resolution : Up to 5472x3648 | Video resolution : Up to 4K at 30FPS and 1080p and 120FPS

Lowest price: Kodak Pixpro FZ55

Kodak Pixpro FZ55

If you are only looking to spend around $100, but want something with more control than an instant camera , consider this option from Kodak. It lacks the image detail of our other picks, with a small, less comprehensive sensor only capable of taking HD, not 4K, video. But it is one of the most affordable point-and-shoot cameras on the market, with a 4.2-star average rating from over 700 reviews on Amazon. It’s a good gift option for anyone looking to test the waters of photography.

Weight: 3.7 oz / 106g | Dimensions : 3.6 x 2.23 x 0.9 in. | Battery life: Up to 200 shots or 90 min. of video | Screen : Fixed | Viewfinder : No | Flash : Yes | App : No | Zoom : 28-140mm | Aperture : f/3.9-6.3 | Sensor : 1/2.3-inch 16.35MP | Shutter speed: 30 to 1/2000 sec. | ISO: 100-3,200 | Photo resolution : Up to 4608x3456 | Video resolution : Up to 1080p at 30FPS

For underwater: Om System Olympus TG-7 Underwater Camera

Om System Olympus TG-7 Underwater Camera

If you need a durable camera that can stand up to rough daily use, Steinberg recommends the Olympus TG series. (Steinberg works at B&H Photo, which sells hundreds of cameras, including the Olympus TG. Steinberg does not have affiliations with Om System, or any other camera brand.) 

This TG-7 is the latest model, and is designed for extreme conditions. You can use it underwater up to 49.2 feet deep, according to the brand. It’s shockproof up to 7 feet and crushproof, able to resist up to 220 pounds of force, according to Om Systems. Upgrades from the previous TG-6 include a more color-accurate screen, a ribbed plastic texture around the grip, USB-C charging (instead of micro-USB) and more, according to the brand.

There is a tradeoff to all that durability — it has a less detailed sensor compared to our picks from Canon and Sony.

Weight: 8.8 oz / 249g | Dimensions : 4.5 x 2.6 x 1.3 in. | Battery life: Up to 340 shots, not listed for video | Screen : Fixed | Viewfinder : No | Flash : Yes | App : OM Image Share | Zoom : 25-100mm | Aperture : f/2-4.9 | Sensor : 1/2.3-inch 12MP | Shutter speed: 4 to 1/2000 sec. | ISO: 100-1,600 (extended 100-12,800) | Photo resolution : Up to 4000x3000 | Video resolution : Up to 4K at 30FPS

Most in-demand: Fujifilm X100VI (backorder)

Fujifilm X100VI Digital Camera

This is one of the highest quality point-and-shoot cameras on the market (outside of the much more expensive Leica Q2 ). It’s a stylish, retro-looking model thats predecessor, the X100V, was sold out for years.

It has the largest and most detailed sensor on our list and can capture the highest resolution photos. It also has the widest range on our list for settings like aperture, shutter speed and ISO, giving you more options and flexibility for handling different light conditions, fast moving subjects and background blur. Built into the settings are 20 film simulation modes — essentially filters that adjust color, saturation and other settings to mimic the look of film, according to the brand.

This camera does not have a zoom lens — it’s fixed at 35mm. It’s also larger and heavier than our other top picks, making it less suited to lightweight travel or fitting in a pocket.

Weight: 18.06 oz / 512g | Dimensions : 5 x 2.9 x 2.2 in. | Battery life: Up to 310 shots or 45 min. of video | Screen : Tilting | Viewfinder : Yes | Flash : Yes | App : Fujifilm X App | Zoom : Fixed 35mm | Aperture : f/2-16 | Sensor : APS-C 40.2MP | Shutter speed: 60 min. to 1/4000 sec. (60 min. to 1/180,000 electronic) | ISO: 125-12,800 (extended 64 — 51,200) | Photo resolution : Up to 7728x5152 | Video resolution : Up to 4K at up to 60FPS

select Where am I allowed to fly my drone? And other FAQs answered.

How to shop for a point-and-shoot camera.

Cameras, even within the sub-category of point-and-shoot, can vary in shape, size and function. The Om System TG-7 and Panasonic Lumix ZS100 may have a similar price tag, but they look, feel and function very differently. Below are a few things our experts recommend keeping in mind as you shop for your next camera.

What are you looking to photograph?

“When choosing a camera, I make a list of questions that are important to me,” says Elsa. “How long is the battery life? Are spare batteries easily available? Does it shoot HD and 4K video? What sort of manual modes does it have?” Essentially, what are you going to be using this camera for?

If you want to shoot photos of wildlife, look for a camera with a long zoom range — professional wildlife lenses typically have a minimum zoom length of at least 200mm, according to B&H Photo & Video , one of the largest camera stores in New York. If you plan on mostly shooting video, consider choosing a camera with a flip-up screen that makes it easier to film yourself, and one that can shoot video in a 4K resolution. 

How does it feel to use the camera?

“When I am looking to buy any camera, the most important thing is that I like the way it feels in my hands,” says Elsa. Steinberg reiterated this saying shoppers should go into a store to try the camera they are considering in-person. (Any links to cameras from B&H were included independently of Steinberg.)

Trying a camera in-person is the best way to learn if it is comfortable, if it’s too heavy, if the buttons are positioned comfortably for the size of your hands and more. “If you hate the way your camera feels, you aren’t going to use it,” says Elsa.

Price isn’t everything

“There’s sometimes an assumption that one needs $30,000 worth of camera gear to take good pictures when they’re really just helpful tools to accentuate your skills,” says Tim Nwachukwu , a sports photographer at Getty Images based in Philadelphia, Pennsylvania. No matter the camera, it’s all about knowing and understanding the technology, and how far you can push its limits, says Nwachukwu.

Frequently asked questions

There are pros and cons to point-and-shoot cameras and phone cameras.

New, high-end phones may take better photos and videos than some point-and-shoot cameras, according to Steinberg.

However, if you are looking to use your photos outside of digital sharing, Birnbaum recommends a dedicated camera that can shoot raw image files. Raw images are the purest form of the image, and are much more detailed and well-suited to photo editing and printing, says Birnbaum. Most phone cameras cannot shoot raw image files, while most traditional cameras can.

Point-and-shoot cameras are typically more ergonomic than phone cameras — they are easier to hold and easier to control, says Steinberg. That’s likely because phones were not designed with photography as their primary purpose.

Point-and-shoot cameras like the Om System TG-7 can be a better fit for rough or hazardous terrain. But the majority of cameras aren’t very weatherproof. Nearly all smartphones, on the other hand, are weatherized to some degree with IP ratings .

Ultimately, the experts agree that the best camera is the one you have with you. “If you don’t have your camera ready, you miss your shot,” says Steinberg.

The number of point-and-shoot cameras being made is shrinking, according to Steinberg. Big camera companies like Canon, Nikon, Sony and Fuji only make a few models. Smartphone cameras have rapidly become more capable over the past decade. Still, we love using point-and-shoot cameras, as do many of our experts.

Meet our experts

At NBC Select, we work with experts who have specialized knowledge and authority based on relevant training and/or experience. We also take steps to ensure all expert advice and recommendations are made independently and without undisclosed financial conflicts of interest.

• Mark Steinberg is the senior technologist at B&H Photo & Video . He has decades of experience in camera and electronic sales.
• Elsa Garrison is a senior staff sports photographer at Getty Images. She has covered events such as the Olympics, FIFA World Cup, the World Series, the Super Bowl, the NBA Finals, the U.S. Open and the NCAA Final Four.
• Kara Birnbaum is a commerce photo editor at NBC News. She photographs and produces commercial stock imagery for NBC Select, CNBC Select, Shop Today and MSNBC. 
• Tim Nwachukwu is a sports photographer at Getty Images. He has covered events in the NFL, NBA, NHL, MLB and more. He is based in Philadelphia, Pennsylvania.

Why trust NBC Select?

Harry Rabinowitz is a reporter at NBC Select who covers technology, with recent stories on tablets , drones and keyboards . For this piece, he and the NBC Select team tried top-rated point-and-shoot cameras from top brands for a month. He also spoke with photography experts and researched top-rated cameras.

Catch up on Select’s in-depth coverage of personal finance , tech and tools , wellness and more, and follow us on Facebook , Instagram , Twitter and TikTok to stay up to date.

Harry Rabinowitz is a reporter for Select on NBC News.

The best zoom camera in 2024

Get up close and personal with distant subjects with our pick of the best zoom cameras you can buy right now

• Our quick list

Best overall

Best for beginners, best for travel, best for wildlife, best for vloggers.

• Best waterproof

Best value superzoom

• Longest zoom
• How to choose
• How we test

Our quick list 1: Best overall 2: Best for beginners 3: Best for travel 4: Best for wildlife 5: Best for vloggers 6: Best value superzoom 7 : Best waterproof 8: Longest zoom How to choose How we test

Although the smartphone in your pocket can do a lot of great things - and take fantastic photographs - if there’s one area where traditional cameras tend to fare better, it’s with their zoom capability. 

There are plenty of reasons why a camera equipped with a long zoom lens is the ideal solution for you. Whether it’s for all-around flexibility when traveling or you just like to photograph a wide range of subjects, having the ability to zoom in (and out) from a scene always comes in handy. Shooting at longer focal lengths is useful for portraits, while being able to zoom even further is ideal for sports, wildlife, and other potentially distant subjects.

Zoom cameras, with fixed built-in zooms, tend to be split into two broad categories. Traditional pocket-friendly point-and-shoot compact cameras are ideal for holidays and day trips.  Meanwhile, bridge cameras are bigger and chunkier but tend to have lengthier zooms and handling, which is reminiscent of DSLRs .  

Most pocket-friendly zoom cameras have relatively small sensors, but you can also find a few with larger one-inch type sensors that still offer a good degree of zoom. Bridge cameras also tend to have smaller sensors, but as an all-in-one solution to getting a long zoom, this is often worth the trade-off. 

With these things in mind, it’s time to have a look at our selection of the best zoom cameras you can buy… 

Our top picks

Best zoom camera overall This is a luxury-priced compact camera that is our top recommendation as it combines a quality 1-inch sensor with an impressive 8x zoom in a very portable casing. Read more

Best for beginners This is a great mid-priced zoom camera that offers a 40x superzoom in a surprising small shell - offering telephoto power that phone users can only dream about. Read more

Best for travel This pocketable zoom camera offers a sweetspot between sensor quality, zoom range and pocketability - making it a great choice for photographers who want to travel light. Read more

Best for wildlife This premium bridge camera handles much like a DSLR, but boasts a spectacular 24-600mm zoom range that is ideal for bird photography or for use on safari.

Best for vlogging YouTubers and TikTokers don't need a zoom lens - but having one makes it much easier to frame yourself tightly on the flip-out LCD screen of this camera that's been designed for content creators. Read more

Best waterproof This compact is at home on land and water. Designed to take the knocks it can dive to depths of 15m - but also comes with a very competent 4x zoom and superb close-focusing capabilities. Read more

Load the next products ↴

Best value superzoom This big-zoom bridge camera gives a great compromise between price and performance. It packs an impressive 63x zoom range - and has the useful combination of an electronic eyelevel viewfinder and a swing-out LCD panel. Read more

Longest zoom This zoom camera reaches subjects that others can't reach with a record-breaking 24-3000mm effective zoom range. It is an incredible beast of a camera - but it is about the biggest zoom camera ever made, so not discrete or particularly portable. Read more

• Back to the top ⤴

Best zoom camera in 2024

Why you can trust Digital Camera World Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out how we test.

1: Sony RX100 VII

Our expert review:

Specifications

Reasons to buy, reasons to avoid.

When it comes to the king of the all-rounders, a camera that is adept at pretty much anything you’d care to throw at it, the Sony RX100 VII is the one. But, the one for which you’ll pay a huge premium for. 

With its 8x zoom, it’s fairly flexible (though if zoom is your main concern, there are others that are better here), but it’s the fact that it can shoot at super-fast burst speeds, has a retracting EVF, a well-featured touchscreen and a high-performing one-inch sensor - and does all of that while fitting in your pocket that sees it sit at the top of our list. 

If you want something which will fit more neatly into your budget, keep looking down our list. 

See our full Sony RX100 VII review .

2. Canon PowerShot SX740 HS

With its 40x zoom lens, the SX740 is a fantastic option for those who want a simple-to-use travel-friendly camera, which is also well-suited to family snaps and days out.

Particularly ideally suited to beginners, it also offers more advanced modes for enthusiasts (though sadly there’s no raw format shooting). Other useful specifications include the front-facing screen (ideal for those holiday selfies) and 4K video. 

The compromise for having such a lengthy zoom is a small sensor, so the SX740 is probably not one for those who like to shoot a lot in low light, but for bright light holiday shots, it’s a good value all-rounder. 

See our full Canon PowerShot SX740 HS review .

3: Panasonic ZS200 / TZ200

Offering an excellent balance between large sensor and zoom length, the Panasonic Lumix ZS200 (called the TZ200 in Europe) is in many ways the perfect travel camera. 

Small enough to fit in your pocket, while still offering a very flexible 15x zoom, it’s ideal for capturing landscapes, portraits and reasonably far-off subjects.

Well-suited to both beginners and enthusiasts, it offers a range of shooting modes and advanced options such as raw format shooting and the ever-useful 4K Photo modes. 

There’s a couple of downsides here, such as the fact that the screen is fixed, and that there’s some image softening seen at the full 15x zoom, but, especially at the price, it’s an excellent all-rounder that is a great buy for many. 

See our full Panasonic ZS200 / TZ200 review .

4: Sony RX10 IV

If you’re looking for a zoom camera for wildlife or other moving subjects, the Sony Cyber-shot RX10 IV is a superb choice, and certainly the best of its kind on the market. Not only do you get a very flexible 25x zoom (giving you an equivalent of 600mm at the telephoto end), but you get fantastic image quality throughout the zoom range. 

You also get superb AF tracking for moving subjects, and fast burst shooting to keep up with those elusive subjects. With its large one-inch sensor and maximum wide aperture - even at the telephoto end - the RX10 IV is no slouch when it comes to low light shooting either. 

Of course there is a price to pay for such excellence, with the RX10 IV being one of the priciest models on the market, but considering the equivalent spend you’d need to make for comparable DSLR optics, it could arguably be viewed as a bit of a bargain. 

See our full Sony RX10 IV review .

5. Sony ZV-1

Aimed at vloggers, the Sony ZV-1 is designed for content creators that need to shoot videos of themselves. As such the zoom is a modest 24-70mm affair with a variable aperture of f/1.8 - f/2.8. However, there is a big change in minimum focusing distance as you zoom which is annoying especially if you're using it to record video.

The SteadyShot active stabilization wasn't the best however the autofocus is very impressive. It has a vari-angle, a rear tilting screen that means it's perfect for recording yourself a mic-wind shield which means its audio quality even with the built-in mic is still pretty good. Unlike the Sony RX100 compact cameras, it doesn't have a viewfinder, but it produces high-quality images, is even better at video, and, best of all, it'll cost you less. 

Read our full Sony ZV-1 review  

Best waterproof zoom camera

6. OM System Tough TG-7

The TG-7 is the latest in a series of shockproof, and fully waterproof cameras in the Tough range - originally produced by Olympus , and now marketed under the OM System brand. Its appeal is that you can use this on the beach, in extreme weather, on a boat, or even when snorkeling and not worry. But it is not just about the commando credentials, we love built-in microscope setting that allows you to take amazing close-ups - and that it records GPS coordinates and temperature with your photos.

Its 12 megapixel sensor can shoot 4K video, but can usefully capture Full HD video at 120fps for super-slow-motion - with a modest 12MP stills capability. The TG-7 has a modest 25-100mm optical zoom - butt that is actually very good compared to other fully waterproof compacts. In our field tests we found the Tough easy-to-use but sophisticated, is quite simply the best waterproof camera around.

Read our full OM System Tough TG-7 review

7: Canon PowerShot SX70 HS

If you’re looking for a well-rounded bridge camera that offers a good range of functions - and has that all-important ultra-long zoom, then the Canon SX70 is a good option. 

At 65x, it’s one of the longest on the market (without verging into the ridiculous territory of the Nikon P1000, see below), giving you good scope to shoot pretty much every subject imaginable. 

We found it very least to handle (you will feel familiar with it if you’re used to using other Canon cameras). There's usable enough EVF and fully articulating screen - but which is let down by the fact it’s not touch-sensitive. There’s a good range of shooting modes, plus the ability to shoot in raw format.

The trade-off here for the ultra-long zoom is a small sensor, meaning the SX70 doesn’t perform amazingly well in certain conditions - such as low light. But for a good value travel and holiday camera, we reckon it’s still well worth considering. 

See our full Canon PowerShot SX70 HS review .

Zoom camera with longest zoom

8. Nikon Coolpix P1000

If zoom really is your key concern, then the Nikon P1000 will give you the ultimate reach - with some key compromises. 

With its amazing 125x zoom lens, you’ve got enough power here to literally shoot the moon, as well as of course everything else in between. 

As you’d expect, in order to accommodate such a lens, the camera is a whopper. There are some benefits to that, such as its DSLR-like handling and excellent EVF. That said, however, it’s so big and cumbersome that you have to really want that kind of zoom level to tolerate it - so it won’t be for everyone. What's more its size we found when testing it that it is so big you can find yourself feeling quite self-conscious using this beast in public! 

Thanks to a small sensor, it also struggles in low light, and shooting at the 3000mm end of the telephoto lens can also be a bit of a hit and miss situation, too.

 See our full Nikon P1000 review .

How to choose a zoom camera

When it comes to choosing a zoom camera, think about exactly how much zoom you actually need. You’ll probably want at least an 8-10x zoom, but some of those in our list here offer 20 or 30x, with one even offering a staggering 125x (enough power to shoot close-ups of the moon!).

Thinking about equivalent focal lengths, if zoom is your main concern you’ll generally be looking for something which goes beyond the standard 24-70mm type range, so pay attention to that in the specs list. Also think about the wide-angle end of the lens, especially if you’re looking for something to fulfill a range of needs or is ideal as an all-rounder for subjects such as travel. That could even mean you look out for something wider than 24mm for extended flexibility.

How we test zoom camera

Our team of in-house and external reviewers have tested hundreds of zoom cameras over the years, and we use their experience to pick the best available in the market today for this guide. We test compact cameras and bridge cameras in real world conditions - seeing how they handle shooting a variety of different lighting conditions and shooting scenarios, and then comparing their results to those we have taken with similar cameras. With zoom cameras, handling is just as important as out-and-out image quality - so we pay particular attention to ease-of-use and ergonomics in our tests. Read more about how we test products at DCW

Read more: Best travel camera The best point-and-shoot cameras Best cameras for hiking Best cameras under $200 Best cameras under $500 Best cameras for beginners Best compact cameras Best mirrorless cameras

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Amy Davies has been writing about photography since 2009, and used to be a colleague on Digital Camera magazine and Techradar.com. She now works as a freelance journalist writing for nclude Amateur Photographer, Stuff, Wired, T3, Digital Photographer, Digital Camera World, TechRadar, Trusted Reviews, ePhotozine and Photography Blog. She has an undergraduate degree in journalism and a postgraduate diploma in magazine journalism, both from Cardiff Journalism School.

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The Best Superzoom Cameras of 2024

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Canon PowerShot SX540 HS

Easy to use

50x zoom lens

Screen doesn’t flip out

Average build quality

Nikon CoolPix P1000

Incredible zoom range

RAW support

Bulky design

Canon PowerShot SX70 HS

Articulating LCD screen

10 fps burst

No weather protection

Sony Cyber-Shot RX10 IV

Durable design

Large 1-inch sensor

Phase-detection autofocus

Panasonic Lumix FZ80

Long 60x zoom range

Quick autofocus

10 fps RAW capture

LCD screen doesn’t articulate

Updated March 20, 2024

Superzoom cameras, also known as bridge cameras, give you the portability of a point-and-shoot and the range of a telephoto lens. While they don’t match the image quality of a DSLR, a superzoom camera can be a step above your average smartphone. The most significant benefit is they feature fixed lenses with a long zoom ratio of 50x power (and beyond), making it possible to take pictures of subjects such as animals from a safe distance.

Few superzoom cameras are available today, but our list covers the best offered by Canon, Nikon, Sony, and Panasonic. These picks can shoot RAW images, record video in 4K, and capture fast-moving action with burst features. If you’re a hobbyist photographer searching for a portable, versatile camera for an upcoming vacation, a superzoom camera is an excellent option. Here are some of the best superzoom cameras on the market right now.

The recommendations in this guide are based on thorough product and market research by our team of expert product reviewers. The picks are based on examining user reviews, product specifications, and, in some limited cases, our experience with the specific products named.

Some superzooms ape DSLR-style controls and features, hoping to capture users who want the pro look without pesky complications like changing lenses. The PowerShot SX540 HS isn’t one of those superzooms. It’s a straightforward, simple camera that just happens to have a DSLR-esque grip and a big 50x zoom lens.

Inside you’ll find a 20-megapixel CMOS sensor, a speedy Digic 6 processor, and Wi-Fi and NFC connectivity for easy file sharing. The SX540 HS can shoot full HD video at 60 fps, which makes it a credible dual threat. But there are downsides: The screen doesn’t flip out, which we found annoying during video shooting, and the build quality wasn't the most convincing. Still, at $399.99, it’s pretty reasonably priced.

The Nikon CoolPix P1000 shares a lot of DNA with a DSLR. It’s big and heavy, and it features an articulating LCD screen. But what sets it apart from a beginner DSLR is that it offers an incredible zoom range of 24-3,000mm, allowing you to take photos of landscapes and get an up close look at distant subjects. This kind of versatility makes Nikon’s camera one of the most impressive superzoom models available.

The CoolPix P1000 packs plenty of other features, like RAW image support, 4K video recording, and the ability to shoot seven frames per second. Nikon’s superzoom also supports Wi-Fi and Bluetooth, so you can easily send images to your other devices and then share them on social media. All in all, the CoolPix P1000 offers the kind of features and zoom range that you want from a good superzoom camera.

Canon’s PowerShot SX70 HS is a prime example of why a bridge camera is a good option even today. It features a lens that offers an ultra-wide view and a 65x zoom range, the equivalent of 1,365mm when zoomed out. And it produces vivid, detailed images in a compact body, making it an excellent option for taking out on the trail. The PowerShot SX70 HS also offers an optical stabilization system, which steadies images and videos at wider angles.

In addition to extensive zoom capabilities, a compact design, and fast burst shooting, Canon’s PowerShot SX70 HS is a solid pick because it can shoot 4K video at 30 fps. It also features an articulating LCD, allowing you to get more creative with your shots. The viewfinder is also sharp and bright, making Canon’s bridge model a solid camera for pictures of family, wildlife, and landscapes.

With a large one-inch sensor, 24 fps continuous shooting, and optical image stabilization, the Sony Cyber-Shot RX10 IV is one of the most powerful superzoom cameras. It features a 24-600mm zoom lens that’s excellent for various scenarios and 315 phase-detection autofocus points. This covers approximately 65 percent of the frame, ensuring you always hit focus, whether you’re taking pictures of a child’s basketball game or wildlife at your local park.

We also like the Cyber-Shot RX10 IV because it features simple controls and a big, bright LCD screen. The design is also weather-sealed, giving you enough protection to use in wet or dusty environments. While the Cyber-Shot RX10 IV is one of the most robust bridge cameras you can buy and includes a host of high-end features, it’s pretty expensive. Still, you won’t be disappointed by the camera’s grand design and fantastic image quality.

The Panasonic Lumix FZ80 is a simple superzoom camera that’s affordable and offers some nice bells and whistles, including Wi-Fi, 4K video capture, and a touch LCD. It also features a long 60x zoom range, with an ultra-wide perspective that goes to an extreme 1,200mm when fully zoomed. This extensive range makes it easy to reach subjects that are far away, which is why bridge cameras can be great for vacations.

One of the highlights of the Lumix FZ80 is its 20mm equivalent lens, which is nice and wide for everyday use and excellent for landscape photography. Unfortunately, the camera features a fixed LCD panel, unlike the vari-angle LCDs offered by other options on this list. A fixed LCD panel may be more challenging to get creative with your shots. However, the fixed LCD may be fine if you use the Lumix FZ80 as a simple point-and-shoot.

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Prices were accurate at the time this article was published but may change over time.

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Best Point and Shoot Cameras for Travel of 2024

Your smartphone might be good enough to make your friends jealous of your adventures through an Instagram story, but when it comes to collecting memories it cannot compete with a quality camera. The best point-and-shoot cameras for travel are compact, versatile, and require no technical knowledge of photography. They capture incredibly detailed images with the click of a button, providing realistic colors and sharp figures even in less than ideal conditions.

Whether your focus is landscapes, wildlife, architecture or street life, adding a point-and-shoot camera to your packing list will allow you to fully express your creativity on the road without adding too much weight on your shoulders. We have selected the best point-and-shoot cameras for travel available on the market to help you unleash the Steve McCurry that is in you.

For more of our top travel photography gear recommendations, check out the Best Cameras for Travel . 

Quick Answer - The Best Point and Shoot Cameras for Travel

• Nikon Coolpix P1000 View at Amazon
• Fujifilm X100f View at Amazon
• Canon PowerShot G7 X Mark II View at Amazon
• Olympus Tough TG-5 View at Amazon
• Sony Cyber-Shot RX100 VI View at Amazon
• Panasonic Lumix LX10 View at Amazon
• Canon PowerShot SX740 View at Amazon
• Nikon Coolpix L820 View at Amazon
• Canon PowerShot ELPH 360 View at Amazon
• Fujifilm FinePix S1 16 MP View at Amazon

Comparison Table - Best Travel Point and Shoot Cameras

Reviews - best point and shoot travel cameras, nikon coolpix p1000.

• Aperture : f2.8 - 8.0
• Dimensions : 5.76 x 7.14 x 4.68 in
• Focal Length : 24-3000mm
• Weight : 3.12 lbs
• Resolution : 16.7 megapixels
• Superzoom For Capturing Distant Subjects
• Ultra High Definition 4K Video Resolution
• Tilting Screen That Flips Out To Shoot From Uncomfortable Angles

BEST FOR: WILDLIFE PHOTOGRAPHERS

The most impressive feature of the Nikon Coolpix P1000 is the 125x zoom lens that will let you shoot subjects from far, far away, as no other point-and-shoot camera can. Thanks to its superzoom lens you will be able to capture small and moving animals, get close-ups of people playing sports, and even frame details of the moon’s surface.

Because of the size of its lens, the Nikon Coolpix D1000 is not the most portable camera on our list, but it is worth the investment if you want to capture distant subjects without being intrusive. It comes with optical image stabilization to avoid blur and is built with solid, durable components. The D1000 also has great video capabilities, with a high-definition shooting option and a tilting screen to record the perfect director’s cut.

Fujifilm X100f

• Aperture : f1.8 - 2.8
• Dimensions : 1.65 x 2.4 x 4.15 in
• Focal Length : 24-100mm
• Weight : 1.4 lbs
• Resolution : 20.2 megapixels
• Interchangeable Lens
• 1080p High Definition Video Quality

BEST FOR: CREATIVE STREET PHOTOGRAPHERS

The Fujifilm X100F comes with a 35mm prime lens, meaning that you will not be able to zoom. Why would this be an advantage? Apart from the great low light performance, this lens will produce super sharp pictures and push you to think carefully about the best way to frame a scene. The 35mm is great for storytellers. It is wide enough to include ample background with your subjects and works well for both interiors and exteriors. Plus, the lens is interchangeable, so you can just switch to a different Fuji lens if you want to experiment with different perspectives.

As is the case with most Fuji cameras, the X100F is designed with a beautiful retro look. It is light and compact, but offers a huge image resolution of over 24 megapixels — ideal if you plan to print and show off your best travel shots once you return back home.

Canon PowerShot G7 X Mark II

• Built-in WiFi (for fast and efficient downloading)
• Continuous Shooting Up To 8 Frames Per Second (for shooting fast-moving subjects)
• Great Low Light Performance

BEST FOR: THE INSTAGRAM ADDICT

If you can’t wait to get back home to share your images, this camera will help you get to your friends (and followers) in zero time. Thanks to the built-in WiFi function you can transfer and publish your images in a matter of seconds. With its large resolution and superwide aperture, the Canon Powershot G7 X Mark II will produce photographs far superior to your smartphone’s camera, even when light conditions are not optimal.

Lightweight and compact, the Canon Powershot G7 fits in most pockets and allows you to freeze the moment thanks to its ability to shoot up to 8 frames per second. It includes a 3.0″ LCD monitor that tilts up 180 degrees, which you can use for self-portraits or for shooting at otherwise uncomfortable angles.

Olympus Tough TG-5

• Aperture : f2 - 4.9
• Dimensions : 4.4 x 1.3 x 2.6 in
• Focal Length : 25-100mm
• Weight : 0.55 lb
• Resolution : 12 megapixels
• Waterproof, Shockproof & Freezeproof
• Lightweight and Compact
• Integrated GPS, Manometer, Compass, and Temperature Sensors

BEST FOR: THE ADRENALINE JUNKIE

Waterproof up to 50 feet, dustproof, shockproof, and freezeproof: no activity is too risky for the Olympus Tough TG-5. Engineered for the hardcore adventurer, this point-and-shoot camera will accompany you in the most hostile environments without sacrificing image quality.

The TG-5 isn’t only a camera that will survive in harsh weather conditions, it is also filled with impressive technological features. It includes an integrated GPS system that records where a photo has been taken and maps out your itinerary through your snaps, plus it has a compass to help you find your way in the wilderness. When set in burst mode it can shoot up to 20 frames per second; while in video mode it can record slow-motion clips in high definition. The wide aperture lets you collect clear photographs even under water and the 25-100mm focal length allows you to zoom in close enough to capture distant subjects.

Sony Cyber-Shot RX100 VI

• Aperture : f2.8 - 4.5
• Dimensions : 4 x 1.7 x 2.29 in
• Focal Length : 24-200mm
• Weight : 1.1 lbs
• Resolution : 20.1 megapixels
• Extremely Fast Autofocus
• Pocket Size
• Super Slow Motion Video Function

BEST FOR: ALL-AROUND QUALITY

Considering the size of the Sony Cyber-Shot X100 VI, it is surprising how much it can do. Thanks to a focal length ranging from 24mm to 200mm this award-winning camera can frame wide landscape scenes or zoom in to capture sharp, intimate portraits from a distance. The camera can focus in a fraction of a second and is complete with a sophisticated eye detection system that tracks your subject’s eyes for better people photography. It also has a tilting touch screen that can substitute the shutter button when photographing from uncomfortable angles or in those paparazzi situations when you’d rather not lift the camera to eye level.

The Sony Cyber-Shot X100 VI doesn’t only capture excellent photographs, it also has a great array of video features. It can record clips at a high-definition 4K resolution , but also has the ability to produce slow-motion and super-slow-motion videos shot at up to 960 frames per second.

Panasonic Lumix LX10

• Aperture : f1.4-2.8
• Dimensions : 1.65 x 4.15 x 2.36 in
• Focal Length : 24-72mm
• Weight : 0.68 lb
• Great For Night Time Images
• Slow Motion Video
• Tilting Selfie Display

BEST FOR: CLOSE-UPS (OF YOURSELF AND OTHERS)

With over 20 megapixels in resolution and a Leica lens with image stabilization properties, the Panasonic Lumix LX10 is the perfect compromise between size, price, and image quality. The extra-wide aperture allows you to shoot sharp images even in dark environments, while the tilting screen and shallow depth of field will take your selfie skills to the next level.

The minimum focusing distance is just above one inch, so you can get really close to your subject and capture the tiniest of details. Plus, the “post-focus” function allows you to adjust the focus after you shoot the picture, turning photographs gone wrong into perfect composition with a single touch. If that’s not enough, the Panasonic Lumix LX10 also includes a super-fast autofocus system, allowing you to freeze moving objects like no other camera in this price range can.

Canon PowerShot SX740

• Aperture : f3.3 - 6.9
• Dimensions : 1.6 x 4.3 x 2.5 in
• Focal Length : 24–960 mm
• Weight : 0.61 lb
• Resolution : 20.3 megapixels
• Impressive Zoom
• Lightweight And Compact
• Remote Shooting

BEST FOR: FULL FEATURES IN MINIMALIST DESIGN

You won’t even feel the weight of the Canon Powershot SX740 HS in your pocket, but don’t judge the camera by its size. Even with its slim and lightweight design, this compact point-and-shoot will capture amazing pictures of subjects close and far.

With built-in WiFi and Bluetooth technologies, not only you will be able to transfer and share your images with the blink of an eye, but you can also shoot remotely through your smartphone. This feature comes in handy every time you want to shoot a night time scene and touching the camera may cause a blur in the photograph, or when you want to take a group shot.

Additionally, the Creative Modes installed in the camera provide filters for any type of photography. Choose the “portrait mode” for realistic renditions of people, “food mode” to make the colors of your dishes pop, or sepia to release your inner artist.

Nikon Coolpix L820

• Aperture : f3.0 - 5.8
• Dimensions : 4.37 x 3.35 x 2.99 in
• Focal Length : 22.5–675 mm
• Weight : 1.04 lbs
• Resolution : 16 megapixels
• Ergonomic Design
• Built-in Bluetooth Technology
• Vibration Reduction To Avoid Blur

BEST FOR: EASE OF USE

With a superzoom lens capable of getting you 40 times closer to your subject and an ergonomic design that allows for a firm grip of the camera body, the Nikon Coolpix L820 is an impressively versatile camera. Ideal for budget-conscious travelers looking to capture high-quality images without having to learn the technicalities of photography, this point-and-shoot performs well even in low light conditions.

The simple menus and controls let you understand the potential of this camera as soon as it’s out of the box, while the Vibration Reduction system helps to create sharp photographs of close and distant subjects. In addition to this, the Nikon Coolpix L820 can record high-definition videos from a variety of angles thanks to the handy tilting screen.

Canon PowerShot ELPH 360

• Aperture : f3.6 - 7
• Dimensions : 4.3 x 3.1 x 2.7 in
• Focal Length : 25–300 mm
• Weight : 5.2 ounces
• Built-in WiFi For Easy Sharing
• Creative Shot Mode For Artistic Images
• Slim Design And Large LCD Screen

BEST FOR: PORTRAIT PHOTOGRAPHERS

An inexpensive camera that fits in every pocket thanks to its slim design, the Canon Powershot Elph 360 is a powerful tool to record your best travel moments. Thanks to the large LCD screen and the integrated Optical Image Stabilizer you’ll be able to perfectly frame your subjects and shoot crisp and realistic portraits from any distance, without the need of a tripod.

The Creative Shot Mode allows you to apply 46 different Canon filters to your photographs, to create artistic images by altering composition, lighting, and color. Thanks to the built-in WiFi, your carefully crafted images can be easily transferred to your smartphone and be shared with the world instantly.

Fujifilm FinePix S1 16 MP

• Aperture : f2.8 - 5.6
• Dimensions : 5.24 x 4.33 x 3.58 in
• Focal Length : 24–1200 mm
• Weight : 1.5 lbs
• Resolution : 16.2 megapixels
• Weather Resistant
• One-Touch Wireless Communication With Smartphone Or PC
• Super Zoom And Super Macro For Excellent Close-ups

BEST FOR: HIKERS AND OUTDOORS ENTHUSIASTS

The Fujifilm Finepix S1 is the world’s first water resistant and dust resistant point-and-shoot camera with 50x superzoom. This means that while you’re exploring the outdoors, you’ll be able to shoot distant wildlife or landscapes no matter the weather conditions. Whether you find yourself in a windy desert or trying to set up your tent in the rain, this camera will capture the scene, so you’ll always remember what you put yourself through for the sake of adventure.

Thanks to the one-touch wireless communication system you can connect the camera to a smartphone or laptop instantly. This is useful both to shoot without touching the camera (avoiding the blur in long exposures, for example), or to send your best shots to friends and family back home.

THINGS TO CONSIDER WHEN BUYING POINT-AND-SHOOT CAMERAS FOR TRAVEL

When it comes to choosing photography gear , price is a pretty good indicator of quality. Point-and-shoot cameras are sold for as little as a few hundred dollars and go up into the thousands. The cameras on the cheapest end of the spectrum are usually only slightly better than a decent smartphone.

When you want to get started in outdoor photography and you invest in a middle-range (or higher) point-and-shoot camera, the results can be truly impressive. It is not necessary to invest in a 4,000-dollar Leica to shoot a great picture, but if you value your travel memories you will be thankful for a camera that can capture sharp, realistic images.

The resolution of a photograph is measured in megapixels (MP) and it’s one of the factors that determine the quality of an image. In short, the resolution indicates the amount of detail in a photograph. A higher number of megapixels means a sharper picture, but you shouldn’t worry too much about resolution if you only intend to share your photographs on social media or view them on a computer screen — in that case, even just 6MP will be plenty. Resolution becomes valuable if you want to print your pictures in large format or if you need to crop them.

Socks with no cushioning at all are thin and lightweight. They are great for short hikes in hot weather conditions because they are breathable and quick-drying, but tend to be less durable than thicker socks.

LOW LIGHT PERFORMANCE

A camera that doesn’t perform well in low light conditions will produce grainy pictures in the dark. Such performance depends mostly on the size of the aperture that lets light reach the sensor. The lower the number of f-stops (for example f1.8 or f2.8), the wider the aperture.

A lens with a maximum aperture of f1.8 will shoot sharp, clear photographs even without a strong light source, while a lens with a maximum aperture of f5 will not be very effective in poorly lit environments. Outdoor photographers shooting in the daytime will be fine with most point-and-shoot cameras, but if you are planning to photograph interiors or evening scenes you might want to opt for a camera with a brighter lens (i.e., wider range of aperture).

SIZE & ERGONOMICS

You don’t need a bulky DSLR to bring great pictures back home. These days even the smallest camera can capture images of the highest quality. If portability is a priority, choose a camera that will fit in your pocket and can be carried anywhere with ease. If you have big hands or you don’t mind some extra weight, opt for one with good grip and a lens that will let you zoom further into the distance.

INTERCHANGEABLE LENSES

Point-and-shoot cameras normally have a single, multipurpose, unchangeable lens, but there are exceptions. Some cameras will let you swap lenses to experiment with different focal lengths or upgrade to higher quality glass. While lenses designed for a specific use tend to produce better images, they are also expensive. When you buy a camera with interchangeable lenses keep in mind the cost of the additional gear.

While video making is not meant to be the primary use of compact photo cameras, technology has developed to a point where even the most compact point-and-shoot cameras can record amazing clips. If you intend to document your adventures through film, check the video specifications before buying. Resolution can vary between 720p and 4K, and recording time often has a cap at 15 or 20 minutes. It is good to remember that shooting video drains the battery much faster than taking pictures, so you might want to consider buying a second battery if you are planning a debut as the next Indiana Jones.

FEATURES EXPLAINED

Point-and-shoot.

A camera that automatically adjusts its exposure , white balance, and focus at the click of the shutter button.

FOCAL LENGTH

The distance between the lens and the image sensor, normally stated in millimeters. A 50mm lens will resemble the field of vision of the human eye. Shorter focal lengths (such as 18mm) create a wider framing, while longer focal lengths narrow the field of view and allow you to capture more distant subjects. Based on this measure we talk about “wide-angle” and “telephoto” lenses.

The aperture of a lens, measured in f-stops, is the channel through which light travels to the sensor. Wider apertures are preferable over narrow apertures as they allow you to shoot in darker conditions. However, they usually come at a price. The aperture of a lens can be fixed or variable and is described with the letter “f” followed by a number. The lower the number of f-stops, the wider the aperture.

4K / 1080p / 720p

These numbers refer to the video resolution (different from the photo resolution) and indicate the number of pixels displayed vertically across the screen. The higher the number of pixels, the higher the quality of the video.

A lens with a fixed focal length, such as a 35mm. While it is not possible to “zoom in” with prime lenses, they usually produce higher quality pictures and perform better in low light conditions than lenses with variable focal length.

A lens with an adjustable focal length. Zoom lenses, such as an 18-55mm or a 70-300mm, allow the photographer to change the framing from wider to narrower by twisting a ring on the lens.

TELEPHOTO LENS

A long-focus lens designed to capture distant subjects.

The mechanism inside the camera or the lens that allows for automatic focusing on a subject. Many modern digital cameras include a facial recognition system that instantly detects and focuses on human faces within the frame.

FPS (FRAMES PER SECOND)

FPS refers to the highest number of photographs a camera can capture in one second. Most cameras on this list will capture a maximum of 6 to 8 images per second when the shutter button is held down in optimal conditions.

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Best Point-and-Shoot Cameras of 2020

From premium to budget, we break down the year’s top compact cameras.

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The lower end of the camera market is being challenged by smartphones, but advanced and mid-range point-and-shoots are thriving. In 2020, you can get a compact camera with a larger sensor, more megapixels, and more connectivity options and features than ever before (even 4K video is now readily available at this level). Whether you’re an amateur looking to improve your photography, or a professional looking for a smaller alternative to your DSLR or mirrorless camera, below are the year’s best point-and-shoots. For more background information, see our point-and-shoot comparison table and buying advice below the picks.   

Best Overall Point-and-Shoot

1.  canon powershot g9 x mark ii ($429).

The Canon SX740 HS is a very capable point-and-shoot in a compact package. This sleek camera is easily pocketable, shoots 4K video, and has built-in Wi-Fi for transferring images on the fly. But most importantly, you get big-time optimal zoom at 24-960mm, which is extremely impressive given the small form factor (for comparable zoom, you’ll have to step up to a bulky superzoom at more than double the weight). All in all, the SX740 HS makes a nice travel camera that packs some serious punch.

If you don’t need the zoom capability of the SX740 HS, we think the Canon PowerShot G9 X Mark II above (our top pick) is a better choice in the same price range. The image sensor on the SX740 HS is considerably smaller than the G9 X Mark II, the lens and low-light performance are inferior, and it has fewer features. And it’s worth noting that we liked older versions in this line better. Last year, for example, the similar Canon PowerShot SX720 HS was consistently available for under $300, which made it a more attractive value.   See the Canon PowerShot SX740 HS

10.  Fujifilm X100V ($1,399)

Fujifilm occupies a unique realm in the point-and-shoot world, and the X100V is case in point. Essentially, this camera packs the guts of Fujifilm’s mirrorless interchangeable-lens cameras but with the size and simplicity of a compact. Most impressive is the extra-large APS-C image sensor, which is more than three times as big as the Sony RX100 series and high-end Canon point-and-shoots like the G7 X Mark II. You also get a very fast f/2 lens, although it is fixed at 35mm. Professionals and enthusiasts love prime lenses, but they are decidedly less versatile than zooms. 

The Fujifilm X100V is new for 2020, and we included it over the older X100F, which currently retails for a few hundred bucks less on sale. We always love to save when merited, but the X100V version has better autofocus, a shaper lens, an articulating LCD screen, 4K video functionality, and improved weather sealing. Taken together, that is a whole host of improvements that make the X100V worth the upgrade.  See the Fujifilm X100V

11.  Canon PowerShot SX70 HS ($399)

If you’re looking for big zoom without breaking the bank, check out the popular Canon SX70 HS. For just under $400, you get a massive 21-1365mm of range along with fast shooting at 10 frames per second, image stabilization, and Canon’s signature easy-to-use functionality. We also appreciate how the SX70 HS is 21mm at the wide end, which is rare for a camera of this type. This superzoom is large and definitely will not slide into your pocket, but for travel, action photography, and everyday use, it’s a solid option. 

Why isn’t the Canon PowerShot SX70 HS higher on our list? The small image sensor is limiting, including for those who plan on making prints or shooting in tough conditions. The truth is that you have to a pay a lot more for a superzoom with a large sensor (see the Panasonic FZ1000 below, for example), which may be worth it for some people but lessens the appeal for most. But for a DSLR alternative with a ton of zoom and good features, we like the value of the SX70 HS. See the Canon PowerShot SX70 HS  

12.  Sony RX100 ($448)

If the size of your point-and-shoot isn’t a primary concern, give the FZ1000 from Panasonic a serious look. With this camera you get a large 1” image sensor along with an extraordinary amount of zoom at 25-400mm (this specialized category of point-and-shoot has earned the moniker “superzoom”). Other point-and-shoots offer even more zoom in smaller packages, but those models have also considerably smaller sensors and can’t compete with the optical quality of the FZ1000. And the cherry on top: the FZ1000 is one of the only cameras on this list that shoots 4K video.

The obvious concerns with a superzoom like the Panasonic FZ1000 are size and weight. This point-and-shoot is literally the size of a small DSLR, weighing in at a hefty 29.3 ounces. You certainly won’t be sliding the FZ1000 into your pocket, but the versatility and convenience are attractive for travel and for those who don’t want to carry and switch out multiple lenses. To be sure, it’s a viable alternative to an entry-level DSLR, albeit with a smaller sensor.  See the Panasonic Lumix FZ1000

14.  Ricoh GR III ($900)

Realistically, the Ricoh GR III is a niche camera, but it’s still one of our favorite pro point-and-shoots on the market in 2020. Its most notable feature is the huge APS-C image sensor—the same size as many digital SLRs—in a compact body that weighs just over 9 ounces. You also get a crisp f/2.8 lens, fast and accurate autofocus, built-in image stabilization, and a number of other modern features. Keep in mind that the GR III has a fixed focal length equivalent to 28mm, which is great for travel and outdoor photography but isn’t for everyone. But if you want professional-grade image quality in a tiny package, the Ricoh GR III is a fun option. 

For those looking to save, the old Ricoh GR II currently is selling for around $600. What are the differences between the two models? The GR II has fewer megapixels at 16.2, lacks built-in image stabilization, and has inferior autofocus, among other things. We still like the predecessor, which was released all the way back in 2015, but there are enough updates and improvements to merit the extra cost of the newer model, in our opinion. Both are excellent high-end points-and-shoots for those who want a compact alternative to a larger set-up.  See the Ricoh GR III

15.  Panasonic Lumix ZS70 ($298)

16. Nikon Coolpix B500 ($257)

Mid-Range Mid-range point-and-shoots usually are big on features but sacrifice in the size of the image sensor (many are a relatively small 2/3"). If you don’t plan on enlarging your photos or want features like big zoom at a reasonable price point, mid-range cameras are a nice compromise of price and performance.  

Entry Level To be sure, this end of the point-and-shoot spectrum is retreating. We can remember when almost everyone on vacation carried a cheap point-and-shoot (ourselves included), but the rise of the camera phone makes it impractical to carry two devices that do similar things. The latest iPhone, for example, has pretty darn impressive cameras (plural) and a Portrait Mode that rivals or outperforms an entry-level point-and-shoot. And even if a designated camera is slightly better on paper, the convenience of a smartphone wins out. For these reasons, we generally recommend going with an enthusiast or mid-range model. The exceptions, of course, are if you don’t own a phone with a camera or don’t want to carry it with you while doing activities like backpacking or skiing.   

Point-and-shoot cameras have an attached lens, as opposed to interchangeable lenses found on DSLRs or mirrorless cameras, and many models have a fairly versatile zoom. For example, the Sony RX100 VII has a zoom range of 24-200mm, but the the Canon PowerShot SX720 HS offers a very impressive 24-960mm, albeit at the sacrifice of other features.

A popular trend in recent years has been superzoom cameras, which have an extremely long zoom range up to 1000mm or more. Smartphones are notoriously poor at zooming and this is one way that camera manufacturers can continue to drum up interest. Superzooms are really cool cameras—we love the Canon PowerShot SX70 HS , for example, which has 21-1365mm of optical zoom and costs under $400. Superzooms have two main issues, however. They are considerably heavier and bulkier than normal point-and-shoots (closer to a DSLR than a point-and-shoot, in fact), and the image sensors on superzooms usually are small, often 1/2.3". But for travel, sporting events, school plays, or wildlife photos, these are very fun cameras to use. 

1/1.7" (7.60 x 5.70mm = 41 sq. mm) 

1" (13.2 x 8.8mm 116 sq. mm.)

APS-C (23.6 x 15.6mm = 368 sq. mm)  

Almost all entry-level and some mid-range point-and-shoots have 1/2.3” CMOS image sensors. The higher the price the more likely you are to get a larger sensor—most high-end point-and-shoots either have 1” or 1/1.7” CMOS sensor. Some professional compact cameras have APS-C image sensors but those are a rarity (the Ricoh GR III  and Fujifilm X100F have the largest on this list).

A pixel is one dot of information, and digital photographs are made up of millions of these dots. To make the calculations more palpable, we use the term megapixels (mega = million). So if a camera has 18 megapixels, the photographs are comprised of 18 million tiny dots.

As described above in relation to the image sensor, the number of megapixels can be misleading. If Camera X has 24 megapixels and Camera Y has 12 megapixels, this does not necessarily mean that Camera X produces higher-quality images. If Camera Y has a larger sensor, higher ISO sensitivity, and a superior lens, you can expect better photos from fewer megapixels.You shouldn’t totally ignore megapixels either. An astute camera buyer should look at sensor size first, then the number of megapixels, and try to gauge how those two numbers stack up against the competition (we’ve tried to make things easier with our handy comparison table above). Generally, the more you pay for a camera the larger the sensor and higher the number of megapixels.  

A major point of differentiation between budget and high-end point-and-shoots is the low light performance of the lens and camera. In terms of the lens, the important number to look at is maximum aperture, expressed in f-stops ranging from f/1.4 to f/22 or higher. The lower the number, the wider the lens can open and the more light enters the camera. At the low end of the spectrum is a camera like the Panasonic Lumix LX10  with a maximum aperture of f/1.4. Most mid-range and budget point-and-shoots have maximum apertures from around f/2 to f/3.5. You’ll notice that maximum aperture is expressed in two numbers covering both the wide and telephoto end (f/1.8-4.9, for example). 

In terms of the low light performance of the camera itself, the number to look for is ISO sensitivity (commonly referred to simply as ISO). The higher the ISO, the more sensitive a camera is to light and the less likely you are to get noise (graininess you often see on photos taken by cheap cameras or your smartphone). A camera like the popular Canon PowerShot ELPH 180 isn’t particularly good in low light with an ISO sensitivity of 100-1600, while the Sony RX100 VII has a much more impressive range of 24-25600 extended. Taken together with the maximum aperture of the lens, these factors are what determine the low light performance of your point-and-shoot.   

Like zoom, video is an increasingly sought-after camera feature. Full HD 1080p (1920 x 1080 pixels) is standard in 2020, even on point-and-shoots. Some budget models only shoot 720p (1280 x 720 pixels) but they are increasingly scarce. At the top end of the spectrum, various professional compacts now offer 4K video (4096 x 3072 pixels) including the Sony RX100 VII and Panasonic LX10.

In terms of overall video quality, there is more to evaluate than just the resolution. The quality of the autofocus, ISO sensitivity, size of image sensor, and other features like image stabilization all play a role in the video your point-and-shoot produces. Dedicated videographers also like to experiment with different movie speeds, with the most common being 60 fps, 30 fps, and 24 fps. Pricier point-and-shoots usually offer more video speeds to choose from.

A final feature you’ll often see referenced is a “dedicated movie button.” This means that instead of having to navigate through the menu via the buttons or touchscreen, one button (usually red) on the outside of the camera will have you shooting video almost instantaneously. Again, point-and-shoot manufacturers have to compete with smartphones, and the dedicated movie button is another way that they do so.  

Wi-Fi and NFC

The method of plugging in your camera to a USB port on a desktop or laptop and uploading photos manually is becoming increasingly unnecessary. Built-in Wi-Fi is a nice perk on many new point-and-shoot cameras, allowing you to transfer and upload photos and video to your device or social media platform directly from the camera. Some even offer light editing directly on camera. The software and Wi-Fi platforms vary by manufacturer, and some are easier to use and less buggy than others, but we like the option of using Wi-Fi when it’s convenient.  

The rear LCD screen is another point of differentiation between point-and-shoots. Most screens are LCD and around 3 inches in size, with the resolution varying significantly across price points. Higher resolution and brighter screens come in handy when the conditions are tough and you are trying to line up a shot. On some high-end models you get a tilting LCD for difficult angles and even touchscreen functionality that can be easier to navigate than with buttons. The LCD screen isn’t a make-or-break feature for us, but they do get nicer as you spend more and the difference is noticeable. 

Electronic and Optical Viewfinders

Some advanced point-and-shoots have either an electronic or optical viewfinder. This desirable feature means that instead of lining up photos via the rear LCD screen, you can look through the viewfinder located at the top of the camera. For professionals and enthusiasts who demand accuracy and produce a high volume of photos, a viewfinder almost is a necessity. Again, electronic viewfinders are rare on point-and-shoots and usually the territory of digital SLRs and some mirrorless cameras , but on new high-end models like Sony RX100 VII, having an electronic viewfinder undoubtedly is advantageous.  

Our Take on Rugged Cameras

There are a number of “rugged” digital cameras on the market, with our favorite being the Olympus Tough TG-6 . These cameras are essentially entry-level point-and-shoots with an exterior casing that makes them waterproof, dustproof, and shockproof (the specificities such as waterproof depth depend on the model).

First and foremost, no camera is actually waterproof—you can see by combing through various reviews on sites like Amazon that rugged cameras can spring the occasional leak. Moreover, you pay quite a premium for the extra protection, often getting a camera that is relatively basic in terms of image quality. The Olympus TG-6 currently retails for a pricey $349, despite having entry-level specs—you can get an excellent mid-range point-and-shoot that isn’t weather-resistant for around that price. 

Rugged cameras make the most sense for activities with serious exposure to the elements like snorkeling, rafting, surfing, climbing, skiing, and snowboarding in inclement weather. They work well for beach vacations too—sand is one of the biggest enemies of any camera or lens and the extra sealing helps to prevent tiny pebbles from entering your electronics. For normal travel and outdoor use, we recommend buying a regular camera that is optically superior and taking reasonable care to store it. Even a normal case inside a Ziploc bag will protect your camera in most conditions.    

What About a Memory Card?

The good news for consumers is that memory cards continue to get faster and cheaper. A few years ago, Class 10 cards, which have a minimum write speed of 10 MB per second, were expensive and there was an actual decision to make between those and slower Class 4 cards. By 2020, the price of Class 10 cards has dropped to the same range as Class 4 cards and it’s a no-brainer (Class 4 cards are basically extinct).

Our favorite SD memory card for point-and-shoots is the SanDisk Extreme , which offers fast write and read speeds (up to 70 MB/s write and 150 MB/s read). You also get protection from the elements: the SanDisk Extreme is rated as waterproof, shockproof, X-ray proof, and can operate in temperatures from -13 to 185 degrees Fahrenheit. We like the extra peace of mind, but if you don’t care about the durability of your card, the SanDisk Ultra is slightly cheaper.

In terms of storage, a 64GB card is relatively inexpensive (a fraction of what it used to be) and a nice size for a point-and-shoot that won’t have you consistently running to your computer to upload and delete photos. If you frequently shoot 4K video or won’t have access to uploading, 128 and 256 GB cards are available, although those are overkill for most point-and-shoot users.  Back to Our Top Point-and-Shoot Picks   Back to Our Point-and-Shoot Comparison Table

Learn More About Photography

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Best superzoom camera 2023

If you’re shopping for a superzoom camera, you’ve come to the right place! At Camera Labs I write in-depth reviews of cameras but understand you’re busy people who sometimes just want recommendations of the most outstanding products. So here I’ll cut to the chase and list the best superzoom cameras around right now. Note like my other guides they’re also listed by review date, not in order of preference.

Panasonic Lumix TZ95 ZS80 review

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Canon SX70 HS review

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Nikon COOLPIX B600 review

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Sony RX100 VII review

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Nikon COOLPIX P1000 review

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Canon SX740 HS review

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Panasonic Lumix TZ200 ZS200 review

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Sony RX10 Mark IV review

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Panasonic Lumix FZ80 / FZ82 review

Panasonic Lumix FZ2000 / FZ2500 review

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7 Point-and-Shoot Cameras That Take Better Photos Than Any Smartphone

Posted: May 30, 2023 | Last updated: August 2, 2023

The smartphone cameras’ extraordinary image quality and performance leap over the past few years has made entry-level point-and-shoot snappers redundant — I’ve relied on an iPhone , a Samsung Galaxy , or a Google Pixel as my go-to camera for a while. After more than a decade of covering consumer tech, the thought that I have a seriously capable camera in my pocket instead of needing to lug another device in my bag puts a smile on my face every single time.

That said, a mainstream smartphone is still no match for a top-tier point-and-shoot camera for two main reasons — sensor size and optics. By rocking larger image sensors and lenses with superior zoom range, today’s best point-and-shoot cameras will capture cherished memories like family vacations, music festivals, and sports events with more detail.

I spent a week parsing through products from leading makers like Sony, Panasonic, Nikon, and Canon to handpick the best point-and-shoot cameras to outdo your smartphone. I evaluated specs and sifted through consumer and expert reviews before making my final selection.

The Best Point-and-Shoot Cameras

What to consider, sensor size.

The sensor size of any camera is essential for its overall image quality, dynamic range, and low-light performance, to name a few important bits. The bigger it is, the better.

Nowadays, for the best experience, I highly recommend buying a camera with a 1-inch sensor that's vastly bigger than the one inside your phone. Cameras with smaller sensors are worth considering if zoom range is a priority. This handy expert guide will help you navigate the differences between camera sensor types and sizes.

This tech term relates to the camera’s image stabilization, maximum lens aperture, and zoom capabilities. Optical image stabilization is a must-have because it will allow you to capture crisp photos by offsetting hand movements and other dynamic scenes via hardware components, not just a digital algorithm. Measuring the lens aperture is counter-intuitive initially, as lower numbers mean a wider opening. A lens with a high aperture will perform better in low–light scenarios and when capturing portrait shots. If such scenarios are a priority for you, consider a camera whose lens has a maximum aperture of f/1.4 and lower. Zoom range relates to the ability of a camera lens to capture faraway objects by relying on its onboard hardware instead of digital sorcery. A camera with double-digit zoom magnification is essential in delivering better pictures than any phone.

Form Factor

It is important to pick a camera that best suits your needs and lifestyle. A compact camera is best if you're looking to take photos while out socializing with friends or of your restaurant meals. On the other hand, if you like taking nature and wildlife photos, consider a superzoom camera. It’s much bigger, but the zoom range and additional controls it packs are worth it in such scenes

With the above fundamentals in your mind, find the best point-and-shoot digital cameras for your lifestyle among these picks.

1) Panasonic DC-ZS200D Digital Camera

The Panasonic Lumix DC-ZS200D is the best point-and-shoot camera for most consumers, offering an appealing mixture of a large sensor with sophisticated optical image stabilization, stellar zoom range, and an elaborate set of controls that include hardware buttons and a touchscreen. With a price tag that hovers around $600, the product is also reasonably priced, given its performance and features.

A big sensor and advanced optics also make the Lumix DC-ZS200D a more capable tool for capturing 4K video than just any smartphone. On the other hand, the camera’s electronic viewfinder and 3-inch OLED screen make it equally suitable for beginner and advanced shutterbugs.

2) Cyber-shot DSC-RX100 VII Digital Camera

The seventh iteration of a legendary product , the Cyber-shot DSC-RX100 VII by Sony is the point-and-shoot camera to get if you want the best image and video quality, and your budget has no limits. It fits in a jacket pocket, yet it can shoot 4K video and capture images whose quality rivals a pro-grade DSLR, courtesy of a large sensor, blisteringly fast autofocus, and a cutting-edge processing engine.

Beautifully crafted and easy to use, the DSC-RX100 VII also has a versatile zoom range, an intuitive set of controls with a tilting touchscreen (a must for incredible selfies), and an excellent set of wired and wireless connectivity features. Overall, the product is pricey but truly amazing and worth investing in by beginner and advanced photographers.

3) Lumix DMC-ZS60 Digital Camera

Look no further than the Panasonic Lumix DMC-ZS60 if you want a compact camera that doesn’t skimp on zoom capabilities. The well-priced (for this product category) snapper has a versatile zoom range and reliable image stabilization, allowing you to capture faraway objects with minimum effort. It also rocks a touchscreen, an electronic viewfinder, and wireless connectivity for easily transferring photos to your phone.

The Lumix DMC-ZS60 captures great photos and 4K video for a pocket-friendly point-and-shoot camera. However, its f/3.3 maximum lens aperture limits its best performance to scenes with good lighting. I’d rely on my iPhone for nighttime cityscape and landscape shots.

4) TG-6 Digital Camera

The Olympus TG-6 is the best waterproof camera worth your attention. It can capture vivid photos and crisp 4K video up to 50 feet underwater. The product offers various underwater photography modes, including a microscope setting for capturing objects from impossibly close-up distances.

In addition to being fully waterproof, the gadget is dust-, crush-, and freezeproof. Other key features of the TG-6 include Wi-Fi for smartphone connectivity, GPS, eCompass, and a temperature sensor are also on board. You can order the compact camera in black or red.

5) COOLPIX P1000 Digital Camera

Even though it’s undeniably expensive and bulky, the Nikon COOLPIX P1000 is worth splurging on if you want a point-and-shoot camera with the biggest zoom range. Its 125-times maximum optical magnification leaves the competitors in the dust, making it a must-have for wildlife photography and, remarkably, capturing celestial objects. To put the product’s value in perspective, a DSLR zoom lens with a lower range by Sony — the product category’s leader — will set you back around $2,000 without factoring in the four-digit sum you need to drop on a camera body .

Other noteworthy highlights of the Nikon COOLPIX P1000 include an elaborate set of controls with a fully articulating screen, Wi-Fi and Bluetooth connectivity, and an optional Bluetooth remote for taking advantage of the zoom range from a tripod.

6) Lumix DMC-LX10 Digital Camera

The Panasonic Lumix DMC-LX10 will snap memories in low-light scenes better than any rival, thanks to a large sensor and a lens with a best-in-class maximum aperture. When wide open, the camera’s f/1.4 lens can accurately capture the ambiance without the help of a flash. This Lumix iteration is cheaper than our top pick from the same maker and worth considering if you prioritize low-light performance over zoom capabilities.

The bright aperture mentioned above is also handy for capturing stunning portraits with a blurred background behind the person or object. In addition to commendable image and video quality, the DMC-LX10 has a sleek design, intuitive controls, and a rich set of wired and wireless connectivity features.

7) Lumix DMC-FZ80 Digital Camera

The Panasonic Lumix DMC-FZ80 is the best affordable superzoom camera worth your attention. It has a fantastic 60-times magnification optical zoom, as well as the ability to capture 18MP photos and 4K video with solid quality via a 1/2.3-inch image sensor. The product has a lesser zoom range but costs less than half its Nikon rival we mentioned.

The camera sensor is sitting behind a lens with optical image stabilization and a bright f/2.8 aperture. A great set of manual controls, Wi-Fi connectivity, and the ability to capture burst shots of up to 30 frames per second round up the camera's key features. Overall, this is a great starter point-and-shoot camera for nature photographers.

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Tank ride & bazooka Moscow

Only in Russia!

Ask us for availabilities

Starts at 9am

Duration: 1 day

Tour available in

Want to ride a tank? Of course you do.

Welcome to Russia, where everything and anything is possible—especially riding on a tank, shooting an AK-47 and a bazooka, all while drinking vodka.

At Put-in tours, we have put together the ultimate excursion for men (and their girlfriends). Join us in our Soviet van for an entire afternoon of all-inclusive Russian fun on the battlefield!

Start by visiting Park Patriot, the impressive Russian army exhibition center and museum. There, try your driving skills at the T-80 tank official simulator ,  before you ride on two iconic Soviet armored vehicles (BMP-1 and/or BTR-80) on an off-road training path. Along the way, hone your skills while a drill sergeant shouts commands at you. You may not understand, but impress him anyway with your grenade launching technique and AK-47 assembling speed. Or suffer the consequences.

After that, take another shot of vodka , enjoy the army field lunch provided, and move on to the next activity…

Honey, I shot a bazooka!

Phase two brings a variety of iconic Russian war weapons to the tip of your trigger finger. Learn about and test the Makarov PM, PPSH-41, Kalashnikov AK-47, RPK, DP28 machine gun, several semi-auto or auto carbines and more… Firing off a bazooka is the grand finale, sure to leave you breathless—just before you send the photos to your mom.

To prevent you from inadvertently blowing up your best friend or transforming your girlfriend into a strainer, we only use non-lethal (but real!) ammo.

And because you’ll want to keep the good times rolling, we also offer a 10% discount on pub-crawl tickets.

Hotel pick-up (when possible –  please contact us)

Transport in our classic Soviet van

Army field lunch, drinks and vodka

Visit Park Patriot & try the T-80 tank simulator

Ride on a iconic Soviet armoured vehicle: BMP-2

Shoot 10 Soviet rifle rounds and 1 bazooka shell

Adults : 28 100 RUB / passenger

Good to know

Please contact us before the tour to make an appointment

No minimum age

Shooting and bazooka are blank for security reasons

Let us know if you have any food allergies or special dietary needs

Don’t wear your best shoes

Join the experience, book your seat now!

* we run this excursion for groups > 5 persons. If you are less then 5 people, please contact us by email to know about availabilities.

Generally, hotel pick-up is possible . Contact us beforehand to make an appointment.

Otherwise, we will pick you up at 9:00 in front of St Basil’s Cathedral , on the red square.

Contact us for more details

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Put-in tours

At Put-in tours, we put you in our classic Soviet vans to go explore Moscow, Saint Petersburg and Russian culture off the beaten path. Discover our Moscow city guided tour, visit Moscow by night, join our banya & Sergiyev Posad excursion, visit and dine in one of Moscow's oldest monastery or even Luzhniki stadium, before you party on our famous pubcrawl! Original and atypical tours : Shoot AK47 and a bazooka after riding on a tank with our tank & bazooka excursion ! Extreme tours: Fly a fighter jet in Moscow onboard a L-29 or L-39 aircraft!

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Shooter Files by f.d. walker

Street Photography Tips, Interaction, Travel, Guides

Apr 24 2017

City Street Guides by f.d. walker: A Street Photography Guide to Moscow, Russia

*A series of guides on shooting Street Photography in cities around the world. Find the best spots to shoot, things to capture, street walks, street tips, safety concerns, and more for cities around the world. I have personally researched, explored and shot Street Photography in every city that I create a guide for. So you can be ready to capture the streets as soon as you step outside with your camera!

At over 12 million people, Moscow is the largest city in Russia and second largest in Europe by population ( Istanbul is #1). An urban, cosmopolitan metropolis with more than enough glitz and glam to cater to the elite, but without losing its fair share of Soviet era roughness around the edges. It can be fast paced, brash, busy, and trendy like other big cities, but it has its blend of West meets Russia atmosphere and beauty that provides plenty of unique interest. The Red Square is as famous as it gets, but there’s so much more to this city, including the most beautiful subway system you’ve ever seen. It would take years to capture all of Moscow, but that means you have an endless amount of areas to discover.

So here’s a Street Photography guide so you can be ready to capture all that Moscow has to offer before you even arrive!

• Patriarch’s Pond
• Old Arbat Street
• Maroseyka Street
• Tverskoy Boulevard

Top 5 Street Spots:

1. red square.

The Red Square is the most famous square in not just Russia, but all of Eastern Europe. The name actually doesn’t come from the color of the bricks or communism, but from the name in Russian, Krásnaya, once meaning “beautiful” before its meaning changed to “red.” This large plaza is what you see on the cover of guide books and magazines for Moscow, with St. Basil’s Cathedral being the center piece next to Lenin’s Mausoleum surrounded by the Kremlin Wall. Of course, the Red Square attracts hordes of tourist due to the main attractions, but all that activity around an interesting atmosphere does provide street photo opportunities. It’s also the central square connecting to the city’s major streets, providing a good starting point to explore outward.

You’ll also find the popular pedestrian only Nikolskaya Street connecting the Red Square to Lubyanka Square. This line of expensive shops includes plenty of activity, while also leading you to another popular square. Filled with history rivaling any city, the Red Square and surrounding areas are the heart and soul of Russia.

2. Patriarch’s Ponds

Patriarch’s Ponds is one of the most exclusive neighborhoods in Moscow. Despite the name being plural, there’s only one large pond, but it’s worth a visit with your camera. It’s a popular spot for locals and expats to come relax or take a stroll around the pond. You get an interesting mix of young and old too, from young love to “babushkas” feeding pigeons. It’s a very peaceful park atmosphere in one of the nicer areas within the city center, while bringing enough activity for street photography. 

The pond is shallow and in the winter becomes a popular spot for ice-skating too. The area is also well-known for the location in the famous Russian novel, The Master and Margarita. 

3. Old Arbat (Stary Arbat)

Old Arbat is the most famous pedestrian street in Moscow, and dating back to the 15th century, also one of its oldest. Originally, it was an area of trade, but soon became the most prestigious residential area in Moscow. During the 18th century, Arbat started attracting the city’s scholars and artists, including Alexander Pushkin. Cafes lined the streets and impressive homes filled the neighborhood. Since then, New Arbat street was created as a highway in the area, while Old Arbat was paved for a 1km pedestrian only walkway.

Due to the historic buildings, famous artists that lived here, and the bohemian atmosphere, Old Arbat has become a big attraction for tourists today. Now, there’s a mix of cafes, restaurants, souvenir shops, street performers, street merchants and other attractions for visitors, and some locals, to come enjoy. It can get really busy here and there’s usually something interesting going on so it’s a good street to come walk with your camera for guaranteed life.

4. Gorky Park

One of the most famous places in Moscow is Gorky Park. The official name is Maxim Gorky’s Central Park of Culture & Leisure, which gives you an idea of what goes on here. When built, it was the first of its kind in the Soviet Union. Divided into two parts, it stretches along Moscow River. One end contains fair rides, foods stands, tennis courts, a sports club, a lake for boat rides, and more. This end brings more active life due to its number of attractions, while the other end is more relaxed, where you’ll find gardens, trees, older buildings, and an outdoor amphitheater.

Gorky Park attracts mostly locals so it’s a good spot to capture the non-tourist side of Moscow life. Muscovites come here to escape the city and unwind in a picturesque setting. The park remains alive outside of the warmer months too, especially when the lake turns into the city’s largest outdoor skating rink. I’d recommend taking the metro out here to spend at least half a day exploring the massive park’s life with your camera.

5. Maroseyka Street

Maroseyka Street is a popular area not too far from the Red Square. The long, winding street turns into Pokrovka and is lined with restaurants, cafes, bars and places to stay. It’s actually where I like to stay when I’m in Moscow due to its location and solid street photography opportunities itself. You have Kitay-gorod station near and if you keep walking southwest, you’ll get to the Red Square. But if you walk northwest, as it changes to Pokrovka, you can find a long street of activity for photography with its own interesting atmosphere.

6. Tverskoy Boulevard

Tverskoy Boulevard is the oldest and longest boulevard in Moscow, beginning at the end of Nikitsky Boulevard, and finishing at Pushkin Square, a spot to come for activity itself. The boulevard is made up of two avenues, with pedestrian walkways in-between. You’ll find grass, shrubbery, trees, benches and more walking it’s almost kilometer length. Many people come here to enjoy some relaxation, walk their dog, or just to use it to walk wherever they’re going. Its center location also provides a nice place to walk with your camera near plenty of other spots you’ll want to check out anyway.

Sample Street Walk:

For a full day of Street Photography, covering some of the best spots, you can follow this sample street walk for Moscow:

• Start your morning walking around the Red Square (1), while exploring the surrounding area, including Nikolskaya Street
• Then walk northwest to Patriarch’s Ponds (2) and slowly walk the pond and surrounding area with your camera
• Next, walk east to the Pushkin Monument and stroll down Tverskoy Boulevard (6)
• Once Tverskoy Boulevard (6) ends, it will turn into Nikitsky Boulevard. Follow this down until you get to the start of Old Arbat Street (3), across from Arbatskaya station
• After you’re done walking down Old Arbat Street (3) for more street photography, spend some time checking out Moscow’s beautiful metro stations
• To finish off the day with more street photography, get off the metro near Red Square (1) again, Maroseyka Street (5) or wherever you’re staying for the night.

3 Things I’ll Remember about Shooting in Moscow:

1. museum metro.

The Moscow metro system was the first underground railway system in the Soviet Union and today includes 203 stations across 340km of routes. The elaborate system has some of the deepest stations in the world too, with escalators that seem to go on forever. None of this is what makes it so special, though. Many of its stations feel like stepping inside a museum, making it without a doubt the most interesting and beautiful metro system I’ve been in.

When built, Stalin wanted to make the metro stations “palaces for the people” with marble, chandeliers, and grand architecture. The best part is the variety of architecture and styles used, making many of the stations a completely different experience visually. You could easily spend a whole day traveling the stations and there are even tours available for people who wish to do just that. My advice, though, would be just to buy a ticket and hop on and off at different stations, while exploring different lines. The museum-like surrounding mixed with the crowds of characters can make for a great photography experience.

Since there are so many stations, here are some of my favorites to check out:

• Novoslobodskaya
• Mayakovskaya
• Elektrozavodskaya
• Komsomolskaya
• Ploschad Revolyutsii
• Dostoyevskaya
• Prospekt Mira

2. Moscow is Big

It’s no secret that Moscow is a big city, but it can feel even bigger with how spread out much of it is. This is especially true if you compare it to cities outside of Asia. If I compared it to cities in Europe, I’d probably say only Istanbul would warrant more time to really discover the depths of this city. Most only explore around the Red Square and surrounding area, but that is such a small part of the city. Although, that central area does give you plenty to see on its own.

Fortunately, I had a good friend living in the city to show me around, but it opened up my eyes even more to how much there is to discover in Moscow. It’s a big city with a variety of atmosphere that can take you from “east” to “west” and trendy to rugged depending on where you go. I’d imagine you’d have to live here a while to really know the city.

3. Cosmopolitan Mix of East meets West

Modern skyscrapers mixed with amazing architecture, a world-class metro system with museum-like beauty, trendy fashion and chic clubs, Moscow is a rich mix of Russian culture and history in a more western cosmopolitan package. There is a push to keep the Russian culture, while also pushing forward with a modern metropolis the whole world will envy. This comes with an impressive skyline, that continues to grow, and endless modernities, but with soviet nostalgia and atmosphere mixed in for good measure.

Mixed in with this grand western cosmopolitan atmosphere, is a strong national pride in Russia. This includes their famous leader, Vladimir Putin. Maybe no other place will you see a country’s leader more often. All over, from the pricey tourist shops to the underground walkway stalls, you’ll find goods with Putin’s likeness covering them. From t-shirts to magnets to Matryoshka dolls. There’s a strong national pride that can be seen around the city, which also extends to their leader. Moscow is many things. It’s East meets West, modernizations meets Soviet era, and a whole lot more.

What To Do For a Street Photography Break?:

Eat at a stolovaya.

Stolovayas are Russian cafeterias that became popular in the Soviet days. You grab a tray and walk down the line of freshly prepared local dishes, and select whatever you want from the chefs. They’re usually inexpensive and a much better value than restaurants, while giving you the opportunity to try from a wide selection of everyday Russian food. They’re also very tasty. I always include some borsch on my tray and go from there. The places themselves are all over Moscow and usually come with Soviet-era aesthetics to complete the experience.

Street Safety Score: 7

*As always, no place is completely safe! So when I talk about safety, I’m speaking in general comparison to other places. Always take precaution, be smart, observe your surroundings and trust your instincts anywhere you go!

Being the 2nd largest city in Europe with over 12 million people, you’re going to have your dangerous areas, but for the most part, it feels safe walking around. Russia is statistically higher in crime compared to most of Europe, but this generally doesn’t apply to tourists and visitors. Around the Red Square and surrounding city center, you should feel completely safe walking around. Pick pocketing can happen, but no more than other touristic places. I always explore Moscow freely without coming across too much to worry about. It’s a spread out city, though, so of course it matters where you are. Just use basic street smarts, know where you are and Moscow shouldn’t give you a problem. 

People’s Reaction Score: 7

Moscow is fast paced, big city life, which usually means people aren’t too concerned with you, or your camera. I don’t find people notice or pay much attention to me when I’m out taking photos in Moscow. For the most part, people just go about their day. You shouldn’t get too many looks or concern. But it can depend on the area you are in. The more you stick out, the more you might get noticed with suspicions. I’ve never had any problems in Moscow, or Russia, but just be careful who you’re taking a photo of if you get out of the city center. Other than that, it’s about average for reactions. 

Street Tips:

Learn the alphabet .

Much of Moscow, including the metro system, doesn’t use english. The Russian alphabet uses letters from the Cyrillic script, which if you aren’t familiar with it and don’t know the sounds, can be hard to decipher the words. This is most important for street names and metro stops when trying to get around. It can save confusion and make it easier getting around if you learn the basic alphabet. At the very least then, you can sound out the words to see which are similar in the english conversion, which can help matching them to maps. When out shooting street photography, getting around is as important as anything. So save yourself some time and frustration by learning the Russian Alphabet.

Use the metro

While Saint-Petersburg feels very walkable for a city its size, Moscow can feel very spread out, even for its bigger size. Outside of the Red Square area, you can have plenty of walking before getting anywhere very interesting, so you’ll need to take the metro a lot if you really want to explore the city. Maps are deceiving here too, it will always be further than it looks.

Another reason it’s less walkable than Saint-Petersburg is its completely different set-up. Moscow’s streets are mostly contstructed in rings with narrow, winding streets in-between. This is common with medieval city cities that used to be confined by walls, but you usually don’t have it in a city this massive. Saint-Petersburg has a more grid-like pattern that also uses the canals to help you know your way around. When it comes to navigating on foot in Moscow, it can be more difficult, so bring a map and take the metro when needed. It’s why Moscow’s metro carries more passengers per day than the London and Paris subways combined.

Explore other areas if you have time

Moscow is really big. While most people stay around the Red Square within the Boulevard Ring, there’s so much more to the city. I covered some other spots outside of this circle, but if you really want to see the city, you’ll need time. If you do have time, some other areas I’d check out first are Zamoskvarechye, along some of the south and western Moscow.

Inspiration:

For some more inspiration, you can look through the Street Photography of Moscow photographer Artem Zhitenev  and check out 33 of my photos taken in Moscow .

Conclusion:

Moscow’s name brings a certain mystique, but once you’re there it might bring a different atmosphere than you expect. It’s big and sprawling, but beautiful in many ways. It can feel like a European capital on a grand scale, but you can definitely find its Russian side in there.

The urban sprawl of Moscow can be intimidating, but give it enough time and you’ll be rewarded with plenty to discover. All with the world’s best metro system to take you around.

I hope this guide can help you start to experience some of what Moscow contains. So grab your camera and capture all that Moscow has to offer for Street Photography!

If you still have any questions about shooting in Moscow, feel free to comment below or email me!

(I want to make these guides as valuable as possible for all of you so add any ideas on improvements, including addition requests, in the comment section!)

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