pelicula star trek 1979

Star Trek: The Motion Picture (1979)

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Star Trek, la película

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• Críticas  [59]
• Tráilers  [1]
• Imágenes  [6]
• Blu-ray  [9]

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• Star Trek - La película

• David Gautreaux
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• "Unos magníficos efectos especiales y un guión con bastante interés para una inolvidable cinta." Fernando Morales : Diario El País
• "Una película que a pesar de todos sus esplendores visuales, se queda corta en sus aspiraciones" Charles Champlin : Los Angeles Times
• "Gene Roddenberry y el director Robert Wise han reunido un enorme equipo técnico y el resultado es magia cinematográfica de última generación" Derek Elley : Variety
• "Sólo hay unas cuantas maneras de retratar el negro espacio estelar y la parte de abajo de las naves espaciales y las películas que llegaron antes hasta ahí, ya las usaron todas"  Judith Martin : The Washington Post
• "Una película puramente mecánica que no es más deslumbrante visualmente que un aterrizaje nocturno en el aeropuerto Kennedy" Kathleen Carroll : New York Daily News
• "Carece de la brillantez y originalidad deslumbrantes de la de 2001, pero en sus propios términos, es un trabajo muy bien hecho y con una premisa interesante" Roger Ebert : Chicago Sun-Times
• "Esta adaptación fílmica de la serie televisiva es la insipidez elevada a una escala épica" Dave Kehr : Chicago Reader
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Star Trek: The Motion Picture

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Watch Star Trek: The Motion Picture with a subscription on Max, rent on Fandango at Home, Prime Video, or buy on Fandango at Home, Prime Video.

What to Know

Featuring a patchwork script and a dialogue-heavy storyline whose biggest villain is a cloud, Star Trek: The Motion Picture is a less-than-auspicious debut for the franchise.

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Robert Wise

William Shatner

Leonard Nimoy

Commander Spock

DeForest Kelley

Lt. Cmdr, Leonard H. 'Bones' McCoy, M.D.

Stephen Collins

Persis Khambatta

Lieutenant Ilia

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Epic science-fiction stories, with their cosmic themes and fast truths about the nature of mankind, somehow work best when the actors are unknown to us. The presence of the Star Trek characters and actors who have become so familiar to us on television tends in a strange way to undermine this movie. The audience walks in with a possessive, even patronizing attitude toward Kirk and Spock and Bones, and that interferes with the creation of the "sense of wonder" that science fiction is all about.

Let's begin with the toy for the eyes. The Star Trek movie is fairly predictable in its plot. We more or less expected that two of the frequent ingredients in the television episodes would be here, and they are: a confrontation between Starship Enterprise and some sort of alien entity, and a conclusion in which basic human values are affirmed in a hostile universe. In "Star Trek: The Motion Picture", the alien entity is an unimaginably vast alien spaceship from somewhere out at the edge of the galaxy. The movie opens as it's discovered racing directly toward Earth, and it seems to be hostile. Where has it come from, and what does it want?

The Starship Enterprise, elaborately rebuilt, is assigned to go out to intercept it, with Admiral Kirk, of course, in charge. And scenes dealing with the Enterprise and the other ship will make up most of the movie if the special effects aren't good, the movie's not going to work. But they are good, as, indeed, they should be: The first special-effects team on this movie was fired, and the film's release was delayed a year while these new effects were devised and photographed. (The effects get better, by the way, as the movie progresses. The alien ship looks great but the spaceports and futuristic cities near the film's beginning loom fairly phony.)

The Enterprise, perhaps deliberately, looks a lot like other spaceships we've seen in " 2001: A Space Odyssey ," " Silent Running ," "Star Wars," and " Alien ." Kubrick's space odyssey set a visual style for the genre that still seems to be serviceable. But the look of the other spaceship in " Star Trek " is more awesome and original. It seems to reach indefinitely in all directions, the Enterprise is a mere speck inside of it, and the contents of the alien vessel include images of the stars and planets it has passed en route, as well as enormous rooms or spaces that seem to be states of a computer-mind. This is terrific stuff.

But now we get to the human level (or the half-human level, in the case of Mr. Spock). The characters in this movie are part of our cultural folklore; the Star Trek television episodes have been rerun time and time again. Trekkies may be unhappy with me for saying this, but there are ways in which our familiarity with the series works against the effectiveness of this movie. On the one hand we have incomprehensible alien forces and a plot that reaches out to the edge of the galaxy.

On the other hand, confronting these vast forces, we have television pop heroes. It's great to enjoy the in-jokes involving the relationships of the Enterprise crew members and it's great that Trekkies can pick up references meant for them, but the extreme familiarity of the Star Trek characters somehow tends to break the illusion in the big scenes involving the alien ship.

Such reservations aside, "Star Trek: The Motion Picture" is probably about as good as we could have expected. It lacks the dazzling brilliance and originality of 2001 (which was an extraordinary one-of-a-kind film). But on its own terms it's a very well-made piece of work, with an interesting premise. The alien spaceship turns out to come from a mechanical or computer civilization, one produced by artificial intelligence and yet poignantly "human" in the sense that it has come all this way to seek out the secrets of its own origins, as we might.

There is, I suspect, a sense in which you can be too sophisticated for your own good when you see a movie like this. Some of the early reviews seemed pretty blase, as if the critics didn't allow themselves to relish the film before racing out to pigeonhole it. My inclination, as I slid down in my seat and the stereo sound surrounded me, was to relax and let the movie give me a good time. I did and it did.

Roger Ebert

Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.

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Star Trek: The Motion Picture (1979)

132 minutes

William Shatner as Kirk

Leonard Nimoy as Spock

James Doohan as Scotty

George Takei as Sulu

Walter Koenig as Chekov

Directed by

• Robert Wise

Produced by

• Gene Roddenberry

Screenplay by

• Harold Livingston

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Star Trek: The Motion Picture

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Star Trek I: The Motion Picture

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Star Trek: La película es una película estadounidense de 1979. Supone la primera cinta de la saga Star Trek , tras la emisión de la serie original .

• 3.1 Listado Completo de Reparto y Equipo Técnico
• 4 Equipo Técnico
• 5 Enlaces externos

Sinopsis [ ]

En 2273 , una inmensa nube de energía destruye dos cruceros de batalla klingons cerca del espacio de la Federación . La estación espacial Epsilon Nueve registra el incidente y verifica que el agresor se dirige hacia la Tierra . La estación también es destruida.

En Vulcan , Spock se preparaba para el ritual de Kolinahr -alcanzar la lógica pura- y el purgamiento de las emociones restantes. Al enterarse de la extraña nube, su mitad humana lo conduce a interrumpir su meditación y a dejar sin concluir el ritual para dirigirse en ayuda de la Federación.

En los astilleros de la Tierra, el USS Enterprise fue totalmente remodelado y está listo para investigar. El Almirante James Kirk convence al alto mando de la Flota para hacerse cargo de la renovada nave en lugar del Cap. William Decker . Y además, solicita que el retirado Dr. Leonard H. McCoy sea llamado a servicio nuevamente como médico en jefe de la nave. Camino al encuentro con el extraño, Spock arriba sorpresivamente -para Kirk- como oficial científico de la misión.

La "vieja" tripulación está completa y lista para hacerle frente al desconocido invasor, dueño del poder destructivo más grande registrado hasta la fecha... lista para salvar nuevamente la galaxia... ..."la aventura humana recién comienza".

• Fecha de Estreno: 6 de Diciembre de 1979
• Fecha de Bitácora: Finales de 2272 / Inicios de 2273

Reparto [ ]

Listado completo de reparto y equipo técnico [ ].

• William Shatner es James Tiberius Kirk
• Leonard Nimoy es Spock
• DeForest Kelley es Leonard H. McCoy
• James Doohan es Montgomery Scott
• Nichelle Nichols es Uhura
• George Takei es Hikaru Sulu
• Walter Koenig es Pavel Chekov
• Majel Barrett es Christine Chapel
• Persis Khambatta es Teniente Ilia
• Stephen Collins es Capitán William Decker
• Grace Lee Whitney es Janice Rand
• Mark Lenard es Capitán Klingon

Equipo Técnico [ ]

• Creador y Producción Ejecutiva por Gene Roddenberry
• Historia por Alan Dean Foster , Gene Roddenberry (no acreditado), Leonard Nimoy (no acreditado), William Shatner (no acreditado)
• Escrita por Harold Livingston
• Dirigida por Robert Wise

Enlaces externos [ ]

• Star Trek: The Motion Picture en la Wikipedia en Castellano
• Star Trek I: The Motion Picture en la Internet Movie Database
• Página en StarTrek.Com
• Star Trek: The Motion Picture en Memory Beta , la wiki para trabajos bajo licencia de Star Trek
• 3 Flota Estelar

Star Trek: The Motion Picture

This first Star Trek film reunites the U.S.S. Enterprise's original crew. Capt. James T. Kirk now an admiral, and his crew must save humanity from an alien ship steadily approaching Earth and destroying everything in its path. more

This first Star Trek film reunites the U.S.S. Enterprise's origin ... More

Starring: William Shatner Leonard Nimoy DeForest Kelley

Director: Robert Wise

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This first Star Trek film reunites the U.S.S. Enterprise's original crew. Capt. James T. Kirk now an admiral, and his crew must save humanity from an alien ship steadily approaching Earth and destroying everything in its path.

Starring: William Shatner Leonard Nimoy DeForest Kelley Stephen Collins Persis Khambatta

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Star Trek. La película

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Cuando un alienígena sin identificar destruye tres poderosas naves Klingon, el Capitán James T. Kirk vuelve a tomar el mando de la completamente reformada nave Enterprise.

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Misión: Salvar la Tierra

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Ver más películas : Mejores películas del año 1979 , Mejores películas Acción , Mejores películas Acción en 1979 .

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Star Trek: The Motion Picture

Cast & crew.

William Shatner

Admiral/Captain James T. Kirk

Leonard Nimoy

Commander Spock

DeForest Kelley

Lt. Cmdr, Leonard H. 'Bones' McCoy, M.D.

Stephen Collins

Cmdr. Willard Decker

Persis Khambatta

The Enterprise's first feature, with smarts outdoing guns.

Information

© ™ & © 1979 by Paramount Pictures. All Rights Reserved. Star Trek and related marks are trademarks of Paramount Pictures. All Rights Reserved.

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Star trek: the motion picture.

Directed by Robert Wise

The human adventure is just beginning.

When a destructive space entity is spotted approaching Earth, Admiral Kirk resumes command of the Starship Enterprise in order to intercept, examine, and hopefully stop it.

William Shatner Leonard Nimoy DeForest Kelley James Doohan George Takei Walter Koenig Nichelle Nichols Stephen Collins Persis Khambatta Majel Barrett Grace Lee Whitney Mark Lenard Billy Van Zandt Roger Aaron Brown Gary Faga Franklyn Seales Joel Kramer David Gautreaux John Gowans Howard Itzkowitz Jon Rashad Kamal Marcy Lafferty Michele Povill Jeri McBride Terrence O'Connor Michael Rougas Susan O'Sullivan Ralph Brannen Ralph Byers Show All… Paula Crist Iva Lane Momo Yashima Jimmie Booth Dave Moordigian Tom Morga Tony Rocco Joel Schultz Craig Thomas Edna Glover Norman Stuart Paul Weber Joshua Gallegos Lisa Chess Leslie C. Howard Sayra Hummel Junero Jennings Christopher Doohan

Director Director

Robert Wise

Producers Producers

Jon Povill Gene Roddenberry Lindsley Parsons Jr.

Writer Writer

Harold Livingston

Story Story

Alan Dean Foster

Casting Casting

Marvin Paige

Editor Editor

Todd C. Ramsay

Cinematography Cinematography

Richard H. Kline

Assistant Directors Asst. Directors

Douglas E. Wise Daniel McCauley

Lighting Lighting

Larry D. Howard

Production Design Production Design

Harold Michelson

Art Direction Art Direction

Joseph R. Jennings Leon Harris John Vallone

Set Decoration Set Decoration

Linda DeScenna

Special Effects Special Effects

Alex Weldon Darrell Pritchett Ray Mattey Martin Bresin

Visual Effects Visual Effects

Douglas Trumbull John Dykstra Richard Yuricich Robert Swarthe Robert Abel

Title Design Title Design

Richard Foy

Stunts Stunts

Keith Lane Jensen Bob Bralver Bill Couch John Hugh McKnight Kym Washington Longino Tom Morga

Composers Composers

Jerry Goldsmith Alexander Courage

Sound Sound

Noyan Cosarer Richard L. Anderson Steve Maslow Gregg Landaker Bill Varney Tom Overton Stephen Hunter Flick Cecelia Hall Alan Robert Murray Colin Waddy George Watters II

Costume Design Costume Design

Robert Fletcher

Makeup Makeup

Ve Neill Janna Phillips Fred B. Phillips Carlos Yeaggy Rick Stratton

Paramount Century Associates

Releases by Date

07 dec 1979, 15 dec 1979, 21 dec 1979, 18 jan 1980, 10 mar 1980, 21 mar 1980, 27 mar 1980, 28 mar 1980, 02 apr 1980, 19 jun 1980, 25 apr 2002, 28 dec 1998, 06 nov 2001, 18 apr 2002, 01 apr 2008, 28 may 2009, 27 oct 2009, 07 sep 2022, 16 oct 1996, 08 aug 2002, releases by country.

• Theatrical G
• Theatrical L
• Theatrical TP
• Physical DVD
• Physical Blu-Ray
• Physical 4K UHD
• Theatrical 12
• Physical 12 TV Version auf VHS komplett deutsch synchronisiert
• Physical 12 Directors Edition DVD
• Theatrical 13

Netherlands

• Physical 9 DVD
• Physical 9 Blu ray
• Theatrical M/12
• TV TV Markíza
• Theatrical A
• Theatrical 11
• Theatrical U
• Physical PG Director's Edition

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Popular reviews

Review by Branson Reese 8

Avoided this for years because people said it was boring. And, like, sure. It's less exciting than a DS9 two parter. But most likely so are you. And I seriously doubt you ever gave the world a freaky proto-Borg villain who speaks like her voice is coming out of a wii-mote or DeForest Kelley dressed like the inventor of cocaine. So maybe shut the fuck up and have some respect.

Review by SilentDawn ★★★★½ 12

Methodically pure sci-fi; a world with icons instead of characters and vast emptiness in place of pop western operatics. "The Motion Picture" takes inspiration from classical cinema - an overture greeted me when I clicked 'play' and I was sold from then on - and the inherent fascination of movement; people, places, technology, and all the imprints they leave. Robert Wise, a master filmmaker who utilized dance ( West Side Story ), physical fright (A frantic, insane Eleanor in The Haunting ), and an absence of movement for cinematic means (the alien visitor in The Day The Earth Stood Still is scary because he hardly moves), is in love not only with Star Trek, but with the movies and their romantic allure.…

Review by matt lynch ★★★½ 2

When you get down to brass tacks, this still has about 40 minutes smack in the middle that are just a bunch of people in awful, awful beige jumpsuits watching a big television. Even in 1979 you'd have to wonder who thought this would make for an exciting adventure, but certainly by today's standards it's so anomalously slow and pensive and thoughtful (not to mention the incredible miniature effects), and I just can't help but kind of love it. The spacedock flyby of the refitted Enterprise lasts almost six minutes ! Unheard of now, and in fact I can't safely say that if such a thing were to occur in a modern studio event feature like this that I wouldn't be bitching about it being excruciatingly boring. But there you have it. Add it to the list of largely disliked movies I really have a soft spot for just because they are weird.

Review by Will Sloan 1

Never saw more than a few minutes of this because of its reputation for being boring, but having now finally watched the whole thing... I'm sorry, we're all thinking of the same "Star Trek," right? Is this not basically an episode of the show you all like, but with cool 2001: A Space Odyssey -style special effects? Yeah, it's talky and maybe a little slow. Of course it is. You can't take a Star Trek that's talky and a little slow? The theatre marked "Star Wars" is just down the hall, you animals, you savages. Go have fun with that, you absolute children.

Review by David Sims ★★★★½ 5

the biggest blank check in Trek movie history and that is why I love it so

Review by Jamelle Bouie ★★★ 4

yes, it’s incredibly slow, there’s barely a plot and what little there is rests on your familiarity with the characters. but this is a beautiful movie to look at and i think that if you can vibe with its mood then you’re in for a treat. best enjoyed with substances.

Review by NickyD316 ★★½ 3

It should actually be called, Star Trek: The Slow-Motion Picture.

Review by Ian West ★★★★★ 12

Slow and methodical but I dig that... It’s like an extended Original Series episode that opens the floodgates to the vastness of the universe guided by that all timer Jerry Goldsmith score, fantastic visuals, and interesting takes on enlightenment, inner peace, and finding oneself. 

The human condition.

I started watching  STAR TREK  with my dad via network syndication during the early 90’s, he’d get home late and always miss the intro stinger and he’d ask me to tell him what happened even though he already knew, he just wanted to hear me emphaticly talk about it with that childlike wonder. That show and the first six movies mean so damn much to me it would be hard to even attempt to put to…

Review by Sean Fennessey ★★★½ 4

Deathly serious movie about an intergalactic destructive cloud that features long stretches of people politely speaking in Naval command instructions on a flight deck. Almost entirely action-free and unusually philosophical about the nature of existence, even by Trekkian standards. WRATH OF KHAN is the standard-bearer in my mind, but this has a methodical, almost religious approach that is shocking for such a high-budgeted post-STAR WARS science fiction feature. You can feel the weight of CLOSE ENCOUNTERS OF THE THIRD KIND on it. The big reveal, when the crew discovers what “V’ger” stands for, is downright hilarious. But the conclusion foretells the same A.I. anxiety that animated a lot of Kubrick’s work. The production design and tech has aged poorly, but the intent never expires.

Review by Mr. DuLac ★★★ 10

It's life, Captain, but not life as we know it. -Spock

That quote could be changed to " It's Star Trek, Captain, but not Star Trek as we know it ." This bloated mess of a film seems to take it's visual queues from films like 2001: A Space Odyssey instead of the television series it's based on. As a result the 90 minute story is ballooned to a 132 minute running time with most of the filler being that of a film that seems to be in awe of it's own visual effects.

The visuals are impressive however, but scenes like the introduction of the new Enterprise and later on it's passage within the space cloud are both pacing nightmares. While…

Review by Ian West ★★★★★

“Why is every object we don’t understand always called a thing?”

A pissed off bearded McCoy rocking some exposed chest hair and some weird medallion… a forever mood if there ever was one.

Review by Matt Singer ★★★½ 5

I defend this movie at length -- the only way to defend this long, slow movie -- at ScreenCrush .

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Star Trek: The Motion Picture - The Director's Edition 1979

When an alien spacecraft of enormous power is spotted approaching Earth, Admiral James T. Kirk resumes command of the overhauled USS Enterprise in order to intercept it.

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'Star Trek': en qué orden ver todas las series y películas de la saga de ciencia ficción

En el último par de años hemos visto como la franquicia de ciencia ficción televisiva por excelencia, ' Star Trek ', está viviendo un nuevo amanecer después del descarrilamiento del "reboot" iniciado por J.J. Abrams. A día de hoy contamos con tres series en emisión, ' Star Trek: Discovery ', ' Picard ' y ' Lower Decks ' que, con sus más y sus menos, exploran diferentes sectores del espacio y ahondan en la Federación.

Estas tres series son las últimas entregas de una franquicia con casi sesenta años de antigüedad, desde la serie original protagonizada por William Shatner como Kirk y Leonard Nimoy como el mítico Spock. Serie que originó una veintena de películas y series , entre spin-offs, secuelas y precuelas (si las podemos llamar así) que se despliegan a lo largo de tres siglos de aventuras espaciales.

Pero, ¿cómo verlas en orden?, ¿hay un orden específico para verlas? Pues, como en casi cualquier universo de ficción, la respuesta es sí. Así que vamos a repasar cómo ver todas las series y películas que componen Star Trek en orden.

Orden cronológico oficial

Este es el orden cronológico, siguiendo el oficial de Star Trek publicado en su web. La acción principal de las series antiguas (la generación original) se sitúan en torno a la s egunda mitad del siglo XXIII , mientras que la nueva generación en adelante estaríamos hablando de un siglo después, llegando hasta finales del XXIV. Con excepciones, claro está.

Así que, a continuación, veréis el orden de todas las series y películas. He decidido no dividirlas en temporadas (salvo por necesidad práctica) para no liarlo más de la cuenta. Entre paréntesis está el año en el que transcurre la serie o película.

• 'Star Trek: Enterprise' (2151-2155)
• 'Star Trek: Discovery ' T1-T2 (2256-2258)
• ' Star Trek: Strange New Worlds ' (circa 2258 - ...)
• 'Star Trek' TOS (2266-2269)
• 'Star Trek: La serie animada' (2269-2270)
• ' Star Trek: La película ' (2273)
• ' Star Trek II: La ira de Khan ' (2285)
• ' Star Trek III: en busca de Spock ' (2285)
• ' Star Trek IV: Misión: Salvar la Tierra ' (2286 y 1986)
• ' Star Trek V: La última frontera ' (2287)
• ' Star Trek VI: Aquel país desconocido ' (2293)
• ' Star Trek: La nueva generación ' (2364-2370)
• ' Star Trek: La próxima generación ' (2371 y 2293)
• 'Star Trek: Espacio profundo 9' (2369-2375)
• 'Star Trek: Voyager' (2371-2378)
• ' Star Trek: Primer Contacto ' (2373)
• ' Star Trek: Insurrección ' (2375)
• ' Star Trek: Némesis ' (2379)
• ' Star Trek: Lower Decks ' (2380)
• 'Star Trek: Prodigy' (2383)
• ' Star Trek: Picard ' (2399-2401)
• ' Star Trek: Discovery' T3-4 (3188-...)

Si queréis seguir un orden más exhaustivo deciros que a partir de la tercera temporada de 'Espacio Profundo Nueve', la acción transcurre más o menos paralela a la de 'Voyager' hasta su final . Aunque he puesto tanto 'Primer contacto' como 'Insurrección' después de ambas, lo ideal sería ver la primera película durante las temporadas 5 y 3 de 'ST:DS9' y 'ST:V' y la segunda durante sus respectivas séptima y quinta temporada.

Por cierto, todas las series, a excepción de 'Picard' y 'Lower Decks' ( Prime Video ) están en Netflix

¿Y lo de Abrams?

En 2009 se estrenaría 'Star Trek', donde J.J. Abrams trabajaría en una suerte de reboot que se desvelaría como una línea alternativa a la oficial, llamada la "línea Kelvin" por la USS Kelvin. El origen vendría con la destrucción de Romulus en 2387 (entre 'Lower Decks' y 'Picard', de hecho esta serie lidia con consecuencias de ello) y un viajero temporal que acaba en el 2233 para matar a Spock.

• ' Star Trek ' (2258 alternativo)
• ' Star Trek: En la oscuridad ' (2260-2261 alternativo)
• ' Star Trek: Más allá ' (2262 alternativo)

Si quisiéramos encajar estas películas en la cronología oficial, esta saga estaría entre 'Strange New Worlds' y la serie original, reflejando esos primeros años de Kirk y Spock a bordo de la nave. Sin embargo, la serie del Capitán Pike está complicando un pelín las cosas.

El orden de emisión

Por supuesto siempre podremos ceñirnos al orden de emisión:

• Serie original
• La serie animada
• Películas de la serie original (I-VI)
• La nueva generación
• Películas de La nueva generación (VII-IX)
• Espacio profundo Nueve
• Películas de Abrams
• Lower Decks
• Strange New Worlds

Próximamente:

• 'Section 31', que explorará la historia de Philippa Giorgiou en el mirrorverso.

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