iron butterfly time travel

The Strange Death Of Iron Butterfly's Philip Taylor Kramer

Iron Butterfly was a psychedelic rock band that was formed in the 1960s and rose to fame with their song, "In-A-Gadda-Da-Vida," from their second album of the same name that was released in 1968. Through their active years, the band saw members come and go, and it was in the mid-'70s when Philip Taylor Kramer joined Iron Butterfly as a bassist (via Classic Bands .)

Philip Taylor Kramer, known to his friends as Taylor, was active in Iron Butterfly from 1974 up to 1980. Afterward, he decided to leave the rock star life behind. According to Ultimate Classic Rock , Kramer went back to college and studied aerospace engineering, eventually completing the degree with high marks. Kramer then worked for the U.S. Department of Defense as a contractor, providing his expertise for developing the MX missile guidance system (via Historic Mysteries .) Kramer had a brilliant mind and was a computer and math wiz.

In the '90s, Kramer started his own company, Total Multimedia Inc., which was focused on video compression technology. He also worked on facial recognition and communications programs. In addition, he worked on equations and theories regarding warp travel, as reported by Mysterious Universe . Kramer had a successful career and had settled with his wife and two kids.

Kramer's mysterious disappearance

On February 12, 1995, 911 received a call from a man who introduced himself as Philip Taylor Kramer. When the dispatcher asked if he can be of assistance, the man simply replied, "Yes, you can. I'm going to kill myself." According to Historic Mysteries , Kramer was never seen alive after that call.

Jennifer, Kramer's wife, said that his husband had been working on a facial recognition project prior to his disappearance. Taylor told his wife, "Imagine, Jennifer, a computer and a camera being able to find a missing child in a sea of thousands of people just by showing the computer a small piece of that child's face, (via Unsolved .)

On the day of his disappearance, Taylor Kramer was supposed to pick up a business associate at the airport. However, he notified his wife that the plans have changed and made a series of phone calls, the last of which was the 911 call. In the phone call to his wife, he said, "Whatever happens, I'll always be with you." He also called his former Iron Butterfly bandmate, Ron Bushy, and said, "Bush, it's Taylor. I love you more than life itself," and then hung up the phone, as reported by Power 96 .

Kramer's death and the aftermath

According to Mysterious Universe , Kramer's company went bankrupt before his disappearance, and that seemed to disappoint him as it was also during that time when he was working on new video technology. His behavior also reportedly changed, and he began saying odd things to people around him. In one instance, he told his sister, "You've got to be centered. If you're centered, you'll be saved when the supernova happens and they come."

A massive search ensued, but it seemed that Kramer disappeared into thin air. For years, no one had any idea of his whereabouts or whether he was still alive. There were reports of sightings, but none of them turned out to be Taylor.

On May 29, 1999, hikers spotted a 1993 Ford Aerostar in a Malibu ravine, according to Ultimate Classic Rock . Philip Taylor Kramer was found deceased inside his vehicle, and authorities reported his death as a "probable suicide." However, his family thinks otherwise. Kramer's sister said that his brother would have never left his family. His father also said that Kramer confided in him about having problems with some people. "They wanted what he was doing, and several of them had threatened him. He told me 'If I ever say I'm gonna kill myself, don't believe it. I'm gonna be needing help,'" his father said.

Conspiracy theories on Kramer's disappearance

To this day, no one know what really happened to Philip Taylor Kramer. His case has been featured on shows such as "America's Most Wanted" and "Unsolved Mysteries," but after laying out the details of his case, they still end up with unanswered questions, and only Kramer knew what really happened.

There are a few conspiracy theories regarding Kramer's case. Former bandmate Bushy thinks that Kramer was targeted because of the technology that he was working on. Others think that he may have, indeed, taken his own life because of his company's struggles and the pressure he experienced. Some people also speculate that Kramer had gone mad after working on projects and complex equations, which caused his bizarre behavior (via The Washington Post .)

Despite all these theories, authorities have no concrete evidence to prove what really happened to Philip Taylor Kramer. It seems that his story will remain a mystery for years to come unless someone who knows something reveals the truth.

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The Mysterious Death of Iron Butterfly Bassist Philip Taylor Kramer

The remains of one-time Iron Butterfly bassist Philip Taylor Kramer were found on May 29, 1999. He'd been missing for four years, and to this day nobody knows exactly what happened to him.

Kramer joined Iron Butterfly in 1974, long past their golden era, and helped them record the albums Scorching Beauty and Sun and Steel , both released in 1975. After leaving the band, he dropped the Phillip from his name, went back to college and earned a degree in aerospace engineering, which led to a stint working for the U.S. Department of Defense. In the '90s, Kramer created Total Multimedia Inc., a high-tech multimedia company that did pioneering work in video compression technology. Ultimately, his brief stint in Iron Butterfly was a mere footnote to his much more involved life's work.

Kramer was due to pick up associate Greg Martini and Martini's wife from the airport on Feb. 12, 1995 in L.A., and take them back to his home for a relaxing evening. But according to the Los Angeles Times , Kramer called home to make his wife aware that plans had changed, but that he would be there with a big surprise for her. He then called his old friend and band mate, Iron Butterfly drummer Ron Bushy. "He said, 'Bush, it's Taylor, I love you more than life itself,'" Bushy recalled in a news report, "Then he hung up."

After that, another call was made to his wife telling her: "Whatever happens, I'll always be with you." Reports from his family say that Kramer had been working around the clock, and hadn't slept for close to two weeks leading up to his disappearance. At 11:59AM, Kramer made a 911 call. "This is Philip Taylor Kramer. I am going to kill myself," he reportedly told the operator, which was the last anybody had ever heard from him.

Police searches yielded nothing. For more thsn four years, it was as if Philip Taylor Kramer had simply vanished into thin air. "Something happened during that time – either in his head or at the terminal – that made him turn away," said former L.A. police officer Chuck Carter, who worked on the case. "And I'll tell you, I haven't a clue. The guy didn't have an enemy. The guy was a dedicated family man – I checked him out. Whatever happened in his head while at the airport, or whatever happened right in the airport, I've got a feeling we'll learn from Kramer himself."

Four years later, on May 29, 1999, Kramer's 1993 Ford Aerostar van was spotted at the bottom of a Malibu ravine by hikers in a canyon about 1.5 miles east of the Pacific Coast Highway. His remains were found inside the vehicle, and later identified through dental records. Though his death was ultimately ruled a "probable suicide" by authorities, his family's doubts as to the actual events have remained. "My brother would not have left his family," Kramer's sister said in an interview with VH-1 . His widow told the L.A. Times that Kramer “would never, for any reason or under any circumstances, allow himself to completely abandon the family he loves more than life itself.”

Kramer had reportedly been working on a revolutionary method of transporting information and matter through space, and his father remained unconvinced his death was a suicide. "Taylor had told me a long time before, there was people giving him problems," he said. "They wanted what he was doing, and several of them had threatened him. He told me 'If I ever say I'm gonna kill myself, don't you believe it. I'm gonna be needing help.'"

See How Iron Butterfly and Others Got Their Names

The Strange Death of Rockstar and Tech Mogul Philip Taylor Kramer Remains Baffling Almost Three Decades After His Disappearance

Dig into the story of Philip Taylor Kramer, and you’ll find you are left with far more questions than answers about what led to the untimely demise of this once-promising physicist, rockstar, and tech mogul.

While Kramer clearly lived his truncated life to the fullest, his 1995 disappearance and later reported suicide has left many wondering what really happened. At the time Kramer initially disappeared, he claimed to have been working on technology he said would enable a computer to spot a missing child amidst thousands of people, and all by showing the technology just a portion of the child’s face.

In hindsight, it certainly sounds like Kramer was working on a kind of image recognition technology that approaches the machine intelligence in use today. Taking his mysterious and secretive behavior into account, many have also theorized that some individual or agency had been pursuing him because of this potentially groundbreaking work. But was this really the case?

Born on July 12, 1952, in Youngstown Ohio, Kramer’s early life was one filled with curiosity and learning. While there isn’t much public information about Kramer’s early years, we know that his father, Ray, was a local professor of electrical engineering. Throughout Kramer’s life, his father was obsessed with trying to disprove Einstein’s theories—mainly the concept that objects cannot travel faster than the speed of light—a quest that Philip would eventually also inherit. While Kramer was only a child, he enjoyed learning about his father’s research and eventually became interested in science. At age 12, he won a school science fair by building a laser strong enough to pop a balloon.

Though Kramer had the curiosity and passion for learning, he chose not to pursue a college career. Instead, in 1974, he joined the psychedelic rock band Iron Butterfly as its bass guitarist, recording two albums with the band, Scorching Beauty and Sun and Steel, both released in 1975.

It was at the height of his music career that Kramer also seems to have undergone a sort of personal crisis. He began urging people to stop calling him “Philip” and instead call him only “Taylor.” After only a year with the Iron Butterfly, Kramer decided it was time to change careers and announced he would be leaving the band, although he continued to play with Ron Bushy, a founding member of the group, in later years.

From Music to Missiles

Following his departure from Iron Butterfly, Kramer eventually attended college and received his aerospace engineering degree from the Western States College of Engineering. From there, he went to work on the MX missile guidance system as a subcontractor for the Department of Defense, a position that would have granted Kramer access to sensitive information the likes of which some believe could have affected his later life.

“Glen Mavis worked with Kramer at Northrop, and both had to swear a national security oath,” a 1996 Washington Post article stated. Mavis would claim to have noticed Kramer’s office cubicle taped shut on several occasions, something engineers did “to signal that their work was classified and not to be viewed by anyone else.”

“Mavis isn’t sure exactly what Kramer was doing,” the Post reported, “but he knows it involved helping to get the MX missile to fly accurately.”

Following his work for the DoD, Kramer moved on to more user-based technology. Though his degree focused on aerospace engineering, he was interested in video compression, and in the early 1990s worked on fractal compression and facial recognition systems within the burgeoning tech industry of the period. While such systems are commonplace today, this wasn’t so much the case in the 1990s, at which time Kramer became recognized as one of the field’s leading experts.

Kramer used this expertise to his advantage when he founded Total Multimedia in 1990 with Randy Jackson, the brother of Michael Jackson. The company focused on data compression for digital storage and claimed they were the first to create a video compression method for a full motion video produced on a single-speed CD-ROM; the claim has never been substantiated, although if true, it would have underscored Kramer’s worth to the media industry of the time.

Despite this, maintaining a multimedia company proved to be harder than Kramer and Jackson anticipated. In 1994, Total Multimedia filed for bankruptcy, a development which had a noticeable impact on Kramer. Although he continued to consult for similar companies, and eventually went on to create SoftVideo, a software based on fractal compression, financial problems were plaguing Kramer, and he now owed tens of thousands of dollars to friends and family.

Many who knew Kramer, including former coworker Glen Mavis, had said he “frequently operated on the financial margins,” accruing debts in a number of business ventures, from which he always seemed to have rebounded.

“He could deal with it,” recalled Mark Spiwak, another of Kramer’s former business partners, who remembered Kramer always resurfacing after facing such problems.

While this may have been Kramer’s outward appearance, behind the scenes the former rock star turned technology entrepreneur was doing his best to cope with such situations by burying himself in work. Eventually, Kramer also stumbled onto the work of James Redfield, as outlined in his bestselling book, The Celestine Prophecy, which Kramer is known to have read (devoured might be a better description), employing the wisdom he gleaned from it to raise his vibration and purportedly communicate with non-human intelligences.

However, it was also during this tumultuous period that Kramer supposedly began to be involved with other more cutting-edge technology, something he kept secret from his friends and associates. Some have even aired the opinion that he was working on technology that would have allowed immediate data-transfers, a breakthrough that Kramer believed would discredit Einstein’s faster-than-light theories.

According to his wife, Jennifer, Kramer had told her that this new technology had “been there the whole time” and “it was so simple, that no one had found it before.” Kramer reportedly explained to his spouse that the technology could use facial recognition to find lost children or missing individuals, possibly by employing machine intelligence to perform these tasks. Naturally, this would have made the technology more advanced than any systems in use at that time, and also more dangerous if it fell into the wrong hands. Kramer’s dedication to his new work led to sleep deprivation resulting from days of unceasing work, eventually giving rise to paranoia. Later, both his father and his wife would recall that Kramer began to voice concerns that people were coming after him because of the technology he was developing. Although there remains no proof that this was anything more than paranoia beginning to manifest in the now visibly exhausted Kramer, his disappearance did cause many to wonder whether such fears might have been justified.

The Disappearance

On February 12, 1995, Kramer left for Los Angeles International Airport, where he was scheduled to pick up his wife and a business associate. However, Kramer never arrived.

Calling his wife instead to let her know his plans had suddenly changed, over the phone, Kramer mentioned he had a surprise for her later, and told her he loved her very much. This was only one of the many calls to friends and family that Kramer would make over the course of the next twenty minutes.

Former bandmate Ron Bushy received a similar call. “Bush, it’s Taylor,” he remembered Kramer saying. “I love you more than life itself,” he said before hanging up.

After Kramer made the rounds by phone, he then called 911. According to the transcript, he told the operator he planned to kill himself, adding, “I want everyone to know O. J. Simpson is innocent,” an apparent reference to Kramer being asked to give expert testimony on the video footage of the murders at the Simpson trial underway at that time.

“They did it,” an obviously paranoid Kramer added. It was the last thing anyone would ever hear him say.

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Kramer’s disappearance attracted almost immediate attention. A segment about him aired on the Oprah Winfrey Show and on America’s Most Wanted , as Kramer’s family worked to obtain any information they could about their missing loved one. Standing at 6’5” and weighing 220 pounds, Kramer made for a memorable figure and would have been hard to miss. While many people did come forward claiming to have seen him after his disappearance, no leads were produced that helped provide any clues as to his whereabouts.

The Discovery of Philip Taylor Kramer

It wasn’t until May 1999 that two photographers finally discovered Kramer’s green van, which had apparently crashed at the bottom of Decker Canyon, 1.5 miles east of the Pacific Coast Highway. According to dental records, the remains found within the van were confirmed to belong to Kramer. Although his estimated value was in the millions, a total of just 40 cents was found in his pocket—not even enough to afford the airport parking he would have had to pay for, had he kept with his original plans the day he disappeared.

Though Kramer had now been found, questions still needed to be answered: mainly, how he and his car ended up at the bottom of the canyon.

“Somebody put a gun to his head,” suggested Ron Bushy, who in addition to remaining a musical collaborator had also been Kramer’s closest friend at the time of his death. As Bushy explained to the Washington Post, he believed Kramer had been killed “because he’d just made a breakthrough in this new technology.”

Both local police and the FBI investigated Kramer’s death. Some did in fact wonder if foul play was involved: was Kramer driven off the road to prevent national secrets from leaking? Had his murder been to stop any more information about the Simpson case from being released?

Based on the coroner’s report, it seemed that Kramer died only a short time after he disappeared. Conspiracy theories that ranged from a government cover-up to time traveling soon began to surface as possible scenarios that might have led to Kramer’s death; claims the majority of which are either impossible, or at least have no way of being verified. While Kramer’s family denies that he would have killed himself given the chance, suicide seems the most probable answer today, and the one police gravitated toward at the time, as the likeliest means by which he drove his car off the cliff into the canyon.

“We’ve got no motive,” said private investigator Chuck Carter, a former police officer and DEA agent hired by Kramer’s business partners to investigate the case. Kramer’s fragile mental state, as well as his lack of sleep in the weeks leading up to his disappearance, all pointed to the likelihood of suicide, although some loose ends remained.

We will probably never know the full story behind the demise of Philip Taylor Kramer, although it remains a bizarre cold case that continues to puzzle and fascinate us. While the likelihood of new evidence seems remote, perhaps new information about the case will indeed surface, allowing Kramer’s friends and family to receive the closure they have long hoped for.

clock This article was published more than 27 years ago

TAYLOR KRAMER, ROCK MUSICIAN, ROCKET SCIENTIST, ENTREPRENEUR, HAS VANISHED INTO THIN AIR. HE COULD BE A SUICIDE. A HOMICIDE. A RUNAWAY. AN ALIEN ABDUCTEE. FINALLY, HE IS WHAT HE ALWAYS WANTED TO BE. A LEGEND

THOUSAND OAKS, CALIF. -- The day he disappeared, Philip Taylor Kramer, who was worth more than a million dollars, had 40 cents in his pocket. In his head he carried secrets, some said to be of incalculable value.

An aerospace engineer, he knew how to configure the flight path of a nuclear missile. A computer executive, he developed revolutionary technology to compress and transmit data. A student of theoretical physics, he pursued particles and equations that he believed would someday permit objects to move faster than the speed of light -- "warp speed" -- making possible travel to the stars.

These facts alone set the disappearance of Philip Taylor Kramer apart from your average milk-carton missing persons case. Add one other: The rocket scientist was a rocker. Kramer could expertly lay down the throbbing bass line for "In-a-Gadda-da-Vida," the baroque hippie anthem he used to perform as a member of the band Iron Butterfly.

Now we're talking. The case has been reported on "Unsolved Mysteries" and "America's Most Wanted." There have been "sightings." There is conjecture about sinister global conspiracies. Was Kramer abducted by America's enemies? A U.S. congressman thinks so. Is Kramer trapped by his own technological wizardry, imprisoned somewhere in cyberspace? It's one theory.

Many people believe that when Kramer vanished on Feb. 12, 1995 -- last known location: a green Aerostar mini-van on Highway 101 about 30 miles north of Los Angeles -- he entered another realm. And in a way, whatever the truth of his disappearance, they are right. Philip Taylor Kramer, age 42 when last seen, has become part of popular mythology, dwelling in the same corner of our pre-millennial landscape as the living Elvis, the UFO crash at Roswell, N.M., and the evil designs of the One World Government.

"Someone may have grabbed him," says Rep. James Traficant (D-Ohio), who knows Kramer's family and has urged the FBI to fully investigate the national security implications of the disappearance. Foreign or domestic terrorists could have brainwashed Kramer for "nefarious purposes," Traficant says -- namely, to launch a nuclear strike. (The FBI briefly looked into it, and says there is no reason to suspect such a plot.)

"Somebody put a gun to his head," suggests Ron Bushy, Iron Butterfly's drummer and Kramer's closest friend, "because he'd just made a breakthrough in this new technology."

The fact is, Kramer's disappearance is mysterious. His company was mired in bankruptcy, and in those final days he was clearly emotionally distraught; from a cellular phone, he called 911 to say he was going to kill himself. But was the call made under duress?

No body was ever found. The van was never found. An extensive aerial search yielded no sign of a submerged vehicle. Resilient and eternally upbeat, Kramer had weathered setbacks in the past without cracking. He had no history of psychiatric problems. He didn't use drugs or drink. He adored his children.

A 6-foot-5, 220-pound man is likely to stand out, dead or alive. Kramer's family and friends circulated thousands of fliers and pursued hundreds of purported sightings and leads nationwide, all to no avail.

His credit cards were never used again. Neither was his cell phone.

"We've got no motive, no evidence, nothing," says private investigator Chuck Carter, a former cop and DEA agent hired by Kramer's business partners.

"Pick a scenario, any scenario," says Detective Tom Bennett, who's handling the case for the Ventura County Sheriff's Department. Officially, Kramer has been entered into a national missing-persons database as "endangered."

Traficant -- one of the more eccentric congressmen, who prides himself on his lone-wolf independence -- vows further investigation by his staff: "There's some funny things here," he says.

Some sad things, too. "I long to have his dead body found so that I can end this," says Jennifer Kramer, who married Taylor -- everyone called him Taylor -- in 1987. "I don't care why he's gone, look at what I'm left with. . . .

"I still grieve terribly. I know every inch of his body, every vein in his foot that's popping out," she says. "I intended to be with him the rest of my life."

Recently their 6-year-old, Hayley, has been seeing Daddy in her dreams. She's been asking whether Mommy can put up a little stone in a cemetery. A place for her to go and pray and bring flowers for Daddy. Words and Music

Until he or his body turns up, we can't know for sure what happened to Philip Taylor Kramer. But we can search for clues, like everyone else.

On the Internet, some people are looking for evidence in the words to "In-a-Gadda-da-Vida," which brought multi-million album sales and world fame for San Diego-based Iron Butterfly in 1968. The song is as good as any a place to start.

Dunh, dunh, da-da-da dunh-DUNH-dunh-dunh goes the simple bass line -- a riff that might have reasonably supported a tune lasting two minutes, but which the musicians attenuated to cover an entire album side -- 17 minutes 5 seconds. Its lyrics were pedestrian: "Baby, don't you know that I love you/ Don't you know that I'll always be true." Its interminable wdrum solo and Gothic keyboard noodling render it practically unlistenable today -- yet it became the first certified platinum album in history. It stayed on the album charts for 140 weeks. "In-a-Gadda-da-Vida" held a power and attraction far beyond its musical merit, as stoners stuck their heads next to pulsing speakers and attempted to divine the song's greater message.

Even the title was a mystery, in a way. It was the drummer's exact transcription of singer Doug Ingle's drunkenly slurred words when he finished writing the song, after a gallon of cheap wine at 3 in the morning. He was trying to say "In the Garden of Eden."

This turned out to be accidental marketing genius: Now every fan would be able to put forth his own theory about the meaning of the words.

Taylor Kramer performed "Vida" hundreds of times on tour, as both bassist and singer. But he never liked to talk about his time in the group -- he seemed embarrassed by it.

Why? Perhaps because Kramer had nothing to do with Iron Butterfly's signature song. In fact, he wasn't even in the band during its late-'60s heyday. Kramer joined a regrouped version in 1974, three years after the original band broke up.

The two albums Kramer recorded with the group went nowhere on the charts. Asking Kramer about his stint in Butterfly was like asking Pete Best what it was like being a Beatle.

But all his life, Kramer wanted to be known for doing something significant. He didn't want to make a fortune, but he wanted people to know his name.

Maybe that's our first good clue. On the Road

That Sunday morning, driving on Highway 101, Kramer made 17 cell phone calls to family members, friends and business associates. The last call came into the California Highway Patrol's 911 switchboard at a minute before noon:

"911, can I help you?"

"Yes. This is Philip Taylor Kramer."

"Uh-huh. This is 911. Can I help you, sir?"

"Yes, you can. I'm going to kill myself . . . "

A few seconds later, the polite, measured voice was gone.

"Hello? Hello?" the operator said frantically. Silence. Happier Times

Christmas Day, 1994. It's a month and a half before the disappearance, and things couldn't have seemed more normal at the Kramer household. Carols on the stereo. Cookies and sweets left for Santa. Visits from relatives bearing gifts. Barbies for Hayley, a hockey stick for Derek, then 13. And Dad with the video camera, recording it all.

After Hayley tries on her new holiday dress and "fairy princess" shoes, Dad puts her on a pedestal, literally, so she can display them for the camera. His own childlike excitement builds as the little girl opens her gifts: "Oh, my gosh! Your own roller skates. The big-girl kind!"

At one point Kramer sets the camera on the dining room table and lets it roll. The video shows an athletic, amiable giant in white shorts and a loose blue shirt. The Kramers seem to want for nothing here in their $250,000 ranch-home-with-a-pool, set amid raw canyons in a newish Thousand Oaks subdivision.

Dad can't keep his lens off Hayley, then 4. She gets annoyed at one point: "Set the camera down!"

"Hayley, just one thing," he persists, then whispers, eerily: "I love you."

Is this a clue? It is almost as if he were planning his escape and feeling regret. But maybe it is just a father telling his child he loves her. Father and Son

As the Space Age unfolded, Ray Kramer filled his children with the wonder of science, always talking about NASA projects, computers, coming breakthroughs. Taylor and his older brother and sister grew up in Youngstown, Ohio, where Dad was chairman of the electrical engineering department at Youngstown State University. Ray Kramer taught his kids how things worked, patiently guiding their school science projects. Taylor built one that everyone remembers. In ninth grade, he won top prize with a laser rigged to shoot down a balloon. Of course Dad helped out, supplying the synthetic ruby lens. Taylor also was gifted on the guitar. At 12 he formed a garage rock band. The Concepts, he called them.

In the early 1960s, in his physics research, Ray Kramer grew convinced that the universal speed limit imposed by Einstein -- the speed of light, 186,000 miles per second -- could somehow be surpassed. This involved complex extrapolations about energy, mass, gravity and hyperparticles. Mainstream physicists scoff at such folly.

A teenage Taylor would peer at his father's scribblings, curious.

"Dad, how come you're always working on one equation?" he'd ask.

"There is only one equation," Ray would say. "It's all in one equation." A Right-Brainer

At the time of his disappearance, Philip Taylor Kramer owned about 1.7 million shares of stock in a company called Total Multimedia Inc., which he founded in 1990. They were worth about $1 per share. But anybody who ever worked with Kramer says he didn't care about money and never kept track of it, just as he ignored other workaday details. Once, he boarded a plane thinking he was headed for a meeting in Atlanta and ended up in Hawaii.

Kramer was an idea man, a right-brainer. A proponent of grand visions, relentlessly evangelizing for new technologies that he believed would transform entertainment, education and, indeed, the world.

" Given all time, all things are possible' -- that was his favorite statement," says Dan Shields, a former business partner. "He could see over the horizon."

But over time, Kramer's tendency for leveraging the future on dreams led to collapsed schemes. His career trajectory is a sine wave, easy to chart: first a burst of great enthusiasm, followed by an arc of significant promise, then a sputter into failure. Then enthusiasm, again.

It had been that way ever since Kramer moved to California in the early 1970s with his sister, Kathy, a singer and pianist, both of them pursuing musical stardom.

After Taylor hooked up with drummer Ron Bushy, his rock future seemed secure. Looking remarkably like the heavy-metal parody band Spinal Tap, the new Iron Butterfly featured two original members and a different sound, but enjoyed some success touring on the strength of its legend.

Kramer avoided the era's excesses, keeping fit on the road with a punishing 1,000 sit-ups a day. He devoted himself to songwriting as well as mathematics, scribbling formulas, poetry and philosophy on napkins and hotel stationery.

One verse from that period reads: "Progress is on the move/ Computer life is such a groove." He was not a great lyricist.

After meager record sales stalled the band, Taylor enrolled at Western States College of Engineering. It was 1980. He cut his hair short, donned a suit and went for the cash, which was plentiful in the defense industry during the Reagan-era buildup. While still in school he landed a job at Northrop Corp., in Hawthorne.

Glen Mavis worked with Kramer at Northrop, and both had to swear a national security oath. Mavis would notice whenever Kramer's office cubicle was taped shut -- engineers did this to signal that their work was classified and not to be viewed by anyone else. Mavis isn't sure exactly what Kramer was doing, but he knows it involved helping to get the MX missile to fly accurately.

Because Kramer wasn't much of a hacker, he enlisted Mavis to write the computer code to monitor the telemetry: "He came up with system that would predict a failure before it would happen," Mavis recalls. "He's very creative."

Mavis and others say that Kramer frequently operated on the financial margins, piling up debts in various business ventures but always managing to bounce back. "Whatever the problem was," says Mark Spiwak, another former business partner, "he could deal with it.

"Whatever got Taylor was something that he couldn't deal with -- whether it was an outside force that came down on him, or . . . "

Spiwak doesn't finish the thought. But the message comes through: Maybe it was an inside force that got Taylor Kramer. The Visionary

Kramer always seemed to end up on the fringes of fame. One of his close friends -- also a director of Total Multimedia -- was Randy Jackson, the youngest sibling in the musical Jackson family. Several Jacksons -- but not Michael -- showed up at a press event in 1990, when Kramer unveiled digital technology that he called "the state of the art for the next century." He was announcing the "worldwide" release of an electronic magazine, Vizions, including "not only pictures but moving pictures."

Sure, it was possible -- but how practical? No market existed then for such a product; there is barely a demand today for CD-ROM magazines. As usual, Kramer was too far ahead of the curve, caught on the "bleeding edge" of technology, a man selling a solution for a problem nobody yet had.

Eventually Kramer's vision was embraced, on a much smaller scale, by some local educators. Kramer's greatest desire was to help children learn -- his teenage stepson, Derek, had a learning disability. By 1993, Total Multimedia's video compression technology was being tested in the local school district as part of its multimedia curriculum.

And one of his marketing efforts impressed the then-president of the Nickelodeon cable channel, Geraldine Laybourne, who wrote in a December 1993 letter to Kramer:

"Early in my day with you, I thought: This Taylor Kramer is one incredibly passionate and committed fellow, he surely will make a difference in the world.' "

Nothing more came of it.

Nothing more came of anything. Transcript

Let's play that suicide tape again:

" . . . This is Philip Taylor Kramer."

"Yes, you can. I'm going to kill myself."

That is where the tape ended when it was played on two national TV shows. But it is not the end of the tape. Kramer's family authorized release of the 911 tape to the news media on condition that the next thing he said not be aired.

Here it is:

"And I want everyone to know: O.J. Simpson is innocent. They did it."

This illuminates something. Something of which Rep. Traficant, for all his conspiratorial certitude, was unaware. In the final days before his disappearance, Taylor Kramer was under nearly unendurable stress, pressing in on him from all directions, from within and without, from the past and present and future.

By most indications, he was quietly but emphatically going mad.

"We can't progress by using logic alone. We have to attain a fuller consciousness, an inner connection with God . . . guided by a higher part of ourselves." -- From "The Celestine Prophecy" by James Redfield

In the summer of 1994, "The Celestine Prophecy," a compendium of new age cliches tarted up as an adventure tale, was just starting its amazing run on the bestseller lists. At Total Multimedia Inc., it was practically required reading.

That's because TMM's new president, Peter Olson, swore by "Celestine" principles: how "energy fields" and "vibrations" and intuition can affect people and events. Olson, a former executive at IBM and MCI, says he was recruited to help turn around the struggling multimedia company. He considered it a "once-in-a-multiple-lifetime opportunity."

Olson negotiated an annual salary of $600,000. He brought a Paraguayan shaman into the company as a consultant, paying him about $5,000 per session with the 30-person staff. The shaman would serve as a "fan" to clear negative energy from a room as if it were smoke, Olson liked to say.

Kramer became fixated on "Celestine." The book tells of a middle-aged man's search for nine mystical "insights." It culminates with people entering a "magic flow," becoming beings of pure spiritual energy. Their atoms vibrate at higher and higher levels.

Ultimately they disappear.

By January 1995, CEO Dan Shields and Tom Simpson, TMM's other partner, were worried about what they considered Kramer's "undisciplined" work habits. He would toil late into the night, come to the office boiling with excitement about his fractal and light-speed research, the stuff his father had spent a lifetime working on.

He began making pronouncements: "God's a scientist, a perfect scientist! Chaos is perfect order." He declared that in a previous life, he, Dan Shields and Tom Simpson had been brothers.

"We let it go too far," Shields says today. "The worst part about it for us was, we believed there were definite points of merit in {Kramer's} thinking process. We were trying to nail it down, to put some structure and discipline on it."

By now the Canadian investors backing TMM were annoyed with Olson's bizarre methodology. Kramer was wedged in the middle. He'd glommed onto Olson's right-brained, new age visions. But his partners were hard-science types -- left-brainers -- not fond of shamanism and talk of past lives. Kramer was mostly a right-brainer. A musician. A believer in the spiritual. But also a scientist. A believer in the law of reason.

And the little company that Kramer hoped would save the world was being ripped apart. On the weekend of Feb. 11-12, 1995, one of TMM's directors, Robert Papalia, was flying down from Vancouver, B.C., intending to take legal action to oust Olson. Another director was coming in from New York. Kramer was supposed to pick him up at the Los Angeles airport that Sunday morning; instead, he stood the guy up, and disappeared.

The day before, Kramer had been blurting cryptic, frightening things.

"You've got to be centered," he told his sister, Kathy, drawing his hands to his chest. "If you're centered, you'll be saved when the supernova happens and they come."

He told his wife they'd have to move into a house with high walls. "He was scared that people were trying to get at him," Jennifer recalls. Who? Them.

He claimed to have "channeled" the Tenth Insight of the Celestine Prophecy -- the sequel that hadn't been written yet. He called a friend and she wrote it down as he spoke:

"Learn from the beauty of the eye that beholds all the wonders of the world and yet is blind unto itself. The difference is between day and night."

He explained excitedly, "I was really lucky to be able to interpret it because it was highly encrypted."

He was manic, jumping with glee as he told Jennifer: "I have finally proven that my father's theories for the last 35 years are correct. Me! Your husband!"

He said it was only a matter of time before President Clinton and the first lady would be flying out to congratulate him. The Equation

Ray Kramer is 76, sturdy, talkative, proud. He says he does not know what happened to his son. A scientist, he is open-minded, ready to believe almost any hypothesis. Except one. He says he is certain Taylor didn't kill himself, because Taylor once told him that if he ever threatened to kill himself, not to believe it. He thinks that in those final days Taylor might have been drugged and abducted by business rivals. But he doesn't think his son was crazy.

Ray Kramer sincerely believes he and his son were onto something. Taylor, he said, understood its importance, both to his father and the world. Maybe someone else understood this, too. Someone with evil designs.

Ray is sitting at a conference table at Advanced Multimedia Concepts Inc., a small company run by Taylor's former partners. He keeps an office here. Lately he has devoted himself to searching for Taylor and writing a book about The Equation.

This may be the key to cracking the light-speed problem, he says. It could make possible instantaneous transmission of matter and data to any point in the universe.

The Equation, he says, combines the work of science's greatest minds: Newton, Einstein, Planck and Fermi. Relativity, quantum mechanics, quarks: It's all here, but no one else has put it all together, except Ray Kramer, a retired engineering professor from Youngstown, Ohio.

"This is the mass of the universe," Ray begins, jotting down arcane scientific symbols. "Charge squared over four pi epsilon zero . . . The permativity of free space . . . " He transcribes intently for a few minutes, then lifts his head, smiles and says, "How simple can you get?"

Ray Kramer carefully folds the sheet of paper and places it in an envelope. He seals it, dates it and asks his interviewer for a promise: Reveal this equation to no one.

But how can it be verified?

"This is a life's work," he says. "I don't want to give it away. If I lose this, I'm in trouble."

He hands over the secret of the universe. We promise never to open it. Going Away

In every call he made driving on Highway 101, Taylor Kramer sounded like a man saying goodbye. Or going insane. Or both.

He left this message on his best friend Ron Bushy's answering machine: "Bush, I love you more than life itself." He told his lawyer the same thing. And his business partner.

He told his wife that he had a "big surprise" for her. He added ominously: "I'm not going to see you on this side."

He made one brief stop that morning, visiting his father-in-law, who was terminally ill. Kramer pulled a small object from his pocket -- a viewing device whose lens replicated and fragmented anything it perceived. "It's all right here," he said. "I know you don't understand, but it's all right here."

He handed his dying father-in-law the amazing device -- a cheap plastic child's toy.

So is Kramer dead? If not, where did he go? Is he wandering delirious among the homeless, eating from dumpsters?

One psychic consulted by the family said the 6-foot-5 scientist was living among a California Indian tribe, being worshiped as a god. The family checked that out, and also traveled to Sedona, Ariz., the new age capital. They visited several purported UFO landing sites. No sign of Kramer.

Some credible sightings emerged in the early days of the search. A pawnshop manager in Canoga Park, Calif., swore that Kramer came in and talked about computers, but didn't buy anything. A woman holding a yard sale nearby said a very tall man approached her, trying to buy clothes, but she didn't have any sizes big enough.

After "Unsolved Mysteries" aired, scores of callers claimed to have seen the ex-rocker. Hey, he looks just like the naked man on this pornographic birthday card, reported a caller from New Orleans. No, he was jamming in the Cotton Club in Hayden Lake, Idaho. No, he was in a bar in Sparks, Nev., playing "In-a-Gadda-da-Vida." Out There

Mysteries, myths, covered-up secrets -- they endure because simple facts are no match for legends. The Bermuda Triangle swallows ships. The moon landing was faked. The government once captured and autopsied aliens. And don't you know we really can travel at warp speed, faster than light? On "Star Trek" they do it. And in "Star Wars."

Real scientists say it can't happen. Based on what we know now, we'll never get to the stars. And the aliens can't get here. The distances are simply too great.

Of course, scientists like to leave just a little wiggle room; the history of science has taught them humility -- they've been wrong many times before. And into that tiny crevice slips faith. Hope. A yearning for a life that isn't governed by logic and facts. We need mystery.

Is it any wonder that "The Celestine Prophecy" has been a bestseller for 135 weeks? Soon it's going to pass the record of "In-a-Gadda-da-Vida."

Maybe it all comes back to the song, after all.

In the Garden of Eden, baby. Don't you know that I looovvvve you.

That's where it all started, man. Far out. Let's look in the book. Genesis.

Eve ate of the forbidden fruit. It came from the tree of knowledge of good and evil. After that, Adam and Eve lost their innocence. They thought they could be on the level of God.

So He ordered them from the garden -- and they and their descendants had to live in shame. They were forced to think, to puzzle over good and evil and suchlike. So, dig it. All that thinking led to science. The scientists set out to disprove the whole God trip. The creation story -- what a laugh!

Except the harder they tried, and the farther out they went, into space -- to the moon, even to Mars -- the closer to God they came. Because there really aren't any answers.

It's heavy, man. And beautiful. Like an Iron Butterfly. Epilogue

What happened to Kramer? It's a great mystery, all right, but not because of UFOs or guided missiles or O.J. Simpson or the Tenth Insight.

The real mystery is the mystery of the human brain. Submitted for your approval: Could it be that Philip Taylor Kramer's artistic side was on a collision course with his scientific side? Like many theoretical scientists, he was groping on the farthest edges, and not finding hard proofs.

And he also faced more mundane pressures. There was the son's classic struggle to please his father. A man's obligation to support a family as opposed to simply indulging himself.

He faced the dichotomy of his own grand expectations vs. his actual achievements. He was on the brink of failing his wife, his kids and himself. His great entrepreneurial dream was in jeopardy. He was worth more dead than alive. His company had insured him for $1 million.

As a missing person, his name would live on. He'd become the legend he always wanted to be. The story never ends.

"I think of all the PR Taylor wanted to get for all his stuff, all that he was working on," says Jennifer Kramer. "I wonder if he knows about all the PR he's gotten now."

Jennifer wants it all to end, but she's obligated to settle Taylor's affairs. After he left TMM, the company went into a death spiral. The stock now trades at 7 cents. "I can wallpaper my bathroom with it," she says bitterly.

There is the company insurance policy, but as a missing person, Taylor can't be declared dead for seven years from the date of his disappearance. After a tireless 20-month search, Kathy Kramer, the devoted sister, wants to believe Taylor is not dead. She can't stop seeing his face in homeless men on corners and in parks and under piers. "I just miss my brother," she says, sobbing. "I just know that wherever he is, he's suffering."

The guys in the band haven't gotten this much attention in years. They're touring again, giving interviews. In his den, Ron Bushy sorts through musty old files containing Kramer's scribblings. He digs into an envelope and pulls out what looks to be a song.

Can't make out the words, really. Except for the title. It's clear: "What Mystery, Life." CAPTION: Phillip Taylor Kramer: He toyed with technologies beyond most people's comprehension. Is he, as some say, trapped out there in cyberspace? CAPTION: IRON BUTTERFLY, 1975. Kramer is at right. Drummer Ron Bushy, second from left, theorizes Kramer was abducted because of work he was doing on the speed of light. CAPTION: Taylor and Jennifer and the two children, on vacation before he vanished. CAPTION: From left, Kramer's 40th birthday party with drummer Ron Bushy; Taylor as a 12-year-old science whiz; father Ray and sister Kathy Kramer.

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Philip Taylor Kramer

25 Comments

He was Murdered and they Got away with It!!Because it’s wasn’t investigated properly, It was swept under the Rug,hmmmmm..It’s very sad none the less!!!

Can you say, cover-up?

marty sheridan

he said he was going to vibrate himself to a higher power and that he was the only one that could do this,he spoke to doctors and sciencetist and was makeing sence but they were unable to sum it up in their heads he was way more intellagent then them. i think the russians killed him because they wanted to know about the missel defence system that he invented for norad at chyanne mountian.

Sadly, by far the most likely scenario is misadventure as a result of (probably undiagnosed) paranoid schizophrenia. Accounts of his last months show a steadily increasing emotional agitation; intelligent people normally approach challenges methodically and he was certainly able to do so but he did not. Schizophrenia affects about 1.1% of adults throughout the world; my late mother was one of those. She was the disorganized type, but the most prevalent type is paranoid. The great majority are functioning people but instability is also part of the life. Refusing medications is common. FWIW, Paranoid Personality Disorder is even more common but does not include delusions as schizophrenia does. The NIH estimates the prevalence of PPD at 4.4% in the US, varying widely from country to country. See https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5793931/ Paranoia is part of the American experience.

I don‘t believe that it was suicide..

Darren w m a c k r i s

A man like Taylor had it made he was successful he was intelligent a genius he had money and a beautiful family he was talented and very successful amen like that does not kill himself I believe unfortunately I’m sorry to say I believe he may have been murdered he may have went to the airport to meet a drug dealer to purchase drugs and the dealer made him drive to an isolated location and Rob Taylor and maybe Taylor was beat with a blunt instrument by the drug dealer and left for dead that’s why he never picked up the friends coming in on the flight that’s why he sounded like he was crying to the band member that he called on the phone because he was crying he was very afraid for his life but he could not say anything else on the phone because his murderer was sitting with him in the truck he was allowed to make one phone call or two phone calls to his loved ones by his assassin and then he was murdered that is my best assumption my best guess nevertheless he was a good soul may he be in the right hand of God

Carol Smith

Why can’t people believe the obvious…he was up for two weeks straight, developed some psychosis as a result and drove off a cliff ?

Mark Winchester Sr

This guy was murdered. Nobody like him calls 911. They just do it. Nobody like him warns his father he fears for his life, nobody like him says don’t think I’ve killed myself…. Then kills himself. A professional hit either CIA or corporate hitmen. Either way it was centered on $$. RIP bro.

Watch “The Mysterious Death of Philip Taylor Kramer” on YouTube https://youtu.be/ApHpVouMjHo

UNSOLVED MYSTERIES

I was watching Hawkins and Einstein on the Science Channel when they mentioned traveling on gravitational waves which Taylor Kramer of the Iron Butterfly had discovered but was murdered for his knowledge. I wouldn’t be surprised if it was on our own government.

I thought the story was that Taylor had learned a method of how travel on gravitational waves.

I believe he was killed because if this technology he stumbled upon could find missing children anywhere then it would expose pedophiles EVERYWHERE! Including those people in government, those in authority…and there are many from what I gather these days.

thinkingoutloud

maybe he did stumble upon really advanced technologies and the government found out and were after him. seems like someone found out and they killed him because of it. he didn’t wanna involve his friends or family which is why he was very vague with his information

Annette Cole

I think he was killed by someone at either the FBI OR LEDIOS. THE PEOLE WHO DESIGN AND IMPLEMENT THE FACIAL RECOGNITION SOFTWARE FOR THE FBI. PHILLIP TAYLOR CREATED THIS SYSTEM BEFORE THE FBIs launch of theirs. Follow the evidence…it’s all there. I MEAN IT’S NOT LIKE THE FBI HID THE SYSTEM FROM THE WORLD BC IT’S IN THE NEWS ALL THE TIME…IDK WHAT ANYONE CAN DO ABOUT IT…BC AT TIMES THE FBI CAN BE UNTOUCHED BUT WITH MULLER AND COMEY BEING FIRED MAYBE NOW IS THE TIME TO INVESTIGATE TO EXPOSE ALL THOSE INVOLVED… https://www.leidos.com/transportation-security/biometrics/next-generation-identification

Let me be clear. I’m NOT blaming the FBI AS A WHOLE. BUT THERE’S SHADY PPL IN EVERY PROFESSIONAL GROUP…AND IF LEDIOS IS THE CULPRIT. THEN FBI SHOULD INVESTIGATE.

so, he calls 911, says he is going to kill himself, and then hangs up. Why make the call? If he wanted to make sure he was found, then he could have simply kept the line open, Maybe it was a test to see if his software would find him; maybe it was just a trial stunt gone wrong….

He didn’t make the call.

Maybe he wasn’t the one who made the call.

Oh MY GOD! Why WOULD HE COMMIT SUICIDE?

“I” THINK HE WENT TO “DOJ” TO JOIN “WITNESS PROTECTION PROGRAM” AND TWO “FAKE AGENTS” MET HIM (NOT AT A AIRPORT) AND “KILLED HIM” FOR WANTING TO TELL ON DRUG DEALER’S IN THE MUSIC BUSINESS! “RINGO” MAY “HAVE TOLD ON MANY” BUT WHAT HE NEVER TOLD WAS HE WAS A DEPUTY DIRECTOR OF THE F.B.I. NEVER! RINGO STAR THE BEATLES PAUL MCARTNEY.

Slight ends

The government killed him he had to much knowledge of what could possibly cause an uproar and have people upset with the law so he killed himself or someone else did and got away with it

E Goldstein

We need to investigate who Philip Taylor Kramer REALLy was to meet at the airport, including his background. I can almost guarantee you that in itself will reveal the RIGHT direction to take…leading, ultimately to the truth…the truth behind the technology claims, threats against his family, and what some believe now, was a failed attempt by Philip to fake his own death.

leafyishere

People all die at some point anyway.

The government has facial recognition software. This man happend to think what he was doing was right, but in reality he would have unknowingly released the software to terrorists & foreign governments access to finding covert operatives. He was contacted by someone threatening the lives of his family leaving him instructions to do to keep them safe.

More like the pedos don’t want their victims found, that’s all the government is a big flaming pack of pedos.

POP MUSIC : Iron Butterfly’s Turbulent Flight

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In-a-gadda-da-vida , honey, don’t you know that I love you . In-a-gadda-da-vida , baby, don’t you know that I’ll always be true . --From “In-a-Gadda-da-Vida,” Iron Butterfly’s 1968 hit

Iron Butterfly’s “In-a-Gadda-da-Vida” stands today as one of the classic pieces of late-’60s kitsch, evoking images of patchouli oil, love beads and liquid light shows.

But in 1968 the song--all 17-plus minutes, including the renowned drum solo--was nothing short of a pop monument. With its air of mystery and its ominous riff, it was the song of the moment, catching the attention of the counter-culture “underground” market.

Success, however, was hardly limited to the underground.

Thanks to a three-minute version edited by a Detroit disc jockey, the song became a Top 40 radio hit as well. That exposure helped the “In-a-Gadda-da-Vida” album--which spent 2 1/2 years on the national sales chart--surpass LPs by such groups as Cream and Sonny & Cher to become the top seller for Atlantic Records up to that time.

Worldwide album sales by Iron Butterfly: approximately 20 million.

“It seemed that every college student had a copy of this record in his room,” Atlantic founder and chairman Ahmet Ertegun recalled in a recent telephone interview. “It became a youth anthem, a phenomenon, which happens from time to time in our business.”

Though the song is seen by many today as a caricature of ‘60s psychedelia, it has remained strong in the pop consciousness for 20 years.

In recent years it has turned up in the climactic scene of the movie thriller “Manhunter” and in many new versions, including a speed-metal interpretation by Slayer from the “Less Than Zero” movie score.

There’s even an Orange County-based fan club that publishes a quarterly fanzine called Unconscious Power, named for one of the group’s early songs.

But what about the group that created this icon?

The real original members of Iron Butterfly have reunited and have played a few dates, testing the memories of their longtime fans and trying to make new ones.

In its heyday, Iron Butterfly was at the top of the pop pile. The band was a massive concert draw, headlining such key rock venues as the Hollywood Bowl and New York’s famed Fillmore East (where Led Zeppelin was its opening act).

But Iron Butterfly’s flight was a short one. What happened?

“Who knows?” said Ertegun. “I think they were a very talented group. . . . I guess the general taste moved away from that sort of music.”

As early as 1969, a cycle of lineup changes and abortive comeback attempts clipped the wings of Iron Butterfly. By the late ‘70s, the only market open to the band was the nostalgia circuit.

Then an East Coast concert promoter “licensed” the name and recruited other musicians. He put as many as five different Iron Butterflys--none with an original member--on the road at one time.

It was the nadir of the process through which the band’s name was devalued to near-joke status, and something from which the band’s legitimate members have yet to recover.

Still, there’s not just talk of what-ifs but high hopes that it can once again take a place in the rock pantheon.

“Nobody gave us a chance in hell of making it (in the ‘60s),” said guitarist Erik Braunn, 37. “But we did reach superstardom status as an underground band. Nobody did that back then. If we had racked up six or seven albums of that same success, maybe it would have been another story. If we had been treated like we were capable of it by management and the record companies, maybe we could have.”

Braunn, who grew up in Los Angeles, was just 16 when he joined Iron Butterfly in 1967. The band, which originated in San Diego before emerging on the burgeoning Sunset Strip scene, had recorded an album called “Heavy” for Atlantic but had broken up shortly after. With that album’s unexpected success, the group found itself with contract offers, and founding keyboardist/singer Doug Ingle and drummer Ron Bushy recruited a new version of the group with Braunn (then going by the name of Brann) and bassist Lee Dorman.

Braunn, a violin prodigy, had worked as a teen-ager with producer Lenny Waronker (now the president of Warner Bros. Records). But Iron Butterfly was his first real professional rock band experience, and he was not prepared for the pace.

“We were working 365 days a year,” recalled the still youthful-looking guitarist during a break in a recent rehearsal at a San Fernando Valley studio. “My first vacation I bought a car--a Jaguar--and parked it outside the hospital where I spent two weeks for ulcers and gastroenteritis.”

But it wasn’t just Braunn who suffered exhaustion. Bushy, 46, said, “I remember after we recorded ‘Ball’ (the 1969 follow-up to “In-a-Gadda-da-Vida”), I went to Miami and checked into a hotel and didn’t leave my room for a week.”

“We were like walking and talking mannequins,” added Ingle, 42.

And while Iron Butterfly found itself increasingly trapped in its own manic pace, it seemed the rest of the world soon was passing it by.

“When Led Zeppelin opened for us at the Fillmore and in Toronto the next night, it was the first time I’d seen anyone doing us in with our own game,” Braunn said. “It really shocked me. Here I am, 17 or 18 years old, and you’ve got that young pride.”

So Braunn, burned out and uncomfortable with what he saw as the band’s move away from its trademark heavy sound, left to pursue his own projects.

The rest of the band carried on, signing up singer/guitarist Mike Pinera, formerly of the band Blues Image (“Ride Captain Ride,” a No. 4 hit in 1970) and guitarist Larry (Rhino) Reinhardt, an old friend of Dorman’s and a veteran of several Florida bands, including one with the Allman brothers. That lineup recorded a new album, “Metamorphosis,” and went on tour but found itself already caught between progress and nostalgia.

“I remember the first time we went out in concert,” said Reinhardt, who now manages a recording studio in Van Nuys. “It was the first of the year in 1970 at the Philadelphia Spectrum. It was sold out and we were on a revolving stage, and every time the thing would turn around it would be, ‘Where’s Erik?’

Though Iron Butterfly continued to have some moments of glory--particularly in Europe, where the name remained strong through the ‘70s--its time had clearly passed.

In 1972 Dorman and Reinhardt left to form Captain Beyond, which recorded three albums for Capricorn Records and scored something of an FM hit with the song “Sufficiently Breathless.” Braunn and Bushy, who live in the San Fernando Valley, put together a new version of Iron Butterfly in 1974, recording two albums for MCA without commercial success.

Bushy went on to run a rehearsal studio and work as a representative for a couple of power tool companies, Braunn delved into studies of music and philosophy. Dorman, a Laguna Beach resident, led boat cruises off Southern California and took a job as a bar manager.

Just a few years after glory, Iron Butterfly was relegated to “one-hit wonder” and the “where are they now?” files.

Then in 1978 it became clear just how far the band’s reputation had fallen.

“Ron called me from Lancaster one day,” recalled the San Diego-based Ingle. “He said that he’d seen a poster saying that the original Iron Butterfly was going to be performing. Well, we went out there--we’d never had the opportunity to see the original group.

“So we went out to the club in the afternoon and Ron went in an asked to meet the drummer,” he continued. “And the guy comes out and Ron says, ‘What’s your name?’ And the guy says, ‘Ron.’ ‘What’s your last name?’ ‘Bushy.’ And Ron goes, ‘What a coincidence. I’ve got the same name.’ ”

According to the real Butterfly members, a licensing agreement they had with promoter Steve Green allowed him to book shows for the band as long as at least one original member was in the lineup. But Green had several groups--each billed as the “original” Iron Butterfly--working around the country, said several members of the band.

Tony Grafasi, who is now Iron Butterfly’s New York-based agent, described Green’s set-up as a “boiler-room-type” operation.

“I worked for Green’s office for about six weeks,” he said. “I booked a tour for Sam & Dave and then found out that Green had every other agent in the office booking tours for Sam & Dave.”

In 1982 Green and two associates were convicted of wire fraud for phony bookings relating to the false use of those and other names. Green was sentenced by a federal judge in South Carolina to three years in prison. (Attempts by The Times to locate Green were unsuccessful.)

But by the time Green was put out of operation, heavy damage had been inflicted on the real Iron Butterfly members.

The one positive thing the Green incident did for Iron Butterfly was give it a mission: to clear its name.

Several attempts to revive the act in the first half of this decade failed to generate much interest.

Spurred by the invitation to participate in Atlantic’s 40th anniversary festivities this weekend in New York, the four original members decided to test the waters last December. West contacted clubs around the country and found that there was a healthy market for the real original Iron Butterfly.

After a few warm-up shows, the band hit the road for several short tours, including a show here at the John Anson Ford Theatre in April. At these the band found a surprisingly varied audience that responded to their selection of material from the first three Butterfly albums.

But what about today’s music? Both Braunn and Ingle have new material they are anxious to try out, either with the group or on their own.

For now, Iron Butterfly wants to make sure people remember the old songs and share some of the lessons of life learned over 20 tempestuous years.

“The important thing I’d really like to stress,” said Braunn, “is that having come through the other end of the tunnel, I’ve learned that I am responsible for my own life and what I do with it. The tendency over the years has been to blame others for the circumstances of my life. Disraeli said men are not the creation of circumstances, circumstances are the creation of men.”

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Breaking Down the Complicated Time Travel in <i>Avengers: Endgame</i>

Breaking Down the Complicated Time Travel in Avengers: Endgame

Warning: This post contains spoilers for Avengers: Endgame .

At the end of Avengers: Infinity War , Thanos uses powerful gems called Infinity Stones to snap his fingers and destroy half of all life in the universe. At the beginning of its follow-up film Avengers: Endgame , the Avengers hunt down Thanos and try to take the Infinity Stones back to undo the damage. Unfortunately for them, Thanos has already destroyed the Stones. There is nothing they can do.

Fast forward five years. A rat happens to crawl over a machine that allows people to travel through the Quantum Realm and accidentally releases Ant-Man (Paul Rudd). He’s been stuck in the Quantum Realm for half a decade, even though it feels to him as if only five minutes have passed. Ant-Man rushes to Avengers headquarters to tell his fellow superheroes that they can travel back in time and collect all the Infinity Stones.

Tony Stark (Robert Downey Jr.) agrees to work on a machine that would allow the Avengers to time travel — on one condition. He has started a family in the last five years and thus does not want to alter recent history in any way. Instead of trying to rewind time once they have the Time Stone and undo everything that has happened in the last five years, they decide to use the Infinity Stones to bring back everyone who disappeared in this current timeline, five years later. That way, Tony can preserve his daughter’s life, while saving dusted characters like Spider-Man (Tom Holland).

If you’re already confused, well, we’re just getting started. Time travel in pop culture can get rather tricky. Just ask J.K. Rowling, who destroyed all the Time Turners in Harry Potter just to avoid dealing with time-loop-related plot holes. Avengers: Endgame tries to side step these problems by establishing certain time travel rules. It’s complicated, so bear with me.

The Avengers time travel through the Quantum Realm

Ant-Man theorizes that because he was able to jump forward five years in what felt like five minutes, the Avengers could travel back in very little time. They use Pym Particles (created by his mentor Hank Pym before he disappeared in the snap) to shrink to subatomic size and enter the Quantum Realm. Tony just has to mess around with some of the technology for a day and ta-da! He’s solved the problem of how to control where they land in time using tiny little watches. Anyway, back to the plot.

READ MORE: We Ranked Every Single Marvel Cinematic Universe Movie

They decide to split up and visit a few spots to intercept the Infinity Stones. Captain America (Chris Evans), Iron Man, Hulk (Mark Ruffalo) and Ant-Man travel to New York in 2012 when both the Mind Stone and the Space Stone (then known as the Tessearact ) were in Loki’s (Tom Hiddleston) possession during the Battle of New York and the Time Stone resided at the Sanctum Sanctorum in the same city.

Iron Man and Ant-Man flub stealing the Space Stone (Loki gets away with it), so then Captain America and Iron Man travel further back in time to a military lab in New Jersey in 1970 to steal it from Tony’s father’s lab. They also grab more Pym particles from Pym’s lab while they’re at it.

Thor (Chris Hemsworth) and Rocket (Bradley Cooper) travel to Asgard in 2013 where the The Reality Stone resides inside Jane Foster (Natalie Portman). Nebula (Karen Gillan) and James Rhodes (Don Cheadle) travel to Morag in 2014, where Peter Quill (Chris Pratt) found the Power Stone. And Black Widow (Scarlett Johansson) and Hawkeye (Jeremy Renner) travel to Vormir in that same time period to find the Soul Stone.

What the Avengers do in the past won’t affect the future in their timeline

Let’s say they steal the Space Stone from Tony Stark’s father in 1970. Doesn’t that mean that Tony Stark’s father was never able to study the Stone, thus he never creates the Arc Reactor technology that Tony later uses to power the Iron Man suit? And Iron Man is never born? This is basically a version of the Grandfather Paradox of time travel: Travel back in time to kill your grandfather, and then you are never born — hence you are unable to kill your grandfather.

Well, not in this movie! This movie version of time travel isn’t quite what most moviegoers are used to. For example, the rules of the butterfly effect where changing one tiny aspect of the past will alter the future in unpredictable ways — think Back to the Future or this famous Simpsons episode — aren’t in place.

READ MORE: How to Stream Every Single Marvel Movie

Nor is there a time loop. For example, in Harry Potter and the Prisoner of Azkaban, the characters who travel back through time know exactly what they need to do in the past because it’s already happened in the future. (For example, future Harry and Hermione know they have to hit their past selves with rocks because they already felt themselves being hit with rocks at the time.) They also know they will tear apart their world if they diverge from that strict plan.

If the Avengers change something in the past, they create a parallel timeline

Time travel in Avengers: Endgame is based on a popular time travel theory in the field of quantum physics. At one point, Iron Man even drops the name David Deutsch — that’s the guy who came up with the “Many Worlds Theory” or “Multiverse Theory.” Basically, he argues that the place we conceive of as our universe is just one of many parallel universes. And if you change something in the past, you create a new timeline, branching out from the original timeline. So nothing they do in the past affects their main timeline.

For example, in the original timeline, Loki was captured and taken to Asgard by Thor in 2012. In Endgame , the 2023 Avengers accidentally facilitate Loki’s escape with the Tesseract (the Space Stone). But when they travel back to the future, Loki hasn’t used the Stone to wreak havoc for a decade. That all happened in a separate timeline. This logic eliminates the option of simply traveling back in time and killing Thanos as a baby, as Rhodes suggests, because it would not change their future, only an alternate universe.

But they have to return the Infinity Stones to their original places

The Ancient One (Tilda Swinton) insists that in order to maintain the reality of each universe that they visit, the Avengers need to return the Infinity Stones to the places they found them after they are done using them. It’s fine if they create separate timelines, but if they deprive one timeline of the gems that maintain its reality, then they essentially break that timeline. Captain America does return all the stones at the end of the movie. (He also returns Mjolnir, the hammer that Thor took from Asgard, back to Thor’s home planet for the same reason.)

Nebula can kill her past self and still survive

The movie contains an extreme example of why parallel timelines are different from the butterfly effect. Toward the end of Endgame , the new, good Nebula (Karen Gillan) from 2023 shoots and kills old, evil Nebula from 2014. And though you might expect 2023 Nebula to start bleeding out or disappear, she’s completely fine. That’s because when 2014 Nebula traveled to the future on Thanos’ orders, she created a split timeline. Thus these are two different Nebulas who exist on two different timelines. What happens to one does not directly affect the other.

Captain America was married to Peggy all along

Remember when I said earlier that there were no time loops? That’s not entirely true. There is one time loop that seems to work differently from time travel in the rest of the movie. I don’t know why. It just does.

Mid-way through the movie, Hulk promises the Ancient One that he will return the Infinity Stones to their original places in space and time. At the end of the movie, Captain America goes back in time to do this. But instead of returning after five seconds, like he agreed upon with Hulk, he stays in the past.

A few seconds later, Bucky and Sam (Anthony Mackie) see an old Captain America sitting on a nearby bench. We see in a flashback that after returning the Infinity Stones, he goes back to live out a quiet life with Peggy. We see them dancing together in their shared home.

According the logic of the movie, Captain America didn’t actually create a new timeline. If he did, he wouldn’t have been able to return to that same bench. He just lived out what had always happened to him. He was always married to Peggy (Hayley Atwell).

Back in Captain America: Winter Soldier, Peggy mentions a husband, though she never reveals his name. In a video that plays on a loop at the Captain America exhibit, Peggy says, “[Steve Rogers] saved 1,000 men, including the man who would become my husband, as it turned out. Even after he died, Steve is still changing my life.” She looks down after saying this, perhaps evasive — probably because said husband was, in fact, Steve.

Later, when Steve visits her hospital bed, we see pictures of children but none of her husband — presumably because that would give away who her husband was. Tellingly, Peggy says in that scene that “none of us can go back.” She then forgets that Steve is there — because at that point, she’s suffering from Alzheimer’s — and exclaims, “You came back!” He replies, “I couldn’t leave my best girl. Not when she owes me a dance.” Likely this is a parallel to the off-screen reunion that happens when Steve travels back in time to find Peggy.

As long as Steve maintained his false identity and didn’t interfere with anything in the past that would bring the Avengers to their fight with Thanos (like saving Bucky from being brainwashed by HYDRA) the timeline stays stable. The other version of Steve still wakes up in 2012 after being frozen during World War II and still joins the Avengers. Older Steve watches on from afar. It’s unclear whether the two Steves would have encountered one another at Peggy’s funeral: They were both alive when it happened during Captain America: Civil War , but perhaps they were both there and the younger version simply didn’t recognize the older version or his fake moniker.

Everything happened the way it did because it had to, according to Doctor Strange

Doctor Strange suggests in Infinity War that the Avengers could only beat Thanos in one possible future out of millions. In Avengers: Endgame , he tells Tony Stark, “If I tell you what happens, it won’t happen.” Given that the Avengers defeat Thanos at the end of the battle (and Doctor Strange not-so-subtly flashes one finger at Iron Man during the fight), we know that we are seeing that one single future in which the Avengers defeat Thanos.

Knowing that, old Steve would resist meddling in the Avengers’ affairs so that they would eventually win their fight against the big purple baddie.

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Write to Eliana Dockterman at [email protected]

The 10 Best Iron Butterfly Songs of All-Time

Iron Butterfly is an American rock band hailing from the city of San Diego, California. The band was formed in 1966, and after several personnel changes in the band’s composition, they released their first album, titled “Heavy.” The band epitomized the bands of the late ’60s with an accurate, media-driven kind of rock. The band became a household name after the release of their second album, “In-A-Gadda-Da-Vida.” Between 1968 and 1975, the band released six studio albums, and they have performed and toured till today. The majority of Iron Butterfly songs were great, and as a result, they had many fanatics. We might get a little stick for missing on some of their songs. Nevertheless, here is our list of the top ten Iron Butterfly songs of all time.

10. Soul Experience

Soul experience was released on 17th January 1969. The single was contained in their third album, “Ball.” The single was critically and commercially acclaimed, and it was among the Billboard Top 100 singles charts — in the top half.

9. Are You Happy

“Are You Happy” was the last track of the Iron Butterflies legendary album “In-A-Gadda-Da-Vida,” which was a massive seller for Atlantic Records. The track has some great rock vibes with a swing tempo which carries the song while Doug Ingle does his thing. Listening to the song will make you appreciate the band’s dynamics in full force, making it feel like they are punching their instruments.

8. Flowers and Beads

The single was released in the summer of 1968 from the band’s hit album In-A-Gadda-Da-Vida. The track sounds similar to the Doors “Strange Days,” and its great melodies and strong structure assure it a place in the top ten list of great Iron Butterfly songs. Apart from the catchy title, the song passes out a timeless love message.

7. Real Fright

Real Fright is the second single off the album “Ball”. It takes our number seven spot. The song later appeared in the group’s album “Live at the Galaxy 1967” as a live version. The song features some fine guitar displays which disguise its supercharged drive. The song is made more appealing by the bass guitars, which make the song irresistible and catchy. The song plays out in under three minutes but demonstrates why the band was so popular in its heyday.

“New Day” was one of the outstanding tracks from Iron Butterflies’ fourth studio album “Metamorphosis” released in 1970. The album is credited as being one of the earliest to use talk box on a rock album. The track is driven by fantastic guitar tunes and a plowing rhythm that makes it a killer. The message of the song and its feel fit it right into other bands of the same era, such as Guess Who and Grand Funk Railroad.

5. Fields of Sun

Fields of Sun was a hit single from the Iron Butterflies’ first album, “Heavy,” a powerhouse rock and roll album. It is no doubt one of the most popular albums of the group. The track was produced by Charles Greene and Brian Stone and was released in 1968. The song is very relatable, with the lyrics talking about the never-ending cycle of how life moves on, day in and day out. The sound of the track is easily anything that you would want in a boy band. The track clearly brings out the heavy and light elements of the band. The song begins with a gentle piano sound followed by a jangly guitar that takes over until the end as Doug Ingle’s vocals shine throughout the track.

4. Easy Rider (Let The Wind Pay The Way)

“Easy Rider” was released in 1970 vocals when a movie by a similar name was ruling the movie scene. The single, which Richard Podolour produced, was the eighth single from the album “Metamorphosis.” The track is characterized by great vigor and electricity that gives you a feeling of having a wide-open road ahead of you. The fantastic and well-synchronized sound makes the track to be a gem that suits your mood just right.

3. Butterfly Bleu

“Butterfly Bleu” was the final track of the band’s fourth album “metamorphosis.” Listing the best track in the album as the last was a major strategic trend in the ’70s meaning the band regarded this song highly. The track was well-received critically, with the band’s excellent dynamics and pummeling instruments endearing it to many fans.

2. Unconscious Power

“Unconscious Power” is the typical rock and roll track that could have easily been mistaken for the Music Machine due to a similar style. In the track, Doug Ingle’s vocals come across as a mix of Sean Bonniwell of Music Machine and Arthur Lee of Love. The track is from their debut album “Heavy,” which was released in 1968. The second track formed part of the punch for an opening for “Possession” and “Unconscious Power.” The track has a killer base and amazing guitar sounds, and shimmering keyboards that are all well associated with the band.

1. In-A-Gadda-Da-Vida

Even the band’s biggest fanatics will agree with the fact that this was their best track ever. The track was released in 1968 from their album In-A-Gadda-Da-Vida. The track is a seventeen-minute love song from the Biblical Adam to Eve, although they cut it down to a little over two minutes. The lyrics to the track are simple and can be heard from the beginning to the end. The track was the only song from the Iron Butterfly to reach Top 40 in the American charts, peaking at position 30. The song was named the 24th greatest hard rock of all time and by VH1 and has widely been regarded as a significant influence on heavy metal music.

No, do not confuse this Thomas Newman with the composer. But I'm still a music lover nonetheless. You'll catch me mostly writing articles about the artists and bands I love. Maybe some theory. Maybe some analysis. Whatever lands in the world of music is something I'm likely interested in. In particular I'm a huge fan of classic rock and the oldies. Zeppelin are among my favorites and Foghat's "Slowride" is one of my favorite tracks.

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Enjoy the music of the Official Iron Butterfly Band – 4x Multi-Platinum Album Award Winner

Iron Butterfly’s “In-A-Gadda-Da-Vida” stayed on the charts for 140 weeks, with 81 weeks in the top ten! To date, the album has sold in excess of 30 million copies.

Iron Butterfly’s Hits Include “In-A-Gadda-Da-Vida” “Iron Butterfly Theme” “Soul Experience” “Butterfly Blu” “In The Time of Our Lives” “Easy Rider” and more…

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Understanding the Iron Butterfly Option Strategy

August 23, 2023

This article outlines how the Iron Butterfly Option Strategy works, including the short iron butterfly and long iron butterfly variations, provides tips for successful trading with it, and explores features offered by Options Samurai that can enhance trades using this strategy. We’ll also have the time to explore an iron butterfly example, giving you a practical application of the strategy.

Key takeaways The Iron Butterfly option strategy (Ironfly) is a popular advanced trading strategy that options traders use. It provides low risk and high-profit ratio The Iron Butterfly option strategy is designed for declining Implied Volatility and stable underlying asset prices. The Iron Butterfly spread differs from a regular Butterfly spread in terms of strike prices and risk profiles.

Table of Contents

How to Use the Iron Butterfly Option Strategy

The Iron Butterfly option strategy is a powerful tool used by options traders to capitalize on low volatility and stable underlying asset prices. It has a low and defined risk, Especially when compared to the potential profit, so users often use it to make bets on where the asset will be at expiration. To effectively implement this strategy, it’s essential to understand the steps involved, as we explain in the subsections below.

Selecting the Underlying Asset and Options Contracts

To use the Iron Butterfly option strategy effectively, the first step is to carefully select the underlying asset and the appropriate options contracts. Look for an asset with a relatively stable price movement and declining volatility, as this strategy thrives in such market conditions. Choose the strike prices that you expect the stock to move to at expiration, as this will be the point of maximum profit.

Constructing the Iron Butterfly Position

Once you have selected the underlying asset and the options contracts, the next step is to construct the Iron Butterfly position.

To implement the Iron Butterfly option strategy, you can start by selling both a call option and a put option on the same strike price. Simultaneously, buy a call option and a put option at the same distance from the strike price. This creates a position known as an Iron Butterfly.

While the symmetrical version involves all options having the same expiration cycle, it’s essential to note that the strategy can be customized to fit your specific expectations. You can use non-symmetrical variations to tailor the risk profile to your preference, and Options Samurai provides tools to assist you in achieving this.

An Example of an Iron Butterfly Trade

To better understand the workings of the Iron Butterfly option strategy, Let’s use an Example: Let’s look at Apple, which currently trades slightly above $190. Let’s assume the stock price will remain within a specific range, like $170 and $210.

Based on the expected price range for AAPL, you could opt for the following four options contracts, all with the same expiration date:

Buy 1 Apple Inc. Put Option with a strike price of $185.
Sell 1 Apple Inc. Call Option with a strike price of $190.
Buy 1 Apple Inc. Call Option with a strike price of $190.
Buy 1 Apple Inc. Call Option with a strike price of $195.

With these options, you would receive a net credit when initiating the strategy. The net credit is the difference between the premiums received from selling the $190 call and the $190 put and the premiums paid for buying the $185 put and the $195 call. The goal is to collect as much credit as possible as you will probably buy to close at the end.

The Iron Butterfly option strategy has specific profit and loss zones. The maximum profit occurs if Apple’s stock price is exactly at the $190 strike price of the sold call and put options. Conversely, the maximum loss occurs if the stock price deviates significantly from the protective strike prices ($185 and $195).

As the expiration date approaches, it’s essential to closely monitor Apple Inc.’s stock price. If the stock price remains within the range of the initial strike prices ($185 to $195), the trader can close the trade early to secure a profit. Most brokers allow closing an Iron Butterfly trade with a single order.

Evaluating the Scenario with the Samurai App

To assess the potential outcome of this Iron Butterfly option strategy, you can utilize the Samurai app. In this example, you have a 55% probability of achieving a 92% return on your investment.

The Samurai app allows you to experiment with different scenarios, strike prices, and expiration dates, giving you valuable insights into the strategy’s potential performance under various conditions.

As shown in the graph above, you can see various scenarios:

Scenario 1 – Apple’s Stock Price is Below $185: When Apple’s stock price falls within the range of $170 to $185, the trader will incur a loss. The loss would be a result of the difference between the stock price and the sold call option at $190.
Scenario 2 – Apple’s Stock Price is Between $185 and $195: The Iron Butterfly strategy achieves its maximum profit potential when Apple’s stock price remains precisely at the $190 strike price of the sold call and put options. In this range, the trader will realize the highest return and the options sold at $190 will expire worthless.
Scenario 3 – Apple’s Stock Price is Above $195: If Apple’s stock price rises above the upper boundary of the expected range ($195), the Iron Butterfly strategy might not be as profitable. The trader would experience a loss due to the difference between the stock price and the higher strike call option ($195).

By executing the Iron Butterfly trade, we aim to benefit from the expected low volatility and limited price movement of AAPL within the specified range, capturing the maximum profit potential if our assumptions hold true.

What’s the Difference Between an Iron Butterfly Options Strategy and a Regular Butterfly Spread?

The Iron Butterfly option strategy and the Regular Butterfly Spread are two distinct options trading strategies, each with unique characteristics:

Iron Butterfly:

Uses both put options and call options.
Involves selling one at-the-money (ATM) call option and one ATM put option with the same strike price (short legs).
Consists of buying one call option with a higher strike price and one put option with a lower strike price (long legs).
It is a credit strategy.

Regular Butterfly Spread:

Uses either all-call options or all-put options.
For a call butterfly spread: buy one lower strike call option, sells two ATM call options, and buy one higher strike call option.
For a put butterfly spread: buy one higher strike put option, sell two ATM put options, and buy one lower strike put option.
It is a debit strategy.

Both strategies offer limited risk and reward potential, with maximum profits achieved when the underlying asset’s price remains close to the sold options’ strike price. Traders often prefer executing calls/puts butterfly spreads with out-of-the-money (OTM) options due to bid-ask spread and liquidity considerations.

In summary, the Iron Butterfly option strategy uses both calls and puts and is a credit strategy, while the Regular Butterfly Spread uses only puts or calls and is a debit strategy. These strategies are designed to profit from minimal price movements in the underlying asset.

Short Iron Butterfly Option Strategy

The Short Iron Butterfly option strategy represents the more common variation of the Iron Butterfly and is widely used when traders seek to profit from minimal asset volatility. This strategy is often associated with a range-bound outlook, anticipating that the asset’s price will stay inside a specific range until expiration.

Unlike its counterpart, the Long Iron Butterfly, which may have a directional bias depending on the positioning of the strategy relative to the current stock price, the Short Iron Butterfly is considered more neutral in its approach.

When setting up the butterfly above the current stock price, it can be seen as having a bullish bias, while positioning it below the stock price can be viewed as bearish. However, the primary goal of the Short Iron Butterfly is to benefit from low asset volatility, regardless of its initial positioning.

Long Iron Butterfly Strategy

The Long Iron Butterfly option strategy is a mirror image of the Short Iron Butterfly option strategy. Basically, it aims to profit from high volatility and will show profit everywhere ‘except’ a very narrow range. However, the profit is very low compared to the max loss (meaning a low profit ratio).

Long Iron Butterfly is a marriage of bull call spread and bear put spread: Buy call and put on the same strike, and sell put and call the same distance. The maximum profit occurs if the stock price is above the highest strike price or below the lowest strike price at expiration. Due to the strategy’s complexity, relatively small profit potential, and higher costs, it is not ideal for most traders.

Advantages and Disadvantages of Using the Iron Butterfly Strategy

Let us mention the main pros and cons you should consider before using the Iron Butterfly Option Strategy.

Advantages of the Iron Butterfly Strategy

The Iron Butterfly option strategy offers several advantages to options traders:

Limited risk with attractive profit potential: The Iron Butterfly option strategy boasts a well-defined risk-reward profile, offering traders the advantage of limited risk. The maximum risk is confined to the initial cost of establishing the position. Furthermore, this strategy often presents an appealing profit ratio, indicating the potential for higher profits compared to the risk involved. Traders can assess the risk-reward dynamics beforehand, making it easier to evaluate the trade’s attractiveness before implementation.
Benefit from time decay within the profit range: The Iron Butterfly strategy capitalizes on time decay, primarily within the profit range. As time passes, the value of the options erodes, potentially resulting in a profit for the Iron Butterfly Options Strategy. However, it’s important to note that if the underlying asset price moves outside the profit range, the time decay can work against the trader, leading to potential losses.
Can be used in a range-bound market: The Iron Butterfly strategy is particularly effective in a range-bound market, where the underlying asset price is expected to stay within a specific range. Traders can capitalize on the lack of significant price movement and generate profits from the options’ expiration.

Disadvantages of the Iron Butterfly Strategy

While the Iron Butterfly strategy offers benefits, there are also some considerations to be aware of:

Limited profit potential: The Iron Butterfly strategy’s profit potential is confined. The maximum profit is achieved when the underlying asset price remains within the specified range at expiration..
Small profit range: The Iron Butterfly strategy offers a very narrow profitable range for the trader. Although there is potential for profit within this range, it is relatively small. The trade becomes less profitable if the underlying asset price moves significantly beyond the anticipated range, making it crucial for traders to manage their positions diligently.

Tips for Trading with the Iron Butterfly Options Strategy

Successfully trading with the Iron Butterfly option strategy requires careful consideration and strategic decision-making. Here are some tips to enhance your trading approach.

Understand the Market Conditions

Before implementing the Iron Butterfly option strategy, it is crucial to understand the market conditions. Assess factors such as volatility, trend direction, and upcoming events that could impact the underlying asset. A clear understanding of the market conditions will help you align your Iron Butterfly with the current environment.

Properly Assess Risk-Reward Ratio

Evaluate the risk-reward ratio of your Iron Butterfly trade. Ensure that the potential profit justifies the risk taken. Strive for a favorable risk-reward ratio that aligns with your trading goals and risk tolerance.

Consider Adjustments and Exit Strategies

Be prepared to make adjustments to your Iron Butterfly position if the market conditions change. Monitor the performance of the trade and have predefined exit strategies in place. Consider potential adjustments like rolling the options, closing the position partially or fully, or adding protective options to manage risk.

Samurai – How to Enhance Your Trades with the Iron Butterfly Strategy

The Samurai app offers unique features that can enhance your trading experience with the Iron Butterfly option strategy. Here are some examples:

Butterfly Scans and Analyze Results

Options Samurai supports Butterfly scans within its app. By accessing the “Predefined Scans” section and selecting the “Butterfly” tag, you can explore various butterfly options predefined strategies. This can help you start your scan and give you ideas on what to look for.

The app also provides detailed results for each scan, including information such as tickers, prices, volatility ranks, expiration dates, Greeks, probabilities of loss and profit, and more. This allows you to identify potential trade opportunities and analyze them based on your preferred parameters.

Optimize the Butterfly: The Shape Feature

One of the standout features of Options Samurai is the “shape” filter. The shape refers to how the option strategy (in our case, the Iron Butterfly Option Strategy) appears on a profit and loss (P/L) chart.

The app provides four shape options:

Any: This option scans for the optimal trade, regardless of the shape. It typically results in a broken-wing butterfly with a different loss profile for the calls and puts.
Balanced: With this selection, the app scans all possible strategies, ensuring that the maximum loss is identical for both the calls and puts.
Riskless Up: This option allows you to build a broken-wing butterfly strategy with a directional bias that cannot lose on the upside.
Riskless Down: Similar to the riskless up option, this choice enables you to construct a broken-wing butterfly strategy with a directional bias that cannot lose on the downside.

By utilizing the shape feature, you can customize your Iron Butterfly option strategy based on your desired risk profile, directional bias, and potential profit opportunities. This can mitigate some of the risks (for example, if you want to protect from a large move up, you can choose the ‘riskless-up’ shape).

Read more about the shape feature in our dedicated article .

Conclusion: The Iron Butterfly Options Strategy

The Iron Butterfly strategy can be a powerful tool for traders who are looking to capitalize on range-bound markets. However, there are some considerations that must be taken into account, such as the limited profit potential and sensitivity to changes in volatility.

In order to maximize success when trading with the Iron Butterfly Options Strategy, it is important to understand market conditions, properly assess risk-reward ratios, and have exit strategies in place.

Sign up for a free two-week trial of Option Samurai to try all our features, including our Butterflies scanners, scenario, analysis, and more.

[…] August 23, 2023 @ 09:07 Shogun […] Thanks

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‘Iron Butterflies’: Sundance Review

By Lee Marshall 2023-01-23T06:00:00+00:00

Ukrainian filmmaker Roman Liubyi examines the tragedy of Malaysia Airlines Flight MH17 in 2014 - a crime that’s still playing out today

Source: Sundance Film Festival

‘Iron Butterflies’

Dir: Roman Liubyi. Ukraine/Germany. 2023. 84mins

The downing of Malaysia Airlines Flight MH17 is still with us: in fact, we’re watching its consequences play out on our news feeds every day. That’s the subtext of Ukrainian director Roman Liubyi’s provocative new documentary about the shooting down of a civilian aircraft by Russian-backed separatist forces in eastern Ukraine in July 2014. It’s made explicit in a caption early on in this intriguing, shape-shifting film, which reminds us that the war in Ukraine had already escalated – back then, “298 citizens from different countries became its victims”.

A film that keeps trying out new tricks on its audience

Ukrainian film collective Babylon 13, which produced this and the director’s previous documentary feature War Note , was created in the wake of the crackdown that followed Kiev’s Euromaidan protests of November 2013. Iron Butterflies, named after the shape of the shrapnel fragments that penetrated the aircraft, is far more ambitious. Not content to simply tell the story of the war crime and subsequent Dutch-led criminal investigation, the director interleaves a handful of staged scenes, most of which culminate in jagged, willfully surreal contemporary dance sequences (one is set in an aircraft hangar where the wreckage and salvaged belongings are laid out).

These seem designed mostly to establish Iron Butterfly ’s artistic credentials in a film whose tone veers between angry and sardonic. So outrageous are Russian attempts to derail the investigation, so absurd the manipulation of the story by a Putin-friendly media that is not above interviewing a psychic with a theory about the case, that maybe dance and mime are the only sane reaction. Still, the sequences can’t help but feel pretentious, and will prove a litmus test for distributors and audiences – some of whom may well admire the director’s risk-taking chutzpah.

Yet Iron Butterflies does manage to rise above these distractions and provide a mostly absorbing illustration of a line by Soviet writer and dissident Aleksandr Solzhenitsyn that is read out by a Dutch prosecutor at the start of the trial in absentia of four men accused of shooting down the Boeing jet: “Violence cannot conceal itself behind anything except lies, and lies have nothing to maintain them save violence”. We see selfies posted on social media by pro-Russian separatist soldiers, grinning by the smoking wreckage. We watch a Russian TV news channel make a cynical U-turn on its reporting of the event as the truth begins to emerge.

Some of the material here has been amply shared: for example, audio intercepts that make it clear that the Russian cover-up began almost before the world knew anything about the incident. But other sequences feel fresh, especially two that fall in the film’s stronger second part – one focusing on the often-forgotten fact that six of the victims were headed to an international AIDS conference in Melbourne, the other centering on Dutch musican and former soldier Robby Oehlers, who lost his cousin and her boyfriend in the attack.

In news footage filmed outside the courtroom in The Hague, where the criminal trial was held, Oehlers tells reporters how curious it is that, despite having ascertained that Russia was responsible for the biggest attack on Dutch civilians since World War II, the Netherlands continues to buy Russian gas. We can’t help but reflect ironically on how even a full-scale Russian invasion hasn’t fully solved that particular moral dilemma. Cut to Oehlers’ home studio, where he is seen playing a mournful blues number on a one-stringed guitar. It’s one of the quieter, more moving moments in a film that keeps trying out new tricks on its audience – animated children’s drawings, old Russian BUK missile-launcher promotional videos, shots of a kid’s hands using a set of ‘iron butterflies’ as building blocks.

The most memorable sequence is perhaps the simplest: a long shot of a huge flock of starlings making shapes above the fields of the crash site. We’re reminded of those swirls and flows right at the end, when we watch a sped-up flight tracker map of Europe – its airspace as busy as ever, except for a gaping Ukraine-sized hole.

Production company: Babylon 13

Worldwide distribution: Rise and Shine, [email protected]

Producers: Andrii Kotliar, Volodymyr Tykhyy

Screenplay: Roman Liubyi, Mila Zhluktenko

Production design: Volodymyr Liubyi

Editing: Roman Liubyi, Mila Zhluktenko

Cinematography: Andrii Kotliar

Music: Anton Balbakov, Oleksandra Morozova

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Final Bastion

Wizard101-Worlds
Khrysalis Pt2 Zeke - Iron Butterflies

April 1, 2014 October 30, 2021

Cody RavenTamer

Khrysalis Part 2 Zeke Quest Guide to the Iron Butterflies

In your journey through Wizard101 you will notice a series of side quests from Prospector Zeke. This NPC is renowned for following us through every world of the Spiral… or are we following him? These quests are one huge scavenger hunt for select items hidden in each world. In this article we will be looking at the Khrysalis Part 2 Zeke quest and what you will need to find to complete it. Additionally, each of these items are a reference to popular real life bands like the Stray Cats, the Wallflowers, and even the Beatles!

Why should I do these quests?

There is one simple answer to the question. Besides being fun and unique, they award you with a training point when the quest is completed. You can then use the training point to learn new spells from other schools.

Where are the Iron Butterflies?

You will generally find one in each map of the world that the quest is located in. Let’s take a look at Khrysalis Part 2’s locations below:

Crescent Beach
Ruined Alcazar
Kondha Desert

Crescent Beach Iron Butterfly

Ruined Alcazar Iron Butterfly

Look for this one behind the tower located on Serpent Island. The Iron Butterfly will be waiting for you right there!

Sardonyx Iron Butterfly

Kondha Desert Iron Butterfly

The Hive Iron Butterfly

The notorious Black Hole found in the depths of the Hive (with perhaps something else waiting deep within) will lead you the Iron Butterfly. Head all the way behind the entrance to the dungeon and you will find a small cave with the butterfly on the ground. There is no need to actually go in the Black Hole dungeon.

All Zeke and Eloise Quests!

Complete Guide to Training Points

Training Point Calculator

IMAGES

IRON BUTTERFLY: 1967 Live Album On Vinyl
Iron Butterfly
IRON BUTTERFLY at the Fillmore East 1968
Iron Butterfly Stretches Its Wings On 'Fillmore East' : NPR
Iron Butterfly’s Classic ‘In-a-Gadda-Da-Vida’
Iron Butterfly

VIDEO

EINSTEIN’S TIME TRAVEL: From CLOCKS to UNIVERSE
Iron Butterfly
Indiana Jones and The Emperor's Tomb. Прохождение. #1
In the Time of Our Lives
Iron Buttlerfly
ИСТОРИЯ КАРНОТАВРА

COMMENTS

Philip Taylor Kramer
Found. Cause of death. Probable suicide [1] Philip Taylor Kramer (July 12, 1952 - c. February 12, 1995) was an American bass guitar player for the rock group Iron Butterfly and associated groups between 1974 and 1980. He later became a computer engineering executive and inventor. He disappeared in February 1995 and was found dead in May 1999.
The Strange Death Of Iron Butterfly's Philip Taylor Kramer
Iron Butterfly was a psychedelic rock band that was formed in the 1960s and rose to fame with their song, "In-A-Gadda-Da-Vida," from their second album of the same name that was released in 1968. Through their active years, the band saw members come and go, and it was in the mid-'70s when Philip Taylor Kramer joined Iron Butterfly as a bassist (via Classic Bands.)
The Mysterious Death of Iron Butterfly's Philip Taylor Kramer
The remains of one-time Iron Butterfly bassist Philip Taylor Kramer were found on May 29, 1999. He'd been missing for four years, and to this day nobody knows exactly what happened to him. Kramer ...
The disappearance of Phillip Kramer (Iron Butterfly bassist)
"Iron Butterfly" Shut the front door!! Wholly crap! Some good info right there mon. Now I'm thinking "Iron Butterfly" was the name they gave to the time machine. And "Please Take My Hand And We Will Walk This Land" is a reference to time travel. Lyrics In a gadda da vida, honey Don't you know that I'm lovin' you In a gadda da vida, baby
The Strange Death of Rockstar and Tech Mogul Philip Taylor Kramer
He began urging people to stop calling him "Philip" and instead call him only "Taylor." After only a year with the Iron Butterfly, Kramer decided it was time to change careers and announced he would be leaving the band, although he continued to play with Ron Bushy, a founding member of the group, in later years. From Music to Missiles
FAR OUT
Many people believe that when Kramer vanished on Feb. 12, 1995 -- last known location: a green Aerostar mini-van on Highway 101 about 30 miles north of Los Angeles -- he entered another realm. And ...
TIL One-time Iron Butterfly bassist Philip Taylor Kramer later became
TIL One-time Iron Butterfly bassist Philip Taylor Kramer later became an engineering executive and inventor. He disappeared in 1995 after claiming to be on the verge of a breakthrough and his body was discovered four years later at the bottom of LA's Decker Canyon, his death ruled a suicide. ... During his travel to and from the airport, Kramer ...
Iron Butterfly
Iron Butterfly is an American rock band formed in San Diego, California, in 1966.They are best known for the 1968 hit "In-A-Gadda-Da-Vida", providing a dramatic sound that led the way towards the development of hard rock and heavy metal music.Although their heyday was the late 1960s, the band has been reincarnated with various members with varying levels of success with no new recordings since ...
Philip Taylor Kramer
His name was Philip Taylor Kramer. Philip, known to his friends as Taylor, was the bass player for the rock band Iron Butterfly during the 1970s. By the 1990's, Taylor had settled down with his wife and two children. Taylor was also a math and computer whiz who had founded his own high-tech multi-media company in 1990.
POP MUSIC : Iron Butterfly's Turbulent Flight
Though Iron Butterfly continued to have some moments of glory--particularly in Europe, where the name remained strong through the '70s--its time had clearly passed.
In-A-Gadda-Da-Vida (album)
In-A-Gadda-Da-Vida is the second studio album by the American rock band Iron Butterfly, released in June 1968.It is most known for its title track, a 17-minute composition which occupies the whole of Side B. . The In-A-Gadda-Da-Vida album peaked at number 4 on the Billboard albums chart. It sold more than eight million copies within its first year of release, outselling every record in the ...
Iron Butterfly Facts
Doug was born on September 9, 1945, in Omaha, Nebraska. He grew up in San Diego, California, where he formed Iron Butterfly in 1966. Doug Ingle has had an interesting personal life. He married his first wife, Alida Ingle, in the mid-60s, and they had two children together. However, they later divorced, and Doug went on to marry his second wife ...
Has anyone read/heard the story about the lead singer of Iron Butterfly
He vanished on February 12th, 1996. The circumstances surrounding it has been the subject of many tv shows. Just days before he disappeared, Kramer and his father believed they had worked out a mathematical breakthrough, says Iron Butterfly band co-founder Ron Bushy, "We're talking 'Beam me up Scotty' time." This may be the key to cracking the ...
Iron Butterfly:-'In The Time Of Our Lives'
From the album:-'Ball' (January 17th 1969)
Breaking Down How Time Travel Works in Avengers: Endgame
Iron Man and Ant-Man flub stealing the Space Stone (Loki gets away with it), so then Captain America and Iron Man travel further back in time to a military lab in New Jersey in 1970 to steal it ...
Iron Butterfly
Official Website: http://www.thestoreformusic.comLike us on Facebook: https://www.facebook.com/thestoreformusicFollow us on Twitter: https://twitter.com/Stor...
The 10 Best Iron Butterfly Songs of All-Time
The track sounds similar to the Doors "Strange Days," and its great melodies and strong structure assure it a place in the top ten list of great Iron Butterfly songs. Apart from the catchy title, the song passes out a timeless love message. 7. Real Fright. Real Fright is the second single off the album "Ball".
Iron Butterfly
From the live album "Live" of Iron Butterfly, in April of 1970.This material is copyirighted by the band Iron Butterfly and his respective owners.Lyrics:List...
The Iron Butterfly
Iron Butterfly's "In-A-Gadda-Da-Vida" stayed on the charts for 140 weeks, with 81 weeks in the top ten! To date, the album has sold in excess of 30 million copies. Iron Butterfly's Hits Include. "In-A-Gadda-Da-Vida" "Iron Butterfly Theme" "Soul Experience". "Butterfly Blu" "In The Time of Our Lives" "Easy Rider".
Understanding the Iron Butterfly Option Strategy
The Long Iron Butterfly option strategy is a mirror image of the Short Iron Butterfly option strategy. Basically, it aims to profit from high volatility and will show profit everywhere 'except' a very narrow range. However, the profit is very low compared to the max loss (meaning a low profit ratio).
'Iron Butterflies': Sundance Review
Iron Butterflies, named after the shape of the shrapnel fragments that penetrated the aircraft, is far more ambitious. Not content to simply tell the story of the war crime and subsequent Dutch ...
Iron Butterfly ~ Greatest Hits
Setlist:1-Time Of Our Lives2-Feeled With Fear3-In A Gadda-Da-Vida4-In The Time Of Our Lives5-Soul Experience6-UnConscious Power7-Easy Rider {Let The Wind Pay...
Khrysalis Part 2 Zeke Quest
The Hive Iron Butterfly. The notorious Black Hole found in the depths of the Hive (with perhaps something else waiting deep within) will lead you the Iron Butterfly. Head all the way behind the entrance to the dungeon and you will find a small cave with the butterfly on the ground.