magical mystery tour 50th anniversary platinum collector's edition

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• Magical Mystery Tour
• The Fool on the Hill
• Blue Jay Way
• Your Mother Should Know
• I Am the Walrus
• Hello, Goodbye
• Strawberry Fields Forever
• Baby, You're a Rich Man
• All You Need is Love

• Only a Northern Song - recorded during the Sgt. Pepper sessions but held for the 1968 "Yellow Submarine" soundtrack album (about which more below).
• It's All Too Much - recorded in May and June 1967 but held for the "Yellow Submarine" soundtrack.
• All Together Now - recorded in May 1967 but held for the "Yellow Submarine" soundtrack.
• Magical Mystery Tour  - film version, which includes somewhat different vocals and John's spoken, "When a man buys a ticket for a magical mystery tour..." section.
• The Fool on the Hill - Demo version, part of which was included on Anthology 2 .
• All You Need is Love - TV broadcast version
• Aerial Tour Instrumental - a variation on "Flying," which has appeared on numerous bootlegs.
• Shirley's Wild Accordion - a Lennon-McCartney credited instrumental featured in the MMT film. The music is performed by Shirley Evans on accordion; her husband, Reg Wale, on percussion; Paul McCartney on maracas and Ringo Starr on drums. A version of the tune appears as a bonus on the 2012 MMT DVD/Blu-ray.
• Mellotron music - various musical cues created for the MMT film, which also are available on bootlegs.
• Jesse's Dream - instrumental music from this sequence of the MMT film.
• Christmas Time (is Here Again) - full version of the tune used in bits and pieces on the band's 1967 Christmas fan club record and excerpted on the 1995 "Free as a Bird" single. 
• Carnival of Light - the never-bootlegged studio freakout recorded as Paul's contribution to the Million Volt Light and Sound Rave, held in London in early 1967. I felt that this really should've been included in the Pepper box since it was recorded during sessions for that LP. But MMT is a compilation album of 1967 recordings, so why not include it here?
• All Together on the Wireless Machine - Maybe as a hidden cut. This is a short ditty used as a jingle for BBC Radio's "Where It's At" program hosted by Kenny Everett and Chris Demming. It reportedly features Paul on vocals and piano (and it sounds like Paul to me), but that's the topic of some debate. At any rate, it seems like the Beatles camp would know whether it's Paul or not and, if so, include it here.
• BBC"Where It's At" broadcast from May 20 featuring John and Paul discussing Sgt. Pepper . Should've been on the Pepper box, but let's include it here.
• BBC Kenny Everett interview with Paul about the "All You Need is Love" TV broadcast.
• BBC "Where It's At" broadcast from Nov. 25 featuring John discussing MMT . 

• Director's commentary by Paul McCartney
• The Making of Magical Mystery Tour
• Ringo the Actor
• Meet the Supporting Cast
• Three new edits of "Your Mother Should Know," "Blue Jay Way," and "The Fool on the Hill" featuring footage not seen in the original film.
• "Hello Goodbye" as featured in Top of the Pops 1967
• Nat's Dream - A scene directed by John featuring Nat Jackley. Not included in the original film.
• Ivor Cutler 'I'm Going In A Field' - Ivor performs 'I'm Going In A Field', in a field. Not included in the original film.
• Traffic 'Here We Go Round The Mulberry Bush' - The filming of Traffic acting out their 1967 hit single 'Here We Go Round The Mulberry Bush' was commissioned by The Beatles for possible inclusion in Magical Mystery Tour but was not used in the final edit.

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The Beatles / Magical Mystery Tour Special Boxed Deluxe Edition

By Paul Sinclair

As previously revealed on this blog, The Beatles Magical Mystery Tour  film is coming Blu-ray (and DVD) on 8 October (worldwide) and 9 October in North America – the news is now official.

Even better news is that as well as standard releases on DVD and Blu-ray, a special, boxed deluxe edition will also be available with the following contents:

• • Set housed in a 10″x10″ box
• • Both DVD and Blu-ray included
• • 60-page book with background information, photographs and documentation from the production,
• • A faithful reproduction of the mono double 7″ vinyl EP of the film’s six new Beatles songs, originally issued in the UK to complement the film’s 1967 release!

This sounds superb, and the set is currently retailing for £59.99 on Apple’s online store .

The film has been fully restored by Paul Rutan Jr. of Eque Inc., the same company that handled the much acclaimed restoration of Yellow Submarine . The soundtrack has been remixed into 5.1 surround! This work was done at Abbey Road Studios by Giles Martin and Sam Okell. This means DTS-HD Master Audio 5.1 for the Blu-ray!

SPECIAL FEATURES: All of the packages contain a host of special features, packed with unseen footage. There are newly-filmed interviews with Paul McCartney, Ringo Starr, and other members of the film’s cast and crew, as well as a director’s audio commentary recorded by Paul.

Director’s Commentary – by Paul McCartney

The Making of Magical Mystery Tour (19m 05s)

– Features interviews with Paul and Ringo, along with other cast members and crew. Includes unseen footage.

Ringo the actor (2m 30s)

– Ringo reflecting on his role in the film.

Meet The Supporting Cast (11m 27s)

– A feature on the background and careers of Nat Jackley, Jessie Robins, Ivor Cutler, The Bonzo Dog Doo-Dah Band, Victor Spinetti, George Claydon, and Derek Royle.

“Your Mother Should Know” (2m 35s)

“Blue Jay Way” (3m 53s)

“The Fool On The Hill” (3m 05s)

– Three new edits of these performances all featuring footage not seen in the original film.

“Hello Goodbye” (3m 24s), as featured in Top of the Pops 1967

– The Beatles allowed the BBC to film them in the edit suite where they were working on Magical Mystery Tour. This was then turned into a promo by the BBC, who shot their own additional footage. It was then broadcast on Top of the Pops to mark the “Hello Goodbye” single going to No 1 in December 1967.

Nat’s Dream (2m 50s)

– A scene directed by John featuring Nat Jackley and not included in the original film.

Ivor Cutler – “I’m Going In A Field” (2m 35s)

– Ivor performs “I’m Going In A Field”, in a field. This scene was not included in the original film.

Traffic – “Here We Go Round The Mulberry Bush” (1m 53s)

– The filming of Traffic acting out their 1967 hit single “Here We Go Round The Mulberry Bush” was commissioned by The Beatles for possible inclusion in Magical Mystery Tour but was not used in the final edit.

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Magical Mystery Tour Film 50th Anniversary

The Beatles Story celebrates the 50th anniversary of the release of The Beatles’ Magical Mystery Tour film with the launch of an exciting new exhibit.

The Beatles Story is celebrating 50 years since the release of The Beatles’  Magical Mystery Tour  film with the launch of an exciting new exhibit!

Magical Mystery Tour  was first aired on British television on Boxing Day (December 26) 1967, as a 52-minute-long, largely improvised, surreal comedy film featuring the Fab Four and other guests.

Paul McCartney wanted to create a film based upon the group and their music, in which various “ordinary” people were to travel on a coach and take a journey of spontaneous “magical” adventures.

The film was poorly received by critics and audiences at the time, but the soundtrack, which included six new Beatles songs, released in the UK as an EP on 8th December 1967, was a huge success, held only off the top spot by the band’s own single, ‘Hello, Goodbye’.

The EP format was not considered viable in the US, so instead Capitol Records created an album by placing the six songs from the EP on side one and adding the band’s 1967 singles onto the other. The soundtrack spent eight weeks at number one in the US album charts and was nominated album of the year in 1968.

1967 had certainly been a year of great achievement for The Beatles, considered by many to be at their most creative with the release of  Sgt. Pepper’s Lonely Hearts Club Band  in February, but it was also a year of sadness for the Liverpool band. Brian Epstein, The Beatles’ manager, passed away on 27th August 1967 at the age of 32, which delayed filming for  Magical Mystery Tour  and threw the band into uncertain times.

This exciting new exhibit opens at The Beatles Story 50 years to the day of the soundtrack’s UK release (8th December), and features revealing information, facts and figures about the  Magical Mystery Tour  film and soundtrack.

Visitors will also be able to view parts of film through the window of a replica tour bus. It will become a permanent fixture within the attraction’s Main Exhibition located on the UNESCO World heritage site at the  Albert Dock , Liverpool.

The  Magical Mystery Tour  film and soundtrack are available to purchase in multiple formats from our Fab4 Store, the perfect way to celebrate the film’s 50th anniversary this Christmas.

To visit Liverpool’s leading Beatles’ attraction, visitors can book online.

It turned out to be a wacky, impromptu romp that puzzled a few people at the time but as the years have gone by it now stands as a fond reminder of that period in our lives.

Read more stories ...

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Beatles / magical mystery tour tv archives special collectors edition / 2dvd.

in 1960s , Beatles , SGT 2018/02/02 880 Views

Beatles / Magical Mystery Tour TV Archives / 2DVD / SGT

Translated Text:

50th Anniversary Special Collector’s Edition. Complete 4 Japanese Collection. Pro-Shot

Click Image To Enlarge

“50th Anniversary Special Edition” Magical Mystery Tour Tour TV Archives – Complete 4 Japanese Collection “is SGT. From the label 2 DVD press platinum 2 set set appeared!

DVD 1 contains the main part by the former video version which was first remastered and first released in Japan in 1998. This version, which was released with Japanese subtitles in the first restoration version by George Martin ‘s first stereo remix and Ron Fermannec’ s image restoration, is different from the current official version and sound source mix, and subtitles, including mistranslation, at that time It is editing.

In the second half, the documentary special number “BBC Arena: Magical Mystery Tour · Livisite” broadcasted at BBC at the time was released in 2012 new version was recorded. It is a TV version with Japanese subtitles that was broadcast only once at that time in a must-see documentary including interviews that look back on those days and rare outtakes and scenes.

DVD 2 includes an 8 mm video version from original, mono, film released for the first time in Japan in the 70’s in closed caption. This picture which has become difficult to obtain since the disappearance in the 1970s is a valuable version recorded on the soundtrack of the original mono sound source although the quality is inferior to that of the later video, which is unique in this era It is a treasure vintage film that you can not miss with collectors that can enjoy Japanese subtitles.

In the second half, the Japanese subtitle TV version of the documentary “Magical Mystery Tour Memories” which was TV broadcast and overseas was also recorded. You can enjoy the contents including the rare picture with subtitles mainly about the remembrance of the performers at the time. Both versions are special video collections delivered to the 50th Anniversary of ‘Magical Mystery Tour’ recorded with Japanese subtitles!

５０周年スペシャル・エディションとして『マジカル・ミステリー・ツアーTVアーカイブス～コンプリート４ ジャパニーズ・コレクション』がＳＧＴ．レーベルより２ＤＶＤプレス盤２枚組セットで登場！

DVD１には最初にリマスターされ９８年に初めて日本で発売されたかつてのビデオ・バージョンによる本編を収録。ジョージ・マーティンによる初のステレオ・リミックスそしてロン・ファーマネクによる映像修復による初のリストア・バージョンに日本語字幕付きで発売されたこのバージョンは現在の公式バージョンと音源ミックスも異なり誤訳も含め字幕も当時ならではの編集です。

後半には２０１２年新たなバージョンで発売された当時にBBCで放送されたドキュメンタリー特番『BBCアリーナ：マジカル・ミステリー・ツアー・リヴィジテッド』を収録。ポールやリンゴはじめ当時を振り返るインタビューや珍しいアウトテイク・シーン含む必見内容のドキュメンタリーで当時一度だけ放送された日本語字幕付きのＴＶバージョンです。

ＤＶＤ２には７０年代に日本で初めて字幕入りで発売されたオリジナル・モノ・フィルムからの８ｍｍ映像バージョンを収録。７０年代廃版となって以降入手困難となっているこの映像は後のビデオよりクオリティは劣るもののオリジナル・モノ音源のサウンドトラックで収録された今となっては貴重なバージョンでこの時代ならではの独特な日本語字幕も楽しめるコレクターには見逃せないお宝ヴィンテージ・フィルムです。

後半には海外ではＴＶ放送されビデオ化もされたドキュメンタリー『マジカル・ミステリー・ツアー・メモリーズ』の日本語字幕ＴＶバージョンを収録。当時の出演者の回想を中心にレア映像も含まれた内容を字幕付きで楽しめます。いずれのバージョンもすべて日本語字幕付きで収録された『マジカル・ミステリー・ツアー』５０周年アニバーサリーにお届けするスペシャル映像コレクションです！

DVD1 MAGICAL MYSTERY TOUR : STEREO REMASTER 1998 MAGICAL MYSTERY TOUR THE FOOL ON THE HILL SHE LOVES YOU (Orchestra) FLYING ALL MY LOVING (Orchestra) I AM THE WALRUS BLUE JAY WAY DEATH CAB FOR CUTIE (The Bonzo Dog Doo-Dah Band) YOUR MOTHER SHOULD KNOW MAGICAL MYSTERY TOUR / HELLO GOODBYE (Finale)

BBC ARENA : MAGICAL MYSTERY TOUR REVISITED 2012 PART 1 – BOXING DAY 1967 PART 2 – MADE LIKE ART FILM PART 3 – THE BEATLES AS ITS READERS PART 4 – PSYCHEDELIC ELEMENTS PART 5 – COMING TO TAKE YOU WAY

DVD2 MAGICAL MYSTERY TOUR : ORIGINAL MONO FILM MAGICAL MYSTERY TOUR THE FOOL ON THE HILL SHE LOVES YOU (Orchestra) FLYING ALL MY LOVING (Orchestra) I AM THE WALRUS BLUE JAY WAY DEATH CAB FOR CUTIE (The Bonzo Dog Doo-Dah Band) YOUR MOTHER SHOULD KNOW MAGICAL MYSTERY TOUR / HELLO GOODBYE (Finale)

MAGICAL MYSTERY TOUR MEMORIES 2008 PART 1 – FROM LONDON TO CORNWALL PART 2- NEWQUAY PART 3 – KENT PART 4 – WEST MALLING

NTSC 4:3 in 16:9 Wide Screen – Dolby Digital Stereo / Mono DVD1 = time approx. 110min. (52+58) DVD2 = time approx. 108min. (55+53)

SGTSPMMTDVD1/2

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• The Beatles’ albums in order – complete list!

Magical Mystery Tour

Released as a six-song double EP in the United Kingdom and an 11-song album in the US and elsewhere, Magical Mystery Tour was the soundtrack to the television film of the same name, which was first broadcast by the BBC on 26 December 1967 .

In the wake of the death of Brian Epstein on 27 August 1967 , The Beatles found themselves suddenly without direction. Whereas since 1962 they had been carefully guided by their manager, at the peak of their career they were unused to making their own business decisions or having absolute autonomy over their future.

On 1 September 1967 , five days after Epstein’s body was discovered in his London home, The Beatles met at Paul McCartney ’s house at 7 Cavendish Avenue in St John’s Wood, London. The previous day an announcement had been issued stating that the band would continue to be managed by NEMS Enterprises – now under the guidance of Epstein’s brother Clive – until further notice.

During the 1 September meeting The Beatles agreed to continue with Magical Mystery Tour , a project begun in April shortly after the completion of Sgt Pepper’s Lonely Hearts Club Band . Crucially, this was a time when McCartney began steering many of the group’s decisions, encouraging them to continue during a period in which they might easily have collapsed amid a lack of direction.

I was still under a false impression. I still felt every now and then that Brian would come in and say, ‘It’s time to record,’ or, ‘Time to do this.’ And Paul started doing that: ‘Now we’re going to make a movie. Now we’re going to make a record.’ And he assumed that if he didn’t call us, nobody would ever make a record. Paul would say, well, now he felt like it – and suddenly I’d have to whip out twenty songs. He’d come in with about twenty good songs and say, ‘We’re recording.’ And I suddenly had to write a f*****g stack of songs.

McCartney’s concept for Magical Mystery Tour was to produce a television special about a group of ordinary people taking a mystery trip on a coach. The film would take in various locations in England and France, and would be mostly improvised and take advantage of the encounters they had on the road.

Magical Mystery Tour was Paul’s idea. It was a good way to work. Paul had a great piece of paper – just a blank piece of white paper with a circle on it. The plan was: ‘We start here – and we’ve got to do something here…’ We filled it in as we went along. We rented a bus and off we went. There was some planning: John would always want a midget or two around, and we had to get an aircraft hangar to put the set in. We’d do the music, of course. They were the finest videos, and it was a lot of fun. To get the actors we looked through the actors’ directory, Spotlight: ‘Oh, we need someone like this, and someone like that.’ We needed a large lady to play my auntie. So we found a large lady.

Latest Comments

Absolutely underrated in so many ways.

Problem is… it’s not really an album. Just a collection of songs already recorded

But isn’t that what the definition of an album is? A collection of songs already recorded?

Kind of hard to make an album if none of the songs have been recorded already.

The idea is that if you for example compare it to Sgt. Peppers, there is no feeling of a “string” guiding you through the album. MMT seems very convoluted to me. Side 1 & 2 seem to me like they are from different albums and mindsets. In almost every album theres a definite feel of “This is their idea of music at this point”. This doesn’t happen for me in Magical Mystery Tour.

best beatle album a collection of hits Such a master piece, along with revolver, rubber soul, sgt pepper, and white album

and help. and a hard days night and well all beatle music.

The only Capitol release that improved upon a British release. (Or even equalled it, for that matter, since the UK “Pepper” was ever-so slightly better than the US version, which excluded the inner-groove gibberish and for-dogs-only tone.)

Yep, I agree that Capitol finally did the Beatles right by adding all those wonderful 1967 singles. For once they didn’t butcher the EP, (like all the previous LP’s) they just added to it. But I also really love the EP for what it is. Never saw it growing up in Canada until I finally got my own UK EP import.

How can you not love MMT? It gives me a warm, magical, mysterious feeling just thinking about it. The only downer is Blue Jay Way which is tough to get all the way through. They should have put “It’s All Too Much” on this instead of Yellow Submarine. Then it would be spotless!

Yellow Submarine isn’t on Magical Mystery Tour. Did you mean Blue Jay Way?

I think he means they shoud have put the song It’s All Too Much on the album MMT istead of the album Yellow Submarine.

I agree with you about MMT being a supreme beatles album , but i dont agree about blue jay way … when you consider how hari wrote it , he was took out to a friends house in (america i think) by whoever and the friend was not at home so george waited at the house entrance while (whoever) went to look for the friend or a phone …. it was getting towards dusk a little dark and george being on his own in the unfamiliar surroundings of a foreign country got a little scared and the lane/road was called Blue Jay Way and the song was born…. you might say written with the help of fear !!!

Blue Jay Way was not meant to be a Top 40 hit. It was first & foremost a vehicle to tell us the story of Paul’s death, and its video was likewise a vehicle to show you quick flashes of his corpse, his damaged face after the accident, and even his displaced jawbone flying around. These grisly images are presented against a busy background of people dancing & darting across the scene, so you must freeze frames to see them. But they are all there to tell the story as The Beatles intended.

Pure bullocks. George told the story many times as to what this song is about. You simply haven’t a clue I’m afraid.

Just another fool on the hill.

Is it the EP you’re referring to? Blue Jay Way although lengthy is a significant Harrison piece, instrumentation-wise, which I find quite soothing when listened to. You don’t have a complete MMT experience without this song.

Blue Jay Way may be the only song on all of The Beatles albums that I skip every single time.

I love all the Beatle albums, but between this one and Beatles for sale, they are my least favorite.I find it suprising that John Lennon said it was his favorite.I heard that in the Anthology DVD and I assumed it was from an interview at the time of MMT’s release but on here it says from a Rolling Stone 1974 interview.I am the Walrus is definetly one of Lennons best works, but the album as a whole just doesnt stand up there for me.It’s still a great record, just not one of their better ones in my opinion.

In the states, MMT was a Christmas release, 6 months after Sgt. P. It was seen as the next Beatles album, when in fact it was an extension of Sgt. P. That the White Album was in fact the next Beatles album has been lost on the American public’s consciousness.

One has to wonder what might have happened if they didn’t feel the need or succumb to the pressure to churn out album after album in the wake of Brian’s death. The massive White Album, then 5 months later convening for Get BAck/Let It Be… then Abbey Road right after. Bands today could never maintain the pace of recording/movies/business pressures as did the Beatles. Perhaps, if… they might have… oh well. There are a lot of “perhaps’ ” in the history of the Beatles.

Yeah, it’s UNCANNY (and terribly stupid on their part) that less than ONE MONTH AND A HALF after releasing the White Album, these crazy workaholics should convene again for the drudgery of more recording AND filming. Even without the alleged “tensions” attending the recording of The Beatles, any four human beings should have been exhausted after such strenuous work. Why not wait at least until spring/early summer to resume work, have a good rest of writing/rehearsing/recording (and putting up with each other!), and then “get back” with renewed energy? I’m sure The Beatles wouldn’t have split up if they had respected themselves a little bit more. They seemed to have gotten caught up into a masochistic groove: what sense does it make to play LIVE in the middle of the winter on a windswept rooftop in London!!!? That, despite all the odds, that performance should have been SO good is yet another proof of how great The Beatles were, but they simply seem to have stretched human nature too far…. What a waste!

The band had a very work a day attitude to what they did. Essentially they saw being recording artists the same way as being a Teacher,Nurse,Engineer, Postman or any other job. You went to work everyday and had some days off for weekends or holidays. Paul particularly had this attitude. Although their hours of work were unusual they were more like shift workers working a backshift.

It continued after they split up as well. After recording TWO Albums in 1969, they immediately dived into solo singles and albums.

Ringo releasing 2 albums in 1970, Paul 1 in 1970 and 2 in 1971, George a triple album in 1970, John releasing albums in 1970 and 1971.

The Beatles got it right. They split up while they were a YOUNG band & will always be remembered as such……Unlike the rolling stones.

It is very simple why they did so much work in November 1966 to August 1969 in the studio. They were not touring and could spend the time recording as much material as they could release.

I live in the US and close to 40 years ago read that the White Album was meant as a follow-up to Sgt. Pepper’s, with the stark cover and relative simplicity of the songs countering the extravagance and complexity of Pepper.

well, bear in mind that side 2 was mostly songs that had gotten lots of radio play during the year before, so even in the U.S. it was clear to me, as an 11 year old, that it included a lot of re-packaged material. Compared to my experience of the White Album which was like getting this amazing toy chest, every single song was unfamiliar, the whole thing had a vibe, and what a treat to discover them all from scratch. And there was an obvious difference between the fun but ultimately kind of commercial comic book in MMT and the much more interesting packaging of the White Album and Sgt Pepper. Kind of the same thing with Let It Be…when I got THAT for Christmas it was exciting to have a new bit of Beatles product and i gleaned pleasure from various tracks. But every single thing about it signaled that it wasn’t a major work in the canon. Starting with the banal packaging.

I concur wholeheartedly. The albums’ and singles’ releasing frequency was imo also a bad business decision altogether on part of the parts involved. It sort of unnecessarily saturated the Fab4 market, with the exception of the hardcore fans worldwide.

Not at all. Their creativity had multiplied and they wanted to keep the box open as they weren’t planning any tours; MMT was to be broadcast in MondoVison, exploring a new format it turned out to be more than an interlude, quite magically. Meanwhile the affiliated record companies had been releasing as much as possible already, clearly Apple was created to keep them letting it get so out of control, as well as an outlet for whatever the Beatles would fancy.

This album has its similarities to the white album not pepper think about it The Fool On The Hill and Mother Natures Son or Flying and Wild Honey Pie, Strawberry Fields Forever and Glass Onion, Baby Your A Rich Man and Happiness Is A Warm Gun!!

strawberry fields forever was originally wrote for pepper penny lane also but the big wigs moneymen who all but owned the Beatles were impatient pepper took so long to make that they demanded a release so EMI released SFF/PL so it does have similarities to pepper. the information can be found in the “complete abbey road recordings” which was put out by EMI/HAMLIN.

I saw ‘MMT’, the color version, in a small ‘art’ theatre in my city in early 1968…I was quite intrigued as it had a dreamlike and slightly ‘down’ air about it, quite different from ‘HDN’ & ‘Help’.

I can only imagine what the UK Boxing Day audience who saw the black & white version thought.

Very ‘surrealistic’ and way ahead of later MTV rubbish.

MMT was not distributed in North America until late 1968-early 1969 in small theatres with Eric Anderson doing a short concert as well as introducing the movie.

The MMT movie best moment is definettly Jonh serving sppaghetti to the big lady! That’s so genius!. I like the album very very much! Except for “Hello Goodbye”(I hate it, but fits the purposes of the movie/album I guess), all the songs are great and fit within The Beatles best work!

Outstanding album; really better than other higher-profile albums like SPLHCB.

This has to be said: MMT is NOT a Beatles album. It is an American COMPILATION of Beatles music. Nothing to do with them apart from that. Since its entry to the “official canon” the attitude seems to have grown that it should be considered as if one of the UK albums that they put so much thought and effort into. Comparing it to those albums is just wrong. I love the album. It is one the great COMPILATION albums – but to see how the group wanted the music on it presented at the time, look to the UK double-ep (which is a fantastic package) and the relevant singles. However much I love it as an album, one of my big disappointments is that it made the original CD reissue series in the ’80s. That gave the impression there were 13 albums instead of 12. What would Mark have done? I would have had “Past Masters” live up to its job description – to collect ALL recordings not featured on the 12 albums they recorded and released as they envisioned them. You could then have a “Past Masters” that made sense, instead of having a big 1967-shaped hole at its centre. And if anyone’s wondering, it would easily fit. “Past Masters” is about 94 minutes, MMT 36, giving a “Past Masters” that would be around 130 minutes. Volume/Disc 1: 1962-66, Volume/Disc 2: 1967-70 (think I’ve heard that split somewhere before). A later release of MMT could have been done later, as has happened with other Capitol albums. Don’t get me wrong though, I don’t dislike the album or anything, I just dislike it’s elevated status alongside the 12 albums they did record. I dread the day when I come across a comment telling me that The Beatles never recorded a better album than “1”!

It’s a nice idea. However, having MMT incorporated into Past Masters may have meant we didn’t get the MMT artwork – the booklet is really worth having. Personally I’m glad they kept it as a standalone release, but it’s all personal preference. I do think there’s quite a big hole in PM because MMT hoovered up all the amazing 1967 singles.

True it’s technically not a Beatles album although I believe Parlophone did decide to start pressing copies of it in the U.K. at some point like it was a Beatles album. It’s a great companion album to Sgt. Pepper since those two albums basically give you 99% of their 67 output.

I totally agree, it was an EP and should have gone down in history as an EP. When they released the new 2014 mono LP set, they should included the EP and put the remaining singles Past Masters.

No I think they got it right releasing it as an album when it came time to standardise the albums throughout the world as there was packaging especially for it, and for once Capitol got it right in putting all the 1967 singles on the second side, It would have left Past/Mono Masters as lop sided from 1965 onwards with the 11 songs that are on the album.

However i do agree that they could release Magical Mystery Tour as a stand alone Double EP in both stereo and mono, and maybe release it as a twelve inch singles as well in stereo and mono. So you could have four options in which to buy it.

It’s an album. It exists today as an album because that’s what it is. So, in other words: The Beatles were wrong and Capitol was right. They knew it was an album, and it is!

Another detail to clarify who wore which animal suit…look for the wristwatch.

I got this album in June 1980. It is great that the songs on the British EP and the1967 singles and Bsides could be included on one album. It compliments Sgt Pepper in that regard. I Am The Walrus is one of my favorite songs of all time and a great example of John Lennons offbeat genius. And for that matter The Fool On The Hill is one of McCartneys finest. And then you have other masterpieces like All You Need Is Love, Penny Lane and Strawberry Fields Forever on side two. Thats not to forget Baby Youre A Rich Man.

Strawberry Fields and Penny Lane belong on Sgt Pepper, but as usual EMI couldn’t wait and needed a single before Pepper was finished. and the Beatles didn’t put their singles on albums to that point.The iconic album would have been truly awesome with.their best two songs of 1967

Agreed, what I have done is make my own albums, So Strawberry Fields and Penny Lane are on my version of Pepper, likewise I added Rain to Revolver and removed Yellow Submarine.

I’ve done the same. Magical Mystery Tour and Yellow Submarine get spliced together as the great psychedelic afterbirth that follows Sergeant P. My version runs: Magical Mystery Tour, Baby You’re a Rich Man, Only a Northern Song, Hello Goodbye, All You Need Is Love, Flying, Your Mother Should Know, The Inner Light, Hey Bulldog, Blue Jay Way, All Together Now, I Am the Walrus, The Fool on the Hill and It’s All Too Much. I was inspired by the great article “Playing God” by Todd Burns and have similarly chopped and changed all the albums to include singles from each period. I’ve only just noticed that You Know My Name (LUTN) is missing. That might go last. I’m interested in hearing about other versions or improvements!

Havent seen the mmt movie, but excluding hello goodbye, & blue jay way its great back to back

I have the original 1967 MMT EMI in mint condition, can some one tell me the value of this record? Thanks!

Check around a little bit but I have seen a quote of up to $750 on moneymusic.com

If we allow that MMT is indeed a Beatles album, then it clearly is in their very top-most in the canon. It has at least 5 of what would be considered universally accepted of the top 25 Beatles songs of all time. SFF, AYNIL, IATW, PL, and FOTH

The first Beatle album I ever owned at the age of 13 and for that it will also have a nostalgic place in my heart.

It is fabulous. Just brilliant. Frankly, it should be seen for what it is, very serious music. Because “Strawberry Fields Forever” is so good, I really think that this is the best album of all, well, I suppose, along with “Sgt. Pepper”. “I Am the Walrus” and “Fool on the Hill’ are so good that I find myself playing this more than any other of their albums. Yes, I prefer the old vinyl one though I also have the CD and I believe the EP somewhere as well. If it is serious music you want, and not necessarily pop entertainment, then this one really stands out. Forget about the costumes, the movie, the inside information, and just focus on the 11 songs. I have no problem with any of the songs that people who have commented on dislike. It’s all great. The album version stated here to not be released was everywhere in the U. K., yes, everywhere as soon as 1968 and all through the 70’s. Import? That’s silly, since it’s their album. The cover maybe, perhaps, but certainly not the music. It’s a bit like saying an American printing of a Shakespeare play is American when the play isn’t. As for the reason I find this to be their best, well it certainly has nothing to do with the film. I’ve never seen it and that’s all right. It’s all about the brilliant music herein. Cheers!

Yeah but my question is, where are the costumes and masks today? Were they donated or does the current Beatle members have it?

A lot of you guys doesn’t have a clue about MMT. The US album was fully supported by The Beatles. Before 1967 they couldn’t do anything about Capitol’s releases, but by renewing their contract with EMI, one of their demands was that they could control releases overseas. If the Beatles had put their foot down before Capitol, the US album would not have happend. They did not.

The whole movie was a rent party. The bus, the sets, actors, costumes; all rented.Only the music was bought and paid for…by the fans. And we (Americans) didn’t even get to see the movie.

Nigel – the movie did play here in the states but probably in sporadic and random theaters. I saw it somewhere in Connecticut in the 70’s.

I was totally nuts about “I Am The Walrus” when it came out and it’s still a favorite. But beyond that I feel that the other songs from the movie (Side “A” of the US album) are collectively about the weakest material the Beatles ever put out. It feels to me as though they wanted to keep the innovation and magic of Sergeant Pepper going but were just trying too hard. Also I wonder if Brian Epstein’s death and resulting lack of “grown up” direction didn’t contribute to the muddle.

Instead of “Magical Mystery Tour” I refer to this album as “Whoa! Way Too Much Acid!”.

Did anyone know that in magical mystery tour Paul is wherein a flashers coat during the song fool on the hill and you can actually see for a fleeting moment his junk.

This was thought to be as one could not tell due to the quality of the VHS tapes .Now its on Blu ray and DVDone can tell that this information is wrong.

Really like the sound of this album. Sounds a bit like Pepper in style, without all the psychedelic organs that makes Pepper sound a bit dated. Only song I’m not a huge fan of is “Blue Jay Way” which to me, drones on a bit too long.

this, in my opinion, is the only US release that was better than the UK version! Strawberry Fields Forever, Penny Lane and I am the Walrus all on the same album!

For most of us Americans under 60, this is an album. It starts with MMT and ends with All You Need is Love. I discovered this album as an 11 year old and didnt learn until my mid 20’s that I had the compiled American release. I decided to keep my original thoughts to it. Its the MMT album! They all evoke a 1967 feel to it; psychadelia (dark & positive), wit, nostalgia, & love. It feels like a concept album (all 11 songs). Lets not put this in the same category as the Hey Jude compilation Album that includes songs from years past. Whenever i have been asked if Pepper was the best Beatles album, i often jokingly respond that its not even the best album of ’67. I love MMT.

But the point i want to remind people of are the small magical pieces between songs. They are enjoyable little treats. You could make the point that this pattern continues on side 2 with the short snippets after Hello Goodbye & Strawberry Fields Forever. That is another reason why the two sides hold nicely together.

I’m in my 70s now and I guess that’s why it’s not an album to me, just mainly a collection of songs. The fact is that by the fall of 1967 we had heard the non-film songs lots on the radio and they were completely familiar when MMT was released. The film songs (except “I Am The Walrus”) did not seem in the same league musically with the singles and therefore the whole effort seemed like a weird mashing together of unrelated elements, very much the opposite of the Beatles’ normal way of doing things. Of course I bought the album though! But when I had first heard that the Beatles would follow up Sgt. Pepper with something called “Magical Mystery Tour,” just the name conjured images of an even deeper dive into psychedelia and therefore MMT was rather a flat disappointment in that regard.

The reason John said, “The Walrus was Paul” was not because Paul was in the Walrus costume. It was because he had a mo-ped accident and grew a moustache to hide the scar. The others said he looked like a walrus, but also grew moustaches in solidarity.

No one has mentioned that US Capitol, in making MMT a full album, copied UK Parlophone’s method for their earlier soundtrack LP’s, with all the movie songs on Side 1 and all the non-movie songs from the same time-frame on Side 2.

That is interesting, but seeing as side one was the same as the British release, this could be a coincidence? But there’s equal chance it was deliberate.

In my opinion, “Magical Mystery Tour” was The Beatles at the zenith of their psychedelic phase and some of the sessions happened to coincide with the Summer of Love. John and George went into their keyboardist mode during the sessions for MMT and both of them began to write keyboard-led songs during this period, so it clearly gave them a fantastic opportunity to develop their own keyboard techniques – George went into the organ and John clearly developed a fondness for pianos, mellotrons and organs – but neither fully abandoned playing their guitars altogether. Conversely, Paul’s bass never took a back seat to guitars or keyboards, since he was easily able to overdub it whenever he needed to or if he wished to rerecord them for the final mixes. Here’s a bit of trivia: in the video for “All You Need is Love”, the mystery drummer using brushes on Ringo’s hi-hats is Keith Moon. During the psychedelic period, John, Paul and George repainted their Gibson J-160E, Rickenbacker bass and Fender Stratocaster (nicknamed Rocky) respectively in psychedelic finish and Ringo used a red front head on the bass drum of his Ludwig drum kit. So yes, it is very interesting to know what instruments were used during these creative recording sessions.

What’s not to love about this LP. The only Capitol LP that outperforms the EP.

Great write up Joe. Always enjoy your site. Truly the best Beatles Forum out there!

That’s true for a number of reasons: a) Capitol compromised by merely expanding the EP into album format by including all six tracks from the EP on side one and filling out side 2 with their singles from 1967 (“Hello Goodbye”, “Strawberry Fields Forever”, “Penny Lane”, “Baby You’re a Rich Man” and “All You Need is Love”) on side two, so this was clearly some compensation over the omission of “Strawberry Fields Forever” and “Penny Lane” from “Sgt. Pepper”. b) The album was a popular import into the UK and it eventually got a British release in 1976. c) It was the officially adopted CD version in 1987 and 2009 plus it got remastered for vinyl in 2012.

I have always considered the “Magical Mystery Tour” LP a special case and the exception to the rule among the pre-Sgt. Pepper Capitol releases that The Beatles clearly disliked.

Perhaps the running order for the album version of “Magical Mystery Tour” had some influence on Simon and Garfunkel finalizing the running order for their 1968 album “Bookends”, as side one on that album was a song cycle (not a concept album, per se) and side 2 had the duo’s 1966-1967 singles and songs written by Paul Simon for the film “The Graduate”, most notably “Mrs. Robinson”.

Hairsplitting aside as to it’s official album status -this is my favorite Beatles album. There’s at least 5 masterpieces on it. It has the band at their psychedelic peak . Blue Jay Way is the only weak track but that’s made up for by the increasing fondness I have for Baby You’re a Rich Man. 5/5

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Khabarovsk Krai, Russia

The capital city of Khabarovsk krai: Khabarovsk .

Khabarovsk Krai - Overview

Khabarovsk Krai is a federal subject of Russia located in the center of the Russian Far East, part of the Far Eastern Federal District. Khabarovsk is the capital city of the region.

The population of Khabarovsk Krai is about 1,299,000 (2022), the area - 787,633 sq. km.

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Khabarovsk krai latest news and posts from our blog:.

25 August, 2017 / Russian banknotes and the sights depicted on them .

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21 December, 2016 / Flying over diverse Russia .

21 April, 2013 / Khabarovsk - the center of the Russian Far East .

16 January, 2011 / Siberian tiger walking the highway .

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History of Khabarovsk Krai

In the Middle Ages, the territory of today’s Khabarovsk Krai was inhabited mainly by the peoples of the Tungus-Manchu language group, as well as Nivkhs. In China they were known collectively as “wild Jurchen”. In the 13th-14th centuries, the Mongol rulers of China repeatedly organized expeditions to the lower Amur.

Russians began the development of the Far East in the 17th century. In 1639, a Cossack troop headed by Ivan Moskvitin reached the coast of the Sea of Okhotsk. The first stockade town was built in the mouth of the Ulya River. Later, Vasily Danilovich Poyarkov and Yerofei Pavlovich Khabarov were the first who started joining the Amur lands to Russia. Before Russians came here, the tribes of Daurs, Evenks, Natks, Gilyaks and others lived in this area (only about 30 thousand people).

The area was quickly populated by Russian settlers; new stockade towns were founded. But the process was interrupted due to a conflict with the Qing Dynasty. From the 1680s, Manchus started to fight against the Russian state.

More Historical Facts…

Russia could not move significant military forces to the Amur region and had to sign the Treaty of Nerchinsk (1689). According to it, Russians had to leave the left bank of the Amur River but managed to uphold its rights for the area behind Lake Baikal and the Sea of Okhotsk coast.

In the 18th century, Okhotsk became the main Pacific port of the Russian Empire. Development of the northern coast of the Pacific, exploration of the Kuril Islands and Sakhalin prepared the basis for the return of the Amur region.

In 1847, Nikolai Nikolayevich Muravyov was appointed a governor-general of Eastern Siberia. He did his best to return the Amur area to the Russian Empire. The number of Russians in the region began to grow. In 1858, the town of Khabarovsk was founded.

As a result of the weakening of China during the Opium Wars, two agreements were signed - the Aigun Treaty in 1858 and the Beijing Treaty in 1860. The Russian-Chinese border was established on the Amur and Ussuri rivers.

In 1884, Zabaikalskaya, Amurskaya and Primorskaya regions were united into Priamurskoye region with the center in Khabarovsk. Until the late 19th century, the Amur area was settled slowly. The situation changed in the early 20th century. In 1900, the Trans-Baikal Railway was opened, in 1902 - the Chinese Eastern Railway.

As a result, the number of settlers grew rapidly. In 1900-1913, about 300,000 peasants from other regions of the Russian Empire came to the Amur area. There were three towns (Khabarovsk, Nikolayevsk-on-Amur and Okhotsk) on the territory, which makes Khabarovsk krai today. By 1915, there were more than six thousand settlements with a total population of 316,300 people in Primorskaya oblast.

The Civil War lead to a great number of deaths and economic collapse in Russia. The restoration of pre-war level of economy was achieved by 1926. New cities were built in the region - Komsomolsk-on-Amur, Birobidzhan. October 20, 1938, Dalnevostochny region was divided into Khabarovsky and Primorsky regions.

In 1947-1948, Sakhalin and Amur regions were separated from Dalnevostochny region. In 1953, Magadan region was formed and separated from Dalnevostochny region. In 1956, Kamchatka region became independent too. In 1991, the Jewish autonomous region was separated from Dalnevostochny region.

Nature of Khabarovsk Krai

Khabarovsk Krai scenery

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Khabarovsk Krai landscape

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Lake in Khabarovsk Krai

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Khabarovsk Krai - Features

Khabarovsk Krai is one of the largest administrative-territorial units of the Russian Federation. The territory of the region stretches for about 1,800 kilometers from north to south, and for 125-750 km from west to east. The distance from Khabarovsk to Moscow is 8,533 km by rail, 8,385 by roads and 6,075 km by air.

Part of the southern boundary of the Khabarovsk region is the state border of Russia with China. The province is washed by the Sea of Okhotsk and the Sea of Japan. The coastline extension is 3,390 km, including islands, the largest of them are Shantarsky Islands. The highest point is Berill Mountain (2,933 meters).

The climate of the region changes from north to south. Winters are long and snowy. The average temperature in January is in the range of minus 22-40 degrees Celsius, on the coast - minus 18-24 degrees Celsius. Summers are hot and humid. The average temperature in July is about plus 15-20 degrees Celsius.

In general, Khabarovsk Krai is one of the most sparsely populated regions of Russia, which is due, firstly, the general economic decline of the post-Soviet time, and secondly - the severity of the local climate, comparable with the regions of the Far North.

The largest cities and towns are Khabarovsk (613,500), Komsomolsk-on-Amur (239,400) Amursk (38,200), Sovetskaya Gavan (22,900), Nikolaevsk-on-Amur (17,400), Bikin (15,900).

Khabarovsk Krai - Economy and Transport

The main branches of the local economy are mechanical engineering and metalworking, ferrous metallurgy, mining, fishing, food, light and timber industries. The mineral resources of the region include gold, tin, aluminum, iron, coal and lignite, graphite.

The main highways of Khabarovsk Krai are M60 “Ussuri” (Khabarovsk - Ussuriysk - Vladivostok) and M58 “Amur” (Chita - Never - Svobodny - Arkhara - Birobidzhan - Khabarovsk). The railway station “Khabarovsk-2” is a large railway hub. The directions are as follows: to the south (to Vladivostok and Port Vostochny), to the west (to Moscow) and to the north (to Komsomolsk-on-Amur).

The river port in Khabarovsk is the largest on the Amur River. The other river ports of the region are located in Komsomolsk and Nikolayevsk. The sea ports of the region are Okhotsk, Ayan, Nikolayevsk-on-Amur, Vanino, Sovetskaya Gavan.

Tourism in Khabarovsk Krai

The rich natural potential of the region provides endless opportunities for the development of ecological tourism. You can see reindeer, brown and Himalayan bears, bighorn sheep and even the Siberian tigers on the territory of Khabarovsk krai.

The Amur River is the main attraction of the region. Most of natural, cultural and historical tourist sites are concentrated in the valley of this river.

Shantarsky Islands, one of the most beautiful and unique places of unspoiled nature, are another natural attraction of this region. The inaccessibility of the islands allowed to preserve pristine nature. Shantarsky Islands are a habitat of whales, seals, killer whales. It is a great place for fishing.

If you prefer ethnographic tourism, you may be interested in cave paintings located near the Nanai village of Sikachi-Alyan and Lake Bolon, which is a large bird sanctuary. In the past, there were a Buddhist temple and ancient settlements in the vicinity of the lake.

Lovers of adventure tourism may be interested in rafting, fishing tours, caving and winter recreation.

The best time for tourism in Khabarovsk krai: “late spring - early summer”, “end of summer - early fall.”

The largest international airport in the region is located in Khabarovsk. The flights to Moscow, Vladivostok, Yuzhno-Sakhalinsk, Novosibirsk, Yakutsk, Krasnoyarsk, Irkutsk, Bangkok, Seoul, Harbin are available.

Khabarovsk krai of Russia photos

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THE BEATLES / MAGICAL MYSTERY TOUR 50th ANNIVERSARY COLLECTOR'S EDITION (1CD+3DVD)

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CD 50TH ANNIVERSARY REMIX AND REMASTER 1. MAGICAL MYSTERY TOUR 2. THE FOOL ON THE HILL 3. FLYING 4. BLUE JAY WAY 5. YOUR MOTHER SHOULD KNOW 6. I AM THE WALRUS 7. HELLO GOODBYE 8. STRAWBERRY FIELDS FOREVER 9. PENNY LANE 10. BABY YOU'RE A RICH MAN 11. ALL YOU NEED IS LOVE EXTRA TRACKS 12. MAGICAL MYSTERY TOUR (original voice over remix) 13. THE FOOL ON THE HILL (soundtrack remix) 14. FLYING PART.1 (soundtrack remix) 15. FLYING PART.2 (soundtrack remix) 16. I AM THE WALRUS (soundtrack remix) 17. BLUE JAY WAY (soundtrack remix) 18. YOUR MOTHER SHOULD KNOW (soundtrack remix) 19. MAGICAL MYSTERY TOUR (REPRISE) (soundtrack remix) 20. HELLO GOODBYE (new create remix) 21. MAGICAL MYSTERY TOUR (paul's voice over remix) 22. LADY MADONNA (anthology remix) 23. ALL YOU NEED IS LOVE (anthology remix) 24. CHRISTMAS TIME (IS HERE AGAIN) (stereo mix)

50th Anniversary Remix And Remaster 2017

DVD1 VIDEO ALBUM MAGICAL MYSTERY TOUR THE FOOL ON THE HILL FLYING BLUE JAY WAY YOUR MOTHER SHOULD KNOW I AM THE WALRUS HELLO GOODBYE STRAWBERRY FIELDS FOREVER PENNY LANE BABY YOU'RE A RICH MAN ALL YOU NEED IS LOVE PROMO VIDEO EXTRA HELLO GOODBYE (Top Of The Pops) LADY MADONNA (Anthology Mix) LADY MADONNA (Version 1) LADY MADONNA (Version 2) HEY BULLDOG MAGICAL MYSTERY TOUR REVISITED INTRODUCTION THE MAGICIANS MAGICAL MYSTERY TOUR RINGO AND AUNT JESSIE PENNY LANE GOOD MORNING MISS WINTERS THE FOOL ON THE HILL MAGIC IS BEGINNING STRAWBERRY FIELDS FOREVER FLYING BLUE JAY WAY MY DEAR LADY ALL YOU NEED IS LOVE SGT.SPINETTI I AM THE WALRUS JESSIE'S DREAM HELLO GOODBYE MAGICAL MYSTERY MARATHON BABY YOU'RE A RICH MAN SINGALONG ON THE BUS A DAY IN THE LIFE DEATH CAB FOR CUTIE (The Bonzo Dog Doo-Dah Band) YOUR MOTHER SHOULD KNOW MAGICAL MYSTERY TOUR (Reprise) / HELLO GOODBYE (Finale) HELLO GOODBYE (Bonus)

DVD2 MAGICAL MYSTERY TOUR - ALTERNATE EDITION INTRODUCTION MAGICAL MYSTERY TOUR RINGO AND AUNT JESSIE THE FOOL ON THE HILL SGT.SPINETTI MAGICAL MYSTERY MARATHON FLYING STRAWBERRY FIELDS FOREVER (Sequence)< NAT'S DREAM WAITING ON A BUS I'M GOING IN A FIELD (Ivor Cutler) ALL MY LOVING (Sequence) I AM THE WALRUS JESSIE'S DREAM DINING SCENE JESSIE ON DRUMS YESTERDAY HERE WE GO ROUND THE MULBERRY BUSH (Traffic) HELLO GOODBYE (FISH AND CHIPS) INTO THE TENT BLUE JAY WAY I AM THE WALRUS (Sequence) YOU MADE ME LOVE YOU JESSIE'S BLUES THE WALLS OF JERICHO DEATH CAB FOR CUTIE (The Bonzo Dog Doo-Dah Band) YOUR MOTHER SHOULD KNOW MAGICAL MYSTERY TOUR (Reprise) HELLO GOODBYE (Finale)

MAGICAL MYSTERY TOUR - OUTTAKES ON TV -   DECEMBER 26, 1967 MAGICAL MYSTERY TOUR MAGICAL MYSTERY MARATHON I AM THE COURIER I AM THE WALRUS FLYING BLUE JAY WAY DINING SCENE / JESSIE ON DRUMS NAT'S DREAM YOUR MOTHER SHOULD KNOW ON THE BUS (Interviews) BBC:IVOR CUTLER (Documentary)

DVD3 STUDIO SESSIONS - AUDIO TRACKS slideshow MAGICAL MYSTERY TOUR 1. RM4  2. RM7 THE FOOL ON THE HILL 3. Take 1  4. Take 3 - Partial  5. Take 4  6. Take 5 - With Vocal Overdubs 7. Si Onto Take 5 - Partial Vocal Overdub FLYING 8. Flying (Rm4) (Mono)  9. Take 8+Overdub Takes 1-5 BLUEJAY WAY 10. RM1 YOUR MOTHER SHOULD KNOW 11. Take 8  12. Take 27 I AM THE WARLUS 13. Take Unknown - Partial  14. Take 7 - Monitor Mix  15. Take 8 - Monitor Mix 16. Take 9 - Monitor Mix  17. Rehearsal - Monitor Mix  18. Take 17 - Complete 19. Rm4  20. BBC King Lear - Isolated Speech 21. Radio Mix 22. Take 17 - Backing Track  23. Si Onto Take 17+Si Onto Take 25 - All Vocal Overdubs  24. Rs From Takes 16+17 HELLO GOODBYE 25. Unknown Rehearsal Take  26. Take 1  27. Take 16  28. Take 17 - Backing Track  29. Si Onto Take 16 - Vocal Overdubs  30. RS2 - Dry Barrett Mix ALL YOU NEED IS LOVE 31. Unknown Take I V1  32. Unknown Take Ii With Voiceover  33. EMI Take 10 - Partial  34. Warmup Take 35. Take 59  36. Take 59 - Partial Clean Studio Chat  37. Take 59 - Backing Track  38. Si Onto Take 10 + Si Onto Take 59 - Vocal Track  39. Rm11 ALL TOGETHER NOW 40. RM6 IT'S ALL TOO MUCH 41. RM1 ACROSS THE UNIVERSE 42. Take 2  43. RM From Take 7+FX  44. RS3 LADY MADONNA 45. Unknown Take  46. RS From Take 4  47. Take 4  48. Take 5 49. RS From Takes 3,4+5  50. Overdubs - Monitor Playback HEY BULLDOG 51. Unknown Take 1 - Partial  52. Unknown Take 2 - Partial 53. Unknown Take 3 - Partial  54. Take 10  55. Take 10 with Overdubs - Backing Track  56. Si Onto Take 10 - All Vocal Overdubs 57. RM2 From Take 10 THE INNER LIGHT 58. Take 3 - False Start  59. Take 5 Partial  60. Take 8  61. Take 2 - False Start 62. Takes 2-3, 5+8 Partial  63. Almost Shankara (Take 1) 64. Take 5 - Without Vocal Extraction  65. Take 5 - Without Vocal FREE NOW 66. Take Unknown CHRISTMAS TIME (IS HERE AGAIN) 67. Take 1 SOUNDTRACK 68. Shirley's Wild Accordion (Rs From Unknown Take - Blu-Ray Mix) 69. I Have Travelled (Unknown Composition - Blu-Ray Mix) 70. Jessie's Dream (Blu-Ray Mix) 71. Magical Mystery Tour (Rs From Takes 8+9 - Home Video Mix) 72. Blue Jay Way (Rs From Takes 1+3 - Home Video Mix) 73. Your Mother Should Know (Rs From Take 52 - Home Video Mix) 74. I Am The Walrus (Rs From Takes 16,17,20+25 - Home Video Mix) ALTERNATES AND REMIXES 75. Magical Mystery Tour (Rs From Take 7,8+9 - Anthology 5.1 Stereo Dvd Mix - No Bus Fx) 76. The Fool On The Hill (Rs From Takes 5+7 - Partial Anthology Dvd Mix) 77. I Am The Walrus (Rs From Takes 16,17,20+25 - Anthology Dvd Mix) 78. Hello Goodbye (Rs From Takes 14,16,17+22 - Anthology Dvd Mix) 79. All You Need Is Love (Rs Of Take 59 - Anthology Dvd Mix) 80. Lady Madonna (Rs From Takes 4+5 - Anthology Dvd Mix) 81. Magical Mystery Tour (Rs From Take 8+9 - Blu-Ray Mix) 82. The Fool On The Hill (Rs From Takes 5+7 - Blu-Ray Mix) 83. Flying (Rs From Take 8 - Blu-Ray Mix) 84. Blue Jay Way (Rs From Takes 1+3 - Blu-Ray Mix) 85. Your Mother Should Know (Rs From Take 52 - Blu-Ray Mix) 86. I Am The Walrus (Rs From Takes 16,17,20+25 - Blu-Ray Mix) 87. Hello Goodbye (Rs From Takes 14,16,17+22 - Partial Blu-Ray Mix) 88. Christmas Time (Is Here Again) (Edit Of Take 1 - Flexi Disc Mix) 89. Christmas Time (Is Here Again) (Edit Of Take 1) 90. Across The Universe (Take 2 - Longer Monitor Mix) 91. Lady Madonna (Take 4 - Monitor Mix 1) 92. Lady Madonna (Take 4 - Monitor Mix 2) 93. Lady Madonna (Take 4 - Monitor Mix 3) 94. Lady Madonna + Hey Bulldog (Multi-Track Playback) 95. All You Need Is Love (Unknown Take I V2 - Anthology Dvd Mix) 96. All You Need Is Love (Unknown Take I V3 - Rockband Alternates) 97. I Am The Walrus (Rs From Takes 16,17,20+25 - Rockband Mix) 98. Hello Goodbye (Rs From Takes 14,16,17+22 - Rockband Mix) 99. All You Need Is Love (Rs Of Take 59 - Rockband Mix) 100. Hey Bulldog (Rs From Take 10 - Rockband Mix)

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