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Navigation menu

• 1 Understand
• 2.1 By plane
• 2.2 By train
• 3.1.1 Parking
• 3.1.2 Taxis
• 3.2 Public transport
• 4.1 Museums and galleries
• 4.3 Religious buildings
• 4.4 Cemeteries
• 4.5 Streets
• 4.6 Squares
• 4.7 Tenement houses and other buildings
• 6.1 Universities
• 6.2 Language schools
• 8.1 City shopping
• 8.2 Local products
• 8.3 Shopping malls
• 9.2 Mid-range
• 9.3 Splurge
• 10.1 Bars and pubs
• 11.1 Budget
• 11.2 Mid-range
• 11.3 Splurge
• 13 Stay safe

Radom is the second-largest city in Mazowieckie that gets little tourist traffic. The city was a centre of light industry, but is now battling high unemployment and eyeing a transition to a knowledge-based economy. There are few tourist sights and due to low demand the tourist infrastructure is lacking. As not many foreigners visit Radom, relatively few in the service industry speak English.

Understand [ edit ]

Radom is 100 km south from Warsaw. With 220,000 inhabitants, Radom is a mid-sized city. Once a major centre of industry, it has undergone dramatic changes since the end of communism, with many factories being closed down. This has brought many social problems such as high unemployment, even relative to other Polish cities. This has resulted in Radom being one of the most inexpensive cities in the whole country, offering very low prices in the services sector.

Get in [ edit ]

By plane [ edit ].

In Radom there are two airports.

• The other airport in the city is the general aviation airport in Piastów [dead link] .

For scheduled passenger flights, the closest airport is Warsaw Frederic Chopin Airport ( WAW  IATA ), some 10 km south of the center of Warsaw and 95 km north of Radom. It takes about 1 hour by car to get to Radom from there.

By train [ edit ]

Numerous trains throughout the day link Radom with other cities in Poland. For more distant connections, change at one of Warsaw's stations may be needed. The main station in Radom is at Prażmowskiego Street, and usually referred to as Dworzec PKP by the locals. The station is south of the city centre and is within a walking distance from the Żeromskiego Street. Public transportation links are very convenient, as many bus lines stop around there; the bus station with connections to other cities is also nearby.

Here are the travel times to some major cities that have a direct train connection with Radom:

• Białystok (about 4hr 20min)
• Gdańsk (about 7hr 40min to 10hr, due to ongoing construction works)
• Kielce (about 1hr 30min)
• Kraków (between 3hr to 3hr 30min)
• Łódź (about 3hr 20min)
• Lublin (about 1hr 30min)
• Warsaw (between 1hr 50min to 2hr 30min)
• Wrocław (between 6hr 30min to 7hr 20min)

By bus [ edit ]

PolskiBus runs a frequent shuttle from Warsaw (Metro Wilanowska) to Radom using comfortable intercity coaches. The shuttle runs approximately every 1hr 30 min except for nighttime. Consult the detailed schedule here: [1] . Tickets are around 10 zł if purchased in advance.

The main bus station ( Dworzec PKS in Polish) for long-distance connections is located at Prażmowskiego Street, just next to the Main Post Office ( Poczta Główna ) and the train station ( Dworzec PKP ). A number of buses also stop at bus stops in the proximity of the train station.

To get information about buses and prices, you can contact the station at +48 48 363 54 54. For domestic departure times, consult the following website: [2] .

By car [ edit ]

You can easily reach Radom by car:

• from Warsaw, Gdańsk, Kielce and Kraków, by national road 7, E77: Gdańsk – Warsaw – Radom – Kielce – Kraków – Chyżne
• from Rzeszów, by national road 9, E371: Radom – Rzeszów – Barwinek
• from Lublin and Łódź, by national road 12: Piotrków Trybunalski – Radom – Lublin – Dorohusk

Get around [ edit ]

Parking [ edit ]

There is a paid-parking zone in the centre of the city. This applies M-F 08:00-16:00 . Parking costs 0.10 zł for every 3 minutes, with the minimum payment of 0.50 zł for the first 15 minutes. You can pay with coins using the parking meter or with your mobile phone (more details on the parking meter).

For the information on the coverage of the paid-parking zone, consult the city's website [3] [dead link] .

Taxis [ edit ]

Public transport [ edit ].

Radom is covered by a public transport network of 24 bus lines, numbered from 1 to 26 . The full list of these routes can be found here [4] (in Polish).

Two carriers in Radom operate the public buses, but the tickets are issued and controlled by one authority, Miejski Zarząd Dróg i Komunikacji ( MZDiK ). There are various tickets, but as a visitor you probably don't have to trouble yourself with most of them. A single ticket costs 3.80 zł, and there is a 50% reduction for children from the age of 4 till the end of education (includes university students), so the ticket costs 1.90 zł (in Polish: bilet ulgowy ). Children until the age of 4 and seniors above the age of 70 travel for free. Be aware that you need to carry a document confirming your eligibility to the reduced fare. A single ticket is valid for the whole journey on the particular bus line. There is no time limit, but once you get off the bus, the ticket loses its validity. Make sure to validate the ticket in one of the validators by the door immediately after boarding.

Tickets can be purchased in any kiosk or a shop that has the sign bilety . Tickets can be also bought from the driver on-board, subject to availability, but an additional surcharge applies.

You can check the time table of the buses on this website (in Polish).

See [ edit ]

Museums and galleries [ edit ].

• Academic Art Gallery "Rogatka" ( Akademicka Galeria Sztuki "Rogatka" ). Corner of Malczewskiego and Kelles-Krauza streets, (Polish). Gallery of the Faculty of Arts of the Technical University of Radom. It is in a 19th-century toll-house building, where the entry to the city used to be.  
• Jacek Malczewski Museum , Rynek 11 , ☏ +48 48 362 43 29 , [email protected] . (Polish).  
• Mazowieckie Centrum Sztuki Współczesnej 'Elektrownia , ul. Domagalskiego 5 (temporary address) , ☏ +48 48 383 60 77 . (Polish). Centre for contemporary art. Temporarily moved away from its location at ul. Kopernika 1 for the time of renovation.  
• Muzeum Sztuki Współczesnej , Rynek 4/5 , ☏ +48 48 362 25 50 , [email protected] . Museum of contemporary arts. Established in 1990, it is the first contemporary arts dedicated museum in Poland. Boasts a collection of over 3,500 exhibits.  
• Muzeum Wsi Radomskiej , Ul. Szydłowiecka 30 , ☏ +48 48 332 92 81 . (Polish). Open-air museum of the Radom region country side. Great place for a weekend visit. Try to get there during one of the numerous events they organize.  

Parks [ edit ]

• Borki Reservoir ( Zalew na Borkach )
• Kościuszko Park ( Park Kościuszki ), Contained by the following streets: Mickiewicza, Sienkiewicza, Słowackiego, Żeromskiego, 25 Czerwca.
• Old Garden ( Stary Ogród ), ul. Mireckiego. Established in 1820, it is the first public park in Radom.

Religious buildings [ edit ]

• Bernardine Monastery ( Kościół Bernardynów ), Ul. Żeromskiego 6 , ☏ +48 48 362 72 15 , [email protected] . (Polish). One of the most unique sights in Radom. Founded in 1468, it is one of the oldest Bernardine monasteries in the world.  
• Holy Family Church ( Kościół pw. Świętej Rodziny ), Ul. Kelles-Krauza 19 , ☏ +48 48 360 05 62 , [email protected] . (Polish). Neo-gothic church built in 1905.  
• Holy Trinity Church ( Kościół Świętej Trójcy ), pl. Kazimierza Wielkiego. Baroque church founded in 1678. Build by the famous architect Tylman van Gameren.
• Holy Virgin Mary Cathedral ( Katedra Opieki Najświętszej Maryi Panny , or Kościół Mariacki ), Ul. Sienkiewicza 13 , ☏ +48 48 362 76 67 , [email protected] . (Polish). Radom Cathedral, built between 1898 and 1918.  
• Lutheran Church ( Kościół Ewangelicko-Augsburski ), Ul. Reja 6 , ☏ +48 48 362 73 35 , [email protected] . (Polish).  
• St. John the Baptist Church ( Kościół Farny ), Ul. Rwańska 6 , ☏ +48 48 362 38 06 , [email protected] . (Polish). One of the oldest churches in Radom, founded in 1360 by King Casimir the Great. Be sure to see the 17th-century chapel founded by Jan Kochanowski.  
• St. Stanislaus Garrison Church ( Kościół Garnizonowy św. Stanisława ), ☏ +48 48 362 72 39 . Plac Konstytucji 3 Maja 1. Built in 1902 as an Eastern Orthodox Church, it now serves as Roman-Catholic military church.  
• St. Wenceslaus Church ( Kościół św. Wacława ), Ul. Plac Stare Miasto 13 , ☏ +48 48 362 68 51 , [email protected] . (Polish). The oldest remaining building in the city, most likely built in 1216.  

Cemeteries [ edit ]

• Jewish Cemetery , ul. Towarowa. Built in 1831.

Streets [ edit ]

• Moniuszki Street
• Piłsudskiego Street
• Rwańska Street
• Żeromskiego Street

Squares [ edit ]

• Third of May Constitution Square ( Plac Konstytucji 3 Maja )
• Market Square ( Rynek )

Tenement houses and other buildings [ edit ]

• City Public Library ( Miejska Biblioteka Publiczna ), ul. Piłsudskiego 12. - Library located in a neo-renaissance villa. Built in 1892.
• Glogier Family House ( Kamienica Glogierów ), ul. Sienkiewicza 12. Built in 1914.
• Resursa Obywatelska , ul. Malczewskiego 16.
• Trzebiński Printing Shop ( Drukarnia Trzebińskiego ), ul. Żeromskiego 28 (enter through the archway into the backyard)
• White Eagle Pharmacy ( Apteka pod Białym Orłem ), ul. Żeromskiego 5.

Do [ edit ]

• Radomska Orkiestra Kameralna , ul. Żeromskiego 53 , ☏ +48 48 3620444 . Go to a performance by city's renowned chamber orchestra.  
• Teatr Powszechny im. Jana Kochanowskiego ( Jan Kochanowski Popular Theatre of Radom ), Plac Jagielloński 15 , ☏ +48 48 384 53 06 . See a theatre play in the Jan Kochanowski Popular Theatre of Radom.  
• Football: Radomiak Radom play soccer in Ekstraklasa, Poland's top tier. Their home ground Stadion im. Braci Czachorów is being rebuilt so they meanwhile play at Stadion Lekkoatletyczno-Piłkarski just south of town centre.

Events [ edit ]

• Dni Radomia ( Radom Days ). The city's annual festivity, taking place around the middle of June. Expect a large number of concerts, performances, exhibitions and more.  
• [formerly dead link] International Gombrowicz Festival , Teatr Powszechny im. Jana Kochanowskiego, Plac Jagielloński 15 , ☏ +48 48 384 53 06 . A major theatre festival in Poland, combining theatre, science, criticism, arts, music and film. It is organized biannually since 1993.  
• Kaziuki ( Saint Casimir the Jagiellon days ). Celebration of the city's patron, Saint Casimir the Jagiellon, taking place in March. It is celebrated in early March. There are religious celebrations, sports and cultural events, as well as concerts.  
• Międzynarodowy Festiwal Muzyki Dawnej im. Mikołaja z Radomia ( Nicolaus of Radom International Festival of Early Music ). Annual festival of early music; takes place in October.  
• Radom Air Show , Sadków Airport , ☏ +48 22 6825040 . A biannual air show. The last festival was in August 2018. It is the biggest such event in Poland, attracting tens of thousands of visitors from all over Poland and abroad.  
• Ogólnopolskie Spotkania z Piosenką Żeglarską RAFA , Sala Koncertowa Urzędu Miejskiego, ul. Żeromskiego 53 , ☏ +48 48 385 74 15 . An annual Poland-wide festival of shanties. Tickets: 20 zł .  

Learn [ edit ]

Maybe not the obvious choice, Radom is the second largest academic centre in Masovia , after Warsaw .

Universities [ edit ]

• Technical University of Radom ( Politechnika Radomska ), ul. Malczewskiego 29 , ☏ +48 483617000 . The Technical University of Radom, with some 10,000 students enrolled, is Radom's largest institute of higher education and offers a variety of courses and programs to choose from.  

Language schools [ edit ]

• Consus , ul. Żeromskiego 75 , ☏ +48 483631503 . Language school offering courses in English, German, Italian, Spanish, Russian and French.  
• Fabryka Języka Centrum , ul. Słowackiego 84 , ☏ +48 606108446 . Language school offering courses in Arabic, English, German, Italian, Spanish and French.  

Work [ edit ]

In Radom, there is a small expatriate community of language teachers. Try contacting one of the city's numerous language schools; they are especially keen on employing native English speakers, but speakers of German, French or Spanish might also find something.

Buy [ edit ]

City shopping [ edit ].

The best place for city shopping is Żeromskiego Street and the adjacent streets. There you will find numerous shops with clothes, shoes and others. Many Polish and international banks have their branches at Żeromskiego too. Almost opposite of the city hall (where Mickiewicza and Żeromskiego streets meet), there is also Galeria Rosa which has a number of shops inside.

Local products [ edit ]

• Browar Zamkowy - Piwo Żywe , ul. Limanowskiego 71 . Buy local non-pasteurized beer from one of Radom's first micro-breweries. It is said the recipes date back to a few hundred years ago.  
• Radomianka . Locally made cocoa cake with whipped cream. Ask for in restaurants and confectioneries.  

Shopping malls [ edit ]

• Galeria 'Echo' , ul. Żółkiewskiego 4 , ☏ +48 48 333 21 56 . M-Sa 09:00-21:00, Su 10:00-19:00 .  
• M1 Shopping Center ( Centrum Handlowe M1 ), al. Grzecznarowskiego 28 , ☏ +48 48 3618 776 . M-Sa 09:00-21:00, Su 11:00-19:00 .  
• 'Senior' Department Store ( Dom Towarowy 'Senior' ), Plac Jagielloński 8 , ☏ +48 48 360 00 39 . M-F 10:00-18:00, Sa 10:00-14:00 .  
• Galeria Fenix
• Galeria Słoneczna , ul. Chrobrego 1 ( In front of the Jagiellonian Square ).  

Eat [ edit ]

Budget [ edit ].

At the M-1 Mall ( M-Jeden in Polish) there is a small food court with McDonald's and KFC, as well as a pretty good sit down restaurant called Sphinx. There are a few other McDonald's restaurants in town.

• Bar Mleczny "Sezam" , ul. Moniuszki 23. A remainder of the communist era, this milk bar offers fairly decent dishes for as little as 2 zł. Worth a visit for a 1980s-like experience.
• Samira Kebab Cafe Bar , ul. Malczewskiego 9/11, +48 48 362 26 41. A Lebanese restaurant, serving delicious kebabs and other Arabic dishes at very competitive prices.
• Słonecznik , Ul. Moniuszki 22 , ☏ +48 48 362 63 73 . Cafeteria-style place serving Polish and European cuisine. A place to go for a quick meal, a cake and a coffee; nothing special though.  

Mid-range [ edit ]

• Casablanca Piano Cafe , Ul. Piłsudskiego 11 , ☏ +48 48 385 85 45 . opening times: M-F 10:00-22:00, Sa Su 12:00-22:00 . Styled after the movie Casablanca , this restaurant serves Polish and European cuisine. Also very popular to go there for a couple of beers. Nice music plays in the background.  
• Green Zebra , Ul. Focha 12 ( behind the TM Hotel ), ☏ +48 48 363 84 04 . opening times: M-Sa 10:00-22:00, Su 12:00-20:00 . The city's first vegetarian restaurant. Extravagant design, friendly atmosphere.  
• Karczma Bankrut , Ul.Kielecka 153 , ☏ +48 48 383 66 94 . Su-Th 11:00-22:00, F Sa 11:00-24:00 . Traditional restaurant decorated in a highland style.  
• MammaLeo , Ul. Szewska 14 , ☏ +48 502 553 658 . A family restaurant. Great place to visit with your children where they can engage in a number of educational activities and eat.  
• Panie i Panowie , Ul. Piłsudskiego 13 , ☏ +48 48 340 22 79 .  
• Teatralna , Ul. Piłsudskiego 13 , ☏ +48 48 363 77 63 . Daily 12:00-22:00 . A cosy restaurant serving Italian cuisine. Piano bar every Tuesday.  
• Restauracja Różany Gościniec , ul. Zagłoby 2, 26-600 Radom , ☏ +48 48 332 18 46 , [email protected] . Daily 12:00-21:00 . Family restaurant in Radom with all the best polish food. Such as hand made "dumplings", "fish", "burgers:, "steaks", "schnitzel", "pasta" and much more. Be sure to visit this place if you ever travel to Radom.  

Splurge [ edit ]

• Europejska , Ul. Słowackiego 11 , ☏ +48 48 340 00 24 . Daily 12:00-23:00 . In the Europejski Hotel, this restaurant offers a variety of Polish and International cuisine.  

Drink [ edit ]

Bars and pubs [ edit ].

• Jack Rocks , ul. 11-ego Listopada 99f , ☏ +48 509 482 362 . M-Th 12:00-24:00, F Sa 12:00 till last customer, Su 12:00-23:00 . Two-storey cosy pub with live music.  
• MK Bowling , Galeria ROSA, ul. Żeromskiego 52 , ☏ +48 48 382 02 02 . M W Su 10:00-24:00; Tu Th-Sa 10:00-02:00 . Bar and restaurant. Has bowling and pool. Karaoke every Tuesday and Thursday at 21:00.  
• Nasza Szkapa , ul. Dowkonta 2 , ☏ +48 48 362 27 84 . A small, but lively pub next to the train station. Popular for watching football matches.  
• Pivovaria , ul. Moniuszki 26 , ☏ +48 48 384 88 78 . The first restaurant in Radom with in-house microbrewery. Go for a meal and chase it with one of the 4 kinds of beer brewed in Pivovaria.  
• Tawerna Messa , ul. Malczewskiego 8 . Sailors' tavern.  
• Babie Lato , ul. Rwańska 7 , ☏ +48 48 369 93 75 , [email protected] . Ladies club and cafe. Apart from numerous drinks and cocktails, food and desserts are available too.  

Cafés [ edit ]

• Bufet artystyczny Czekolada , Plac Jagielloński 15 , ☏ +48 48 384 53 31 .  
• Marcus , ul. Żeromskiego 39 , ☏ +48 48 362 34 05 .  

Clubs [ edit ]

• Alibi , ul. Malczewskiego 29 , ☏ +48 48 361 73 73 . Student club in a 19th-century basement of an ex-Russian garrison building.  
• [dead link] Club Mojito , al. Grzecznarowskiego 2 , ☏ +48 530 110 110 . Minimum age: 25.  
• Fanaberia , ul. Struga 7a , ☏ +48 48 369 01 43 .  
• [formerly dead link] Katakumby , ul. Plac Stare Miasto 11 , ☏ +48 601 29 54 39 .  
• Strefa G2 , Al. Grzecznarowskiego 2 , ☏ +48 48 383 06 99 . Largest venue in Radom, with 1000 people capacity. Concerts are organized on a regular basis. Bowling and pool available too.  

Sleep [ edit ]

• Szkolne Schronisko Młodzieżowe , Ul. Limanowskiego 34/40 , ☏ +48 48 360 22 14 . Youth hostel.  
• Hotel „Centralny Ośrodek Szkolenia Maszynistów” , Ul. Józefa Ignacego Kraszewskiego 1. , ☏ +48 48 369 95 90 .  
• E7 , Ul. Czarnieckiego 70. , ☏ +48 48 384 77 54 .  
• Glass , Ul. Prażmowskiego 17 , ☏ +48 48 340 25 85 .  
• Hotel Gromada - Centrum , ul. Narutowicza 9. , ☏ +48 48 368 91 00 , [email protected] . 120 zł .  
• 51.391554 21.112816 1 Promenada Hotel , ul. Bulwarowa 15 , ☏ +48 48 360 88 77 .  
• Hotel u Grubego Radom , ul. Warszawska 98/100 Wielogóra k. Radomia , ☏ +48 48 321 50 85 .  
• Gryf , Ul. Puławska 8 , ☏ +48 48 365 54 05 .  
• Hotel Iskra , ul. Planty 4 , ☏ +48 48 363 87 45 . The oldest continuously operating hotel in the city.  
• Hotel Poniatowski Radom , ul. Poniatowskiego 4 , ☏ +48 48 384 01 91 .  
• 51.403215 21.155382 2 Hotel TM , Ul. Focha 12. , ☏ +48 48 363 27 08 .  
• Hotel Aviator , ul. Malczewskiego 18 , ☏ +48 48 362 88 88 .  
• Hotel Europejski , ul. Słowackiego 11 , ☏ +48 48 340 00 21 .  

Connect [ edit ]

As of Aug 2022, Radom has 5G from all Polish carriers. Wifi is widely available in public places.

• Main Post Office ( Poczta Główna ), ul. Beliny Prażmowskiego 2 , ☏ +48 48 362 52 52 , fax : +48 48 362 13 26 , [email protected] . Open 24/7 .  

Stay safe [ edit ]

Pick-pocketing happens mostly at the train station, public transportation and local market places; it is not frequent though. Exercise the usual caution when walking around the city, especially at night and away from the city centre. At night, try keep to the main streets or use a taxi.

As a foreigner, you are likely to be a target of any crime just as much as if you were local. Crimes targeting solely tourists are unheard of.

Radom was a pioneer of the Bezpieczne Miasto (Safe City) programme, later followed by other cities in Poland, by introducing a full-scale campaign since 1997. There are 61 CCTV cameras around the city, mostly in the centre, that have helped to reduce the number of criminal offences.

Cope [ edit ]

Go next [ edit ], north [ edit ].

• Warsaw - 100 km away, the capital of Poland is within easy reach, with numerous trains and buses leaving throughout the day.
• Wsola - 10 km away from Radom is Wsola, home of Witold Gombrowicz Museum [5] [dead link] . Address: Wsola, ul. Witolda Gombrowicza 1, 26-660 Jedlińsk.

East [ edit ]

• Czarnolas - Visit the museum of the great renaissance poet, Jan Kochanowski.
• Kazimierz Dolny

South [ edit ]

• Iłża - 30 km south of Radom, Iłża is a great place for a one-day visit. The remains of the 14th century castle are a must-see.
• Orońsko - Visit Centrum Rzeźby Polskiej [6] , the Centre of Polish Sculpture. See the manor house of the painter Józef Brandt. Open daily except Mondays. Admission: adults 5 zł; children, students 3 zł.

West [ edit ]

• Domaniów - About 20 km west of Radom. Home to a 500 ha artificial lake; good place to go in the summer if you are a water-sports enthusiast. There is a little pier where you can rent a sailing boat or a kayak.

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Home » Travel Guides » Poland » 15 Best Things to Do in Radom (Poland)

15 Best Things to Do in Radom (Poland)

A manufacturing city 100 kilometres south of Warsaw in the Masovian Voivodeship, Radom has many of the region’s big institutions and government buildings. In Medieval times the city gained a lot of prestige, as kings like Władysław II Jagiełło would stay here on their way from Kraków to Vilnius and host foreign envoys in the city.

Radom in the 21st century is an understated sort of place, and its low prices for food and drink means your złotys will go a long way. Something famous beyond Polish borders is the Radom Air Show every other August, the largest spectacle of its kind in Poland. The city has laid out the “Monuments of Radom” tourist trail, which will guide you to Medieval churches and elegant townhouses where Radom’s industrialists resided in the 19th century.

Let’s explore the best things to do in Radom :

1. Radom Village Museum

In bucolic rolling countryside on Radom’s southwestern outskirts is an outdoor museum that has put together more than 60 historic wooden buildings from around the Radom region.

The oldest of these is the Church of St Dorota from Wolanów, dating to 1749, which has beautiful Baroque trompe l’oeil paintings in its interior.

There’s another church in the village, along with windmills and all sorts of historic structures like forges, meeting hall, two manor houses, an apiary, several farm ensembles, a courthouse and a sawmill.

There are also sheep, goats and chickens in the farmyards, while you can duck inside most of the buildings to see the historic interiors and exhibitions on topics like horse-drawn transport, agricultural tools, beekeeping and animal husbandry.

There are also special exhibitions at Christmas and Easter, and celebrations throughout the year like a bread festival and potato festival.

2. Jacek Malczewski Museum

On the Market Square, Radom’s other top museum is in the striking former college for the Piarist order from 1756. The museum is named after Radom’s most famous son, the highly-regarded Symbolist painter Jacek Malczewski.

Several of his pieces are here, joined by a wealth of other 19th-century and 20th-century painting by the likes of the Realist Józef Chełmoński and the Academic painter Władysław Czachórski.

The museum also has an archaeology department, with interesting finds from Bronze Age burials, and a history department that has contemporary documents from the January Uprising of 1863-64 and the Kościuszko Uprising from 1794. And finally the natural history section has wide-ranging exhibits for botany, entomology, mineralogy, palaeontology and a variety of other fields.

3. Kościół św. Wacława (Church of St Wenceslaus)

The oldest church in Radom, and the city’s parish church for hundreds of years, was first erected in the 13th century.

This compact building has had a troubled history, but there are clear traces of the earliest architecture in its five ogival window openings and three buttresses.

The nave is a little newer than the chancel, dating to the 14th century and its western gable was remodelled in the early Renaissance style in the 1500s.

Things first went awry during the Napoleonic Wars when the church became an Austrian granary, then a military warehouse during the Duchy of Warsaw and then a Russian prison at the start of the 20th century.

After the war it was even a psychiatric hospital ward before being re-consecrated, hosting its first service in 1985.

4. Resursa Obywatelska

At Ulica Malczewskiego 16 is the lavish hall built to host events to raise money for the Hospital of St. Kazimierz.

The Resursa Obywatelska, completed in 1852 has Neoclassical architecture, with an allegorical bas-relief on its pediment for Caritas or “charity”. On the roof are statues of three muses, Euterpe, Clio and Melpomene.

In its glory days at the end of the 1800s, the Resursa put on masquerade balls, concerts, theatre performances and poetry recitals.

Later, in the First World War it was used as a hospital, and from 1939 was commandeered by the Nazis, becoming the “Deutsches Haus”. Fully restored, it’s an elegant monument in the centre of Radom, and in the little square in front is a statue to Jan Malczewski.

5. Ulica Stefana Żeromskiego

This wide and stately pedestrian cuts east to west through Radom’s central Śródmieście district.

Most of the street was built up rapidly in the 19th century, and is fronted by Neoclassical, Historicist and Art Nouveau tenement houses.

The finer residential buildings still carry the names of the entrepreneurs who owned them (Kociubski, Gozman, Czempinski, Urbanowicz). Some to keep on your radar are the Neoclassical Kierzkowski Palace at no. 35, the Neo-Renaissance Podworski House at no. 37 and the Balińskich-Hemplów Palace, a clutch of Neoclassical buildings by the architect Stefan Baliński as his private residence.

In summer there’s always a steady flow of sightseers and residents out for walks, and lots of bar terraces if you fancy a break.

6. Rynek (Market Square)

After Old Radom was destroyed by the Lithuanians in the 14th century, King Casimir III the Great set out the location of the new town, and this square was at its centre.

Nowadays the Market Square is a little sleepy, and you may see groups of elderly folk chatting under the big willow tree in summer.

At no. 4, Dom Esterki is a copper-coloured house, given a Mannerist update in the 17th century.

You can go in for a little museum about the origin of the town’s Medieval relocation.

Another fine old house is the Baroque Dom Gąski at no. 5, rumoured to be where Charles X Gustav of Sweden stayed in Radom in 1656. Marshal Józef Piłsudski came to the square in 1930 for the unveiling of the Monument to the Legions, subsequently pulled down by the Nazis and then restored in 1998.

7. Town Hall

On the north side of the square is the town hall, which currently sits empty after its offices were moved to the much larger Pałac Sandomierski close by.

The town hall is the second to be built on the square as its predecessor, which had stood since the 14th century, was demolished in 1819. This Neo-Renaissance building was built in the late-1840s and was conceived by the Italian architect Enrico Marconi.

With its square tower, it looks like a simplified version of a Tuscan palazzo, and on the facade you can identify the coats of arms for Poland and Radom.

8. Stary Ogród (Old Garden)

Drawn up in 1822, Radom’s oldest public park is also one of the oldest in Poland.

You’ll find this seven-hectare garden just to the northwest of the central Śródmieście quarter.

The little Mleczna River, a right tributary of the Radomka, flows through the park and feeds the pond at the centre.

The park lost its splendour in the Second World War when it was overrun by German warehouses.

There was a swift restoration after the war, but in 2014 a more thorough remodelling took place, laying out new promenades and a bike path, as well as a playground and a new space where residents come for games of chess.

9. Kościół św. Jana Chrzciciela (Church of St John the Baptist)

Back in 1854, Jacek Malczewski was baptised at this church, which dates to the time of King Casimir III the Great in the mid-14th century.

Many changes have been made to the architecture since then, especially at the start of the 19th century when it was in a state of disrepair and had to be partly pulled down and rebuilt.

But even though a lot of what awaits you here is relatively new, one thing that has stood the test of time is the Mannerist chapel funded by the politician Jan Kochanowski at the start of the 17th century.

The nave ceiling is also pretty for its colourful, Gothic-style paintings that are much newer than they look and date to the 1970s.

10. Zalew Borki

There’s no better place in Radom to pass a hot weekend afternoon than this nine-hectare reservoir a couple of kilometres southwest of the centre.

On these days you can lounge on the sandy beach on the north shore, pick up a refreshment from the cafe and rent a pedal boat or canoe to see what you can find around the banks.

It’s up to you whether you’re brave enough to take a swim, but the good news is that this once contaminated lake was drained, cleaned and sealed at the start of the 2000s.

Perhaps it’s a good sign that there are large stocks of pike, perch, tench, carp and bass.

11. Pałac Sandomierski

At Ulica Żeromskiego 53 is another monument recommended by the city.

Pałac Sandomierski came about after Radom became of the seat of the provincial authorities for the Radom Governorate in Congress Poland, the Russian-controlled portion of the country.

With a slew of new officials now based in Radom, a new chamber was required.

This Neoclassical building was designed by the Florentine architect Antonio Corazzi and was completed by 1827. Today it houses municipal offices and delegations of provincial institutions for the Masovian Voivodeship.

Something worth noting about the palace architecture is that the north wing is an extension from the time of the Nazi occupation in the Fascist Modernist style.

12. Klasztor i Kościół oo. Bernardynów (Baernardine Monastery and Church)

This active monastery is run by the Bernardine order, which was invited to Poland by King Casimir IV Jagiellon in the 15th century.

The order has some 30 monasteries across the country and abroad, in Italy, Germany and Argentina.

Established in 1468, the complex in Radom is one of the best-preserved monasteries in Poland.

Almost everything is built with bricks that the monks baked themselves at their brick factory.

The most valuable fitting in the church is the Late Gothic main altar, sculpted with passion scenes and possible crafted at the workshop of the German master Veit Stoss.

In the walls of the chancel and nave are ledger stones and ornate Baroque memorials for local nobility going back to the 17th century.

13. Dom Glogierów

Another stop on the “Monuments of Radom” tourist trail is the eye-catching house that the government official and future Polish Senator Maciej Glogier built for himself in 1914. For this project he hired Józef Pius Dziekoński, one of the most prolific architects of the day, who drew up dozens of churches and other monuments around Poland.

Finished in 1914 Dom Glogierów on Ulica Sienkiewicza, is a big mishmash of styles and easy to identify for its asymmetrical facade.

Looking like a French château transported to the centre of Radom, there’s a mansard roof with a very elaborate dormer, Baroque-style pinnacles, a recess with ionic columns, quoins on the corners and a balustrade under the windows of the second floor.

14. Cmentarz żydowski (Jewish Cemetery)

The story of Radom’s Jewish Cemetery is as tragic as you’d expect, but has a glint of redemption at the end.

It was founded in 1832 during a cholera epidemic despite, and grew at the same rate as Radom’s Jewish population, which swelled to 30,000 by the turn of the 20th century.

The Nazis destroyed it in the war, and over the next few decades the matzevahs (gravestones) were discovered in unlikely places, paving roads, on the airport runway, incorporated into buildings, lining the banks of streams and in sewers.

But through a joint Israeli-Polish effort, prison inmates have been recruited (voluntarily) to restore the cemetery.

In 2010 a new lapidarium monument was unveiled at an event attended by Poland’s Chief Rabbi.

15. Radom Air Show

The city’s airport, three kilometres east of the centre, has a modern terminal building, but has never staged scheduled flights for more than a few months at a time.

Instead it is used for pilot training and military flights.

The airport does spring to life every two years for the largest air show in Poland.

This is held at the end of August, attracting tens of thousands of people, and is funded by the Air Force, the airport, the city and the local flight club.

Aerobatics teams from all over Europe put on demonstrations, and you can check out all kinds of aircraft on the ground, from fighters to helicopters, personnel carriers and surveillance planes like the Boeing E-3 Sentry.

15 Best Things to Do in Radom (Poland):

• Radom Village Museum
• Jacek Malczewski Museum
• Kościół św. Wacława (Church of St Wenceslaus)
• Resursa Obywatelska
• Ulica Stefana Żeromskiego
• Rynek (Market Square)
• Stary Ogród (Old Garden)
• Kościół św. Jana Chrzciciela (Church of St John the Baptist)
• Zalew Borki
• Pałac Sandomierski
• Klasztor i Kościół oo. Bernardynów (Baernardine Monastery and Church)
• Dom Glogierów
• Cmentarz żydowski (Jewish Cemetery)
• Radom Air Show

THE 10 BEST Radom Sights & Historical Landmarks

Radom landmarks.

• Sacred & Religious Sites
• Points of Interest & Landmarks
• Churches & Cathedrals
• Monuments & Statues
• Historic Sites
• Auto Race Tracks
• Government Buildings
• Historic Walking Areas
• Neighborhoods
• 4.0 of 5 bubbles & up
• 2.0 of 5 bubbles & up
• Good for Kids
• Budget-friendly
• Good for Couples
• Good for Big Groups
• Adventurous
• Good for a Rainy Day
• Hidden Gems
• Honeymoon spot
• Good for Adrenaline Seekers
• Things to do ranked using Tripadvisor data including reviews, ratings, photos, and popularity.

1. Zeromskiego Street

2. Cathedral of Holy Virgin Mary

3. Church of St John the Baptist

4. Bernardine Monastery and Church

5. Miasto Kazimierzowskie

6. Radom Kart Circuit

7. Statue of Jan Kochanowski

8. Railway station Radom

9. The Royal Castle in Radom

10. Jewish cemetery

11. Pomnik Leszka Kołakowskiego

12. Orthodox Parish Church of St. Nicholas

13. Garrison Church

14. holy trinity church.

15. Sad Okregowy W Radomiu

16. Monument "Czynu Legionow"

17. Grodzisko Piotrowka

18. roman catholic cemetery, 19. church of the sacred heart of jesus, 20. ranczo emocji, 21. municipal cemetery.

22. Monument to Maria and Lech Kaczynski

What travelers are saying.

• Zeromskiego Street
• Cathedral of Holy Virgin Mary
• Bernardine Monastery and Church
• Miasto Kazimierzowskie
• Statue of Jan Kochanowski

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Based on standard Argon cylinders. Source: EPA.GOV ( https://www.epa.gov/energy/greenhouse-gas-equivalencies-calculator .)

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Micap-oes 1000 plasma source.

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Variable speed four-channel peristaltic pump and concentric 1 mL/min nebulizer are standard sample introduction assembly (SIA) components.

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Echelle Spectrometer simultaneously measures the entire wavelength range with every solution injection.

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• [ W ] 20.7 in (525 mm) x [ H ] 22 in (560 mm) x [ D ] 14 in (350 mm)
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Wavelength range:

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Slit Width:

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Operating environment:

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Scientific Publications

Recent blog articles.

Understanding Plasma Technology

How Cerawave works: lab revolution in action

Journey into the Future: Introducing Radom Corporation and Our Vision for Plasma Technology

Product literature.

MICAP-OES 1000 Product Brochure

MICAP-OES 1000 Periodic Table with Typical Limit of Detection and Resolution

Trace Elements in Household Bleach

Determination of Gold and Platinum Group Metals in Geological Certified Reference Materials

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Todd Radom and the Art of the Sports Logo

by Maury Brown May 15, 2006

Chances are, you’ve never heard of Todd Radom. Chances are very good, you’ve seen his work.

Todd is a bit of an anomaly in sports business these days. He designs logos and brands for professional sport franchises as a single entity. No focus groups. No rolling behemoth of a corporation, just a man and his passion for art and sports.

In baseball, he has designed the logo for the Washington Nationals, the new Angels logo , the logo for the Brooklyn Cyclones, the 2003 World Series logo , the official mark commemorating the 50th Anniversary of Jackie Robinson breaking the color barrier, the primary logo from 1994 to 1999 for the Milwaukee Brewers, and the logo for Fenway Park’s 90th Anniversary, to name but a few. (Getting into the details on how this process works with MLB Properties is a conversation that is off-limits … a Professional Service Contract precludes him from discussing the particulars of how the process between artist and MLB Properties functions. Therefore, the links above point to all the logos in question on Radom’s website).

Outside of baseball, he has designed logos and brand design for the Basketball Hall of Fame , Superbowl XXXVIII , the official logo for the 2004 Houston Super Bowl Host Committee , the Indiana Fever of the WNBA , and many others. He has worked for 14 years with the NFL, NBA, and Major League Baseball.

As I said, you may have never heard of Todd Radom, but if you’re a sports fan, you’ve most assuredly seen his work.

Radom comes from a family of professional artists. His paternal great grandfather and grandfather were painters, and his dad a graphic artist/photographer/copywriter. While many families might view involvement in the arts a risky career move, Radom says it was encouraged in his family. “I was fortunate in the sense that a career in the arts was looked on as something that was practical and even encouraged,” Radom says. He attended the School of Visual Arts (SVA) in New York and graduated with a BFA in 1986.

Whether this is a blessing or a curse, he grew up as a diehard Red Sox fan in New York. When he was a kid he used to vacation in Montauk, on the eastern tip of Long Island. As Radom describes it, “At the time there was no cable TV out there, just over-the-air TV from across Long Island Sound, from Providence, hence the only thing on the tube, night after night, was Red Sox games, all summer long.”

He graduated from SVA and worked at a succession of jobs in the book publishing industry in New York, freelancing at the same time. From 1987 to roughly 1995 he did a considerable number of major baseball book covers, so by 1992 he had accrued enough of a portfolio that he was able to cold call MLB and drop off some logo designs. The rest, as they say, is history.

As Radom explains, “I sold myself as not only someone who could conceptualize and execute the work, but as a consumer of their product with a knowledge of the history of the game and a reverence for the culture.”

While logos and design are done by the industry to create brand impression, the design has the ability to become iconic, and certainly a part of the history of the sport. Radom recognizes his place in the history of sport in that context, especially as it pertains to Major League Baseball.

“I always aware of the fact that, whatever the merits of my work, they are part of history,” he says. “Just as the great Lon Keller created the Yankees logo back in 1946, I created the current Nationals and Angels.” Radom adds, “My work was on the field during All Star Games, World Series, perfect games, etc, and I am very fortunate indeed to have the opportunity to be part of the enduring history of the game.”

Given his understanding of the history of baseball as it pertains to logo branding, how does he view some of the designs from the past? “Growing up in the 70s, I come at this from a specific place. The Yankees logo, as iconic as it is, could and would not be implemented in 2006,” says Radom. “The equity that this and other “traditional” logos (Red Sox, Tigers, Braves, etc) makes them special, and the fact that they have been allowed to evolve organically if you will, makes them great.”

For franchises that no longer exist, he loves the Expos logo, sees that the Colt .45s logo would be politically incorrect in this day and age with its smoking gun in the design, and loved Bill Veeck’s Brownie and the Seattle Pilots design.

But how you do a redesign the past, as was the case with the Angels logo? Radom says it depends on the amount of equity that the club desires to carry forward. “Hypothetically, designing a new identity for the Marlins, despite their problems, would require some carryover due to two World Series titles,” the designer says. “Tampa Bay on the other hand could be blown up and started from scratch, for every obvious reason.”

So, it comes as no surprise that Todd Radom sees more than just a mere brand logo creation when he places designs something that is used in professional sport. The logo and design reach into a further place. “I have often said that the graphic traditions of American pro team sports are embedded in the fabric of our culture,” Radom concludes. “American pro sports fans are exposed to graphic design every hour of every day, often from a very early age. Logos and uniform designs connect generations of fans who follow their favorite teams daily, sometimes obsessively—the ultimate brand loyalists.”

Given Radom’s understanding of how the design of a professional sports logo stands in terms of it’s place in history, as well as a design’s ability to place an immediate stamp on the consumer’s psyche, it’s a good chance that while you may not see Todd Radom’s name when a new design is unveiled, there’s a good chance it will be his work.

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The decision to build its own arms industry was the result of the complicated situation in which the Second Polish Republic found itself after World War I. The resurgent state fought wars on almost all of its borders. It also had to face a massive Bolshevik invasion. In these battles, the hastily formed Polish army immediately needed huge amounts of rifles and ammunition. The first units of the Polish Army, formed in 1918, were equipped with weapons from the resources left by the invaders, i.e. Austrian, Russian and German. In contrast, the nearly 80,000-strong “Blue Army” that arrived in the country in 1919 was armed with French weapons. When, in the autumn of 1920, the Polish Army numbered about 900,000 soldiers, it was equipped with rifles of several dozen different models, designs and calibres. This caused huge problems, e.g. with ammunition supply, but also made the army dependent on foreign supplies. Under these circumstances, the idea of building our own arms industry and unifying the small arms used by the Polish Army was born. The decision to build a state arms industry was made by the Economic Committee of the Council of Ministers on April 29, 1922. That same year, the Ministry of Military Affairs approved a proposal to locate the new plants in the so-called safety triangle. This map also included Radom as a place where a modern arms factory was planned to be built. The advantages of Radom, which determined the choice of the city for the site of the new armament plant, were: – location on the route from Warsaw to Kraków and the railroad line from Dęblin to Dąbrowa Górnicza, – the existence of numerous metal works, foundries and the city power plant, – the operation of many vocational schools ready to train a technical workforce, – human resources due to population density and high unemployment rate. The site chosen for the plant was the former Mariackie farm, located on the railroad line near the station and siding. Work at the design stage and project implementation was led by Andrzej Dowkontt, engineer, the first director of the State Weapons Factory in Radom, and his deputy, Lt. Col. (ppłk) Stanisław Siczek. Work on the construction of the plant began in 1923, and by 1925 the plant began production. Since 1924, the plant began to be equipped with machinery for the manufacture of weapons. Most of them came from the German rifle factory in Gdańsk, which was taken over by the Polish authorities. This factory produced reliable German Mausers. Taking over the equipment for their production and technological documentation decided that the Mauser system rifle was chosen to be the basic rifle of the Polish Army, and its production was to be handled, among others, by the Radom factory. Initially, only the initial phase of rifle production took place in Radom, which was completed at the Rifle Factory in Warsaw, but already in 1927 the Radom Weapons Factory launched the full production line of Mauser rifle model 98 and handed over the first batch of 10,000 pieces to the army. In 1927, the consolidation of the arms industry led to the creation of a consortium under the name State Weaponry Works (Państwowe Wytwórnie Uzbrojenia) in Warsaw. It was formed by several armaments plants, including the Radom Weapons Factory, which from now on was called the State Arms Factory (Państwowa Fabryka Broni) in Radom. The name change went hand in hand with changes in the Radom plant’s management positions. Since 1927 the director of the Weapons Factory in Radom was engineer Kazimierz Ołdakowski.

Commemorative tableau of staff and employees of one of the departments of the Weapons Factory, 1933.

Weapons Factory workers at a machine tool. 1950s.

The years 1927-1939 were the peak years of the factory’s development. The plant was then incorporated into the Central Industrial District and became a leading manufacturer of basic small arms for the Polish Army. It is estimated that by 1939 the Weapons Factory in Radom produced over half a million weapons, most of which were infantry rifles of the Mauser system, as well as pistols of the model 35 Vis and Nagant revolvers. In the 1930s, the Radom Weapons Factory also developed civilian production. Among other things, it produced hunting rifles, metalworking machines, and, shortly before the outbreak of war, steering wheels for “Sokół” motorcycles. However, the biggest success of the factory in the field of civilian production were “Łucznik” bicycles. The strength of the Weapons Factory in Radom was its staff and qualified personnel. It has managed to win them over primarily with the offer of relatively high salaries and the allocation of attractive apartments. This guaranteed the employees a stable living in the difficult times of the interwar period. The work in this factory was prestigious, that is why engineers from other industrial centres in the country came to Radom. In 1926, 800 workers were employed here, and the number grew as the factory developed. By 1928, the crew already numbered 2,000, and by the late 1930s, over 3,000 people. The factory’s workers were dominated by residents of the city and surrounding areas, while the management came from many places in Poland and abroad. Professional staff and qualified personnel guaranteed high quality and production efficiency. The ethos of reliable and solid work, common in the plant, resulted from such an understanding of patriotism during peace time, and during the war resulted in the involvement of many members of the crew in underground activities. After the war, the factory, destroyed and looted by the German occupants, was rebuilt with difficulty. In the times of the Polish People’s Republic, the company was developed in the spirit of economic concepts of the so-called real socialism. It was renamed, but also successively expanded, increasing the number of employees. In the 1970s, General Walter’s “Predom – Łucznik” Metal Works employed about 10 thousand people. In 1976, a workers’ protest against the communist government began here, which went down in history as “Radom June ’76”. Many participants in the Radom protest, including workers at the Metal Works, were repressed, tried and convicted. Of the 940 people fired from their jobs for participating in the protest, 360 were employees of the plant. The trials and persecutions of the participants of “Radom June 76” were the impulse that triggered the organised help action for the aggrieved. This is how the Workers’ Defence Committee (Komitet Obrony Robotników) was born – the first officially active opposition organisation to the communist regime in the Polish People’s Republic.

Weapons Factory workers in front of the main hall. 1930s.

The march of the workers of the Weapons Factory. The factory halls and water tower in the background. 1930s.

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Users can also use shortcuts such as “M” (menus), “H” (headings), “F” (forms), “B” (buttons), and “G” (graphics) to jump to specific elements.

Disability profiles supported in our website

• Epilepsy Safe Mode: this profile enables people with epilepsy to use the website safely by eliminating the risk of seizures that result from flashing or blinking animations and risky color combinations.
• Visually Impaired Mode: this mode adjusts the website for the convenience of users with visual impairments such as Degrading Eyesight, Tunnel Vision, Cataract, Glaucoma, and others.
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We aim to support the widest array of browsers and assistive technologies as possible, so our users can choose the best fitting tools for them, with as few limitations as possible. Therefore, we have worked very hard to be able to support all major systems that comprise over 95% of the user market share including Google Chrome, Mozilla Firefox, Apple Safari, Opera and Microsoft Edge, JAWS and NVDA (screen readers), both for Windows and for MAC users.

Notes, comments, and feedback

Despite our very best efforts to allow anybody to adjust the website to their needs, there may still be pages or sections that are not fully accessible, are in the process of becoming accessible, or are lacking an adequate technological solution to make them accessible. Still, we are continually improving our accessibility, adding, updating and improving its options and features, and developing and adopting new technologies. All this is meant to reach the optimal level of accessibility, following technological advancements. For any assistance, please reach out to

The Man Behind The Logo: Catching Up with Todd Radom

Logos are the visual stories for sports brands. The good ones connect fans to an organization's culture and history while also being fashionable, simple, and sleek. First impressions of an organization typically come from someone seeing the logo. From colors to overall design, a logo says a lot about a team.

As you can tell, designing a well-liked, accepted, and artistic logo is a lot tougher than just splashing some color and using different fonts. Todd Radom knows this best. For the last 25 years, Todd has been creating pieces for organizations to share their story in one glance. His work covers many major teams and leagues. He is an artistic expert and a self-proclaimed sports geek. For the last 25 years, he has been, "The Man Behind the Logo."

I had the privilege of asking him a few questions about his current and past work and research. Read his thoughts below.

The Man Behind The Logo

Q & A with Todd Radom

How did you first get involved with doing design for sports brands?

I've been interested in the visual culture of sports since I was a little kid, which is to say a very long time ago. My first professional experience with design for sports started in the early 1990s, with my work for Major League Baseball and the NBA.

Looking back on your career, what are some of the top designs that you have produced?

This is a really difficult question considering the fact that I have three decades of work to pool from. While I enjoy every project I am given, here are a few that were very interesting to work on.

BIG3 League Work

The opportunity to create and oversee the look of an entirely new professional sports league is a rare thing indeed. 

Big3 , America’s new 3-on-3 professional basketball league, came calling in the fall of 2016. Working with the league’s co-founders—legendary rapper and actor Ice Cube and entertainment executive Jeff Kwatinetz, along with their talented team, every single visual detail, starting with the league’s primary identity as well as the design of the Big3’s signature half court—was attended to with precision and care. The league was officially launched at a press conference in New York City on January 11, 2017.

Big3’s inaugural lineup of eight teams needed and deserved unique and marketable complete identity systems, built with flexibility and varied usage in mind...Each team identity needed to be robust and extendable. The underpinnings of a league-wide licensing program were a constant consideration, with a series of assets that spun off of the primary logo of each team. Each asset serves to support the core team brand, an especially important thing when introducing teams with no history, no home region, and no individual fan base.

Here is what was created:

If interested in reading more about each design's story, check out Todd's full story in the blog article here .

Los Angeles Angels Logo

The Los Angeles Angels, founded in 1961, opted for a makeover in 2002, the seventh major identity change in franchise history. They promptly went on to win their first World Series that year. The Angels brand is now firmly established, an enduring aesthetic for Orange County's home team.

Interested in getting Angels gear? Check out all the options here .

2016 MLB All-Star Game

Beautiful downtown San Diego played host to the 87th MLB All-Star Game, and the identity system and visual assets richly reflect the local landscape. A representation of San Diego's familiar local neighborhood archways, backed up by the colors of a vividly blue sun-kissed sky, provides the core of the primary logo. 

You recently did some work with the Major League Rugby team, Rugby United New York. How did they approach you for their project?

Like most new clients, they found me via my long trail of work, which is out there on the web. I leaped at the opportunity to work with them; we had a good series of discussions before jumping in, and I could tell that it all seemed like a good fit with the potential to come up with something special at the end of the process.

Had you ever seen a rugby match (let alone a RUNY one) before the team approached you?

Nothing at the professional level, although I was familiar with RUNY and their emergence on to the New York sports scene.

What design elements did you include with RUNY's logo to make it more connected to New York?

I'm a native New Yorker, born in Manhattan, college educated there, and have never lived more than 50 miles from Times Square. The goal here was to embrace elements that were familiar to as many New Yorkers as possible.

What unites New York? It's a vast, sprawling, sometimes messy mix of disparate neighborhoods and people that somehow works. It's not always easy and it might get loud at times, but we all push forward. Here are is one of the symbolic pieces from the city that I have included in the logo.

Statue Of Liberty Piece:   The National Parks Service, describing one key feature of Lady Liberty [states], "Liberty's keystone-shaped tablet is cradled in the left arm. It is a representation of law written down for citizens of the nation to see and read. Upon it, 'July 4, 1776" recognizes the date on which the American colonies declared their independence from England...the keystone in architectural design is a critical component. The stone specifically cut into this shape supports all others within an arch. Therefore, the tablet pays homage to our republic's keystone document: the Declaration of Independence." I felt that this was a great symbol to encompass the "NY" in the logo even if it's a little bit obscure.

To see the rest of the logo's story and elements, people can read more [on my blog article]: RUNY Logo Work .

You recently came out with your second book,  Fabric of the Game,  exploring the names, logos, and uniforms from the NHL. Why was hockey the focus for your next book?

This was the result of a three-year collaboration with my friend Chris Creamer , who lives in the Toronto area. I've always been a fan of hockey logos and uniforms —back in college, I lived a block away from Madison Square Garden, and I went to a ton of Rangers' games back then. There were stories to be told here and it seemed like the timing was right to tell them.

Is there a favorite logo that you have after doing research for the book?

I'll point to a few, because it's impossible to limit things to just one. Every design geek/sports fan loves the Hartford Whalers' logo [that] does so much with so little. The colors are sharp too.

See more details about this Hartford Whalers' Jersey here

How about the Montreal Canadiens mark, which has stood the test of time for over a century while uniting French Canada and serving as a cultural icon?

See more details on this Montreal Canadiens T-Shirt here

And I'll throw in the Buffalo Sabres logo, which literally depicts that location and the nickname of the team.

See more details about this Buffalo Sabres sweatshirt here

You've gone from baseball to hockey to rugby and designed for most major sports brands. Is there a brand that you would like to do some more designs that you haven't worked on or done a lot with?

I've covered a lot of territory over the years across a bunch of different sports, but I think that the opportunity to do more work internationally —Japanese baseball or European soccer—could be a fun and potentially rewarding challenge.

What lays in store for you in the future as you continue to design for sports brands?

We need to get past the current pandemic, which has hammered sports and entertainment in ways that none of us could have envisioned. But I can see more consulting for leagues, teams, and stakeholders, in addition to designing, writing, researching, illustrating, and creating letterforms. [I just need to] keep evolving and making stuff.

Todd's career has stretched far and wide. With some of the most recognizable designs in sports, I can not wait to see the next pieces he comes up with. Being the man behind the logo is a hard task, but his designs have helped fans better connect with their teams' stories. 

To see more of Todd's work and their stories, visit his website at toddradom.com . Follow him on Twitter ( @ToddRadom ) and on Instagram ( @toddradom ) for further updates and be sure to check out his books,  Fabrics of the Game , and,  Winning Ugly, A Visual History of Baseball's Most Unique Uniforms .

Want to read more interesting sports stories? Check out our full blog, Sports & Stadium Reads . If you are interested in contributing a unique sports story, leave a comment below, or message us on our social media @stadiumgearapparel.

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Hill: Graphic artist Todd Radom has made logo mark in sports world

From SABR member Benjamin Hill at MiLB.com on December 15, 2016, on SABR member Todd Radom:

What makes a great sports logo? “I personally look for balance and harmony,” said Todd Radom  during an impromptu interview at last week’s Baseball Winter Meetings in National Harbor, Maryland. “What makes it successful is that the proportions and balance and use of negative space — I’m getting really wonky here — all that needs to work. You can’t have teeny tiny words and a large image embedded in the same thing. You generally cannot put a circle within a square. And also, usability — this is not a fine art. It’s generally a very collaborative process.” Radom would know. Over his decades-long career as a graphic artist, he’s designed a wide variety of logos for the NFL and NBA. But his first love is baseball, and it’s within our national pastime — in both the Major and Minor Leagues — that he’s made the greatest impact.

Read the full article here: http://www.milb.com/news/article.jsp?ymd=20161215&content_id=211167906&fext=.jsp&vkey=news_milb

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Wind Surge Logo Designer Todd Radom: 'This Needed To Look Forward'

By now, you may have heard, and seen, the name and logo for Wichita's new baseball team: the Wind Surge.

The brand came about after months of work, driven in part by acclaimed sports logo designer Todd Radom . In his decades-long career, Radom has crafted logos for the Los Angeles Angels, the Washington Nationals, the Cleveland Browns, and Super Bowl XXXVIII — but his true passion is baseball.

Radom was in Wichita for the Wind Surge unveiling earlier this month. The day after the big reveal, he sat down with KMUW's Tom Shine to talk about how created the look, and why he isn't bothered by any criticism of the Wind Surge brand.

Interview highlights

Tom Shine: Can you walk us through the process that led us to the Wind Surge logo and name, kind of how that started?

Todd Radom: We had a very tight branding team within the organization. You know, we start talking about names. I know that the community had submitted some 3,000-plus names, and it was a range of stuff. And I will say that all of it was taken into account. ... I think that thematically, it was emphasized right from the get-go that this needed to look forward, not look backwards.

And just briefly, the the logo process took place over the course of months and months and months. You start with a with the idea of a logo. We eventually settled on a Pegasus, which is very inspirational, aspirational. Who wouldn't want to, you know, identify with that? We talked about the kind of wings that it would have: Are they fluffy wings. Are they ascendant eagle wings? Are they, all kinds of stuff.

We talked colors. Blue and red are derived from your city's beautiful, beautiful flag. Blue is the color of the sky. It looks great with those two colors, too. And yellow provides a little bit of a burst, a little pop. We looked at sunsets and of course, the color wheat from here. And so the colors made a lot of sense that played out over the course of months and months and months. And then after that, we squeezed the primary logo down. We had headwear, mark, home cap, then you get into uniform. So it was a long process.

In Minor League Baseball, these days, there's seems to be a dividing line between kind of crazy names —Trash Pandas comes to mind, Sod Poodles — and more traditional names. Seems like the Wichita franchise wanted to go to more traditional, is that true?

That is very true. And that's one of the reasons that they brought me on board. The mandate from day one is, listen, this is a regional hub, a powerhouse, biggest city in the state, obviously. The desire was really to come up with sort of a Major League look in a big Minor League city.

You started your design company roughly in the early '90s, well before the advent of social media. What was it like rolling out logos then, as opposed to rolling out logos now?

At that time, launches like this were primarily fashion shows and newspapers covered the events. There was really no possibility of a leak, which we all worry about now. The emphasis on focus groups, I think, was far less than it is now. So a very different thing, to say the least.

And you get instant feedback.

Yes, you get instant feedback. And here it is, our social discourse. What we're witnessing speaks to the fact that I always say sports fans are the most ardent brand loyalists on Earth. We love our logos and uniforms, or we might hate them, but we do care about them.

Talk about the feedback. You surprised by that? Worried by that? Bothered by that?

No. I mean, again, I think ... it kind of hearkens back to me to what I mentioned earlier is that people care. One way or another, they care.

You know, a logo exists in a vacuum until the time that it's activated and brought to life. And when the Wichita Wind Surge take the field of play, April 14, 2020, right here in downtown Wichita, in this beautiful new ballpark, they're going to start to make history. The logo, with the look of the thing, I think people will take it into their hearts and it'll gain a little bit of a different context than it does now.

The name itself, and I've not spent a lot of time with social media cause because I don't, but it seems like people love the logo, love the color scheme, love the uniforms, but are struggling with the name. Were you part of the naming of that, or was it was that more of a group throwing out names together and then coming up with one?

Part of the collaborative effort that I referenced earlier with branding, the naming part was similar. And I was in on those discussions, no question about it.

I think it was important to kind of bear in mind the fact that that this is a place where people have come to do big things and dream big dreams and take to the air. And that is, you know, not every place can say that. So, yeah, I mean, I think, again, the name will settle in. People will live with it. The idea of "go Surge, we are surging," those are all good things.

Tom Shine is the director of news and public affairs. Follow him on Twitter @thomaspshine. To contact KMUW News or to send in a news tip, reach us at [email protected] .

Man accused of punching seven random women in New York City is arrested

A man accused of assaulting random women in New York City was arrested Tuesday, police said.

Daquan Armstead, 31, of East Bronx, was taken into custody on suspicion of hate-motivated assaults on seven women from late March to mid-April in Lower Manhattan, police said.

Authorities allege he punched women, sometimes in the face, on their heads, or on their backs.

When asked about the allegations while being taken out of the New York Police Department’s Hate Crimes Task Force office, Armstead responded, "They spit at me." Police refuted the suspect’s claim that victims had spit on him.

It wasn't clear Tuesday evening if he has retained legal counsel. New York County Defender Services, which provides defense attorneys for many criminal cases, noted that a public record of his arrest was unavailable.

Armstead was arrested on suspicion of hate crime/assault; suspicion of attempted hate crime; and suspicion of aggravated harassment, according to the NYPD's Office of the Deputy Commissioner for Public Information.

Police told NBC New York there have been 95 unprovoked assaults in Manhattan so far this year, with 50 of them involving victims who are women.

At least one arrest was made previously in connection with a series of attacks earlier this spring that gained attention after some of the women told their stories on TikTok.

The allegations involving Armstead do not appear to be any of the attacks seen on social media.

The department released a timeline of alleged attacks:

About 8 p.m. March 24, police received a report of a 30-year-old woman who was struck on her face in the Lower East Side, the NYPD said. It was a hard enough hit that it caused dizziness, but she refused medical attention, it said.

The next day, shortly after 10 a.m., officers responded a few blocks to the northwest based on a report that a 36-year-old woman was struck on the back, the NYPD said. She also refused medical treatment.

Shortly after 8 a.m. April 2, officers responded to an incident in which "an unknown individual" struck a 38-year-old woman on the back of the head in Greenwich Village, the NYPD said. She also refused medical attention, it said.

About 12:25 p.m. April 5, officers responded to the Lower East Side, where it was reported someone struck a 25-year-old woman on the right side of her face, the NYPD said. She refused treatment, it said.

A few minutes later and a few blocks away, officers responded to the Lower East Side after it was reported that someone struck a 44-year-old woman on the right side of her face, the department said. She also refused treatment.

About 9:45 a.m. April 8, police responded to a report of a 24-year-old woman struck on the back of her head on the Lower East Side, the NYPD said. She refused medical attention, it said.

Shortly after 10:30 a.m. April 17, police responded to a report of a 27-year-old woman struck on the head by an "unknown individual" in Lower Manhattan, the department said. She refused medical attention, it said.

Dennis Romero is a breaking news reporter for NBC News Digital. 

Madison Lambert is a freelance assignment editor at NBC News.