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Star Trek Adventures Tabletop RPG

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Starfleet needs a new crew! Welcome to your new assignment, Captain. Your continuing mission, to explore strange new worlds, seek out new life and new civilizations, to boldly go where no one has gone before. Star Trek Adventures is a Tabletop RPG where new discoveries await explorers of Starfleet. Browse below for the roleplaying game, miniatures, dice, character sheets, game tiles & boards, free PDFs and accessories.

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Star Trek: The Next Generation

Set almost 100 years after Captain Kirk's 5-year mission, a new generation of Starfleet officers sets off in the U.S.S. Enterprise-D on its own mission to go where no one has gone before. Set almost 100 years after Captain Kirk's 5-year mission, a new generation of Starfleet officers sets off in the U.S.S. Enterprise-D on its own mission to go where no one has gone before. Set almost 100 years after Captain Kirk's 5-year mission, a new generation of Starfleet officers sets off in the U.S.S. Enterprise-D on its own mission to go where no one has gone before.

• Gene Roddenberry
• Patrick Stewart
• Brent Spiner
• Jonathan Frakes
• 321 User reviews
• 162 Critic reviews
• 39 wins & 61 nominations total

Episodes 176

Photos 3429

• Captain Jean-Luc Picard …

• Lieutenant Commander Data …

• Commander William Thomas 'Will' Riker …

• Lieutenant Commander Geordi La Forge …

• Counselor Deanna Troi

• Lieutenant Worf …

• Doctor Beverly Crusher …

• Enterprise Computer …

• Wesley Crusher …

• Chief Miles O'Brien …
• Youngblood …

• Lieutenant Natasha 'Tasha' Yar …

• Doctor Katherine Pulaski …

• Nurse Alyssa Ogawa …

• Ansata Terrorist …

• Ensign Ro Laren …

• Keiko O'Brien …
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• Production, box office & more at IMDbPro

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• Trivia When the cast decided to lobby for a salary increase, Wil Wheaton 's first offer from the producers was to instead have his character promoted to Lieutenant. His response was, "So what should I tell my landlord when I can't pay my rent? 'Don't worry, I just made Lieutenant'?!"
• Goofs It is claimed that Data can't use contractions (Can't, Isn't, Don't, etc) yet there are several instances throughout the series where he does. One of the first such examples is heard in Encounter at Farpoint (1987) , where Data uses the word "Can't" while the Enterprise is being chased by Q's "ship".

[repeated line]

Capt. Picard : Engage!

• Crazy credits The model of the Enterprise used in the opening credits is so detailed, a tiny figure can be seen walking past a window just before the vessel jumps to warp speed.
• Alternate versions The first and last episodes were originally broadcast as two-hour TV movies, and were later re-edited into two one-hour episodes each. Both edits involved removing some scenes from each episode.
• Connections Edited into Reading Rainbow: The Bionic Bunny Show (1988)

User reviews 321

• Jun 2, 1999

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• September 26, 1987 (United States)
• United States
• Official Facebook
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• Star Trek: TNG
• Donald C. Tillman Water Reclamation Plant - 6100 Woodley Avenue, Van Nuys, Los Angeles, California, USA (location)
• Paramount Television
• See more company credits at IMDbPro

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• Runtime 45 minutes
• Dolby Stereo

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Star Trek: The Next Generation

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Watch Star Trek: The Next Generation with a subscription on Paramount+, or buy it on Fandango at Home, Prime Video, Apple TV.

Cast & Crew

Gene Roddenberry

Patrick Stewart

Capt. Jean-Luc Picard

Jonathan Frakes

Cmdr. William Riker

LeVar Burton

Lt. Cmdr. Geordi La Forge

Michael Dorn

Gates McFadden

Dr. Beverly Crusher

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How to watch Star Trek: The Next Generation TV shows and movies in order

Image: ©CBS

Star Trek: The Next Generation is an American science-fiction show, set in the 24 th Century. The series – created by Gene Roddenberry – follows the story of the crew of the USS Enterprise and its exploration of space.  

The series was created as a follow-up show to the popular Star Trek TV series of the 1960s, as well as the successful run of Star Trek movies of the late ‘70s onward. Unlike the original show and movies, which focused on the adventures of Captain James T. Kirk and his crew, The Next Generation focused on Captain Jean-Luc Picard and his team, including Riker, Data, Worf, Geordi La Forge, Deanna Troi, Tasha Yar, and Beverly and Wesley Crusher.

Upon making its debut, Star Trek: The Next Generation built up a loyal fanbase, and became popular with audiences. Over time, it established itself as a fantastic piece of television, stepping out the shadow of its predecessor, and boasted excellent stories and well-written characters.

So, when it came time to end the show on television, not everybody was quite ready to say goodbye. Mere months after the television adventures wrapped, the Next Generation crew took to the big screen to appear in a series of movies.

And the Next Gen journey didn’t quite end with movies either. Almost two decades after the final film hit screens, Jean-Luc Picard, and a handful of his crew mates, returned for another television show.

In short: Between shows and movies, there’s a lot of Next Generation content out there. But if you’re a complete newcomer to The Next Generation , where do you begin?

With this post, of course!

Below, I am providing a run-through of Star Trek: The Next Generation , detailing the viewing order for the shows and the movies. So, if you’re not sure how best to watch the series, how many seasons there are, or when to begin watching the films, you simply need to follow the details below.  

Understanding Star Trek: The Next Generation

Star Trek: The Next Generation hit television screens in 1987, with the two-part story: Encounter at Farpoint . This double-length episode, kicked off the show’s first season, which comprised a total of 26 episodes.

The following year, The Next Generation returned for its second season. This was then followed by seasons three, four, five, six, and seven, all popping up on an annual basis.

The seventh and final season of the show, aired between 1993 and 1994, concluding with the two-part story: All Good Things… . By the time the show reached the end of its run, Star Trek: The Next Generation had clocked up 178 episodes of television.

But this wasn’t the end for The Next Generation – the cast simply side-stepped from television into movies, beginning with Star Trek Generations (1994). The movie combined the cast of the original Star Trek television show, with the cast of The Next Generation , for a big screen adventure.

Star Trek Generations proved to be a box office hit, and The Next Generation cast returned for further movies, including: Star Trek: First Contact (1996), Star Trek: Insurrection (1998), and Star Trek: Nemesis (2002).

Star Trek: Nemesis essentially ended the adventures of The Next Generation crew on the big screen, and bar the odd guest spot on television, the actors largely stepped away from the Star Trek universe. But this still wasn’t the end – in 2020, actor Patrick Stewart (aka Jean-Luc Picard) returned to the small screen for yet another television show.

The series was called Picard . It centred largely around the eponymous character, but also included various Next Gen cast members, who appeared in the series in guest roles.  

Due to the popularity of Picard ’s first season, as well as a positive reception from critics, the show returned for subsequent seasons.

Star Trek: The Next Generation in order

If you wish to watch Star Trek: The Next Generation in order, begin with the original television show, taking it season by season, then move onto the four films followed by Picard .

The Star Trek: The Next Generation viewing order is as follows:

• Star Trek: The Next Generation – Season One (1987 – 1988) – TV series
• Star Trek: The Next Generation – Season Two (1988 – 1989) – TV series
• Star Trek: The Next Generation – Season Three (1989 – 1990) – TV series
• Star Trek: The Next Generation – Season Four (1990 – 1991) – TV series
• Star Trek: The Next Generation – Season Five (1991 – 1992) – TV series
• Star Trek: The Next Generation – Season Six (1992 – 1993) – TV series
• Star Trek: The Next Generation – Season Seven (1993 – 1994) – TV series
• Star Trek Generations (1994) – Movie
• Star Trek: First Contact (1996) – Movie
• Star Trek: Insurrection (1998) – Movie
• Star Trek: Nemesis (2002) – Movie
• Picard – Season One (2020) – TV series
• Picard – Season Two (2022) – TV series
• Picard – Season Three (2023) – TV series

If you’re a fan of Star Trek: The Next Generation , you may be interested to know that all the episodes of the original showare currently available on Blu-ray in a neat little box set.

Star Trek: The Next Generation – The Complete Series Blu-ray Box Set includes all seven seasons of the show, covering 178 episodes.

Star Trek: The Next Generation – The Complete Series Blu-ray Box Set is available from all good entertainment stockists, including Amazon US and Amazon UK .

Thank you for taking the time to stop by It’s A Stampede! to read this post about the viewing order for Star Trek: The Next Generation – I hope it has proved useful. For more useful posts, be sure to check out the recommended reads below.

Disclaimer: I earn a commission for products purchased through some links in this article.

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Star Trek: The Next Generation's Most Awesome Moments

Picard and crew hit the airwaves 30 years ago today. this is why we love them..

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‘Star Trek’ is the greatest sci-fi franchise of all. Why it’s stood the test of time

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Of all the science fiction franchises in the known universe, the one I would take to a desert island — or planet, I guess — is “Star Trek.”

I am not a Trekkie by any means (not that there’s anything wrong with that). I have never dressed as a Vulcan. I can’t speak a word of Klingon or identify the starships by their silhouettes or tell you how many tribbles it takes to make trouble. But a lot of general knowledge has seeped into my brain over the years: “Beam me up, Scotty.” “Fascinating.” “He’s dead, Jim.” “I’m a doctor, not a [insert any other profession].” “Make it so.” “Engage.” I’m au fait with all those catchphrases. I’ve watched every series, if not in their entirety, and all of the movies . (I do not count the J.J. Abrams big screen reboots, which operate on another timeline, though I’ve seen those too.) And I have greeted each new iteration with interest and a certain “Hello, old friend, what are you up to now?” affection.

This year marks the centenary of creator Gene Roddenberry’s birth and 55 years since the premiere of what is now officially referred to as “The Original Series” or “TOS,” and there are various home video remasterings and reboxings available. Thursday sees the premiere of the excellent “Star Trek: Prodigy,” streaming on Paramount+, where the franchise is star-based. This new CGI series is about a bunch of misfit teenagers escaping a slave-labor camp in a stolen Federation starship, on the run from a very bad guy — but kind of joyriding too. (It’s being advertised as the first “Trek” series aimed at young audiences, somehow forgetting or reclassifying the early 1970s “Star Trek: The Animated Series,” which featured William Shatner, Leonard Nimoy and DeForest Kelley in their original roles as Kirk, Spock and McCoy, aired Saturday mornings, and won a Daytime Emmy as a “children’s series” in 1975.) None of the characters is human or in some cases even humanoid, apart from the hologram of Capt. Janeway (Kate Mulgrew), employed here as a kind of interactive help-bot. It is quite lively in terms of action, and funny where it’s supposed to be, but as in all “Star Trek” series and films, character is what counts most.

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From the name forward, the franchise bears comparison with “Star Wars,” with its spaceships and aliens and interplanetary scope, not to mention the range of storytelling platforms — movies and TV, cartoons and comics, novels and fan fiction.

I wouldn’t deny that there’s fun to be had from George Lucas’ baby, now bouncing for Disney, but “Star Wars” is not science fiction. It’s a fantasy set in space, where wizards do magic and heroes fight with swords and prophesied chosen ones take up their lightsabers; a special effects western cum samurai film cum collection of war movies in which, a few defections notwithstanding, good fights bad until one obliterates the other; and an expensive homage to the cheap Saturday serials of the 1930s. Its one endlessly repeated theme is bad parenting — or, in the case of “The Mandalorian,” the first “Star Wars” live-action television series, good (surrogate) parenting . But “Star Wars” on the whole has no real interest in ideas, in asking “Why?” or “What if?” The droids are comic relief, and slaves. Joseph Campbell’s the Hero with a Thousand Faces has often been cited, by Lucas and others, to connect these characters to a deeper storytelling tradition; the problem with a thousand-faced hero, however, is that you have seen that shtick a thousand times.

“Star Trek” is a different animal. From the beginning it had a mission, not just to explore strange new worlds, seek out new life and new civilizations, and boldly go where no earthlings had gone before, but to model a future for its audience that was a little ahead of its time. Where “Star Wars” was slow off the mark with diversity — the only Black actor in “A New Hope,” James Earl Jones, supplied the voice of a white character, and even now has only managed one same-sex kiss between minor characters — “Star Trek” made diversity a point from the beginning, with George Takei’s Sulu and Nichelle Nichols ’ Uhura on the bridge. (Whether the 1968 kiss between Kirk and Uhura was the first interracial kiss on television is a subject of debate and semantics, but it was in any case ahead of its time.) The third series, “Star Trek: Deep Space Nine,” put a Black man (Avery Brooks’ Sisko) in charge; the next, “Star Trek: Voyager,” a woman (Mulgrew’s Janeway). Throughout the various series, and in the sci-fi tradition, contemporary earthly issues — racism, Cold War politics, environmental degradation, despotism, sexism — are seen through the lens of future, extraterrestrial exploits. The presence of aliens (also ethnically diverse), on the crew or just passing through, offered writers a chance to comment with distance on the puzzlements of human behavior.

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That “Star Trek,” which originally ran from from 1966 to 1969, returned to television in the first place — there was a nearly 20-year break before “Star Trek: The Next Generation” — owes something to “Star Wars,” of course, which made space operas eminently bankable. But it had plenty of firepower of its own, charged by the the post-cancellation success of the original series, which flourished in syndication. A 1975 “Star Trek” convention in New York City, two years before “Star Wars” premiered, reportedly drew a crowd of 15,000 and turned thousands more away at the door; by 1986, the year before “The Next Generation” premiered, it was the most successful syndicated series going. A big-screen franchise, eventually numbering six films with the original crew, was up and running by 1979, followed by four “Next Generation” films — the first of which paired Shatner’s Kirk and Patrick Stewart’s Picard in a timeless corner of space.

To be sure, the revival of the brand may also be seen as a bottom-line event, designed to bring subscribers to what was then known as CBS All Access and is now called Paramount+, much as “The Mandalorian” was a boon to Disney+.

But it has produced excellent results. I’m a fan of all these shows: “Star Trek: Discovery,” especially in its adventuresome second and third seasons, with a fourth season premiering Nov. 18; the deep and thoughtful “Star Trek: Picard,” with Stewart back in the saddle (though going rogue); “Star Trek: Lower Decks,” an adult cartoon about service workers on a “second contact” vessel, that both parodies and celebrates the spirit and story conventions of the live-action shows while adding quotidian context and details. (We see how the ordinary crew lives; I can’t tell if it’s canonical, but it should be.) And there are more “Treks” arriving: the aforementioned “Prodigy”; “Star Trek: Strange New Worlds,” a spinoff at once from the second season of “Discovery” and the original “Star Trek” pilot, with Ethan Peck as a well-cast young Spock, Anson Mount as Capt. Christopher Pike and Rebecca Romijn as his Number One; and when one of the current series departs and other stars align, “Star Trek: Section 31,” another “Discovery” spinoff, with Michelle Yeoh reprising her role as Philippa Georgiou.

Because it was born and grew up on television, in an age when special effects were a luxury and not a given, the franchise has been devoted less to action than talk, and to philosophical questions — what it means to be human, or Vulcan, or Klingon, an android or noncorporeal. The fact that there are many, many, many hours of “Star Trek” content — which are, to some extent, preserved in the new series, with their intersecting plotlines — means that “Star Trek” has had the space to tell many sorts of stories: mystery stories, love stories (and impossible-love stories), funny stories, family stories, spy stories, horror stories, workplace stories. Much of the charm in the original series derives from the double act Shatner and Nimoy developed, based in a kind of affectionate mutual incompatibility, and subsequent “Treks” developed bonds between characters it is easy to invest in, and which in some cases (as with Capt. Picard and Data) became their very foundation.

It’s an emotional show, and not infrequently a show about having emotions — giving in to them, repressing them, making use of them. On the one hand you’ve got Spock, and all the Vulcans who came after, pumping for logic; on the other, there’s Data the android, a logical being who dearly wants to know what it is to be human, like his friends. It’s significant that the second series, “The Next Generation,” added a therapist to the crew — Marina Sirtis’ Deanna Troi — and eventually a bartender (Whoopi Goldberg as Guinan), which is to say, another sort of therapist.

The original series could be incredibly silly, unwittingly (and sometimes wittingly) self-parodying. The lack of money, one might say, was on the screen. One could practically smell the gray paint and plywood on the Enterprise sets. The series’ celebrated technobabble is just a kind of reformulated abracadabra; human characters get the hang of alien gear faster than you could look up how to reset your car’s clock in the owner’s manual. Everything happens in the nick of time. Kirk’s occasional romantic interludes might have seemed kind of hilarious even at the time, but certainly are risible now; and although there were strong roles written for women from the beginning, they were often stuck in some sort of minidress.

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And despite their hopeful tenor, these shows’ creation was not always peaceable. Roddenberry, whose involvement was lesser and greater over the years for reasons of health or business, could be critical of “Trek” made under others’ watch if he felt they weren’t staying true to his big themes. (Wikipedia will give you a pretty good idea of the rough roads some series and films have taken on the way to launch, and after.) But taken as a whole over time, “Star Trek” has remained remarkably true to a vision: Peace is better than war; violence is dramatically less interesting than discussion; difference is not merely respected but portrayed as a positive good.

There is the convention of the disposable crewman (“redshirts,” referring to the color of their uniform, has become a generic term for an anonymous character who dies early in a scene to indicate danger), but death even of the nameless is not usually paid back with death; revenge, while it is a motivating factor for characters in many stories, is regarded in the “Trek” universe as a dish best not served at all.

Mighty heroes mowing down hordes of literally faceless enemies, crowds cheering military victories — that is not the “Star Trek” style. There is relief when a foe is sent packing, but rarely glee. Phasers are usually set to stun. Spock’s Vulcan nerve pinch can send an opponent to the floor, but the Vulcan death grip (“The Enterprise Incident,” Season 3) is a fiction, a subterfuge. Current custom and affordable, high-quality modern SFX technology does mean that there is more space battling in the new “Treks” and more martial arts-style fighting (you are not going to leave Yeoh sitting in a chair, after all), but diplomacy remains the goal, and it is only when that fails that big things are blown up. “Get us out of here” is a thing Capt. Kirk would regularly say.

“Star Trek” envisions an Earth in which, as in John Lennon’s “Imagine,” the old dividing lines — ethnic, political, religious — have all disappeared; there is no war, no poverty, no pollution, and technology finally works for us rather than against us. Though these things seemed possible in the progressive era when “Star Trek” was born, I’ve grown increasingly doubtful about humanity’s ability to intelligently regulate its most local affairs, let alone join with alien species in a project of interplanetary goodwill.

Which may be why I love the “Star Trek” universe, and why I melt when, at the end of the third season of “Discovery” — a season very much about coming to terms with one’s nature and needs, limits and abilities — Sonequa Martin-Green’s (newly promoted) Capt. Burnham says, “The need to connect is at our core as sentient beings. It takes time effort and understanding … but if we work at it a miracle can happen.”

And who knows? The future is a long road.

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Star Trek: Discovery’s Final Adventure Tackles an Iconic Narrative From The Next Generation

U pgrading the level of excitement and intrigue from the time-hopping adventures encountered in “Discovery” season 2, to the unraveling mystery of the dilithium “Burn” in season 3, and the galactic jeopardy introduced by a highly advanced alien species in season 4, the show’s creators sought to elevate the narrative even further in the final season. Their direction: delving into the very dawn of existence, laying the groundwork for an epic conclusion.

It wasn’t until the final moments of season 5’s opening episode that the scope of the storyline began to solidify, providing viewers with a gripping hook. The mysterious scavengers who seized an artifact of paramount importance to Starfleet, in fact, stole something deeply ingrained in “Trek” mythology: the ancient Progenitor technology responsible for seeding humanoid life across the cosmos. Why revisit this particularly undervalued chapter from “The Next Generation”? During the SXSW “Discovery” premiere, producer Michelle Paradise offered insights:

“The episode ‘The Chase’ resonated deeply with many of us due to its exploration of profound themes such as our origins and the genesis of life. Following its airing, it left us riddled with questions… it was a single episode that introduced this monumental concept to the ‘Star Trek’ lore and then moved on.”

The challenge of addressing such fundamental questions, even within the sci-fi realm of “Star Trek,” is daunting. The decision for a standalone 1990s episode to suddenly introduce a drastic alteration to the franchise’s canon was bold; “Discovery” choosing to embrace and expand upon this narrative is even bolder. Paradise notes that this decision was led by a desire to further develop characters and underlying themes.

FAQ Section

What is the classic next gen storyline that discovery is exploring.

“Discovery” is revisiting the storyline of “The Chase,” an episode from “Star Trek: The Next Generation” that reveals the origins of humanoid life in the universe.

Why did the producers choose this specific narrative for the final season?

Producer Michelle Paradise explained that the episode addressed “huge ideas and huge themes,” such as the creation of life, which left the team with many questions that they wanted to explore further.

Is this storyline a significant change to the “Star Trek” canon?

Yes, the storyline introduced in “The Chase” was a major addition to the “Star Trek” universe and exploring it in “Discovery” deepens the impact of that change.

As “Star Trek: Discovery” embarks on its final season, the show continues to push the boundaries of storytelling within the Star Trek universe by revisiting and expanding upon one of “The Next Generation’s” most profound and underexplored narratives. The decision to explore the origins of humanoid life not only poses existential questions but also allows for a depth of character development and thematic richness that has been a hallmark of the series. This ambitious narrative choice promises to provide a fitting and thought-provoking conclusion to “Discovery’s” voyage.

‘Star Trek: Discovery’s Connection to ‘The Next Generation’ Explained

...And it involves a new crew.

The Big Picture

• The USS Discovery embarks on a red directive mission with ties to Star Trek lore, focusing on the Progenitors' technology.
• New faces join the crew on a mission to uncover an artifact related to the Progenitors in the Next Generation era.
• The technology to create life poses a powerful threat if misused, as Moll and L'ak aim to sell the artifact to the highest bidder.

The first two episodes of Star Trek: Discovery Season 5 are finally available on Paramount+, putting Captain Michael Burnham ( Sonequa Martin-Green ) and the crew of the U.S.S. Discovery back on the boldly going business. This time, they're not going another 800 years into the future, but instead, their mission has a connection to another time: the Star Trek: The Next Generation era. Back then, Captain Jean-Luc Picard ( Patrick Stewart ) once led the U.S.S. Enterprise-D on a mission that uncovered the secrets of life itself as we know it . It may have been a one-episode story, but it's now getting the proper arc it deserves; the time has finally come to learn the secrets of the Progenitors.

Star Trek: Discovery

Taking place almost a decade before Captain Kirk's Enterprise, the USS Discovery charts a course to uncover new worlds and life forms.

The Discovery Is Given a Red Directive Mission by Dr. Kovich

The final season of Discovery starts off with its foot on the door, with ties to past Star Trek lore and the return of Dr. Kovich ( David Cronenberg ), which always means business for the Discovery crew. This time, his mission is so important that it interrupts a Starfleet event, but can't be disclosed because it's a red directive (a mission of a highly classified and dangerous nature that takes precedence over all other tasks) . Captain Burnham doesn't like the idea of keeping secrets from her crew, but since the Discovery is the only ship that can take this mission thanks to its spore drive, she accepts it.

The secretive mission introduces some new faces to Discovery , including couriers, Moll ( Eve Harlow ) and L'ak ( Elias Toufexis ), as well as U.S.S. Antares Captain Rayner ( Callum Keith Rennie ). The mission was to retrieve an artifact from a Romulan science ship that had been adrift for 800 years, but Moll and L'ak beat them to it, then take the artifact to the planet, Q'mau, where the synthetic antique dealer, Fred ( J. Adam Brown ), opens it up and reveals a diary written by the Romulan scientist, Vellek ( Michael Copeman ). Even though Moll and L'ak have escaped Starfleet in Q'mau, Admiral Charles Vance ( Oded Fehr ) helps officer Sylvia Tilly ( Mary Wiseman ) obtain information on Vellek.

As it turns out, Vellek was once part of a group that—under the leadership of Captain Jean-Luc Picard —attempted to solve the mystery of the planet Vilmor II. There, they found out about a race of humanoid aliens known only as the Progenitors , who have created life in its humanoid form and are the common link between all present humanoid species in the galaxy. The Discovery's mission, however, isn't about the Progenitors themselves, but rather about the technology they used to do what they did.

The Progenitors’ Story Comes From a Single Episode in ‘Star Trek: The Next Generation’

Season 6, Episode 20 of The Next Generation , "The Chase," is one of the wildest in the entire series. For the first time ever, a Star Trek episode shows Humans, Klingons, Romulans, and more together in the same scene. That's all thanks to one of the most interesting plots in the franchise, which sees these races coming together to discover the secret of their common origin. Unfortunately, The Next Generation didn't carry on with this plotline, but Discovery is finally giving it the sequence it deserves.

"The Chase" starts off with Captain Picard meeting his old mentor, Professor Galen ( Norman Lloyd ), aboard the Enterprise-D. The scholar is there to recruit Picard for a long-term mission that will result in the most important scientific discovery of their time, but Picard can't give up his post on Starfleet. Picard decides to take the Enterprise-D and finish what Galen started. He begins by analyzing the data his mentor had gathered (large blocks of numbers laid out in a sort of sequence). Following this trail, he eventually discovers that the numbers are actually a DNA sequence. On the planet, Loren III, Picard intervenes and mediates their conflict upon learning that both of them are there for the same reason the Enterpreise-D is, calling for them to analyze the combined DNA strands they have. They learn that those are all part of a puzzle, with each sequence complementing one another, but that there are still missing pieces.

The Enterprise-D follows the Cardassians to Vilmor II with the Klingon emissary on board, and they find out the planet has lichen growing on the dried-up ocean floor. Discreetly, Dr. Beverly Crusher ( Gates McFadden ) inserts all the DNA samples they now have onto her tricorder, which then projects the recording of a humanoid woman ( Salome Jens ). Thankfully, everyone stops arguing to listen to the projection, as the woman explains that she belonged to a race of ancient aliens from 4.5 billion years earlier. Her species eventually came to terms with their extinction, but they sowed pieces of their own DNA on many planets where life could grow across the galaxy as a way of ensuring a lasting legacy . Their intention was for all those future species to come together upon discovering their shared ancestry . Cardassians and Klingons immediately resume their bickering, unable to accept that they have anything in common. Later, Picard ponders with the Romulans that one day, in the future, perhaps all species will learn to coexist for the sake of their shared ancestry.

Where Does This Leave Captain Burnham and the Discovery Crew?

The race of ancient humanoids is never named onscreen, but they are referred to as the Progenitors from then on. With Discovery finally finishing this loose thread in Star Trek lore, it's important to ponder that the Progenitors must have used powerful tech to sow their DNA across the galaxy, which is what the overall plot of the season is going to be. The technology to create life is powerful by definition , and can be used for terrible things if it falls in the wrong hands. Right now, Moll and L'ak have the diary, but they're unwilling to cooperate with the Federation after a failed negotiation attempt by Cleveland "Book" Booker ( David Ajala ). However, they're looking to sell the diary to the highest bidder.

After the events of the first part of the season premiere , "Red Directive," Captain Rayner has been discharged from his command of the U.S.S. Antares. As sad as it is to see an officer of 30-plus years being discharged, it's also very serendipitous, as Captain Burnham is in need of a new number one for the Discovery as Saru ( Doug Jones ) is about to take a new diplomatic post for the Federation. During their chase on Q'mau, Rayner mentions that he has history chasing Moll and L'ak, which will surely come in handy . Also, Book finds out he has a past connection to Moll that makes them all but family, which is another potential lead to finding her.

Star Trek: Discovery is available to watch on Paramount+ in the U.S.

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Star Trek Adventures: The Next Generation Starfleet Deck Tiles - PDF

Description, assemble an away team.

This gaming tile set is a PDF containing 32 interchangeable 240mm square and 120mm by 240mm map tiles of Federation starship interiors.

Rick Sternbach has joined the Star Trek Adventures development crew. Sternbach ( Star Trek: The Next Generation Technical Manual, Star Trek: Deep Space Nine Technical Manual, Haynes Klingon Bird-of-prey Owner’s Workshop Manual) served as senior illustrator and technical consultant on The Next Generation , Deep Space Nine and Voyager television series and has been consulting with Modiphius Entertainment on the development of the geomorphic tile artwork and deck plans. The interchangeable deck tiles combine in hundreds of ways and along with the official Star Trek Adventures miniatures help create exciting missions on your tabletop.

The Starfleet PDF deck tiles set contains:

•  Fully realised top-down designs of key locations on a Federation starship: the bridge, main engineering, astrometrics, sickbay, and other corridors and shuttlebays.

• Marked with movement areas compatible with the 2d20 system for use with the Star Trek Adventures conflict rules.

Keep hailing frequencies open to see the full range of forthcoming Star Trek Adventures products. Hardcover supplements await along with lots of accessories including maps, gaming tiles, dice sets and the Borg Cube Collector’s Edition game box.

™ & © 2017 CBS Studios Inc.  © 2017 Paramount Pictures Corp.  STAR TREK and related marks and logos are trademarks of CBS Studios Inc. All Rights Reserved.

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Screen Rant

Star trek origin movie officially announced by paramount for 2025 release.

Paramount Pictures officially announces the next Star Trek movie at CinemaCon, which will arrive in movie theaters in 2025.

• Paramount Pictures announces new Star Trek movie for 2025, directed by Toby Haynes and written by Seth Grahame-Smith.
• Chris Pine-led Star Trek 4 remains in development, while the new film is an origin story set decades before Abrams' 2009 movie.
• Alongside the Star Trek origin movie, Paramount reveals a packed slate of exciting films for 2025-26 at CinemaCon in Las Vegas.

Paramount Pictures officially announces the next Star Trek movie, which is scheduled to arrive in theaters in 2025. As reported in January, the next Star Trek movie isn't the long-delayed, Chris Pine-led Star Trek 4 produced by J.J. Abrams, which remains in development at Paramount. Rather, the next Star Trek movie is an origin story directed by Toby Haynes ( Star Wars: Andor ) and written by Seth Grahame-Smith (A braham Lincoln: Vampire Hunter ).

Screen Rant' s Rob Keyes (@rob_keyes) is at CinemaCon in Las Vegas where Paramount Pictures confirmed the next Star Trek movie , currently called Untitled Star Trek Origin Story , to be released in 2025. J.J. Abrams is also producing Untitled Star Trek Origin Story, which takes place decades before Abrams' Star Trek 2009 movie. See Rob Keyes' Tweet below:

Paramount also confirmed Untitled Star Trek Origin Story will begin production later this year for theatrical release in 2025.

Every Upcoming Star Trek Movie & TV Show

Star trek's new movies in theaters and paramount plus explained, star trek is finally making movies again.

After nearly a decade, Star Trek i s back to making movies. Star Trek on Paramount+ has created a television renaissance for the franchise, but the theatrical side of Star Trek overseen by Paramount Pictures has languished in development hell since Star Trek Beyond bowed in the summer of 2016. Toby Haynes' Untitled Star Trek Origin Story is yet another prequel, but as it's said to be set decades before Star Trek 2009, it could very well be set after Star Trek: Enterprise 's mid-22nd century voyages but otherwise be an origin story for both Star Trek 's Prime and alternate Kelvin timelines .

Meanwhile, J.J. Abrams' Star Trek 4 , which is the "final chapter" of the USS Enterprise crew led by Chris Pine's Captain James T. Kirk and Zachary Quinto's Spock, has seen some movement with a new screenwriter, Steve Yockey ( The Flight Attendant ), tackling the long-delayed sequel. Pine and his fellow Star Trek actors, including Quinto, Zoe Saldana, Karl Urban, and Sofia Boutella, have all expressed their eagerness to return if Star Trek 4 can come together.

It's a positive sign that Star Trek movies are finally coming back.

Paramount+ is making their own Star Trek movies, with the recently-wrapped Star Trek: Section 31 awaiting a release date. Starring Academy Award-winner Michelle Yeoh, Section 31 i s the first made-for-streaming Star Trek movie, and it is reportedly set during Star Trek 's "lost era" with connections to Star Trek: The Next Generation. Section 31 could get a sequel if successful, and the Star Trek: Picard spinoff dubbed Star Trek: Legacy may also become a streaming movie instead of a series. However all this shakes out, it's a positive sign that Star Trek movies are finally coming back.

Source: Rob Keyes Twitter

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Published Apr 12, 2024

Star Trek: Strange New Worlds Renewed for Fourth Season

The acclaimed hit original series is currently in production for its third season.

StarTrek.com

Star Trek: Strange New Worlds will return for a fourth season.

Co-showrunners Akiva Goldsman and Henry Alonso Myers and executive producer Alex Kurtzman confirms in a statement, "On behalf of the cast and crew of ‘ Strange New Worlds ’ we are thrilled and grateful to continue our voyages together. We can't wait for you to join us and the crew of the Enterprise on another season of exploration and adventure."

The third season, set to debut in 2025, is officially under way with production continuing in Toronto.

Star Trek: Strange New Worlds  is based on the years Captain Christopher Pike manned the helm of the  U.S.S. Enterprise . The series features fan favorites from Season 2 of  Star Trek: Discovery  — Anson Mount as Captain Christopher Pike, Rebecca Romijn as Number One and Ethan Peck as Science Officer Spock. The series follows Captain Pike, Science Officer Spock and Una Chin-Riley (Number One) in the years before Captain Kirk boarded the  U.S.S. Enterprise , as they explore new worlds around the galaxy.

Star Trek: Strange New Worlds  also stars Jess Bush as Nurse Christine Chapel, Christina Chong as La’An Noonien-Singh, Celia Rose Gooding as Nyota Uhura, Melissa Navia as Erica Ortegas and Babs Olusanmokun as Dr. M’Benga.

Star Trek: Strange New Worlds  is produced by CBS Studios, Secret Hideout and Roddenberry Entertainment. Akiva Goldsman and Henry Alonso Myers serve as co-showrunners. Goldsman, Alex Kurtzman and Jenny Lumet serve as executive producers in addition to Alonso Myers, Heather Kadin, Frank Siracusa, John Weber, Rod Roddenberry, Trevor Roth and Aaron Baiers.

Watch the first two seasons of  Star Trek: Strange New Worlds  now!

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Star Trek: Strange New Worlds streams exclusively on Paramount+ in the U.S., U.K., Australia, Latin America, Brazil, South Korea, France, Italy, Germany, Switzerland and Austria. In addition, the series airs on Bell Media’s CTV Sci-Fi Channel and streams on Crave in Canada and on SkyShowtime in the Nordics, the Netherlands, Spain, Portugal and Central and Eastern Europe. Star Trek: Strange New Worlds is distributed by Paramount Global Content Distribution.

‘Star Trek: Strange New Worlds’ Renewed for Season 4; ‘Lower Decks’ to Conclude With Season 5 (EXCLUSIVE)

By Adam B. Vary

Adam B. Vary

Senior Entertainment Writer

• ‘Star Trek: Strange New Worlds’ Renewed for Season 4; ‘Lower Decks’ to Conclude With Season 5 (EXCLUSIVE) 4 days ago
• ‘Teenage Mutant Ninja Turtles’ Getting Bloody, Live-Action Film ‘The Last Ronin’ 5 days ago
• Why ‘Star Trek: Discovery’ Built Season 5 Around a Classic Episode From a Legacy Series 2 weeks ago

“ Star Trek : Strange New Worlds,” currently in production on its third season, has been renewed by Paramount+ for Season 4. Meanwhile, “ Star Trek: Lower Decks ,” the first animated “Star Trek” comedy, will conclude its run on the streamer with its fifth season, which will debut in the fall.

Popular on Variety

“Lower Decks” charted brand new territory for “Star Trek” when it debuted in 2020, as both an animated comedy and a series that focused on the junior officers of the USS Cerritos: Beckett Mariner (Tawny Newsome), Brad Boimler (Jack Quaid), D’Vana Tendi (Noël Wells) and Sam Rutherford (Eugene Cordero). Set in the years following the feature film “Star Trek: Nemesis,” the series has included voice cameos from many beloved “Star Trek” alumni, like George Takei, Jonathan Frakes, Marina Sirtis, John de Lancie, Will Wheaton, Armin Shimerman, Nana Visitor and Robert Duncan McNeill.

Given its premise, concluding “Lower Decks” make sense considering the main four characters all received promotions in Season 4. But in a message to fans, Kurtzman and executive producer and showrunner Mike McMahan left the turbolift doors open for continuing the characters’ stories following their time at the bottom of the Starfleet pecking order. 

The “Star Trek” TV universe, overseen by Kurtzman through his Secret Hideout production company and produced by CBS Studios, has enjoyed a robust expansion since “Star Trek: Discovery” first premiered in 2017. Along with “Strange New Worlds,” the made-for-television movie “Star Trek: Section 31” recently concluded production with star Michelle Yeoh, and the new series “Star Trek: Starfleet Academy” will begin shooting later this year.

“It has been incredibly rewarding to continue to build the Star Trek universe, and we’re so grateful to Secret Hideout and our immensely talented casts and producers,” said Jeff Grossman, executive vice president of Programming at Paramount+. “‘Strange New Worlds’ has found the perfect blend of action, adventure and humor. Similarly, ‘Star Trek: Lower Decks’ has brought the laughs with an ample amount of heart to the franchise across its four seasons. We can’t wait for audiences to see what is in store for the crew of the U.S.S. Cerritos in this final season.”

“‘Lower Decks’ and ‘Strange New Worlds’ are integral to the ‘Star Trek’ franchise, expanding the boundaries of the universe and exploring new and exciting worlds,” said CBS Studios president David Stapf. “We are extraordinarily proud of both series as they honor the legacy of what Gene Roddenberry created almost 60 years ago. We are so grateful to work with Secret Hideout, Alex Kurtzman, Mike McMahan, Akiva Goldsman, Henry Alonso Myers and the cast, crews and artists who craft these important and entertaining stories for fans around the world.”

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