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Alison Sudol

"still come the night" out sept 30.

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Alison Sudol

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Saw her in St. Louis at a small venue with less than 100 people. An absolute Angel with a beautiful voice! It had been a dream of mine to see her for years and I finally was able. I hope she comes back soon!

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She is absolutely incredible! Voice and personality of an angel. She put on such an amazing show, will definitely go see her every time she comes through. She’s the most adorable person in the world. 6/5

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Alison Sudol

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Alison Sudol

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• Queenie Goldstein

• Soundtrack (as A Fine Frenzy, "Now Is The Start")

• Tara Huffman

• Queenie Goldstein (voice, uncredited)

• Emma Wilson
• 10 episodes

• Singer (as Alison Monro)

Personal details

• A Fine Fenzy
• 5′ 6″ (1.68 m)
• December 23 , 1984
• Seattle, Washington, USA
• Parents John Sudol

Did you know

• Trivia Alison Sudol is an alternative singer-songwriter and actress. Known as A Fine Frenzy, her first album "One Cell in the Sea" was released in 2007. Her second album, "Bomb in a Birdcage" was released in 2009. Her third album "Pines" was released to global critical acclaim in October 2012. Alison is a Goodwill Ambassador for the International Union for Conservation of Nature (IUCN) and lives in Los Angeles.
• Quotes I found music a very non-feminine place to be in, so embracing this level of femininity has been a really interesting challenge for me. It really was difficult for me to go, "Okay, I can be soft and feminine and strong and take care of myself and not lessen myself." I've enjoyed that quite a bit, I've enjoyed wearing heels and a dress every day and having these lovely curls and soft fabrics.
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Alison Sudol ('Fantastic Beasts') Releases New Album 'Still Come The Night'

The album was released via Kartel Music Group.

London-based, American singer-songwriter and actress Alison Sudol releases her autobiographical new album Still Come The Night via Kartel Music Group. Formerly known under the moniker A Fine Frenzy, this intimate album is an impassioned effort that signals the welcome return of a unique artist, a powerful voice armed with candid lyrics and authentic musicianship.

Written and co-produced by Alison with London-based multi-instrumentalist, producer and composer Chris Hyson - half of adventurous collective Snowpoet - Still Come The Night owns its intimate sound to the backdrop at Giant Wafer studios, situated in an area of outstanding natural beauty, nestled between sheep fields in the Welsh countryside.

Chris recruited Welsh twin brothers Lloyd and Alex Haines on drums and guitar and engineer Alex Killpatrick to join them at Wafer. There they worked together from morning until midnight, writing song after song, creating a hushed intimacy and sense of space among, even, the many layers of songs with their subtle harmonies and intricate instrumentation.

While making the core of the album (those four songs were written by Alison while isolating at her friend's farm with her partner), she just found out she was pregnant when the world suddenly stopped, filming on Fantastic Beasts - the movie franchise in which Alison stars as Queenie Goldstein - had been indefinitely suspended, the tour with Goldfrapp postponed, and for some reason she couldn't taste or smell anything. The mood in London was strange, tense. No one knew how long this thing would last, and the risk for pregnant women. There, without any wifi, set with the changing seasons and the quiet solitude of their borrowed cottage as the backdrop, the first songs of her intimate and introspective yet powerful, poetic record came quickly and quietly. London went into lockdown. Days later, they lost the baby.

When Alison began writing Still Come the Night, she knew that she wanted to make an album to process the different stages of grief that she and her partner experienced with the loss of their first baby in pregnancy. This new album spans the emotions of Alison's journey, from the exhilaration of early love into the tightrope walk of excitement and uncertainty of pregnancy and ultimately through the complex and mysterious landscape of grief. "I needed this music," shares Alison. "It helped me get through the hardest period of my life without running away from it."

Still Come The Night follows the release of the deeply personal single "Peaches," the poetic cut "Meteor Shower" - released alongside the compelling video premiered by Hunger and directed by Alison's close collaborator and Creative Director Federico Nessi, who is also responsible for the album's art direction. The carefully curated ten-track album also includes the upcoming playful single "Playground," the bucolic "Wasteland," the intimate "Mary of the Willows," which was inspired by one of Alison's favorite poets Mary Oliver and is one of the first songs she wrote for the album.

The title track "Still Come the Night" weaves imagery from the budding world outside with the barren one within, while "Come On Baby," which Alison had written not long after leaving the farm, carries the melancholic atmosphere of those contemplative days. She says: "'Meteor Shower' serves as the book ending to the equally hypnotic opener, 'Bone Tired.' It's the moment of space between one chapter ending and a new one beginning - a moment of uncertainty, the unknown... of possibility. The record begins with exhaustion and ends the same way, but with light pouring in."

Still Come The Night is an album for anyone who has gone through loss to listen to and connect with. Alison taps into the weight of collective grief that we have all experienced over the last two and a half years: isolation, fear, sadness, illness, loss and powerlessness. In the ensuing rush to resume normal life, without enough opportunity for processing it all, it's more important than ever to take the time to sit, listen and feel. "It was important for me to make a record that someone actively grieving could listen to," Alison continues. "I wanted to hold space for emotion, not impress my experience upon someone else. I wanted to hold the listener close to me and sing to them, to be balm rather than purely confrontational."

Now based in London, Alison Sudol is an American singer-songwriter, musician, actress and video director. Having released three critically acclaimed albums under the name A Fine Frenzy during which she toured with Rufus Wainwright and opened for The Stooges at SXSW. Making her comeback to music as Alison Sudol in 2018 she released two EPs, Moon and its follow-up, Moonlite both co-produced with Yard Act and Gruff Rhys' producer Ali Chant, and featuring Portishead's Clive Deamer and Adrian Utley and John Parish. Her acting credits include the Fantastic Beasts And Where To Find Them franchise and the critically acclaimed TV series Transparent and Dig.

Listen to the new album here:

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Shades of Grief: Alison Sudol on the Inspirations Behind New Album ‘Still Come the Night’ & the Importance of Making Space for Loss

Atwood Magazine sits down with artist and actor Alison Sudol to talk about the inspiration behind her new album ‘Still Come the Night’ and the importance of making space for grief.

Stream: ‘still come the night’ – alison sudol.

W hen I met Alison Sudol back in September, she was gearing up to release her album Still Come the Night (September 30, 2022 via Kartel Music Group). It is now October and reading back through our conversation I am struck by how present the grief still is as well as Sudol’s ability to recall moments in the studio when she was making the record. Sudol’s recollections along with the music itself still feels fresh.

In case you don’t know or didn’t make the connection like I didn’t, Sudol released three critically acclaimed albums under the moniker A Fine Frenzy . She is also known as the character Queenie Goldstein from the Harry Potter prequels.

On Valentine’s Day 2020, Sudol and her partner fled London an isolated cottage on a farm. Still Come the Night was inspired by intense grief Sudol and her partner experienced not long after making the cottage their temporary home, when they miscarried their first child in the early days of the pandemic. Listening to the music and the lyrics, you can’t help but feel the wildness of Sudol’s environment and inner world. There is softness in the music too. When one thinks of or remembers grief and loss, we usually remember the pain and the unstoppable rawness, but there is also the softness in the undoing and vulnerability that grief takes but also gives to us.

Sudol continued in this vibe by choosing to record Still Come the Night in Giant Wafer studios, a small studio space in Llanbadarn Fynydd in Wales. You only need to look at Google Images to see how beautiful, picturesque and seemingly unspoilt Llanbadarn Fynydd is. The album was recorded over four days alongside another record that Sudol was finishing. “So four days to make a record, having never really worked together before. Seemed reasonable enough…” Sudol laughs.

Sudol’s debut album under her own name was produced by Chris Hyson, of the band Snowpoet and engineered by Alex Killpatrick. Dive deeper into  Still Come the Night in our interview below.

:: stream/purchase Alison Sudol here ::

Watch: “meteor shower” – alison sudol.

A CONVERSATION WITH ALISON SUDOL

Alison Sudol : Yeah. I’m glad that you picked up on that because that’s something that I think is really important to discuss and that isn’t, like you said, it isn’t something that gets a lot of attention.

When we went through this, it was very clear that everybody’s attention goes to the woman and obviously I went through the physical grief and also the intense emotional grief that’s tied in with that, let alone the hopes and dreams and everything that just changes in an instant. But he also lost and also went through something really traumatic and intense and was there with me through the entire thing and also felt pretty powerless in it all.

Every aspect of pregnancy, whether you miscarry or you go through full pregnancy and into parenthood, it teaches you that you are not in control. And to be the person who has even less control than the person who’s carrying the baby, it is really hard and men aren’t offered space to talk about it or to grieve. People focus on us and that was hard to witness and so I really did want to include him in every part of this record because he was so knitted into every aspect of this story with me.

Alison Sudol : Oh, yeah. He’s in the whole album. He’s in every line because he’s just a really invested partner and like you said it, we were in lockdown, so it was particularly us, but that’s also our relationship. He’s my best friend and he’s just an incredible person. Going back to what you were talking about how the ‘Still Come the Night’ is not just really, it’s not just applicable to this grief. Something that he said, and I also experienced is that… because what happened to us, is so common but it shook us. I don’t think we were prepared for how much it would affect us, because you just can’t really know how you’re going to react to something until it happens. And what we particularly weren’t prepared for was that the insistency… Is that a word Insistency? How insistent, the grief cracked open parts of us that had been holding other grief and it was like the flood gates opened and because we sort of got… I don’t know, it was like a car crash, it was… We just were like totaled. And everything came out. And that’s a terrible analogy, please don’t say car crash, it was was a… I don’t know what the word would be. It was like a…

Alison Sudol : Yeah, yeah.

Alison Sudol : Yeah and things that you are like, “I don’t need it, I don’t feel that. Yeah, done!” It just came out. So we found ourselves grieving a lot. And for me, in particular, the physicality of the grief lasted a much longer time than other types of grieving because… It’s not that the physicality of other grief, like losing people that I loved was less strong, but this was hormonal so it just kind of kept pushing things out as opposed to… In the past, when I lost somebody, I would cry a bit and then just shut it off.

Alison Sudol : Oh god, yeah. I mean it’s so many things, but also what I’ve learned from this as well is that your body is so wise and every single aspect of it was a lesson for me because I was safe to experience it as such, and I was guided through with some really amazingly wise women who are around me. I was able to sit with what was coming up from each stage, so I can’t imagine if you had a loss like this and you had to go to work the next day in an environment where it wasn’t safe to freely emote, how you would maybe not have a chance to experience all of that, and I really… I feel so much compassion and heartache for women that go through this, and men as well, who go through that, because I was able to be a mess for quite a long time. It was not fun to be around, I think, and it was really tough to be in. But recording this album, I was laughing having the best time of my life, half of it, and then just in pieces, the rest just snot and tears at all times.

Alison Sudol : My experience with the band is that we didn’t know each other well, except Chris who produced the record. He is one of my partner’s best friends and their energy is kind of similar, and they’re just kind people and gentle. They just kinda sat there and let me go through what I needed to go through without making me feel embarrassed or awkward about it. They were deeply respectful of the story and the music, and I just felt really safe. I think what it comes down to ultimately is, are you with people that are gentle and going to hold space. I actually kind of needed, it’s hard to explain, but I needed a little bit of space.

Alison Sudol : Yeah, I think that when you can’t talk about something like what you’re saying, it’s very difficult for it to fully heal. And I was able to explore so many colors of what I went through and be creative within it and sit with it, and every aspect of it was part of the processing. It’s not like it doesn’t still hold emotion for me because it just, it, I think it always will, but I feel like that being that it was with us for a short period of time, opened up just a tremendous amount of learning and creativity and yeah, I do feel different.

I had struggled for years with trying to work out my identity as an artist and I had gotten in the way of so much creativity. I’d gone back and forth on what I wanted to say and there’s just a lot of hesitation around what I made for our such a long time. And this just emerged and I was like, that’s what it’s meant to be. [ chuckle ] It was bigger than me. And that’s changed the course. The course of my creativity.

Alison Sudol : “Still Come the Night.” For the record, there’s a song which is a bonus track called “Hand on my Heart,” which will come out a bit later. That was written actually the day, prior to the loss, and then just after. “Still Come the Night” was the first song that was the bedrock of the album. I nearly didn’t include it though because it was just so painful.

Alison Sudol : That’s the hope, isn’t it?

Alison Sudol : Yeah, definitely changed shape. I could feel something was wrong, but I thought I was just being an anxious pregnant person. I wanted to sing to this baby to be sort of in communication with them and talk about just how excited I was to meet them. And then obviously that changed to this being more out of reach than I had known. Yeah. So that shifted a lot. But it’s a very sweet song.

Alison Sudol : It goes no matter what. It just will go.

Alison Sudol : Yeah, that’s funny yes definitely. I’m definitely influenced by my surroundings and by whom I’m recording with and the instrumentation that I lean towards is definitely different than when I make music in the US. And it kind of ebbs and flows. I’ve made music primarily here for the last seven years but I did have a band in America and even the way that they played music that was recorded here felt very different.

It’s fun to experience music differently. It is always complicated to take something, record it and then translate it live because it’s always going be an adjustment no matter what you do. Also, when I’m in California, like I’m influenced by the landscape, and if I’m in New York, I’m influenced by the city, so the change isn’t just determined by country but by environment.

Everything is nicer when you’re near me Everything goes quiet when you go Kiss me in the eye, I want you dearly When you pull my hair, I want you more

All the windows open and your legs around me we were one time strangers, now we’re trying to make a baby oh my heart’s over-pumping and your mouth is an ambulance oh i can’t stop laughing, i don’t know if i can stand it cuz i like you so well.

Alison Sudol : A long time ago, not a long time ago – I have a horrendously weird relationship with time. A long time ago can be two years or like 20 years ago. It’s not a very long time but I met this really lovely human being, his name’s Federico Nessi , and he and I bonded over just doing some little social media videos together, but there was always that connection there.

We made a video for Miu Miu together with M. Blash and it was sort of a music video , and from then on he was always just saying really kind things about the music and posting things on Instagram that he was listening to it. He posted something about a song called “The Runner”, which I released a few years ago, and I said, “Do you wanna hear something new?” and I sent him the record and he fell in love with it.

He had just gone freelance and was looking for some projects to feed his soul. He just started sending me imagery and I, in the past have been pretty controlling about the imagery of my records, but with this I really didn’t know where to begin and it was just this beautiful gift that he came into my world because then when he would send images. There were some that were really resonated and others that didn’t resonate, so I was able to talk to him about it and those conversations really clarified the type of visual metaphors that would be aligned with the album.

He pulled some references and there were definitely some with a veil and then when we went to go shoot some photos, there were just supposed to be some promo photos, we weren’t intending on doing the album cover. We had a dress from Bora Axsu that they had lent me and it had a beautiful lace overlay and we just took it and then that hand is, is my partner’s hand on my face. He’s got really beautiful, sensitive hands and I didn’t really think about it very much because I couldn’t. It felt powerful, but also you’re like in a photo shoot so you don’t really know how something is going come out. And when it came back it was just so… it just popped off the page and it was very clear that that had to be the album cover.

Alison Sudol : He’s there.

Alison Sudol : There’s definitely that feeling. I mean this experience was… It had so many different kinds of connections and it definitely brought up a sense of connection to women for as long as women have had children, which is like forever and that was something that was important to me and to Fede and I in, is having some kind of sense of history. And I think that kind of religious iconography can invoke something old.

Alison Sudol : Oh God, yeah. I mean I now have a child. We’ve had had a baby and I think that… to have a child is a really big thing to do. Having a child is something that requires a lot of you. And I think that if you don’t want a child, then that is your right to. It’s your body and whatever you decide, it’s never going to be an easy decision. It’s never, ever, going to be something that somebody wants to do or would take lightly. I don’t think so. But to not have that agency within your own body to have the state dictate what you can and can’t do, I think is really scary because it’s like, ‘what else are you going to try and control?’

My fear is that there’s going to be so many young people who end up in dangerous situations because they can’t access safe options. And it’s just, obviously it’s a very complex matter. But I’m so glad that I am here where there’s not these barriers and it’s not really something that affects me. I just worry about all of the lives that it will affect. And people who are in poverty, people who are in dangerous circumstances, people who just can’t… When you have a kid, I think your heart just gets ripped open and you feel so much more than you used to. And I do, I worry about it. I lie awake at night worrying about the US and what’s going happen.

Alison Sudol : Well, and also what impact is that going to have on the child? Like it’s cruel. It’s such a joy. It’s such a gift to be a parent. love it so much. I’m so happy. It’s changed my life in the most miraculous of ways, but it, I wanted that and I had a choice.

Alison Sudol : Oh yeah. I have a far wider and more interesting landscape to work from now in the interior. And I also just have way less time for bullshit. [ laughter ]

I have zero fucks to give and the amount of self-sabotage and time I’ve wasted getting in my own way and not making things, not creating, just being stuck in this horrible self-pitying broth of too much time… It was very bad for my creativity and now I’m just, I’m so motivated. Because also as a parent, you’re like, there’s so much time that goes into the really mundane aspects of living. So then when I have time I’m like, ‘Oh, I’ve got to make things.’ I’ve got to access that other side of myself so I don’t go absolutely insane. It’s not the parenting my child part, but all the other bullshit that goes around it. And I also want to work, it’s important.

I have found that I’m much more pliable and much less rigid or defined and… Your ego gets handed to you when you have a kid, but I think it’s important to model doing what you love to your kid. Also, when I’m not being creative, I’m just not as present and I’m not as interested in the little things. And I don’t think that’s good and healthy. I’d rather be there a little bit less and be really there when I’m there.

Alison Sudol : Well, I wrote the record to help myself through all of the complex emotions that I couldn’t really name or identify beforehand. I wrote it for me, but as I was writing it and as we were recording it, I started to kind of expand my view into how others might potentially benefit from it. My hope is that it’s a record, like you said, that can change with you over time, and take you on a journey and keep you company if you’re having a hard time, and to kind of help offer maybe some different perspectives or if nothing less just a sonic landscape that’s soothing to you listening to it. That’s what I hope, that you finish listening to it a little bit closer to yourself than you began.

Alison Sudol : Thank you.

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