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Kimya Dawson

Latest setlist, kimya dawson on february 26, 2024.

Capitol Theater, Olympia, Washington

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Kimya Dawson Concert Setlists & Tour Dates

Kimya dawson at capitol theater, olympia, wa, usa.

• Tree Hugger
• I Like Bears
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• Thunder Rolls
• Rainbow Connection
• Black lives matter
• I Like Giants
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Kimya Dawson at The Splinter Collective, Tucson, AZ, USA

Kimya dawson at university of california, davis, davis, ca, usa, kimya dawson at thing 2023, kimya dawson at house show, new haven, ct, usa.

• Anyone Else But You

Kimya Dawson at The Sanctuary of the First Unitarian Church, Philadelphia, PA, USA

Kimya dawson at georgetown trailer park mall, seattle, wa, usa, kimya dawson at rio cinema, london, england.

• Daniel (Baby Boy)
• Doing My Best

Kimya Dawson at Mono, Glasgow, Scotland

• Sunbeams and Some Beans

Kimya Dawson at Band on the Wall, Manchester, England

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• Alphabutt ( 22 )
• Loose Lips ( 22 )
• I Like Giants ( 21 )
• Tire Swing ( 21 )
• I Like Bears ( 19 )

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AJJ Gabo Castillo Laura Marling Amanda Palmer The Radioactive Chicken Heads

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Annie George Benson Chumbawamba Kermit the Frog The Moldy Peaches Prince R.E.M. Lionel Richie

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161 people have seen Kimya Dawson live.

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My Chemical Romance add more tour dates, announce openers

Midtown, thursday, taking back sunday, turnstile, kimya dawson, and more are joining mcr on tour.

Myspace emos got the worst news in 2020 when the long awaited My Chemical Romance reunion tour got postposed. To make matters worse, it was postponed twice . But the band is making up for it. Last year, the tour dates got officially rescheduled for fall of 2022, and now MCR has announced even more tour dates and a new lineup of openers.

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The new dates include additional stops in Nashville, Albany, Montreal, Boston, Toronto, Portland, Los Angeles, New York City, and more. Tickets will be available on Friday at 12 p.m. local time.

The openers are a pretty eclectic mix, too, and the list includes Midtown (the band reunited recently), Thursday, Taking Back Sunday, Turnstile, Kimya Dawson, The Lemon Twigs, Waterparks, Nothing, GHÖSH, The Bouncing Souls, Soul Glo, Shannon And The Clams, Dilly Dally, Surfbort, The Homeless Gospel Choir, Youth Code, Meg Myers, and Badflower.

The full list of tour dates is below.

My Chemical Romance 2022-2023 tour dates

May-16 St. Austell, England - Eden Project

May-19 Milton Keynes, England - Stadium MK

May-21 Milton Keynes, England - Stadium MK

May-22 Milton Keynes, England - Stadium MK

May-25 Dublin, Ireland - Royal Hospital Kilmainham

May-27 Warrington, England - Victoria Park

May-28 Cardiff, Wales - Sophia Gardens

May-30 Glasgow, Scotland - OVO Hydro

June-01 Paris, France - AccorHotels Arena

June-02 Rotterdam, Netherlands - Rotterdam Ahoy

June-04 Bologna, Italy - Sonic Park Fest 2022 Arena Parco Nord

June-June Munich, Germany - Olympiahalle

June-07 Budapest, Hungary - Budapest Park

June-September Warsaw, Poland - Progresja Scena Lethia

June-11 Prague, Czech Republic - Prague Rocks 2022 Stadion Sinobo

June-12 Berlin, Germany - Velodrom

June-14 Stockholm, Sweden - Gröna Lund

June-21 Bonn, Germany - Kunstrasen Bonn

August-20 Oklahoma City, OK - Paycom Center

August-21 San Antonio, TX - AT&T Center

August-23 Nashville, TN - Bridgestone Arena

August-24 Cincinnati, OH - Heritage Bank Center

August-26 Raleigh, NC - PNC Arena

August-27 Elmont, NY - UBS Arena

August-29 Philadelphia, PA - Wells Fargo Center

August-30 Albany, NY - MVP Arena

September-01 Uncasville, CT - Mohegan Sun Arena

September-02 Montreal, Quebec - Centre Bell

September-04 Toronto, Ontario - Scotiabank Arena

September-May Toronto, Ontario - Scotiabank Arena

September-07 Boston, MA - TD Garden

September-August Boston, MA - TD Garden

September-October Brooklyn, NY - Barclays Center

September-11 Brooklyn, NY - Barclays Center

September-13 Detroit, MI - Little Caesars Arena

September-15 Saint Paul, MN - Xcel Energy Center

September-16 Chicago, IL - Riot Fest

September-20 Newark, NJ - Prudential Center

September-21 Newark, NJ - Prudential Center

September-23 Dover, DE - Firefly Music Festival

September-24 Sunrise, FL - FLA Live Arena

September-27 Houston, TX - Toyota Center

September-28 Dallas, TX - American Airlines Center

September-30 Denver, CO - Ball Arena

October-02 Portland, OR – Moda Center

October-March Tacoma, WA - Tacoma Dome

October-May Oakland, CA - Oakland Arena

October-07 Las Vegas, NV - T-Mobile Arena

October-August Sacramento, CA - Aftershock Festival

October-11 Los Angeles, CA - The Forum

October-12 Los Angeles, CA - The Forum

October-14 Los Angeles, CA - The Forum

October-15 Los Angeles, CA - The Forum

October-17 Los Angeles, CA - The Forum

October-22 Las Vegas, NV - When We Were Young

October-23 Las Vegas, NV - When We Were Young

October-29 Las Vegas, NV - When We Were Young

March-11 Western Springs, New Zealand - The Outer Fields at Western Springs

March-13 Brisbane, Australia - Brisbane Entertainment Centre

March-14 Brisbane, Australia - Brisbane Entertainment Centre

March-16 Melbourne, Australia - Rod Laver Arena

March-17 Melbourne, Australia - Rod Laver Arena

March-19 Sydney, Australia - Qudos Bank Arena

March-20 Sydney, Australia - Qudos Bank Arena

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Kimya Dawson

Upcoming kimya dawson festivals appearances, upcoming kimya dawson concerts near me.

The Moldy Peaches to Reunite for Performance at Meet Me in the Bathroom L.A. Premiere

Kimya Dawson and Adam Green will perform together for the first time in over a decade.

October 18, 2022

The Moldy Peaches Announce Archival Set Origin Story: 1994-1999

The anti-folk duo, who rose to fame thanks to the Juno soundtrack, are issuing an archival set documenting their early years.

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All in continued support of her first solo album in five years, Hell-On.

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All proceeds from Hugs For Chelsea go to Manning, who was just released from prison.

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Musicians performing in Brooklyn and Los Angeles to support Planned Parenthood, ACLU, DAPL protests.

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Listen: "Go Forth, Feminist Warriors" featuring Carrie Brownstein, Tegan & Sara, and Aimee Mann

A guest-heavy, feminist "We Are the World".

January 31, 2014

Album Review: The Uncluded - Hokey Fright

An unlikely pairing, but Dawson and Ace are just that good.

May 7, 2013

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Cult indie band the Moldy Peaches return: ‘We were misfits who didn’t feel accepted’

With their stoner humour and rabbit fancy dress, the ‘anti-folk’ band stuck out next to New York’s hip 00s bands. Now touring again, they look back on their uniquely ‘tender but brutal’ songwriting

T he Moldy Peaches’ founding members are reminiscing about their flair for fancy dress. “I bought my bunny suit at a yard sale outside of a costume shop that had burned down,” says Kimya Dawson of the outfit she wore on the cover of their only studio album, in 2001. “Technically it was a snowman costume that had a bunch of smoke stains on it.”

“I remember putting on my Robin Hood outfit and being like: ‘Perfect!’” says Adam Green. “It’s funny, the Strokes decided that they were going to dress like they did for their shows all the time, which is how they ended up with their cool-looking clothes. But we did that too. We just did our version of it.”

Dressed as such, releasing cute-but-not songs that sounded as if they were recorded in a dustbin, the Moldy Peaches stood out from their cool leather-jacketed peers in New York’s 00s indie-rock explosion: “A couple of misfit people who didn’t feel accepted in the world,” says Dawson.

Dawson had grown up in a day centre where her parents worked, a self-described “Black weirdo” whose costumes were her armour. “I had a superhero identity,” she says. “The world felt safer to me if I could create these fantasy characters.” She was 20 when she met outgoing 13-year-old Green in a record shop in Mount Kisco, a town 45 minutes north of Manhattan, and they started writing songs that used childlike simplicity (and crudeness) to convey a complex interior world. Years later, they moved to New York City, assembled a group, and released an eponymous debut that encapsulated teenage outsiderdom, with its video game and cartoon references, social awkwardness, gleeful energy, playground-like chants, stoner nonsense and – on the song Nothing Came Out – alienation from “skinny pretty girls who like to talk about bands”.

The Moldy Peaches are “older and mouldier” they say now and have reformed for their first official headline shows in 20 years. Their cult album continues to be “passed from locker room to locker room”, says Green. “It’s been a high school record this whole time.” But they’ve returned, like a few other early-00s New York bands, following the recent release of the Meet Me in the Bathroom documentary (based on Lizzy Goodman’s 2017 book of the same name ). When Dawson and Green performed at the premiere in LA last October, they were offered shows within a week.

In the doc, those bunny and Robin Hood costumes appear in shaky, grainy clips of the pair onstage. Dawson and Green were surprised to discover that footage of them opens the film. Dawson hoped viewers wouldn’t interpret it as the Moldy Peaches laying the groundwork for a movement that gave the world the Strokes, Yeah Yeah Yeahs, Interpol and LCD Soundsystem. The anti-folk scene to which they belonged, a loose collective of outsider musicians who had been congregating at a venue called the SideWalk Cafe , had begun well over 15 years before the Peaches arrived.

The cafe, which shut in 2019, cameos in the film. We see a young Paul Banks of Interpol performing there, as did Karen O, who lived across the street. But “it should have had more of a role”, says Dawson. “It was the central part of New York City music,” agrees Green.

“I was in early recovery from alcohol [addiction],” Dawson continues, “and this was a place where you could do your own thing without being judged.” She felt embraced by “creative geniuses” including Jeffrey Lewis , Rick Shapiro, Regina Spektor, Spektor’s husband Jack Dishel and Toby Goodshank (both of whom are in the Moldy Peaches) and Prewar Yardsale. “It became this accelerated petri dish for new art and ideas,” says Green. “We created our own class of anti-folk.”

Being friends with the Strokes helped them graduate. The Moldy Peaches signed to the same label as them in the UK, Rough Trade, and supported them on tour as NYC fever erupted on this side of the Atlantic . “It was total mayhem,” says Dawson. “At the Liverpool show, we met the Libertines and they gave us their demo,” says Green. “We understood that New York was part of a zeitgeist and we got caught in this whirlwind.”

Their album came out in the UK first but when it was released in the States, it coincided with 9/11. In the aftermath, they went out on tour with the Strokes and had to cull a song from their setlist. “We played NYC’s Like a Graveyard for the first date of the American tour,” says Dawson. It was a song written long before the attacks and yet its lyrics about “all the tombstones skyscraping” sat uncomfortably. “When we finished, people were silent,” she says. “We didn’t play that song again for 20 years.”

The Moldy Peaches parted ways in 2002, when Green was 21. From the outside it looked like it was over before it had begun, but by then their songs were 10 years old. “It felt like we all needed to do our own thing,” says Dawson. “There is a big age difference between Adam and I. He wanted to be a part of rock’n’roll, and I had already been sober for a couple years.” It was frightening for Dawson, “the eternal babysitter”, to stand by as her peers partied hard or even lost their way – original band member, Aaron Wilkinson, died of an overdose in 2003.

“There were some dark times,” says Green, and Dawson admits: “I had a lot of worry for a lot of people.”

Both musicians went on to have fruitful careers: Dawson has put out eight punky, lo-fi solo albums, including a children’s one (2008’s Alphabutt), while Green has released 11, made visual art, and directed 2011’s The Wrong Ferarri, a bizarre screwball film that he wrote while high on ketamine . “We were definitely going in some opposite directions,” he notes.

The Moldy Peaches’ big breakthrough actually came years after their split, when Dawson was tapped for the soundtrack of 2007’s smash-hit romantic comedy Juno. Anyone Else But You got a second wind as the de facto odd-couple love song; a version sung by the film’s stars, Elliot Page and Michael Cera, charted on the Billboard Hot 100 and it was even covered by Carla Bruni – then France’s first lady – on French TV. Green was surprised at first that so many people could relate to their oddball universe, most of which was recorded when he was still a teenager. “It’s a bit stinkier and gross and inaccessible than, for example, the world of [the Strokes’ debut album] Is This It?, which is really easy to like,” he says.

But that’s exactly why it has such universality: it’s a quintessential teenage album, sticky and crammed with the kinds of hyperspecific lyrics that are so commonplace in pop music today, but with deep feelings that cut through the detail. Often they’d sing different lines over the top of each other, introspection going toe-to-toe with ego, or they’d try to make you laugh during poignant, painful moments, like when the phone goes off in Nothing Came Out. It’s a wolf in rabbit’s clothing. “We showed contradictory ideas rubbing against each other to disarm people,” says Green. “Some parts of the lyrics are tender and the other parts are pretty psychedelic, and brutal.”

They are sensitive to how those lyrics could be perceived today, and for their 20-year anniversary reissue in 2018, edited out an ableist slur on NYC’s Like a Graveyard. “We weren’t trying to intentionally cause harm to any marginalised communities, it was just a different time,” says Dawson. Another of their songs – and one of their best – is a gleeful singalong called Who’s Got the Crack, featuring the couplet: “I like it when my hair is poofy / I like it when you slip me a roofie”. “Things were joked about that wouldn’t be joked about now, and that doesn’t make it OK. But I do think that we could still write songs that are crass. I can be pretty gross without being offensive.”

“I don’t know what it would be like to be starting the Moldy Peaches now,” says Green. They existed in an unselfconscious era, pre internet, where they “got to tour and not feel like we were under surveillance” and where social media hadn’t steamrolled individualism into one “traditional” and more uniform mass. They didn’t think about how they would be perceived at the time, but there weren’t many visible Black female punks in music back then, and Dawson says now that countless people tell her she gave them “permission to be a weird kid”.

Singing their teenage ditties again, back on stage in a few weeks, will be like “emotional time travel,” says Green. And yet while those DIY costumes might be a touch upgraded – there is talk of 3D printing and vehicular outfits – their songs have stood the test of time. “They feel very much the same to me,” says Dawson, “they’re special little gems that I love. The only difference is that I don’t give a shit what some indie boy thinks of me.” She laughs. “Now I’m like, God, those guys are such creeps.”

The Moldy Peaches play the Roundhouse, London , on 29 May and Primavera Sound from 1 June. Meet Me in the Bathroom is streaming now.

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Aesop Rock, Kimya Dawson Touring as the Uncluded

By Carrie Battan

Photo by  Chrissy Piper

As previously reported,  Kimya Dawson and Aesop Rock  have teamed up to form a new band, the Uncluded . Now you'll get a chance to experience that pairing in real life when they tour together for the first time, in support of their new record, Hokey Fright , which is out May 7 through Rhymesayers . They'll play across the U.S. through August.

For those of you who may or may not be interested in the Uncluded but love funny YouTube animals: Lil Bub , the famous cat with the ridiculous face, features prominently in the duo's recent video for "Delicate Cycle". Watch that below, along with their video for "Earthquake".

The Uncluded:

05-28 Washington, DC - 9:30 Club 05-29 Philadelphia, PA - World Cafe Live 05-20 Cambridge, MA - The Sinclair 06-01 Brooklyn, NY - Knitting Factory 06-02 Montreal, Quebec - Il Motore 06-03 Toronto, Ontario - The Blk Box 06-05 Detroit, MI - Trinosophes 06-06 Pittsburgh, PA - The Warhol 06-07 Columbus, OH - Wexner Ctr @ OSU 06-08 Chicago, IL - Old Town School of Folk Music 06-21 Dallas, TX - The Texas Theatre 06-22 Houston, TX - Fitzgerald's Upstairs 06-23 Austin, TX - Central Presbyterian 06-25 St. Louis, MO - Firebird 06-26 Kansas City, MO - The Record Bar 06-29 Madison, WI - High Noon Saloon 06-30 Minneapolis, MN - Cedar Cultural Center 07-01 Des Moines, IA - Wooly's 07-03 Omaha, NE - The Waiting Room 07-05 Denver, CO - The Marquis Theatre 07-06 Colorado Springs, CO - Black Sheep 07-23 San Diego, CA - The Irenic 07-25 Los Angeles, CA - First Unitarian Church 07-26 San Francisco, CA - Slim's 07-29 Portland, OR - Wonder Ballroom 07-30 Seattle, WA - Neumo's 07-31 Vancouver, British Columbia - Fortune Sound Club 08-02 Missoula, MT - The Palace 08-03 Salt Lake City, UT - Kilby Court

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Wednesday 14 June 2023

Kimya Dawson

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107 Kingsland High St, Dalston E8 2PB London, UK +44 20 7241 9410 www.riocinema.org.uk/

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Kimya Dawson

Kimya Dawson is an American singer-songwriter and a prominent part of the anti-folk movement. Dawson first came to prominence as the female more...

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Past Events

Here are the most recent UK tour dates we had listed for Kimya Dawson. Were you there?

• Jun 14 2023 London, Rio Cinema Kimya Dawson Lilith Ai
• Jun 13 2023 Glasgow, Mono Kimya Dawson
• Jun 12 2023 Manchester, Band On The Wall Kimya Dawson
• Nov 21 2020 Online / Streaming Events #NetherRap B Dolan, Kimya Dawson, Rob Sonic, Scroobius Pip
• Apr 25 2020 Online / Streaming Events The Vera Project & Artist Home Present: Live From Our Living Rooms Jeff Rosenstock, Kimya Dawson, Kevin Seconds, Tomo Nakayama, Mike Park…
• Apr 22 2016 Brighton, Patterns Kimya Dawson, Little Wings
• Apr 21 2016 Cardiff, The Globe Kimya Dawson, Little Wings
• Apr 20 2016 Manchester, Night & Day Cafe Kimya Dawson, Little Wings
• Apr 14 2016 London, Islington Assembly Hall Kimya Dawson, Little Wings
• Nov 03 2013 London, Islington Assembly Hall Kimya Dawson

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Presenting film , music , and art in the historic Capitol Theater. Learn more about us.

Monday, April 22, 2024

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KIMYA DAWSON w/ GABRIEL TEODROS, NOMY LAMM & NIKKITA OLIVER: A BENEFIT FOR THE PALESTINE CHILDREN’S RELIEF FUND

Sunday, February 25, 2024 Olympia Film Society, Jewish Voice for Peace, The Rachel Corrie Foundation, and PASS Access Oly presents: Kimya Dawson Gabriel Teodros Nomy Lamm Nikkita Oliver A Benefit for the PCRF $30 GA & OFS 7pm doors / 8pm show All Ages Please wear a mask!

Proceeds from this performance benefit the Palestine Children’s Relief Fund.

The Palestine Children’s Relief Fund is a non-profit organization addressing the medical and humanitarian crisis facing children in the Middle East.

ACCESSIBLE SEATING NEEDS: When purchasing tickets in advance, mark “Wheelchair / Accessible.” Accessible seating sections are located on the main floor in various areas for sight, hearing, size, and mobility needs. If you are comfortable sharing your needs, email  [email protected] before purchasing so we can better assist you and ensure your time at the theater is enjoyable.

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DEEP RED W/ LIVE MUSIC BY THE BAVARIANS (members of Federale, The Brian Jonestown Massacre, The Dandy Warhols, The Delines, and The Silver Triplets): May 25

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