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Cécile McLorin Salvant

CÉCILE MCLORIN SALVANT, is a composer, singer, and visual artist. The Late Jessye Norman described Salvant as “a unique voice supported by an intelligence and full-fledged musicality, which light up every note she sings.” Salvant has developed a passion for storytelling and finding the connections between vaudeville, blues, folk traditions from around the world, theater, jazz, and baroque music. Salvant is an eclectic curator, unearthing rarely recorded, forgotten songs with strong narratives, interesting power dynamics, unexpected twists, and humor. Salvant won the Thelonius Monk competition in 2010. She has received Grammy Awards for Best Jazz Vocal Album for three consecutive albums, “The Window,” “Dreams and Daggers,” and “For One To Love,” and was nominated for the award in 2014 for her album “WomanChild.” In 2020, Salvant received the MacArthur fellowship and the Doris Duke Artist Award. “Ghost Song” , Salvant’s debut for Nonesuch Records, was released in March 2022 to critical acclaim, and has gone on to receive two Grammy Nominations.

Salvant’s latest work,  Ogresse , is a musical fable in the form of a cantata that blends genres (folk, baroque, jazz, country). Salvant wrote the story, lyrics, and music. It is arranged by Darcy James Argue for a thirteen-piece orchestra of multi-instrumentalists. Ogresse, both a biomythography and an homage to the Erzulie (as painted by Gerard Fortune) a d Sara Baartman, explores fetishism, hunger, diaspora, cycles of appropriation, lies, othering, and ecology. It is in development to become an animated feature-length film, which Salvant will direct.

Cécile McLorin Salvant at The Met Cloisters

In July 2023 MetLiveArts welcomed three-time GRAMMY®-winning jazz vocalist Cécile McLorin Salvant for a digital-exclusive performance in the Unicorn Tapestries Room at The Met Cloisters. For Salvant, also a skilled textile artist, the tapestries have long been a source of inspiration. Much of her music relates vivid stories of mythical creatures—her acclaimed Ogresse , which tells of a fantastical, forest-dwelling monster-woman, premiered at The Met in 2018. Now, alongside several of her closest collaborators, Salvant creates a program that reimagines songs from her latest album, Mélusine , drawing on the beloved Unicorn Tapestries’ mythological grandeur and themes of corporeal and ethereal love.

Mélusine (releases Nov 1)

The European folkloric legend of Mélusine—a woman who becomes half-serpent each Saturday due to a childhood curse—forms the basis for Salvant’s album. Mélusine weds the young Raymondin on the condition that they never see each other on Saturdays, but at the urging of his brother, Raymondin betrays this promise. In this original song, Salvant, accompanied by a lone theorbo (a French baroque lute), tells of the sorrowful moment when the eponymous maiden sees her husband spying as she bathes nude.

D'un feu secret (releases Nov 8)

Salvant’s long relationship with Baroque music shines in this reinterpretation of an air de cour—the predominant secular vocal composition style of 17th-century France—by royal music master Michel Lambert (1610–1696). Like many airs de cour, “D’un feu secret” tells of love’s tender joys and fiery pains: “I could heal if I stopped loving altogether, but I like the disease more than the remedy.” Salvant is joined by two instruments that would have accompanied the air in its premiere: a theorbo (a type of French lute) and a harpsichord (featuring frequent collaborator Sullivan Fortner in his harpsichord debut).

Salvant’s upbeat “Dame Iseut” casts a twist on a work of 12th-century trobairitz (female troubadour) Almucs de Castelnau. Usually of noble lineage, trobairitzes were the first known female composers of Western secular music, often performing for noble courts in what is now the South of France. For “Dame Iseut,” Salvant sings the work’s original lyrics in Occitan—a once-dominant Romance language that today is severely endangered—as well as a new Haitian Creole translation fashioned by her father, the Haitian-born physician Alix Salvant.

Cécile McLorin Salvant appears courtesy of Nonesuch Records.

Recorded on Wednesday, July 5, 2023 in the Unicorn Tapestries Room (Gallery 17) at The Met Cloisters.

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Cécile McLorin Salvant

Acclaimed as a once-in-a-generation vocalist, Cécile McLorin Salvant is hailed for her “perfect intonation, elastic rhythm and an operatic range” ( The New Yorker ). Hear this Grammy winner and MacArthur Fellowship honoree in a beguiling concert of songs from jazz, Broadway and cabaret.

Cécile McLorin Salvant Cécile McLorin Salvant vocals Alexa Tarantino flute Sullivan Fortner piano Marvin Sewell guitar Yasushi Nakamura bass Keita Ogawa percussion

• Venue Symphony Center
• Length 1 hour 30 minutes
• Program Book Read more

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GRAMMY-Winning Vocalist

Cécile mclorin salvant quartet w/ sullivan fortner.

FEB 10-15 | Week of Love

Feb 10 - Feb 13, 2022

Miner auditorium.

PLEASE NOTE: This page is an archive of a past production Please visit our calendar for all upcoming SFJAZZ shows.

Original show description below.

Three-time GRAMMY Winner Cécile McLorin Salvant is the “finest jazz singer to emerge in the last decade” ( The New York Times ). She returns with her quartet to perform music from her forthcoming Nonesuch release, Ghost Song ,  featuring a diverse mix of seven originals and five interpretations on the themes of ghosts, nostalgia, and yearning. Salvant says, “It’s unlike anything I’ve done before—it’s getting closer to reflecting my personality as an eclectic curator. I’m embracing my weirdness!”

Possessing a deep, velvety voice, rhythmic poise, and a sublime feel for the blues, Salvant combines conservatory-honed technique with a beguiling gift for lyrical interpretation — a singular, inimitable talent that won her the 2010 Thelonious Monk International Vocals Competition and drew the attention of early collaborators Jacky Terrasson and Wynton Marsalis. Her 2013 American debut album, the GRAMMY-nominated WomanChild , was the first real opportunity for American audiences to hear why Salvant had become a European sensation, and since then, her profile has taken a meteoric course around the world. For these dates, she performs with a phenomenal new quartet including pianist Sullivan Fortner , who partnered with Salvant on the duo release The Window .

With a repertoire full of lesser-known jazz and blues gems and a sly gift for lyrical re-interpretation through her contemporary sensibility, Salvant brings theatrical intensity to every song she sings.

3-time GRAMMY-winning vocalist performs music from her forthcoming album 'Ghost Song', featuring a diverse mix of originals and interpretations on the themes of ghosts, nostalgia, and yearning.

CONCERT SPONSORS The Three Vernas 

If anyone can extend the lineage of the Big Three - Billie Holiday, Sarah Vaughan, and Ella Fitzgerald - it is this virtuoso...

The new york times.

Cécile McLorin Salvant vocals Sullivan Fortner piano Keita Ogawa percussion Alexa Tarantino flute, piccolo, alto flute

It seems safe to posit that Cécile McLorin Salvant is not only the most successful female jazz singer to emerge since the turn of the millennium but also the most dynamically skilled.

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Cécile McLorin Salvant

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Cécile McLorin Salvant

Cécile McLorin Salvant is quite simply “the finest jazz singer to emerge in the last decade.” A three-time Grammy® Award winner and recent MacArthur Fellow, this genre-defying, theatrical vocalist captivated a full house when she debuted on our stage back in 2021 and now, she returns on the heels of a brand-new album, Mélusine . With her velvety and “elusively beautiful voice” on full display, Salvant combines her conservatory-honed technique with a prismatic gift for lyrical storytelling in this must-see live performance. ( The New York Times )  Save up to 35% by including this performance in a subscription! » Learn more

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• Saturday, February 3 @ 8 PM

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Music | layoffs jolt bay area: golden gate fields, genentech, intel ax hundreds, music | cécile mclorin salvant brings her search for spirits to sfjazz .

Perhaps it’s her gargantuan talent, or a fervid childhood imagination fueled by fairytales and folk legends, but somewhere along the line Cécile McLorin Salvant acquired an abiding fascination with myths and monsters.

“The stories are vibrant and colorful,” the three-time Grammy Award-winning jazz vocalist and composer wrote in an email. “They are relevant and evocative. There are layers of meaning within them. I think we are all drawn to mythologies.”

The lure may be universal, but the 33-year-old Salvant’s gift for transforming shadowy archetypes into extraordinary music sets her in a rarified realm. She presents her latest conjuring at a four-concert SFJazz Center engagement May 5-7 that focuses on music from her new Nonesuch album “Mélusine.”

Based on a folkloric legend that circulated widely around Western Europe in the late Middle Ages, “Mélusine” tells the story of a maiden cursed as a child by her mother to turn into a half-serpent every Saturday. Reflecting the Miami-reared Salvant’s French and Haitian heritage, the project draws from a millennium of sources to weave a fantastical tale detailing Mélusine’s doomed marriage, which she consents to on the condition that her husband never see her on the shape-shifting day. The honeymoon doesn’t last long.

Salvant came across the story while “collecting female monsters,” she wrote, though she’s equally deft at creating her own larger-than-life narratives. Her jazz operetta “Ogresse,” inspired by Caribbean folklore, gothic fairytales and Salvant’s fecund subconscious, tells the racially charged story of a lovesick “chocolate brown” giantess and her ill-fated romances.

She wrote all the songs for “Ogresse” working with arranger/conductor Darcy James Argue to create an evening-length jazz-chamber piece. The production’s March 11, 2020, Bay Area premiere was hours away from showtime when SFJAZZ cancelled the concert due to the surging pandemic (yet to be rescheduled, it’s still officially listed as postponed).

“Mélusine” is a very different beast. The album features five Salvant originals and interpretations of nine songs, mostly sung in French along with English, Haitian Kreyol, and Occitan. Part of her alchemy stems from how she repurposes classic Francophone songs, like the opening track, “Est-ce ainsi que les hommes vivent?” (Is This How Men Live?), which was a signature piece for poet and musical provocateur Léo Ferré.

His version, which was also associated with Yves Montand, is a jaded existential reverie that mentions a lover named Lola. Salvant changes the name to Mélusine, which sets the album’s world weary mood. The song had been in her repertoire for years, but “when I was in the studio I thought it would be good to change the name so it could follow the story line,” she wrote.

Rather than presenting “Mélusine” as a set song cycle, she treats the material like moveable chapters in a larger conversation with iconic French figures, like Charles Trenet’s breezy invitation “La route enchantée” and “Il m’a vue nue,” a saucy confession made famous by Mistinguett. The album closes with two 12th century songs by female Occitan troubadours, though Salvant’s father translated the concluding piece, “Dame Iseut” into Haitian Creole.

While “Mélusine” is an emanation of her Gallic soul, she never sheds her jazz identity, changing up the music night by night, presenting “a mix of songs from not only this album but all my albums and things I haven’t recorded,” she wrote.

“It’s never very calculated. It depends on the night of the show, where we’re doing it, what energy the audience is bringing to the space.”

Her flexibility depends on her stellar band, which features Monterey Jazz Festival On Tour bassist Yasushi Nakamura, Ghanaian-born, East St. Louis-raised djembe master Weedie Braimah on percussion, and Oakland-reared drummer Savannah Harris, a rising star who’s also performing with Israeli bassist Or Bareket at San Francisco’s Black Cat May 11-13.

The key player is 36-year-old New Orleans pianist Sullivan Fortner, an accompanist hailed by his peers as one of the generation’s exceptional talents. He’s been an invaluable creative foil for Salvant over the past decade, including on her 2018 Grammy-winning duo album “The Window” and last year’s Grammy-nominated “Ghost Song.” She credits him with coming up with the synth textures on the 17th-century chorale “D’un feu secret,” which abruptly changes the course of “Mélusine’s” narrative.

“He also was a great sounding board for ideas when I was in the process of putting the album together,” Salvant wrote. “He is constantly surprising us musically.”

The Bay Area will have to wait a while before meeting Salvant’s most ambitious creation, “Ogresse,” but in the meantime Mélusine provides a fascinating look at her expanding musical menagerie.

Contact Andrew Gilbert at [email protected].

CECILE McLORIN SALVANT

When: 7:30 p.m. May 5-6, 3 and 7 p.m. May 7 (May 5 concert also live streams)

Where: Miner Auditorium at SFJAZZ Center, 201 Franklin St., San Francisco

Tickets: $40-$125, www.sfjazz.org

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GRAMMY-Winning Vocalist

Cécile mclorin salvant quintet.

MAY 5-7 | Cécile McLorin Salvant

May 05 - May 07, 2023

Miner auditorium.

PLEASE NOTE: This page is an archive of a past production Please visit our calendar for all upcoming SFJAZZ shows.

Original show description below.

Three-time GRAMMY Winner Cécile McLorin Salvant is the “finest jazz singer to emerge in the last decade” ( The New York Times ). She returns with her quintet featuring pianist Sullivan Fortner with music from her new album Mélusine , which features a mix of originals and interpretations of songs dating as far back as the 12th century, mostly sung in French along with Occitan, English, and Haitian Kreyòl. They tell the folk tale of Mélusine, a woman who turns into a half-snake each Saturday after a childhood curse by her mother. Jazzwise states, "It's a remarkable recording in several respects. Beautifully recorded, Salvant continues to confound and delight at every turn."

Possessing a deep, velvety voice, rhythmic poise, and a sublime feel for the blues, Salvant combines conservatory-honed technique with a beguiling gift for lyrical interpretation — a singular, inimitable talent that won her the 2010 Thelonious Monk International Vocals Competition and drew the attention of early collaborators Jacky Terrasson and Wynton Marsalis. Her 2013 American debut album, the GRAMMY-nominated WomanChild , was the first real opportunity for American audiences to hear why Salvant had become a European sensation, and since then, her profile has taken a meteoric course around the world. Never one to rest on past triumphs, Salvant brings music from her upcoming sophomore Nonesuch release and her superb band for this week of residency.

GRAMMY-winning vocalist performs music from her new album Mélusine , featuring a mix of originals and interpretations of songs dating as far back as the 12th century, mostly sung in French along with Occitan, English, and Haitian Kreyòl.

PRESS › Cécile McLorin Salvant brings her search for spirits to SFJAZZ ( Mercury News )

CONCERT SPONSORS Lewis E. Byrd

CONCERT UNDERWRITERS Marymor Family Fund

Anyone who thinks they already know the full extent of Cécile McLorin Salvant's artistry should listen to 'Mélusine' without further delay. It's a remarkable recording in several respects. Beautifully recorded, Salvant continues to confound and delight at every turn.

Cécile McLorin Salvant vocals Sullivan Fortner piano Savannah Harris drums Weedie Braimah percussion Yasushi Nakamura bass

She has poise, elegance, soul, humor, sensuality, power, virtuosity, range, insight, intelligence, depth and grace.

Wynton marsalis on cécile mclorin salvant, watch & listen.

Cécile McLorin Salvant

Mélusine

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Cécile McLorin Salvant

Acclaimed jazz vocalist Cécile McLorin Salvant is a composer, singer, and visual artist. Three-time GRAMMY® winner for “Best Jazz Vocal Album,” Salvant has a deep passion for storytelling and finding the connections between music spanning genres and decades. An eclectic curator, Salvant unearths rarely recorded songs with strong narratives, interesting power dynamics, unexpected twists, and humor.  

Described by the late Jessye Norman as a “ unique voice supported by an intelligence and full-fledged musicality, which light up every note she sings,” Salvant is a must-see artist. In 2020 she received the MacArthur Fellowship and the Doris Duke Artist Award, two of the most coveted recognitions in art.  

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January 27 @ 7:30 pm, accessibility.

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929 N Water St. Milwaukee, WI 53202 (414) 273-7206 [email protected] Phone Line: Mon-Fri / 10 am-4 pm Ticketing Windows: Mon-Fri / Noon-4 pm We’re also open one hour prior to most performances.

Cécile McLorin Salvant

A ums favorite since her 2017 debut, cécile mclorin salvant continues to defy expectations with her genre-obliterating virtuosity..

DOWNLOAD THE PROGRAM BOOK (438K PDF)

The singer, composer, and visual artist has a passion for storytelling and finding the connections between blues, folk traditions from around the world, theater, jazz, and Baroque music. She is an eclectic curator who unearths rarely recorded, forgotten songs with interesting power dynamics and unexpected twists; a composer of new songs; and a visual artist who works in the medium of textile drawings. Each of her past three recordings has won the Grammy for Best Jazz Vocal Album, and in 2020 she was named a MacArthur fellow. The New York Times called Ghost Song , released in March 2022 “her most revealing and rewarding album yet.”

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Cécile McLorin Salvant , vocals Sullivan Fortner , piano Marvin Sewell , guitars Alexa Tarantino , flutes Emma Dayhuff , bass Keita Ogawa , drums and percussion

825 North University Avenue Ann Arbor, MI 48109

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Age recommendation, part of the following series, you may also like, aaron diehl trio: mirrors, maria schneider orchestra.

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Cecile McLorin Salvant

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January 19, 2024.

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MacArthur Fellow and three-time GRAMMY winner Cécile McLorin Salvant has a gift for storytelling and curating layered, evocative programs that draw connections between vaudeville, blues, international folk traditions, theater, jazz, and classical music, delivering it all with her powerfully swinging voice. Join Arizona Arts Live and the Tucson Jazz Festival as we welcome Cécile McLorin Salvant center stage in Centennial Hall .

The Late Jessye Norman described Cécile McLorin Salvant as “a unique voice supported by an intelligence and full-fledged musicality, which light up every note she sings.” She has developed a passion for storytelling and finding the connections between vaudeville, blues, folk traditions from around the world, theater, jazz, and baroque music. Salvant is an eclectic curator, unearthing rarely recorded, forgotten songs with strong narratives, interesting power dynamics, unexpected twists, and humor.

Since winning the Thelonius Monk competition in 2010, Salvant has received GRAMMY Awards for Best Jazz Vocal Album for three consecutive albums, “The Window,” “Dreams and Daggers,” and “For One To Love,” and was nominated for the award in 2014 for her album “WomanChild.” In 2020 she received the MacArthur Fellowship and the Doris Duke Artist Award. “Ghost Song,” Salvant’s debut for Nonesuch Records, was released in March 2022 to critical acclaim and has gone on to receive two GRAMMY Nominations.

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