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Bon Jovi docuseries 'Thank You, Goodnight' is an argument for respect

Eric Deggans

Jon Bon Jovi at the Mohegan Sun in Uncasville, Conn., in 2013. David Bergman/Hulu hide caption

Jon Bon Jovi at the Mohegan Sun in Uncasville, Conn., in 2013.

Hulu's docuseries Thank You, Goodnight: The Bon Jovi Story , spends a lot of time building up the Bon Jovi legend — exploring the band's almost unbelievable 40-plus-year run from playing hardscrabble rock clubs in New Jersey to earning platinum albums and entry into the Rock & Roll Hall of Fame.

But what moved me most in the four-part series was something more revealing: its close look at the struggle by lead singer Jon Bon Jovi to overcome vocal problems which nearly led him to quit the band.

Footage of the singer croaking through vocal exercises, undergoing laser treatments, enduring acupuncture and finally turning to surgery is sprinkled throughout the series, which toggles back and forth between his problems in 2022 and a chronological story of the band's triumphs and tragedies from its earliest days.

Refusing to be Fat Elvis

Jon Bon Jovi was interviewed for Thank You, Goodnight . Disney/Hulu hide caption

Jon Bon Jovi was interviewed for Thank You, Goodnight .

Through it all, a question hangs: Will Bon Jovi ever recover enough vocal strength to lead a 40th anniversary tour?

"If I can't be the very best I can be, I'm out," he tells the cameras, still looking a bit boyish despite his voluminous gray hair at age 62. "I'm not here to drag down the legacy, I'm not here for the 'Where are they now?' tour ... I'm not ever gonna be the Fat Elvis ... That ain't happening."

Filmmaker Gotham Chopra — who has also directed docuseries about his father, spiritualist Deepak Chopra, and star quarterback Tom Brady — digs deeply into the band's history, aided by boatloads of pictures, video footage and early recordings provided by the group.

Former Bon Jovi guitarist Richie Sambora in Thank You, Goodnight Disney/Hulu hide caption

Former Bon Jovi guitarist Richie Sambora in Thank You, Goodnight

Chopra gets folks from the group's tight inner circle to speak up, including former manager Doc McGhee and guitarist Richie Sambora, who quit the band in 2013. ("Are we telling the truth, or are we going to lie, what are we going to do?" Sambora cracks to his offscreen interviewer. "Let's figure it out.")

But anyone expecting gossipy dish will walk away disappointed. Even major scandals in the band's history are handled with care, including the firing of founding bassist Alec John Such in 1994 (and the admission that his replacement, Hugh McDonald, already had been secretly playing bass parts on their albums for years), drummer Tico Torres' stint in addiction treatment and Sambora's decision to quit midway through a tour in 2013, with no notice to bandmates he had performed alongside for 30 years.

Alec John Such, a founding member of Bon Jovi, dies at 70

Sambora's explanation: When issues with substance use and family problems led him to miss recording sessions, Bon Jovi got producer John Shanks to play more guitar on their 2013 record What About Now . And Sambora was hurt.

"[Bon Jovi] had the whole thing kinda planned out," Sambora says, "which basically was telling me, um, 'I can do it without you.'"

Building a band on rock anthems

Jon Bon Jovi with guitarist Phil X. Disney/Hulu hide caption

Jon Bon Jovi with guitarist Phil X.

The docuseries shows how young New Jersey native John Bongiovi turned a job as a gofer at legendary recording studio The Power Station – owned by a cousin — into a recording of his first hit in the early 1980s, Runaway . His song eventually caught the ear of another little-known artist from New Jersey called Bruce Springsteen.

"The first demo I got of Jon's was a good song," says Springsteen, a longtime friend of Bon Jovi. "I mean, Jon's great talent is these big, powerful pop rock choruses that just demand to be sung by, you know, 20,000 people in an arena."

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Rock star jon bon jovi comes full 'circle'.

Thank You, Goodnight shows the band really took off by honing those rock anthems with songwriter Desmond Child, while simultaneously developing videos that showcased their status as a fun, rollicking live band. Hits like You Give Love a Bad Name, Livin' on a Prayer and Wanted: Dead or Alive made them MTV darlings and rock superstars.

Through it all, the singer and bandleader is shown as the group's visionary and spark plug, open about how strategically he pushed the band to write hit songs and positioned them for commercial success.

"It wasn't as though I woke up one morning and was the best singer in the school, or on the block, or in my house," he tells the camera, laughing. "I just had a desire and a work ethic that was always the driving force."

I saw that dynamic up close in the mid-1990s when I worked as a music critic in New Jersey, spending time with Jon Bon Jovi and the band. Back then, his mother ran the group's fan club and was always trying to convince the local rock critic to write about her superstar son – I was fascinated by how the band shrugged off criticisms of being uncool and survived changing musical trends, led by a frontman who worked hard to stay grounded.

Bon Jovi was always gracious and willing to talk; he even introduced me to then-New Jersey Gov. Christine Todd Whitman at one of his legendary Christmas charity concerts. (And in a crazy coincidence, the band's backup singer Everett Bradley is an old friend from college.)

I think the docuseries captures Bon Jovi's skill at leading the group through challenges musical and otherwise — from metal's slow fade off the pop charts to the rise of grunge rock — something the singer rarely gets credit for achieving.

Still, much of Thank You, Goodnight feels like an extended celebration of the band and its charismatic frontman, leavened by his earnest effort to regain control of his voice. If you're not a Bon Jovi fan, four episodes of this story may feel like a bit much (I'd recommend at least watching the first and last episodes.)

More than anything, the docuseries feels like an extended argument for something Bon Jovi has struggled to achieve, even amid million selling records and top-grossing concert tours – respect as a legendary rock band.

The audio and digital versions of this story were edited by Jennifer Vanasco .

Bon Jovi on the Band's New Doc, If They'll Ever Tour Again & Driving Around New Jersey With Bruce Springsteen

Bon Jovi rocked launched to fame in the era when rock stars still toured the world in jumbo jets with the band's name painted on the side. Four decades after the group's inception, most people can name at least one Bon Jovi song, with the band clocking 10 Hot 100 Top 10 hits - including four No. 1s - during its still-ongoing run. With its culture-permeating anthems, the fame, the money, the analogous excesses they generated and the comedically big hair, the band helped forge the archetype for '80s (and '90s and early '00s) rock megafame.

Talking to Billboard over Zoom from a white-walled room somewhere in New Jersey, you get the sense that there's at least one part of this heyday Jon Bon Jovi wishes he could return to.

"When I can do two-and-a-half hours a night, four nights a week and not think about it - the way that I did for the first 30 years of our career - then I'll say, ‘Sure, I'd love the opportunity,'" says the group's frontman, still a dreamboat at 62.

The opportunity in question in touring. On the precipice of releasing its 16th studio album, Forever , Bon Jovi isn't sure they'll hit the road behind the album, out June 7. The wildcard element is JBJ's voice, the same one that implored us to live for the fight when that's all that we've got on "Living on a Prayer," and melted a billion hearts on "Bed of Roses" - and which has been under heavy repair since the vocal difficulties Bon Jovi has experienced for years necessitated a major vocal chord surgery in the summer of 2022. The procedure left him unsure if he'd ever be able to sing about going down in a blaze of glory, or living while he's alive, or anything at all, ever again.

This issue isn't what the band's new documentary, Thank You, Goodnight was intended to be about. The stakes, however, became quickly apparent to director Gotham Chopra when he started filming a few years back.

"The more time I spent with Jon, I was like, ‘So wait, what's going on with your voice?'" Chopra says over Zoom. "Jon said he'd been struggling with it for a couple of years, and didn't know what was going to happen - because the shows we were filming might be the end of the line - but that that wasn't for the documentary."

"I was like, ‘Oh no," Chopra continues. "That's for the documentary. It's really important. Everything you've built across 40 years hangs in the balance."

This narrative thus became the through line of the four-part documentary, premiering tomorrow (April 26) on Hulu. Helmed by Chopra, whose previous work includes the 2021 Tom Brady docuseries Man in the Arena , the Bon Jovi project was one, Chopra says, "where nothing was off limits." It unpacks the Bon Jovi story from its earliest days in Bon Jovi's native Sayreville, New Jersey to the arena-rock juggernaut of the Slippery When Wet era to the band's lineup changes - to Jon Bon Jovi scanning his neck with specialized lasers in an attempt to shore up his voice. Interview subjects include the band (Jon Bon Jovi, keyboardist David Brian, dummer Tico Torres and newer members Hugh McDonald, Phil X and Everett Bradley), along with former manager Doc McGhee, songwriter Desmond Child, good pal Bruce Springsteen and Richie Sambora, the guitar-wielding yin to Jon Bon Jovi's yang, who left the group in 2013.

"Obviously early on, I was like, ‘Hey, I've got to get Richie Sambora. We can't do this without Richie'," Chopra recalls, "Jon was like, ‘Oh, yeah, you gotta get Richie Sambora. You can't do this without him.'"

With Sambora's departure serving as one of the documentary's central tensions, Chopra - who interviewed each person involved in the film separately - eventually even captured an onscreen apology from the guitarist.

"In the film he says, ‘I don't regret doing it. I regret the way I did do it; I apologize to the guys for that,'" recalls Chopra. "I think the guys and Jon were pretty affected by that… All of these things become an act of therapy in some ways."

So too was it an exercise in vulnerability - with Bon Jovi allowing Chopra to film his voice issues even in their toughest moments. In one scene, he gets off stage after a show thinking he sounded pretty good and is then informed otherwise by his wife.

"What he was going through wasn't easy," says Chopra. "There were times on that tour when he was struggling, and he was in his dressing room, and he'd be like, ‘get the f–k out of my room' and I'd get the f–k out of his room - then gradually find my way back in after five or 10 minutes."

This level of intimacy, along with frank, often funny and frequently poignant interviews (in the last episode Bon Jovi gets choked up about his love of songwriting) and a barrage of archival footage, combines to offer a film that even hardcore Bon Jovi fans will likely learn something from. Here, Jon Bon Jovi and Torres discuss the documentary, as well as the future of the band.

Jon, the film's director Gotham Chopra mentioned that there were times where he was filming and you didn't necessarily want him in the room. How vulnerable was the documentary experience?

Jon: We had trust him as the director in order to get what we wanted, which was the truth. One thing we all agreed upon, on day one, was we didn't want a vanity piece. [We wanted] to tell the honest-to-God ups and downs of life behind the curtain. Nobody anticipated the health issues with me, and so that was the wild card in this. But I trusted him.

Tico: Gotham is a very spiritual person, and after a while you forget he's there. But his questions are very spiritual in nature, and somehow he opens you up to be honest with yourself. You don't find that in regular interviews.

Jon, so much of documentary focuses on this narrative about your voice. What was it like during this uncertain time, to also be bearing it to the camera?

Jon: Like I said, right after [Gotham] came on board, and I said, "I trust you to capture this," there was no decision - because there couldn't be anything other than, "You have to capture everything."

The surgery was nearly two years ago, and obviously you've recorded an album since undergoing it. How are you feeling now?

Jon: There is still uncertainty about the outcome 22 months after the surgery, although I'm optimistic. And for the record, I can say - because now I'm speaking to press and need to clarify - I'm very capable of singing again. It's just that the bar for us is two-and-a-half hours a night, four nights a week. I have to get to that level again before we'll tour. So being vulnerable I was never afraid of. Sharing it now with the public, it's out of my control, because that's what we all signed up for. And like T said, Gotham has a kind of spiritual approach to things, so it was never combative. I trusted him.

Tico: It was difficult for the band. To see one of your brothers suffering and going through something, and he's the hardest working guy there is. Every day he works hard to get back. Right after the operation, speaking to him, once he could speak, he sounded way lower [in register] than me. And we're a band, so we worry about each other. I think the fact that the documentary was capturing that as well is important. Because we're in it together. We're gonna back him up no matter what.

Gotham took the approach of interviewing everyone separately. What was it like to finally see Richie's footage?

Jon: I don't know. It was… He was honest. And you could see that he had things to deal with. And I hope it clarifies for the viewer that there was never a fight, and it was never about any issues of money or anything like that. He literally was having substance issues, anxiety issues, single dad issues, and just chose then not to come back. As he says in the film, how he did it, he apologizes for now. But you've got a band on a stage; you've got 120 roadies that are counting on income; you have millions of people who bought tickets. You gotta go to work, you know? These are big-boy decisions, and big boys have to go to work.

What was it like getting an apology from him?

Jon: I don't need an apology… I don't need an apology. It's not about that.

Tico: Remember, you're a band. We grew up together. And like I said before, when somebody's hurting, you care about him… Alec as well, our beloved bass player, when he left, it's a void. And you know he passed away just a couple of years ago. It's family. It does affect you. As a whole, it affects us. There's a comeback from that. I think the writing process and the recording process as a band helps you get that out, because it's emotion.

Jon, in the doc you say that in the Slippery When Wet era, the band had found another rung of the ladder to climb, and obviously there was much more to go after that. Given everything you've done, do you see more rungs for Bon Jovi? Where is there left to go?

Jon : It's not about numbers at all. I would love the opportunity to be whole, so that when we would go out on that stage, we could do those 18 albums and pick any song I want throughout that catalog on a nightly basis, the way I used to be able to do. That's where I have left to go. When we've done those kind of shows… when we opened the O2 Arena in London and we did 12 or 15 nights, and we did 90 different songs over the course of the nights - that's the bar that I need to get back to.

What are your current daily practices for getting yourself back to that place?

Jon: Hoping, wishing. Wishing, hoping. Praying. There's a lot of vocal therapy, at least four times a week. There are considerations about whether it's mineral or dietary and exercise stuff, but it really comes back to vocal therapy to just try to strengthen something that, you've got to remember, is only as big as your thumbnail. [He holds up his thumb to the camera.] The vocal chord is only that big. It's really up to God at this point.

There's some great unheard music in the documentary - I'm specifically thinking of a song called "Cadillac Man" that you wrote for the 1990 Robin Williams movie of the same name. Is there a chance that any of this archival music gets released?

Jon: Yes. One thing that we have always known, and our deep fan base knows as well, is that we always write 30 songs to get 10. And so there's always been a backlog of material that's been unreleased. There's no shortage of it. So I think that we stumbled on 30 or 40 songs that no one's heard, and they'll all come out, yeah.

So we get new music from the Slippery When Wet heyday era Bon Jovi?

Jon: Slippery When Wet, New Jersey, Keep the Faith . All the records.

Is there a timeline for that?

Jon: No. No one's actually even addressed it with me yet. The archiving was still going on simultaneously to the mastering and the album cover and the video and all that kind of stuff… But we know what we've got. It'll happen during the course of the release of the album.

That's incredibly exciting.

Jon: Yeah, there's some really good songs that I can't believe didn't make those records.

Jon, there's this great moment in the documentary when you share about going for long car rides with Bruce Springsteen, and you both leaving your phones at home and just driving around New Jersey and talking. What can you tell us about the last drive?

Jon: I've been blessed to have had [Bruce] and [fellow New Jersey musical influence] Southside [Johnny] be good friends to me throughout, and even before there was a band. But [Bruce] and I will take these drives now - and he was so incredibly supportive during [the voice issues] and throughout the process of healing, where I couldn't even talk, you know? We would take these 100-mile drives, just the two of us in the car, no radio, nobody. We'd just drive and talk about things that truthfully, you know, how many guys can I talk to about that level of stuff? And how many guys can he talk to about that level of stuff?

Yeah, not too many.

So yeah, we often do it, and it's some of my most treasured memories. People have seen us along the way. The first five, six, seven times, nobody would have known. But then this time we went for an ice cream cone, or this time we went for a drink, or this time we were stopped at a light. So the sightings of Sasquatch have happened. [ Laughs. ]

I was also struck by the part of the doc where you were all talking about what your success could afford you in terms of spending one-upmanship. Like, "You bought me a car? I'm going to buy you two cars" or "We need 16 pinball machines on this tour." Is there one extravagance from those days that sticks out to you?

Jon: There was silliness. There were absolutely cars and art and toys - because you could, and we took full advantage of it.

Through documentary you all got to review 40 years of your own personal style. Was there one look from each of yourselves that made you think, "Oh my God, I looked amazing"?

Jon: No, I take the opposite. My baby pictures were public, yours were not. We still have to suffer some of those looks. It could have been worse, but you know, some of those baby pictures were tough to look at.

Tico: I mean, if you take the clothes away, we definitely were better looking and younger. But the clothing was much to be desired. Even the haircuts were a little like, "I wish we didn't do that."

Some of that style has come back around though.

Jon: Oh, yes. You sit around now your kids and you go, "Those torn jeans? Let me tell you where all this stuff comes from that you're doing." When I see parachute pants and Capezios come back though, I'm running for the hills. [ Laughs. ]

Jon, there are a few moments in the documentary when you talk about finding joy and how that was hard to do while you were really struggling with your voice. Where are you both finding joy these days?

Tico: I think we're living the joy now. Jon's been through a lot, and of course everybody goes through that pain with him. The joy is the revival. Doing a record together is cleansing. Jon's lyrics - and I'm not a lyricist; I don't listen to lyrics - but this is one of the few records where I listen to every one of them, because they just grabbed me. There was a lot of joy in making this record. I think we're enjoying it. Jon, what do you think?

Jon: Well, we are. I'll give you a great example: when we're at these rehearsals and we're just marking the progress that I'm making on a monthly basis. There's no miracles, but when I look around the room and not once does the band sit there and go, "I don't want to be here." Or "I don't want to play that song again." That to me is love on a whole other level.

We know we're not going out on the road tomorrow. We know we're not being paid to sit in this rehearsal space. But the guys are like, "Of course I'll be there. Let's go. Let's do it again." Or if I crash and burn, they go, "Okay, I traveled all this way and we played an hour before I've gotta cool it." Nobody has cursed me for it. They're like, "We're with you." That's the love of family and band and brotherhood that no presents, no cars, no art, no silly kids' stuff could ever, ever replace.

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About Bon Jovi

Bon Jovi Return to the Road With 2022 Spring Tour

• By Daniel Kreps

Daniel Kreps

Bon Jovi will return to the road this April for the band’s first full-scale tour of the pandemic era.

Dubbed simply “Bon Jovi 2022 Tour,” the 15-date trek — Omicron permitting — kicks off April 1st in Omaha and zips around the Midwest and southern region of the U.S. before concluding April 30th in Nashville. Check out Bon Jovi’s site for ticket information.

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It’s official! We’ll be headed back out on this road this April for the #BonJovi2022Tour . Pre-sales begin January 11th and tickets will be available to the public beginning January 14th. For more information on tickets and VIP, head to https://t.co/6OX1pkc5GD . See you soon! ❤️🗡 pic.twitter.com/HqJ1rGACMb — Bon Jovi (@BonJovi) January 7, 2022

Although their summer 2020 tour was canceled due to the Covid-19 pandemic, the Rock Hall-inducted Bon Jovi remained active, performing shows together for benefit shows , livestreamed gigs and promotional appearances . Jon Bon Jovi and company also released their politically minded LP 2020 , which featured songs about George Floyd and the Black Lives Matter movement, the pandemic, and mass shootings.

“I don’t think anyone will forget what their lives were like between March and September of 2020,” Bon Jovi  told  Rolling Stone   of their new album at the time. “I think this is the Spanish Flu all over again. But none of us, you and I or our parents, were alive 100 years ago. So this is that moment for us. This song won’t be about shoulder pads and having a hairstyle. This will mark a moment in time.”

Bon Jovi 2022 Tour Dates

April 1 – Omaha, NE @ CHI Health Center April 3 – St. Paul, MN @ Xcel Energy Center April 5 – Milwaukee, WI @ Fiserv Forum April 8 – Charlotte, NC @ Spectrum Center April 9 – Raleigh, NC @ PNC Arena April 11 – Greenville, SC @ Bon Secours Wellness Arena April 13 – Savannah, GA @ Enmarket Arena April 15 – Tampa, FL @ Amalie Arena April 16 – Ft. Lauderdale, FL @ FLA Live Arena April 19 – Indianapolis, IN @ Gainbridge Fieldhouse April 21 – St. Louis, MO @ Enterprise Center April 23 – Austin, TX @ Moody Center April 26 – Houston, TX @ Toyota Center April 28 – Dallas, TX @ American Airlines Center April 30 – Nashville, TN @ Bridgestone Arena

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Today marks a thrilling moment for Bon Jovi fans worldwide as the highly anticipated documentary series, "Thank You, Goodnight: The Bon Jovi Story." Is released on Hulu.

The docu-series promises an intimate, raw and compelling look into the legendary rock band's journey through their over 40 year career. It takes viewers behind the scenes, from their humble beginnings in New Jersey to becoming one of the most iconic rock bands in history. Through exclusive interviews, never-before-seen footage, and candid moments with band members, the documentary captures the highs, lows, and pivotal moments that shaped their music and legacy.

LISTEN TO “LEGENDARY”    |    WATCH OFFICIAL MUSIC VIDEO

PRE-ORDER FOREVER HERE

BON JOVI , Grammy Award®-winning, Rock and Roll Hall of Fame band, and one of history’s most iconic acts, continues their 40th anniversary celebration, with the release of “Legendary,” new single + video out now via Island Records. The monumental new track sets the stage for BON JOVI’s upcoming 16th studio album, FOREVER , arriving on June 7, 2024. The new album is now available for pre-order HERE where fans can find exclusive colored vinyl options, CDs, cassettes, and limited edition signed copies. An extremely limited run of Ocean Waves colored vinyl will include a one-of-a-kind instant photo of Jon.

In conjunction with last month’s 66th annual Grammy Awards®, Jon Bon Jovi was named 2024 MusiCares Person Of The Year and was honored with an all-star tribute concert at the L.A. Convention Center featuring Bruce Springsteen, Shania Twain, Melissa Etheridge, Sammy Hagar, Jason Isbell, Jelly Roll, Pat Monahan of Train, and many others.

“This record is a return to joy. From the writing, through the recording process, this is turn up the volume, feel good Bon Jovi,” said Jon Bon Jovi.

The commemoration of BON JOVI’s 40th anniversary year continues tonight at the SXSW Conference, when HULU premieres Thank You, Goodnight: The Bon Jovi Story. The career-spanning four-part docu-series will have its official debut on HULU on April 26th. This marks the first-ever docu-series on the band’s history that has been made with full cooperation from all past and present members of BON JOVI. The docu-series is a ROS production, the banner of filmmaker Gotham Chopra. For further info, please see the HULU press announcement HERE .

BON JOVI: FOREVER – track listing

• We Made It Look Easy
• Living Proof
• Kiss The Bride
• The People’s House
• Walls Of Jericho
• I Wrote You A Song
• Living In Paradise
• My First Guitar

“The Fastest Seats in Sports” on Sunday March 10 were occupied by none other than Jon Bon Jovi, and four-time winner of the indy 500 Helio Castroneves. The two of them paced the field during race warmup laps at the Firestone Grand Prix in St Petersburg, Florida. “Crazy” Jon said of the experience “This was a chance of a lifetime” and after asking if he’d like to come back to race he quipped “How about I buy a team, we’ll start there”

That wasn’t where the Bon Jovi take-over ended either. Driver Felix Rosenqvist was on the front row of the starting line as the race was just about to begin, his Indycar decked out in SiriusXM Bon Jovi Radio decals, and Hampton Water Wine, the award winning rosé owned and operated by Jon’s son Jesse.

Then engines roared, and the race was on, speeding into the Florida afternoon.

MusiCares named Jon Bon Jovi as the 2024 MusiCares Person of the Year. He is the honoree of the 33rd annual Person of the Year benefit gala. Proceeds from the event provide essential support for MusiCares, the leading music charity providing music professionals health and human services across a spectrum of needs. The MusiCares Person of the Year tribute ceremony is one of the most prestigious events held during GRAMMY Week.

Bon Jovi, Brandy Clark, Damiano David of Måneskin, Melissa Etheridge, Goo Goo Dolls, Sammy Hagar, Jason Isbell, Jelly Roll, Marcus King, Larkin Poe, Mammoth WVH, Pat Monahan, Orianthi, Bruce Springsteen, Shania Twain, The War and Treaty, and Lainey Wilson performed at the MusiCares tribute to Bon Jovi’s legacy and his impact on rock and roll since the 1983 inception of his eponymous band. The benefit gala was hosted by GRAMMY-nominated comedian Jim Gaffigan. Joining the evening’s host were presenters Gayle King and GRAMMY Award-winning musician Kylie Minogue.

“MusiCares is thrilled to honor Jon Bon Jovi at the 2024 Person of the Year Gala,” said Laura Segura, Executive Director of MusiCares. “His remarkable contributions to rock and roll have not only left an indelible mark on the music industry, but also in the hearts of countless fans around the world. Furthermore, his long-standing commitment to serving food insecure and unhoused individuals inspires us all. We’re looking forward to celebrating him and the many ways he has made a difference in this world.”

In addition to his extensive musical achievements, Jon Bon Jovi is recognized for his impactful philanthropic work. In 2006, he established the Jon Bon Jovi Soul Foundation, an organization dedicated to disrupting the cycle of hunger, poverty and homelessness. The organization’s objective is to recognize and maximize the human potential in those affected by hunger, poverty and homelessness by offering programs that provide food and affordable housing while supporting social services and job training programs. As a health and human service charity, MusiCares is proud to shine a light on Jon Bon Jovi’s impactful philanthropy and hopes to raise awareness for these important human rights issues.

“I’m truly humbled to be this year’s MusiCares honoree. MusiCares’ work with music professionals is vitally important in creating much needed support and wellness programs that cultivate a healthier and more vibrant community for us all.” said Jon Bon Jovi. “Philanthropic work has been a cornerstone of my life and has always run in tandem to my music career and achievements. Nearly two decades ago when I formed the JBJ Soul Foundation and JBJ Soul Kitchens, I saw firsthand and continue to see today the impact of charitable community-based work. I know this for sure: helping one’s community is helping one’s self.”

Since 1991, money raised from this gala goes toward MusiCares health and human services programs that assist the music community with physical and mental health, addiction recovery, preventative clinics, unforeseen personal emergencies, and disaster relief.

MusiCares helps the humans behind music because music gives so much to the world. Offering preventive, emergency and recovery programs, MusiCares is a safety net supporting the health and welfare of the music community. Founded by the Recording Academy in 1989 as a U.S.-based 501(c)(3) charity, MusiCares safeguards the well-being of all music people through direct financial grant programs, networks of support resources, and tailored crisis relief efforts. For more information please visit: www.musicares.org.

Rock and Roll Hall of Fame band BON JOVI commemorates the 40th anniversary of its self-titled debut with the digital release of BON JOVI DELUXE EDITION on all streaming platforms, an exclusive limited-edition ruby color vinyl LP, and limited-edition cassette.

BON JOVI DELUXE EDITION consists of the remastered original album in addition to a total of nine bonus tracks, including unreleased studio recordings and four rare live cuts. Jon Bon Jovi co-produced BON JOVI DELUXE EDITION alongside longtime sound engineer Obie O’Brien who also mixed the bonus material.

Remastered from the original tapes, the limited-edition ruby color vinyl of the band’s original 9-track LP boasts an alternate cover design, high-end tip-on jacket, and an exclusive lithograph of an early Ross Halfin photo session.

Finally, the limited-edition cassette features all of the original album tracks with an enhanced design that now includes lyrics and the original band photo from the LP’s inner sleeve, elements missing from the original U.S. cassette release.

Listen & Pre-Order Now: https://bonjovi.lnk.to/BonJovi40

Hulu is about to (willingly) take some bad medicine.

The streamer has acquired a four-part series about Bon Jovi. Titled Thank You, Goodnight: The Bon Jovi Story, the project comes from Gotham Chopra’s Religion of Sports banner and will chronicle the mega-selling arena rock band’s 40-year run of riding steel horses and giving love a bad name.

Thank You, Goodnight is also the first retrospective on Bon Jovi’s history that will feature participation from all present and past members of the band. It’s set to premiere April 26 on Hulu in the United States and later in the year on Star+ in Latin America and Disney+ in the rest of the world.

The announcement comes on the 40th anniversary of the release of Bon Jovi’s self-titled first album, which peaked at No. 43 on the Billboard 200 chart. Two years later, the band’s Slippery When Wet exploded, spending eight weeks at No. 1 and selling 12 million-plus copies on the backs of singles like “You Give Love a Bad Name,” “Livin’ on a Prayer” and “Wanted Dead or Alive.” The band has placed 13 albums in the top 10 of the Billboard 200.

The docuseries will cover those highs, as well as low points and “public moments of friction” in the band via interviews with lead singer Jon Bon Jovi and other band members, personal videos, unreleased demos, lyrics and previously unseen photos.

Thank You, Goodnight is directed and executive produced by Chopra (Kobe Bryant’s Muse, Man in the Arena). Giselle Parets and Ameeth Sankaran of Religion of Sports also executive produce. Alex Trudeau Viriato produced and edited the series.

Article Link: https://www.hollywoodreporter.com/tv/tv-news/bon-jovi-documentary-hulu-1235803400/

Photo Credit: KOH HASEBE/SHINKO MUSIC/GETTY

Arena rock is a genre of music that will never die, as long as crowds convene inside hockey arenas around the country to sing along to our favorite anthems from our favorite artists. That’s exactly what took place when Bon Jovi kicked off their 2022 tour in Omaha, NE at the CHI Health Center on Friday, April 1st, for their first public in-person concert since the pandemic started.

Bon Jovi brought their New Jersey flare to the heartland, led by lead singer Jon Bon Jovi. Bon Jovi is an expert showman, first and foremost. He has a young soul to him, and on Friday, he pulled off an incredible Mick Jagger-like crowd control with the audience that was both engaging and entertaining.

It was also Bon Jovi’s first official concert since the pandemic started – they’d had to cancel a planned 2020 run – and it was clear they were very excited to finally play in front of a crowd. “It’s been a long time since I said good evening,” said Bon Jovi, before they kicked into “You Give Love A Bad Name.”

As for the rest of the band, they were in top form. Phil X has had some major shoes to fill playing lead guitar for over five years, but he does it flawlessly. During “Keep the Faith,” he impressively went through three guitars during the whole song, breaking one of the strings during the process. Elsewhere, Tico Torres was a beast behind the drum kit, while you can hear David Bryan’s signature synth sound from a mile away. Also, is it possible for guitarist/producer John Shanks to be made a permanent member of Bon Jovi? The man shared lead guitar duties and was a phenomenal rhythm player, earning the spotlight more than once during his guitar solos.

The band also paid tribute to Ukraine, performing “It’s My Life,” a song that has been adopted as an anthem for Ukrainians, and “We Don’t Run,” which was being filmed as part of a Global Citizen special. Elsewhere, they dusted off songs released over the past couple of decades, including five cuts from their latest album, 2020, with Jon Bon Jovi stating he is “proud of this album.”

Finally, they ended their main set with the iconic “Livin’ On a Prayer,” which immediately had the whole arena singing in unison. At last, it was time for the two-song encore, starting with “Love’s the Only Rule” and ending with “Bad Medicine.”

Bon Jovi remain one of the most influential rock bands, while proving arena rock is far from dead. Sometimes, you just want to sing along to a great hook, and that’s exactly what you’ll get on this run.

Tickets for the rest of the tour are available via Ticketmaster and BonJovi.com.

Consequence of Sound article: https://consequence.net/2022/04/bon-jovi-concert-review-2022-tour-setlist-photos/

Photos Credit: Dustin Jack

(February 16, 2022) – Rock and Roll Hall of Fame band Bon Jovi announced today the chance for local bands across the country to perform on the highly anticipated Bon Jovi 2022 Tour. Bands are encouraged to submit an audition video of original music for the chance to open for the band at a concert stop on the tour. One local band will be selected for each tour date. For more information and to upload a submission, visit www.bonjovi.com/openingact

The Bon Jovi 2022 Tour will launch this spring in arenas nationwide. Tickets and VIP packages are on sale now. Click here for tickets and more information.

Rock and Roll Hall of Fame band Bon Jovi announced today the Bon Jovi 2022 Tour, produced by Live Nation and sponsored by Hampton Water. The tour is scheduled for arenas this coming Spring. Tickets will go on-sale to the general public for most markets beginning Friday, January 14th at 10:00am local time. For early access to ticket and VIP packages, The JBJ Experience member pre-sale will begin on Tuesday, January 11th at 10:00am local time.

The band spent much of the past two years recording and releasing new music, while also creating livestream performance content and launching Bon Jovi radio for their fans. Bon Jovi’s 2020 was one of the most critically acclaimed album releases of that year with USA Today calling it “BRILLIANT” and Associated Press highlighting the depth of lyrics within the songs that “chronicle pain, loss, fear and death from the coronavirus, police killings and mass shootings.”

Bon Jovi remains one of the most prolific and sought-after tour tickets in live music today, and getting back on tour was a top priority for the band. “We have all missed touring and we know that nothing can replace the energy of a live show for the fans or the band,” said Jon Bon Jovi.

TOUR DATES:

* On-Sale date January 21st ^ On-Sale date February 4th

The JBJ Experience member pre-sale for Milwaukee and Indianapolis will begin on Tuesday, January 18 at 10am local time and will go on sale to the general public on Friday, January 21 at 10am local time.

The JBJ Experience member pre-sale for Houston and Nashville will begin on Tuesday, February 1 at 10am local time and will go on sale to the general public on Friday, February 4 at 10am local time.

View the article here:

https://variety.com/2021/music/spotlight/intrepid-museum-gala-jon-bon-jovi-iheartradio-bob-pittman-veterans-1235105256/

On October 1, Diana: The Musical will debut on Netflix. Diana features music and lyrics by our very own David Bryan, and Joe DiPietro.

Rock and Roll Hall of Famer   Jon Bon Jovi   will sit down for an exclusive interview March 20 with Spotify’s head of rock, Allison Hagendorf, for “ AXS TV   Presents: A Conversation With Jon Bon Jovi,” followed by the broadcast premiere of the band’s only concert performance of 2020, “On A Night Like This — Bon Jovi 2020.”

“We released our new album during such a unique year and without a tour we had to find a different way to perform these songs for our fans,” said Bon Jovi. “AXS TV has been a great partner and I’m looking forward to everyone getting the chance to watch this special showcasing the band’s first and only time performing 2020 live together.”

The pre-show event will air prior of the broadcast premiere of “On A Night Like This – Bon Jovi 2020” at 8:30 p.m. ET/5:30 p.m. PT. Filmed in quarantine in a studio in Nashville, the film features first-time performances of tracks from the band’s 15th studio album, “2020,” including “Limitless,” “Beautiful Drug” and “Do What You Can.” The film offers fans a glimpse into how the band managed and weathered the storm during a global pandemic, with backstage footage and interviews interspersed throughout the film.

The wide-ranging interview with Hagendorf will explore the past year, with a focus on how Bon Jovi navigated the musical waters in unprecedented times, which resulted in the band delaying the release of its record, cancellation of a tour and Bon Jovi writing two songs inspired by the unfolding events in the nation. The chat will also delve into how the band was able to eventually find a way to film the concert and segments for “On A Night Like This,” and Bon Jovi’s personal focus on passion projects doing his own part to help with the Covid-19 crisis. As a bonus, viewers can submit their own questions in an AXS TV sweepstakes, where several will be selected to be answered in a “Fans Ask” segment.

“I first interviewed Jon nearly a decade ago in New York, and it is truly an honor to have the opportunity to sit down with him once again,” said Hagendorf, host of the Spotify podcast “Rock This With Allison Hagendorf.” “It is such a treat for fans, including myself, to hear firsthand about the band’s personal journey during this challenging past year. I was fascinated to learn how these moments, both big and small, culminated into their latest body of work, and I cannot wait to share it with AXS TV’s audience when the interview premieres on March 20.”

“AXS TV has quickly risen as a premier multiplatform brand sought out by acclaimed artists and entertainers. We are proud to be able to offer them strong promotional partnerships such as this, which empower them to share their latest projects directly with a massive audience of dedicated music enthusiasts,” said Sarah Weidman, head of original programming, development and multi-platform content for AXS TV. “AXS TV is honored to join forces with Bon Jovi to bring ‘On A Night Like This’ to television for the first time as part of a multiplatform event — giving our viewers the best seat in the house for an unforgettable evening featuring an exclusive interview with Jon Bon Jovi followed by a unique performance from one of rock’s most legendary bands.”

Both the interview and the concert will be available across all AXS TV digital platforms immediately following the broadcast premiere, with an encore presentation airing Sunday, March 21 at 10 p.m. ET on AXS TV.

(February 18, 2021)   – Rock and Roll Hall of Fame band BON JOVI releases a new video for their current single   “STORY OF LOVE”   off the band’s critically acclaimed fifteenth studio album   2020 .  True to the lyrics, the video takes a deeply personal look at songwriter Jon Bon Jovi’s family life with never-before-revealed family photos and home videos.  The video will premiere on YouTube this Thursday at 12:30pm ET and Jon will be live on YouTube answer fan questions starting at 12pm ET.  The video can be seen   HERE .

“Although I wrote “Story of Love” about my family, I hope when people listen to the song and watch the video, they will see themselves and their family,” said Jon Bon Jovi.

About Bon Jovi: Over an illustrious career spanning more than three decades since their formation in 1983, Bon Jovi has earned their place among global rock royalty and was inducted into the Rock & Roll Hall of Fame as well as the Songwriters Hall of Fame. With over 130 million albums sold worldwide, and extensive catalog of hit anthems, thousands of concerts performed in more than 50 countries for more than 35 million fans, and ticket grosses well over $1 billion around the world in the last decade alone.  Bon Jovi is the consummate rock and roll band.

Bon Jovi has never released an official holiday album, but Jon Bon Jovi is gifting fans this year with not one, not two, but three holiday songs for them to enjoy. The songs are covers of Tom Petty's "Christmas All Over Again," The Pogues' "Fairytale of   New York " and "If I Get Home on   Christmas   Day," which was recorded by Elvis Presley on the 1971 album "Elvis Sings the Wonderful World of Christmas." Petty's "Christmas All Over Again" is a 1992 song that appeared on both the charity album "A Very Special Christmas 2" and on the soundtrack for "Home Alone 2: Lost In New York." The Pogues' song, which is a duet with late singer Kirsty MacColl, came out in 1987, but was recently in the headlines due to the BBC's Radio 1 announcing last month that it would only play a censored version of the song, removing several offensive words in lyrics. In his version, Bon Jovi has gotten around that by rewriting the lyrics to remove the offending words. The music videos for the songs are exclusively available to members of the JBJ Experience Fan Club.

View this post on Instagram A post shared by Jon Bon Jovi (@jonbonjovi)

NEW YORK, NY – Last week Bon Jovi’s concert documentary On A Night Like This – Bon Jovi 2020 was seen by more than one million viewers who tuned into the Bon Jovi Facebook page to watch the band’s first-ever full album performance of their critically acclaimed release 2020. This week, Rock & Roll Hall of Famer Jon Bon Jovi is giving fans an early holiday gift with the release of three holiday songs: “Christmas All Over Again,” “Fairytale of New York,” and “If I Get Home on Christmas Day,” available Monday, December 7th on all streaming and digital platforms. Recorded this Fall to cap off the 2020 holiday season, the song’s accompanying music videos can be seen exclusively by members of the “The JBJ Experience” which also features outtakes and never-before-seen content on https://www.bonjovi.com/pages/fan-club .

About Bon Jovi:

Over an illustrious career spanning more than three decades since their formation in 1983, Bon Jovi has earned their place among global rock royalty and was inducted into the Rock & Roll Hall of Fame as well as the Songwriters Hall of Fame. With over 130 million albums sold worldwide, and extensive catalog of hit anthems, thousands of concerts performed in more than 50 countries for more than 35 million fans, and ticket grosses well over $1 billion around the world in the last decade alone. Bon Jovi is the consummate rock and roll band.

Sometimes it takes an artist to reflect an event back at us, so we can truly see and feel it. It could be a photo taken by a journalist or a witness, like the   Falling Man   from 9/11. Or it could be a film, like Spike Lee’s   When the Levees Broke , which brought home the reality left in Katrina’s wake. This year, Jon Bon Jovi’s trying to show us who we are with his new album   2020 , which tackles the pandemic, political divisiveness, and police violence, among other fractures in the current American landscape. It’s his attempt to, as he puts it, “bear witness to history.”

This is Bon Jovi’s second record since longtime writing partner and guitarist Richie Sambora abruptly left the band during a world tour back in 2013, amid some personal challenges and family struggles. He talks about   2020   as his first time stepping out from behind the rock star person, and it’s a more personal, less glam record than we’ve heard from him before.

But this is still Jon Bon Jovi:   2020   opens strong (first words: “Wake up!”) and grabs you immediately with its straightforward pop-rock clarity. The album is unusual and maybe necessary and inspiring—it became a kind of personal musical life raft this summer during a difficult stretch for my family. When I watched Jon perform ‘Do What You Can’ and ‘Livin’ on a Prayer’ for a benefit he organized for first responders and front-line workers in his home state of New Jersey this summer, it felt as if Bon Jovi could connect the dots between the different voices struggling to be heard in America, and help lead by example through this tumultuous time.

Bon Jovi has also put his money where there were suddenly more mouths to feed than ever and fewer hands to do the work. Since March, both he and his wife could be found most days at the two community restaurants and massive food bank supported by his foundation near his homes in hard-hit New Jersey and Long Island. During the unending months of lockdown, he helped support thousands who needed it, and now he’s delivered a credible soundtrack of American life this year. GQ spoke to Bon Jovi about   2020   and 2020.

GQ: What was the process for this record, now that you’re calling all the shots?

Jon Bon Jovi : Well, I turned the record in and then Covid happened and shut the world down. So I knew that if I was gonna have a topical record in 2020, I better write a Covid song. That’s ‘Do What you Can.’

I was inspired by the health care workers, the students who sacrificed, the grocery store clerk who became an essential worker, the caregiver, the unsung heroes who stepped up to help their neighbors and those who simply wore a mask, not because it was a political tool but because it was a sign of respect for their fellow man.

Then of course the George Floyd incident hit, BLM, so then I sat down to write ‘American Reckoning’ and, finally, at that time I said Amen, the album is now complete. I took the two, let’s call them love songs, off the record and put on ‘Do What You Can’ and ‘American Reckoning’ and I said now there is my   2020.

You say that as if it’s easy to write pop songs about a pandemic and systemic racism and police violence.

I think experience has probably given me that ability, to be honest. Now I find that I have nothing left to really prove, and I have nothing to hide. And the world is in such a place that I felt that I could bear witness to history, as long as I was willing to   be   that witness. I am but a witness to history.

The events I touched on in   2020   touched me. Topics such as veterans dealing with PTSD, gun control, inequality, racial injustice, and many others have an unbiased seat at this table. I didn't take sides on any of these important issues. I just reported on them factually. That was my technique throughout the process. Make it very obvious what the song is about and where I stand, but don't wave a finger, don't be accusatory, that was what I set out to do.

Truthfully, I'm at a point in my career where I know what I do for a living but it doesn't define me; it’s just what I do.

Do what you can. So, what does define you, as a man?

Well, being a father, being a philanthropist. Being the guy that was working in the food bank today and needs a shower desperately and probably should see a doctor for the fuckin hernia that I’m sure I have [laughs].

The model at my restaurants, JBJ Soul Kitchen, is that those in need volunteer for their meals and earn a certificate that will feed up to four family members. Due to the pandemic, we couldn't have any volunteers work. But we still had mouths to feed. So Dorothea and I worked five days a week for two months before we went to Long Island and opened a food bank that fed 6,000 people a month there.

From May through the summer, we worked there every day we were open. We’ve been working since the pandemic began, whether it was at the Soul Kitchen or at the foodbank here on Long Island, giving the food to seven pantries that myself and our foundation have been funding.

When you consider the people who are hungry, they dont give a shit that I play music [laughs]; they’re grateful that I'm the guy that’s giving them the palette of food every week. They   never   ask me about a record. They ask me about, you know, “Is the egg noodles coming next week?” “Are we getting more fruit?” And that’s what I did this morning, from about seven o’clock today till about noon.

The lyrics include what seems like fairly religious imagery: “On a night like this, one prayer, one wish,” “Is there something more? There is an open door, What are you waiting for?” Was that intentional or connected to all this somehow?

I came through that very Catholic upbringing. I went in and out of Catholic school a couple times and did have a problem with what had become the organized Catholic church, the stuff with the priests and altar boys. Not personally mind you. It was from the outside looking in, I wasn’t touched by it. We were removed from it.

Eventually I found spirituality. And now I think that I revert back to, whether it’s just prayer and my connection, for a yearning for that kind of simpler time of my youth? But I do it more now than I ever did. I look toward some kind of higher power.

Someone else I interviewed recently told me he’d finally started trying to “pray into himself.”

Yeah, I think that’s right. You know, shine a light within and that will shine outwardly and enlighten your actions and how you reach the world around you.

Like the line “shine a light” in “American Reckoning.” Who is the record for?  

Me! [laughs] For me. I did this record to get back to the reason why I wanted to do it again. I’d been going through a tough period. In light of what happened with Richie and his kids, his leaving us like that, and not staying to talk. It was very hard for all of us. And it took its toll on me.

The band is a family inasmuch as we had grown up together, done everything together, we had ups and downs, but we never deserted the ship. Whether it was work, or the death of parents or divorces or fame or confusion. We had alcoholism, it got to the point where we had to make decisions that weren’t in the interests of the band, that was for sure.

And so anyhow we came through it. And   This House Is Not for Sale   [the first release after Sambora left the band] was a kind of waving my fists in the air, saying “I refuse to let my house crumble,” but it’s tough finding people who want to go out there and then showing them how to play the songs and write the songs and have something to say.

It certainly wasn't going to be a big pop record because I’m just not in that place. So then I needed to get in touch with that gift that I have for writing songs. So I’ve worked   very   hard, whether it was on the record or lately on myself or my relationship with Tico and Dave, so that we got stronger as a unit. And it turned out to be really great, because we got tighter and as a result we felt we, the collective we, did no wrong.

In a strange way my forgiveness for Richie allowed me to grow, and David to grow, and Tico to grow into who we are today. Because we were forced down a different road. You don’t blame someone for that, you sort of have to say thank you, because it helps you continue your little journey. Sometimes someone has to get off an exit in order for you to continue this journey.

There was no fourth leg on the table. And by the way, we had 80 more shows left on that tour. But we did it. And it was   very successful .

Having been through this personal rough patch, I really want to know: What’s your philosophy of life these days?

Philosophy? I think that my goal is just to try to be a better version of myself every day. Just try to do something to better yourself. Even if that something is just... sleep. You know? Just something to make yourself better, I don’t mean a better singer or a better rock star. A better person.

That’s important, especially now. I’ll be honest: I’ve had a very tough year myself. Middle age is rough. You got the kids to take care of, the parents getting older—you’re in the “middle.”

Yeah. How old are you?

A lot happens between 48 and 58. I sort of joke that 50 is the last decadent birthday, but by 58 you have a different kind of perspective. And I’m not old enough to start thinking about mortality, I think that’s still another ten, twelve years ahead of me, but the idea that we’re not the kid in the room anymore.

48, 58—you’re sort of accomplishing or have accomplished the great things that you’re gonna do, and that’s all well and good, but what matters more is what you’re building with your family. Because those two chapters, you can’t fuck up either one of those or they’re gonna scar you.

Fix those circumstances and get them right now, start writing your own chapters. Live with them. Make them something worth reading again.

How are your kids?

No real problems. Stephanie is doing well and works in television. The youngest is fully committed to playing the guitar and wanting to learn how to write. He just took a step where he can really play the guitar. That’s what came out of Covid for him, six months in the wood shed. Jake is gonna go to Syracuse for acting. He spent the past year studying. And Jesse has the wine business—very successful, if you like a good rosé.

We talked about family, religion, music—Jersey law requires me to ask you about football and politics. I know you’re a fan of at least one of those things. But you seem to code switch between worlds and get along with lots of different people.

I don’t think that I get along with lots of different people [laughs]. But yeah, football was something that was a common thread in our house, whether it was my father or my uncle, you could find them Sunday watching the Giants. And then my relationships through my celebrity allowed me to meet people on the Giants, which then led me to my relationship with a young man who is now an old man by the name of Bill Belichick. Last night I had dinner with Robert Kraft, who is one of my dearest friends.

Is he still mad at Tom Brady?

He’s not mad at Tommy! No!

Unlike football, politics is not anything I ever grew up with. My family was not involved at all. My wife’s family was probably more involved in politics. And we’ve met a number of politicians over the years. Whether the current governor, or the previous governor, Chris Christie.

I’m friendly with Chris. Although we didn't have to agree with each other’s politics all the time, we could certainly talk as fellow New Jerseyites with things in common that we wanted to do for people there. So you could have a conversation with somebody, regardless of what side you’re on.

Do you think people are still listening to each other? Are you worried about the current political climate? You have a song on the record, “Blood in the Water,” about it.

I think the division that’s evolved in the last four to six years is an America that I'm afraid for. Bickering among political themes has become something that’s dividing families—parents and kids, husbands and wives. I’m worried about how we come together as a country. [A silent pause.] I’m so scared. I’m so scared. I’m scared. 

Yeah. Me too.

When I grew up, the idea of the middle class in Sayreville, it was hardworking, blue collar, really white, but a really good hardworking solid town made up of second-generation, primarily European immigrants. Believed in this kind of John Kennedy mantra of we can do anything we wanna do, we can go to the moon, and so I grew up in this very innocent wonderful kind of time. And then I came to be old enough to vote and Ronald Reagan was telling everybody that there should be a car in every driveway and a chicken in every pot, telling Gorbachev to tear down that wall. It certainly wasn't the day and age my kids are growing up in now.

But it also allowed us to dream ridiculously big, because we didn't know any better. You know I’ve told this story many times before: Bono grew up thinking about the Orangemen marching, and we grew up thinking about Little League and Pop Warner. It was many years after the race riots, many many years after the work of MLK, RFK, Malcolm X. It was a different era.

Now my kid just graduated from college. Those poor kids missed out on graduation, the prom, turned 18 at home, given one hour of outdoor time, they were born out of 9/11. That’s a shit hand to be dealt. But on the other hand, I think they’re going to be that next great generation, because they have to be. Are they going to have the same opportunities? What are the chances they’re going to have a chance to sell 130 million albums?

Is that possibility even out there anymore? How different are things now?

The pandemic changed lives. Everyone has their own story. And hopefully out of a crisis comes the next generation’s innovators, inspired, and engaged, ready to lead by example and move into an era of ‘we,’ not ‘me.’

This interview has been edited and condensed.

His chagrin turned to songs.

“American Reckoning.” “Lower The Flag.” “Brothers In Arms.” “Unbroken.” “Let It Rain.” “Blood In The Water.” There’s a tension to them, a sense of a live electric wire down on a rain-covered street; dangerous, hard to handle, yet the sparking wire absolutely must be addressed. If “Limitless” and “Do What You Can” took on “Livin’ On A Prayer” faith and positivity, while “Beautiful Drug” and “Story of Love” offered the realities of how  all  the different kinds of love unfold for classic Bon Jovi fans, the 58-year old rocker needed more from  2020 . Not just more “hey, watch me be serious,” or “hey! let me be a big rock star!!!” more, but more helping people shake off the stupor induced by emotional-button-pushing so they could plug into their fellow humans.

“I set out to make a topical record,” concedes the earworm king of “It’s My Life,” and “You Give Love A Bad Name” on the phone from Jersey. “The first song was ‘Blood in the Water’ two years ago. The names have changed, but the story hasn’t…

“Because the song’s not just a moment in time, I wondered ‘Would it be dated?’ It starts with Storme Daniels and the line ‘a storm is coming…’ – and it’s not (dated).

“The immigration problem with kids in cages, Russian hacks, which we’re going to be seeing again. At one point, it’s Guiliani or Barr, Michael Cohen, all the people who’ve stood up for him…”

Not that he’s taking sides. Aware enough to know, he realizes preaching to the choir doesn’t help.

“I’m just the narrator. You know my position, there’s no need to go there. But ‘Lower the Flag,’ ‘American Reckoning,’ just the facts tell the story,” he pauses, thinking about the conflicting voices and confusion around all of us. Left, right, liberal, conservative, Republican, Democrat, Independent, Anarchist, Kanye: so many points of view, so little grounding.

“I don’t know where to tell you to view the unspun truth. Either side of the aisle, the news, social media, it’s hard to find the truth. We’re politically divided, and unable to have testing because no one wants to find the common ground.

“But what if this – any of these songs – happened to someone in your life?”

Empathy. Not a buzzword for ‘80s and ‘90s arena rockers, yet “Unbroken” found him working to understand the reality of PTSD, injured vets and the power of service animals. He admits, “I never served. This came from a phone call from my publisher, asking if I’d be interested in writing a song for a small documentary about soldiers with PTSD…”

Not even edited, the director shared a couple clips, sent over some facts, talked about the mission of both the film and the story being told. In a world often looking away from those who served, Bon Jovi – whose parents met in the Marines – knew the landmines would be in repeating the canon of post-military songs.

“I was very conscious of Billy Joel’s ‘Saigon,’ Bruce’s ‘Born in the USA,’ ‘Sam Stone,’ but the kids in this movie… they weren’t drafted, they signed up for a better way of life. When they put on that uniform, it was something they’re so identified by and with,  when you take it away from them, it’s like Superman’s cape is gone.

“So in talking to some of the people, someone told me, ‘You’re either broken, or you’re put back together.’ That struck me, so I made it a hymn, or a prayer for all of us.”

A prayer for all of us. What could be more necessary in times like these? Considering the delay, providence given the addition of “American Reckoning” as a reality check with urgency that doesn’t tell anyone how to think,   2020   somehow didn’t miss its moment. While so many people’s music has seen its meaning shift during the shutdowns, the waiting, the pause and the inability to tour, JBJ got lucky. For him, the gap only made his new record more necessary, more of the moment and more urgent. If “You Do What You Can” is a fizzy rocker empowering whatever difference you can create, the rest of the album opens up perspectives for the state of America no matter what side you’re on.

Forbes.com "It's a long way from 'You Give Love A Bad Name' to 'American Reckoning.'" Jon Bon Jovi says laughing. Don't misunderstand, tThe Rock And Roll Hall Of Fame frontman is very proud of his storied past.

As he says during our 45-minute Zoom call to discuss the band's superb new   2020   album, he stands behind the band's seminal hits, like "You Give Love A Bad Name" and "Livin' On A Prayer. But now at age 58, he isn't trying to recreate his past.

" I said this when I was 25, 'When I'm 50 I don't want to be painting my fingernails black and writing bitch on my belly,'" he says laughing.

So on this new album he has written some of the most powerful and compelling songs of his storied career, including "American Reckoning," which directly references the George Floyd killing this past May, and "Lower The Flag," a forceful song about the gun violence epidemic in America.

I spoke with him about the writing of the album, remaining a fan of his heroes, including his friend "Beatle Paul," his philanthropic foundation and his favorite lyricists.

Steve Baltin: Do you feel a sense of prophecy in these songs?

Jon Bon Jovi: I'll give you a great example of a prophecy is "Blood In The Water." It was the first one in the summer of '18 and I could walk you through it. "A storm is coming," Stormy Daniels. "Let me be clear/the walls around you are closing in," could've been last night's debate. So whether it was Stormy Daniels and Michael Cohen and General Flynn to the impeachment hearing to the Russian hack at the end of it, which was in '16, that's relevant now, this same storyline, to me, is a revolving door of characters. I did think for a period of time, "Oh my god, this is gonna be dated. No one is gonna know who I am referencing." But it doesn't matter because it was as relevant this morning after last night's debates. So that song, to me, specifically, is a prophecy, it's timeless.

Baltin: Another song I really loved is "Unbroken," which falls in the tradition of great anti-war songs.

Bon Jovi: A song like "Unbroken" will always be timeless because soldiers will always be coming home and dealing with this. I had a conversation with a director [Josh Aronson] of a very small, but moving documentary called   To Be Of Service . And he had asked me to write a song hoping that my name and his bet that I could write "the" song could bring attention to this issue. And I wanted my spin to be the pride that men and women have when they put that uniform on. And then the issues they have once they take it off. When you think about how identified a soldier is when he walks down the street that's a great sense of pride in the world in which live today. It's not the Vietnam era with the young men and women returned to be spat upon. Nowadays they're heroes and they come back and we all appreciate what they give. When you take that uniform off, you put the Superman costume back in the closet and yet you're having to deal with the traumas. And I still wanted to find that thing that made them want to keep doing it and be proud of what they did. So in the very last line, when it says, "You asked me was it worth it to be of service in the end/Well the blessing and the curse is/Yeah, I'd do it all again." And the responses I have gotten to that differentiate it from [John] Fogerty writing Vietnam-era songs or Bruce [Springsteen] writing "Born In The U.S.A."

Baltin: If I remember you are also a huge Tom Waits fan and "Day After Tomorrow: is as good an anti-war song as you will find.

Bon Jovi: I adore Tom Waits, Waits and [Leonard] Cohen, two of my favorite lyricists absolutely. He's a genius. Some people just think of "The Heart Of Saturday Night" or if they really think they're witty they go, "You know, he wrote 'Jersey Girl.'" (Cracks up) Yeah, I know. I love a good storyteller and he is one of the greats.

Baltin: One of the things I love about this album is it's built around just telling relatable stories. And it's funny because people may think you haven't spoken out before on these issues. But even "Livin' On A Prayer" is very much a story.

Bon Jovi: It is a story song. The thing about a song like that, which was the timeless boy meets girl, we will win in the end, fill in the blank with the names and then they become you, the story has been told. What I loved about this is I didn't make these my story. This is just the truth being reported, just facts and moments in time that I either lived or watched or read about. So I really didn't have much of an interest in writing a pop song in the true sense of a pop song with that boy meets girl, boy loses girl, boy gets girl back. It wasn't inspiring.

Baltin: Writing is a subconscious thing often. So were there moments on there you didn't realize how deeply you felt about things until you made this album?

Bon Jovi: Oh yeah. "Lower The Flag" and "American Reckoning" come to mind off the top of my head. Both issues that obviously I felt very deeply about and that I could articulate. And to be able to articulate them not only in conversation , but in a song. These weren't things that I had ever tackled before, but I was cognizant of. And to get it to a place where I'm very proud of the presentation so I'm able to share it, it's a long way from "You Give Love A Bad Name" to "American Reckoning" (laughs).

Baltin: Are you more comfortable with it as you've gotten older since most every artist seems to get more comfortable and confident with themselves as get older?

Bon Jovi: For clarity, in truth, I adore "Runaway" and "You Give Love A Bad Name" and "Livin' On A Prayer." And that's absolutely positively who and what I was and what I wanted to say. And it's all I knew how to say at that time. I wasn't looking to do more than that. And because I've been around so long this is who I am at 58 years old. That's not who I was at 21 and 25. So this has just been the journey I'm on. Here I am today. If a listener picks up an album and expects "Livin' On A Prayer" part six, you're not gonna find it here. I don't want to rewrite it. That was then.

Baltin: Do you feel, and this ties in with your charity work, as you've gotten older it's more important to focus on and share that?

Bon Jovi: Because we've taken the foundation to such a place I never thought we would, where that motivation comes from, it really wasn't instilled me as a kid. Not to the place I do it now. My parents weren't political or involved in the community. It's something that evolved in me with my wife, which is why. And it happened as I grew and grew up. No one should blame a twenty-year-old for having single-minded focus on wanting to be the lead singer in a rock band and singing about that. Amen to it. But if I were 58 and still writing songs about that I think it would be a waste of an opportunity. I said this when I was 25, "When I'm 50 I don't want to be painting my fingernails black and writing bitch on my belly" (laughs). And so we stood out from the genre from whence we came and I'll stand here in front of you with gray hair and a 32-inch waist and say, "It's who I am, that's where it's at. I'm not pretending and dying my hair and getting Botox on the 'Where are They Now' tour." I'm not interested. I'd rather walk away and leave a good-looking corpse than try and chase the past. To me, that would be a sin.

Baltin: Are there artists you admire for the way they evolved and aged gracefully? And of course saying that about John Lennon feels ironic because he didn't get to age gracefully. His evolution was in such a short time.

Bon Jovi: Boy, what he did. I have the absolute incredible, heaven-sent gift to actually be able to say I'm friendly with Paul McCartney. And I get to spend a lot of time with him in the summers. And I jokingly tell him that John and George just went back to their planet. It just doesn't make any sense. John went from "She Loves Ya" to "Imagine." Who would've thought that in that boy was that man?

Baltin: I love that you refer to it as a heaven-sent blessing to be friendly with him. What would your childhood self think about being friendly with Paul McCartney?

Bon Jovi: I refer to him as Beatle Paul all the time. Wherever I'm at with him it's "Hey, Beatle Paul, hey Beatle Paul." And one night he actually said to me, "Why do you do that?" And I said, "Because I'm too old to call you Mr. McCartney and I'm too in awe to think that I could call you Paul. I'm too reverent." And he's like, "Okay." That was one amazing but true story. I'm such a fan of a lot of people. When I met Tom Waits it was the same way. I was like, "No, you don't get it. I have tried to write 10 of your songs for the last 30 years." I was like that with [Bob] Dylan and with Bruce [Springsteen], from the time I was a little boy. So a lot of those guys that I still look up to in that kind of way.

Baltin: What is the one Tom Waits song you wish you could have written and why?

Bon Jovi: "Who Are You." That just immediately came to mind, the same way Dylan's "I Want You" is one of those kind of songs, or "Just Like A Woman." But you know, "Who Are You?" F**k! And I love "I Don't Wanna Grow Up,"   Bone Machine , they're all so good. "Hold On," what a great f**king song. "Come On Up To The House," "The House Where Nobody Lives," oh those f**king lyrics, awesome. Oh yeah, you and I could go deep on this.

Baltin: No songwriter is ever satisfied. But you hit moments you feel you are coming closer to where you want to be. Did you find those on   2020 ?

Bon Jovi: I'm too close to the album today to tell you a song, but this album says that for me. I'm just a little too close to it right now because I'm literally working on the live film we shot of it and editing. I'm too close. But I'm so proud of it as a whole. One thing that Covid did was it allowed me to go back and listen to a whole bunch of the albums. Some of it was better than I thought. Some of it wasn't as good as I hoped, but the body of work still holds up to me.

Watch the video HERE on RollingStone.com Bon Jovi   were the latest musical guests on  Ellen   this week, performing the song “Beautiful Drug” from their new album  2020 .

On a makeshift stage surrounded by carpeting and draped curtains, the band played a socially distanced rendition of the song, which celebrates the power of love through the darkest times. And like several of the songs on   2020 , “Beautiful Drug” finds   Jon Bon Jovi   getting topical about the current American crisis: “Tear off your mask, no need to hide/There’s a prescription that no doctor can prescribe,” he sings. “Can’t walk on water, down on your knees/You enter numbers, step right up, the stuff is guaranteed.”

Last month, Bon Jovi previewed  2020   with the single   “Do What You Can,”   with an accompanying music video featuring Jon Bon Jovi walking around a deserted New York City during Covid-19 lockdown. Jon Bon Jovi   later dueted   with Sugarland singer Jennifer Nettles on the song.

“As I finished the mix and did the video [for the album version], I said, ‘Boy, this song would have such crossover potential.’ Jennifer was my first choice, and she said yes,” Jon Bon Jovi told   Rolling Stone   in an interview . The pair previously scored a Number One country hit in 2005 with “Who Says You Can’t Go Home.”

APNews.com Jon Bon Jovi has been churning out love songs and arena anthems for nearly 40 years, but his latest release “2020,” has taken his music to another level.

It’s Bon Jovi’s most socially conscious album to date. Calling the collection, a “moment in time,” he references COVID-19, the killing of George Floyd, the 2019 Dayton shooting, PTSD of returning soldiers and other issues concerning the 58-year old rocker.

But tackling hot-button topics can be divisive, especially with fans on both sides of the political aisle. Bon Jovi says that’s not his intention.

“I am a witness to history, and if I took that position throughout the project, I didn’t think it would be political. I thought it would be social commentary,” Bon Jovi said. He defended his approach saying, “nowhere along this line does it say, you know, left, right, red, blue, black, white.”

Originally set for a spring release, the album was delayed, and a tour was cancelled because of the pandemic. That gave him more time to reflect on the world around him. That period added “Do What You Can,” a tribute to those fighting COVID-19, and “American Reckoning,” which was an emotional response to hearing Floyd calling out for his mother as a police officer kneeled on his neck.

“My eyes welled up with tears and I couldn’t help but go in my room and try to write a song,” he said.

Proceeds from the single will support the Equal Justice Initiative.

Bon Jovi shared his thoughts on these tumultuous time during an interview with The Associated Press. He also spoke about the weirdness of the band’s recent live performance in Nashville, Tennessee, whether he plans to tour on the senior circuit like Bruce Springsteen or Mick Jagger and why he sees hope in the next generation.

AP: During a lockdown, a lot becomes evident. Where have you found hope?

Bon Jovi: I have a son who graduated high school this year, now as a freshman at college, and he’s not having any of the experiences that other kids would have had. But out of that, what I really believe in my soul is that those kids who were born out of 9/11 and graduate school in a pandemic are going to be the ones that are the innovators, the creators, the ones that are going to fix the mess that old guys like me and you left them. And I think that they’re gonna be the ones that don’t give a damn about the color of your skin or your sexual orientation.

AP: Did you have any concerns when writing about George Floyd in “American Reckoning”? Bon Jovi: Even though we have the foundation and I’ve built affordable housing for 15 years from Newark to Camden to Philly to Georgia to L.A., I don’t pretend to know what it’s like to walk a mile in his shoes. And so, I made sure I wrote that down. If there’s a such thing as white privilege, then obviously I fit that profile: A white, older, affluent man who happens to also be a celebrity. I never had to have “the talk,” you know. And so, I made sure I wrote that down. And all of this, I had to make sure I got right. READ THE FULL INTERVIEW HERE

AmericanSongwriter.com In an incredibly timely interview,   People Have The Power   host Steve Baltin sat down with   Jon Bon Jovi   to discuss his latest album release,   2020 , and how he chooses to witness history. 

Released this past Friday,   2020   is a 13-track ode to humanity’s current state as well as a timeless body of work embodying the larger emotions of a tumultuous time. Baltin had exclusive access to the brain behind the album as he questioned Bon Jovi on his many inspirations and songwriting practices.

TRACKLISTING with songwriter credits

Limitless (Jon Bon Jovi, Billy Falcon, John Shanks) Do What You Can (Jon Bon Jovi) American Reckoning (Jon Bon Jovi) Beautiful Drug (Jon Bon Jovi, Billy Falcon, John Shanks) Story of Love (Jon Bon Jovi) Let It Rain (Jon Bon Jovi) Lower the Flag (Jon Bon Jovi) Blood in the Water (Jon Bon Jovi) Brothers in Arms (Jon Bon Jovi) Unbroken (Jon Bon Jovi)

APP.com Twenty twenty has been a year like no other.

So how about a   Bon Jovi   album like no other? Bon Jovi's “2020,” due Oct. 2, is promised to be more socially conscious of current events than previous works.

“I am a witness to history,” said frontman Jon Bon Jovi in a statement. “I believe the greatest gift of an artist is the ability to use their voice to speak to issues that move us.” Tracks like “Lower the Flag,” which takes on gun violence; “Unbroken,” a look at soldiers and post-traumatic stress disorder; and “Blood in the Water,” a take on today's caustic political environment, are very much in the moment. Two tracks added after the album's planned May release bear it out even more. “Do What You Can” speaks to the resiliency of those on the frontlines — and everybody else — of the coronavirus outbreak. “American Reckoning” is about the death of George Floyd in Minneapolis and the impact of the Black Lives Matter protests across the globe. Yet, perhaps the work of Bon Jovi was always socially aware, if not politically proactive. Tommy and Gina from “Livin’ on the Prayer” are living a hardscrabble life due to an economic downtown and “Runaway” details strife at  home.

More: How Bon Jovi became the rock 'n' roll epicenter in the battle against the coronavirus

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Richie Sambora apologizes for abrupt Bon Jovi exit, compares it to leaving the mafia

"I guess if you're in the mafia, the only thing you possibly do is disappear. And I did," the rocker says in the band's new docuseries, "Thank You, Goodnight."

Emlyn Travis is a news writer at  Entertainment Weekly  with over five years of experience covering the latest in entertainment. A proud Kingston University alum, Emlyn has written about music, fandom, film, television, and awards for multiple outlets including MTV News,  Teen Vogue , Bustle, BuzzFeed,  Paper Magazine , Dazed, and NME. She joined EW in August 2022.

Looking back, Richie Sambora regrets the way that he chose to leave Bon Jovi . 

In the final episode of the new Hulu docuseries Thank You, Goodnight: The Bon Jovi Story , the guitarist apologized for his controversial decision to exit the legendary rock band just hours before they were set to perform in Calgary on their 2013 Because We Can tour. But Sambora also asserted that the group "knew exactly why I didn't get on the plane that night" during his interview for the doc, which premiered Friday.

"People have this preconceived notion of Richie Sambora because they read about me in the tabloids, because they see the Bon Jovi machine," he said. "It's a band. It's really, really hard to be married to four other guys and be in close quarters and that, coupled with my daughter coming of age."

At the time, Sambora, who had previously entered rehab in 2007 and 2011, cited personal issues as the reason for his sudden disappearance, but he later told PEOPLE that the decision came specifically from needing to put his health and relationship with daughter Ava first. So musician Phil X, who filled in for Sambora in 2011, returned to cover the rest of the band’s 2013 tour dates. 

Kevin Mazur/Getty

“I don’t regret leaving the situation, but I regret how I did it,” Sambora clarified in the docuseries. “So I’d like to apologize fully right now to the fans, especially, and also to the guys, because my feet and my spirit were just not letting me walk out the door.”

He added, “I guess if you’re in the mafia, the only thing you possibly do is disappear. And I did.”

Despite a difficult start, the rest of tour went off without a hitch, with the group missing none of their 80 performances. “At the end of the day, there was disappointment and sadness and anger, but it didn’t matter to the public,” frontman Jon Bon Jovi recalled in the docuseries. “It was the number-one-grossing tour in the world that year, and that was that.”

The “Wanted Dead or Alive” singer admitted that he continues to “hold out for hope” that Sambora will one day return. “I think it’s sort of like you’re in a marriage or a family that has a situation like this and you’re always hoping that the family member’s gonna get better and everything’s gonna be peachy," he said.

Jovi also noted that he will always feel a “void” without Sambora on stage beside him. “The true magic of our live performance was when we sang together… that was our unique spot,” he said. “It was as identifiable as any great combination that made one and one three. And I don’t think that’s been replaced, no.”

These days, Sambora reflects on his time in Bon Jovi with a sense of pride and accomplishment.

“Jon and I touched the planet with those songs. You realize that you were warriors that love each other, watched each other’s backs, told each other the truth,” he said. “If anybody doesn’t think that we were Butch Cassidy and the Sundance Kid, Jimmy [Page] and Robert [Plant], any way you wanna slice it… come on!” 

Thank You, Goodnight: The Bon Jovi Story is streaming now on Hulu. 

Sign up for  Entertainment Weekly's  free daily newsletter  to get breaking TV news, exclusive first looks, recaps, reviews, interviews with your favorite stars, and more.

Related content:

• Jon Bon Jovi says he's still on the road to recovery after his vocal cord surgery: 'It was very difficult'
• Jon Bon Jovi addresses son Jake's engagement to Millie Bobby Brown: 'I don't know if age matters'
• Alec John Such, Bon Jovi bassist and founding member, dies at 70

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Bon Jovi Tour Photographer David Bergman Talks Behind-the-Scenes Details of Traveling the World With the Band

Over the span of two world tours, photographer David Bergman had the best seat in the house as the tour photographer for one of the world's hardest working rock and roll bands: Bon Jovi.

By Michele Amabile Angermiller

Michele Amabile Angermiller

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Over the span of two world tours, photographer David Bergman had the best seat in the house as the tour photographer for one of the world’s hardest working rock’n’roll bands —  Bon Jovi .

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“I went with the title Work because that is what the band is about with that New Jersey work ethic and the hard work they do every night,” Bergman tells Billboard.

Jon Bon Jovi leads the band onstage in Atlanta on April 15, 2010.

One particular image captures everything the singer feels about his fans, his group and his job, explains Bergman. The band was playing a gig in New York when harrowing skies, pouring rain, then finally ominous lightning strikes postponed the show. This did not sit well with Jon.

“He was hating it,” Bergman said. “There is really a flow to a show. He didn’t like that at all because it really killed the momentum. It’s not fun for the fans and it’s not fun for anybody.”

Backstage, the band milled around as the rain drenched the venue, but Bergman decided to take some shots. “Jon just kind of peered out waiting for the rain to stop, longingly looking and waiting for the show to get going again, and that was just a moment that won’t be captured if you don’t have a photographer with you on site,” he said. “You are never going to see those moments.”

Adds Bergman: “The good thing about Jon is he gets it. He understands the value of documenting these things.”

The intimate Stories Behind the Photos of ‘Jon Bon Jovi: Work’

“When we started putting the book together, I told him the knee story is an inspiring story and goes with the theme of the book and the hard work that he has done and the whole band,” Bergman explains. 

“Jon looked at me and said, ‘You know what, if it inspires one kid to work through the pain and push through an injury and come out strong on the other side, it’s worth it.’ He knows the influence he has over people and the power that he has with his actions and he wanted people to see it. It gets people by surprise to see one of the biggest rock stars in the world in his hotel room, in pain, in agony — not at his most glamorous — but I am really glad he agreed to let us put it out because it’s a huge part of his story and how he is.”

Fireworks at MeLife Stadium on May 26, 2010.

Bergman began his career as a photographer at the Miami Herald , covering news features and sports, until one day he pitched to paper to allow him to photograph singer Gloria Estefan , who was coming off a back injury and embarking on a comeback tour. He became passionate about tour photography after that. 

Though Bergman covered many bands, Bon Jovi remained number one on his list. By the time he pitched the group, he was surprised to hear that Jon already knew who he was because of his most famous photo: a GigaPan image of President Barack Obama at his inauguration.

Bon Jovi Backstage at iHeartRadio Music Festival

After shooting a few shows, Bergman was surprised to be invited into the band’s inner circle, joining the group on its private plane and going along for the ride.

Bon Jovi: Work  also captures other members of the band in the same light. Drummer Tico Torres is an artist, and Bergman took shots of the musician at home painting in his garage in Florida, as well as on the golf course. Keyboardist David Bryan invited Bergman to his New Jersey home, allowing some up-close shots of the composer working on music for a new play, Chasing The Song .

There are plenty of pictures of guitarist Richie Sambora in the book, but Bergman never made it to his home.

“I did photograph him quite a bit,” he said. “Whenever those guys were awake, I was there with a camera to take pictures of the two of them practicing, rehearsing, on the plane — whatever it was — day in and day out.”

The band in Zurich, Switzerland on July 14, 2011.

One section sure to please fans are the ones taken by Bon Jovi himself. Bergman and the singer spent so much time together that one day, he decided to try photography himself snapping photos of flowers and trees in a park in Vienna.

“Jon is a creative person. He has a good eye and he has always liked taking pictures, but he never really knew the technical side of it,” Bergman says.

“He was standing there in the photo pit taking pictures of the Stones just like a photographer and a fan, alternating between taking pictures and putting the camera down and watching the show,” Bergman said. “The other photographers were taking pictures of Jon.”

Other shots in the book — particularly Jon walking a female fan down the aisle in Las Vegas, a shot of Jon doing a famed concert jump on a boat in Australia, and a spontaneous onstage group hug symbolizing what was the end of a tough touring year — frame the collection. 

Through it all, Jon remained true to his work ethos, overseeing every aspect of the book.

“He is the CEO of this corporation and everything goes through him. I thought when I first came in I would deal with a publicist or a manager that will approve the photos but from the very beginning Jon saw personally every photo that went out,” he said. “I was blown away by him.”

See a gallery of photos from ‘Bon Jovi: Work,’ including an image that’s exclusive to Billboard.

Bon Jovi: Work is avaiable exclusively on Bon Jovi’s official website . 

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Thank You, Goodnight review – Bon Jovi’s surprisingly devastating ode to lost youth

There’s plenty of great stuff in this documentary to keep super fans happy – but you only need to know 80s banger Livin’ on a Prayer to get emotional as the ageing band break down before your very eyes

E very pop biography has the same dilemma: fans of the artist want to know all the details, while viewers with only a passing interest just want to get to the good stuff. You can tell which side of the line Thank You, Goodnight: The Bon Jovi Story falls on by looking at the running time. Its four episodes are all well over an hour long.

By far the strongest instalment is the opener, which can be watched in isolation as an evocative charge through the period leading up to the band’s formation and breakthrough. The best rockumentaries have the power to pitch us into a past moment we wish we could hang out in – the place and time here that crackles with fantastic potential is New Jersey in the back half of the 1970s.

In clubs such as the Fast Lane, the Upstage and the Stone Pony, singers including Southside Johnny and a rapidly rising Bruce Springsteen play blue-collar rock mixed with blue-eyed soul. Handsome, ambitious John Bongiovi and his nerdy pianist sidekick, David Bryan, are awestruck audience members by the age of 16, and are soon on stage themselves with their covers band, the Atlantic City Expressway. They get home from gigs in Bryan’s van at 5am, then get up again at 7am and go to high school. We’re at the peak of suburban, pre-Reagan America, with second- and third-generation immigrants settled into a life where their paychecks pay for decent everyday existences, with some fun and a few dreams on top. The documentary has enough newsreels, press clippings, reminiscences and home movies to put us right in the middle of it.

By 1983, Bongiovi has met his musical soulmate, guitarist Richie Sambora, and named himself and his new band Bon Jovi, the two-word styling a homage to (Eddie) Van Halen. Episode two tracks the group as they release a brace of reputation-building albums followed by a third LP, Slippery When Wet, that sells 14m copies. With their torn T-shirts, leather jackets and outrageous hairdos, plus a pop-metal sound that’s like Mötley Crüe with better tunes or Springsteen without the anxieties about the American Dream being a swiz, Bon Jovi tour the world relentlessly, seeing a million faces and rocking them all. The sixtysomething versions of them interviewed here still glow with the rush of it.

Then, however, we must work our way through the band’s increasingly uninteresting post-Slippery career. It’s a catalogue of rock tropes: Bon Jovi burn out as the carefree 80s end, record solo albums, regroup, do a country album, do a stunning-return-to-form album, quietly replace their bass player with a session musician because their old pal drinks too much and can’t really play, forge a more “mature” (dull) sound, then fall out with Sambora when he fails to attend a studio session and Jon gets someone else to record his guitar parts. Lowlights include 2002’s Bounce, an LP that aimed to help the US heal after 9/11, and the album 2020, named after its year of release, which responds to Covid and Black Lives Matter and contains a song called, regrettably, American Reckoning.

Bon Jovi take themselves too seriously. At least, to us they do, but the documentary points up the tension, in an ephemeral art form, between performer and consumer. Viewers with the correct view of Bon Jovi’s oeuvre – Bad Medicine and You Give Love a Bad Name are bangers, and Livin’ on a Prayer is an almost heartbreakingly perfect work of art, but everything else is cheesy stodge – have to reckon with footage shot in 2022, behind the scenes on the band’s comeback US tour. Jon Bon Jovi, his big rock barnet now in that grey area between “still got it” and “yer nan’s had her hair done”, is outwardly the smooth CEO of the enterprise, but he can’t sing like he could before. Thousands of live shows, all of them including that reckless key change in Livin’ on a Prayer, have taken their toll. The vitamins, vocal exercises, humidifiers and laser treatments aren’t working. In interview, he breaks down as he remembers the days when he knew his band members, his crew and the 60,000 people who had bought a ticket to see Bon Jovi could rely on him to deliver a flawless performance. He can’t go back there.

Being blindsided by a surprisingly devastating rumination on lost youth bolsters the lesson you’re rewarded with if you sit through all of Thank You, Goodnight: that three-minute throwaway track you half-listen to on the radio is the culmination of somebody’s life’s work. All that life is here.

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What to stream this weekend: A Bon Jovi documentary, Idris Elba in ‘Knuckles’ and ‘Anyone But You’

This combination of images shows promotional art for the Paramount+ series “Knuckles,” the Apple TV+ series “The Big Door Prize,” and the Netflix series “Dead Boy Detectives. (Paramount+/Apple TV+/Netflix via AP)

This combination of images shows album cover art for “Funk Generation” by Anitta, and promotional art for the Hulu series “Thank You, Goodnight” (Republic Records/Hulu via AP)

This image released by Universal Pictures shows Violet McGraw, right in a scene from “M3GAN.” (Geoffrey Short/Universal Pictures via AP)

This image released by Sony Pictures shows Glen Powell, left, and Sydney Sweeney in a scene from “Anyone But You.” (Brook Rushton/Sony via AP)

This image released by Sony Pictures shows Glen Powell, left, and Sydney Sweeney in a scene from “Anyone But You.” (Sony via AP)

This image released by Hulu shows Jon Bon Jovi in a scene from the four-part docuseries “Thank You, Good Night: The Bon Jovi Story,” premiering April 26. (Disney/Hulu via AP)

This image released by Hulu shows Richie Sambora in a scene from the four-part docuseries “Thank You, Good Night: The Bon Jovi Story,” premiering April 26. (Disney/Hulu via AP)

This image released by Paramount+ shows the character Knuckles, voiced by Idris Elba, in a scene from the series “Knuckles.” (Paramount Pictures/Sega/Paramount+ via AP)

FILE - Jon Bon Jovi poses for a portrait in New York on Sept. 23, 2020 to promote his new album “2020". Hulu is streaming a four-part docuseries “Thank You, Good Night: The Bon Jovi Story,” premiering April 26. (Photo by Drew Gurian/Invision/AP, File)

This album cover image released by Republic Records shows “Funk Generation” by Anitta. (Republic Records via AP)

This combination of images shows album cover art for “Funk Generation” by Anitta, promotional art for the Hulu series “Thank You, Goodnight,” and album cover art for “The Coldest” by Skilla Baby. (Republic Records/Hulu/Quality Control/UMG via AP)

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The Sydney Sweeney and Glen Powell romantic comedy “Anyone But You” hitting Netflix and an album by Brazil superstar Anitta are some of the new television, movies, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists : Everyone’s favorite dancing demon doll “M3GAN” comes back to Peacock, a beautiful woman battles hideous beasts in Sony’s video game Stellar Blade, and a documentary detailing Bon Jovi’s early days, rise to fame and breakups and breakdowns.

NEW MOVIES TO STREAM

— The Sydney Sweeney and Glen Powell romantic comedy “Anyone But You” is finally on Netflix starting Tuesday. The movie is about two young singles whose magical one-night stand ends in miscommunication and hurt feelings, and then find themselves both in a small family wedding party and staying in the same house. It’s loosely based on Shakespeare’s “Much Ado About Nothing.” Reviews were mixed and the box office started out tame, but it became a slow burn sleeper hit in theaters, earning more than $218 million worldwide. If you’ve been holding out to see what the fuss was about, now is your low stakes chance (it’s also not a bad plane option, which is where this film critic finally watched it). And afterwards, if you need a rom-com palate cleanser, “You’ve Got Mail” is also currently on Netflix.

— Another stealth box office hit, everyone’s favorite dancing demon doll “M3GAN” is coming back to Peacock starting Wednesday. Is it great cinema? Probably not, but everyone who watches it seems to have a fun time (in spite of themselves). Entertainment Weekly’s Leah Greenblatt wrote in her review that, “This is not the morose, carnage-soaked horror of dank basements and clammy night terrors; most of the movie happens in bright daylight, every maniacal head tilt, ungodly hip swivel, and murder-by-gardening-tool calibrated for screams that end not with a gasp but a giggle. M3GAN came to play, and possibly reboot her motherboard for a sequel. Are you not entertained?”

— Finally, if you’ve exhausted all your “Tortured Poets” analysis, you can pivot to watching a Joe Alwyn movie instead. He stars in Claire Denis’ 2022 romantic thriller “Stars at Noon,” which comes to Hulu on Sunday. Based on the 1986 Denis Johnson novel, Margaret Qualley plans an American journalist in Nicaragua during COVID-19 who starts an affair with a mysterious British guy, played by Alwyn.

— AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM

— Shot through the heart, and they’re to blame: Forty years after a bunch of kids from New Jersey got together and formed a great American rock band, a documentary detailing their early days , rise to fame, and best of all — breakups and breakdowns — has arrived. The only Bon Jovi documentary series to feature all members past and present, “Thank You, Goodnight: The Bon Jovi Story” premieres on Hulu Friday in the U.S., Star+ in Latin America and Disney+ in all other territories. Binge all four-parts one after the other or dole them out slowly. However you do it, expect to have “Livin’ On A Prayer” stuck in your head for the next week.

— Anitta , arguably Brazil’s most recognizable global pop singer since Astrud Gilberto sang “The Girl From Ipanema” nearly 60 years ago, is preparing to release a new album Friday. It’s titled “Funk Generation,” her first since the 2022’s “Versions of Me,” and its viral hits “Envolver” and “Girl From Rio” (with its interpolation of the Gilberto classic) made her an international star. She’s long aimed to bring Brazilian sounds to the worldwide music market, and focusing on Brazilian funk is an extension of that desire. “’Funk Generation’ is an album where I celebrate my roots. It’s where I express the power of Rio’s funk in every track its unique, danceable, and sensual beats,” she said in a statement. “It’s a rhythm born in the favelas, where I grew up, and it exudes resistance and art in every community.”

— It is time to give Midwest MCs their flowers: Fresh off a tour opening for Migos rapper Offset , Detroit’s Skilla Baby is preparing to drop a new project on Friday, “The Coldest.” If his trap earworm “Bae,” with its celebratory, ladies-first lyrics (“Bae, you know you’re fine, don’t you?” in the chorus) and the community-focused “Plate” are a taste of what’s to come, the release is going to be delicious.

— AP Music Writer Maria Sherman

NEW SHOWS TO STREAM

— “The Big Door Prize,” a sweet, silly dramedy about the residents of a small town turned upside down by the arrival of a machine that reveals a person’s true calling, returns for a second season on Apple TV+. Starring Chris O’Dowd as a local high school teacher, “The Big Door Prize” is based on a book by M.O. Walsh and was one of The Associated Press’ TV shows worth watching in 2023. Season two of “The Big Door Prize” debuted Wednesday. Season one is also still available on the streamer.

— Two teen ghost detectives who appear in DC comic books star in their own series called “Dead Boy Detectives.” The story follows Edwin and Charles, two long-dead teens who spend their afterlife still on Earth and investigating paranormal cases. They’re assisted by a living teen named Crystal Palace who is a clairvoyant. “Dead Boy Detectives” also features Lukas Gage in an over-the-top, comedic role of the Cat King. “The Summer I Turned Pretty” actor David Iacono plays a demon. The ghostly investigations are available now on Netflix.

— Idris Elba and Adam Pally reprise their “Sonic the Hedgehog” characters for the new animated series “Knuckles” on Paramount+. Elba plays Knuckles, an Echidna with super strength, who is adjusting after moving to Earth at the end of “Sonic the Hedgehog 2.” Pally is Wade Whipple, a not-so-bright deputy sheriff. “Knuckles” is part of Paramount’s efforts to expand the popular “Sonic” brand. Ben Schwartz and Tika Sumpter also reprise roles from the films. All six-episodes of “Knuckles” stream Friday.

— Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— Sony’s Stellar Blade takes place on an Earth that’s been mostly abandoned after an invasion by hordes of mysterious monsters called the Naytiba. Enter Eve, a sword- and gun-wielding warrior who has returned to her home planet to help out the few people left, including a scavenger named Adam. The Biblical references pile up — for example, the last city standing is Xion — but the real influence is the popular hack-and-slash epic Bayonetta. If you’ve been craving another flamboyant adventure with a beautiful woman battling hideous beasts, Korean studio Shift Up hopes it’s got you covered. Start swinging Friday on PlayStation 5.

— Electronic Arts’ Tales of Kenzera: Zau is less campy and more down to earth. Its protagonist, Zau, aims to become a healer and, maybe, bring his father back from the Land of the Dead. The aspiring shaman has some nifty parkour skills as well as sun and moon masks, which allow him to, respectively, launch spears and manipulate time as he fights evil spirits. Tales of Kenzera is the debut title from Surgent Studios, which was founded by voice actor Abubakar Salim, and he says it was inspired by Bantu folklore as well as his own experience with grief. The journey began Tuesday on Nintendo Switch, PlayStation 5, Xbox X/S and PC.

— Lou Kesten

Catch up on AP’s entertainment coverage here: https://apnews.com/entertainment.

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Out & About

Jon Bon Jovi Hits the Town, and Gustavo Dudamel Takes the Stage

This week, fans turned out for a new documentary about Jon Bon Jovi and took in a performance led by Gustavo Dudamel at the New York Philharmonic’s spring gala.

By The New York Times

Out & About is a column that covers the events where notable, powerful and influential figures gather — and their outfits. This week: We attended a screening of “Thank You, Goodnight: The Bon Jovi Story” and the New York Philharmonic’s spring gala.

A Rocker Greets His Fans

By Katie Van Syckle

Jon Bon Jovi stood blinking, rubbing his eyes, temporarily blinded on Thursday night by the lights from a row of photographers.

Recovering, the musician said, “OK, I’m here now,” and then “Hi, love,” his eyes wide as he flashed a very white smile.

He was standing just inside a movie theater at the South Street Seaport for a special screening of a new documentary series, “Thank You, Goodnight: The Bon Jovi Story.” He approached the event, hosted by the Cinema Society and Hulu, with the same charming grit that helped make him famous.

The show, now on Hulu, traces the musician’s path from his teenage years playing covers in Asbury Park, N.J., to mega-stardom with his band Bon Jovi, packing arenas with rock anthems. It also touches on his recent vocal cord trouble that led to surgery.

“I’m wonderful,” said Bon Jovi, 62, dressed in a leather jacket and jeans, with a full, feathery head of gray hair. “What you see in the film was a year and two years ago. It’s a work in progress. But it is really far down the road of recovery at this point.”

Bon Jovi will release its 16th studio album, “Forever,” on June 7. The band currently has no plans to tour, but its frontman is hopeful. “When it is right, that’s when we’ll tour,” he said.

A crowd that included the model Maye Musk and the television presenter Dan Abrams filed into the cushy seats of the iPIC Fulton Market theater to watch the first episode of the four-part series, which is directed and executive produced by Gotham Chopra. After the screening, Bon Jovi answered questions and tried to put the health concerns shown in the series in context.

“If, God forbid, I can’t perform at Giants Stadium, woe is me,” he said. “So what if I can’t sing again?”

The audience then meandered to the Fulton by Jean-Georges, a high-end seafood spot overlooking the East River, where a crowd surrounded the musician near a raw bar. The rocker grinned and chatted with fans like the actress Jennifer Esposito.

• David Krumholtz Rebecca Smeyne for The New York Times
• Ilana Becker Rebecca Smeyne for The New York Times
• Dan Abrams Rebecca Smeyne for The New York Times
• Coco Mitchell, left, and Earl Davis Rebecca Smeyne for The New York Times
• Timo Weiland Rebecca Smeyne for The New York Times

Ms. Esposito said that when she was in high school, she asked her hairdresser for Bon Jovi’s look. “I used to bring in a picture of him and say, ‘Make it look like that,’” she recalled.

The two later acted alongside each other. “He’s a cool dude from Jersey,” she said. “He wasn’t a big shot. He just wanted to show up and do a good job.”

Just before 10 p.m., after posing for a row of selfies, the musician slid out the door. Servers continued to circle with sliders and summer rolls, and as “Livin’ on a Prayer” played through the restaurant, a young bartender smiled and sang the lyrics to herself.

A Preview of Dudamel at the New York Philharmonic

By Sarah Bahr

“What are we excited about tonight?” said Agnes Hsu-Tang, the archaeologist, art historian and wife of the New York Philharmonic co-chairman Oscar L. Tang.

“Dudamel!” she and her husband said in unison.

They were at a cocktail reception before the New York Philharmonic’s annual spring gala at David Geffen Hall on Wednesday night. In a special East Coast appearance, Gustavo Dudamel, the charismatic conductor of the Los Angeles Philharmonic, led the New York Philharmonic through a 90-minute program and preview of what is to come when he officially takes over as the orchestra’s music and artistic director in 2026.

The night was attended by music-world fixtures such as Jamie, Alexander and Nina Bernstein, the children of the conductor Leonard Bernstein; J’Nai Bridges, the mezzo-soprano; and Anthony Roth Costanzo, the countertenor.

“The whole idea is to pull classical music out of its rut and show the world how flexible and versatile it can be,” Jamie Bernstein said.

The evening gave many in attendance their first look at Mr. Dudamel, 43, the rare maestro whose fame transcends classical music. That’s not to say it will all be smooth sailing for Mr. Dudamel. He will face the challenge of reaching younger and more diverse audiences, as well as an investigation into how the orchestra handled a sexual assault accusation in 2010.

But on Wednesday night, with his baton bobbing and his curls bouncing, he led the orchestra through “The Mother Is Standing,” by the composer Nina Shekhar. The piece was followed by Heitor Villa-Lobos’s Aria from Bachianas Brasileiras No. 5 (a feature for the soprano Hera Hyesang Park), Arturo Márquez’s Danzón No. 8 and Richard Strauss’s Der Rosenkavalier Suite.

• Carolina Herrera Dolly Faibyshev for The New York Times
• Anthony Roth Costanzo Dolly Faibyshev for The New York Times
• Hera Hyesang Park Dolly Faibyshev for The New York Times
• Nina Shekhar Dolly Faibyshev for The New York Times
• Fay Leshner Dolly Faibyshev for The New York Times
• Barbara Tober Dolly Faibyshev for The New York Times
• Tania León Dolly Faibyshev for The New York Times
• Claudia Romo Edelman Dolly Faibyshev for The New York Times
• Sylvia Tóth Dolly Faibyshev for The New York Times

The gala also featured performances by Common, the rapper and actor; Bernie Williams, the classical guitarist and former New York Yankees center fielder; and student musicians from across New York City. The night drew about 2,200 people and raised more than $2.4 million for the orchestra.

Later, during a dinner of jumbo asparagus and Amish chicken, a beaming Ms. Park graciously entertained a stream of well-wishers.

“I woke up at 6 a.m. before my first rehearsal with Dudamel because I couldn’t sleep because I was so excited,” she said, as people stopped by her table to congratulate her. “And,” she added, “tonight was even better than I imagined.”

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