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In the late 1970s, mainstream American radio was ruled by the painstakingly produced, pristinely polished sound of bands like The Eagles and Steely Dan , but the rise of punk a few years earlier had changed rock ‘n’ roll forever. And a harder, faster, even more politically aware genre was about to explode, one that took punk’s frenzy, fury, angst and aggression to extremes even Johnny Rotten and Iggy Pop might not have imagined.

That genre was hardcore, of course, punk’s cranked-up cousin. Slam dancing and stage diving replaced the inanity and innocence of the pogo – leaving blood on the dance floor, not just the occasional stubbed toe – and shows became what former Boston Globe music writer Jim Sullivan once called “an unrefereed rugby match to jackhammer tempos.”

And among hardcore’s most defining bands was Gang Green, formed in 1980 in Braintree, Massachusetts. Along with contemporaries like Circle Jerks, Bad Brains, Dead Kennedys, Black Flag and The Minutemen, the group paved the path for thrash and speed metal, crossover thrash, crust punk, crunkcore, emocore and other varieties of what’s become an almost meaningless catch-all category – “alt rock.”

With lightning-fast, three-chord odes to teenage rebellion, sexual frustration, boozed-fueled destruction and skateboarding obsession, Gang Green was by far the best-known Boston-based band to arise from the hardcore scene that originated in Los Angeles around 1978. With their irreverent, goofball humor and boozed-up, coked-out shows, the group built a rabid local following in the early ‘80s, then became a major presence on the burgeoning East Coast scene and eventually on the national and international ones.

Like most of their contemporaries, the band’s foundations had nothing to do with instrumental chops or vocal training. “We weren’t singing. We don’t know how to sing,” said frontman Chris Doherty in the 2006 documentary American Hardcore: The History of American Punk Rock 1980-1986 (Sony Pictures). “We were just screaming against authority, against our parents and everything else that was pissing us off in our life.”

Unlike most of their contemporaries, though, the vast majority of Gang Green’s songs were not overtly political. Instead, the group’s calling cards were their totally DIY approach, unapologetically party-hearty ethos and staunchly anti-establishment attitude. When it came to blasting out buckets of anger and angst, liquored-up laughs and fist-in-your-face fun, Gang Green had few rivals.

The band recorded just four studio albums, one live LP and four EPs – with four different lineups – but stands shoulder-to-shoulder with ska-core icons The Mighty Mighty Bosstones in terms of significance in New England’s musical history. “When it comes to reckless, speedin’, boozin’, fightin’ Boston hardcore, Gang Green’s Chris Doherty and crew are the kings,” wrote the Miami New Times ‘ Jacob Katel in 2014.

Formation, Early shows, This is Boston, Not L.A.

Guitarist-vocalist Doherty formed the first incarnation of Gang Green in 1980, when he was a 15-year old student at Braintree High School, with fellow teens Bill Manley (bass) and Mike Dean (drums). After cutting their teeth primarily at parties in friends’ backyards, in 1981 the trio began playing at notable Boston venues including Cantone’s, The Channel , the Rathskeller and the Paradise Rock Club .

In 1982, seven of the band’s song’s appeared on the 30-track compilation This is Boston, Not L.A. , issued by Modern Methods Records. Only three were over a minute long, “I Don’t Care” (1:01), “Kill a Commie” (1:07) and “Rabies” (1:26); the others were “Snob” (0:26), “Lie Lie” (0:33), “Narrow Mind” (0:41) and “Have Fun” (0:54). The LP also included previously unreleased material from six other acts – The F.U’s, Jerry’s Kids, Decadence, The Proletariat , Groinoids and The Freeze – and was named after a 25-second-long Freeze song. Gang Green appears on the jacket in a photo taken by Bostonian photographer Philin Phlash at Streets nightclub in Boston.

Unsafe At Any Speed, Sold Out, First lineup change

In early 1983, Modern Methods released the six-song EP Unsafe at Any Speed , which included Gang Green’s “Selfish” (1:44), and in mid-1983 the original trio went their separate ways. Doherty joined Jerry’s Kids, as did Dean after a stint in the military, and Manley moved to Hawaii. Later that year, Doherty left Jerry’s Kids to join Stranglehold, then The Cheapskates and in mid-1984 Taang! Records issued Sold Out , an EP featuring three of the trio’s supremely short songs.

In late 1984, Doherty reformed Gang Green as a four-piece outfit with a completely new lineup consisting of former members of D.A.M.M. (Drunks Against Mad Mothers), The Freeze and Smegma And The Nunz: guitarist Chuck Stilphen, bassist Glen Stilphen and drummer Walter Gustafson.

Another Wasted Night

In 1986, Taang! released the band’s debut album, Another Wasted Night , which The Boston Phoenix and WFNX put at #19 in their top-50 “Boston Rocks” list that year. The 10-track disc includes a cover of ‘Til Tuesday ’s 1983 hit “Voices Carry” – the longest song on the LP at 3:28 – and the two-minute-long “Alcohol,” which has been covered by bands from the US, UK, Europe and Australia. Dropkick Murphys included it on their 2002 album Live on St. Patrick’s Day from Boston, MA and in 2010 it was part of the soundtrack for the film Jackass 3D .

Second lineup change, P.M.R.C. Sucks , Roadrunner signing

Gang Green’s lineup changed again soon after the release of Another Wasted Night , with the Stilphen brothers leaving to form Mallet-Head and Gustafson joining The Outlets. The new incarnation consisted of Doherty, guitarist Fritz Erickson, bassist Joe Gittleman of The Mighty Mighty Bosstones and drummer Brian Betzger of Jerry’s Kids.

In 1987, after Taang! issued the four-song EP P.M.R.C. Sucks – a reference to the Parents Music Resource Center, a censorship-advocacy group – Gang Green signed with heavy metal-focused Roadrunner Records. The move from punk-centric Taang! made sense, critics said, since the band’s sound was evolving rapidly toward heavy metal.

You Got It, I81B4U

Gang Green’s first LP for Roadrunner, released on its Emergo imprint, was the 12-track You Got It , recorded in Carlisle, Massachusetts, at Blue Jay Recording Studio. Gone were the days of jingle-length jolts as the album included “Born to Rock” (4:36) and “Sick, Sex, Six” (6:11), though there were exceptions like “L.D.S.B.” (1:11) and “Haunted House” (1:39).

In 1988, the band cut their second Roadrunner disc, the EP I81B4U , meaning “I ate one before you,” a play on Van Halen’s OU812 (released in May that year). Recorded at Newbury Sound in Boston, it firmly established the group as the halfway point between hardcore and speed metal, a mix eventually labeled “crossover thrash.”

Older…Budweiser, Third lineup change

In 1989, Gang Green recorded a third album, Older…Budweiser , in Warren, Rhode Island, at Normandy Sound, where musician-turned-engineer Phil Greene had recorded and/or mixed LPs for The Zulus , The Neighborhoods , John Cafferty and New Kids on the Block , among others. The LP differed from its predecessors in three ways: first, the socio-political themes of songs like “Church of Fun,” a stab at televangelism; second, the fact that Doherty wrote only one track himself (“Flight 911”), the others being cowritten or penned by other band members; and third, the use of violins and other string instruments on the song “Ballad.”

Shortly after the sessions, Doherty fired Gittleman and replaced him with Josh Pappé of crossover thrashers D.R.I.; Gittleman returned to The Mighty Mighty Bosstones and Pappé played on the supporting tours of North America, the UK and Europe.

Can’t Live Without It, King of Bands, Fourth lineup change

In February 1990, the band recorded their only official live album, Can’t LIVE Without It , at The Marquee Club in London. That spring, Doherty assembled yet another new lineup – guitarist Mike Lucatonio, bassist Kevin Brooks and Gang Green’s former kitman Gustafson – and Roadrunner dropped the band from its roster, beginning a nearly seven-year hiatus. In December 1991, the label issued a compilation, King of Bands (a play on Budweiser’s slogan, “King of Beers”), which included two new tracks, “Thunder” and “Rub It in Your Face.”

Reformation, Back & Gacked, Fifth lineup change

In February 1996, Doherty, the Stilphen brothers and Gustafson re-formed to play five shows, including ones at the Rathskellar in Boston and CBGB in New York City. Later that year, Gang Green resurfaced again with yet another new lineup; guitarist Mike Earls and bassist Matt Sandonato replaced the Stilphen brothers. The band re-signed with Taang! and in May 1997 the label released the EP Back & Gacked , recorded at Capertown Sound in Boston and mixed and co-produced by David Minehan .

Another Case of Brewtality, Preschool

The band’s fourth and final studio album, also recorded at Capertown and mixed by Minnehan, was the 23-track LP Another Case of Brewtality , issued in October 1997; it includes all six songs from Back & Gacked . Simultaneously, Taang! released Preschool , a compilation of previously released Gang Green material recorded from 1981 to 1983.

Lyrically,  Another Case of Brewtality  moved away from the social-political topics of Older…Budweiser . The one exception was the album’s sole cover, Stiff Little Fingers’ “Suspect Device,” about how the governments promote bad ideas that ultimately lead to destruction. Gang Green toured throughout 1997 and 1998, after which Doherty moved to Cincinnati. For the next seven years, the group reunited once or twice a year for gigs in Boston and/or New York City.

Reunion tours, Doherty’s stroke, Benefit concert

In 2005, Doherty and a sixth  lineup opened for Dropkick Murphys on part of their US tour and in 2007 the band appeared along the East Coast, in the UK and in Ireland. From 2013 to 2018, Doherty was in a band with three veterans of Cincinnati’s hardcore scene, guitarist Chris Donely, bassist Sean Boyle and drummer Dale Kishbaugh.

On October 31, 2018, 53-year-old Doherty suffered a stroke that left him paralyzed on his left side and temporarily unable to speak. Following brain surgery, he began several years of intensive physical-rehabilitation. Ten weeks later, on January 11, 2019, Gang Green’s former manager Alec Peters, booker Sean McNally and manager Dean Jackson organized a 10-act benefit show at the Paradise Rock Club called “Not a Wasted Night.” Among the acts were The Dogmatics , The Outlets, The F.U.’s and Unnatural Axe .

On October 1, 2022, almost four years to the day after his stroke, Doherty returned to the stage with Gang Green at the Midway Café in Jamaica Plain. Sharing the bill were The Welch Boys, Guns of Brighton, The Hagglers and The Golly Geewillikers.

We’ll Give It To You, 2023 tour, Current lineup

In January 2023, Cherry Red Records released a 56 track, four-disc box set of Gang Green material, We’ll Give It to You , the title taken from a song on their You Got It album. It includes the albums  You Got It ,  Older… Budweiser ,  Can’t LIVE Without It  and  King of Bands. In July 2023, the band toured the East Coast and in August they appeared at festivals in Germany, the Netherlands, Belgium, Czechia and England with the biggest Gang Green lineup up ever: Doherty, Johnnie Luevano (lead guitar), Mikke Brennan (rhythm guitar), Nick Hebditch (bass), Josh Goodreau (drums) and Dean T. Jackson (vocals).

Doherty’s reflections, “Everybody’s Got a Story”

Asked in 2014 about his years fronting Gang Green and other groups, Doherty said the most gratifying part is listening to fans’ stories. “Just hearing stuff like, ‘My grandpa got me into Gang Green at 12’ or ‘I drove cross-country with my girlfriend and all we had was  Another Wasted Night  on cassette and we listened to it the whole way,” he told the Miami New Times. “Everybody’s got a story. And somehow we made an impression on ’em.”

(by D.S. Monahan)

• WBUR Article on Doherty Benefit Concert

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Gang Green Tickets

Gang green concert tickets.

Prepare for an unstoppable performance with Gang Green tickets. The artist is commanding the rap and hip-hop genre with dynamic live shows. Since its emergence in the borough of Bronx, New York, the rap hip-hop movement came on the scene in the 1970s. Drawing on sociocultural influences, the genre is known for lyrical content that speaks from experience. Born out of the struggles faced by African American and Latino communities, the genre has become one of the most diverse and universally expressive genres in music today. In addition to its spoken word rap and poetic stylizations, it is often backed by DJ turntables synthesizers and drum machines.

Artistically divided into popular sub-genres like hardcore old school and gangsta rap, a bevy of notable artists have brought rap hip-hop to the masses. From tried and true legends to emerging phenoms, the genre continues to boast the best music has to offer. Artists like Snoop Dogg, Eminem, Nicki Minaj and Jay-Z are just a few famous names in a string of successful performers. Buy your Gang Green tickets from TicketSmarter today and get ready to be entertained.

Gang Green Ticket Prices

You will notice a difference between Gang Green ticket prices. Costs will fluctuate depending on venue size sell-outs and how close your seats are to the stage. It’s common for premium seating to cost more and VIP packages typically reflect the highest costs.

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Gang Green ticket prices usually land in a moderate range of pricing. Getting into a live show can average around the $50 range. Prime spots will typically run upwards of $100 and VIP packages at festivals held at prominent venues can go for over $1,000.

Gang Green Tour Dates & Concert Schedule

It’s common to catch Gang Green appearing at large-scale venues across the United States. You can expect performances from popular platforms like the Staples Center in Los Angeles, California and major hip-hop music events like SXSW and Rolling Loud Festival Miami at the Hard Rock Stadium in Miami Gardens, Florida.

You don’t have to miss another show on the Gang Green concert schedule. Our easy-to-navigate site offers a plethora of tour dates and you can easily find tickets at many pricing levels. From live performances at Hot 97 Summer Jam to Virgin Fest , there’s nothing like the excitement of a live show. Feel the vibe live and save your seats today!

When do Gang Green tickets go on sale?

Be among the first to get Gang Green concert tickets. Admission is typically available as soon as a tour or festival is announced. You don’t have to wait to get your tickets. Our site has tickets even before they go on sale to the public in many cases and there’s no need for a pre-sale code.

Gang Green Seating Chart

Choices for seating are plentiful. The size and design layout of each venue will determine the options presented. A venue like Crypto.com Arena in Los Angeles, Calif., boasts a capacity of 20,000. Due to its expansive size, there will be plenty of spots to consider multi-level views of the stage and handicap-accessible options.

When you attend a festival like the Rolling Loud Festival  at the Hard Rock Stadium in Miami Gardens, Florida, crowds can exceed 65,000. Many venues offer premium packages and VIP experiences that can include several amenities. Choose the arrangements that are right for you with our interactive seating chart and user-friendly filtering tools.

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We offer a safe way to purchase Gang Green concert tour tickets. Your time and security are paramount. Why wait in long lines at a box office when you can safely order from our site right now? You can be confident when making your purchase, and we take pride in offering you a safe and convenient process.

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All Gang Green tickets are 100% guaranteed. Verified customers rate TicketSmarter 4.6/5.0 stars, so you can order with peace of mind knowing that we stand behind you throughout your Gang Green tour ticket buying experience.

Songs from the Gang Green Tour Setlist

Gang Green's setlist while performing in Freiburg , 01 at “Crash” included the following songs:

• Another Wasted Night
• Kill a Commie
• Out on the Couch
• Weekend Millionaire
• Haunted House
• Voices Carry
• Last Chance
• Skate to Hell
• House Party
• Just One Bullet
• Astro Zombies
• Let's Drink Some Beer

Source: Setlist.fm

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Gang Green is a hardcore / punk rock band originally from Braintree, Massachusetts. Chris Doherty (guitar), Bill Manley (bass) and Mike Dean (drums) more...

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Gang green: we’ll give it to you.

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From the start, Chris Doherty’s beer-obsessed Gang Green was on the slightly goofy, Murphy’s law end of the hardcore spectrum. Compared to D.R.I. or Suicidal Tendencies, they lost relatively little credibility with the punk community when the metal element crept into their work on 1987’s You Got It . Their 1986 debut, Another Wasted Night , is a Boston hardcore classic, but its alcohol-and-skating ethos survived into their crossover period. Though the sound of You Got It is heavier and more precise, there’s a lot of continuity.

That’s not just thematic, but also because several of the album’s tracks date back to the band’s early days. Opener “Haunted House” is one of them; the cassette version of the debut album had featured a great, messy live version of it, but here it’s transformed. The You Got It version sets out the crisp, aggressive sound of the album, and is pretty much the perfect metal-edged punk track. Aside from frontman/singer/guitarist Doherty, the lineup of Gang Green was always a tad fluid, but this album features the best one. New drummer Brian Betzger propels the song along at a pummeling, Youth of Today/Gorilla Biscuits tempo, Doherty’s voice is the epitome of hardcore punk snottiness and new guitarist Fritz Erickson brought precision and a kind of rock ‘n’ roll spirit with his melodic solos. What sets the album above the band’s later releases is that they had (and one uses the word advisedly) matured a little, but at this point they were never boring.

Some of the songs, like “Sick, Sex, Six” are as hardcore as Gang Green ever got. There is still a metal(ish) influence, insofar as the intensity of the music recalls Mötörhead as much as it does Black Flag, and Doherty pushes his voice to almost AC/DC levels of harshness; but the gang vocals in the chorus are pure hardcore, recalling legendary bands like Negative Approach or Side by Side. Given that the band was best known at the time for anthems like “Alcohol” and “Skate to Hell,” few listeners were probably expecting much beyond party music. But as if to reinforce their punk credentials just as they absorbed speed metal elements into their style, the band here includes an excellent, energized version of the satirical, almost-political “Another Bomb.” All in all, You Got It stands up brilliantly, a rare example of perfectly-balanced crossover thrash where no one stylistic aspect swamps the other.

Older… Budweiser was a different matter. As the title suggests, the band wanted to indicate that they had matured, but without losing their sense of humor. Which was true enough, but the maturing this time was a mixed blessing, and the album includes the first documented examples of Gang Green being dull. At times, it’s great; the heavy, dark-and-doomy “Just One Bullet” suggests that they could have made it as a more straightforward thrash/speed metal band, albeit with less technical solos than were standard for the genre. Thrash is also the main ingredient of the fairly stupid anti-electronic music “Casio Jungle,” but elsewhere the band refers back to the Boston hardcore sound with blistering tracks like “Flight 911” and “I’m Still Young.” The problem is that the album never really gels and its diversity ends up feeling patchy rather than just eclectic. “The Ballad,” a jokey song but an actual ballad-with-strings too, is alternately irritating and boring, and “Tear Down the Walls,” though it’s a nice mix of rock and hardcore, inevitably brings to mind, but is no match for, Youth of Today’s “Break Down the Walls”—but what can you do?

All but one song are still under four minutes in length, but several of them feel too long; a crossover problem if there ever was one. Still, it was a popular album in its day and it remains pretty good now, one of a range of slightly unsatisfactory but interesting and quite likable albums, including D.R.I.’s Thrash Zone , Suicidal Tendencies’ Lights…Camera…Revolution! and Losing Control by Broken Bones that capture a very specific little period in time.

Can’t LIVE Without It is more satisfying, in a narrower way. Recorded at the Marquee in London in 1990, it’s an energetic rampage through the highlights of all of their albums to that date—there’s a great “Bedroom of Doom,” but not surprisingly, the Another Wasted Night material shines the brightest, not least the inevitable encore, “Alcohol.” Appended to the live disc is the 1988 EP I81B4U , five puerile, entertaining tracks very much in the vein of Older… but with more juvenile lyrics, especially “Cum in U,” which does however have a great tune. Another, less entertaining bonus track is the band’s 1987 cover of Led Zeppelin’s “Living Loving Maid.” They play it well enough, but if you listen closely, you can just make out the fabric of the universe screaming “ WHY? ” all the way through it.

King of Bands was put out in 1991 as a stopgap when Gang Green’s lineup imploded again, but the compilation stands as a kind of summary of the first phase of their career. Naturally, it’s good, but as half of the material was only a few years old at the time, two new tracks by the lineup that had just come together before disintegrating again were the main reason for its existence. Those tracks, “Thunder” and “Rub It in Your Face” aren’t bad at all. Nevertheless, though the former would have made a decent single and the latter has a great, snotty chant-along chorus, neither would have stood out especially strongly had they been on You Got It or Older… Alarmingly, for a de facto “Best of,” the band included “The Ballad” as if to clearly indicate their lack of direction and to point out that they could be tedious when they wanted to—but overall it’s a high quality album and would make a decent introduction to Gang Green for newcomers.

To sum up, there’s really nothing on We’ll Give It to You that Gang Green fans can’t find easily enough elsewhere, but it’s nice to have it all in one place. Mark Freebase’s liner notes and an interview with Doherty sweeten the deal considerably and if you want to take a deep dive into beer-fueled hardcore crossover tomfoolery then this is surely the place to do it. But do yourself a favor and check out Another Wasted Night first.

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