warped tour complete history

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All 25 Warped Tour Lineups, Ranked

Warped Tour is one of the biggest names in the concert canon. Those who haven't gone want to and those who have gone wait for the day they can go again. For a majority of its run, it was the largest traveling music festival in the United States. A number of past Warped Tour lineups have been impressive, but which year was the best? Help decide below! 

Starting as an eclectic alternative rock festival in 1995 and gradually morphing into a punk rock festival by the next year, the tour gained momentum when Vans, the wildly popular shoe manufacturer, was signed on as the tour's main sponsor in 1996. As Warped Tour became increasingly popular with each passing year, more sponsors signed on, slowly growing the tour's scope of influence. Sadly, 2018 proved to be the final year of the famous tour as announced by Warped Tour's founder, Kevin Lyman. 

You'll find every Warped Tour lineup here! Vote below on the best Warped Tour lineups, keeping in mind factors like the bands performing, production value, and overall spectacle. If you're an avid concert-goer, you can also check out this list of the best Coachella lineups ! (Disclaimer - some years certain dates had slightly different lineups). 

Warped Tour 2005

Notable Peformers: My Chemical Romance, Fall Out Boy, Thrice, Billy Idol, The All-American Rejects, Bowling for Soup, Dropkick Murphys, Hawthorne Heights

Dates: June 18 to August 14

Warped Tour 2004

Notable Performers: NOFX, My Chemical Romance, The Used, Fall Out Boy, Billy Talent, Yellowcard, Motion City Soundtrack, New Found Glory, Good Charlotte, Anti-Flag, Bowling for Soup 

Dates:  June 25 to August 19

Warped Tour 1998

Notable Performers:  Bad Religion, Godsmack, Rancid, Less Than Jake, Blink-182, Beck (some dates), Unwritten Law, Reverend Horton Heat, Incubus 

Date:  July 4 to August 9

Warped Tour 1999

Notable Performers: Cypress Hill, Blink-182, Dropkick Murphys, Pennywise, Black Eyed Peas, Suicidal Tendencies, Less Than Jake, Bouncing Souls

Dates:  June 25 to July 31

Warped Tour 1997

Notable Performers:  Blink-182, Reel Big Fish, Descendants, Less Than Jake, Sugar Ray, Pennywise, Social Distortion, The Mighty Mighty Bosstones 

Dates:  July 2 to August 5

Warped Tour 2000

Notable Performers:  Weezer, Flogging Molly, Green Day, Anti-Flag, No Doubt, Papa Roach, The Muffs, Suicide Machines, NOFX, Good Riddance

Dates: June 23 to August 6

Warped Tour 2007

Notable Performers:  Bad Religion, Pennywise, Red Jumpsuit Apparatus, Killswitch Engage, Yellowcard, Ambelin, Flogging Molly, Hawthorne Heights

Dates:  June 28 to August 25

Warped Tour 2001

Notable Performers:  Pennywise, New Found Glory, Dropkick Murphys, The Vandals, Sum 41, Rancid, Less Than Jake, The All-American Rejects, Good Charlotte 

Dates:  June 29 to August 12

Warped Tour 1995

Notable Performers:  Sublime, No Doubt, Quicksand, Fluf, Deftones, No Use for a Name, Supernova, CIV, Deftones

Dates: August 4 to September 5

Warped Tour 2006

Notable Performers: Joan Jett and the Blackhearts,   Less Than Jake, The Academy Is..., Anti-Flag, Billy Talent, Motion City Soundtrack, Paramore, Rise Against, NOFX

Dates:  June 15 to August 13

Warped Tour 2018

Notable Performers:  Korn, Prophets of Rage, Limp Bizkit, Reel Big Fish, Pennywise, All Time Low, Taking Back Sunday, We The Kings

Dates:  June 21 to August 5

Warped Tour 2011

Notable Performers:  Paramore, Jack's Mannequin, Bowling for Soup, Relient K, MC Lars, Less Than Jake, Anti-Flag, Simple Plan 

Dates:  June 24 to August 14

Warped Tour 2003

Notable Performers:  The Ataris, Dropkick Murphys, Rancid, The Used, Pennywise, Less than Jake, Suicide Machines, Andrew W.K., Yellowcard, Glassjaw 

Dates: June 19 to August 10

Warped Tour 2002

Notable Performers: New Found Glory, Simple Plan, Flogging Molly, Anti-Flag, Reel Big Fish, Yellowcard, Goldfinger, NOFX, Jimmy Eat World, Bad Religion, Good Charlotte

Dates:  June 21 to August 18

Warped Tour 1996

Notable Performers:  Fishbone, Pennywise, CIV, Rocket From The Crypt, Dance Hall Crashers, Down By Law, The Figgs, Guttermouth, Blink-182, Fluf, Red 5, Sensefield, Far 

Date:  July 4 to August 8

Warped Tour 2008

Notable Performers:  Katy Perry, Amberlin, Jack's Mannequin, Angels and Airwaves, Reel Big Fish, The Dillinger Escape Plan, Broadway Calls, The Devil Wears Prada 

Dates:  June 20 to August 17

Warped Tour 2016

Notable Performers:  Falling In Reverse, Less Than Jake, Good Charlotte, Sleeping With Sirens, New Found Glory, Yellowcard, Ghost Town, Bad Seed Rising, We The Kings

Dates:  June 24 to August 13

Warped Tour 2013

Notable Performers: Chiodos, New Beat Fund, Gin Wigmore, MC Lars, Craig Owens, Dia Frampton, Charlotte Sometimes, Big Chocolate, Echosmith, Motion City Soundtrack, Reel Big Fish 

Dates:  July 15 to August 4

Warped Tour 2019

Warped Tour 2010

Notable Performers:  Alkaline Trio, Motion City Soundtrack, Anti-Flag, Dropkick Murphys, Andrew W.K., Penny Wise, Reel Big Fish, The All-American Rejects, Suicide Silence, We The Kings

Dates:  June 25 to August 15

Warped Tour 2012

Notable Performers:  Falling in Reverse, The Used, Yellowcard, Dead Sara, Rise Against, Yellowcard, MC Laws, Machine Gun Kelly, Anti-Flag

Date:  June 16 to August 5

Warped Tour 2009

Notable Performers:  Less Than Jake, Underoath, Bad Religion,  T.S.O.L., The Adolescents, Sing it Loud, TAT

Dates:  June 26 to August 23

Warped Tour 2014

Notable Performers:  Breathe Carolina, Falling in Reverse, Mayday Parade, Less Than Jake, We The Kings, Yellowcard, The Ghost Inside, The Mighty, Finch

Dates:  June 13 to August 3

Warped Tour 2017

Notable Performers:   Andy Black, Beartooth, Dance Gavin Dance, I Prevail, New Years Day, Falling In Reverse, Streetlight Manifesto, Neck Deep

Date: May 27 to November 1

Warped Tour 2015

Notable Performers:  As It Is, Bebe Rexha, New Years Day, Knuckle Puck, Metro Station, Candy Hearts, Motion City Soundtrack, Memphis May Fire 

Dates:  June 19 to October 18

Lists about the phenomena of the summer music festival - who to see, how to dress, and what to expect beyond heat, crowds, and bigger crowds.

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How Warped Tour led the consumerist music festival revolution

The iconic festival was as much about brands as it was about bands.

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Most of what I remember about being 14 involves wanting stuff: I wanted straighter hair. I wanted to seem like a grown-up (or at least like a 16-year-old). And I really, really wanted to go to Warped Tour.

It was the summer of 2004, and pop-punk was ascendant. In Canada, where I grew up, this meant listening to a steady stream of Sum 41, Avril Lavigne, Simple Plan, and Billy Talent — all homegrown acts that got regular radio play thanks in part to Canadian content laws . With that as our gateway, my friends and I began our foray into skate-punk lite, memorizing Taking Back Sunday lyrics, trying (poorly) to land an ollie , and developing extremely unrequited crushes on any boy who bore a passing resemblance to Blink-182’s Tom DeLonge.

To us, Warped Tour — the traveling “misfit summer camp” that merged punk, ska, rock, and emo with extreme sports and a healthy array of corporate sponsors — was the pinnacle of cool. Unfortunately, I never got to attend, on account of being at actual summer camp.

This summer, Warped Tour celebrates its 25th birthday, making it far older than the teenagers it has courted for two and a half decades. Last year was the tour’s final cross-country run — it featured hundreds of bands over the course of 38 stops for which nearly 550,000 tickets were sold, but this impressive turnout was buoyed by the announcement that it was the event’s last hurrah. Attendance the prior year, in 2017, had been down significantly, particularly among the 14- to 17-year-old demographic that had historically been Warped’s lifeblood. The audience was getting older, production costs were rising, and bands weren’t sticking around year after year like they used to. Plus, according to founder and producer Kevin Lyman, he was just getting tired.

But in the era of reboots and remakes , it’s not surprising that organizers would want to honor the tour’s silver anniversary just one year after it shut down. The result is a three-city affair: a single-day event in Cleveland celebrating the opening of a retrospective exhibit at the Rock & Roll Hall of Fame, and weekend shows in Atlantic City, New Jersey, and Mountain View, California. While not strictly a nostalgia play — there are up-and-coming bands booked alongside veterans, and plenty of fans are first-time Warped attendees — this year, the average age of concertgoers appears to be more than a decade older than it was at the tour’s height (15 or 16, as of 2006 ), and plenty of the once-wayward youth now have kids of their own in tow, keeping them a safe distance from the mosh pit.

This is how, on a Saturday in late June, I find myself on a crowded Jersey beach sandwiched between Caesars Casino and the Atlantic Ocean, belting out Simple Plan’s “I’m Just a Kid” with nearly 30,000 other people — many of whom, like me, were in fact kids when the song came out in 2002. High school may be a distant memory, but at least now I’ve finally made it to Warped Tour.

”Oh, my god, I am 12 years old again,” says the sunburnt guy in checkerboard Vans beside me as the crowd whines along with singer Pierre Bouvier: “Nobody cares, ’cause I’m alone and the world is having more fun than me tonight.”

The lyrics don’t exactly fit the setting — no one here is alone and everyone seems to be having fun — but the feeling’s still there. For a little while, we’re all our angsty teen selves again. Likewise, there’s a twinge of irony when Good Charlotte tear into their breakout single “Lifestyles of the Rich and Famous,” a middle finger to celebrity culture written long before Joel and Benji Madden (the band’s lead singer and guitarist) married Hollywood it-girls (Nicole Richie and Cameron Diaz, respectively).

Warped Tour itself is a contradiction — it’s a punk rock festival that’s also a prodigious marketing machine, sponsored from top to bottom by brands hoping to win over fans in between shows. This isn’t a knock on the tour, really: if it weren’t able to bridge that gap, it probably wouldn’t exist.

The idea for Warped began germinating while Kevin Lyman was working as a stage manager for the alt-rock-focused Lollapalooza in the early ’90s — back when that, too, was a touring festival. He had been immersed in SoCal’s hardcore and ska scenes growing up and wanted to bring some of his favorite bands to audiences around the country with a back-to-basics tour that did away with the music industry’s hierarchies and out-of-control egos: no headliners, no arenas — just a few thousand fans in a parking lot and an average ticket price of less than $30.

Even for the biggest acts, that DIY spirit shone through. “You feel more like a carnie on Warped Tour than you do on any other tour or at any other festival,” says Adam Lazzara, the lead singer of Taking Back Sunday, who are currently in the midst of a 20th-anniversary tour , “just because you’re literally there setting up and breaking down into the next town.” Lyman also tapped a handful of pro skateboarders and BMX bikers to come along, recognizing the crossover between extreme sports fans and punk rock’s moshing masses, as well as the fact that both subcultures were becoming increasingly mainstream.

In 1995, the same year Warped made its debut run in the summer, ESPN aired the inaugural X Games (then called “Extreme Games”), with athletes competing in action sports such as barefoot water skiing, street luge, and skateboarding. The year prior, the Offspring and Green Day — both bands with roots in California’s underground punk scene — released best-selling albums that catapulted them into popular culture.

The time was ripe for something like Warped to exist, though in order to get it off the ground, Lyman needed to buck one of the central tenets of punk and get a few executives to break out their checkbooks. “I grew up with that whole ‘eff corporate America’ mentality,” he says. “And then, for me, I just started looking at corporate America, and no matter how punk rock we were or whatever, we were still supporting it in some way. We were buying their brands; we were using their products.” He looked at the Rolling Stones pulling in millions through sponsorships with Jovan fragrance and Budweiser, and thought: Maybe we can get some money too.

It didn’t go seamlessly at first. After the 1995 run — which featured an eclectic lineup that included the ska-reggae band Sublime, a Tragic Kingdom -era No Doubt, and the grunge pioneers L7 — the tour was in dire straits financially, as the small sponsorships Lyman had landed from brands like Converse and Spin weren’t enough to cover the significant production costs. To keep it going, he was desperate enough to consider brokering a deal with the decidedly not-punk Calvin Klein to become the title sponsor. “I don’t really think that would have worked,” he now says, matter-of-factly.

Fortuitously, the meeting with the fashion brand was delayed by the devastating East Coast blizzard of 1996, and before they could go any further with the arrangements, Lyman got a call from Vans CEO Walter Schoenfeld.

Founded in 1966 as the Van Doren Rubber Company, Vans had engendered strong ties to the skateboarding community, which was loyal to the brand’s sneakers thanks to their grippy soles. The $300,000 check the company wrote turned the Warped Tour into the Vans Warped Tour, giving Lyman some financial runway while securing the festival’s ties to corporate America. (At the time, Vans was owned by the venture banking firm McCown De Leeuw & Co., thanks to a $71 million 1988 leveraged buyout .)

The Warped partnership was led by Steven Van Doren, the company’s vice president of events and promotions and the son of Vans founder Paul Van Doren, who saw an opportunity to give the brand national exposure beyond the Sun Belt states that at the time accounted for most of its sales. He also introduced amateur skateboarding competitions to the tour, giving contestants the chance to win pro contracts with Vans. “Having Steve involved really solidified our partnership,” says Lyman, noting that he turned down bigger subsequent sponsorship offers from the shoe brand Airwalk because he felt Vans was in it for the long haul.

He was right: By 1999, Spin reported at the time, Vans owned a 15 percent stake in Warped and was paying $1 million per year “to strengthen [its] presence with ‘Generation Y’” (or, as we’d call them today, “millennials”). Two years later, it stepped up its investment, paying $5.2 million for a 70 percent controlling stake, according to Forbes .

Today, Vans is a $3 billion brand — current parent company VF Corp bought it for $396 million in 2004 — and a household name for most Americans, including those who have never set foot on a skateboard. Even as it has grown well beyond its fringier roots, though, the brand’s relationship with Warped has endured, and at the 25th-anniversary show, seemingly every other fan is wearing Vans sneakers: Sk8-Hi’s , Old Skools , the ubiquitous checkerboard slip-ons .

(Airwalk fizzled by the early 2000s and was reborn as a Payless brand; its current owners — the same company that recently acquired Sports Illustrated — are trying to stage a ’90s-nostalgia-fueled comeback .)

Even with the Vans investment, Lyman had to hustle to keep the tour afloat in the early years. “We had to raise nearly $4 million in sponsorships to make the ticket price what it was, to give you the show you wanted, to bring all those side stages that developed young artists,” he says.

In 1999, he signed a partnership with the brand new surf label Hurley and got up-and-comers Blink-182 — then still a year out from the explosively popular Enema of the State — to wear the brand’s clothes onstage in exchange for free seats on one of the Warped Tour’s buses, since the band couldn’t yet afford their own transportation. It was a turning point for both band and brand: Blink had just replaced its former drummer with Travis Barker, who’s still with the group today, and Hurley’s founder Bob Hurley had left a successful career with Billabong to start his namesake clothing line earlier that year. Four years later, Blink was selling out arenas and topping Billboard charts, and Hurley had grown into a $70 million business, which Nike acquired in 2002 .

It wasn’t just hormone-addled fans going through an adolescence of sorts at Warped. “I always said Warped was a developmental spot, not only for bands but for crew people to learn how to tour and learn how to be good citizens in the music community, as well as brands,” says Lyman. “A lot of brands got their starts in those parking lots.”

One of those was Monster Energy, which has been a tour sponsor since it launched in 2003, back when it was made by a California soda company called Hansen’s Natural Co. The company set up a portable rock wall, became “the official energy drink of the Vans Warped Tour,” and embarked on a wildly successful rebrand that has seen its stock soar more than 72,000 percent since its public debut that same year. According to Lyman, Monster also came up with the idea of “Tour Water” — specially designed cans of water that make it look like bands and crew members are chugging energy drinks all day onstage without the risk of cardiac arrest; the concept is now an industry standard, and cans from early tours go for more than $75 on eBay .

Another was Jeffree Star Cosmetics. Before Star was a beauty mogul, he was a MySpace-famous scene kid who performed on the tour as a solo artist in 2008 and 2009. In the following years, he came back to host meet-and-greets with his YouTube fans and, when he launched his makeup empire in 2014, set up shop among the merch tents.

The Warped Tour also forced more corporate brands to loosen up a little: After the PlayStation team showed up in uniform polo shirts their first year on the tour, Lyman told them they’d have to change, citing a life motto of his: “Never trust a person in a golf shirt unless you’re at a golf course.” (They’re either a douchebag or they don’t know what they’re talking about, he says.)

When the tour created a “reverse day care” for parents on-site in 2001 — complete with air conditioning and noise-canceling headphones — Lyman convinced Target to put its bull’s-eye logo on top, sans brand name, citing the symbol’s history with ’70s mod bands like the Who and the Jam. He even dug out the Ramones’ tour rider to persuade the makers of Yoo-hoo that the chocolate drink was, in fact, kinda punk rock, and by the 1998 tour, fans were climbing a rock wall shaped like a giant Yoo-hoo bottle and competing for branded skateboard decks .

Walking around the grounds in Atlantic City, there’s a near-endless array of stuff to buy at Warped this year: limited-edition Vans, commemorative 25th anniversary bracelets, T-shirts reading “Mall Goth Trash” and “SadBoy Crew,” henna tattoos, water bottles, skate decks, and beer koozies (plus $14 Pacifico). There are also plenty of freebies: branded coupon wristbands from the teen retailer Journeys, which has been the tour’s presenting sponsor since 2014; T-shirts from Truth, the anti-smoking organization; stickers from PETA.

Among the panoply of shoppable teenage rebellion are booths with a cause, like Hope for the Day , a suicide prevention organization, and A Voice for the Innocent , a nonprofit that offers resources to survivors of rape and sexual abuse, which was brought on board in the wake of a series of sexual assault and harassment allegations involving artists who had performed on the tour.

”The Warped Tour is really interesting because it jumped early on the idea that crowds could be commodified,” says Gina Arnold, a former rock journalist and the author of Half a Million Strong: Crowds and Power from Woodstock to Coachella . “They were able to widen out the notion of the festival as a marketplace — not so much of ideas, but a marketplace of actual things.”

Today, the concept of festival-as-shopping-mall is well established — so much so that this year’s Coachella attendees could have Amazon orders delivered same-day to lockers on site — but in the ’90s, it was still a novel idea. Before then, it was all “bad food and band T-shirts,” as Arnold put it. (The exception: the parking lot of any Grateful Dead concert, long a thriving marketplace of tie-dye tees , beaded jewelry, DIY taco stands, and any drug you might fancy, collectively known as Shakedown Street .)

Band T-shirts still make up the bulk of the merch at Warped, just as they do at most concerts these days. As album sales have dropped off a cliff and services like Spotify have taken their place, paying a fraction of a penny per stream, merchandise has become an increasingly essential part of artists’ income. A superstar like Taylor Swift or Kanye West can gross $300,000 to $400,000 in merch during a single show, according to a Billboard interview with licensing exec Dell Furano. Warped artists aren’t coming close to that, but especially at the tour’s peak, they were pulling in a good amount of cash.

Taking Back Sunday made a reported $20,000 to $30,000 per show on merch on the 2004 tour; My Chemical Romance set the record the next year, selling $60,000 worth of black T-shirts, sinister-looking posters, and fingerless gloves at a single stop. 2005 was also the only year Warped made money on ticket sales, according to Lyman. Headliners Fall Out Boy and My Chemical Romance were regulars on MTV’s TRL thanks to crossover hits “Sugar, We’re Goin’ Down” and “Helena.” Teens who hadn’t heard of most of the “authentic” punk bands the tour had booked in prior years were turning out in droves. By the end of the 48 dates, 700,000 fans had bought tickets, and the tour grossed an all-time high of $25 million .

”That was a pretty wild year, with all the bands exploding,” says Lisa Johnson, who’s been photographing Warped Tour since its first run. “I’m not gonna lie, it was a little frustrating in the photo pit because it was so jam-packed. And a little dangerous, because there were so many kids coming over the barricade constantly. But at the same time, how fantastic is that?”

Of course, not everyone agreed. From its inception, Warped provoked criticism from punk purists who argued — not without reason — that the corporate-sponsored festival was antithetical to the values of the genre. It also ruffled feathers with the bands it booked, particularly as the rise of “mall punk” and emo put bands like Good Charlotte, Blink-182, and My Chemical Romance alongside punk mainstays like Rancid, Pennywise, and Bad Religion.

”You go to the Warped Tour and walk around and you’ll hear 100 bands that try to sound like Green Day or NOFX. It’s just disgusting,” said Mike Avilez, a vocalist for the California punk band Oppressed Logic, in the book Gimme Something Better: The Profound, Progressive, and Occasionally Pointless History of Bay Area Punk from Dead Kennedys to Green Day . “They’re missing the angst. To me, punk rock is supposed to be angry and pissed off.”

The tour has also caught flak from within over the years. In a 2004 Chicago Reader piece , “Punk Is Dead! Long Live Punk!” the music critic Jessica Hopper chronicled a clash between Lyman and a band called the Mean Reds: “It was only the sixth day of the tour, and they were already on ‘probation’ for running their mouths onstage about what a sold-out capitalist-pig enterprise Warped is, how it isn’t really punk, et cetera.”

Even Adweek, hardly a voice of the counterculture, said in 2005 that the influx of corporate cash “does somewhat undermine the legitimacy of the event, even as it introduces groups of men in tight pants to new audiences.”

Among those who’ve been along for the ride since Warped’s early days, though, ambivalence about the scene’s brushes with the mainstream is tempered by ideas both idealistic — that the tour provided a platform to bands that otherwise might not have made it, and a community for kids who didn’t always fit in elsewhere — and practical.

”There’s always going to be critics,” says Shira Yevin, who’s performed at Warped as Shiragirl since 2004, and for a decade produced a stage at the tour dedicated to promoting women-fronted bands. “But they’re the same ones bitching because they only got paid $100 for the gig and they don’t have enough money to get to the next state, you know?”

In 2019, the idea of “selling out” seems like a product of an earlier generation — one without climate change or student loans or school gun violence to worry about. And anyway, the purists may be getting their way for now, since even pop punk isn’t popular these days. Instead, the top 40 charts are ruled by Lil Nas X’s boundary-pushing country trap, genre-fluid acts like Billie Eilish , and mumble rappers like Post Malone. The loud, fast, guitar-driven sound that Warped is known for? “In top 40, it’s very rare,” says Nate Sloan, a musicologist and the co-host of Vox’s Switched on Pop podcast . “Even the bands that sort of assert that look and that style and may throw a guitar around their shoulder, the actual sound doesn’t necessarily have that.”

On the second day of the Atlantic City shows, in one of the festival’s seemingly endless meet-and-greet lines, I meet 20-year-old Sam and 14-year-old Tori, friends from Philadelphia who made the trip down for their first Warped Tour. Sam has rainbow hair and rainbow gauges in her ears; Tori’s wearing a Set It Off band tee. They met at the Hot Topic where Sam works, a store that itself has transformed from mall-goth central into a haven for geek fashion .

”I basically live there,” says Tori.

”We vibed about the music we listen to,” says Sam.

”I don’t really have any other friends that listen to this kind of stuff,” explains Tori. “I almost kind of get made fun of, because it’s like, ‘Oh, emo music, what do you do, cry all day?’”

At Sam’s high school, most guys listened to trap or rap, while “angsty music” was mostly the domain of girls or “the guys who had a bad upbringing.”

”It was just divided,” she adds. “Like the way the country is right now.”

While genres may separate fans into factions in high school, Sloan says they’re not necessarily as diametrically opposed as they seem. “A lot of the sensibility of rock ’n’ roll has gone into the sound of SoundCloud rap and mumble rap,” he says. “This genre is sort of the spiritual heir to a lot of the acts that first kicked off the original Warped Tour. Sonically, it feels like a world apart in a lot of ways, but in terms of the intense emotional affect, it’s very clearly picking up the mantle.”

Part of the transformation may be technological. “Maybe 20, 30 years ago, if you were an angsty teenager, the easiest way to express yourself would have been by installing yourself and your friends in the garage with a couple of crappy guitars and a battered drum set,” says Sloan. “Today, the easiest way to express your angst would be through a pirated copy of [the music software] FruityLoops and a USB microphone.” This evolution may also help explain why punk’s communal, anti-commercial spirit seems to have fallen out of favor while themes like alienation and disaffection (which Gen Z artists like Eilish mine extensively) have endured.

Shifting musical tastes are just one factor contributing to Warped’s decline. Most people I talked to had similar theories about what’s behind the drop-off in teen attendance: It’s not just that today’s rock bands can’t compete with the colossal forces of hip-hop and pop; they’re also up against YouTube, Netflix, TikTok , esports, and social media, all of which are pouring billions into the race for young people’s attention. Plus, parents are warier about sending their kids to live shows because of tragedies like the mass shooting at the Route 91 Harvest country music festival in Las Vegas and the bombing at an Ariana Grande concert in Manchester, England .

Lamenting the changing habits of teenagers has always been an adults’ game, though. For the current generation of fans and artists, the end of the tour is, inevitably, the beginning of whatever comes next. Not Ur Girlfrenz was the youngest touring act at Warped last year, and now at ages 13 (bassist Gigi Haynes) and 14 (lead singer and guitarist Liv Haynes and drummer Maren Alford), the trio is on the cusp of what was once the festival’s prime demographic. They also just released their first EP, the title track of which, “New Kids in America,” riffs off the Kim Wilde hit with bouncy pop-punk energy and lyrics like, “When did the trend of no one ever having fun / Spread throughout the land infecting everyone?”

Still, they’re more optimistic about the future of the kind of music they play. “Kids our age these days just aren’t really exposed to it anymore. It’s not exactly like they just don’t like it. They’re just not exposed to it,” says Maren. She’ll introduce her friends to a new band or tell them to stay and watch whoever Not Ur Girlfrenz has opened for, “And they’re like, ‘Oh, my gosh, this is my new favorite band!’”

Plus, with early-aughts nostalgia already trending heavily among Gen Z (so much so that this year’s VidCon — a conference for online video creators and their mostly teenage fans — featured a meeting room decked out in Lizzie McGuire posters and blow-up furniture), a musical comeback seems timely. “You hear the 1975 bringing back the ’80s sounds, so I think now’s the time to bring back the 2000s,” reasons Liv.

At their Sunday set, it’s easy to see why they’re hoping for another Warped Tour next year — even if Lyman insists that, for real this time, this is the last. Fans are yelling their names and singing their lyrics back at them from the crowd.

”I did the whole thing where, you know, someone points at you and you look behind you and then you’re like, ‘Oh, wait, it’s me!’” Liv says with a laugh.

At a signing at their merch tent after the set, the screaming starts again. “We were like, ‘Is somebody famous here? Oh, my god, is it Blink-182?’” recalls Gigi.

”Yeah, we saw this huge group of people,” says Maren, “and we were like, ‘Ooh, someone important is giving a signing. I wonder who it is.’”

”Nah, it was just us. Psh ,” Gigi sighs.

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75 Warped Tour acts that made the tour legendary

• Published: Jul. 18, 2018, 7:05 a.m.
• Anne Nickoloff and Troy Smith, Cleveland.com

Bryan Bedder

CLEVELAND, Ohio -- Over 20 years, countless bands have played parking lots to amphitheaters on the Vans Warped Tour.

For much of that time, Warped has carried the torch for traveling rock festivals. Though, all good things must come to an end.

In honor of this year being the final for the Warped Tour, we look at the 75 acts that made it so hard to say goodbye.

Kevin Winter

1. Paramore

Paramore is a Warped Tour success story. The band started at the small female-fronted Shiragirl stage in 2005 with its first-ever tour and grew to become one of the biggest headliners in its subsequent five Warped Tour performances.

Paramore’s sound has undoubtedly changed over the years, but some of its most iconic releases (2005’s “All We Know Is Falling,” 2007’s “Riot!” and 2009’s “Brand New Eyes”) all arrive during the band’s punky Warped Tour years.

Johanna Leguerre

2. Simple Plan

Simple Plan has played Warped Tour a dozen times, making the trek an essential part of the Canadian band's career, from its rise in the early 2000s to its recent resurgence.

Jason Merritt

3. Blink-182

There is no band more responsible for the popularity of the music featured year after year on the Warped Tour than Blink-182. The band only played the tour four times, but you could find copycat on the bill every year that followed.

Combining elements of skate punk, ska, hardcore and punk, NOFX has been one of the steadiest presences on Warped going all the way back to its early years. The band has served as a must-see on the tour seven times.

5. New Found Glory

What would a summertime party be in the 2000s without some New Found Glory? The band’s fun pop-punk songs and exuberance earned it multiple headlining spots on Warped Tour.

6. Less Than Jake

Although Less Than Jake has performed at Warped Tour 10 times, nothing can tire out the ska-punk band. With colorful outfits, inflatable balls and boundless energy, Less Than Jake has always had a ton of fun on the summer tour.

Atilla Kisbenedek

Sum 41 has a unique Warped Tour. At its peak, the band was one of the most popular acts on the tour. Then things fell apart. But Sum 41's comeback has been staged on the tour the past few years, which has been great to see.

Marsaili McGrath

8. Motion City Soundtrack

Half of Motion City Soundtrack’s lifespan as a band existed in Warped Tour. The band was around for about 20 years and it played the tour for 10 of them, becoming a staple on the lineup.

Mauricio Santana

9. Bad Religion

As pioneers of the pop punk genre, it was essential to have Bad Religion as part of Warped. And the band delivered, performing six times, including two spots ni during important late 1990s runs.

Tina Fineberg

10. Yellowcard

When it comes to stage acrobatics, few Warped Tour bands could beat Yellowcard. Every show, audiences knew to wait for violinist Sean Mackin’s backflips.

Laura Roberts

11. All Time Low

All Time Low burst onto the Warped Tour scene in 2007, but quickly earned fans around the country with its fresh pop-punk sound. The newcomer quickly became a staple for Warped Tour, going on to perform five different fests.

12. Pennywise

Pennywise joined punk acts of Green Day, Rancid, Bad Religion and Blink-182 in gaining mainstream success during the 1990s. Pennywise spread that out over nine warped tours, more than any of those aforementioned acts.

13. Deftones

Deftones were an important addition during the Warped Tour's early run, offering up another name act as the tour was just beginning to take off.

John Davisson

14. Reel Big Fish

It’s hard not to dance at a Reel Big Fish show. The ska-punk band’s infectious, horn-driven sound fits right in with Warped Tour’s punky roots.

It's okay if you've never heard of CIV. Just know they've influenced a ton of punk acts and played Warped three of its first five years.

16. Bowling For Soup

Angsty kids had a soundtrack with Bowling For Soup in the 1990s. Songs like “1985,” “High School Never Ends” and “Girl All The Bad Guys Want” are humorous reminders of the rebellious days of ‘90s kids. The band has continued to play Warped Tour past its heyday, performing throwback tunes for eager fans.

17. Face to Face

Another early Warped pioneer, Face to Face played two of the first three years of the festival. And the California punk band was a solid draw during that time thanks to its hit "Disconnected."

Imeh Akpanudosen

18. Anti-Flag

Anti-Flag has been one of the steadiest acts on Warped during the 21st century, playing the tour no less than 10 times and giving the tour a political charge.

Robb D. Cohen

19. Silverstein

Silversten were a product (influence wise) of several popular Warped acts of the 90s. That made the Canadian post-hardcore outfit a force on the tour nine times, from 2004 to this farewell trip.

20. Katy Perry

Katy Perry played Warped Tour just one year -- 2008. But she made quite the impact. With her single "I Kissed a Girl" No. 1 on the charts, Perry routinely drew the biggest crowds. Another fact: She was dating Gym Class Heroes frontman Travis McCoy at the time and he would carry her out on stage.

Mark Metcalfe

21. Motionless In White

Goth kids can rock, too. And Motionless In White has long catered to the audience members wearing all black on a hot summer day. The gothic metal band has played its heavy, dark music on Warped Tour nine different times.

Noel Vasquez

22. Flogging Molly

Celtic punk band Flogging Molly is one of the biggest leaders of the genre in America. The band played its dancey rock songs to Warped Tour a whopping seven times.

23. The Used

There was a stretch where the emo/screamo sound of The Used was as good a draw as any act on Warped Tour. The band's early albums remain essential parts of canon.

24. The Ataris

The Ataris became the true boys of summer the six times they played Warped Tour. The emo pop band formed in 1996, but continues to tour today (and even played Warped last summer).

25. Green Day

What a treat it was to have Green Day, the band that feels like the godfather of every Warped act, on the tour in 2000.

26. Mayday Parade

Emo rock band Mayday Parade are on Warped Tour’s lineup again for 2018, and it’ll be the seventh time it has played the fest. Fans always eagerly await the band’s best-known hits like “Jamie All Over,” “Miserable At Best” and “Terrible Things.”

From the late 1990s to early 2000s, MxPx spent every other year on the Warped Tour, making itself at home and adding to the tour's skate-punk vibe.

28. Avenged Sevenfold

As Avenged Sevenfold got bigger and bigger in the early 2000s, Warped Tour became the place where fans could enjoy the act in a live setting.

Charles Sykes

29. Fall Out Boy

Fall Out Boy played Warped Tour twice, in 2004 and 2005, before it grew too large for the fest. The band’s 2005 album “From Under The Cork Tree” started snowballing fame for Fall Out Boy that continues today, creating top hits that have crossed over into mainstream success.

Scott Gries

Before Eminem took the world by storm, he played Warped Tour. Yes, you read that right. The Real Slim Shady drew massive crowds in 1999. He would soon get too big to ever return.

31. Good Charlotte

Brothers Joel and Benji Madden have led Good Charlotte into pop-punk stardom since its formation in 1996. The band only played Warped Tour four times, but often led the fest in high headlining spots.

32. The Mighty Mighty Bosstones

Thanks to bands like The Mighty Mighty Bosstones, Warped Tour always had a diverse feel to it. It wasn't just about post-hardcore or pop punk, giving ska rockers the chance to shine as well.

33. Chiodos

Chiodos were one of the defining bands of the pop-screamo subgenre, and it mashed together the energetic, melodic rhythms of emo pop, with vocalist Craig Owens’ hellish screams bringing a heavier element. The result: prime tunes for Warped Tour mosh pits.

Duane Prokop

34. A Day to Remember

Warped Tour can be a rowdy day, and that’s especially true with A Day To Remember. The metalcore band had a way of riling up its audience all five times it played the festival.

35. Dropkick Murphys

Infusing traditional Celtic songs with punk rock, Dropkick Murphys added some flavor to Warped Tour’s lineup the five times it participated.

36. We The Kings

Songs like “Check Yes, Juliet” and “Skyway Avenue” are basically Warped Tour anthems. That’s because We The Kings’ infectious, upbeat energy were a fixture in seven different tours.

Chung Sung-Jun

37. Story of the Year

Story of the Year spent most of its time on Warped Tour in the early 2000s, establishing itself as a star of the lineup. The band had just released its hit songs like “Until The Day I Die,” “Anthem Of Our Dying Day” and “And The Hero Will Drown.”

38. The Maine

The Maine formed in 2007, but its first big step into the alternative rock scene was with the 2008 and 2009 Warped Tours. The band released its first album, “Can’t Stop Won’t Stop” in 2008, and has gone on to release five more successful albums since then.

Kellie Warren

39. The All-American Rejects

Only a handful of Warped Tour acts have been crossover success in the mainstream music world, and The All-American Rejects are one of them. The band’s songs “Dirty Little Secret,” “It Ends Tonight” and “Move Along” all became famous after its time on Warped Tour.

40. Sleeping With Sirens

Kellin Quinn, the singer of Sleeping With Sirens, is one of the most talented voices in emo rock, with soaring vocals and scratchy growls. He debuted on Warped Tour in 2012, just a couple of years after forming Sleeping With Sirens, and played the fest for five years straight until 2016.

Peter Kramer

Anytime Thrice was on Warped Tour, the band was a big draw. It's complex style brought solid musicianship to the tour and allowed fans to watch the evolution of a band that wasn't afraid to switch things up.

42. Taking Back Sunday

When emo music started to rise up in the 2000s, Taking Back Sunday was one of the most popular bands. Songs like “MakeDamnSure,” “Liar” and “Cute Without The ‘E’” helped to define the genre, and also to define Warped Tour’s distinct sound.

43. Sublime

Sublime co-headlined the second Warped Tour, which was the first time the tour went full-on coast to coast. The band quickly earned a reputation for its naughty behavior, but remained a huge draw.

A mainstay int he West Coast punk rock scene of the early 1990s, Fluf supported Warped during two of the the first three years and helped shape the pop-punk sound.

45. Black Veil Brides

Originally, Black Veil Brides rocked out with big hair, black makeup and tight black outfits, bringing a throwback glam metal vibe to metal music. Over the years, the band has toned down its style a bit, but continued to release heavy, dark music that’s a hit at Warped.

46. Every Time I Die

Since the early 2000s, Every Time I Die has been involved in mini Warped Tour shows. But it wasn’t until 2006 that the band took on a full summer of intense concerts. Since then, the band has played Warped Tour regularly, and is currently on the final fest tour.

47. The Starting Line

One of the most beloved pop-punk acts of all time, The Starting Line played Warped four times during the band's peak period.

Barry Brecheisen

L7 gave girl-rock a face during Warped's early years, helping set the stage for future acts like Paramore and New Years Day.

49. Senses Fail

Senses Fail has played Warped Tour six different times, and the lineup was different many of those times. Yet, despite the turbulence in the band, singer Buddy Nielsen always put on a show, leaping around on the stage with endless energy.

50. No Doubt

It can be hard for a tour to get big acts early on. Fortunately, No Doubt hadn't quite blown up when it played the festival. Gwen Stefani and company would return in 2000 for just one show.

51. Pierce The Veil

Over a decade ago, Pierce The Veil burst onto the emo rock scene, and moved its way up the ranks in Warped Tour. The band started off by playing just one date in 2007, then ended up on the fest’s main stage for the full tour in 2012.

52. Sick of It All

Hardcore rock band Sick of It All played Warped early on but didn't forget its roots. The band returned last year for a standout run.

53. My Chemical Romance

Many Warped Tour fans were hoping My Chemical Romance would reunite to play 2018’s festival. Unfortunately the band, which broke up in 2013, isn’t getting back together any time soon. Yet, MCR’s two performances on Warped Tour were impressionable enough to leave fans begging for more.

54. New Year's Day

When it comes to fans, New Years Day beats a lot of other Warped acts. The band’s fans go all-out with a massive crowd wearing mostly black. At Warped, girls and women can also be seen rocking the half-red, half-black hair pattern made famous by singer Ash Costello.

55. Gym Class Heroes

Gym Class Heroes scored a series of hits in the 2000s and played them live at Warped, giving the tour a steady hip-hop presence.

56. Quicksand

Post-hardcore act Quicksand served as one of the standouts on the first Warped Tour. However, the long trek proved too much for the band who wound up breaking up soon after.

57. Falling In Reverse

Bad-boy singer Ronnie Radke has been in the public eye for several run-ins with the law, at one point serving over two years in prison. That was where he started working on Falling In Reverse, a band that’s played Warped Tour a total of six times and has garnered one of the biggest fanbases of modern metalcore music.

58. Alkaline Trio

Stephen Shugerman

59. Something Corporate

Fronted by pianist and singer Andrew McMahon, Something Corporate put out poppy rock songs that pumped up the crowd all three times the band played Warped Tour. The band was only around regularly for six years, until McMahon continued on with his other band Jack’s Mannequin.

60. Andrew W.K.

Andrew W.K. can pretty much play any kind of festival. But when he brings his wacky set to Warped Tour, it's a one of a kind experience.

Rob Grabowski

61. Dillinger Escape Plan

Don't sleep on metal at Warped Tour. Bands like Dillinger Escape plan have brought their complex mathcore to Warped multiple times.

62. No Use For Name

As one of the most seasoned acts on Warped Tour during the 20th century, No Use For a Name transitioned from hardcore punk to a more melodic sound over the years.

As one of the essential punk rock acts of the 1990s, you knew Rancid would make this list. Tim Armstrong and his trademark guitar joined the tour just three times. But each run was memorable.

64. The Vandals

The Vandals are best known as one of the first rock bands to incorporate turntables into its sound. The band was a steady force on Warped Tour during its peak.

65. Bouncing Souls

Bouncing Souls doesn't get enough credit for its influence on various punk genres 1990s. But anyone who saw the band during at least one of its six Warped appearances knows just how good they were.

Roger Kisby

66. Coheed and Cambria

Coheed and Cambria played Warped three times. But each time the band stood out. Coheed's technical musicianship was unlike anything else at Warped but its bouncy collection of hits was enough to draw impressive crowds.

Astrid Stawiarz

67. Plain White T's

Plain White T’s only played Warped Tour twice. However, the band spiced up the loud, punky event with a softer side, with songs like “Hey There Delilah” and “Rhythm Of Love.”

Karl Walter

68. Underoath

Underoath was a huge part of Warped Tour during the mid-2000s. The band returns to say goodbye in 2018.

Matt Winkelmeyer

69. Saves the Day

Saves The Day formed while singer and guitarist Chris Conley was still in high school, but the band’s sound quickly matured in the form of two full-length albums in the late 1990s. The band’s unique hardcore sound propelled them onto Warped Tour three different times in the festival’s history.

Ethan Miller

70. Unwritten Law

Unwritten Law has toured a lot since the early 1990s and the band has managed to make Warped a part of that four times.

71. Glassjaw

Unfortunately, Glassjaw didn't play Warped Tour during its early years. But the band more than made up for it when it finally joined the tour for a raucous showcase, twice in the mid-2000s.

Katie Darby

72. Four Year Strong

Four Year Strong? More like 17 years strong at this point. The post-hardcore band puts out intense, aggressive music that gets mosh pits going at Warped Tour. Four Year Strong has played the festival six times, including this current summer.

73. Neck Deep

Neck Deep has played a huge role in the more recent pop-punk revival, creating popular albums since 2012’s “Rain In July.” It’s brought that refreshed sound to Warped Tour four different times with massive audiences full of fans.

74. Rise Against

No stranger to any kind of rock showcase, Rise Against's brand of melodic hardcore felt at home all four times the band hit the stage at Warped.

75. Bayside

Bayside has a knack for putting out the catchiest punk and emo songs, like “Sick, Sick, Sick” and “Devotion And Desire.” Those songs proved popular with the Warped Tour crowd—Bayside went on Warped Tour four different times, and frontman Anthony Raneri played the fest one additional time as a solo artist.

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• Album Release Calendar
• Festival Guide
• Heavy History

Whatever Happened to the Bands From Warped Tour’s First Lineup?

The year was 1995. Lollapalooza was already ruling the roost as a major touring festival capitalizing on the popularity of the alternative music scene at the time. The H.O.R.D.E. tour had also found some success focusing on a more roots-based lineup of acts since starting in 1992. And Ozzfest was still a year away from happening. But there was a new tour ready to get underway, one that focused on a more underground lineup of acts: The Warped Tour .

Concert promoter Kevin Lyman worked in connection with Ray Woodbury, Warp Magazine and CAA to develop the festival that was initially aimed at targeting punk music fans and tying in with skateboarding and extreme sports culture.

The first Warped Tour kicked off June 21, 1995 in Boise, Idaho, wrapping just shy of two months later on Aug. 18, 1995 in Detroit, Michigan. It would not only feature punk acts, but also included acts with hardcore, reggae, ska and grunge roots, with a few big name acts using the festival as a springboard into a bigger career. Fans were also treated to pro skating, boarding and biking exhibitions with a monster halfpipe, a giant climbing wall and other forms of entertainment.

So who rocked the initial Warped Tour, helping to launch the “punk rock summer camp” tradition? Find out what happened to the bands from the first Warped Tour lineup below.

Where Were Quicksand Before Warped Tour? 

The four-piece of Walter Schreifels, Tom Capone, Sergio Vega and Alan Cage were one of the buzziest bands on the Warped Tour, turning heads with their post-hardcore gem Slip in 1993. With a new album just released in February 1995, the Warped Tour offered them a chance to grow their audience and turn people on to the Manic Compression album, sometimes as the top billed act on the tour.

Where Were Quicksand After?

Sadly, for fans of the band, Quicksand’s run ended shortly after the Warped Tour concluded. The group split in October of 1995 while dealing with internal conflict in the band. Oddly enough, the Warped Tour provided a landing point for a few of the members with Schreifels producing music for Warped mates CIV and Cage joining another Warped act Seaweed. Years later, Vega would play bass for another inaugural Warped act, Deftones.

A reunion would follow in 1998 with an attempt at a new album, but tensions arose again with the group once again splitting before any material was released.

A decade would pass before Quicksand would enter the conversation again, this time reuniting for a Revelation Records 25th anniversary show in 2012. More shows followed, then a full-fledged tour, and by 2017 they were once again working on new material. The 2017 album Interiors and its 2021 follow-up Distant Populations were both critically praised efforts.

Where Were L7 Before Warped Tour?

At the time the Warped Tour arrived, they might have been the most recognizable band on the bill. L7 kicked off their career with 1988’s self-titled album and 1990’s Smell the Magic , but really saw their career take off with alt-rock’s emergence and their 1992 Bricks are Heavy album, featuring the breakout single “Pretend We’re Dead.” They issued the critically hailed follow-up Hungry for Stink in 1994 and were over a year into touring the record when Warped began.

Where Were L7 After?

The band’s fortunes started to fade as the grunge era came to its conclusion. L7 issued The Beauty Process: Triple Platinum in 1997 and Slap-Happy in 1999 to diminishing returns. In 2001, they announced their “indefinite hiatus,” with the members splintering off into other projects. But in 2014, they reformed with the core ‘90s lineup of Donita Sparks, Suzi Gardner, Jennifer Finch and Demetra Plakas. By 2019, a new album was issued titled Scatter the Rats . They remain active, having played a 30th anniversary tour in support of Bricks Are Heavy in 2022.

No Use for a Name

Where Were No Use for a Name Before Warped Tour?

After releasing Incognito in 1990 and Don’t Miss the Train in 1992, No Use for a Name dropped Leche Con Carne in February. An opening slot on The Offspring’s Smash tour and the Warped Tour invite helped to raise their profile at the time.

Where Were No Used for a Name After?

The prolific punk outfit had a wealth of lineup changes over the course of their career, but it never slowed them down. They issued nine albums over an 18-year period, including five after their first Warped Tour run. But the band came to its conclusion in 2012 with the death of longtime guitarist and vocalist Tony Sly. They’ve reunited for two one-off performances since then under the moniker No Use and Friends.

Where Were No Doubt Before Warped Tour?

Wait a minute, weren’t No Doubt a huge band? Not at the time that Warped Tour came about. They struggled out of the gate with 1992’s self-titled debut, enough so that they had to self-record and independently put out their sophomore set, The Beacon Street Collection , in early 1995 just to get Interscope back on board to let them record the Tragic Kingdom< album that would be their commercial breakout. Warped Tour gave them a proving ground, with “Just a Girl” arriving a month after the tour concluded with the Tragic Kingdom album following two months removed from Warped.

Where Were No Doubt After?

Warped definitely provided a springboard for No Doubt, whose Tragic Kingdom album would yield seven big singles over the next three years en route to a diamond certification in the U.S.

The band would score another hit record with 2000’s Return of Saturn album, would have a soundtrack hit with “New” from the movie Go and would lean into dancehall, electro pop and new wave influences on 2001’s Rock Steady album.

With a string of alt-rock and pop crossover hits, No Doubt dropped a greatest hits album in 2003 and took a hiatus in 2004 where singer Gwen Stefani then emerged as a solo star in the pop world. A reunion and work on a new album followed in 2008 with the record titled Push and Shove finally coming to fruition in 2012. Another hiatus followed, with the band playing shows sparingly. Stefani continued her solo career and appeared as a coach on NBC’s The Voice in recent years.  Her No Doubt bandmates formed Dreamcar with AFI’s Davey Havok and recorded an album. At present, No Doubt remains inactive.

Where Were Sublime Before Warped Tour?

Sublime had a strong following in their native Southern California and their ska-punk sounds felt like a natural fit for Warped Tour. At this point in their career, they had turned heads with their 1992 debut, 40oz. To Freedom , featuring the songs “Date Rape,” “Badfish” and “Smoke Two Joints.” but their 1994 follow-up Robbin’ the Hood yielded no singles and was largely overlooked.

Where Were Sublime After?

Sublime’s biggest success and biggest tragedy would follow their appearance on the 1995 Warped Tour. With a major label behind them for the first time, they entered the studio in early 1996 to record a self-titled album, but sadly singer Bradley Nowell died of a heroin overdose in May 1996, shortly after recording for the album had been completed and ahead of its scheduled release.

That self-titled album yielded the band’s biggest single, “What I Got,” as well as “Santeria,” “Wrong Way” and “Doin’ Time,” all alt-rock radio hits.

With Nowell’s death, the group essentially disbanded with a number of posthumous releases coming out in the years that followed. Eric Wilson and Bud Gaugh formed the Long Beach Dub Allstars in 1997, but the group disbanded in 2002.

In 2009, Wilson and Gaugh reunited for a show with a new vocalist, Rome Ramirez, but a lawsuit was brought by Nowell’s family to prevent the trio’s continued use of the Sublime name. Eventually, the trio continued by calling themselves Sublime With Rome. They’ve since recorded a trio of albums, though Gaugh would leave the group in 2011.

Where Were CIV Before Warped Tour?

CIV were essentially newcomers in 1995, though Anthony Civarelli, Sammy Siegler and Arthur Smillos had previously played in the band Gorilla Biscuits. Warped Tour gave the band their launching point, with their debut full-length album Set Your Goals arriving two months after Warped finished.

Where Were CIV After?

The band scored their lone hit with “Can’t Wait One Minute More” off the Set Your Goals album when it arrived in October 1995. They returned with 1998’s Thirteen Day Getaway and then disbanded in 2000. A compilation of their music was released in 2009, and they’ve played a few scattered one-off reunion shows in the years since their final studio album.

Where Were Deftones Before Warped Tour?

Once again, you think of Deftones being a major rock band, but in 1995, they were truly just starting out. Their debut album, Adrenaline , wouldn’t be released until October 1995, so Warped Tour was their introduction for a lot of fans attending the new festival that year.

Where Were Deftones After?

Deftones quickly made a name for themselves with their crushing sounds and ferocious performances. The songs “7 Words” and “Bored” got word of mouth rolling on their debut album. Their 1997 album Around the Fur continued to build the buzz thanks to the hard-hitting singles “My Own Summer (Shove It)” and “Be Quiet and Drive (Far Away),” but it was the 2000 White Pony album that truly put them on the map with alt-rock radio.

The band remained a strong presence through the 2000s with a self-titled album and Saturday Night Wrist but tragedy struck in 2008 as bassist Chi Cheng suffered a brain injury following a car accident. The band shelved their Eros record they had been working on, while Cheng remained in a minimally conscious state for several years. The bassist would eventually die in 2013 after falling into cardiac arrest.

Eventually deciding to move forward, the band recruited Quicksand’s Sergio Vega to fill in for Cheng, and they released one of their most powerful albums to date with 2010’s Diamond Eyes . The 2010s were a particularly epic period for the band, finding success with Koi No Yokan , Gore and 2020’s Ohms albums. They remain one of hard rock’s top bands.

READ MORE: Whatever Happened to the Acts From Ozzfest's First Lineup?

Face to Face

Where Were Face to Face Before Warped Tour?

Face to Face were still on the rise when the Warped Tour arrived in 1995. Their 1992 debut album, Don’t Turn Away , garnered the attention of Fat Wreck Chords, who re-released it a year later. They went through a similar situation with their sophomore set, 1995’s Big Choice , which was initially released by Victory Records before A&M picked it up for a re-release. Both their first two albums featured the standout song “Disconnected,” which started to garner radio play giving them some recognition leading into the festival.

Where Were Face to Face After?

The band never quite hit it big, but remained a prolific recording act with a strong live show in the years after the Warped Tour. They recorded five more albums before going on hiatus in 2003 and disbanding a year later after announcing a farewell tour.

The split wouldn’t be forever though, as the group reunited in 2008 and have released five more records in the years since.

Good Riddance

Where Were Good Riddance Before Warped Tour?

The Santa Cruz-based hardcore punk outfit were new to the scene in 1995, having just released their debut album, For God and Country , in February of 1995 with Fat Mike of NOFX and the head of their label Fat Wreck Chords serving as one of the producers.

Where Were Good Riddance After?

Good Riddance have endured through a pretty steady career. They’ve recorded nine studio albums total, including that 1995 debut album. There have been a handful of lineup changes over the years, and the group actually split in 2007 before deciding to reunite five years later in 2012 and record two more albums in the years since they got back together.

Guttermouth

Where Were Guttermouth Before Warped Tour?

Guttermouth had already established themselves as a raucous and often outrageous act by the time they reached the Warped Tour in 1995. They were two albums into their career, currently touring off of 1994’s Friendly People sophomore set.

Where Were Guttermouth After?

Guttermouth recorded seven more studio albums after their inaugural Warped Tour run in 1995, though their last release was 2006’s Shave the Planet record. They continued to tour in the years since, taking a hiatus in 2013, but returning with a reformed lineup in 2015.

The band did have some issues with Warped Tour in 2004, insulting some of the other acts on the bill and openly mocking what they viewed as uniformed political commentary from some acts. After several weeks they were asked to leave the tour. Singer Mark Adkins issued a statement apologizing to Kevin Lyman and revealing they had left the tour voluntarily, admitting his distaste for the political atmosphere surrounding the festival.

Sick of It All

Where Were Sick of It All Before Warped Tour?

The New York-based hardcore act Sick of It All had three albums under their belt in 1995, the most recent being the aggressive 1994 effort Scratch the Surface , featuring the title track and “Step Down.”

Where Were Sick of It All After?

Over time, Sick of It All earned a reputation as one of the most respected hardcore acts going. They’ve recorded nine more studio albums since that Warped Tour appearance in 1995, with the most recent being 2018’s Wake the Sleeping Dragon . They are the rare act that hasn’t split or endured a long hiatus at any point over the course of their career.

Where Were Tilt Before Warped Tour?

Tilt enjoyed a solid debut with their 1993 album Play Cell , and they looked primed for a big jump after opening for Green Day on the Dookie Tour in 1994. The sophomore set, Til It Kills , arrived in the spring of 1995, just ahead of the Warped Tour.

Where Were Tilt After?

The band recorded two more studio albums — 1998’s Collect ‘Em All and 1999’s Viewers Like You — for Fat Wreck Chords before calling it quits. A split briefly occurred in 1996, but they reunited in 1997. They’ve since played a pair of reunion shows, one of which was a Fat Wreck Chords 25th anniversary in 2015 and the second came in 2017 at the famous 924 Gilman Street venue in San Francisco where they got their start.

Where Were Wizo Before Warped Tour?

Germans do punk too! In fact, Wizo had three studio albums already in their homeland and a fourth, titled Herrenhandtasche set to arrive just after the Warped Tour concluded in 1995.

Where Were Wizo After?

Wizo primarily opted for 7” singles and EP offerings in the years after Warped Tour. They did make a name for themselves in the music industry in 2004 by being the first act to issue a single (known as the Sick EP) on USB flash drive. Later that year they issued the Anderster album, before deciding to call it quits a few months later in early 2005.

They reunited in 2009 and tour in 2010. They’ve since released two more studio albums and issued the single “Grauer Brei" in May of 2023, marking their first new music in five years.

The Ziggens

Where Were The Ziggens Before Warped Tour?

1995 was a big year for self-proclaimed “cowpunksurfabilly” band The Ziggens. After three previous records, the Huntington Beach rockers dropped a pair of albums in 1995 — Chicken Out! and Pit Stop .

Where Were The Ziggens After Warped Tour?

The band kept up a pretty hectic recording schedule into the early 2000s, issuing six more albums before signing off with their 2003 Greatest Zits: 1990-2003 compilation. The group eventually reactivated, returning to the studio and recording their Oregon album in 2021.

Who Else Was on Warped Tour’s Inaugural 1995 Lineup?

As with most years of Warped, there was a wealth of acts participating in the first year and we didn't get to all of them. It would grow even bigger in subsequent years. But some of the other acts who played the inaugural Warped Tour year include Lagwagon, Orange 9mm, Seaweed, Swingin’ Utters, Sense Field, Blue Meanies, The Grabbers, Fluf, Alligator Gun, D.G.T., Dimestore Hoods, Integrity, Into Another, The Lordz of Brooklyn, Mung, Protein, Red Five, Shyster, Supernova, Tree and Your Mom.

The initial Warped also played host to skating and extreme sports exhibitions from Steve Alba, Neil Hendrix, Remy Stratton, Angie Walton and more.

What Happened to Warped Tour After 1995? 

Warped Tour just continued to get bigger and evolve after its initial run. The Vans shoe company would become its major sponsor for the remainder of its run. While punk remained a staple throughout, emo and metalcore acts began to populate the lineup in the early 2000s.

Blink-182, 311, A Day to Remember, AFI, All-American Rejects, All Time Low, Anti-Flag, Bad Religion, Dropkick Murphys, Every Time I Die, Falling in Reverse, Good Charlotte, Less Than Jake, Motionless in White, Motion City Soundtrack, New Found Glory, NOFX, Paramore, Pennywise, Reel Big Fish, Silverstein, Simple Plan, Sleeping With Sirens, Sum 41, Thrice, Underoath, The Used, The Vandals and Yellowcard were among the acts who played the festival the most times.

And where some of the other ‘90s festivals went through dry periods over the next decade, Warped Tour kept it going as a touring festival through 2018. The traveling Warped Tour ended in 2018 . The Warped brand also expanded to include tours of Australia and events in Mexico and Japan. Plus there was a Warped Rewind Cruise at Sea in 2017.

After the 2018 tour, Kevin Lyman announced that there would be a 25th Anniversary Warped Tour celebration taking place in three locations — Cleveland, Atlantic City and Mountain View — in 2019. It now holds the record for the longest touring music festival run in U.S. history.

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The Summer Punk Went Pop: Oral History of the 2005 Warped Tour

On the first day of Warped’s final run, we present the firsthand story of its watershed year - when Fall Out Boy, My Chemical Romance, Paramore, and others became stars.

By Chris Payne

Chris Payne

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This summer, the Vans Warped Tour — music’s last major traveling festival — is  calling it quits , citing fatigue, disinterested teens, and a marketplace shift towards blowout weekends over season-long treks. But 13 years ago, Warped nearly collapsed beneath the weight of its own success.

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Hayley Williams

The storm had been brewing for some time. Warped was 11 years old in 2005, and it’d played an integral role in bringing the likes of Green Day, Blink-182, No Doubt, Sublime, and even Eminem to suburban superstardom during the ’90s and early ’00s. An annual Warped trip had become a summertime staple for teens raised on bratty skate punk and ska, but by the middle of the aughts, it had morphed into something completely new. And bigger.

In 2005, a more sensitive, precocious, fashion-focused brand of punk exploded into popular culture. Its eventual poster kids spent the decade’s early years grinding it out in America’s VFW halls, the venerable ethos of Thursday, Saves the Day, and Jimmy Eat World their guiding light. Fall Out Boy and My Chemical Romance played Warped in ‘04 and after drawing fervent crowds, were signed on for the next year early; by the time June ‘05 rolled around, “Sugar, We’re Goin Down” and “Helena” were MTV staples, improbably climbing the Hot 100. 700,000 kids came out that summer, more than any Warped before or since (for context, last year pulled 300,000). Individual bands regularly sold over $30,000 of merch  per day . Bodyguards were needed for the first time. At summer’s end, the tour’s profits hit seven figures. But Warped’s summer-long slog paid another price; across 48 shows in 59 days, musicians and personnel grappled with oversized egos, volatile — if not occasionally hostile — environments, and a sideshow’s worth of distractions far from home, with a massive mainstream audience suddenly watching.

Trending on Billboard

On the first day of Warped’s final trek, we present the firsthand story of its watershed year.

I. “This Was Like the Moon Landing For This Type of Music”

Tyson Ritter, All-American Rejects vocalist-bassist:  2005 Warped Tour was everything people think about when they want to make Warped something of folklore. It was the real thing.

Kevin Lyman, Warped Tour founder & producer:  The Warped Tour’s only made money on tickets once, and 2005 was the year. If we turn a profit, it’s from sponsorships and merchandise.

Buddy Nielsen, Senses Fail vocalist:  It had everything to do with the scene’s success. This was like the moon landing for this type of music.

Lyman:  We’d done some early bookings. The year before, I had Fall Out Boy and My Chemical Romance on the smaller stage. The audiences weren’t huge at this point, but they were so engaged, so I said, “Gotta bring them on the main [stage].”

Pete Wentz, Fall Out Boy bassist:  That was a surreal moment for us. That was when us and My Chemical Romance were both getting on  TRL  at the same time. It was wild because we’d never experienced that.  (Note: all Fall Out Boy quotes in this piece come from a  previous Billboard interview ).

Lyman:  TRL  was so popular… everyone was watching. They grabbed onto these bands, and radio was playing them.

Nielsen:  Senses Fail did Warped the year before. My Chem wasn’t My Chem yet, as we know them. Senses Fail wasn’t Senses Fail yet. On Warped Tour 2005, everybody was everybody. Fall Out Boy was Fall Out Boy. You had the most bands that were not only successful but, like,  pop music  successful.

Matt Watts, The Starting Line guitarist:  The whole scene started as a left-of-center, DIY thing. Lots of these bands started at VFW or Knights of Columbus Halls. It was such a personal connection with fans. In 2005, it hit a critical mass.

Nielsen:  It was the first time bands had security guards. Pete Wentz and Gerard Way couldn’t get around without them.

Ritter:  The difference between those bands and All-American Rejects? Fall Out Boy, three bodyguards. My Chem had a bodyguard.

Lyman:  The audience coming to Warped Tour transformed from that hardcore person who was out skating or going to the beach to a crowd that was watching TV all summer. We managed to get them off their couches for one day! But they weren’t ready to be in the sun for nine hours. They would stand in front of the stages all day long waiting for those hit songs. It wasn’t like you could just come, watch those bands and leave; you were there the whole day. By the time the band went on stage, these people hadn’t eaten, hadn’t drank water, hadn’t put sunscreen on, so many of them just collapsed. Our medical tents were full.

Lisa Brownlee, Warped Tour tour manager:  I often think of Kevin Lyman as a mad scientist, crossing boundaries that ought not to be crossed when putting together a lineup.

Al Barr, Dropkick Murphys vocalist:  Fall Out Turds and My Chemical Shit Pants — that’s what we called them — were both blowing up, and I kept going around Warped Tour the whole day going, “Jesus Christ, this singer must be so tired because he sings for every band!” Because it all sounded the same to an old timer like me. But that’s when I realized I sound like my dad! Those bands? Not my cup of tea at all. But they were working their asses off, just like we did, and nothing was handed to them. They worked for everything they got.

Lyman:  The core audience was pretty pissed. We talk about punk rock being all-accepting, but a lot of times, it’s still very niche and very “who’s in their club.” This was before Twitter, so they verbalized it to me on message boards. Well, the club got a lot bigger.

II. “They Were Connecting on a Much Deeper Level Than Most of the Other Bands”

Watts:  In the VFW halls, Fall Out Boy put in their 10,000 hours and beyond.

Nielsen:   From Under the Cork Tree  had just come out. Fall Out Boy was huge.

Watts:  They put out the right record at the right time.

Wentz:  It was like, Warped Tour happening at the same time [and hearing], “You guys are super famous, but maybe just on Warped Tour!”

Watts:  Pete Wentz is a captivating dude. Patrick Stump is a great writer.

Justin Pierre, Motion City Soundtrack vocalist-guitarist:  I thought Patrick Stump had an amazing voice. I was very upset at how effortless it seemed. I would have to work 10 times as hard just to pull it off. He was kind of a weirdo, kind of a nerd. I really liked that. There was an unspoken nerd quality we kind of shared. I [recently] found a  picture online  of us coming back from a Target run… I really dug Patrick a lot.

Watts:  Once “Sugar, We’re Goin Down” caught on, it opened up the floodgates.

Andy Hurley, Fall Out Boy drummer:  I remember going to a water park right after we’d gotten to number one on  TRL  that day. I was like, “Yeah, we’re number one!” going down the slides and no one in the park knew at all who we were.

Wentz:  They were like, fucking losers!

Lyman:  Fall Out Boy and My Chemical Romance, I put them on at three or four in the afternoon. All the kids would be in the venue by then, but I knew their fans couldn’t hold up til the end of the day.

Watts:  My Chemical Romance was connecting on a much deeper level than most of the other bands.

Lyman:  A lot of merchandise was being sold. This is where Kate Truscott — who [now] helps run my company — was recognized because she was the merchandise person for My Chemical Romance. They were selling half a semi-truck of merchandise a day at that point. It was crazy.

Kate Truscott, My Chemical Romance merch manager:  I was out on the road with Chevelle, working for a company called BandMerch. I got a call that this new band needed somebody because they were suddenly doing way bigger numbers than anybody expected. They had some guy doing their merch and frankly, he was blowing it. Heather Hannoura [now Heather Gabel] did some shirts for us. Some of the stuff I was selling then is still for sale at Hot Topic. There were gloves with bones on them. They had fingers and no one bought them, so I would cut the fingertips off and then kids loved them!

Watts:  There were tons of kids coming out dressed in My Chem-appropriate attire. I use the term “goth vibes” responsibly: dark hair, black or red t-shirt, eye makeup.

Truscott:  One part of the summer, [guitarist] Frank Iero thought he was having some sort of brain bleed; He was blowing his nose and this red stuff was coming out. A doctor looked at it and was like, “Dude, that’s makeup.”

Lyman:  Some days, I heard they were doing $30,000 to $50,000 in merchandise.

Truscott:  Our highest day was $60,000, which to my knowledge, is a record that’s yet to be beaten by any band on Warped. It was in Detroit, a 30,000-person show at the Silverdome. Headed to banks on days off, our tour manager would be like, “What’s in your backpack? You can’t walk to the bank with $250,000 on you!”

Watts:  When you see bands changing pop culture, you see fans embracing their style.

Truscott:  The only band that had more items for sale than us was the Murphys. They used Warped as a warehouse sale every summer [ Laughs ].

Lyman:  Dropkick Murphys were probably the highest paid band on that year’s tour. Them and the Offspring were probably both making $15,000 to $17,000 [per show]. I had to book Fall Out Boy, $1,500. Atreyu, $1,500. Story of the Year, probably $750. I was delivering this whole package of bands. I don’t have the exact price, but I could probably tell you it was about $125,000 a show, talent-wise. You had to try to be right on the edge.

Nielsen:  Everybody was literally printing money. Everybody was stoked.

Lyman:  Fall Out Boy tended to go out, hang around the parties a little more… My Chemical Romance, I don’t think anyone in the band was really a partier.

Truscott:  There was nothing salacious. Frank is still married to the girl he was dating back then. [Guitarist] Ray [Toro] is still with the same girl. Gerard’s had a couple different girlfriends, but it was like, three in the 20 years I’ve known him, and now he’s married.

Lyman:  They were always nice to the women on our tour, the girls working with these bands.

Truscott:  I had a boxset of the  Charmed  DVDs. Gerard came by asking what they were about. I’m like, “It’s about witches that own a bar,” and he was like, “I can get behind that.”

Ritter:  You’d stroll this alley of buses and see Gerard doing a sketch in front of the headlights on the ground in front of his bus. He was too shy to talk to the group, but he could still sit out in front of his bus drawing a piece of art, which I thought was so fun. He would get in front of the headlights and show off his talent.

Truscott:  Gerard was always doing art. He hung out by himself a lot, drank coffee. A lot of coffee.

Pierre:  I think someone was like, “Oh he’s sober, too! You should hang out!”

Truscott:  We all lived on the same bus together. They turned the back lounge of our bus into a studio. My bunk was right up against it. I remember when they were writing “I Don’t Love You” [from 2006’s  Welcome to the Black Parade ]. Bob [Bryar] put a drum kit in the back and Gerard was doing vocals. It was four in the morning and I remember hearing the lyrics and opening the door like, “That’s a fucking brutal song!”

III. “Rockstar Shit Was Going On”

Lyman:  We were at the Pontiac Silverdome in Detroit and 30,000 people showed up. That might’ve been the second biggest Warped show of all time. We had this massive show at the sports arena at Long Beach State, outside of L.A.. That was probably the biggest show.

Truscott:  I was selling merch out of a 10 foot by 10 foot tent. The crowd would push into it, start crushing into us. I had to get up on the table a couple times and say nobody was getting anything until everybody calmed down. There was a day in Camden, NJ — the site was too small for the crowd there — I had to stand on my table and wave down security because kids were moshing and throwing themselves inside our tent.

Watts:  There’d be signings all day. There was no barrier between the artists and the fans.

Ritter:  All-American Rejects, Fall Out Boy, and My Chem — we’d do signings all day, every day. You’d try to get through 400 people in two hours. It became a chore, literally sitting for 400 people that walked by you asking, “Hi, how are ya?”

Pierre:  I always liked hanging out, signing things, meeting the people that liked our music. That was my favorite thing I did, next to performing.

Watts:  I bought a Metro scooter —  basically a fake Vespa — for like $500. I would cruise around after shows to find hotel swimming pools and go swimming a bunch. Because the shower situation at Warped is sometimes less than ideal.

Brownlee:  I couldn’t get from stage to stage fast enough to see the bands I wanted to see. The bill was so stacked.

Ritter:  When you play Warped, you get thirty minutes. These were thirty-minute sets.

Watts:  There are no “set” set times. It’s sort of drawn from a lottery in the morning.

Nielsen:  How did our sets sound? Fucking terrible [ Laughs ]. Back then we were still figuring it out. Generally nobody really sounds that great at Warped Tour. It’s windy and hot.

Lyman:  We had a massive storm July 15 at Race City Motorsport Park in Calgary, Alberta. We had a lot of storms through the years, but that one was crazy. It looked like just clouds coming, but it was actually clouds of dust and wind. It blew tents 25 feet in the air. When it hit, the Transplants were onstage. I’ll never forget them playing while I was trying to hold all the tents down.

Barr: Transplants were on that tour. I spent a ton of time with my friend [Transplants vocalist] Skinhead Rob [Aston].

Nielsen: You had [Transplants drummer] Travis Barker walking around with his television show Meet the Barkers .

Barr: One day I was going over to see Skinhead Rob, and this guy from MTV was getting thrown out of their bus because he had asked Travis and Rob if they got dressed up in monkey suits for fun. Rob just lost his shit on the guy.

Lyman:  Billy Idol was trying to make a reconnection with fans, so they wanted him to play some Warped dates in between his own tour routing.

Nielsen:  Billy Idol! Billy Idol was fucking hilarious. He did not know what Warped Tour was. You never wanted to be playing near him because you had to deal with him starting late and his set going over 10 minutes. He didn’t give a shit.

Lyman:  You don’t start the stage next door until the other band is done. In Minnesota, it was a nightmare. My stage managers weren’t communicating and there was a meltdown onstage and they started both stages, so you had Billy Idol singing “Rebel Yell” and then Fall Out Boy singing something. It was merging into this mashup by my tour bus.

Nielsen:  He’d come out of the bus shirtless talking to himself like, “WHITE WEDDING!”, practicing his vocals. Billy Idol was fucking wild, just on another planet.

Barr:  I remember walking around thinking, who is this heavy, ferocious punk band playing? And I’m like, oh my god, it’s the Offspring. Now the Offspring are a great band but they’re not a ferocious punk band. But on the backdrop of all these pop-punk and emo bands…

Nielsen:  [Frontman]   Dexter [Holland] was flying in a plane from show to show. One time he took our tour manager: “Come fly to the next show!”

Lyman:  He didn’t know these bands but he’d invite them to go to the next city with him. If you were sitting here in Cincinnati and he would say, “Hey Kevin, I want to take so-and-so to Chicago with me. Can you put them on by 6 so we can be at the airport by 8?” He would fly the band, pick up a couple hotel rooms for them, and go party in the city.

Nielsen:  Rockstar shit was going on.

Lyman:  Then you had Avenged Sevenfold. You knew they were gonna be big because they were the first band that ever showed up on Warped Tour with a smoke machine.

Nielsen:  You’d look up in the sky and see a cloud of smoke and be like, “Avenged Sevenfold must be on!” Broad daylight, it looks like the stage is on fire.

Lyman:  Avenged Sevenfold always liked to gamble — dice and poker. The Offspring, too, but not Dexter. Cee-lo, I’m sure the Murphys were in the middle of that.

Barr:  I myself wasn’t, but our crew were big into poker. They’d play with Avenged Sevenfold almost every night.

Watts:  The first night of tour, I remember our drummer, Tom Gryskewicz cleaning up against… I think it was one of the Transplants dudes. Tom came back to the bus with money and we were all like, “What did you do?” I think he probably ended up losing it back to those dudes at some point.

Spencer Chamberlain, Underoath vocalist:  A band — who we won’t name — needed money. We let them borrow money and they all came back with new clothes and tattoos.

Aaron Gillespie, Underoath drummer-vocalist:  Oh my god, that’s right! They were struggling on the tour…

Chamberlain:  They were struggling with something else. But we can’t say, because people might know. They went to the Christian band, knowing we’d be giving.

Gillespie:  Did we give them a bunch of money or a little bit?

Chamberlain:  A bunch.

IV. “I’ve Got These Girl Bands, Can I Set Up?” 

Lyman:  Shira? My God. How do these people come into your life, you know?

Shira Yevin, Shiragirl vocalist; Shiragirl Stage founder and producer:  I was on the tour in 2003, working for the Truth campaign as an emcee. I noticed there were very few, if any, females onstage. I didn’t understand why. I lived in Brooklyn at the time, and was friends with all sorts of all-girl punk and hardcore bands. My band approached Kevin in 2004.

Lyman:  Shira just showed up with her stage. Just showed up. In Englishtown, NJ, with this pink truck: “I’ve got these girl bands, can I set up?”

Yevin:  He said, “Okay, great idea, maybe next year. It’s the tour’s tenth anniversary, we got a lot going on.” I said, “Next year?!”

Lyman:  She’s from New Jersey, so you know how progressive people from New Jersey won’t take no for an answer.

Yevin:  We ended up crashing the tour. I drove in with my pink RV and just set up — super scrappy punk rock. Kevin walked by and loved it: “Shira, this is great. So are you on for the whole tour now?”

Lyman:  Next thing you know, she’s hanging over by my bus, hitting me up about how she’s going to do the Shiragirl Stage in 2005.

Shiragirl Talks Hitting the Road For Final Warped Tour, Shares Punk Pop Anthem 'Summers Comin'…

Yevin:  2005 was the year we made it legit. His team helped us get sponsorships for the stage. MySpace was our media partner. We hand-painted their logo on our truck. We did the whole application process for the Shiragirl Stage through MySpace. In the 2005 music scene, MySpace was a big platform for how new artists came up. The Dollyrots played that year and were amazing. L7’s bassist Jennifer Finch had this side project called The Shocker — it was really cool to have them on Shiragirl. They repped old-school Warped.

Truscott:  We were a pretty strong bunch of babes, the other women on Warped Tour. We stuck together and the guys were really supportive of us. It was probably the opposite of what everybody would expect me to say — that it was really hard and that I had to really earn my stripes. But that wasn’t a big issue. They saw me work hard and we all respected each other. I remember there was a day some kid stole from me at My Chem’s merch table. A bunch of the other guys saw it and chased him down and brought him back to me.

Yevin:  We were not taken seriously. At first, especially. We showed up in this beat-up truck and there were bets against how long we would last. By the end, they respected us a lot more.

V. “I Know a Lot of Real Hard Motherfuckers”

Watts:  The cookouts were probably the highlight of Warped Tour. The sun goes down and it’s not 100 degrees anymore!

Pierre:  Everybody had to come to lunch and dinner, if you wanted to eat. It made me kind of nervous, like high school in a way. If I’m by myself, shit, where do I sit? I kind of know these people, but I kind of don’t. I heard that people thought I was a huge asshole because I didn’t talk to anyone, but I was too nervous.

Watts:  Justin was a little bit more introverted, but he was always incredibly welcoming to us. I remember Motion City Soundtrack hitting their stride that year.  Commit This to Memory  had just come out. They were one of the few indie-alternative, left-of-center-leaning bands. They came from a different world, but still hit all the boxes for a fan going to Warped Tour.

Pierre:  I bonded with Gerard over Coke Zero, which had just come out. I was in their bus for some reason: “Oh my god, you got Coke Zero?” If I’m drinking Coke Zero in ’05, I think I was sober then, because that’s when I basically went from alcohol to caffeine. I would drink four or five Monster Energy Drinks a day. It was really bad. I’d reward myself after playing a show with two Monster Energy Drinks [ Laughs ].

Watts:  This was before people were on their cell phones 24/7. So it was one of the last times in my life I remember just hanging out with a bunch of people and not having a phone, not being interrupted by anything like that. Just shared experiences, shared connections.

Senses Fail's Buddy Nielsen Fights to Survive a Chaotic Present & His Band's Toxic Past

Nielsen:  There used to be huge parties afterwards, sort of a teen movie set thing.

Ritter:  It was like  Grease  on the road. Everybody was looking for their Sandra Dee.

Nielsen:  There’d be 20,000 people at each show and afterwards, two or three thousand would wind up getting backstage. It was a different time. You weren’t as worried about five thousand people partying at the end of the night — epic bonfire parties with every band and also people that found a way to stay. If you stayed long enough, security left, so…

Ritter:  I was 20. I’m 34 now. So think I remember my M-O was, okay the show’s over, who’s gonna get me stoned?

? Lyman:  Warped kind of self-regulates on drugs and alcohol because it’s such a hard-working tour and you don’t know when you’re gonna play. I was out every night; if someone goes a little hard at a party, what’s the best cure for that? Put them on 11:30 the next morning. Be the first band up. That’ll cure people.

Gillespie:  We drank, but we weren’t like, partying hard.

Watts:  There was definitely drinking, but there weren’t a lot of drugs. We were never a drug band, so if there was, it didn’t hit our orbit.

Nielsen:  I was pretty much YOLO-ing every moment of every day. I was 21 running around smoking weed, drinking beer, hanging out.

Lyman:  During this period, there were maybe some pills going around Warped, but I don’t know.

Ritter:  It was all about the nomadic journey of the night. You’d bounce from bus to bus, picking up a beer, hitting on a girl, hitting on whoever you were hitting on.

Barr:  I’ll omit their name, but there was a band that got drunk and decided to disrespect Steve O’Sullivan, who was head of Warped Tour’s security at the time. We were in Phoenix, his wife was pregnant with their first kid, and he was riding in the car with her and this band was drunk and standing in the way. They asked him to move and got in his face, in his wife’s face. The next day I assembled a group of characters you’d look at and say, “I don’t want to fight one of these guys, let alone have one of them come into my tent.” I know a lot of real hard motherfuckers. [We confronted the band and] said, “So you’re the band that decided to disrespect Steve O’Sullivan and his pregnant wife? Shut your little tent down, you’re gonna find Steve, and you’re gonna throw yourself down at his knees and apologize to him. If we don’t hear you’ve done this in the next twenty minutes, we’re gonna be back.” Five minutes later, Steve pulls up on his golf cart like, “What did you do? They were so apologetic and so polite!”

Nielsen:  People would throw water. It was like, dude, it’s 90 degrees out — don’t throw it. Every day, you’re getting nailed with water being thrown from the crowd.

Lyman:  Buddy from Senses Fail, to be honest, was a shithead mostly. He hadn’t grown up yet.

Nielsen:  We were playing Phoenix and someone threw a fucking jug of water. I caught it by the handle and whipped it back into the crowd as hard as I could and literally watched it bee-line a hundred yards and slam this girl right in the face. This poor young girl, I think she was like 16 years old. I ended up knocking out one of her teeth, totally by accident. I wound up corresponding with her father and her afterwards. I remember we invited her to a show, gave her some merch and were really sorry.

Lyman:  Buddy was one of those kids that we knew we had redeeming qualities. So we kept working with Buddy. You don’t want to write him off, you know? Another member of Senses Fail [now ex-member] got taken behind the bus, because he wore a shirt that had the C-word on it. I know the Dropkick Murphys and the Transplants were involved. He got taken behind the bus and they said, “Look, you’re going to either get rid of that shirt because you see all the women running this, or you’re going to eat the shirt. If you ever wear it again you’re going to lose option one.”

VI. “This Was Paramore ’s First Tour”

Lyman:  We had [the traveling punk and hardcore tour] Taste of Chaos [in early 2005] and Livia Tortella [of Atlantic Records] goes, “Hey, Kevin you’ve got to check out this girl Hayley Williams and Paramore.”

Gillespie:  We were friends with Paramore. We met Hayley when she was 16 and [drummer] Zac [Farro] was 14. Hayley opened up acoustic for us on Taste of Chaos.

Lyman:  I put her on right before Killswitch Engage. She held her own. I was like, “Okay, we have to figure this out for Warped.” But I didn’t have anywhere to put them because I already booked the tour…  So I turned Shira on to her and she figured it out for the Shiragirl Stage.

Yevin:  The label flew me down to see the band in Orlando, and once I saw it, I got it. They were amazing — 16 years old! Hayley’s dad was the tour manager.

Lyman:  I remember the station wagon… Dad was still driving them around at that point.

Yevin:  This was Paramore’s first tour.

Chamberlain:  Paramore were like our little brothers. We hung out with them. They had similar viewpoints on life and we just got along with those kids. I think we all knew they were gonna be big.

Yevin:  They were actually signed to Atlantic, but their music was put out by Fueled By Ramen. So they had label support, but they were a new band. They were doing a lot of the Christian rock festivals. They came out on Warped right when their first album was coming out. The kids just loved it. The early crowds were huge.

Chamberlain:  Zac was like a little mini-Aaron. He would hit [the drums] so hard that the drum riser broke once.

Yevin:  Hayley was just one of the guys. That was sort of her thing. She wore the same t-shirt every day, the red and blue striped shirt  she wears in the “All We Know” video . She was very sweet, polite, very reserved. No makeup. Just came on, did her set, went back in the van, read her book. It was a little bit of a culture shock for us. We were these radical feminist punk rock riot grrrls. They were a very reserved band. They prayed before they went onstage. They kinda kept to themselves, but they killed it onstage.

Gillespie:  Hayley’s the real fucking deal. Deserves everything she’s got.

VII. “Sonny Moore’s Halo Name Was Skrillex”

Chamberlain:  ’05 was the first Warped Tour with [Tampa/L.A.-based post-hardcore band] From First to Last. We’d taken them on their first tour with [vocalist] Sonny Moore, so we were already buddies.

Nielsen:  This was when Wes Borland was in From First to Last. That blew my mind. Why the hell is a guy from Limp Bizkit here? I remember hanging out with Sonny and giving him a hard time, as a joke. And then he fucking turns into Skrillex [ Laughs ]. Ridiculous.

Chamberlain:  They used to come to our tour bus to play  Halo . Sonny Moore’s Halo name was Skrillex.

Gillespie:  He was having trouble with his voice back then.

Chamberlain:  He was such a sweetheart, and he had a lil’ personality on him, too. He would ask me, “How do you guys sing every night?”

Lyman:  The following year, he kind of changed to a kid named Skrillex. He came to Pomona, Cali. and played one of his first shows… Then I tried to book him that following summer and I think I could have got him for $1,500. I said, “He’s just sitting playing music on a computer, who the hell’s gonna care about this?” But I liked him a lot. Then by that next year, he was making $100,000 a gig or something.

VIII. “Equal Parts Relief and Sadness”

Ritter:  I think we played 19, 20 days in a row. By the end of it I wasn’t even talking. I was just giving sign language to people, clicks and whistles!

Truscott:  It ended in Boston: pouring rain, muddy, muggy New England summer day. Everybody was just done.

Pierre:  When it ended? Equal parts relief and sadness.

Yevin:  We were just grateful to have survived on our end. And we knew we were gonna do it the next year. There were bets against us saying we weren’t gonna make it. But we did. We got an MTV Warpie Award — “most punk rock way to win a place in the family.”

Lyman:  What were our profits that year? That year was seven figures.

Warped Tour 2018 Lineup: All Time Low, Simple Plan & 3OH!3 Return for Final Run

Watts:  The Starting Line toured with Fall Out Boy again in the fall, on the Nintendo Fusion Tour alongside Motion City Soundtrack, Boys Night Out, and Panic! At the Disco. I wonder what venues that tour would get if it happened in 2018; Panic! is bigger than they ever were. Same thing with Fall Out Boy. We’d be happy to be along for the ride. We’d play outdoors if we had to!

Chamberlain:  I think a lot of the younger bands now are kind of why Warped Tour’s ending. Warped Tour was a place where kids went to see bands they loved and discover new bands. Somehow over the last couple years it changed to bands on their first record with two busses, bodyguards, personal assistants. I think kids weren’t feeling as connected.

Gillespie:  It was so about discovery.

Chamberlain:  It got to be about how big of a rockstar you are.

Gillespie:  And that’s not why Kevin started it.

Lyman:  Relationships in this business were a lot different then. You could talk to someone and plan on working with them for a few years, you know? And they would understand that the first couple years, they weren’t helping you sell tickets. But hopefully that third year, they were actually helping to pull other bands like them along. A Day To Remember played one show in 2005, on the Ernie Ball battle of the Bands Stage. And then they fell into that same cycle, playing four more years… Now, that doesn’t exist in this world. Bands say, “Oh, we need Warped Tour to get to an audience” and then they decide to change their direction as a band.

Brownlee:  If you have been on Warped Tour as long as I have (and you’re as old as I am), it’s very difficult to have recall memory on specifics, including years. I wish I had the foresight to keep a journal for times like these… Our memories are a series of embellished half-truths. But in terms of the Vans Warped Tour, truth has always been stranger than fiction.

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How 23 Years of Warped Tour Changed America

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After almost a quarter of a century, and having showcased upwards of 1700 bands, Warped Tour as we know it will come to an end when summer 2018 does. For the most mainstream of Americans who never attended, the tour always looked like an outlier -- a noisy summertime day out for the same kids that shopped at Hot Topic, wore too much eyeliner, and learned HTML by editing their MySpace profiles. Truthfully though, Warped Tour's impact on mainstream pop culture was enormous.

Warped Tour started out scrappy. It was 1995, pop punk was just starting to explode out of the underground -- thanks to Green Day's major label debut, Dookie -- and founder Kevin Lyman , having spent three years working on the Lollapalooza tour, recognized a gap in the festival market. That first Warped was 25 dates -- a breeze for bands and crews who later got used to the jaunt going on for twice as long. No one could foresee back then just how big -- or long-running -- this juggernaut would become.

While Warped's biggest impact has been taking underground culture and smearing it across America in broad daylight every summer, what is so often forgotten is that this was also the venue used by the likes of Katy Perry and Eminem to launch their careers to wider audiences. It's where Sonny Moore started out (in a band named From First to Last ) before he metamorphosed into EDM megastar, Skrillex . It's where No Doubt spent their summer the year before they exploded on a global scale.

Dominic Davi , Oakland-based bassist of  Tsunami Bomb , has been attending Warped since 1995 and playing it since 2001. "It's so easy to forget now," he says, "but when it started, and for a long time into it, the bands Warped Tour was assembling did not get played on the radio. They were not featured on festival lineups. Kevin Lyman helped shine a light onto all these bands that were drawing various amounts on their own, but together could fill a festival. That took a lot of vision."

"In the end," Davi continues, "Warped launched all these careers and was directly responsible for the punk rock explosion that happened in the early 2000s. That's quite a feat."

Warped Tour, especially in its earliest years, acted this way, year upon year, launching artists out of obscurity and into the eyeline of the mainstream. Blink 182, a band that was long considered too crude and provocative for mainstream success, appeared on three out of the four Warpeds between 1996 and 1999. It's no coincidence that by 2000, they were one of the biggest bands in the country.

Not only did Warped change how punk rock was treated by mainstream music culture, it had an indelible impact on the lives of the thousands of people who lived and worked on the tour over the years, some of whom came back annually, without fail. Along the way, it also helped to further unify a nationwide community of punks, rebels, and renegades.

Dominic Davi compares spending a summer on the tour to "running away with the circus." Photographer Lisa Johnson , whose work documenting Warped Tour has been featured on the covers of several official compilations, as well as in the book, Misfit Summer Camp: 20 Years on the Road With Vans , elaborates: "Warped Tour is a place where seemingly anything is possible. Utopia. Hard work and happiness, plus some fun in the sun. There is just always something magic in the air."

The unique spirit of Warped is precisely why hundreds of people have stepped up, year after year, to work in unbearably high temperatures, notoriously dusty environs, facing parking lot after parking lot with few views of the outside world (unless you count the occasional midnight trip to Wal-Mart) for weeks on end.

It's difficult to fathom why anybody would want to spend an entire summer in those conditions -- until you actually do it. In 2006, I joined Warped Tour for five days to write a story for a British rock magazine. Somehow, five days turned into seven weeks. I skipped my flight home to sell merch for one of the bands I had met along the way, and had zero regrets about hitting 'pause' on the rest of my life to do so.

For thousands of us, Warped has always been that way -- once you get caught in its vortex, it's hard to extricate yourself from it. "It's this huge production," Davi says, "with so many moving parts. It's hard work. You are moving all day. I think you have to be a particular personality to love that life. I always did."

The video below that Lisa Johnson took at a backstage party in 2014, effectively sums up the hilarity, unified chaos, and good-natured anarchy of Warped Tour (and also why the nightly after-show barbecues have become the stuff of legend). Take into account that the people you see in this clip are the people working the tour -- crew members, band members, merch people, stage hands. Work days may be long and conditions may sometimes be hard, but on the best nights, this is what happens once the ticket-buying public leaves:

There's no doubting that in recent years Warped Tour has, to some degree at least, lost its niche, while also weathering some damaging storms. "In many ways," Davi notes, "I think when the bands on the tour became bands that the radio and MTV embraced, it became harder to preserve that core exclusivity and unique feeling that Warped Tour had. At first it made the tour bigger, but having to chase the trends and adapt to bands with more exposure, I think made it more difficult to make the tour a special experience. By trying to please everyone they had a harder time pleasing anyone."

The summer tour's time might be drawing to a close, but Warped promises to live on in other capacities: there will be some sort of 25th anniversary celebration, and the first Warped Rewind at Sea cruise just happened last month. More than that though, the tour leaves behind a legacy. It impacted a couple of generations of punk, emo and hardcore bands, as well as their fans. Warped brought a newfound acceptance of alternative culture to all corners of the country. It was a confidence builder for teens who felt alienated in their suburban high schools; it was a training camp for small bands, and a springboard for larger ones; and, for a long while there, it fundamentally changed the fabric of alternative music in America.

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Punk's not dead? How Vans Warped tour jumped the shark

The festival defined noughties pop-punk and united America’s outcasts – but as it shuts for ever, we ask: did it fail to champion diversity?

T he sun is blazing mercilessly in Columbia, Maryland, on a Sunday in July. It is not yet noon, and the nasal singer of a jet-black metalcore band is crying out: “Will you miss me when I’m gooone?” Already this weekend, I have seen hair-dye jobs in impossibly electric hues of bubblegum pink and highlighter-pen lime. I have seen ripped fishnets and Tim Burton mini-backpacks and earlobes stretched as big as the rims of drinking glasses. I have perused the wares of outfitters called Mall Goth Trash and Sad Boys Club. I can confirm that the campaigns to “Stay Positive and Hail Satan” and ensure that “Ska’s Not Dead!” have endured in some corners of America.

I am on my third consecutive day inside the misfit carnival that is Vans Warped tour, which, after 24 years, finished its final run as a national touring festival last week. While American festivals such as Lollapalooza have long retired their caravans and turned into annual fixed-site weekenders, Warped persevered as a roving punk-themed circus. The brand will probably continue with abbreviated tours, says Kevin Lyman, its founder. An exhibition about Warped’s history will open next year at the Rock and Roll Hall of Fame in Cleveland, Ohio. But it is the end of an era for the generation who invented “mall punk”.

Now 58, Lyman says he felt like an outcast as early as junior high. He was partial to British street punk, reggae and the Clash’s Sandinista! album. Socialising with the band geeks and theatre kids – “You got food thrown at you in school,” he says. “I was always the guy who said, ‘Let’s unite and throw food back.’” After several years working behind the scenes at Lollapalooza, Lyman founded Warped in 1995.

Warped made its name packaging the more brashly commercial strains of pop-punk, emo, hardcore and ska that peaked in the early- to mid-2000s, though the tour has also featured household names including Limp Bizkit and Eminem (and, early on, Katy Perry). It had no identified headliners: the schedule changed daily and was not announced until gates opened. To ensure you would see your favourite band, you simply had to arrive by 11. “No one did things the way I did, and no one has since,” says Lyman. “This was the last festival for the people.”

Lyman sought to “put punk rock in the sunshine”, to escape the violence of clubs, which he thought distracted from the genre’s radical message. But Warped ultimately became a shorthand for an easily digested candy-coated version of rebellion. The spirit of commodified dissent was exemplified by its name – sponsored by Vans shoe company, in a checkerboarded break from punk’s historically anti-capitalist ethic. Warped’s scale meant it dealt bands like gateway drugs, which plenty of young people need. My three days following the tour evoked a complete scene of maladjusted suburban youth: the car park, the mall, the skate park, the mosh pit.

In contrast to its diverse audiences, Warped’s lineups were shockingly male and white and, at times, the tour presented worrying streaks of conservatism – in Maryland, I saw a recruiting tent for the US Marines. Warped came under fire in 2015 for allowing a performance by Front Porch Step after he had been accused of sexual misconduct and preying on young fans. This prompted Paramore’s Hayley Williams, one of Warped tour’s most renowned alumni, to tweet: “What happened to our scene?”

Lyman says: “If I look back at Front Porch Step, probably I made a mistake. With hindsight, I probably wouldn’t have let it happen.” Lyman says he’s open to criticism, though he seems allergic to the way it plays out online. “Maybe that’s why I’m ending it,” he says. “We all used to be a community that figured things out. Now people prejudge so quickly on the internet.”

Only 7% of bands on this year’s touring lineup included women, such as Australia’s Tonight Alive and ska revivalists the Interrupters. The feminist rock band Potty Mouth (incidentally once managed by Warped veterans Good Charlotte) ended up on one Californian date after tweeting about gender disparity on the tour: “We wanted access to that fan base of young girls,” says bassist Ally Einbinder. “For us, it would be breaking into a whole new audience who might not hear of us otherwise.” Lyman mentions that the production crew of Warped tour has been heavily dominated by women, and reasoned that this year’s gender disparity was due in part to the fact that he curated the festival (he still chooses the bands) as “a nostalgia tour”.

Over the years, Warped formed alliances with bands such as Less Than Jake, a Floridian ska-punk troupe who first played the tour in 1996 and have remained fixtures since. The drummer, Vinnie Fiorello, reminisces about performing, in the scrappy early days, on a stage made of plywood and cinder blocks. “Warped was supposed to be a punk rock summer camp,” he says. Less Than Jake embodied that, instigating “maximum fun” and an air of weirdness: regular mayhem at a Less Than Jake Warped set might, for instance, find “a metalhead shooting a toilet-paper gun”.

“We were never, at any point, even remotely in the cool kids’ club of punk rock,” says Fiorello. “But Warped was a common denominator among punk bands, hardcore bands, screamo and metal, ska punk. You had to play Warped tour.” Fiorello, who also co-founded the influential pop-punk and emo label Fueled by Ramen , noted that Warped was a crucial marketing tool: “Warped tour would be a huge chunk of the launch for a record or label or band. It was in the Less Than Jake marketing plan in the 90s, for sure. The end of that truly means the shrinking of some ways to market what’s out there.”

Fellow ska-punk elders Reel Big Fish have also been enmeshed in Warped since 1997. Year after year, they built their audience on the tour, though trumpeter John Christianson was not shy about the price. “There’s a lot of anxiety,” he says. “There’s five bands playing at one time. Five bands playing at one time is cacophony, and that is not any fun for me.”

Chuck Comeau is the drummer of Montreal pop-punks Simple Plan: 11 Warpeds in total. “You had this cultural movement that was happening,” he says of the scene’s 2003 peak. “And Warped had the cultural currency. If you wanted to be part of this scene, if you wanted to be respected, if you wanted to reach the audience, it was a must.”

The music of Warped has not all aged well. In Maryland, surprise guests Good Charlotte led a workmanlike singalong to Girls and Boys, their arguably sexist 2002 single about teenage materialism. Speaking backstage, Buddy Nielsen of the New Jersey post-hardcore band Senses Fail (eight-time Warped veterans, who this year performed a medley of nu-metal covers) cited childhood trauma and a bad relationship with his mother as sources of the toxic masculinity in some of his earliest material. “I don’t necessarily celebrate those songs,” Nielsen says. “I wouldn’t encourage my daughter to listen to music like that.” His self-awareness reflects a broader cultural milieu that has recently been forced to reckon with its ingrained misogyny.

I was watching a formulaic pop-punk band in matching Hawaiian shirts play a side stage when I heard a woman’s demonic roar in the distance and ran towards it. “Where my fucking ladies at?” seethed Lauren Kashan, singer of Baltimore metalcore band Sharptooth. They played Clever Girl, the title track from their 2017 debut, which culminated with a mosh-summoning breakdown and an incendiary refrain: “Dead men tell no tales,” the crowd chanted. “Dead men talk no shit.” This jolt of radical feminism felt shocking in the context of Warped tour. “The world we live in is not a safe place for too many of us,” Kashan shouted from the stage. “So this needs to be.”

Sharptooth’s sets were thrillingly righteous. Kashan issued a call to arms or systemic indictment between every song, attacking street harassment, police brutality and US border policy. She drew attention to the fact that she would be the only woman performing on that stage all day and, before a song called Left for Dead, spoke bluntly about her experiences of sexual violence. “I’ve been raped multiple times,” Kashan told the crowd. “I don’t like talking about it, but if I’m the person with the mic and I can’t talk about my trauma, how is any other survivor supposed to ask for help?”

I watched a pink-haired girl in the eye of the pit scream along with Kashan: “I can’t be silent anymore!” “Sharptooth and [2017 Warped band] War on Woman make me feel so relieved about being into music in this scene,” says Niquey, 20. “Stuff like that needs to be talked about at places like Warped tour because it’s so hypermasculine.” Niquey has come to Warped every year since she was 12 – she had only seen Hannah Montana and Jonas Brothers in concert before that – and said she looked forward to it more than her birthday.

Some have welcomed the demise of Warped and the aggressively male-dominated culture it came to represent. But after witnessing Sharptooth’s set, it occurred to me that it would be a tragedy for Warped tour to simply end, not evolve, at a moment where powerful, wide-reaching platforms are increasingly rare in rock music of any kind. Potty Mouth’s Einbinder agrees: “There is so much potential to make some changes and evolve the whole culture of the festival,” she says. “But so much of that cultural shift would have to come from the top down.”

I felt optimistic watching Doll Skin, a band of women aged 18 to 21 who play pop-punk with riff-heavy nods to classic rock, and strive to be “as raw and feminine and powerful as we can”, according to singer Sydney Dolezal. They played an original song called Punch a Nazi and a cover of Fugazi’s Waiting Room, which stood out as strongly at Warped as the flower crowns in their circle pit.

Multiple times a day, Dolezal says, young girls approach Doll Skin to say they feel inspired by their set, sometimes crying. “If there’s anyone out there who feels like they can’t be in a band – they can,” she says. “It’s attainable. You don’t have to be a super shredder – you can just play guitar. You don’t have to be soloing on drums, you can just play a beat. You don’t have to be doing runs, you can just yell into a microphone.” It’s no stretch to say this was the most punk statement I heard at the 2018 Warped tour.

In Mansfield, Massachusetts, I meet 19-year-old Felice, who wants to see more bands resembling Doll Skin at Warped. “I wish we could see more intersectionality,” she says. “I wish I could hear more queer artists or artists of colour.” Her friend Felisha chimes in: “It’s a prime time to keep going if anything.” But after Doll Skin’s Long Island set, another new fan, Katie, 26, had a firmer suggestion: “Burn it to the ground and start something new.”

A pair of 23-year-old fans on Long Island, Neena and Gabrielle, tells me they had long fantasised about forming bands. Growing up, they were enthralled by fictional all-girl groups such as Josie and the Pussycats. Neena wonders whether she might have taken up drums had she seen more female instrumentalists.

“I’m such an emo kid. You feel like an outcast sometimes,” Gabrielle says. “But when you’re in this setting, you see there are thousands upon thousands of people who are just like you. It’s so comforting.” I mention how the huge number of outsiders does not quite register until you get here, and it makes you realise – Neena finishes my sentence – “how not alone you are”.

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Warped Tour: A Look Back in Photos in Honor of Its Last Hurrah

Last year, Warped Tour’s founder, Kevin Lyman, announced the end of an era: After nearly a quarter of a century, the monumental fest would make its “final, full cross-country run.” The news is now sinking in as a reality as the tour’s final date, August 5th, fast approaches. What’s been known as Vans Warped Tour since 1996 has equally officially been known as a place for aspiring alts trapped in the suburbs to flourish—one that just so happened to make history in the process. Warped Tour was not only a launching pad for Green Day, Katy Perry , Blink-182, and even Eminem; it was also a documentation of the birth of emo as we know it in the aughts, seen through its lineups’ shift from punk acts like Bad Religion, Rancid, the Casualties, NOFX, and Anti-Flag to bands like All Time Low, Simple Plan, Sum 41, Taking Back Sunday, the Used, and From First to Last—the latter of which featured one long-haired, screaming emo heartthrob Sonny Moore, now better known as Skrillex . In case you hadn’t noticed, pretty much all of the above feature almost exclusively white men—a lack of diversity that’s unfortunately continued into the 50-plus bands chosen to make up Warped Tour’s last hurrah. (Joan Jett is putting in her usual appearance, but Paramore’s flamed-hair Hayley Williams, essentially the only woman who managed to become a face of Warped Tour throughout its history, is noticeably missing from this year’s lineup.) Take a look back at that history, flaws and all, with the best photos of its glory days, including flashbacks to Perry’s guitar, Oli Sykes’s neck tats, Benji Madden’s snake bites, Jared Leto’s lipstick, Pete Wentz’s popped collar, Demi Lovato ‘s sweeping side bangs, and Jeffree Star’s infamous hot-pink mop, here.

Skrillex, when he was Sonny Moore of From First to Last, at the 2006 Vans Warped tour in San Francisco.

A pre-pop-fame Katy Perry performing at the 2008 Warped Tour in Carson, California.

Hayley Williams of Paramore, with her signature neon hair, performing at the 2011 Vans Warped Tour in Milwaukee, Wisconsin.

Chris Barker of Anti-Flag performing at the 2010 Vans Warped Tour in Wheatland, California.

Jared Leto of 30 Seconds to Mars performing at the 2006 Vans Warped Tour in Fitchburg, Massachusetts.

Simple Plan performing at the 2004 Vans Warped Tour in Bonner Springs, Kansas.

Before his makeup line became an empire, Jeffree Star, seen her at the 2011 Vans Warped Tour in Carson, California, was a Warped Tour regular.

Gerard Way of My Chemical Romance performing at the 2005 Vans Warped Tour in Columbus, Ohio.

Katy Perry performing at the 2009 15th Anniversary Vans Warped Tour in Los Angeles, California.

The Casualties performing at the 2006 Vans Warped Tour in Uniondale, New York.

Demi Lovato posing backstage at the 2010 Vans Warped Tour in Ventura, California.

Taylor Momsen of the Pretty Reckless (and more famously of Gossip Girl ) performing at the 2010 Vans Warped Tour in Marysville, California.

Taylor Momsen’s shoes during her performance at the 2010 Vans Warped Tour in Mountain View, California.

Bert McCracken of The Used performing at the 2002 Vans Warped Tour in San Francisco, California

Benji Madden of Good Charlotte performing at the 2004 10th Anniversary Vans Warped Tour in Boston, Massachusetts.

Katy Perry performing at the 2008 Vans Warped Tour in Carson, California.

Joe Trohman, Patrick Stump, Andy Hurley, and Pete Wentz of Fall Out Boy at the 2005 Vans Warped Tour in Columbus, Ohio.

Billy Idol performing at the 2005 Vans Warped Tour in Pomona, California.

Lars Frederiksen and Tim Armstrong of Rancid performing at the 2003 Vans Warped Tour in San Francisco, California.

Joan Jett performing at the 2006 Vans Warped Tour in Detroit, Michigan.

Travis Barker of The Transplants performing at the 2005 Vans Warped Tour in Randall’s Island, New York.

Oli Sykes of Bring Me the Horizon performing at the 2013 Vans Warped Tour in Ventura, California.

Jeffree Star at the 2013 Vans Warped Tour press conference and kick-off party in Los Angeles, California.

Andrew W.K. performing at the 2010 Vans Warped Tour in Mountain View, California.

William Beckett of The Academy Is… performing at the 2008 Vans Warped Tour in Englishtown, New Jersey.

Hayley Williams of Paramore performing at the 2011 Vans Warped Tour in San Diego, California.

Ice-T performing in a surprise appearance at the 2003 Vans Warped Tour in San Francisco, California.

Hayley Williams of Paramore performing at the 2008 Vans Warped Tour in San Antonio, Texas.

Katy Perry signing a fan’s cast at the 2008 Warped Tour in Ventura, California.

Joan Jett performing at the 2006 Vans Warped Tour in Atlanta, Georgia.

Bebe Rexha performing at the 2015 Vans Warped Tour in Ventura, California.

Riff Raff and bassist Andy Glass of We Came as Romans performing during the 2015 Vans Warped Tour in Ventura, California.

Tyson Ritter of the All-American Rejects performing at the 2010 Vans Warped Tour in Carson, California.

Katy Perry performing at the 2008 Vans Warped Tour in Ventura, Caliornia.

An Oral History of the Warped Tour

The hard-partying music festival holds its last Denver show this month.

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In August 1995, a traveling alt-rock music festival called the Warped Tour played at the University of Colorado’s Franklin Field in Boulder—the tour’s second show. Over the next 23 years, it helped launch the careers of big names like Eminem and Paramore, plus hundreds of less-famous talents. These days, the Warped Tour is best known as an epic musical carnival filled with nearly as much debauchery as music. Jon Shockness, of the Denver band Air Dubai, compares it to a never-ending summer block party set to ear-drum-damaging decibels. Unfortunately for the festival’s fans, the party is over: 2018 will be the Warped Tour’s final encore. In advance of its last Denver stop this month, we asked bands and promoters to recall the best, and worst, of Warped.

“Bill Bass was the promoter with [the late] Barry Fey. They were so busy with other shows they assigned an intern to run the Warped Tour. About an hour before, we realized they had no concessions. We bought two Weber barbecue grills and $1 sodas and hot dogs at the supermarket. Barry called and yelled at us because the show was a piece of crap and he lost money. All I could think was, We made $500 selling hot dogs.” – Kevin Lyman , Warped Tour founder

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“Warped Tour isn’t glamorous. Katy Perry’s going in a port-a-potty like everyone else. Toward the end of the tour, she had a number one song. She threw a crazy party in a hotel room in Portland. She was dragging us across the floor of a booze-stained hotel room. It was a rock ‘n’ roll moment.

When we did the whole tour for the first time [in 2008], we shared a bus with another band and two sponsors. This was in the emo era of music—off-center, straight, asymmetrical haircuts were in vogue. I could count the seconds until the bus was going to short out because the bands were flat-ironing their hair. The bus would just power down and go bzzzzsh. It was like clockwork.” – Nathaniel Motte of Boulder electronic duo 3OH!3, which played the entire tour three times

“Playing the show is 35 minutes of the day, and you’re there for 24 hours. My fun didn’t start till 5 or 6 at night. I got the word ‘f—’ tattooed on my back one year; I tattooed ‘f—’ on somebody else’s back.

We rode in inflatable rafts that went out into the crowd every day. Sometimes the rafts reached another stage. I’d have to grab a mic and run back to the [original] stage.” – David Schmitt of Breathe Carolina, a Denver-born EDM band that played the Warped Tour four times

“Some of [the Warped Tour’s stops] are isolated. One time, I did not want to use the port-a-potty, so I walked like five miles to find an office building in the middle of nowhere. Awesome tour. Horrible bathrooms.

Once the doors would close, the barbecue grills would light up. The parties were awesome.” – Jon Shockness , whose band Air Dubai played Warped in 2009 and 2014

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