apollo twin travel case

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GLIDE Case for Universal Audio Apollo Twin

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• Description
• SPECIFICATIONS

The GLIDE case is the perfect case for your Apollo Twin: an ideal travel solution for mobile producers and musicians.

Expertly designed for a precise fit, this ultra-compact case packs easily into your backpack or carry-on . The rigid molded exterior will ensure your Apollo Twin remains in mint condition for years to come.

GLIDE cases are made of EVA material that is durable and lightweight, while providing excellent protection. The 100% premium materials include a water-resistant faux leather exterior, super-soft velvet interior, and an ultra-smooth zipper.

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Customer reviews.

It is really worth it

The case fits tight and is right to the dimensions of the Apollo. It has some storage for your connecting cable. No enough room to put the power cable in but I got a hard shell bagI put this in. With this case in the hard shell backpack it is definitely protected well. It’s expensive but theirs not many case for it out there.

For the money, pretty good

I really enjoy how this case feels and works. Analog Cases nailed it with the details - they're just satisfying. Super simple, with that nice pocket on the inside. I usually throw my lightning cable in there.Definitely a huge upgrade from wrapping the Apollo in a towel or something! The case holds it firmly in one spot, and interior lining is nice and soft. I never worry about it being damaged or bumped around. The shell of the case is also flexible without being flimsy. Fantastic protection for the price. Way more than a sleeve!

Barely fits and definitely doesn’t seem too protective

• Search forums
• The UAD Forums
• Apollo and Arrow Interfaces

Looking for a good case for Apollo Twin.

• Thread starter Jperkinski
• Start date Oct 10, 2016

Active Member

Has anybody found a good case that works well with the Apollo Twin and the power supply for traveling? I'm in the early stages of looking for something, possibly with extra space for some headphones and a few odds & ends.  

Venerated Member

Somebody made a cloth (or leather?) wrap thing for the twin, but I don't think it fit the power supply. Your best bet is going to be a pelican case with the pick-n-pull foam so you can shape the inside to suit. the small ones that would fit the twin are quite inexpensive.  

Cases - Ameripack Should be large enough for a set of cans, a couple of mics and cables, along with the Twin. I buy these (Canadian Supplier) when they go on sale for $39CDN (a few times a year) 16 in. Impact Resistant Tool Box | Princess Auto  

ronmac said: Cases - Ameripack Should be large enough for a set of cans, a couple of mics and cables, along with the Twin. I buy these (Canadian Supplier) when they go on sale for $39CDN (a few times a year) 16 in. Impact Resistant Tool Box | Princess Auto Click to expand...

Matt Hepworth

Master of the uadiverse.

There's a Gator case for Twin, I think.  

http://uadforum.com/apollo-interfaces/15806-apollo-twin-carry-case.html  

Matt Hepworth said: http://uadforum.com/apollo-interfaces/15806-apollo-twin-carry-case.html Click to expand...

Bummer. Looks like they don't make it now. Weird.  

Yep, it was this one - http://www.sweetwater.com/store/detail/GU090705DF  

testing1two

Tyler.miller1993.

testing1two said: Bumping an old thread. I wasn't satisfied with the UDG case for the Twin so I went in search of the smallest hard case that would fit the Twin and the power supply. I ended up with the SKB 3I-0907-4-C which is 9" x 7" x 4" with cube foam. It's the exact same price as the UDG ($40 USD) and a real step up IMO. It comes with 3 layers of cube foam. I left the bottom layer untouched and plucked the two layers to fit the twin and the power supply. The Twin only needs one layer to keep it in place (MKII Quad pictured) but the power supply needed both layers. I may remove some foam down the road but for now I'm pretty happy with the result. Sorry for the gigantic image. [/IMG] Click to expand...

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Analog Cases Glide Case Apollo Twin

Transport Case

• Perfect fit for Universal Audio Apollo Twin
• Material: High quality synthetic leather outside
• With faux fur lining
• High quality all-round zipper
• Cable pocket in the lid
• Internal dimensions: 171 x 171 x 69 mm
• Weight: 0.2 kg

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Universal Audio Apollo Twin/Duo Case

This case is designed to hold the Universal Audio Apollo Twin desktop recording interface. The interface us is held in a custom CNC cut PE foam insert. A storage compartment is included to hold the power supply and Thunderbolt cable. The exterior case features a spring loaded surface mounted handle and 2 twist latches.

To purchase this case from our online store, CLICK HERE .

Posted Under:

• Direct Boxes/Small Processors

Universal Audio Apollo Twin X review

Ua’s desktop interface gets a serious upgrade to match its rackmount counterparts, but is it worth the entry fee.

• £1400

MusicRadar Verdict

The UA Apollo Twin X is a triumph for home recording, offering an analogue workflow for the digital musician. With the incredible quality Unison preamps UA is famed for, this desktop sized powerhouse is packed with features to make your life as a producer or engineer easier.

Superb quality preamps

Analogue studio-style workflow

Bundled plugins are excellent

Intuitive and helpful hardware design

Convoluted installation for Apple silicon

Thunderbolt cable still not included

MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test.

• Installation
• Performance
• Hands-on demos

Whilst we live in the digital age of DSP and modelling, musicians are always utilizing these modern technological achievements to hark back to the age of analogue recording. Whether it’s a plugin that models a vintage compressor or a floor modeller that recreates the warmth and sag of a tube amp, many of the old ways still reign supreme over modern music.

The Universal Audio Apollo Twin X does the whole amp modelling and classic outboard gear recreation very well, but so does pretty much every other audio interface . Where the Apollo Twin X stands out from the crowd is it’s ability to imitate the workflow of an analogue studio, which could be just the thing to liven up the modern engineer’s mix.

For the purpose of this review UA sent us the Apollo Twin X Quad Thunderbolt Heritage Edition, which features some additional plugin collections from Teletronix, Pultec, and UA themselves. It’s a pricey bit of kit, especially given the current economic climate, so we’ve set out to find whether or not it justifies the hefty price tag.

Universal Audio Apollo Twin X review: Features

Our version features four SHARC DSP chips, hence the Quad moniker. There’s also a cheaper Duo version but apart from the difference in processing power, both units are identical. The Apollo X is designed for desktop, so there isn’t loads of connectivity here. You get two dual XLR/jack inputs on the rear, alongside L/R monitor outputs and two line outs which can be used for a second set of monitors or configured as outputs from your DAW . On the front panel, you have a Hi-Z input for electric guitars and a studio headphone out for easy access.  

There’s also an optical connection, designed to allow you to expand further into the UA ecosystem should the need for more inputs arise. It’ll operate in both S/PDIF or ADAT mode and offers up to eight additional inputs at 48kHz. You can run it at higher sample rates, but this will lessen the amount of inputs available.

Universal Audio Apollo Twin X review: Hardware

When you take it out of the box you’ll feel straight away that it’s a weighty unit, much heavier than the Focusrite Scarlett 2i2 we’re used to. It’s not quite as compact as the aforementioned unit, but you’ll definitely be able to sling it in a backpack and not feel worried about it taking a few knocks on the road.

Thankfully UA has replaced the old power supply with a laptop-style one. Version one of the Apollo had a bundled power supply that was way too short to offer any flexibility for setting up on the desktop, so we’re happy to see this issue has been addressed. If you do find you need a bit of extra room, you can just buy another ‘figure-eight’ or ‘shotgun’ connector to extend things further. 

Whilst this has been improved upon, annoyingly there’s still no Thunderbolt cable included, which seems a little stingy considering the investment amount required. Five years ago we could see the argument of the cost being an issue for the manufacturer, even if they are buying at a bulk discount. 

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Today, however, that doesn’t really stand with Thunderbolt cables available for £10/$20 or less on Amazon. The other argument is that when you’re spending upwards of £1,000/$1,500 on an audio interface, are you really going to baulk at paying an extra £10/$20 for an included cable ? 

Proselytising on penny-pinching aside, the look doesn’t appear any different to the previous iteration of Apollo interfaces, no doubt a case of if it ain’t broke… The large dial handles a few different tasks but is mainly there to adjust preamp and monitoring volumes. The long travel of the large knob makes it a lot easier to dial in than the traditionally smaller knobs on the majority of audio interfaces.

The buttons below the large rotary knob also provide handy, workflow-enhancing features. In preamp mode, they offer a quick low cut, phantom power on/off, pad, polarity, and channel linking features. In monitor mode, they offer talkback, a ‘dim’ feature which drops the output by 20dB, mono, and mute modes. These aren’t fluff either, they’re super useful when working alone or with a client.

Universal Audio Apollo Twin X review: Installation

We’ve installed plenty of audio interface drivers in our time, but never have we come across an installation as convoluted as this one. Thanks to the M1 chip in our MacBook Air, there’s an absurdly lengthy installation process to get up and running once we’ve plugged everything in. 

We have to shut down our Mac, reload it with start-up options enabled, change the startup security policy, and then go through the regular rigamarole of allowing background item notifications and accessory connection requests. The lesson here is don’t think you’ll have the Apollo installed in minutes and be ready to rock.

Annoyingly during the software install it also installs all of the plugins you don’t have access to, meaning many of the shiny new plugins in your list are actually redundant. Shuddering at the thought of having to go through everything and sort the ones we can use from the ones that won’t go past a 14-day trial, we move it to the back of our mind for a later date and proceed onwards. 

Universal Audio Apollo Twin X review: Performance

After some final firmware updates and well over an hour later we’re finally up and running. Our first test is the same as always, which involves playing some of our favourite tunes through it to see how things sound with our trusty Yamaha HS5 studio monitors. The first thing we notice is that the Apollo drives the speakers hard . With 5 notches lit up on the dial, we’re already well above our usual interface volume at just under halfway.

Playing some classic test songs like Radiohead ’s ‘Paranoid Android’ and Dr Dre’s ‘What’s The Difference’ gives us a revealing sound on the former with its complex instrumentation and a punchy, lively timbre from the latter. We’re already impressed even with just a cursory listen and the Apollo’s dynamic range on output is immediately obvious. It sounds glorious.

Moving on to actual recording, we load up our copy of Pro Tools and commence to set things up there. Thanks to the UA Console program, it’s astonishingly easy to get your I/O in the right place, as everything is handled from the app. Our version of Pro Tools picked it up immediately, allowing us to get recording straight away.

Most of the music community is aware of the quality of UA’s Unison preamps, but for us, the UA Console is the real show-stopper here

Most of the music community is aware of the quality of UA’s Unison preamps, but for us, the UA Console is the real show-stopper here. Just like in an actual studio, it encourages you to get the sound right at the source. You can add EQs, compressors, whole channel strips or whatever else you like to your signal before you commit to tracking. We start with some guitars, getting the DI signal clear and articulate thanks to the UA 610-B preamp,1176 compressor and Pultec-Pro EQ.

AB-ing with the direct input there’s a clear difference in quality, and once we load up our favourite guitar VST and impulse response into the DAW the track we’ve laid down roars appropriately back at us. Having never journeyed into the world of DSP recording, we’re instantly sold on it and move to the next instrument excitedly. Our short-scale bass guitar goes through the classic combo of an LA-2A and another Pultec EQ, which delivers us a full and fat tone that has our head nodding instantly. The lack of discernable latency is really quite amazing too.

We don’t get close to the DSP limit on a single track, although as a tester we load up two of the Fender Tweed amp emulation presets side by side to see how far up the DSP meter we can go, hitting 91% with some channel strips, compressors, delays , and reverbs thrown into the mix. We can’t see many situations where you’d want to use two inputs simultaneously this way with the Apollo Twin X however, so for most home recording uses there’s plenty of power available here. 

Universal Audio Apollo Twin X review: Verdict

The workflow takes some getting used to coming from outside the UAD ecosystem, and it’s a while before you’ll get things set up exactly how you want them but in our opinion, it’s totally worth the time and financial investment. It’s clear why many pro engineers we know use these in their home or travel setups, from the solid build of the hardware, to the ingenious way it promotes an analogue workflow.

Sometimes it’s really annoying having to review gear because you end up not wanting to send it back. Which is exactly the case with the UA Apollo Twin X. The experience has absolutely left our previous workflow in the dust, with just the urge to purchase yet another expensive bit of studio gear remaining.

Universal Audio Apollo Twin X review: hands-on demos

Universal audio apollo twin x review: specs.

• Simultaneous I/O: 10 x 6
• A/D Resolution: 24-bit/192kHz
• Built In DSP/FX: UAD-2 Quad Core Processing, Realtime UAD Powered Plug-ins
• Number of Preamps: 2 x mic, 1 x instrument
• Phantom Power: Yes
• Analog Inputs: 2 x XLR-1/4" combo (mic/line), 1 x 1/4" (Hi-Z)
• Analog Outputs: 2 x 1/4" (monitor), 2 x 1/4" (line out)
• Digital Inputs: 1 x Optical Toslink (ADAT,S/PDIF)
• Headphones: 1 x 1/4" TRS
• Software: UAD Realtime Analog Classics plug-ins (VST, AU, AAX 64), 5 Heritage Edition plug-ins
• OS Requirements - Mac: macOS 10.12 or later, Quad Core i7 Processor or higher
• OS Requirements - PC: Windows 10 Anniversary update or later, Quad Core i7 Processor or higher
• Power Supply: 12V DC power supply (included)
• Weight: 2.35 lbs.
• Contact: Universal Audio

I’m a Junior Deals Writer here at MusicRadar. I regularly test and review music gear with a focus on audio interfaces, studio monitors, studio headphones, and pretty much anything else home-recording-related. I'm responsible for over 60 buying guides and a large part of my job is helping producers and engineers find the best deals on gear. I worked in music retail for 5 years at Dawsons Music and Northwest Guitars, and have written for various music sites including Guitar World, Guitar Player, Guitar.com, Ultimate Guitar, and Thomann’s t.blog. 

I’m a regularly gigging guitarist with over 20 years of experience playing live and producing bands covering everything from jazz to djent. I've gigged all over the country in more dingy venues than you can shake a drop-tuned guitar at. When I’m not holed up in my home studio or curating playlists on Spotify, you’ll find me making a racket with Northern noise hounds JACKALS . 

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Apogee Duet 3 VS Universal Audio Apollo Twin X DUO (Compared!)

• July 13, 2022
• Apogee Duet 3 vs Apollo Twin X DUO: how do these two popular interfaces compare?
• What plugins and software do they come with?
• Which one is best for you?

Choosing the right audio interface is a serious endeavor. You’ll likely be spending hundreds of dollars, and it is imperative to get one that fits your needs.

Two of the most popular premium interfaces in the market are the Apogee Duet 3 and the Apollo Twin X DUO . Both feature fantastic features, sound, construction, and overall value. 

Apogee Duet 3 vs Universal Audio Apollo Twin X Duo: Which is Better?

Although both of these interfaces are sturdy and reliable, they also have their differences. The main one being that the Apollo Twin is significantly more expensive than the Duet 3.

At the same time, the Apollo Twin series gives you access to a comprehensive ecosystem of fantastic software emulations and more , thanks to the powerful Universal Audio platform. 

On the other hand, the Duet 3 is easier to use, and you’ll be recording in no time compared to the Apollo Twin X.

Where They Differ

• The UA Apollo Twin series is more expensive
• The Duet 3 is more convenient and more to the point
• The Apollo Twin offers more inputs, outputs, and access to the vast Universal Audio ecosystem of plug-ins, sounds, etc.

Who Are They For?

If you want quality, convenience, and to stay under the $1000 mark, I’d go with the Apogee Duet 3 . This interface is fantastic for songwriters that want to lay down ideas and do some serious pre-production.

On the other hand, if you want to throw down a few hundred dollars more for (slightly) better sound, and a seemingly endless amount of plug-ins, effects, and features, then the Apollo Twin X DUO is the way to go. For those who want even more on-board processing power, there’s the Apollo Twin X QUAD.

Universal Audio Apollo Twin X DUO Features

• 10-in/6-out Thunderbolt 3 audio interface for Mac or PC, with onboard UAD-2 DUO Core processing
• Upgraded AD/DA conversion, an ultra-pristine signal path with 127 dB dynamic range
• 2 Unison preamps allow you to track through digital models of the industry’s most legendary hardware
• Ultra-fast Thunderbolt 3 connectivity with less than 2ms of latency 
• Backward-compatible with Thunderbolt 1 and 2 Macs (does not support Thunderbolt 1 or 2 on Windows – adapter sold separately)

Apogee Duet 3 Features

• Top-quality Apogee AD/DA conversion and digital clocking
• 2 world-class mic preamps with +65dB of gain, +48V phantom power, and Apogee’s Advanced Stepped Gain Architecture
• Redesigned breakout cable with 2 instrument inputs, 2 mic/line inputs, and 2 balanced outputs
• Onboard hardware DSP enables you to shape your sound right at the input stage with zero latency
• Includes a hardware-accelerated version of Apogee’s ECS Channel Strip

The Apollo Twin X DUO is a 10-in 6-out, 24-bit/192kHz, Thunderbolt 3 Audio Interface with 2 Unison Preamps, LUNA Compatibility , Premium Plug-in Suite, and Realtime Analog Classics Plug-in Package.

Apollo interfaces come in different models. You can get a 2 x 4 Apollo Solo for your project studio, and go all the way up to an 18 x 20 Apollo 16, which is for larger studios running several mics at once. Naturally, the price will also increase as you get more I/O options and features.

On the other hand, the Apogee Duet 3 is strictly a 2-in/4-out USB-C Audio Interface with 2 microphone preamps and hardware DSP. In other words, you cannot pick a Duet 3 with more I/O options like you can with the Apollo.

That said, the Duet has been one of the most popular and best interfaces for songwriters for years. This is partly because songwriters typically do not require more than a 2-in/4 out interface.

Ultimately the Apollo Twin offers more IO options than the Duet 3 as it is a 10-in 6-out interface.

Look, Feel, and Portability

Both interfaces look similar enough, clearly gunning for the same basic look that Apogee pioneered with the original Duet. Most notably, both feature a big circular dial very prominently in the middle, along with LEDs to indicate the level of the input and output.

The Apollo series interfaces offer much more in the way of buttons and signal meters and are ultimately more impressive. This is an interface you want to show off, whereas the Duet 3 is more humble, sleek, and minimalist.

For those who are considering a small interface for traveling, the Duet 3 ships with a travel case that protects it, fits it snugly, and allows for easy and safe transportation. 

Sample Rate, Connectivity and Sound

Despite their obvious differences in I/O options, it is fair to say that both the Apollo Twin series and Apogee Duet 3 are comparable when it comes to sample rate and connectivity. As far as the sample rate and resolution, both offer a 24-bit/192kH.

The Apogee Duet 3’s mic preamps are built with the company’s Advanced Stepped Gain Architecture. This is an analog circuit that dynamically optimizes across a 0–65 dB gain range to provide exceptional bandwidth with the lowest possible distortion.

Contrast this with the Apollo’s fantastic A/D resolution of 24-bit and sample rate of 192 kHz which ensures optimum sound quality. You also have a pristine signal path with 127 dB of dynamic range, plus Unison technology for the preamps.

Regarding connectivity, the Twin is a Thunderbolt 3 audio interface. Thunderbolt 3 also happens to be the most notable upgrade for version three of the Duet.

(If you want to learn more about sample rate and bit depth, you can read our guide What Sample Rate Should You Use? (Myths and Misconceptions) )

When it comes to software, the differences between the two become more noticeable as the Apollo Twin series absolutely has the Duet 3 beat when it comes to extra digital goodies.

It is well known that one of the main calling cards of Apollo interfaces is the superior UAD analog emulation plugin collection that transforms these interfaces into full-blown production stations.

The Apollo Twin X DUO Heritage Edition is a special edition of Universal Audio’s Desktop 10 x 6 Thunderbolt 3 Audio Interface with Realtime UAD DUO Core Processing and two Unison Mic Preamps for Mac and Windows.

• Seemingly endless amount of features
• Come with the Realtime Analog Classic Plus
• World-class 24-bit/192kHz audio conversion

UAD Powered plug-ins are regarded as some of the best and most accurate emulations of analog audio equipment . The UAD Powered plug-in library now features more than 100 plug-ins, co-created with some of the biggest brands in audio.

This is a massive feat, as you can incorporate legendary sounds in your mix with authenticity . This allows you to work with tools that are not only iconic and very useful, but also quite expensive in their original hardware form factor.

Not to mention, you would need much more than just ‘desktop space’ to stack the analog gear that the UAD plug-ins accurately emulate.

Apollo interfaces come with the Realtime Analog Classic Plus bundle which includes the following:

• UA 610-B Tube Preamp and EQ 
• Marshall Plexi Classic Amplifier
• Fairchild 670 (Legacy)
• Teletronix LA-2A Classic Leveling Amplifier (Legacy)
• 1176SE Classic Limiting Amplifiers (Legacy)
• 1176 LN Classic Limiting Amplifiers (Legacy)
• Pultec Pro Equalizers (Legacy)
• Ampeg SVT-VR Classic Bass Amp
• Precision Mix Rack Collection
• UA Precision Enhancer Hz
• Raw Distortion
• RealVerb Pro

UAD interfaces also offer astonishing processing power that effectively free your computer from having to handle all the hard work. So you get not only the tools but the processing power to handle these tools. Impressive!

LUNA Compatibility 

Analog sound at the speed of light, LUNA transforms Apollo interfaces into the most inspiring and fully integrated Mac‑based recording systems on the planet.

• Free if you're a Mac or Thunderbolt Apollo user
• Essentially unlimited undos
• Extremely unique DAW

LUNA is Universal Audio’s free DAW software that allows you to track, edit and mix. Naturally, all Universal Audio’s interfaces are compatible with the LUNA software and offer tight hardware/software integration.

LUNA features what UA calls Accelerated Real-time Monitoring. This supplies fast analog-style tracking and overdubbing through the use of the onboard DSP acceleration in your Apollo interface.

Additionally, the LUNA software comes with a virtual instrument named Shape Creative Toolkit that features modern and vintage keyboards, guitars and basses, drums and percussion instruments, orchestral content, and real-time synthesis.

Although LUNA might appeal to some that are just starting out , chances are most folks will stay with their tried and true software DAW, and the Apollo will work just fine here as well.

One significant drawback for the LUNA software is that it is Mac only. Naturally, that will turn a lot of folks off, and will severely limit UA’s audience for their flagship DAW. Additionally, LUNA requires a Thunderbolt-equipped Apollo or Arrow interface and will not work with any other interface.

( Check out our full review of LUNA here !)

What About The Duet 3??

You may have noticed we haven’t yet mentioned the Duet in this section at all. It’s not that the Duet 3’s bundled software is bad, it’s just that it comes with relatively little in this area, especially compared to the Apollo’s gigantic offering of emulations alongside the LUNA DAW.

Additionally, the Duet 3 comes with Apogee’s ECS Channel Strip , which contains superb-sounding EQ, compression, and saturation – all adjusted to perfection by Bob Clearmountain.

Tailor-made for music production, voice recording, streaming, gaming, and more, the Duet 3 is great for studios and on-the-go content creators alike.

• Offers zero-latency sound shaping
• Simple, yet futuristic touch design
• Easy to use

On top of that, you also get Apogee Control 2 software for complete control of all of the Duet 3’s functions and features, including the ECS Channel Strip, along with the Apogee Channel FX plug-in that allows you to adjust preamp gain, turn on phantom power, set monitor levels, and control and print ECS Channel Strip effects straight from your DAW.

Regardless of the Apollo model in question, the quality and amount of features you get is quite impressive, whereas the Duet 3 is a more limited interface (albeit a high quality one, just like the Twin).

In other words, the Duet’s bundled software is fantastic, but the Twin’s are more comprehensive, expandable, and of such incredible quality that there is no room for competition in this area.

Wrapping Up

When comparing the two, it is genuinely hard to pick one over the other. Both interfaces are fantastic for recording enthusiasts and offer premium quality features.

Their price differences, ease of use, and functionality indicate that each model would have a specific user in mind. For the musician or bedroom producer that wants to lay down ideas easily without having to pay $1000, the Apogee Duet 3 is a fantastic choice.

On the other hand, if you want the absolute best sound for your music production, endless features, high-quality software emulations, and are willing to pay for it, then the Apollo Twin X DUO is your best option.  

Kieran Whitehouse

Kieran is a producer based in Manchester. He has written, produced and recorded for BBC Radio, mixed tracks from Kendall Calling Festival and worked on broadcast sessions for national TV. Kieran is also a guitarist and has performed across the UK.

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Hello Please help me to buy a semi pro Interface , I now use a pre-amp ( golden age pre 73 )& microphone TLM 102 & and 2i2 for record RAP ; (my line record ) I want to raise my quality one step higher. In your opinion, between Apollo Twin X ,Apogee duet 3 and RME Babyface Fs ; Which one is suitable for the record? (They have written for all three at the World Class ,level) Or what is your choice for me? Thank you 🙏🏻

pour le rap je te conseil la uad car tu peu utiliser autotuned en time real ce qui est merveilleux .. sinon les trois interface mentionné peuvent valoir la peine tous depend de ton budget car la uad est plus versatille mais les pluggin son pas donné .. moi perso jai la solo de uad et la apogee boom .. jutilise les deux .. la apogée en entré pis la uad en satelite pour le mix

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