canon mirrorless travel camera

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6 Best Mirrorless Cameras for Travel in 2024

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Whether you’re a roving reporter or a sun-seeker, the best mirrorless camera for travel helps you capture memorable images on the go.

It’s best if you have a camera that’s compact, lightweight, and easy to carry. But you don’t want to compromise on photo or video performance. That’s why the best travel cameras are portable and powerful!

The Nikon Z50 is our choice as the best mirrorless camera for travel. It’s a compact APS-C mirrorless camera with excellent features for photography and videography. It’s beginner-friendly yet high-performance. And you can select the best travel glass from Nikon’s Z-range of lenses.

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What Is the Best Mirrorless Camera for Travel?

The best mirrorless camera for travel should be portable but still produce eye-catching media. This is why the Nikon Z50 , Canon EOS R8 , and Fujifilm X100V are our top three recommendations.

Traveling is always a huge source of inspiration. And to capture the wondrous sights in all their glory, you need a reliable camera. For this reason, mirrorless cameras are perfect travel companions.

They are lighter and more compact than DSLR cameras. And they have more well-rounded features. As we’ll see in our list, many mirrorless models are complete hybrid cameras . This means they produce high-quality photographs and videos.

You also have a wider selection of mirrorless cameras available than DSLRs. Manufacturers are going full steam ahead with their mirrorless lines while phasing out DSLRs . Now’s the time to invest in a mirrorless travel camera!

Here’s a quick rundown of all the best cameras for travel with some pro points. We look at each camera in more detail in the section after. And we have an FAQ section at the end if you need more information about travel cameras and gear .

• High-quality images with 20.9 MP sensor
• Compact and lightweight, perfect for travel
• Excellent low-light performance with high ISO
• "Selfie" flip-down LCD touchscreen for vlogging
• Ease of sharing with built-in Wi-Fi and Bluetooth
• Exceptional 24.2 MP full-frame sensor
• Compact design with advanced functionality
• Versatile 24–50mm zoom lens option
• Built-in OLED EVF, vari-angle LCD touchscreen
• Outstanding 4K recording with oversampled 6K
• 26.1 MP sensor for superior image quality
• Advanced Hybrid Viewfinder to capture the perfect shot
• Tilting LCD touchscreen for intuitive controls, framing
• Weather-sealing option for tough conditions
• Stunning 4K video and super slow-motion footage

• 4K/60p 6K oversampled recording
• Pack a powerful 26 MP APS-C sensor
• Superior image quality with BIONZ XR processing
• AI and Real-Rime Recognition for precision tracking
• Lightweight, perfect for creative adventures

• High-quality images with 20 MP 4/3 Live MOS sensor
• Compact, lightweight for easy portability
• Provides 1,053 high-precision focus points
• Advanced high-res, ND, focus-stacking, HDR features
• Dustproof, splashproof, freezeproof

• Incredible 40 MP X-Trans 5 HR sensor
• Pixel-Shift Multi-Shot mode for 160 MP files
• Fast, action-freezing shutter speeds up to 1/180,000 s
• 7-stop in-body image stabilization
• Records up to 6.2K in 4:2:2 10-bit color internally

6 Best Mirrorless Cameras for Travel

Now, we look at all the best mirrorless cameras for travel in more detail. We’ve included a wide range of mirrorless cameras  so everyone can find the best camera for them.

We have beginner-friendly APS-C cameras and full-frame models for more experienced travelers. It’s a short but optimized list of the best cameras for travel.

1. Nikon Z50

The Nikon Z50 takes the top spot as the best mirrorless camera for travel. It won’t be the right camera for every travel photographer. But its beginner-friendly design and feature set give it broad appeal. Even the most cynical users will be impressed by its results.

Its lightweight and compact body make it an easy fit for any travel camera backpack . Its decent level of environmental sealing protects the camera in dry or humid conditions. And it can even withstand light rain showers.

Nikon’s DX-format (APS-C) sensor produces lovely 20.9 MP images. While that resolution isn’t record-breaking, the image quality is fantastic. The images are bright and vibrant. And you get a low level of digital noise when working at higher ISO settings.

You can also enhance your travel photos on the go using the in-camera effects and filters. You don’t need a computer or photo editing software. It’s easy to add the filters in the camera’s interface and then send them to your smartphone using Wi-Fi connectivity.

With 4K video features, the Z50 is also a great camera for travel vloggers . It offers a frame rate of 30 fps (frames per second) at full resolution. And the flip-down screen makes it easy to record yourself. Webcam functionality lets you live stream or video call loved ones back home.

Face- and eye-detection autofocus (AF) is ideal for capturing environmental portraits as you pass through exotic places. The AF also tracks moving subjects and works well in low-light situations.

As you can see, this entry-level Nikon has plenty to offer the enthusiastic traveler. It’s also an affordable mirrorless camera . You can buy a brand new Z50 with a versatile kit lens .

2. Canon EOS R8

We’re confident in promoting the Canon EOS R8 as the best full-frame camera for travel. First, it’s one of the most compact and lightweight cameras . Second, it’s weather-sealed and rugged. Third, it has incredible features for photography and video.

You’ll find plenty of full-frame cameras with higher resolutions than 24.2 MP. But the R8 still captures the world around it with accuracy and vitality. The larger pixel size gives you a better dynamic range, meaning you get more detail from bright and dark areas.

A wide ISO range gives you plenty of flexibility with your exposure settings. Low-light performance is excellent, with very little noise. And you have a 50 ISO range for sunny days, helping you maximize picture quality.

This Canon camera is also a great option for traveling videographers. Its 4K video footage is sharp and crystal-clear, and its 60 fps frame rate at full resolution enhances the footage further. The 4K video is uncropped and has no 30-minute time limit.

When working in Full HD, you have faster frame rates, including a 180 fps mode for super-smooth slow-motion videos. You also have ports for external sound devices, like microphones. And the flexible vari-angle touchscreen helps you film from any angle.

The 100% AF frame coverage gives you incredible accuracy when focusing. It can detect heads, faces, and eyes, even working with cats, dogs, and other animals. And the advanced subject tracking helps you capture those more hectic moments.

The lack of image stabilization is disappointing. And there’s only one memory card slot. That means you’ll have to carry plenty of spare SD cards in a secure memory card case.

The EOS R8 is brilliantly versatile, delivering for photographers and videographers. It’s the perfect camera for the globe-trotting multimedia producer. And it’s the best Canon mirrorless camera for travel.

You need a slightly bigger budget to buy the R8 instead of the Z50 . But it’s worth it if you want a full-frame mirrorless camera that does almost everything ! There is also a versatile 16-50mm lens kit version you can buy.

3. Fujifilm X100V

There are many different types and styles of travel photography. Travel street photography is one of the most popular. If that’s how you like to shoot when traveling, we recommend the Fujifilm X100V .

Okay, the X100V isn’t exactly a mirrorless camera. Due to its fixed lens and rangefinder design, it’s more of a compact camera. But it’s packed with some of Fujifilm’s best mirrorless technology. And it’s such a great travel camera that we can’t leave it off our list.

The first thing you might notice is the stylish retro design. There’s no denying it looks fabulous. And that fixed lens has a 23mm focal length, giving you a lovely wide-angle field of view. It also has an f/2 max aperture, so the low-light performance is good too.

Unlike your standard compact camera, this Fujifilm camera packs a powerful 26.1 MP APS-C sensor. A quad-core X-Processor 4 processing engine backs this, and together, they make a formidable team.

The image quality is truly breathtaking. It beats many other interchangeable-lens cameras in this category.

Fujifilm’s unique film simulation modes give images a retro look that matches the camera’s design. These modes have special filters for some of Fujifilm’s most famous film stocks. Thus, you get the classic film aesthetic without the hassle and expense of using an analog camera.

Analog cameras can’t shoot sharp 4K video, but the Fujifilm X100V can. It even records 10-bit 4:2:2 color via the HTML port. And you have slow-motion frame rates in Full HD quality. You can even apply the film simulation effects to your high-res video footage.

Manual on-body controls round out the retro camera style, giving you a more traditional, hands-on experience. The camera is a bit heavy for its size, weighing 1.05 lb (478 g). But the build quality is exceptional, and the weather sealing gives you peace of mind when shooting outdoors.

The Fujifilm X100V is proving evermore popular with street and travel photographers. Its weight is a problem if you like traveling light. And its price means you must take extra care when you travel through dangerous countries. But those who buy one rarely regret it.

4. Sony a6700

The a6700 is the perfect travel camera if you’re a filmmaker with a severe case of wanderlust. It has all the camera features for vlogging and streaming. Its video quality is good enough for professional travel videographers. But it’s pretty good for still photography, too.

We’ve grown accustomed to mirrorless cameras with 4K video . But not all 4K video is equal. The Sony a6700 produces 4K video superior to most of its rivals despite its compact size and light weight. The video quality is sharp and clear.

The video is also uncropped and has no time limit other than battery power. It uses 10-bit 4:2:2 color sampling, enhancing the quality even further. It even gives you faster frame rates, like a 120 fps option at full resolution. That’s spectacular 4K slow-motion footage!

You can leave your camera gimbal at home when traveling with this Sony mirrorless . It has five-axis image stabilization and gyroscopic video stabilization. So you can shoot hand-held without fear of camera shake ruining the shot.

A 26 MP resolution sensor means you can also snap gorgeous travel shots. The expanded ISO range gives you excellent flexibility in variable conditions. And there is very little noise at the top end. There’s even a 50 ISO setting for those bright sunny days.

A 759-focus-point AF system is impressive for an APS-C mirrorless. The speed and accuracy are outstanding. And the subject detection and tracking work well in low-light situations. Face- and eye-detection help you snap portraits of the people you meet on your travels.

The battery life is excellent, even when shooting 4K videos. It’s compatible with fast UHS-II SD cards, which is another bonus for videographers. The weather-sealing makes it a durable camera for adventurous media makers .

The Sony a6700 is the definition of a hybrid camera. The videography and photography features are impressive by any standards. And the size and durability make it one of the best mirrorless cameras for travel.

5. Olympus OM System OM-5

The Olympus OM System OM-5 is compact, rugged, and packed with features. It might only have a small Micro Four Thirds camera sensor, but it holds its own compared to other mirrorless cameras.

It’s a great camera for producing high-quality video content . And overall performance belies its compact size. A 20 MP resolution gives you lovely image quality with a true-to-life color rendition.

But if 20 MP isn’t enough, you can switch to the high-res shot mode for more. It creates a composite of several exposures, giving you stunning 50 MP images. You can even use this mode without a tripod!

You can also play with the camera’s built-in HDR mode. It works similarly, using several exposures for one image. The camera combines them, so you don’t need a computer or editing software. The same goes for the focus stacking mode.

Five-axis image stabilization gives you even better control over your exposure settings. And an advanced 1053-point AF system keeps everything in focus. It handles human faces well and tracks fast-moving subjects.

Recording 4K video at 30 fps means this OM System camera is a great choice for video makers. The rotating touchscreen helps you shoot vlogs or streams. And you can hook it up with external audio devices like microphones.

It even has a vertical video mode. This helps you produce social media-optimized video content.

USB charging is a big bonus on a travel camera. It means you can charge up whenever you find a cafe or social venue. You can also take a portable power bank to keep yourself topped up at all times.

The Olympus OM System OM-5 is a rugged mirrorless camera. It’s weather-sealed against rain and dust. And it even works in sub-zero temperatures, which is good news for Arctic explorers.

You can take this camera anywhere, and it will still work. This is exactly what you need from the best travel camera!

6. Fujifilm X-T5

The Fujifilm X-T5 is one of the most powerful APS-C mirrorless cameras ever. Its retro-style body design looks fabulous and is reasonably compact. This Fujifilm camera is ideal for travel photographers who want high-resolution images.

A 40.2 MP resolution would be impressive enough on a full-frame camera. But on an APS-C model, it’s truly breathtaking. The level of detail is intense, and the colors have a deep richness. This is perfect for capturing the sights as you navigate the globe.

The expanded high ISO setting of 51,200 is somewhat limited. But the camera’s low-light performance is generally strong . It also has a 64 ISO low setting, helping you get the most out of the 40.2 MP sensor.

You’re also not only limited to 40.2 MP. The X-T5 takes picture quality to a whole new level with the Pixel-Shift Multi-Shot mode. It creates a composite of several exposures using the image stabilization system. And the final result is a phenomenal 160 MP image.

The video specs are just as impressive, with 6.2K video resolution and 10-bit 4:2:2 color rendering. Video recording at 6.2K is limited to a 30 fps frame rate. But you can shoot at 60 fps in 4K, which is uncropped, and there’s no time limit. It also doubles as a high-resolution webcam.

In-body stabilization helps keep your images sharp and your videos shake-free. The advanced AF system also recognizes subjects like humans, animals, cars, and airplanes!

A strong 580-shot battery life keeps you snapping for hours on end. Using the Pixel-Shift mode or recording in 6.2K drains the battery quickly. But the USB charging capability lets you top up on the go.

The Fujifilm X-T5 might be overkill for some travel photographers. But if you want incredible high-resolution travel images, this camera delivers . It’s also weather-sealed, so it’s rugged enough for a life chasing horizons.

Best Cameras and Gear for Travel FAQs

One key to successful travel photography is getting the right gear. Of course, a good travel camera is the top priority. But that’s not the only equipment you need before you set off. Here is some info on other gear a travel photographer might need .

What’s the Best Compact Camera for Travel?

True compacts like the Panasonic Lumix ZS200 are brilliant travel companions. You can carry the ZS200 in your pocket—it’s that small! Yet it offers 20 MP images from a one-inch sensor and 4K video recording.

As a compact or point-and-shoot camera , it has a fixed lens. It’s a Leica lens, so the optical quality is excellent. And it gives you a 15x optical zoom for incredible versatility.

Vloggers and travel video makers might prefer the Sony ZV-1 II . With 4K video, a built-in microphone, and a rotating LCD screen, it has everything a vlogger needs. It even has special cinematic vlogging modes to help your content stand out.

We included the Fujifilm X100V on our list. It’s technically a compact camera. But it’s a bigger camera and has more features in common with a mirrorless camera.

If you want a smaller travel camera, see our full article for all the best compact cameras for travel . These pocket-sized machines are perfect for international travel. And they are all-in-one units, so there’s no need for extra gear like lenses.

What’s the Best Travel Camera Backpack?

If you’re traveling with a lot of high-end camera gear, we recommend the Manfrotto PRO Light Multiloader . We reviewed and scored 18 of the best camera backpacks , and the Multiloader came out on top.

This camera backpack has everything a photographer needs. It has plenty of storage space for your gear and extra pockets and pouches for other essentials. It has padded shoulder straps, a chest strap, and back padding for added comfort.

Exceptional build quality gives you peace of mind. It can endure a lot of tension and strain, so you know this backpack won’t fall apart on the first trip.

Every little detail has been thought through. Nothing is random or there for the sake of it. It’s one of the most well-designed camera backpacks a photographer can buy.

Read our in-depth review of the PRO Light Multiloader .

If you want something smaller for day trips, the Wandrd Duo Daypack is the perfect solution. Its overall quality is brilliant, and the durable materials make it a robust day bag. The outer nylon is waterproof, and rubber-covered zippers create a weather-sealed cocoon for gear.

It has a sleek and subtle design. It doesn’t look like a camera backpack, so you’re not making yourself an easy target for thieves in dangerous countries. But it also protects your camera equipment.

There’s also a unique “pop camera cube” for your mirrorless. And there are extra padded pockets for lenses and other photography accessories.

Check out our full Duo Daypack review for a detailed look at this fabulous camera backpack.

Every travel photographer needs a reliable camera backpack to carry their gear. It’s best not to travel with a mirrorless camera unless you have a spacious and protective camera backpack .

What’s the Best Travel Tripod?

The K&F Concept Lightweight Tripod is the perfect option for travelers. It weighs 2.4 lb (1.1 kg) with a folded size of 15.3 inches (39 cm), making it easy to attach to your camera backpack.

It’s also a strong tripod with a maximum load capacity of 17.6 lb (8 kg). That’s enough for any mirrorless cameras on our list, even if you’re using larger lenses.

Telescopic legs and a ball head give you excellent mounting flexibility. An Arca-Swiss-type quick-release plate makes mounting and dismounting the camera super easy. And it’s a versatile tripod you can take anywhere.

Traveling with lots of gear can be a pain. So you have to make sacrifices when choosing what to take with you. But even if you’re traveling light, you can still pack a handy travel tripod .

Conclusion: Best Mirrorless Camera for Travel

The best mirrorless camera for travel is compact and lightweight but still delivers eye-catching media. And all the cameras we’ve listed today hit that brief. Whether you’re shooting stills or video, a travel camera on our list will meet your needs.

The Nikon Z50 is our top mirrorless camera for travel. It has a compact camera body that’ll fit in any camera backpack. You get gorgeous photographs and video footage. And it has creative features for curious travel photographers.

More experienced photographers prefer the EOS R8 with its full-frame sensor and advanced features. Street-style travel photographers will love the X100V . Traveling videographers should consider the a6700 . There’s a mirrorless travel camera for everyone!

Canon EOS R6 review: A superb mirrorless camera that never misses a shot

The canon eos r6 offers incredible autofocus, image stabilization and low-light abilities — for a price.

Tom's Guide Verdict

The Canon EOS R6 full-frame mirrorless camera offers incredible autofocus, class-leading image stabilization and excellent low-light abilities. It's not cheap and its video skills fall short of the very best, but as an enthusiast stills camera it's easy to recommend.

Magical autofocus

Class-leading image stabilization

Superior low-light abilities

Crisp and detailed stills

Handles well

Overheats for 4K video

Resolution lower than rivals

Why you can trust Tom's Guide Our writers and editors spend hours analyzing and reviewing products, services, and apps to help find what's best for you. Find out more about how we test, analyze, and rate.

Sensor: 20.1MP full-frame CMOS Image processor: Digic X Image stabilization: 5-axis, up to 8 stops AF points: 6,072 Dual Pixel CMOS AF II Viewfinder: 0.5-inch OLED EVF, 3,690k dots, 100% coverage, 0.76x magnification, 120fps refresh rate Display: 3-inch fully articulating touchscreen, 1,620k dots ISO: 100-102,400 (expandable to 50-204,800) Max video resolution: 4K at 60p, 50p, 30p, 25p, 24p Ports: USB-C, micro HDMI, mic, headphone, E3 remote, 2x UHS-II SD/SDHC/SDXC Wireless/Bluetooth: Yes Shooting speed: 12fps mechanical, 20fps electronic Battery life (CIPA): 510 Size/weight (body): 5.4 x 3.8 x 3.5 inches; 21 ounces

It took Canon a while to find its feet with mirrorless cameras, but the Canon EOS R6 is proof that those faltering days are well and truly over.

A quick look at its spec list shows it’s capable of going head-to-head with the best mirrorless cameras from Sony , Nikon and Fujifilm and indeed beating them in some regards. How so? Well it’s a 20.1-megapixel full-frame camera that comes with class-leading image stabilization, a 6,072-point dual-pixel autofocus system, 12fps burst shooting, 4K video and high-res OLED electronic viewfinder.

In short, it has almost everything you could want in an enthusiast mirrorless camera, and with only a couple of minor drawbacks. Chief among them are that it lacks the really high megapixel count enjoyed by its more expensive 45MP sibling, the Canon R5 and the similarly priced 33MP Sony A7 IV, while video falls short of the absolute best.

But make no mistake: the Canon R6 is right at the top end of full-frame mirrorless cameras and I’ve enjoyed every second of my time with it. It's an obvious choice for our best mirrorless cameras list, and indeed our best cameras list overall. Find out what makes it so special in this full Canon EOS R6 review.

Canon EOS R6 review: Price and availability

The Canon EOS R6 came out in July 2020 and costs $2,499 for the body alone. It’s also available with two kit lenses: the RF 24-105mm f/4-7.1 IS STM for $2,799 or with the RF 24-105mm f/4 L IS USM for $3,599.

I tested it with the excellent RF 24-70mm F2.8 L IS USM lens, which costs $2,399 on its own. But don’t think you’d have to spend that much, as Canon now has a 24-model strong range of RF lenses, all of which are compatible with the R6. These range from the $199 RF 50mm f/1.8 STM to the $12,999 (yes, really) RF 600mm f/4 L IS USM. 

You can also use any of the dozens of older EF lenses by adding a $99 adapter, or there’s a $199 adapter that also gives any EF lens the special control ring function found on all RF lenses. There’s also a battery grip ($349).

To find some discounts, head to our Canon promo codes page.  

Canon EOS R6 review: Design

Some of the best mirrorless cameras have real flair about them, but the Canon R6 is not one of them. There’s no retro charm as on Fujifilm’s or Olympus’ cameras and no real attempt to move away from the look of older Canon DSLRs. That’s clearly a deliberate decision, too; Canon’s own marketing for the camera talks about how anyone who’s used an EOS camera before will find it “reassuringly familiar,” and it is. But while that decision makes a lot of sense, it also makes for a fairly nondescript camera.   

But looks aside, the R6’s design has a lot going for it. The body is mostly crafted from magnesium alloy but Canon added tactile rubber bits where your hands rest, and the grip is big and provides plenty of purchase. It’s quite a large camera — more than 15% bigger and slightly heavier than the Sony A7 IV, for instance — but it’s very well built, offering full dust and moisture resistance so you can shoot in poor conditions without worrying about damage. 

The electronic viewfinder is excellent. It’s a large 0.5-inch OLED EVF with a high resolution of 3,690k dots and a fast 120 fps refresh rate, although its 0.76 magnification is a tiny bit behind its key rivals the Sony A7 IV and Nikon Z7 II. But don’t worry too much about that — it’s big, bright, easy to shoot through and covers 100% of the view.

The LCD screen is similarly impressive. It’s a 3-inch touchscreen LCD panel with a 1,620k dot resolution; while it doesn’t have quite as many pixels as the Sony A7 IV, it beats that rival by being able to flip out and round so you can shoot selfies while seeing what’s on the screen. That’s particularly useful if you use it for video streaming, and it also helps when shooting stills in awkward positions.

One final bonus is that it comes with dual SD card slots; hardly surprising at this price point, but welcome all the same. 

Canon EOS R6 review: Controls

When it comes to controls, the Canon R6 feels very DSLR-like. There are certainly plenty of options: 16 buttons plus three control dials, a mode selector, on/off switch and AF joystick. And of course you get touch controls too. Add to that the fact that all RF lenses have an extra control dial on the lens itself, and you have plenty of ways to control the camera. 

That doesn’t necessarily mean you’ll always know what you’re doing, though. In theory, the three control dials give you control over your main shooting options, but because they aren’t labelled and can be customized to your heart’s content, you’ll need to spend some time with the R6 before it all becomes second nature. 

That’s particularly apparent when you’re changing settings in the R6’s menus, with one control dial scrolling through categories, one moving through pages within each section and the third scrolling through the various options on each page. I regularly found myself using the wrong one and jumping to another section when I just wanted to move down a list — though I imagine I’d get used to it in time. Personally, I prefer Fujifilm’s standard practice of a dedicated ISO dial and aperture controls on the lens, but that might just be familiarity.

Most of the buttons are more straightforward, although several serve more than one purpose depending on what else you’re doing at the time. The inclusion of a dedicated button for rating images seems unnecessary, but the fact there’s a ‘Q’ quick menu option is welcome. 

The joystick should be useful, but I found it slightly too shallow for my liking, and my thumb had a tendency to slip off it in use. Then again, autofocus is so special here that you may not use it much anyway.

Canon EOS R6 review: Performance

Autofocus is handled by an incredibly adept dual-pixel CMOS AF II system which offers a scarcely believable 1,053 AF zones and 6,072 AF points. But don’t worry too much about the numbers, because all you really need to know is that it works superbly.

First things first: it’s fast. I would say it’s blink-and-you’ll-miss-it fast, except that it’s probably faster than that, too. Quick as it is to lock on to subjects, though, its tracking capabilities are probably even more impressive. Not only can the R6 focus on and track people and eyes, but it also works with animals (specifically dogs, cats and birds) and vehicles. 

Fortunately, I have a suitable test subject in the form of a very energetic 15-month old chocolate Labrador that regularly moves too swiftly and unpredictably for most cameras. The R6 couldn’t quite capture every frame of his leaping and bounding, but it came damn close, giving me a far greater percentage of keepers than I could have hoped for. It’s even advanced enough to track an animal’s eye while it’s moving; truly this is witchcraft.

The below shot is cropped in to show just how good it is — the dog is mid-bound but is perfectly captured and in focus.

What’s more, it has amazing light sensitivity: the EOS R6 can go down as low as EV -6.5, making it possible to lock on seamlessly without hunting, even in dim conditions.

If the autofocus is excellent (and it is), the image stabilization is every bit its equal. As well as having 5-axis IS in the camera body, it can work together with any IS-equipped Canon lenses to provide up to an astounding 8 stops of IS. In practice, I could usually get sharp shots at 2 seconds and sometimes even as much as 4 seconds. Great news for photographers, less so for tripod manufacturers. 

The shot below was taken indoors at night, in fairly dim lighting and at f/8 — all conditions which should challenge most cameras. However, the R6 was able to get a super-sharp image at just 1/10 second.

Not all Canon lenses will get the full 8 stops, but even those without lens-based stabilization will get some benefit from the IS and if you’re lucky enough to own one of the five RF lenses that do give you the maximum effect, you’re in for a treat.

Of course sometimes you’ll want a short shutter speed rather than a long one, and here the Canon R6’s burst shooting comes into its own. It’s capable of hitting 12 fps with the mechanical shutter and 20 fps with the electronic one. Almost as importantly, it can do so for absolutely ages; you can take 1,000 JPEGs or 240 RAW images before its buffer fills up, which should be more than enough for anyone. 

Canon EOS R6 review: Image quality

With all of the above in mind, it should be no surprise that the Canon EOS R6 takes lovely stills. In fact, the combination of fast and accurate autofocus and subject tracking, speedy burst shooting and excellent image stabilization means that there are very few areas where the R6 trips up at all.

Some people might feel that 20.1 megapixels isn’t enough for them, particularly given that many of the R6’s direct rivals have more — sometimes a lot more. But the relative lack of pixels does have some obvious benefits. Speed is one of them — it’s why the R6 can shoot so fast for so long without filling its buffer — but the other concerns light sensitivity. With fewer pixels packed on to the sensor, the R6 can make each one bigger — and that in turn gives it serious low-light capabilities. 

That’s apparent with ISO sensitivity, which goes from 100 up to 102,400 (or 50-204,800 in expanded mode), and which is usable all the way across that range. Sure, at 102,400 there’s a fair amount of noise, but not to the extent that much detail is lost and you could confidently shoot at ISO 6400 the whole time and not regret it.

Below, you can see its ISO capabilities in full effect: on the left is a shot taken at ISO 200, on the right one at 102,400. Sure, the left image is sharper, but you can still clearly make out the shutter speeds etched on to the front of the old film camera. 

Though resolution may not be as high as on some cameras, there's still plenty of detail available. In another shot of Rigby the Labrador, you can see individual drops of water on his nose and fine whiskers on his chin. 

Fine details are also apparent in this shot of him meeting another Lab, where veins can be seen on individual leaves around their feet.  

There are a wealth of different settings to delve into if you want to play around with the R6’s images, including several HDR options. The R6 can also output in the HEIF (High Efficiency Image File Format) format that you might be familiar with from iOS devices. This lets you shoot higher-quality images than JPEGs — they can display 10-bit color rather than 8-bit, but without larger file sizes, for instance. Just bear in mind that to use them you’ll need to enable the HDR PQ setting and use the mechanical shutter.

Canon EOS R6 review: Video

Video is not a particular focus of the R6, so I didn't make it a particular focus of my testing. It's certainly good enough to satisfy a stills shooter who wants to take videos occasionally on vacation, but YouTubers will be better looking at one of the best cameras for vlogging . 

As you'd expect, it can shoot 4K video at up to 60fps, albeit with a small crop of 1.07x. There's also 1080p capture at up to 120fps, which could make for some lovely slow-motion videos. Plus, all of the various autofocus modes, and the image stabilization, are available in video as well as with stills.

The quality of the footage isn't the issue here — it's crisp and colorful, while the built-in IS, high sensitivity, full-frame sensor and superb autofocus all help you get smooth, well-exposed and in-focus footage. No, the problem is one of overheating: in 4K mode it gets seriously hot, so Canon limits it to just 30 to 40 minutes of footage if you're shooting at 60 fps. You get more than an hour at slower speeds, and there's no restriction in 1080p mode, but anyone who takes video footage seriously rather than just using it occasionally will probably find it too restrictive. 

Canon EOS R6 review: Verdict

The Canon EOS R6 is a superb full-frame mirrorless camera for advanced amateur photographers, particularly those who spend more time shooting moving objects and portraits than they do landscapes. 

The combination of incredible autofocus — seriously, it works like magic — with class-leading image stabilization and super-clean high ISO settings mean it's a supremely capable performer in almost every situation. It barely tripped up once in my time with it and if I wanted a camera to take on vacation with me tomorrow, I'd be asking Canon to lend me one. 

It's not cheap, but you're getting a lot of camera here and it's no more expensive than its main rival, the Sony A7 IV. 

Landscape photographers might prefer a higher resolution and committed YouTubers will also want to look elsewhere, but for anyone else this is an easy camera to recommend. 

Formerly Editor in Chief (U.K.) on Tom’s Guide, Marc oversaw all gaming, streaming, audio, TV, entertainment, how-to and cameras coverage, and was also responsible for the site’s U.K.-focused output. He is now U.K. Editor in Chief on TechRadar. Marc previously edited the tech website Stuff and has tested and written about phones, tablets, wearables, streaming boxes, smart home devices, Bluetooth speakers, headphones, games, TVs, cameras and much more. He also spent years on a music magazine, where his duties mainly involved spoiling other people’s fun, and on a car magazine. An avid photographer, he likes nothing better than taking pictures of very small things (bugs, his daughters) or very big things (distant galaxies). When he gets time, he also enjoys gaming (console and mobile), cycling and attempting to watch as much sport as any human can. He's also fallen in love with Wordle over the past six months and is the author of our today's Wordle answer column, in which he supplies hints and strategy tips for the mega-popular word game. Given he's completed every single Wordle so far and only lost once , and analyzed every Wordle answer in search of patterns , he's well qualified to help you safeguard your streak.

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Canon EOS R5 review

Introduction.

All product photography by Dan Bracaglia

Canon's EOS R5 is an excellent camera for professionals or anyone that's looking for a supremely capable option for almost any type of photography, from sports and action to studio portraits and landscapes.

It's a 45MP full-frame mirrorless camera that can shoot clips of 8K video, has impressive Dual Pixel autofocus and excellent ergonomics. It can also capture 10-bit HDR stills and video for HDR display and is the spiritual (and mirrorless) successor to Canon's 5D-series DSLR cameras. It's not a perfect camera, but we think it's an excellent and highly competitive addition to an already crowded field of competent high-resolution full-frame mirrorless cameras.

Key specifications:

• 45MP full-frame Dual Pixel CMOS sensor
• 8K video, with option for Raw or 10-bit 4:2:2 C-log or HDR PQ
• Up to 4K/120p, or oversampled 4K up to 30p
• 100% coverage Dual Pixel II AF system with human and animal detection trained by machine learning
• 12 fps / 20 fps bursts (mech. / elec. shutter)
• 5.76M-dot OLED EVF with 120 fps max refresh rate
• 3.2" 2.1M-dot fully articulating touchscreen
• 10-bit HDR photos in HEIF format
• 1x CFexpress slot, 1x UHS-II SD slot
• Claimed weather-sealing to EOS 5D Mark IV levels
• 2.4/5Ghz Wi-FI with Bluetooth and FTP connectivity
• CIPA rated to around 320 shots (using EVF)

As you can see from the spec list, there's a lot to cover. The EOS R5 is available now for $3899 USD body-only, or $4999 with the RF 24-105mm F4L lens.

Next page: What's new and how it compares

Review index

What's new and how it compares, body, controls and handling, image quality, dynamic range, autofocus and performance, sample gallery.

• 1 Introduction
• 2 What's new and how it compares
• 3 Body, controls and handling
• 4 Image quality
• 5 Dynamic range
• 6 Autofocus
• 8 Conclusion
• 9 Sample gallery
• 10 Specifications

Gear in this story

• Discuss in the forums
• See full product details
• Watch the video review
• View sample images

When you use DPReview links to buy products, the site may earn a commission.

The R5 has come a long way from its inception…. Perhaps it’s time to have the model reevaluated and reviewed. I would be curios to see how it fares….. up to firmware 2.0 now….

Still going like a train - and some manufacturers only releasing genuine competitors now 😊

Surprised that this review didn’t mention that zebra stripes (exposure preview) is only available when shooting video. I assumed the feature was included, as this is a key benefit to mirrorless cameras. I wish that DPReview would advocate for Canon to provide this in an update.

Like the camera very much but i go back to sony, the RF lens prices are outrageous. Here in belgium the 50 1.2 costs 2750 euro, the 85 1.2 DS cost 3700 euro. Thanks but no thanks

I've been worried too. If I had an R by chance, I may own only one RF lens.

To be honest, it would be great if Canon would offer the R6 and R5 with video-free models. As a still photographer, i'd be delighted to have just the photography capability for at least 1,000.00 less. They should do some market tests on video-free cameras.

At some point, I'd consider the R5 with a deep discount.

Never going to happen. Because removing some video features which are mostly software is not going to decrease manufacturing costs. Not even development costs because all the software for video still needs to be developed for other cameras. Plus a stills only R5 would sell in smaller numbers and that usually means a higher selling price.

R5 was on my list buy but lack of RF f/1.8 primes erased it from the list.

I've already got an 85mm f/1.8. Adapting lenses is no big deal at all.

Guys i cant find out is there any meaning to activate hdr pq mode if i use raw only?

Are you guys kidding or what? You do an eye-focus AF tracking sequence using a guy wearing dark sunglasses? Are you serious?

It still found the subject's face and eyes. That capability is something we noticed when testing the EOS-1D X Mark III in live view – it found a face and eyes even with a subject wearing a mask .

I'm also not sure what there is to complain about since not one of the images we showed even approaches being unusably out-of-focus. If anything, that's a bonus.

I'm not certain how the eye-algorithm works; but I thought you needed the eye to do it. Apparently not!

Great camera.Love the canon colors.

@dpreview, Is it possible that R5 has a 1.3x crop besides the 1.6x crop through firmware upgrade? Or it is a hardware thing? I would like to have both, something 1.6x is too much of a cropping

Mandatory noise reduction in RAW(!) files from base ISO up to ISO 640 is only mentioned a couple of times (but not in the Conclusions, outside the summary table).

In the DPReview K-1 II review the noise reduction (starting at ISO 640, which is arguably much better than tinkering with the high-quality low-ISO range), was mentioned several times, including multiple times in the conclusion, and such a big deal was made out of it that the camera was downrated in comparison the K-1.

Thanks for mentioning this, NR in RAW files is a big no no, but at base iso to 640 ISO is almost unheard of. This is enough of an issue to make me not buy the R5.

DPR, in the 'body, controls & handling" sections of your reviews, why do you not have pictures of all sides of the body & pictures of the connections under the rubber covers, etc? I find this extremely irritating when using your reviews as an information source.

I miss those images too. The older reviews had really nice ones comparing to older models and those where you could see the camera in hand. I found that very useful to get a first impression on a new body.

I just wanted to highlight that the Canon 5R RAW Studio Test images cannot be downloaded. They are broken. I only get an mp4 file that does not wrk. The other cameras works fine. Would be nice if this could be fixed. /Andreas

The reviews should not hide the R5 EVF stutter. This is not a camera with a good EVF experience. Tried a R5 myself and this thing is very annoying. Then I Googled and found these threads: https://www.dpreview.com/forums/thread/4514913 https://www.dpreview.com/forums/post/64636295 https://www.dpreview.com/forums/post/64355585

@iso Easy work arounds, locked threads. Ridiculous post.....👎

Is it ridiculous to want a detailed review to present more details on viewfinder quality under more varied conditions? I was appalled by R5's poor viewfinder experience in not so low light, and it was set to smooth display (120 fps). From the review, quote: "... but 120fps will undoubtedly look nicer to those still used to optical viewfinders of DSLRs." No, it wasn't even close to an OVF and there was no workaround. And I actually found Nikon Z7's viewfinder much smoother. These aspects should be reviewed more thoroughly in a review supposed to test the camera under all conditions and help people that cannot try a camera in person. While one of the linked threads was locked, this has nothing to do with the original assertion. One word of caution to prospective buyers: please try the viewfinder yourself before buying a camera, it can be a very personal experience.

This time more on R6's EVF stutter here: https://www.canonrumors.com/forum/threads/for-those-moving-from-an-r-to-the-r6-thoughts.39244/ I agree with what is posted there, meaning this stutter wasn't present in the original Canon R. I'm not talking about the blackout (shown in the video) but the stutter when moving the camera around.

@iso Why are you banging on about EVFs in cameras you don’t own and never will own? It seems that you shoot Pentax so will never have to worry about EVFs....You do realise incidentally that these are basically generic units probably made by Sony? You highlight a problem that has never been mentioned in a review by independent professional reviewers (including dpr) ............so who do we believe you or themmmm?

Incidentally I used cameras with EVFs and I do find them useful for some tasks, even if I prefer OVFs. I also use Canon DSLRs and I was curious about these new Canon RF mount cameras. If I was to take the R5/R6 reviews, I would have said that the EVF experience is great, but after trying the R5, the experience is not at all good for my eyes. Have you tried a R5/R6 yourself or you are just a generic Canon supporter? The EVF units could be made by Sony but this has little to do with the final image. The problem in R5 and R6 is not related to the EVFs themselves but rather to how the sensors are read, probably to suppress overheating or to facilitate fast AF. There are more threads in the forums about this. The reviews should have mentioned this problem, but curiously were silent about it. More: https://www.dpreview.com/forums/thread/4520725

‘Curiously’ 🤣😂🤣😂😂🤣😂🤣😂🤣😂

ISO the reason DPreview doesn’t mention this is because it has no effect on what’s most important. Photography.

Is this artificial light cycling?

@David Ramos. This is not a video recording issue, it appears in still photography shooting. If it has or not an impact on the final photographic image, is your turn to decide. Meaning, it may impact the framing when panning or in other situations.

@Dennis from Florida. No, it is not flickering but something looking like lower frame rate refresh when panning, like a sequence of laggy images instead of a smooth viewfinder image. It's like the viewfinder image is somewhat stuck, not being replaced synchronously with moving the camera. AF seems to introduce a further delay.

Again, try the viewfinder yourself, don't take reviewers' word or mine. It seems there are big differences in individual flicker fusion frequencies and how we perceive light intensity modulation depth. Remember the sequential field RGB EVF in older Panasonic cameras? Some people were bothered by a "rainbow effect", while others had no problems. I'm one of those bothered by flickering LED taillights of older VW cars.

I know exactly what you mean about evf stutter. I have the same thing with Panasonic S5 in low light. A work around for me is to enable shutter speed preview and set the shutter speed to around 60 or higher. I dont know if you can do this with canon.

Camera manufacturers need to start offering card storage options. There's no reason to have one card slot be an expensive CFExpress card and one be an SD card if you don't need the capabilties of of the former. It'd be great to say, I want the dual SD card option please. Given the struggles to add value at this point, that would seem an easy win. Having two different cards in the same camera is just a bad compromise.

Wild thought: what would be ideal for this would be a combination heat sink/battery grip. It would make for a big, heavy body, but for sports photographers (and 8K videographers) it would make for a good combination.

The heat sink would be implemented by means of an aluminum plate inside the socket in the body that a similar plate on the grip would make firm contact with, with a heat pipe then connected with the external surface of the grip. That would not be the most efficient combination, but it would allow for conducting at least some heat away from the body. Picking aluminum because it wouldn't ordinarily corrode; the passivating oxide layer on aluminum is extremely thin.

There is a rumor about a Canon mirrorless R1 body next year, which would be their pro body, along the lines of their 1DX series.

This most likely will be a larger body with integrated battery grip, and it will be interesting to see how they leverage that WRT the heat management for video. Certainly the 1DX III has no problems handling the heat from the advanced video options like 4K 60.

How does the AF work on animals ? Better than Sony?

Most think that the animal eye AF of the Canon is classing leading and bests Sony.

Thoughts R Us Are you paid by Canon ?

Evidently, it's something else

I wonder why the A7Siii review takes forever. Nothing substantial has been posted other than some studio comparison.

Well - it’s more a camcorder really....

Also, this makes me wonder what they have in store the the "R1," the so-called pro version for their R line. How much can they improve on the AF or IBIS? If they follow the usual "1" philosophy I guess it will be bigger and heavier, bulletproof, and be able to shoot lots of 8K video without reheating. Not something I need, but working pros might like it. maybe... ;-)

20 FPS with mechanical shutter. Maybe more.

Got to wonder, really. Right now the latest 1D model is better in live view AF than when using the optical viewfinder. But I think you're right. Aside from something like the mythical global shutter, that sounds right. And with no mirror to deal with, who knows? Probably some long 8K recording times, as well, since the larger body will allow for some stronger cooling hardware. It won't be anything I'd need, for certain, but I still like seeing hardware advance.

Doubt it will do 8K. The 1 series bodies have always been lower resolution sensors, around 20+ megapixels.

Yes, they have, but really, why not? Sensors, particularly by Canon, have improved. Honestly, I'd be surprised if the pro R camera didn't do 8K, and addressed the heating issue in the R5. Just guesses, of course. All guesses are good at this point.

I recently moved from the original R to the R5, and while I expected improvements, I wasn't ready for how much better the R5 was. Everything is faster, smoother, and easier to use. Could be the last "big" camera I buy. The AF and IBIS alone were worth the upgrade.

Same here. Upgraded from EOS R which was pretty ok to start with. Mode button familiar from the R. Love the colours compared to the R. Autofocus is great. Haven't particularly noticed the ibis as such a big improvement. With the RF800 f11 using digital IS has made handheld video a possibility with little loss in detail.

Can anyone download the RAW files from Canon R5? I only get mp4 files which does not seem right

Could be a problem with your browser. Try a different browser.

I just got the R5 a week ago as a photography camera. WOW. Everything is just amazing. The AF, the sensor, the speed, the viewfinder the image stabilization system. It is the most well rounded photography camera ever made. The CFExpress cards are just worlds better than the SD cards. They feel solid and are very very fast to write to and read from (used the AJA tool for testing https://www.aja.com/products/aja-system-test ). The camera overall is just very responsive and nails focus almost 100% of the time even in very low light. I would not mind if this camera were a tad larger (body). It is amazing how much Canon packed into this one. Such a powerfull tool no need to make it that small.

They packed too much, that's why it overheats lie crazy!

@gsk ‘Like crazy’ - ridiculous 😂🤣🤣😂🤣😂🤣😂🤣😂😂

The R5 is easily the camera of the year. It generated the most excitement and buzz, and seems to be one of the best selling of the year, in spite of its relatively high price tag.

For stills, right now it probably is the. best overall package available, with high resolution coupled with an unsurpassed AF system that rivals the sports shooting models with lower megapixels. For birds and other animals, the animal AF is again class leading. Birders are going crazy with the R5.

For video, at the settings for resolution and frame rates of most other cameras it is great and no problems. At the higher quality settings, like 8K and 4K 120, there are some limitations, but most cameras don't even offer those features. The recent firmware update remedied a lot of the objections, and videographers find they can use the higher quality video to great effect.

The RF lenses are class leading, and it is apparent that Canon is determined to make the RF system the overall best.

Were I Canon Inc. to whom I owe several generations of gratitude for their cameras and lenses, would I have released into the market the R5? I imagine I am Canon's CEO, & I know prior to release what Jordan discovered, that it overheats in video, & takes so long to cool down it is useless except for stills, & then packs up again, even after installation of the firmware I should have delayed its release for, & I have to decide to release it, well, Hara-Kiri folks because in all honesty and integrity I could not. I just could not do it.

From memories of it happening in stills a lot, has anybody measured noise levels in video and stills as the sensor temperature rises? Because noise increases with temperature, exponentially, or am I thinking so very last decade?

Canon's CEO does not drive a car that overheats after half an hour and stops dead on the freeway, DO YOU?

You made a really good comparison. Try to drive a Tesla S model in ludicrous mode for half an hour. Still it is advertised that it can accelerate under 3s to 100km/h.

If you shoot that much video, why not get a video camera? It's a hybrid camera...

Because of the ergonomics. AS you are aware the Q2 Leica shoots 4K. IF (big if, I agree) it were as good at it as the new Sony FX6 nobody would buy the FX6, would they.

Some more resources for those looking to make a decision:

How well Canon R5/R6 IBIS performs https://breakfastographer.wordpress.com/2020/07/10/how-canon-r5-r6-ibis-performs/

Canon EOS R5 doesn't really have dual slots https://breakfastographer.wordpress.com/2020/07/15/canon-eos-r5-doesnt-really-have-dual-slots/

Which Canon RF tele should you buy? https://breakfastographer.wordpress.com/2020/07/31/which-canon-rf-tele-should-you-buy-800-600-or-100-500/

Is an EF-M to RF adapter possible? https://breakfastographer.wordpress.com/2020/09/02/is-an-ef-m-to-rf-adapter-possible/

For those who think 8K is overkill, well right now it probably is, but in 5-10 years time your desktop wallpaper will be a 8K live-streamed video.

Meanwhile, despite the restrictions imposed by overheating, 8K will be extremely useful for people who want to be able to shoot short clips at 30fps and pull 35MP stills from it.

It's also possibly the best stills camera ever made.

DIY Perks has fixed the overheating issues of the R5, demonstrating that Canon employed a subpar cooling solution and missed a trick of selling a cooling grip.

https://youtu.be/X1u-9YqrIJc

Third parties have you covered: https://breakfastographer.wordpress.com/2020/07/28/solution-found-for-canon-r5-overheating/

https://www.youtube.com/watch?v=X1u-9YqrIJc&feature=youtu.be Proves EOSHD, before the firmware update were 100% right.

So we are finally done with Sony?

I guess that if you are a Canon shooter, you should be very happy with this camera. Did Sony bother you that much?

With the R5/R6 models, there is now very little reason for a Canon shooter to consider switching to Sony. That is one big impact of these models: they closed the door to Sony of any hopes they had of attracting a great migration of Canon shooters.

Canon will now hold onto the vast majority of their larger user base and will retain overall market share leadership.

Wondering if it was possible for Canon to make the R5/6 smaller.

I would have liked it the same size as the RT indeed

Maybe it would overheat faster but considering progress, if specs would be conserved or slightly incremented and technology's size could be reduced, I don't see why not. (just not now)

I would think of it like the way gaming consoles do refresh over the years. First version is full size, then 2 or 3 years later, they manage to reduce the components and CPU die size about one third the original. (reducing cooling needs in the process too)

For years I was hoping that Canon would make something like this, but around the 1D body. Unfortunately for me it seems that Canon has relegated their high resolution bodies to the smaller form factors which I've never been a fan of holding. This looks like a great camera - Canon's flagship as far as I'm concerned.

@Teila Could get the grip perhaps....?

@Kandid - Yes, indeed that would be a nice idea. I've used grips before, but having the better features of the larger "brick" style bodies is something that you take for granted until you use the smaller bodies, which I must add, have become very, very competent/excellent bodies in their own right over the years. It's just that teeny-tiny size that gets me-- yelch! (warm smile). I understand that I'm an outlier so I can't blame canon for creating what works for the masses and I think they've hit a home run with their latest cameras. The R5 seems like a really nice kit coupled with premium glass.

@Teila Day As much as it is a matter of preference, we are also influenced by what we are accustomed. I used to absolutely love these bricks, shooting wedding all day long with two bodies strapped on my waist. After shooting primarily mirrorless in the past 5 years it is inconceivable for me now to use something like a 1DX, it feels off-putting. It has to do with the agility of the smaller bodies, and hybridizing the shooting style with using the monitor, camera at arm length, or shooting from waist height. Not mentioning the practicality of a small bag and a more discrete tool.

Rumors have it that Canon will release a more pro 1DX body style mirrorless in 2021.

@Thoughts R Us I guess Canon feels like they can charge a lot more on a "pro body" marketing strategy. Not my cup of tea. Like it is not a rumoured a high megapixel count A9III. I hope both are wrong rumours...

Reliability should be one parameter (influence) for scores especially if there are known issues. the Nikon D600 is one example, where DPR gave it a high score but the camera was plagued with sensor oil spots to the point where Nikon quickly released the D610.

Why give up giving a graph to show how effective the IBIS can do? I want to see how Canon's 8 stop correction comparing Oly's 7 stop.

The R5 and EM1 are aimed at different markets, so what would be the point of comparing them?

It would be far more useful and informative to compare cameras with theior nearest-equivalent competitors, i.e R5, S1R, a7Riv, SL2, Z7ii.

Interestingly Olympus claimed earths rotation limits IBIS to 6.5 in 2016.

https://thecentercolumn.com/2020/01/17/earths-rotation-limits-ibis-performance-to-6-3-stops/

The top LCD seems quite dim. Is anyone else experiencing this? Is there any adjustment; I have not found one.

Not just dim, I have to get used with the size as well - it’s tiny! :)

I ask myself what I would do if I had no camera equipment at all, and wanted a reliable pro camera, to use for video as well as for stills. Would I buy a camera that overheats? NO. Would I wait until one is made that is as good and does not? YES. Would I take a blind bit of notice of paid influencers? NO. IF a single body is unable to work without overheating, would I accept one that feeds the video processing via cable to a gizmo with/without a screen that I can stick in my pocket? YES. IF I did not want 4K/60fps video & could choose between a mirrorless with limited battery life and a Nikon D850, which would I choose? The Nikon D850

Right..........

If you don't need 4K/60 or any higher recording mode, then the R5 has no overheating limits whatsoever.

But I will grant you that the D850 is a fine camera, at a great price these days.

@BrexitDefCom3 all cameras have up and downs. The D850 is a fine camera, but a really rudimental VIDEO AF. That alone is a dealbreaker for my style as hybrid shooter. Note that once you see 4K/120 is really hard to go back to 4K/30 only.

The D850 is no slouch. Period. However, I wouldn't consider it over the Canon R5 particularly. Better stabilization, better lenses, faster bread-n-butter lens in the 24-70mm range (full stop faster), better video at rates where heating isn't an issue, etc.. There's just too much good stuff in these new bodies today, that I'm just now starting to find them too compelling for me to overlook. For me- it wouldn't be a contest.

We are all kids spoilt for Choice! If you have seen the sales videos for even the Nikon D800 it is already more than enough to create a masterpiece! ALL the great films made used more primitive equipment than we can now buy for very little money. ALL of them.

FYI: OK - I have received the R5... but not the EF-EOS R adapter (I don’t own any R lenses), or the CFex card. Therefore I have a nice, COLD chunk of metal sitting idle for the moment. 😅 Speaking of which...confirming the first part of this review: the only thing I can say is that yes, it looks / feels solid and well built. Hope it’s not just a “first look” impression. Ergo is fine, on pair (if not better) vs 5D IV; the top LCD, however... tiny. Or I am not used with this new format. Then, the R mount diameter vs distance to the sensor plane: boy, like in any other FF MILC, this huge “mouth” will be a dust magnet (for normal usage not a big deal, for MP-E 65 usage - you know what I am talking about). I am not sure about the shutter “trick” to cover and, therefore, “protect” the sensor: 1 abrasive particle is enough to ruin pretty much everything. I think (but I cannot appreciate the distance between the sensor plane and the shutter for the moment) I will turn that feature off. TBC...

Buy the Viltrox adapter EF-R, AF works the same and costs half than the Canon one.

That's exactly why i ordered mine with the Canon RF 35mm f/1.8 IS Macro STM Lens $499. Light weight... can't go wrong.

OK, got the BG-R10, the EF-R adapter, 1 CF ex, and one extra LP-E6(NH). This separate battery, after a full initial charge (green led lit), showed initially only 81% capacity. Weird, second time it seems it charged correctly. BG-R10 grip: new connector type, positioning worrisome. AF: able to lock on the eye of our crazy budgie while in some sort of erratic flight. So all good here, as advertised - think about the size of the bird. EF-S lenses: this is just funny experimentation, but all seem to work pretty well. Low light photography: as advertised (and reviewed), nothing significant until ISO 12k; even so, visible improvement vs 5D IV. Wi-Fi transfer via EOS utility: first attempt (5 GHz) unsuccessful, both camera and computer freeze after the transfer of few pictures; second attempt: successful. Sensor “cleanliness”: I’m not sure if you test this on the new cameras, but I do, and this one was 100% clean; no factory “surprises” when tested with a macro lens @f/16 and beyond. TBC...

OK. Found one very important differentiator vs 1D-X III, and the same bad habits vs the “1” series cameras: no spot meter linked AF point... come on Canon, this is, at least in my eyes, a real downside! TBC...

OK. Added my first RF lens, the RF 15-35. Super sharp etc... but... these MILC systems were supposed to be smaller, lighter...😅. But this is not quite a concern. As I have said, my quibble remains related to the mount itself - the “dust collector”. More on this after some intensive field usage.

a near $4,000 camera and no built-in GPS.. for travelers like me a deal breaker.. most others could care less.. and NO, the Canon Camera Connect app is not accurate most of the time.. nor are the other Geotag apps if they work at all.. I don't expect to jump thru hoops and do a tap dance to have GPS to work thru apps.. ad to that an EVF --ugh.. for Canon to throw us DSLR users 'under the bus' and go mirrorless rushing this high dollar mirrorless camera out to market before fixing its problems at these prices is mind boggling.. a desperate move on Canon's part to keep up with Sony and the like.. bad move

Seems to be working out for them.... 👍

I use my phone to track my GPS location and it's 10 times better and it does not consume the battery life on my R5. which is a perfect combination.

If you were a war correspondent, I could understand this. I have taken my camera to my share of countries, and never bother turning GPS, except when needed for astrophotography. How important is it to know exactly what two-horse town you were in while reviewing photos? Yes, nice to have. But it seems a weird dealbreaker to me.

The lack of a GPS is not a bug to work out. Not every feature can be included in every camera.

there is NOT one GPS app that works anything like a built-in GPS for accuracy .. nada as in none-- as well as hoping to try to sync between phone and camera-- a nightmare if it even works.... I don't do Astrophotography-- so what is important to you is no where important to me.. I guess places like Rome.. Athens..Paris you would consider 2 horse towns-- again what is important to you is not to me and I will say this again.. spending $4k for a camera without all the bells and whistles is settling for an unfinished product that Canon is hyping in the marketplace-- and they're not even good at putting out a product laced with major problems .. and a marketing chain that can't handle initial distribution for both the camera and the Adapters..

@Stakeouttoo: First, how many ILC's have built in GPS? I don't know of many.

You could get a Canon 1dx III or Nikon D6 if that is very important to you.

Second, I don't mean to be flippant, but if you have images of Rome, Athens, Paris...don't you kind of know where those images were taken?

@Stakeouttoo, you can't claim a camera is unfinished because you didn't get your beloved GPS feature.

It is finished, yet someone decided to not include GPS. I'm sure the people at canon looked at their data and decided that they weren't going to include GPS for any number of reasons. I'm sure it was related to market demand for GPS, cost of including GPS in the camera, technical issues including GPS in the camera, final shipping cost of the camera, and other things like that. I'm sure they would like to put it in, but they had to make hard decisions and decide on which features to include or not.

Since it bothers you so much, I would suggest that you buy a GPS enabled camera, and forget about the R5. The R5 isn't for everyone.

I too wished the R5 had built-in GPS. Canon's top-end DSLRs have GPS (5DIV, 6DII, 7DII, Idx) so there are plenty of relevant examples from Canon. Having the metadata auto populated with GPS info saves me time. I photograph birds and knowing the exact location helps me when entering the information into sites like eBirds. In the US it is not a problem as I take a photo of the location with my iPhone as I reminder. The lack of compatibility with phone carriers outside the US is a different problem Doesn't stop me from using the R5 as its ability to lock onto the bird's eyes/ace is a game changer - I can live with the other shortcomings like GPS.

They can say nikons are the best entry level but can't say the r5 is the best lol they have to be sly and say "one of" Total fanboys on here running this site, pathetic

I think there is no problem, Nikon before and Sony lately have always had better cameras than Canon. The D3/D4/D4s D650, D750, D700, D800, D850 (Nikon put everything but an IBIS on that camera, Canon never did the same thing) and apscs' have always been technically ahead of Canon, the same with Sony mirrorless, it has been always evident and DPR reviews confirm this trend (at least to me, Canon shooter). The R5 and R6 have some limitations, everybody is talking ad nauseam about them and to me is evident that Canon is under a deeper overall scrutiny than Nikon and Sony. That's good if this is reflected on better products for us. R5 is the first "wow" camera from Canon since many years...

Superb stills camera Canon - probably one of the best FF ML on the market today and still usable and good Video as well - as long as you know about the issues / restrictions around overheating then it's a fine tool.

Well Done Canon (Sleeping Giant) waking up and delivering superb Gen 2 FF ML.

Where is everybody finding these R5s? They have been out of stock at all of my usual vendors since the first batch sold out in AUGUST!!

Coming into stock in UK as we speak but currently going to preorders.

preordered on the day it was announced... and even with that 3 months wait...

Kenmore Camera has them in stock

91% score and d850 100% No sense at all.Dpreview saying R5 it is not class leading dynamic range,when it is..D850 it is 11.63 and R5 is 11.85...not to mention all other aspects...very unrealistic score and review for R5 !R5 is miles better than D850 in every possible way,D850 has one strenght,1 mega pixel in +.

Every score is only for the moment the camera was reviewed, and as such they don’t age well. At the time of launch, the D850 was easily the best, most well rounded camera ever made. But to update every camera’s score every year/every month to account for changing markets and technology would simply be impossible.

Can either of you read? The D850 scored 89.

.https://www.dpreview.com/reviews/nikon-d850/6

My mistake !I saw last night this post https://www.dpreview.com/news/3416960241/nikon-d850-is-the-best-camera-dxomark-has-ever-tested-first-to-hit-score-of-100#:~:text=In%20fact%2C%20it's%20the%20first,number%201%20and%203%20spots . But i have not seen that is Dxo mark rating's...However i tought d850 and R5 have much higher score as thei are high end cameras.

Thanks for the clarification, and you both have my apologies for my intemperate response.

A photo taken at native iso +6 is usable on Sony, but not on Canon because it looks horrible with loss of color and contrast. It is not an iso invariant sensor. The dpreview tests are conclusive, although they have improved a lot, are they still below what a backlit sensor with iso invariant offers or do we wait for how it is beaten in Dxomark?

Gtoledo Good luck with your understanding,but i cannot agree with you since i have played alot with those Raw files from a7r3,a7r4 and d850,and i have different opinion,and experience than yours.If you just played with Exposure Latitude online tool by Dpreview,i understand you...because they always cheat..every cameras has different iso standart..and for example at iso100 Sony and Canon and Nikon will have different exposure,and Dpreview Exposure Latitude makes automaticaly those files looking the same by adjusting the brigtness values,which leads to more noise.So if you download by yourself those raw files and compare them into Photoshop,you wil see diffence in the final results.

@Gtoledo I worked with a lot of 7R models. The files from the R5 are perfectly competitive for post processing. I also find that the R5 files hold up better at higher iso. Keep in mind that both 7R cameras and R5 have dual gain, but at slightly different ISO (Sony @ 640 ISO and Canon at 400 ISO). That means that Both cameras are truly iso-invariant from these ISO values, while Nikon does better from both in pulling shadows at base iso, however Sony and Canon benefit in IQ at higher iso from dual gain.

Actually the dr on the r5 is far worse thant those number show.

Yeeeh sure,ahahahhhahh :D

@plantefun it is a fact that for current sensors there is nothing "far worse" or "far better". They are all very close and display different characteristics that for some of us might be more relevant than the slight edge in iso or DR. For instance I much prefer the grain pattern of the R5 over the A7RIII or the A7RIV. Also, the blacks tent to have magenta blotching in the Sony images at higher ISO, something I did not notice in the R5. But at the end of the day, other factors play a much more critical role for me to chose one camera over another, at least most of the times.

The R5 is the most capable camera I’ve ever seen. It is the only camera that is exceptional at Landscapes, Sports, High resolution wildlife, handheld low light, Portraits, and video. It seems any camera that is good at one or two of the above is flawed at all the others. And that is what makes the R5 the best. There is no need to buy 2 or 3 cameras anymore.

Finally, that animal eye and face detect is as only reviewer says true wizardry. Another called it a cheat code. It’s insane.

@Jon Jon I wouldn't call it the "only camera". But definitely the better camera.

Now!! The Sony A1 is the most capable camera even made. Total Camera!! Bye bye R5

@Gtoledo for 3,000 less I will take the less but almost as capable camera.

Nice camera but this price escalate is getting ridiculous. I can buy two Z6 and a lens with that money. Yes, the R5 is better but I'm not looking for perfection, just a tool to have my job done. Everyone wants the best smartphone and the best camera. Most don't even need that. I accomplish my work with lower quality gear. Have I lower expectations or is this turning into a world of ostentation and less technique? Probably it is why AI editing is getting so popular....

The z5 is the camera for you, it does even less, but makes great entry level 24MP photos like the Z6.

In time, competing cameras will come out and Canon may be forced to lower the R5 price. We are all in different situations, but with the quarantine limiting my photography, I can delay any new body purchase for another year or so. If the R5 doesnt come down in price, there will likely be reasonable alternatives around in a year.

@No Outlet, actually it is the Z6 because I do a little of video and, then again, it is more than enough. Entry level????

@madeinlisboa. Very often entry level is taken to mean a camera for novices which is wrong IMHO . If you think of entry level as meaning entry into a system then it may make more sense no?

@madeinlisboa: This has nothing to do with that you can't take good images with a z6 (or when using 2) or any other camera. This has to do with a rather unique feature set, clever marketing in relation to the part of the market this camera is aimed at. Can they sell this camera for half it's price (R6 price) and still make a lot of profit on it probable they can. Will they do that? Nope because alone by that it will be qualified as a camera not aimed at professionals and for that part they made (read placed) the R6 with a cripled feature set in relation to the R5.

Wait 2 to 3 years and the R5 Mark II will be there with 8K non-overheating sensor and a R6 Mark II with 8K capabilities and it will take the same good images as these first line of models do

@madeinlisboa I understand your point of view. But you cannot generalize it. For instance for me it is a money saving, because it is a great alternative to the 1DXIII for a lot less. Cannot really say that the Z6 can do the job of the D6....

The only feature that isn’t better, equal, or near equal I could find was in camera high resolution mode. But like the Sony anybody can take 10-20 pics and layer them in photoshop for a high resolution photo.

The best was to describe the R5 is its most of the better full frame cameras combined in to one that also works with the best lineup of telephoto lenses like they were made for the camera. And the few RF are some of the best too.

Canon is in the fast lane passing everyone by I fear.

I thought of this too. Panasonic S1R's pixel shift capture appears to be in the top class, with IQ superior to Sony's or to layering multi shots in PS (I say this based on published results I've seen, not from my own experience or direct comparison), and S1R processed in camera is far more efficient which makes a huge difference.

OK, I’ve just taken delivery of my R5. Inserted charged battery and switched it on. I’ve checked my smoke alarms just in case... so far it has not burst into flames. I will keep you all posted.

Just looking at the sample gallery, the images look heavily digitally processed, like iPhone shot images. I'm pretty sure Canon covers up the weakness of the sensor with their smart digital image processing engine. Good job, and probably it's more trendy (looks like iPhone),

@plasnu ‘The weakness of the sensor’.....😂🤣🤣🤣😂🤣🤣🤣😂🤣😂🤣😂🤣😂🤣🤣🤣😂🤣🤣😂🤣😂🤣.... desperate......

Kandid your check from canon came on time?? Still shilling for them here.

@zxaar SO predictable, so weak..............👎

@plasnu are you basing your comment on the jpg posted images or you actually downloaded the Raw files and looked at these?

Plasnu - you must be smoking something man... File quality (raw AND jpg) is just mind boggling - dream on Sony fans...

I would agree that the jpg in the posted gallery lack some level of sharpness probably because of aggressive post-processing. However the RAW files out of my R5 are spectacular. I would argue they look sharper than my A7RIII.

@plasnu: Please put that pipe down, don’t score for a couple of days and then get back to us.

@armandino - "the RAW files out of my R5 are spectacular. I would argue they look sharper than my A7RIII."

assuming that you used the same raw processor in both cases, it's because canon raws are heavily processed in-camera, as proven by canon using noise reduction to create fake d.r. on 1dxm3, r5, and r6.

i'd much rather have full control over n.r. and sharpness in post, rather than let canon do it in-camera... the overprocessed r5 jpgs that plasnu pointed out are a good example of what happens when canon does it.

Plasnu thinks shooting Sony and making green skin tones look normal is an important part of the creative process.

“ canon raws are heavily processed ”

I saw Bill Cliff and the creators of RAW Digger address this.

The all said Canon RAW files are not heavily processed and they could find no negative effects from what Canon was doing. One went so far to say it isn’t NR. And they all agreed all manufacturers use NR in their RAW files at various ISOs.

So going by what the experts say, the people who know RAW files best, the R5 has the highest PDR of any FF camera, and what ever Canon is doing has no noticeable affect they they could find. That sounds good to me. I wish Sony would try this with the A9 because it is a full stop lower and not quite as good as some APSC cameras. Maybe they could fix this.

@plasnu, it can't even come close to the "sony star eater" (google that) issue.

@MILC man Assuming that you are right, Canon Raw files do not look pre-processed or over-processed. Your argument is valid for the jpg we see here, but I really do not see the point you are making on the RAW files so the two observations are not relatable. Again raw files do not look over-sharpened and possible baked in noise reduction does not remove details. Whatever they are doing, if they are doing it, looks great. If I combine all the pictures I have taken with my Sonys we are looking at almost 3M RAW pictures (A7RII, A7RIII, A7RIV, A9). So I might not be the expert in the field but I think I can speak for most photographers.

Got my R5 and lenses about a month ago. Now selling my Sony alphas and Nikon DSLR. I agree with this comment whole-heartedly - "The Canon EOS R5 gets out of your way and lets you accomplish what you need to".

The camera operation is smooth and not much customization is needed. AF is easy, fast and accurate; again, no fiddling with settings. The straight-out-of-cam files are very pleasant for my taste. If adjustments are due, the color science won't fight you in the process. I just couldn't easily get to where I want with Sony files.

RF lens is another plus. All of the Canon RF lenses are good, even the cheaper ones. I know there are more options with e-mount. But I needed to go through several different lens and several different copies (for GM especially) to get the one I keep. Just a lot of fussing around.

Thank you for your feedback, I am interested in your opinion on the dynamics of the images compared to the Sony A7…?

@Jerome: the new sensor from Canon looks great, DR is at least as good as the A7r3: https://www.photonstophotos.net/Charts/PDR.htm#Canon%20EOS%20R5,Sony%20ILCE-7RM3

@Jerome Utopik There are rigorous tests on DR. I owned A7M2 (rented A7R3 often) and D810. For still photos, I found R5's dynamic range superior to A7M2, marginally better or on par vs A7R3 and D810 for me. R5's skin tone is easier to recover and correct vs. the others when underexposed. Again, this is my personal impression, not scientific or objective.

@dpreview I am just not understanding the "Value" mark. This camera is priced at less than $4K. Great IQ, fast AF, great IBIS, etc. Yet it has a lower value mark than the Sony a9II which is priced $4.5K.

What makes the a9II a better value camera? Seeing as the R5 seems to collect better overall marks in many of the subjects checked, I have a little bit of trouble :)

The A9ii is not good for landscapes. (low resolution) The A9ii is not good for high DR situations (low max PDR) The A9ii is not good for video (8 bit, low bit rate, 4:2:0 only, etc.)

The R5 does well at all of those. It does better with wildlife when it is hard to get close to the subject too. Having double the pixels and better IBIS is a big advantage.

That makes my point stronger. Thank you. So @dpreview, why is the a9II a better value in your review?

Its a great question. The R5 does everything the A9ii does, and a heck of a lot more with near double the pixels. The R5 MSRP is $600 less. One can argue there are rare cases where the A9ii 20 FPS mode is better, but they can also argue the R5 12 FPS mechanical shutter is better than the 10 FPS with the A9ii so all that evens out. If you want to shoot detailed landscapes with the A9ii you should get another camera. If you want to shoot the best video you need another camera. If you want the highest DR you need another camera. Honestly it is a poor value, It does 1 thing well, but that is it.

@Onteo - "What makes the a9II a better value camera?"

-stacked sensor vs. no stacked sensor on r5 is the #1 reason -r5 electronic shutter not usable for freezing action(see above) -r5 must use frame duplication in the evf, due to the slow sensor readout(see above) -a9ii has real-time evf display, it's much better -a9ii has hi-frequency flicker reduction, no canon camera has that -r5 overheating meltdown = r5 not usable for professional applications -r5 e.s. only shoots at 20fps setting, can't use slower framerates -r5 does not support older canon lenses at even 12fps, per the manual -sony rates lenses by 15-20fps af-c: http://support.d-imaging.sony.co.jp/support/ilc/products/ilce9/continuousshooting/en/index.html?id=spt -far better native lens lineup with e-mount -sony open mount vs. canon closed mount = few 3rd-party rf-mount lenses -sony uses bsi sensors, canon doesn't, so canon has to use n.r. to pump up fake d.r.

Some of your points are simply wrong.

That does not seem to be the case. Considering 12fps*45MP with mechanical shutter being 540MP/s I would say it is not a slow sensor readout.

Your argument about better lens lineup is debatable, EF lens lineup just seems to work wonders and Canon is working pretty hard in the RF lineup too. The evf seems to be better in the R5 than in the Sony if we follow dpreview's advice. Then the display is marked as sub standard for the a9II, while the R5's is top notch. Details you omit.

Can the A9II's BSI sensor do 45MP high DR images at 12 fps? No Can it do 8K even if it is one second? No Is it great for Landscape? Resolution, no, DR neither.

The ISO on the A9II is better than the R5's, that's true, and I like that. The battery lasts longer on the A9II (that is a big thing for me, coming from DSLR)

But going back to value, I don't see the A9II being better at that than the r5 and by a good bit.

Stacked sensor is more often a problem. It appears to limit max DR and it has a lot less resolution. and it costs A LOT more to manufacture. Not having a stacked sensor will more often be a benefit when shooting everything from portraits to landscapes to wildlife where more resolution and max DR are critical.

But I guess Sony fans have to make up fake stuff to justify paying $4500 for an entry level resolution camera with low dynamic range. Honestly the A7iii outperforms the A9ii in most cases. I do find it funny the Sony fans are still patrolling these comments (about a different manufacture) even after a week.

@MILC... Keep paddling that sinking canoe....waters getting deeper, crocs are circling, credibility toast 🐊🐊

@Onteo - "12fps*45MP with mechanical shutter being 540MP/s I would say it is not a slow sensor readout"

nobody cares about the mechanical shutter at 45mp, if that was the basis the a7riv at 61mp moves 610MP/s, according to your math.

@Onteo - "Your argument about better lens lineup is debatable, EF lens"

old ef lens designs are not as good as modern milc designs, that's why they aren't comparable... canon added pins to rf-mount in order to increase the performance, ef mount lenses do not have that.

unfortunately canon still doesn't have any linear voice coil af motors that i'm aware of, they are behind the lens technology of several milc companies in that respect.

@Onteo - "Can the A9II's BSI sensor do 45MP high DR images at 12 fps?"

the a7riv can do 61mp with a bsi sensor, and it doesn't use n.r. to pump up fake d.r. like all canon cameras do.

the r5 generates a lot of waste heat because it uses primitive chip designs.... overheating, fake d.r., poor battery life, etc.

Probably because A9II was compared with 1DXIII while R5 was compared with A7R3 and A7R4. You can also say the Canon R5 is of better value than 1DXIII. Professional sports cameras should not be compared with enthusiast cameras when it comes to value.

MilcMan - Have you even used the R5/6? Or are you just judging based on what you see from the internet?

I’ve been with Sony and Canon for years. Yes I was one to jump ship from Canon to Sony because of Sony’s great sensor technology in a mirrorless body.

I came back to Canon for the R6 and I can easily say, I won’t be going back to Sony. Canon nailed it with the sensors.

You can call it fake DR, but in the real world, it’s excellent! Excellent colors with excellent DR. Sony I always had to build a hundred profiles and still hated the colors and tones.

Sony makes great cameras, but their colors are not great.

@RyanBoston Milcman is a long term resident of these forums screaming the Sony message - which is fine - however this often descends into other brand denigration (particularly Canon - the R5/6 have given him severe indigestion 😁) and promoting half truths as gospel. His post above is a classic - no one cares what specific tech a sensor has (BSI - 😂🤣😂😂🤣😂🤣) how it performs is what matters. ‘Frame duplication’, ‘overheating meltdown’ etc - a grain of truth distorted to make a ridiculous partisan point. All those gold ratings and endorsements for the R5/6 are the facts however - and the cause of his desperate bellyaching 😁😁😁😁.....

@RyanBoston - "Canon nailed it with the sensors. You can call it fake DR"

ask yourself, if using n.r. to gin up fake d.r. is such a good idea, why don't nikon/sony/panasonic/etc. do it?

when has canon ever made a bsi sensor? why do other companies spend more on bsi?

@RyanBoston - "I’ve been with Sony and Canon for years"

that's a bit strange, given that you don't have any post history on sony forums, all i see is canon and fuji :-0

@RyanBoston - "Sony makes great cameras, but their colors are not great"

raw files don't have any color, but if no color was such a big problem for you, when did you ever post on a dpr sony forum, and ask for help with it?

See what I mean.......🙄

MilcMan I’m not sure why you have a hard time understanding different cameras. Oh ya, you have never used the R5/6. You are stuck with Sony and that’s fine. Just don’t make judgements on a camera you have not used or will ever use.

Why would I ask people on the Sony group about color. I know how to build my own color DNG profiles.

Sony also has awful ergonomics. Canon pays attention to ergonomics.

I switched to Sony years ago for mirrorless and sensor technology. Canon now has that great technology. Only thing Sony has better is battery.

Why is Sony struggling lately with their cameras? Why is Canon selling so many R5/6’s?

At the end of the day they are just tools. I can give advice because I have more knowledge across the brands. You give knowledge based only on one brand. You go out of your way bashing a brand you haven’t used, yet you want people to believe you.

MilcMan You should probably stick with the Sony group where people will believe you cause you use the brand. Canon guys will not take you serious cause you have no experience with Canon.

That’s the truth! All I see is you spreading your hate and making it hard for people to have conversations.

If you don’t like a brand that you haven’t used, you have no experience to make a comparison. Sorry, a test chart posted online doesn’t count.

What a great milc camera.. Congratulations Canon

I got R5 On friday and it has blew my mind. I couldn’t believe that finally Canon has succeed this much. I moved from R which was a bad camera (slow, bad usability, bad low light iq, missed features). I tried also R6 and realized it is great but with flaws (for example sticky button like in 6Dm2 probably due to plastic-plastic rest friction) and realized I cannot zoom at all due to 20mpix. R5 is perfect, marvellous camera with all wishes fulfilled and more. I cannot believe it knows what i think and IQ is just stellar; in bright and low light.

Thanks for great review, I waited it every day! R5 deserves 91!

PS. My other permament camera systems are Fuji X-T3 &T1. I like thise due to film-like character, lenses, usability and feeling. I have tried Sony A7iii (not my cup of tea) and used Canons, Fujis and Nikons.

If your other cameras are Fuji X I’m not surprised you’re mind blown they aren’t that good. If you get a gfx100 you would probably be further mind blown

Please don't underestimate Fujifilm crop-cameras, those are very capable.

I have had a lot of Canon gear earlier, I added gear list. I love Fuji due to artistic character of photos sooc (raw &jpg) and very great and fast usability, feel and joy of photographing. I love EOS R5 due it's autofocus, image quality and improved usability compared to R. EOS R was horrible and slow. Last canon that I liked before R5 that was 70D.

I always will have Canon's and Fujis at the same time. Those cannot be straightly fully compared because at least I use those to different purposes and feelings.

You cannot get Fuji look with Canon and you cannot get Canon colors with Fuji :)

"As there are several reports now of the R5 freezing and requiring battery removal and replacing to restart, let’s get some more information on what proportion of owners have the problem.

How frequently does your R5 freeze/lock up?

Never 63.6% Once or twice 21.2% Occasionally 12.1% Frequently 3.0% "

canonrumors.com/forum/threads/how-frequently-does-your-r5-freeze-lock-up.39462/

"Canon EOS R5 Freezes

The R5 sometimes 'freezes'. The camera stops working for 20-30 seconds. The EVF freezes, then goes dead. There is a clunking noise and either the camera restarts or requires the battery to be removed.

This has been widely reported by many users with adapted EF lenses but, crucially, also by some using native RF lenses.

I have sent my R5 back to Canon for a warranty evaluation as a result of this issue. "

willgoodlet.com/blog/canon-eos-r5-wildlife-photography

I saw people showing you reports of Sony cameras freezing. For some it was a real problem. I wonder why you don’t mention that when you keep repeating this.

And how many times have you posted your arbitrary numbers here? 5 or 6 times??? Sure looks like trolling.

@MILC man, I'm not making a comment on the R5 locking up or not. BUT... what a joke!!!!!!!!!

I don't think it takes a statistician to figure out that the referenced survey doesn't have a large enough sample size to be taken seriously.

36 people participated in the survey you link to and the results you list. It would only take a few logins to skew the results. Do you have a login?

Likely a bug in firmware. Hopefully they'll get it sorted soon.

@MILC... Freezing, heating - there is no pleasing you guys....🤣😂🤣😂🤣😂🤣😂😂

It’s not *that* unusual for a new model camera to have software glitches that cause lockup in certain situations and need sorting out in firmware updates.

It’s a valid criticism of the industry, albeit idealistic, that every camera is not perfectly sorted on first release, but it is not unique or any worse for Canon or R5.

Kona Mike, 35 of the respondents were MILC and his pals.

@MILC man: You’re really not a Canon fan are you?

I find it odd that you are badmouthing the Canon R5 and that you’re a hardcore Sony user. Nothing to shoot? You bored and miserable?

Going to a Canon thread and badmouthing it while you have never used it or never will use it shows you are a troll. You have tons of comments badmouthing the R5.

You should worry about all the issues Sony has and their poor customer service.

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Best Mirrorless Cameras for Travel Photography

Compact digital cameras and professional DSLR cameras have undoubtedly proven themselves to be very useful in capturing the most stunning travel photos . But with the rise of the mirrorless camera, the latter has become the best camera for travel by combining the best of both worlds — the pocket-friendly size of the humble point-and-shoot and the performance and power of the mighty DSLR. This list of the best mirrorless cameras for travel photography will help you find the best portable camera for your next adventure. 

Mirrorless cameras fill the gap between compact point-and-shoot cameras and the more advanced professional cameras , both in size and performance. Travel photographers have come to love its more compact and lightweight body, which is due to the absence of an internal mirror that reflects light onto the camera sensor; its new and improved electronic viewfinder (EVF) for previewing the exact image output before you even click the shutter; and its ability to deliver DSLR-quality images and videos.

However, like with any camera type, not all mirrorless cameras are ideal for travel photography. There are plenty of budget mirrorless cameras out there, but if you want to take higher-quality shots with a camera that is well-suited for all kinds of environments, you’ll want to give it a thought before investing in some of the more expensive, professional-quality mirrorless cameras on the market.

In this article, you’ll find some of the best mirrorless cameras for your next trip.

What makes a mirrorless camera good for travel photography?

It can be easy to get lost in camera brands and specifications, even if you’re a professional photographer. Fortunately, there are only a few specific characteristics that you have to look for when choosing a good mirrorless camera for travel.

Sensor size

This won’t be much of an issue if you intend to take personal travel photos, but many enthusiasts and professionals need a bigger camera sensor that captures higher resolution images with remarkable detail, such as for landscape shots .

Weight and size

You’ll definitely want a camera that’s small, lightweight, and fits well in your hand so it won’t be a burden when you travel. As they say, the best camera is the one you have with you.

Versatility

Travel photography usually involves shooting different types of scenarios, from landscapes and portraits to macro and action shots, so you’ll need gear that can cover all of these.

Since traveling with a camera can be a little hard on your gear, you’ll need a mirrorless camera that’s well-built and, just in case, weather-sealed so you can shoot under difficult weather conditions.

Functionality

Some travel photographers want their cameras to have specific functionalities that can aid them in their various photographic pursuits. If you often shoot sports, for example, you’ll probably need a mirrorless camera that has the most (and fast!) AF points and even a highly-capable burst mode feature.

With these benefits and characteristics, mirrorless cameras have become the modern, go-to choice for traveling amateur and serious photographers.

The Best Mirrorless Cameras for Travel Photography

Sony alpha 7c.

The Sony Alpha 7C, unveiled in September 2020, is knows as the world’s smallest and lightest full-frame compact mirrorless interchangeable lens camera with optical in-body image stabilization. The small camera holds a powerful 24.2MP sensor, 4K video recording powers, and 5-axis in-body image stabilization. 

The camera also features Sony’s impressive AF system — including real-time AF tracking, Real-time Eye AF, and even Animal Eye AF — which is available across still and video. And when it comes to video, the Alpha 7C can capture 4K video with full pixel readout up to 30fps, making this a great hybrid camera for all content creators.

For more info on this small but mighty camera, check out our first look overview of the Sony Alpha 7C.  

Key Features:

• 24.2MP 35mm full-frame back-illuminated Exmor R CMOS sensor
• BIONZ X Image Processor
• 15 stops of dynamic range
• ISO up to 51,200 (Expanded 50-204,800)
• 10fps continuous shooting with AF/AE
• Autofocus features including Real-time Eye AF for both humans and animals
• 693-point focal-plane phase-detection AF system covering 93% of image area
• 4K video up to 30fps
• Both mic-in and a headphone jack
• Built-in WiFi and Bluetooth

With a compact, portable body and a host of features specifically for content creators, it’s easy to see why the Nikon Z 30 is a contender for the best mirrorless camera for travel. This powerful camera — one of the lightest mirrorless camera options out there — boasts 4K video with full HD and livestreaming at 60p, not to mention quick and accurate autofocus, selfie controls, sharp and accurate audio, and setting shortcuts for ease of use. Additionally, the Z 30 allows for up to 125 straight minutes of recording. That means you’ll never miss a moment of those photogenic travels.

Check out our hands-on review of the Nikon Z 30 with Anya Anti to learn more.

• Live streaming at 60p
• Quick autofocus
• Built-in stereo microphone
• 4K video capabilities
• Powerful image stabilization
• Vari-angle touchscreen
• 21MP images

Fujifilm X-S10

Another leader for best mirrorless camera for travel is the feature-packed Fujifilm X-S10 . This mirrorless travel camera has been designed by frequent jetsetters, which means it’s packed with top features: an easily navigable interface, a 180-degree variangle LCD touchscreen, a 26.1MP sensor for high-quality images, and stellar video quality with 4K at 30p and full HD at 240p. The X-S10 also works with over 30 different lenses, which means you can adapt your creative approach based on the destination you’re visiting or the project you’re pursuing. The ISO range of 160-12,800 ensures you can capture night content, too.

• 26.1MP sensor
• ISO range of 160-12,800
• Five-axis image stabilization
• 4K video at 30p
• APS-C camera format
• 180-degree variangle LCD touchscreen

Canon EOS R10

The Canon EOS R10’s impressive features have landed it a top spot on our list of best mirrorless cameras for travel. The Canon EOS R10 is affordable and powerful, with an APS-C sensor, the ability to shoot up to 23 frames per second — great for wildlife or action photography — and a 24.2MP sensor that promises dreamy, detail-rich content. Additionally, the EOS R10 can capture video content at 4K, with the ability to record content for 30 minutes straight. Accurate and speedy autofocus ensures image sharpness.

• 24.2MP APS-C sensor
• Fast captures with up to 23fps shooting
• Recording capability for over 30 minutes
• Smart and speedy autofocus

Sony a7R IV

Not only is the Sony a7R IV one of the best mirrorless cameras to date, it’s been developed to meet the expectations of professional photographers. It has a 61MP Exmor R BSI CMOS sensor, 15-stop dynamic range, UHD 4K30 video recording, and a native ISO of 100-32000 so it’s capable if performing well in all types of lighting conditions. 

We also love its powerful, one-of-a-kind BIONZ X image processor, which allows you to capture textured scenes with great sharpness and detail but with significantly lower noise. But the best part is its real-time autofocus tracking, for stills or video, and for animals, as well. This high-end mirrorless camera is on the pricier end, but it’s well worth the investment for amateurs and professional travel photographers who want the highest-quality of output and camera built.

See the camera in action as Mahesh Thapa, Sony Alpha Imaging Collective member and landscape photographer, tests it on a trip to Iceland . 

• 61MP Exmor R BSI CMOS sensor
• BIONZ X image processor
• 567 phase-detection points (425 contrast AF points)
• Real-time Tracking and Real-time Eye AF for human, animal and movie
• Fast Hybrid AF System
• 15-stop dynamic range
• 5-Axis Image Stabilization
• ISO 100 to 32000 (Extended: 50 to 102400)

Panasonic Lumix G9

The Panasonic Lumix G9 is one of the few mirrorless cameras that is considered a “jack of all trades.” It’s a wise choice for travel video blogging (or “vlogging”) and photography, especially with its fully articulating screen that’s good for selfies and shooting from difficult angles.

It also has a splash- and dust-resistant body that won’t restrict you from shooting outdoors and in other challenging environments.

One of the main reasons why travel photographers ought to invest in the G9 is that it comes with an optical tunnel viewfinder, which keeps them from struggling while framing and reviewing shots on the rear screen when shooting under broad daylight or in windy and rainy conditions.

• 20.3MP Digital Live MOS Sensor
• Massive 0.83x OLED Viewfinder 
• Dual SD card slots
• 5-axis dual I.S. 2.0 image stabilizer
• 4K 60p high-speed video recording
• Tilting OLED EVF
• Weather Resistant Body

Canon EOS M6 Mark II

The Canon EOS M6 Mark II, from Canon’s M line of mirrorless cameras has a whopping 32.5 Megapixel CMOS (APS-C) sensor and the latest DIGIC 8 Image Processor. It also features high-speed continuous shooting up to 14 frames per second — with AF/AE tracking — and quickly captures your can’t miss moments. All of this makes the M6 Mark II a quick and responsive professional travel camera that you can whip out anytime, anywhere.

With 4K UHD 30p video, travel videographers and content creators also have high-quality video footage capture available. And Canon created the camera with easy operation in mind — controls and dials are easy to locate. 

For more details on the Canon M6 Mark II, check out this hands-on and first look by travel photographer Nathan Lee Allen and the AdoramaTV team . 

• 32.5 Megapixel CMOS (APS-C) Sensor
• DIGIC 8 Image Processor
• 14 fps with AF/AE Tracking
• 4K UHD 30p and Full HD 120p video recording
• 3.0″ 1.04m-Dot Tilting Touchscreen LCD
• Dual Pixel CMOS AF Systems

Olympus OM-D E-M1 Mark III

The Olympus OM-D line of cameras is part of the brand’s flagship mirrorless interchangeable lens series. While the camera’s ability to take stunning, sharp images rivals its competitors, its the camera’s rugged magnesium alloy weatherproof body that makes it the perfect choice for a camera that can withstand the challenges of any trip.

Creators on-the-go will love the camera’s quick charging option — it can be charged via USB when using a power bank. This means your biggest adventures, no matter how remote, can be captured on a fully-charged battery. The lightweight body weighs a mere 580 grams, and is very fast, even faster than many top DSLR cameras. Using its advanced silent electronic shutter, the E-M1 Mark III captures 20 MP RAW image files at 60fps in S-AF Mode an 18 fps in C-AF Tracking Mode.

See more from the camera in this first look article and video from Olympus ambassador Gavin Hoey . 

• 20MP Live MOS Sensor
• Face/Eye Priority AF plus NEW Starry Sky AF algorithm
• 5-Axis In Body Image Stabilization
• Dust-proof, splash-proof, and freeze-proof magnesium alloy body
• USB charging
• 400k Shutter Life
• Built-in Wi-Fi and Bluetooth

The lightweight and compact Nikon Z50 was developed for on-the-go creators. The DX-format camera is powered by a 20.9MP sensor and the EXPEED 6 engine, and includes the favorite Nikon Z mount, which means it’s compatible with a host of the great NIKKOR Z lenses, and DSLR lenses (when used with the FTZ mount adapter ). 

Nikon has also included its new eye autofocus feature, which allows you to focus on your shot, while the camera ensures your subject is always in sharp focus. With built-in WiFi and Bluetooth, you can send photos and videos directly to your smartphone via Nikon’s SnapBridge app, and share instantly. 

For more info, check out this hands-on review by photographer Anya Anti . 

• 20.9MP DX CMOS sensor
• EXPEED 6 engine 
• 4K Ultra HD and time-lapse, 120fps slow motion, 1080p Full HD
• Edit photos right in-camera
• Compatible with Nikon’s SnapBridge app
• Large flippable high-resolution touchscreen
• 20 creative picture controls and 10 special effects
• Nikon Z lens mount
• Built-in WiFi and Bluetooth 

Why is a mirrorless camera better for travel photography?

A mirrorless camera is ideal for travel photography because this style of camera weighs less than the bulkier DSLRs — without skimping on quality. Most mirrorless cameras weigh on average about half a pound less than DSLRs. Plus, mirrorless cameras offer better video quality and tend to have quicker shutter speeds — great for wildlife, action, and adventure.

Tips for traveling with a camera

Jetsetting with a camera doesn’t have to be stressful — especially if you have one of the options from our “best mirrorless camera for travel” list. There are a few important things to keep in mind, though.

For one, make sure to put your camera in your carry-on bag, such as a camera backpack, to keep it protected. Even better: look for a camera backpack that helps you stay organized, such as the Vanguard HAVANA backpack .

Additionally, think about the types of content you hope to capture and buy your camera lenses accordingly. Make sure to pack a lens cleaning kit and a sensor cleaner, such as the Giottos Rocket Air Blaster . The latter is particularly important for a travel mirrorless camera, as you’ll need to blow out even the tiniest specks of dust and debris any time you change lenses.

Other accessories that make traveling with a mirrorless camera seamless include Peak Designs’ Capture clip , which lets you attach your camera to your backpack for easy access. This one’s ideal for more hiking and outdoor adventures, but you’ll typically want to keep your camera disguised in more crowded cities. (For that, a messenger bag like the Vanguard VEO RANGE does the trick.)

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Best Canon mirrorless cameras in 2024

We run through the stand-out canon mirrorless cameras for quality and value.

In the review

This guide is for those looking for a high-quality full-frame Canon camera or APS-C Canon . We consider resolution, speed, build quality, lens options and value for money of nine of the best Canon mirrorless cameras. 

Canon’s mirrorless camera range is where its most exciting developments happen. Since the debut of the EOS R series in 2018, the range has filled out to include options from beginner to professional and everyone in between. It is clearly the company’s modern focus. Wherever you are on your image-making journey, whether you shoot photos, videos (or both), there’s a Canon mirrorless camera for you.

While the range of best Canon DSLRs still includes some fantastic cameras, we haven’t seen a new Canon DSLR hit the market since 2020. This seems unlikely to change. It’s worth noting that Canon does field two mirrorless ranges – the EOS R series of full-frame and APS-C models, and the older EOS M series of lightweight APS-C models. While we’ve included both in this list, EOS R is the better bet for the future. Canon watchers sense that the EOS M’s days are numbered.

With all that in mind, we’ve compiled a list of what we think are the best Canon mirrorless cameras for different users, including budget options, as well as the high-end stuff. If you’re new to photography and worry about getting lost in technical terminology, scroll to the bottom of this page for our explainer on how to choose the best Canon mirrorless camera.

For more great Canon gear, check out our handy guide to Canon RF-mount lenses , and if you want more choices from other brands we also have a run-down of the  best full-frame mirrorless cameras .

Best Canon Mirrorless cameras: our quick list

Here’s a quick list of our picks for the best Canon mirrorless cameras, as well as links to the best current prices:

• Best all-round Canon mirrorless camera: Canon EOS R6 Mark II buy now
• Best professional Canon mirrorless camera: Canon EOS R3 buy now
• Best high-res Canon camera: Canon EOS R5 buy now
• Best Canon mirrorless for beginners: Canon EOS R50 buy now
• Best budget full-frame Canon mirrorless: Canon EOS R8 buy now
• Best high-speed APS-C Canon mirrorless: Canon EOS R7 buy now
• Best Canon mirrorless camera under £1000: Canon EOS R10 buy now
• Best Canon EOS M: Canon EOS M50 Mark II buy now
• Best budget all-round Canon mirrorless camera: Canon EOS R6 buy now

For more detail on each camera and what it offers, keep reading…

Best all-round Canon mirrorless camera: Canon EOS R6 Mark II

Amateur Photographer verdict

• Fast burst mode and deep buffer
• Highly capable autofocus
• Excellent in low light
• Inevitable price bump over original R6
• No 8K or 6K video

At a glance:

• 24.2 megapixel full-frame sensor
• Up to 40fps shooting
• 8-stop image stabiliser
• $2,299 / £2,179

Canon’s original EOS R6 was a big hit with a lot of users and reviewers, including us. It was a quieter launch than the EOS R5, but arguably a more successful one, fielding a lower-resolution sensor for a more reasonable price-tag. It was the quintessential full-frame all-rounder – and now the EOS R6 Mark II very sensibly builds on that formula.

The biggest addition is the new 24.2MP Dual Pixel CMOS AF II, which ups the resolution from a slightly stingy 20MP on the original. It’s not a stacked type as with the EOS R3, so you don’t get those ultra-fast readout speeds. However, it is optimised to deliver exceptional low-light performance, with a standard ISO ceiling of 102,400, extendable to 204,800; supporting autofocus in light levels as low as -6.5EV.

The EOS R6 Mark II does inherit one thing from the EOS R3 however – that freakishly powerful subject-detect autofocus that can lock onto specific targets: everything from humans and animals to cars and trains. This provides real versatility to a photographer. Having now finished up our Canon EOS R6 Mark II review, we can safely say it’s one of the best all-rounder cameras you can buy.

Best for: all-rounder photographers who want to capture lots of different subjects

Best professional Canon mirrorless camera: Canon EOS R3

• Truly exceptional AF, with eye-control focus
• Super-fast shooting and deep buffer
• Superb across-the-board handling
• 24MP may be low for some
• On the larger side
• Professional-level flagship full-frame mirrorless
• 30fps shooting
• 8-stop in-body image stabiliser
• Eye-control AF and Subject Tracking
• 4K/6K video
• $4,999 / £5,659

If speed is your main concern, then you won’t go far wrong with a Canon EOS R3 – if you can afford it. It includes super-fast specifications such as up to 30fps shooting (using the electronic shutter), and a world-record top shutter speed of 1/64,000 sec.

The full-frame sensor offers 24 megapixels, which certainly sounds low compared to some other models – particularly from other manufacturers – but Canon suggests that this is by design: to give the best possible balance between image quality, file size and speed. In practice it delivers on that.

Autofocusing is top-notch, with Dual Pixel CMOS AF II technology on board to provide 4779 focus points. The even more exciting news is eye-control AF which allows you to literally look at the subject through the viewfinder to choose a focus point. Subject tracking is also superb for moving subjects.

As we said in our full review, the price of the EOS R3 means it is only going to be worth it for those who truly need every one of its outstanding features. If you need (not just want,  need ) a camera that will nail the shot, again and again, in all conditions, the EOS R3 is it.

Best for: action, wildlife and sport photography

Best high-res Canon: Canon EOS R5

• Stunning EVF
• Ultra-high resolution
• Impressive video spec
• Overheating compromises video usefulness
• 45 megapixel full-frame sensor
• Up to 20fps shooting
• 8K and 4K video
• Subject tracking
• $3,399 / £3,549 (body only)

The Canon EOS R5 is a camera that has become famous: for good reasons and bad.

The good For stills photographers, this is one of the most impressive cameras ever made by Canon; or by anyone else, for that matter. With a pioneering 45-million-pixel full-frame Dual Pixel CMOS sensor, it can shoot full-res stills at up to 20fps, silently, with full AE and AF tracking.

It packs in in-body image stabilisation (IBIS) with up to 8 stops of effectiveness when paired with compatible Canon lenses. The autofocus works down to -6EV in low light, meaning it can still focus accurately even when you’re stopped down to f/22, and it incorporates Canon’s deep-learning subject-recognition AI technology.

Ergonomically, the EOS R5 is a treat, with high-quality construction, dual card slots and thoughtfully laid-out controls. The 5.76m-dot electronic viewfinder is bright and super-smooth, delivering first-rate performance, and the 3.2in, 2.1m-dot fully articulated touchscreen is slim, sensitive and smooth. All top stuff. So what’s not to like?

The bad Well, the Canon EOS R5 is also a video beast, able to shoot DCI 8K Raw video internally using the full width of the sensor, with the option of broadcast quality 4:2:2 10-bit output and the Canon Log profile. However, this recording has severe time limits due to heat build-up. It’s specified to manage up to 20 minutes in 8K before needing to cool off; in our testing, we managed 17 minutes and 21 seconds.

Knocking it to 4K 120p recording, we managed just four minutes before the overheating icon appeared. There’s also the fact that the camera requires lengthy cool-off periods between these recordings, which just isn’t practical on a busy video set. Canon, clearly aware of this, quite hurriedly brought out the  EOS R5C to address these issues. For pure video shooters, this latter is the smarter buy.

The EOS R5 is an expensive camera, undeniably – even more so when you consider the cost of the L-series RF-mount lenses required to get the best out of it. However, if you have the budget and prioritise stills over video, this is a hell of a camera.

Best for: photographers who shoot lots of different subjects

Best Canon mirrorless for beginners: Canon EOS R50

• Best-in-class autofocus
• Snappy burst shooting
• Nice and lightweight
• Very limited RF-S lens range
• Small viewfinder
• 24.2MP APS-C sensor
• Up to 15fps shooting
• 4K 30p video recording
• $749 / £699 (body-only); $799 / £899 (with RF-S 18-45mm lens)

Initially, we thought the EOS R50 would be the  Canon EOS R mirrorless camera for beginners, but the subsequent arrival of the cheaper and more basic EOS R100 complicated that picture. However, having spent time with both cameras, we’d say that if you can afford the extra outlay for the EOS R50, it’s a much more fully-featured camera for beginners to learn the basics on.

It’s a nice and light camera, with a standard 24.2MP APS-C sensor and a fairly generous (for this level) ISO range that goes up to 32,000 natively, or can be expanded to 51,200. Granted, you probably wouldn’t want to push it beyond 25,600, but this is still a decent showing for a camera of this type.

What’s more exciting though, and really sets the EOS R50 apart not only from the EOS R100 but also from many other cameras at this price point, is its fantastic subject recognition autofocus. Inherited from the more expensive professional camera, this intelligent system can recognise and track focus on specific subject types (people, animals and vehicles). This pairs beautifully with the surprisingly clippy burst rate – 12fps, or 15fps with the electronic shutter.

All in all, this is one of the most capable and versatile cameras in this price bracket. It’s still somewhat hobbled by the meagre selection of RF-S lenses, a problem that Canon doesn’t seem to be in a rush to correct. You can get by with EF-S lenses and an EF-EOS R adapter, though the latter will add an extra £100/$100-ish onto your costs.

Best for: Beginners

Best budget full-frame Canon mirrorless: Canon EOS R8

• Absolutely superb autofocus at this price point
• Delivers sublime images straight out of camera
• Lightweight build
• Over-simplified body design with few physical controls
• No in-body stabilisation
• 24.2MP full-frame sensor
• 4K 60p video
• $1,299 / £1,599 (body only)

Canon has provided an upgrade for the aging EOS RP in the form of the EOS R8 . At first glance it looks much the same, with a similar body size, and a full-frame sensor of about the same resolution. So what’s the difference?

Well, Canon packed in the fantastic subject-detect autofocus system from the high-end Canon EOS R6 Mark II, giving it one of the most reliable autofocus systems of any camera at a comparable price. It uses Canon’s Dual Pixel CMOS AF sensor to lock on quickly and accurately anywhere in the frame. And thanks to that AI-powered subject-detection, it can recognise subjects like humans, animals and vehicles and keep hold of them even as they move. Focusing basically becomes something you no longer have to think about.

The Canon EOS R8 really is just a camera that nails the shot, again and again. Thanks to Canon’s well-judged in-camera processing, it produces JPEGs good enough to share straight out of camera, punchy and sharp with fantastic colours.

Most of the compromises you have to live with are to do with build and handling. The EOS R8 skates by with very few physical controls, necessitating a fair amount of menu fiddling if you want to get to grips with its settings. There’s only one card slot, and the LP-E17 battery is unusually small for a camera in this class, rated to just 220 shots (in practice you’ll probably get a few more, but you’ll still definitely want a spare). Also, be aware that there’s no in-body stabilisation, so you’ll be relying on the systems built into the lenses.

Best for: upgrading into full-frame

Best high-speed APS-C Canon mirrorless: Canon EOS R7

• High-speed, high-resolution
• Compact, weather-sealed body
• In-body image stabilisation
• Limited RF-S lenses
• And the kit lens isn’t weather sealed
• 32.5 megapixel APS-C sensor
• Up to 30fps shooting
• Dual card slots
• $1,399 / £1,379 (body only)

The Canon EOS R7 was one of the first EOS R cameras to sport an APS-C sensor – proof if proof were needed that the EOS M system’s days were numbered. While there have been several other APS-C RF models since then, the EOS R7 still has a place as speedy crop-sensor camera that’s particularly good for wildlife at a budget.

It’s lightweight, its AF tracking is highly impressive, and unlike Nikon’s APS-C mirrorless offerings, the EOS R7 boasts in-body image stabilisation (IBIS). This system can deliver up to 8 stops of compensation, and also has automatic horizon correction, a feature that was previously exclusive to Pentax.

Elsewhere, Canon’s Dual Pixel CMOS AF II is highly impressive as always, with 651/5915 selectable focus points that cover the entire image area and work in extreme low-light conditions. As is fast becoming standard on new cameras, the EOS R7 also benefits from AI-powered subject-detection autofocus.

The body is lightweight and well-balanced, but Canon has still found room for weather-sealing, meaning you can capture wildlife images in the great outdoors without worrying about the rain – or at least, you could if the kit lens the camera comes with were weather-sealed too. You’ll probably want to upgrade from this lens anyway so it’s not a deal-breaker, but it’s something to be aware of.

Best for: wildlife photographers, best Canon mirrorless under £1500

Best Canon mirrorless camera under £1000: Canon EOS R10

• Excellent controls and handling
• Very good value
• Subject-detect autofocus works well
• Again, lack of RF-S lenses
• 24.2 megapixel APS-C sensor
• Up to 23fps shooting
• Single card slot
• $1200 / £999 (body only)

Being smaller, lighter and less expensive than the R7, the Canon EOS R10 is designed for enthusiasts of lesser budget.

Naturally, the specs aren’t quite as good as the R7, but they’re not bad, with up to 23fps available for wildlife and sports photographers. Again, the smaller APS-C sensor is ideal for shooting distant subjects without having to employ super long lenses.

You also get 4K video recording, a single UHS-II SD card slot, a 3-inch 1.04m-dot articulating touchscreen and Dual Pixel CMOS AF. In our full review, we found the EOS R10 to be a likeable, well-handling camera, and an especially good bet for the price. The main forfeits compared to the EOS R7 are the small viewfinder and lack of in-body image stabilisation (IBIS), which for many users will be acceptable trade-offs.

Best for: Entry-level photographers, travel, best Canon mirrorless under £1000

Best Canon EOS M: Canon EOS M50 Mark II

• Good all-around specs
• Solid value
• Tidy, portable form factor
• Relatively few good lenses…
• … and we may not get any more
• 24.1 megapixel APS-C sensor
• YouTube live streaming
• / £649 with 15-45mm kit lens

A neat little camera which has proven popular with a variety of users, the Canon EOS M50 Mark II is a good option on our list for those on the tightest of budgets.

With its video friendly features – particularly for social media users – it’s a good option for vloggers, but its small size and weight also make it a nice choice for travel and everyday photography. As we found in our full review, the image quality achieved by the EOS M50 Mark II is generally very good, and the fact that you get Dual Pixel AF is icing on the cake (though it’s a shame this AF is absent when shooting 4K video).

With a well-performing APS-C sensor and a decent range of mid-range specs, such as 10fps, it’s a decent all-rounder, particularly for the price. Like other M-series cameras, the M50 Mark II is marred by a lack of lens choice, but you can use EF lenses via an adapter if you need something niche.

It’s also worth noting that the EOS M series is at the end of the line and will be supplanted by Canon’s newer EOS R models, like the EOS R7 and EOS R10 above. Still, that doesn’t take anything away from the fact that the EOS M50 Mark II is a solid camera in its own right, and for now at least, there are still more EOS M lenses than there are EOS RF-S lenses for the new cameras.

Best for: vlogging, best Canon mirrorless under £600, beginners

Best budget all-round Canon mirrorless camera: Canon EOS R6

• Does very well at high ISOs
• Effective stabilisation
• Great all-around image quality
• Some video overheating issues
• 20MP might not be enough for some
• 20 megapixel full-frame sensor
• $1,999 / £1,399 (body only)

Though recently usurped by the Mark II version, the Canon EOS R6 is still a pleasingly affordable route into Canon’s latest mirrorless technology, and an excellent all-rounder for enthusiasts.

The full-frame sensor offers a good balance between image quality and speed, and a host of other appealing specifications including 4K video, image stabilisation and a well-performing autofocus system. In our review, we appreciated in particular the high-ISO performance of the EOS R6, which makes it a great choice for low-light shooting. This is aided by the fact that the sensor has a resolution of 20MP – on the low side for a camera of this type.

As well as the lower resolution sensor, other trade offs are made for the R6 when compared to the higher-value R5. You get a lower resolution viewfinder as well as a smaller, lower resolution screen, but both are still very capable and pleasant to use. You also don’t get a CFExpress Card Slot – but that’s unlikely to be too much of an issue for most users. There is “only” 4K video, as opposed to 8K, but this should only matter to high-end videographers.

If you’re somebody that likes to photograph a range of different subjects – but don’t have the funds for the R5 or the R3, then the R6 makes a huge amount of sense. The price may also come down in the future too, as the upgraded version hits the market – though be careful of waiting too long, because this camera is already becoming more difficult to find new in the UK.

Best for: all-rounder photographers without a huge budget

Canon lens mounts explained

• RF mount : this is used by all the latest Canon mirrorless cameras including both full frame and APS-C EOS R models. You can use the full frame lenses on the smaller camera bodies too.
• RF-S mount: this is the mount used by Canon’s new APS-C mirrorless cameras. Physically, it’s the same as the RF mount, but the smaller sensor size benefits from specially designed lenses which carry the ‘RF-S’ designation
• EF-M mount: this is a mount used by Canon’s first-generation APS-C mirrorless cameras, the EOS M series. There are both cameras and lenses for this mount still available, but it looks certain to be phased out,
• EF mount : this is Canon’s DSLR mount. These lenses can also be used on its mirrorless cameras via an adapter.
• EF-S mount: this is a special adaptation of the EF DSLR mount for Canon’s smaller APS-C D-SLRs. You can use EF lenses on a camera with an EF-S mount, but not the other way round. You can also use EF-S lenses on a Canon mirrorless camera via an adapter.

How to choose the best Canon mirrorless camera

Picking a mirrorless camera can be a daunting task, particularly if it’s your first. So let’s run through the key specs to consider when choosing the best Canon mirrorless camera.

Sensor and resolution: Canon’s mirrorless cameras offer either a full-frame or an APS-C sensor. Essentially, full-frame tends to give better image quality in a range of situations, especially low light, while APS-C makes for an overall smaller system and can be beneficial for certain subjects such as wildlife. See our guide to full-frame versus APS-C for more on the key differences between the two. Resolution is also worth thinking about – it’s not necessarily true that more pixels are better. Whether you need a very high resolution likely comes down to the type of subjects that you photograph.

Screen and viewfinder: All of the cameras in our list include a rear screen, while most (but not all) include an electronic viewfinder too. Think about whether you would like an articulating or tilting screen (which can be handy for composing from awkward angles, as well as for video). For the viewfinder, pay attention to the resolution and size.

Image stabilisation: Canon’s first mirrorless cameras with in-body stabilisation arrived in 2020 – the EOS R5 and the EOS R6. Since then, the sports flagship EOS R3 has also included it, though you don’t get IBIS with Canon’s APS-C format cameras. Image stabilisation is not essential, since many Canon lenses have IS (Image stabilization) built in too. But it is definitely beneficial for those who prefer to shoot handheld rather than on a tripod.

Frame rate: For photographing fast moving subjects like sports and wildlife, you need a camera with a fast frame rate. Some cameras in the EOS R and EOS M ranges give you up to 30fps (frames per second). This will be less important to you if you mainly shoot static or near-static subjects, such as landscapes or portraits.

Video: All the cameras on this list can record 4K video. Other video-related specifications to consider include whether a crop is applied to 4K, frame rates and special video modes.

Lens choices: Canon’s two mirrorless lines (R and M) use different lens mounts, and as such, the lenses between them are not interchangeable. Despite being much older, the EF-M lens range for the M series never really took off, there are just 8 available optics. By contrast, there are currently 30 native lenses for RF-mount, though only three are designed specifically for the smaller APS-C models.

You can use the best EF-mount zoom lenses made originally for Canon DSLRs, with either the M or the R mount cameras, via adapters. Take a look at our guide to DSLR vs mirrorless: which is best for more on the differences between the two types of camera.

Text by Amy Davies, with contributions from Jon Stapley.

Related reading:

• Have a look at  more buying guides here .
• The 12 Best Canon EOS Cameras Ever
• Best Canon RF Mount Lenses

Follow AP on Facebook , Twitter , Instagram , YouTube and TikTok .

Amy is a highly experienced photography and technology journalist who has been working on AP since 2018, having been working in the industry since 2009. She is a graduate of the magazine journalism course at Cardiff University and has written for a wide range of publications and websites. As Features Editor, she is responsible for commissioning an eclectic mix of features connected to general photography, along with interviews. She is also a very experienced reviewer of cameras and associated technology, with her reviews featured on multiple sites including TechRadar, Digital Camera World, Trusted Reviews, ePhotozine, Stuff, Expert Reviews, T3, Photography Blog and more. She is also an expert on smartphone photography and smartphones generally.

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The best travel camera in 2024: compact and portable cameras to take anywhere

The best travel cameras are small, lightweight, easy to use and offer a range of features – here are the ones to look at

• The Quick List ↩

Best overall

• Best full frame
• Best budget
• Best hybrid
• Best for size
• Best waterproof
• Best action cam
• Best for 360º
• Best for vloggers
• How to choose
• How we test

The Quick List ↩ 1. Best overall 2. Best full frame 3. Best budget 4. Best hybrid 5. Best for size 6. Best waterproof 7. Best action cam 8. Best for 360º 9. Best for vloggers How to choose How we test

The best travel cameras have to do one crucial thing: be better than your phone. That means the best travel cameras need to combine compactness with image quality, advanced features with simple operation, and ideally the ability to share your holiday photos and vacation videos fast. 

Even though the best camera phones can produce great images, you just don't get the same quality as you would if shooting with one of the best point-and-shoots or best mirrorless cameras . Smartphones are restricted by smaller sensors offering lower still and video quality, reduced low light performance, and minimal control over depth of field (for those blurry backgrounds). 

We'll look at mirrorless cameras that offer better image quality and more versatility than compact systems but at the cost of increased size and weight. Compact cameras, perfect for keeping on you at all times, won't weigh you down, and are really simple to use – although they have smaller sensors and fixed lenses. And finally, action cameras that are robust cameras made for wild adventuring!

Gareth is the Reviews Editor at Digital Camera World, and the person in charge of approving all the latest camera-related tech. He never misses an opportunity to travel, or an excuse to take photos while traveling, so is best placed to judge what are the best travel cameras for all sorts of different vacations and adventures.

The Quick List

Travel cameras should be small and light, but not lacking in features for amazing photos and video. The Fujifilm X100VI ticks all of those boxes, with a diminutive size, but 40MP images and 6.2K video. And does all this while looking great, with some stunning retro charm.

Read more below ↓

Despite aging a little, the Sony A7 III still offers some features that are competitive with new models like IBIS, auto-tracking, and 4K video. Best of all, the camera is incredibly well-priced, making it the best option for traveling without worrying too much about damaging expensive kit.

If you want a small camera that shoots great stills and video, and cost costs the earth the Panasonic Lumix G100D is the best budget option out there for travel. Although the G100D is only a slightly newer G100, which is much the same, but with a USB-C port and upgraded EVF.

The Fujifilm X-S20 is a camera for everyone, with great quality stills, but is set apart by its deceptively powerful video skills. This makes the X-S20 the perfect travel camera for any hybrid creator who is a versatile and lightweight camera, all at a price tag that won't break the bank. 

When picking the best travel camera, we're focusing on portability. If you want to fit a whole photographic kit – that's a camera and several lenses into a bag, then the dinky but mighty Olympus OM-D E-M10 Mark IV is one of the best portable cameras around.

If you're planning on a coastal adventure then you need a camera that is fully waterproof and rugged enough to take on the most challenging adventures. This camera offers better stills than your average action cam, so if photos are your main priority  – the Tough TG-7 is for you.

View the full list ⇩

This is a camera that can withstand some serious adventuring, action cameras are made for extreme conditions, and the best of the bunch is the Osmo Action 4. The Osmo 4 offers an incredibly wide field of view, image stabilization, and waterproofing for action-packed vacations.

If you want to remember every little bit of your vacation, then you can't go wrong with a 360º camera to capture not what only is going on in front of you, but all around you. The Insta360 X3 is the best all-encompassing camera you can buy, best of all it is easy to slip into a pocket or bag for travel.

If you are looking for a small yet mighty all-in-one camera with quality video and audio made to go straight on social media or YouTube then the Sony ZV-E10 is the best choice. It does take decent pictures, but if you are looking for something more hybrid, check out the X-S20 above.

The best travel camera in 2024

Why you can trust Digital Camera World Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out how we test.

1. Fujifilm X100VI

Our expert review:

Specifications

Reasons to buy, reasons to avoid.

✅ You want a pocketable camera:  the Fujifilm X100VI is a very compact camera, the whole package of camera and lens are so small that you can easily slip this into a jacket or rucksack pocket. ✅ You want a camera that looks good:  The X100VI is easily one of the best-looking cameras you can buy. The stunning retro looks of old-school film cameras are matched with superb build quality.

❌ You want a range of lenses:  the lens is fixed on the X100VI, so you are stuck with the 23mm focal length, although its digital cropping modes give the illusion (but not performance) of more focal lengths ❌ You want a cheap travel camera:  the X100VI has a premium price tag, and there are options that produce a similar image quality, if you don't mind a different style of camera that is.

If you are looking for a camera for traveling, then one of the major things to look out for is something small and lightweight that can easily slip into a bag or a jacket pocket and won't be a drag to carry around for long periods – enter the Fujifilm X100VI .

The X100VI is a fixed-lens camera, which means that it has a single lens that can't be changed. The lens is 23mm, or equivalent to a 35mm length lens on on a full-frame camera, a perfect length for travel photography as it is wide enough to get in landscapes and street scenes, but narrow enough for portraits and family shots. While there are converters available for the X100V to change the length of the lens, I find these have an adverse effect on image quality. The X100VI does have a trick to crop images when taking them to give the illusion of additional focal lengths, although at a reduced size. 

The X100V packs in some lovely 40MP photos, and while not the most ideal camera for video, you can get 6.2K (cropped), 4K, or HD video with slow motion reaching 240 frames per second. There is also human, animal, bird, and vehicle autofocus tracking, so you can snap away with confidence that your shots will be in focus. Finally, image stabilization helps cut out hand jitters in low light or shooting video, for more stable footage.

And for those who want to share travel snaps as you go, you get access to Fujifilm 's awesome film simulations and custom recipes, which takes the work out of editing, and with WiFi and Bluetooth connectivity and the Fujifilm X App, you can quickly share ready to post photos and video to social from your phone.

The X100VI's design will catch a few eyes while traveling. The camera is lovely to hold, made with premium materials, and with a wonderful hybrid optical viewfinder that shows either the real picture or how it looks through the sensor with a flick of a button. However, as a major downside for travel, the X100VI lens is not weather-sealed without an adapter – at an additional cost.

Speaking of cost, this premium camera comes at a premium price, with some similar tech available for less in other models. But for the build quality and features, I think it does a lot to justify its higher price, but if you want the best compact camera, there is nothing better than this.

Read our full Fujifilm X100VI review for more

• Back to the top ⇪

Best full frame on a budget

2. Sony A7 III

✅ You want full frame quality:  full frame cameras can produce more focus separation and are better in low light, the A7 III is the most affordable step into full frame. ✅ You want a camera to use outside of traveling:  the A7 III is a pro-level camera that is not just for travel, you can shoot brilliant photos all year round with a multitude of lenses available for different subjects.

❌ You don't want the expense of lenses:  the cost of lenses can add up, especially ones for full-frame cameras, if you want to keep costs low, choose a fixed lens camera or an option with smaller cheaper lenses. ❌ You want a small camera:  the A7 III isn't huge, but it also isn't small. With a lens attached, it is going to take up quite a bit of room in a bag, and won't be sliding in any pocket.

While the Sony A7 III might be the oldest Sony Alpha camera still being sold as new, even being replaced by a newer Sony A7 VI, it more than holds its own today. Any photographer looking for an excellent full-frame hybrid camera for traveling should seriously consider this camera as an option.

Why? Well, I don't think there is a better value full-frame camera out there, which when traveling can take some of the jeopardy out of damaging or losing your incredibly expensive kit.

It might be getting on a little, but the camera still has a very competitive 24.2MP back-illuminated image sensor, which delivers great tonal range and makes high ISO settings possible, which anyone who is shooting a lot in low light on their travels will really appreciate. A 5-axis image stabilization system also delivers less shake when shooting at night, or capturing video. 

And if you are also looking to get some video footage on your travels then the A7III has very capable 4K video, although has been surpassed by a few other models on this list which would be more suitable if video is a priority.

The A7III has a speedy and accurate 696-point AF system, and while not the latest algorithms, the A7 III also has some solid human face and eye tracking, so you can take reliably focused photos of your friends, family, or any interesting denizens you meet out on your travels. 

Whilst the A7III can be thrown a little off-balance with big pro lenses, Sony's lens range is extensive and there are many smaller primes to suit this camera perfectly for those who don't want to carry a lot while traveling. Or superzoom lenses like the Sony FE 24-240mm will empower you to capture everything from near to far.

Read our full Sony A7 III review

Best travel camera on a budget

3. Panasonic Lumix G100D

✅ You want an affordable camera:  the Lumix G100D is a great deal for the features it offers, and an affordable way to get great travel snaps. ✅ You want a range of small lenses:  there are a lot of Micro Four Thirds lenses, so there is something for every occasion, and best of all, they tend to be on the smaller side for easy travel.

❌ You want the very latest tech:  the G100D is a little on the older side and doesn't have Panasonic's latest autofocus, which puts it a little behind the competition. ❌ You want more serious creative video:  intended as a hybrid camera, there are lots of video-focused features, but the camera lacks IBIS and a headphone jack/USB-C found in rivals.

Sometimes, you just want to create quality images and video while you are traveling, beyond what your phone is capable of, but you also don't want to pay a small fortune for the privilege. The Panasonic Lumix G100D is the best camera you can get for traveling that offers all the quality features you will need but at an affordable price.

The G100D is a super-small, super-cute camera with a Micro Four Thirds sensor. It is still easy to capture high-quality video and stills with simple controls, menus, and its approachable button layout. The camera can be paired with numerous dinky Micro Four Thirds lenses too, especially small pancake lenses to keep the overall size down. Micro Four Thirds also has the benefit of doubling the focal length, so 100mm becomes 200mm, so you can pair the G100 camera with telephoto lenses for capturing far away subjects like wildlife without having to carry huge lenses.

A downside though is there is some compromise for the low price, and the G100D is not the most technically advanced camera on this list, and its autofocus uses Panasonic's cruder contrast-detect technology, which is a little slower than other cameras and is notorious for "pulsing" and "hunting" during video. 

Despite this, the G10S0 is also a perfect camera for vloggers, with an articulating screen and ready to share footage. But while there’s an inherent risk of dumbing things down too much when creating a camera for social media creatives, Panasonic has avoided that pitfall with the Lumix G100D, and this is a great camera if you're just as interested in vlogging as you are in travel photography. 

Read our full Panasonic Lumix G100D review

Best hybrid travel camera

4. Fujifilm X-S20

✅ You shoot video and photos:  the Fujifilm X-S20 is the best of both worlds, with great-looking photos and awesome video skills too! ✅ You want to balance price and features:  the X-S20 offers a lot for its price, and it is one of the best-value cameras around, you will struggle to find matching video specs at this price point.

❌ You don't really care about video:  there are other options that might suit photographers more than the X-S20 with higher megapixel counts. ❌ You might need weather resistance:  the X-S20 is not weather-sealed, so if you plan to get adventurous, a camera that can handle dust and water might be a better choice.

When I tested the Fujifilm X-S20 I was just so impressed at the amount of features that Fujifilm had managed to squeeze into its petite body – it's not just a great stills camera, it is also one of the best video cameras available, and the cherry on top, it is really well priced! For anyone looking for a hybrid camera to shoot a mix of photos and video, I think this is the best camera for any traveler right now.

Fujifilm chose not to update the X-Trans IV sensor from the X-S10, but this sensor despite its age still holds up very well today when it comes to stills. The X-S20 is also able to use Fujifilm's excellent film simulations and programmable film recipes to create ready-to-use images straight from the camera, which makes any regular social media posting that much easier.  The new X-Processor 5 also brings brand new subject recognition and tracking autofocus, making taking photos on the fly quicker and more reliable.

Despite its compact size, the X-S20 is a deceptively powerful video camera. The new processor combined with the modest resolution sensor means the X-S20 is capable of 6K video using the entire sensor (open-gate). The camera is also capable of numerous codecs and F-Log for getting in-depth with color grading. The subject recognition and tracking also carry through into videos and there are dedicated vlogging video features too.

Some might prefer the classic retro style like the X-T5 or X-T30 II, but with fewer manual dials, the X-S20 is a more user-friendly camera, with a more useful fully articulating screen than any of the X-T range. The camera is small, but handling is great with enough of a comfortable grip for long days, and the camera pairs really well with Fujifilm's small zoom and prime lenses, making traveling light with a kitted-out X-S20 a little easier. While the price is a little higher than the X-S10 that preceded it, I think the price bump is justified as this is one capable camera for traveling.

Read more: Fujifilm X-S20 review

Best travel camera for size

5. Olympus OM-D E-M10 Mark IV

✅ You want a small system:  the whole OM Micro Four Thirds system is tiny, with small cameras and lenses, so you can take a lot more gear to cover more subjects. ✅ You want a good-looking camera:  with a cool vintage style based on Olympus's OM film cameras, the E-M10 IV looks as good as the footage it shoots.

❌ You shoot a lot in low light:  the Micro Four Thirds sensor in the E-M10 IV doesn't handle low light as well as larger sensors, not good for frequent nighttime shooters. ❌ You won't use the retro dials:  if you are looking for just fast auto controls then the dials on the top of the E-M10 IV will be largely redundant for your needs.

When picking the best travel camera, we're focusing on portability, and the dinky but mighty Olympus OM-D E-M10 Mark IV is one of the best portable cameras around if you are looking for a whole system including lenses that can easily slip into a bag. The best Olympus lenses include positively tiny optics that can go a long way for travel photography, helping you keep your kit and weight size down. So if you are the type of carry-on-only travel photographer but with big photography ambitions then this is for you.

Not only does it have an incredibly lightweight body, but the camera will look great on your travels too, with a cool retro design that harks back to Olympus's long pedigree in film cameras. The camera has tactile dial-led controls for anyone who wants to get creative with manual photography, although don't let that fool you into thinking the camera is complicated, as there are lots of automatic modes and helpful features built into the camera.

The OM-D E-M10 Mark IV uses the smaller but still powerful Micro Four Thirds sensor. This has some slight disadvantages in terms of low-light capabilities, so if you like to go out a lot at night when you travel, then a larger sensor might be better for you. 

But Micro Four Thirds does have one big advantage, it effectively doubles the focal length of any lens mounted to the camera; so a 50mm will behave like a 100mm, so if you are about to head off on safari, then this could make all the difference to getting up close to wildlife. Its snappy burst shooting, its accurate autofocus, and its impressive 4K video will also all assist you with creating amazing content. It's a terrific all-around camera. 

Read our full Olympus OM-D E-M10 Mark IV review for more

Best waterproof compact travel camera

6. OM System Tough TG-7

✅ You want a rugged adventure camera:  the TG-7 can certainly withstand some serious adventuring with a rugged water/dust/freeze/drop-proof build. ✅ You want a photography-first adventure camera:  the TG-7 puts photography first and foremost, offering a better experience than smaller fiddly action cameras.

❌ You want to strap the camera to things:  while action cameras have numerous accessories to strap to your sports equipment, there is far less for the bigger TG-7. ❌ You only care about video:  if you are just looking for the best rugged video camera for travel, then action cameras have you covered (see below).

Following the acquisition of Olympus's camera division, the OM System TG-7 is essentially an update to the much-loved Olympus Tough TG-6 under a new brand name. Although that camera has long been the top-regarded travel compact for adventurers who are as invested in photos as video. Action cameras might be smaller and just as hardy, but can't compete with the TG-7 for photography experience.

The TG-7 is ready for any travel adventure and is water-proof, dust-proof, crush-proof, drop-proof, and freeze-proof, so whether your hiking, climbing, swimming, or otherwise take you to the hottest deserts to the coldest tundras, the camera should come out the other side unscathed.

The TG-7 might have a relatively conservative 12MP resolution, although this helps dramatically when it comes to low-light images, as each pixel is larger allowing it to capture more light. Why is this important? Well if you are shooting in darker underwater environments, in gloomy forests, or at night, then you will get higher-quality images. 

The Touch also has RAW images, so you can get even more creative control over the final edit of your images. The camera also has a pretty incredible macro mode as well if you find some small details on your travels that you have to capture.

While it might not be up to the same standard as the best action cameras for video (see below for that), the Tough can capture decent 4K video, and will get some perfectly serviceable footage for social and YouTube of your wild adventures!

Read our full OM System Tough TG-7 review

Best action camera for travel

7. DJI Osmo Action 4

✅ You want a camera that can keep up with your travel adventures:  the Osmo 4 is hardy enough for whatever conditions you throw at it, weather-sealed and fantastic stabilized footage. ✅ You want a tiny camera:  action cameras like the Osmo 4 are great as they are so small they are effortless to travel with.

❌ You want to shoot high quality photos:  the 12MP photos from the Osmo 4 can't compete with more dedicated cameras, and the wide angle lens needs lots of corrections. ❌ You need accessories:  the market for DJI accessories isn't as big as the more famous GoPro, so if you need niche or cheaper accessories, that might be the brand to choose.

For most adventurer-creators, the Osmo Action 4 is the perfect balance of quality and price. Stabilized 4K video looks great and the camera can take a lot – not just rough and tumble but temperature extremes and it's waterproof to 16m without a case. Best of all, it has a larger image sensor than any other camera on the list, so it is better in lower light, making it more flexible.

DJI did have an interesting experiment with modular design, now seemingly abandoned, with the Action 2, but they do retain powerful magnetic mounts which can even partially survive the heat of an oven (we tried accidentally – see our full review). 

Like the more famous competition, DJI has high-quality horizon balancing and image stabilization, which has improved on the Action 3. The resolution limit is 4K, but in practice, this is the ideal resolution for action (and the limit of almost all TVs). More useful is the 120fps capability (or 240fps at 1080P).

The fact that Action 4’s isn’t interwoven with subscription software is one we wholeheartedly appreciate, too, but GoPro seem to finally growing out of this.

Read our full DJI Osmo Action 4 review

Best 360º camera for travel

8. Insta360 X3

✅ You want to capture everything:  the Insta360 X3 can capture all that goes on around you, perfect for capturing immersive travel content. ✅ You want to travel light:  the Insta360 X3 is very small and lightweight, and won't trouble your carry-on bag limits.

❌ You want a versatile camera:  the Insta360 X3 is made for one thing, and that is great 360º footage, if you want to capture more, you might need to bring a second camera. ❌ You want artistic images:  the Insta360 X3 has big 72MP images but the small sensor means they aren't as creative as a bigger camera.

The new Insta360 X4 has just launched offering 8K video and an updated design, but I still think the X3 offers great features for a much better value, so it remains in this guide for now!

There are times when handling even an action camera's wide-angle lens becomes a problem, and that's where a 360-degree action camera can step in. With two back-to-back lenses and enough smarts to eliminate a selfie stick from the footage, this almost magic camera can capture an image from a point within reach looking any direction you see fit.

I tried it with the bike attachment – which holds the camera a little way in front of the bike, over the front wheel – and was amazed at the footage which makes it look like I'm cycling toward a perfectly controlled drone. Better still, by syncing with my phone I could draw GPS data and have it overlaid, in the form of a speedometer, by the Insta360 app before sharing.

The only real worry is how naked those glass lenses are when the camera is in use; the joy of re-positioning the camera angle after the fact can be hours of fun. 5.7K is good enough for sharing, but more resolution would help pro work.

Read our full Insta 360 X3 review for more details

Best for travel vloggers

9. Sony ZV-E10

✅ You want ready-to-share footage:  this Sony is made for capturing footage with minimal editing to get up on YouTube and social media straight away. ✅ You want excellent audio:  the ZV-E10 has built-in stereo microphones that capture some of the best audio possible on a camera without external mics.

❌ You are more interested in photos:  the ZV-E10 is not a bad photography camera, but its video focused build means other cameras are better for stills shooters. ❌ You want a viewfinder for framing:  if you love a viewfinder for framing shots, then the Sony A6400 is almost the same camera, but with an EVF. 

The ZV-E10 makes for an excellent traveler's camera and is one of the cheapest vlogging-focused cameras yet. Combined with its slim dimensions, and wide choice of lenses, this makes it a perfect choice for travelers who want to shoot a lot of video. 

The big selling point of the ZV-E10 over other cameras capable of similar video is that the ZV-E10 comes with sophisticated built-in mics and a clip-on windshield for noise reduction, making it much easier to get clean audio on your vlogs even outdoors – which works excellently. Sony has put its years of audio experience into this camera and it shows.

The ZV-E10's 4K UHD video is of excellent quality too, and as we've come to expect from Sony, the autofocus is best in class, whether shooting video or stills. The camera has tracking modes for easy autofocus and digital image stabilization that crops your footage slightly but attempts to iron out any shake, which works well except for in very heavy movement.

And a point worth mentioning is that, while the ZV-E10 may be optimized for vlogging, it's still a capable stills camera with a 24MP sensor, and 11fps burst shooting, so photographers needed worry about restricting themselves with it. 

However, if you are more keen on photography than video, cameras in the Sony a6xxx range (like the Sony a6400 ) offer almost the same specs, but with a viewfinder, but you do lose the built-in stereo mics. Making it a tough choice for a hybrid shooter that might want the best of both worlds. 

Read our full Sony ZV-E10 review

How to choose the right travel camera

These are five key things to look out for when choosing the right travel camera for your needs.

1) Image quality: Ask yourself how you will use any photos or videos you capture. If you only plan to share content online on social media then any of the above cameras will be suitable. If you plan to print your pictures, though, then mirrorless cameras with larger sensors and higher megapixel counts will produce better-quality results.

2) Focal range: What kind of range do you need for your traveling activities? Compact cameras can have impressive zoom ranges, but to achieve their tiny size they often lack quality compared to mirrorless cameras. For mirrorless cameras, what lenses are available? So-called standard zooms are a great option for all types of travel, but they can also be large and heavy. A wide-angle lens might be best for capturing cities and landscapes, or if you are going to see wildlife or a sporting event then a compact telephoto lens might be best.

3) Size and weight: If you're going on vacation then the last thing you want to take is a heavy kit – especially given things like baggage restrictions when traveling. With that in mind, both your camera and lens(es) need to be small and light. If you want something that can fit in your pocket, get a compact camera – but if you don't mind taking a bag, a mirrorless system with one or two lenses could be more versatile. 

4) Simplicity: Don't want to get bogged down with camera settings? Most modern cameras have a range of auto modes – especially compact cameras, which take away the stress. Advanced modes and complicated controls don't usually mix with spur-of-the-moment snaps, so decide what is important to you and pick your camera based on that.

5) Price: The cameras in our list have a range of prices, and we try to include cameras that suit every budget. The price of a camera usually reflects its capabilities, although all the options listed here will take great images and video – so try to strike the right balance between what you need in a camera and what you can afford.

Is it better to use phone or camera for travel?

We covered this a little bit at the start of the article, but the answer is that it is always better to use a camera for stills or video when possible. So the question really becomes, "Do your travel plans make using a camera possible?" Phones are so small and quick to use that they go where cameras are too bulky and slow to shoot. A great compromise is a compact camera – or the Olympus Tough TG-6 , which is a weather-proof camera that goes the places that you wouldn't dare to use your phone! 

Is a DSLR or mirrorless camera better for travel photography?

As a travel camera, mirrorless cameras are usually the better choice for most people. They are much small and lighter than DSLRs, and also usually have a selection of smaller and lighter lenses to match. This makes traveling easier as it takes up less space and weight in increasingly restricted carry-on bags. Mirrorless cameras also are generally newer than DSLRs and most likely have more modern technology, making photography and video easier to capture and of better quality.

What size camera lens is best for travel?

Again, this comes down to what your travel plans entail and what you plan to shoot. The kit lens that comes bundled with many cameras will cover the most commonly used focal ranges, so that's a good place to start (though kit lenses do not deliver the best image quality). We recommend checking out the best lenses for travel photography to see what's right for you.

How we test travel cameras

When we are reviewing cameras, we carefully think about what scenarios each camera could be used for. When considering which cameras would make ideal travel cameras, we judge each camera on how small and lightweight it is for easy packing and transport, as well as carrying for long periods of the day while out exploring. 

We also consider the technical capabilities of each camera, and how suitable they are specifically for travel photography scenarios from beach vacations to safaris, to city breaks. Finally, we consider the price of the cameras to select options that cover a range of budgets and requirements.

We use our real-world experience with each camera and our in-depth camera knowledge to determine a final selection of top cameras that we would recommend as the ideal camera traveling companions.

Want to find out how we test and review DSLR and mirrorless cameras? We trial cameras both in real-world shooting scenarios and in carefully controlled lab conditions. Our lab tests will generally measure resolution, dynamic range, and signal-to-noise ratio, which gives us a benchmark by which to compare cameras. 

Resolution is measured using ISO resolution charts, dynamic range is measured using DxO Analyzer test equipment and DxO Analyzer is also used for noise analysis across the camera's ISO range. Our compact camera evaluations are based on real-world testing alone.

For our real-world testing, our reviewers spend time with each camera, testing it in a variety of shooting situations and providing their qualitative thoughts on how the camera was to use and evaluating the images and video it produced. Here's an example of how we literally take a camera on vacation to evaluate it!

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Gareth is a photographer based in London, working as a freelance photographer and videographer for the past several years, having the privilege to shoot for some household names. With work focusing on fashion, portrait and lifestyle content creation, he has developed a range of skills covering everything from editorial shoots to social media videos. Outside of work, he has a personal passion for travel and nature photography, with a devotion to sustainability and environmental causes.

• James Artaius Editor

Related articles

The best Canon camera for 2024: Canon's finest DSLR, mirrorless and compact models

Our guide to the best Canon camera you can buy right now

• Best overall
• Best budget
• Best premium
• Best hobbyist
• Best R5 alternative
• Best affordable full-frame
• Best compact vlogging
• Best travel compact
• Best DSLR overall
• Best flagship DSLR
• Best beginner DSLR
• How to choose
• How we test

1. The list in brief 2. Best overall 3. Best budget 4. Best premium 5. Best hobbyist 6. Best EOS R5 alternative 7. Best affordable full-frame 8. Best compact vlogging 9. Best travel compact 10 . Best DSLR overall 11. Best flagship DSLR 12. Best beginner DSLR 13. How to choose 14. How we test

Beginner or enthusiast, the best Canon camera models have plenty to offer. From entry-level to professional, Canon has an model for every need and budget. We've put together this expert guide based on the results of our comprehensive reviews. We've tested Canon's top performers in every category and ranked our favorites in the list below, to help you pick the right one for you.

Based on our tests, we think the best choice for most photographers is the Canon EOS R5. A full-frame hybrid with excellent autofocus, reliable in-body image stabilization and a high-resolution sensor, it’s close to being the perfect Canon stills camera. We think it's one of the best professional cameras you can buy. If you’re looking for something cheaper, we recommend the EOS R10 as the best budget Canon camera. Conveniently compact and usefully versatile, it represents fantastic value for enthusiasts with an interest in wildlife or action photography.

Our in-depth round-up covers Canon cameras for every type of photographer. Each has been thoroughly tested in the real world, to see how it stacks up in a range of scenarios. Our experienced team assesses factors such as handling, features and performance, as well as overall image quality, to decide which cameras are worthy of your attention. To help you make the right buying decision, you'll find deal links beneath each entry, as well as useful tips at the bottom of this page.

Tim is TechRadar's Cameras editor. With more than 15 years in the photo video industry and most of those in the world of tech journalism, Tim has developed a deeply technical knowledge and practical experience with all things camera related. Tim notes, "Canon continues to produce class-leading mirrorless cameras for both stills and video. One important factor to bear in mind is the availability of lenses. There are still relatively few native lenses available for Canon's RF mount."

The quick list

You can use the summary round-up below for an instant overview of the best Canon cameras. When you find a model that ticks the right boxes, click the link beneath each entry to read more of our review feedback.

The best Canon camera overall

A versatile, powerful camera with incredible autofocus and a proven form factor, the EOS R5 is Canon’s best ever stills camera.

Read more below

The best budget Canon camera

With modern autofocus and good handling, the EOS R10 is a compact, affordable powerhouse that’s perfect for first-time Canon buyers.

The best premium Canon camera

Combining DSLR handling with cutting-edge mirrorless skills, the EOS R3 is built for speed, making it ideal for sports and wildlife.

The best Canon camera for hobbyists

Look past its limited lens range and the EOS R7 is fantastic value for enthusiasts, producing excellent images at a competitive price.

The best Canon EOS R5 alternative

A full-frame hybrid with pro-grade specs, the EOS R6 II can produce beautiful stills and video, making it an ideal second to the R5.

The affordable full-frame Canon

With a compact build, sound autofocus and responsive interface, the Canon EOS RP represents compelling full-frame value.

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The best compact vlogging Canon

With a suite of features for videographers, including a mic input and flip-up display, the Mark III is a pocket-sized win for vloggers.

The best Canon travel compact

Built small but capable, a sharp sensor, uncropped 4K and solid zoom range make this premium compact an ideal choice for travel.

The best Canon DSLR overall

It’s expensive, but if you can justify the cost, the EOS 5D Mark IV is one of the most complete DSLR cameras we’ve ever tested.

The best flagship Canon DSLR

Equipped with all the performance Canon could muster, the 1D X Mark III is a rugged, innovative and truly impressive flagship.

The best beginner Canon DSLR

If you prefer a traditional design, the EOS 250D combines excellent battery life and great autofocus in a compact body.

The best Canon camera options for 2024

Why you can trust TechRadar We spend hours testing every product or service we review, so you can be sure you’re buying the best. Find out more about how we test.

Below you'll find in-depth summaries for all of the best Canon cameras in our list. We've tested each one extensively, so you can be sure that our recommendations can be trusted.

1. Canon EOS R5

Our expert review:

Specifications

Reasons to buy, reasons to avoid.

✅ You want the best stills camera: Good for photography of any genre, the EOS R5 is the most powerful and versatile stills camera Canon has ever made. ✅ You’re upgrading from a DSLR: Pairing good physical handling with a superior EVF, autofocus and burst speeds, the R5 offers a next-gen shooting experience.

❌ You’re on a budget: The EOS R5’s body-only cost will be prohibitive for many enthusiasts, especially when you factor in the cost of RF-mount lenses. ❌ You shoot mainly video: The EOS R5 can capture sharp 8K footage, but recording time limits mean its video abilities don’t match its stills skills.

There's a heck of a lot to like about the Canon EOS R5, particularly if you're a stills photographer. In fact, we'd say that there's never been a better Canon camera for those who shoot a wide range of photography.

We've spent a lot of time with the EOS R5 since it launched, and our tests have consistently found it to have fantastic image quality, seriously impressive autofocus, and decent battery life. We're also big fans of the body design, which combines a responsive touchscreen with a superb electronic viewfinder. 

It might have the headline-grabbing spec of 8K video, but the picture is a little less clear for videographers. The EOS R5's overheating restrictions are likely to put off those who shoot lengthy clips (interviews, for example). We've tested the EOS R5's latest firmware, though, and didn't get any overheating warnings when shooting a short film in 32-degree temperatures, so it's certainly a very capable video camera for most people. 

Canon clearly went all-out on the EOS R5, and it's close to being the perfect Canon camera for hybrid shooters. However, that comes at a cost: the EOS R5 has a high asking price. But if you're keen on the brand, then it may be worth paying.

Read our in-depth Canon EOS R5 review

• ^ Back to the top

2. Canon EOS R10

✅ You’re a beginner: We rate the Canon EOS R10 as the best beginner camera you can buy right now, thanks to its usability, affordability and powerful autofocus. ✅ You want a small, affordable hybrid: It’s built more for stills than video, but the EOS R10 can still record uncropped 4K/30p footage oversampled from 6K.

❌ You want a lot of lens choice: Lens availability is a limiting factor for the EOS R10, with few native APS-C glass options available at present. ❌ You shoot a lot of action: Burst speeds are decent, but the limited buffer depth is restrictive when shooting RAW images of action or wildlife.

If you can look past the old-school sensor, we think Canon’s EOS R10 is one of the best entry-level mirrorless cameras for beginners. Fitted with Canon’s powerful Digic X chip, it also benefits from truly modern autofocus abilities. 

In testing, the processor and AF tracking together proved remarkably powerful. Continuous shooting speeds of 15fps with the mechanical shutter also mean the EOS R10 is a winner if you want to experiment with action photography. 

With dual control dials and a dedicated AF joystick, we found that the EOS R10 made it straightforward for learners to get hands-on with creative shooting. Its lightweight body will also feels comfortably familiar for anyone coming from a DSLR, with the articulating touchscreen making it an easy switch for smartphone photographers.

Low-light abilities are limited by the lack of in-body image stabilization, but image quality still proved decent during our tests, with plenty of detail hiding in the shadows. Video skills are solid too, with 4K footage oversampled at 30fps. Provided Canon comes out with more native APS-C lenses to grow with, the R10 hits the top spot for beginners.

Read our in-depth Canon EOS R10 review

3. Canon EOS R3

✅ You’re a pro sports photographer: The EOS R3 is built for speed, shooting full-res RAW files at 30fps, with a big buffer depth and rapid autofocus system. ✅ You want a mirrorless hybrid: The EOS R5 shoots sharper 8K video, but the R3 captures oversampled 4K/60p footage with fewer overheating issues.

❌ You need high-res stills: It’s a speed demon, but rivals like the Nikon Z9 and Sony A1 offer fast burst speeds at higher resolutions than the R3’s 24MP. ❌ You want a discreet camera: Unapologetically made for pros, the size of the EOS R3 means it isn’t a camera that goes under the radar.

Styled more like a sports DSLR than the handier EOS R5, the Canon EOS R3 is every bit a professional mirrorless camera. It has fewer megapixels than the EOS R5, because it’s built for speed instead of outright resolution – and if the former is your priority, it’s the best Canon camera you can get. During our extensive time testing the EOS R3, we found it one of the best sports and wildlife cameras we’ve ever tested.

At its core is a 24.1MP stacked CMOS sensor, which we described in our review as a “purring photographic engine”. It can shoot full-quality raw images at a remarkable 30fps, as well as 6K/60p raw video internally without any noticeable rolling shutter. We were also mightily impressed by its autofocus system, and reassured by the tough magnesium alloy build.

In short, the EOS R3 is the pinnacle of mirrorless speed. It’s undeniably big and expensive, but if you need an uncompromising Canon camera and can afford to pay the premium, you won’t be disappointed.

Read our in-depth Canon EOS R3 review

4. Canon EOS R7

✅ You want a small all-rounder: Its APS-C sensor gives the EOS R7 travel-friendly dimensions, while its kit lens covers a useful 18-150mm focal range. ✅ You want a budget sports camera: The EOS R7 makes excellent subject-tracking autofocus available to those without top-end full-frame budgets.

❌ You want a lot of lens choice: There are few native RF-S lenses available at present, which makes a camera like the Sony A6700 more appealing. ❌ You shoot a lot in low light: The APS-C sensor takes lovely stills, but full-frame Canon cameras perform better in dim conditions.

Hitting the APS-C sweet spot, we think the EOS R7 is one of the top options in Canon’s line-up for enthusiast shooters. In testing, its compact proportions made it a nice camera to use, with a reasonably chunky grip and accessible control layout. Yet it also benefits from a generous feature set, while undercutting its full-frame cousins.

Among the highlights is Canon’s latest Dual Pixel CMOS AF II autofocus, which proved both rapid and reliably capable of keeping up with subjects. Electronic burst speeds of up to 30fps also make it a dream for sports and wildlife photography, with in-body image stabilization offering eight stops of compensation when shooting handled.

Overall, our real-world usage proved that the EOS R7 can produce lovely images in a wide range of conditions. Low-light results aren’t quite on par with Canon’s full-frame models, but it’s hard to argue when you’re getting such impressive versatility and value. That includes two UHS-II card slots, an articulating touchscreen, and the ability to shoot uncropped 4K/60p video.

All that’s really holding the Canon EOS R7 back right now is a lack of native lenses. This is something that Canon will hopefully address if the RF-S system becomes as popular as it should be.

Read our in-depth Canon EOS R7 review

5. Canon EOS R6 II

✅ You want a pro workhorse: Made for professionals, the EOS R6 II impresses with its terrific autofocus, burst shooting and low-light performance. ✅ You want a second Canon: If you’re already invested in the RF system, EOS R6 II would make a great second camera to use alongside an EOS R5 or R3.

❌ You’re conscious of cost: The EOS R6 II is a very capable all-rounder, but it’s also an expensive one, with a price that’s only justified if you really like it. ❌ You shoot more stills than video: The EOS R6 II produces excellent stills and video, but you can find better value elsewhere if your focus is on still images.

Canon’s EOS R6 was a more affordable version of the R5, favouring speed over outright resolution. The R6 II makes several useful improvements to that formula, cementing its position as one of the best mirrorless all-rounders for Canon fans.

Even boosted from 20.1MP to 24.2MP, its sensor still has a lower pixel count than the EOS 6D Mark II. And at 4K/60p, its video resolution can’t challenge the 8K offered by the R5. Yet we found in testing that the EOS R6 II is a fantastic shooting tool: its AI-powered autofocus proved highly effective and low-light performance terrific. 

By doubling the already rapid electronic burst shooting speeds to 40fps, the EOS R6 II sets the pace among mirrorless cameras, making it a top choice for shooting action. Our tests did find that in-body image stabilization fell short of the promised eight stops, but color rendering was very attractive and image quality impressive overall.

You’ll find better value if you prioritise stills or video, and the incremental improvements don’t justify upgrading from an EOS R6. But if you’re already invested in Canon’s RF system and willing to part with a chunk of cash, the R6 II is a seriously capable hybrid.

Read our in-depth Canon EOS R6 review

The best affordable full-frame Canon camera

6. Canon EOS RP

✅ You want full-frame on a budget: The EOS RP offers a capable full-frame sensor and solid feature set at a reasonable asking price. ✅ You want a compact body: Even with a full-frame sensor inside, the Canon EOS RP is nicely packaged, with a compact, lightweight body.

❌ You shoot a lot of video: With a crop on 4K video and rolling shutter experienced in testing, the EOS RP’s recording skills are compromised. ❌ You want a lot of lens choice: The EOS RP uses an RF mount, but there are currently few lenses that complement the camera’s proportions and price.

It's a few years old, but we think the Canon EOS RP still offers excellent value for those who want to go full-frame, but can't stretch to the pricier Canon EOS R5 and EOS R6. We found it to be charmingly compact and easy to use during our tests, which means even beginners will be able to quickly find their way around the camera. That said, the EOS RP's small size does occasionally make the camera feel front-heavy when using larger lenses.

On the plus side, Canon's wide range of RF lenses also works in the EOS RP's favor, particularly when you pair it with relatively affordable primes like the RF 50mm f/1.8. 

The EOS RP's 4K video game is a little more restricted, as it comes with a 1.6x crop factor and you can't use Canon's trusted Dual Pixel CMOS autofocus system at resolutions higher than 1080p. That aside, we continue to be impressed by the value the EOS RP offers. It has excellent AF performance, produces vibrant and sharp images, boasts a wonderfully responsive rear LCD touchscreen, and can be used with existing EF lenses with a lens adaptor.

Read our in-depth Canon EOS RP review

The best compact Canon camera for vlogging

7. Canon PowerShot G7 X Mark III

✅ You want a compact vlogging tool: With a mic input, YouTube livestreaming support and a 1-inch sensor that shoots 4K, the Mark III is made for video. ✅ You value physical controls: Although it’s small, the well-built G7 X Mark III benefits from good handling and four physical control dials.

❌ You like using a viewfinder: Its video focus means the G7 X Mark III skips the viewfinder in favor of a responsive flip-up touchscreen. ❌ You want reliable metering: Image and video quality is generally very good, but the G7 X Mark III’s metering system frequently overexposes.

Long popular with vloggers, Canon’s G7X range has kicked it up a notch with its latest implementation. In our tests, we found the Mark III's 20.1MP one-inch sensor to be very capable. It's also equipped with uncropped 4K video recording and a microphone socket, features requested on its compact cameras for a very long time.

This means you can elevate the sound above and beyond the internal mic’s offering, a feature we found particularly useful during our vlogging tests. Impressively, the G7 X III can stream directly to YouTube , so you can live vlog whatever’s happening around you, without having to downgrade to using your smartphone. 

USB charging is another great feature which means you can give it power bursts on the go, which is particularly helpful if you’ve been shooting a lot of 4K video.

Read our in-depth Canon PowerShot G7 X Mark III review

The best Canon premium compact for travel

8. Canon EOS M6 Mark II

✅ You want a portable powerhouse: Low in size and weight without compromising on specs and features, the M6 Mark II is ideal for travel. ✅ You want sharp results: With a high-resolution 32.5MP APS-C sensor, the EOS M6 Mark II captures detailed stills and uncropped 4K video.

❌ You want a built-in viewfinder: The M6 Mark II doesn’t have a viewfinder as standard; you can add one to the accessory shoe, but it’s sold separately. ❌ You want a vari-angle display: While the titling touchscreen can usefully flip up to face forwards, it’s not as versatile as fully articulating display.

Until recently, the EOS M6 Mark II was Canon's flagship APS-C camera, but that title now belongs the Canon EOS R7. The arrival of the latter pushes this model down our list, but it's still a great choice as a traveling companion. You also get the option of having no viewfinder, which further boosts its portability. 

Its tiny body houses a 32.5MP APS-C sensor (the same one that's in the Canon EOS 90D). Working with a Digic 8 image processor, it offers up to 14fps continuous shooting. In our experience with the camera, this was great for sports, wildlife, street photography, and virtually any moving subject we pointed it at.

Unlike the EOS RP above, its 4K video is uncropped and uses the entire width of the sensor, which we found to be a boon for the video quality. There's also a microphone input socket and a screen that faces all the way forward, which makes this a fine vlogging camera – particularly if it now sees a price drop with the arrival of the EOS R7 and EOS R10.

Read our in-depth Canon EOS M6 Mark II review

9. Canon EOS 5D Mark IV

✅ You want a well-rounded DSLR: Improved in every way, the Mark IV is one of the most well-rounded and complete DSLR cameras we’ve tested. ✅ You want excellent autofocus: Dual Pixel AF is a huge upgrade from the 5D Mark III, with instantaneous focusing and excellent tracking.

❌ You have a tight budget: Performance upgrades come at a price, and the Canon EOS 5D Mark IV represents a significant investment compared to rivals. ❌ You record a lot of video: 4K video is a welcome presence, but the 1.64x is prohibitive and there’s no support for 4K output via HDMI.

Canon’s 5D range continues to be popular among traditionalists. And for good reason: these high-specced DSLRs offer a huge number of features in a body that handles superbly. 

Here we have an excellent 30.4MP sensor which, although lower in resolution than the likes of the Nikon D850, still gives you plenty of scope to create fantastic shots in a range of conditions.

Our tests also found that the 61-point AF system performed well in low-light and was also impressively quick, if not quite up to the standard of the latest mirrorless models. 4K video recording is available, but this being a slightly older model, it's limited to 30p. 

Although autofocusing is whip-smart, the 5D Mark IV can only manage 7fps burst shooting, which puts it behind many newer models. But if you’re shooting landscapes, portraits, still life – in short, anything which doesn’t move too quickly – you'll find it an excellent photographic companion.

Read our in-depth Canon 5D Mark IV review

10. Canon EOS 1D X Mark III

✅ You want Canon’s ultimate DSLR: Packed with features and stacked with performance, the EOS 1D X Mark III is superlative in every way. ✅ You believe in the DSLR format: The Mark III goes toe to toe with the best mirrorless cameras, with 20fps burst speeds and infallible autofocus.

❌ You want a small camera: The Mark III wears its traditional DSLR styling with pride, but that does mean it’s bigger than its mirrorless rivals. ❌ Your budget is limited: The EOS 1D X Mark III’s flagship feature set carries a hefty price tag, which puts it well beyond reach of most hobbyists.

Think of a superlative and it probably describes the Canon 1DX Mark III. A flagship sports DSLR in every sense, Canon packed this full-framer so full of performance that it automatically earns a spot on this list. There are two reasons why it's so far downL its mirrorless equivalent – the Canon EOS R3 – and the fact that its power and price tag make it too much camera for most people.

Physically, the 1DX Mark III is the same size as its predecessor, but 90g lighter and just as ergonomic. Two new Smart Controllers also make it a cinch to operate, courtesy of optical sensors that let you navigate focus points with the lightest swipe of your thumb.

Its Digic X processing chip is three times quicker than the one in the 1DX Mark II. In our tests, we found that this worked very nicely alongside the redesigned sensor to deliver impressive 4K video at 50fps, blistering continuous frame rates and an almost unlimited buffer.

Then there’s the autofocus. Driven by deep learning for subject recognition and detection, it proved supremely fast and infallibly accurate in our review, rivaling the very best mirrorless models. It’s supremely capable and can comfortably outgun almost all the competition, mirrorless or DSLR.

Read our in-depth Canon 1DX Mark III review

The best Canon DSLR for beginners

11. Canon EOS Rebel SL3 / 250D / 200D Mark II

✅ You want an entry-level all-rounder: It’s not cutting edge, but the EOS 250D pairs solid battery life with reliable autofocus in a tidy, well-built package. ✅ You value a variety of lens options: Because Canon’s EF mount is well-established, the EOS 250D benefits from compatibility with a wide range of lenses.

❌ You need the very latest autofocus: While Canon’s Dual Pixel AF system is decent enough, its 9-point array looks dated next to other entries in this list. ❌ You’re a budding videographer: Although the EOS 250D can capture 4K video, issues with rolling shutter, as well as a crop on 4K footage, mean its potential is limited.

If you’re a fan of the DSLR format, we think the Canon EOS Rebel SL3 (known as the EOS 250D or 200D Mark II outside the US) is one of the best entry-level DSLR cameras you can buy. In our review, we praised its combination of build quality and features, which add up to excellent value for beginners. We also found it relatively light and compact for a DSLR. It’s an easy camera to use and wield in the hand, aided by an articulating touchscreen which proved very responsive in testing.

We were also impressed by its Dual Pixel CMOS AF system. A more recent mirrorless camera will outclass its 9-point array and 5fps burst shooting rate, but we found that the system can still focus quickly in good light. Images are generally well-exposed, too. Rolling shutter and a crop factor unfortunately reduce the usefulness of 4K recording, but if you want an affordable camera that’s compatible with a wide range of lenses, we think the EOS Rebel SL3 / EOS 250D is a good choice for beginners.

Read our in-depth Canon EOS Rebel SL3 / EOS 250D review

How to choose the best Canon camera

It can be tricky to pick the right Canon camera for you. The brand offers a wide array of choices, ranging from pocket-friendly compacts to bulkier DSLRs to cutting-edge mirrorless systems. Canon caters to pretty much every type of photographer and filmmaker out there, and which model is right for you will depend hugely on what and how you like to shoot. In particular, you’ll need to consider which body style and sensor format best suits your needs.

If you’re into sports and wildlife photography, for example, should you should be looking for a camera with fast frame rates and reliable in-body image stabilization to steadily capture rapid action. The Canon EOS R3 delivers all this and more (but at a price). 

Equally, if you’re more focused on moving images than moving subjects, Canon’s range is home to several video-focused cameras, which support external microphones, feature flip-out screens for easy framing, and can capture uncropped 4K footage. The Canon PowerShot G7 X Mark III is a pocketable solution for travelers, as is the Canon EOS M6 Mark II for those who’d like an APS-C sensor in a travel-friendly form factor (though it might be an idea to hold off a little to see how the R7 and R10 perform).

Canon also makes several fantastic all-rounders. These versatile cames work well in multiple scenarios, and will often be the best choice for hobbyists who’d like to try their hand at multiple photography and video genres. The Canon EOS R6 is the best Canon all-rounder you can currently buy, while the EOS Rebel SL3 / EOS 250D is a more affordable all-rounder.

Canon has traditionally been a big player in the DSLR market, which has now come to an end, thanks to the popularity, weight saving, and technological breakthroughs with mirrorless tech. While it still remains one of the most established names in relation to the format, it’s now also become a mirrorless force to be reckoned with. If you’re searching for the ultimate in resolution, performance, and technology, you should be looking at its latest mirrorless cameras, like the Canon EOS R3, R5, and EOS R6. That said, you’ll need a pretty serious budget to take one home.

Those with a more limited budget needn’t worry. Canon offers a fantastic range of compact, DSLR, and mirrorless options that won’t break the bank. The Canon EOS M50 is a great example: recently succeeded by a minor upgrade, it’s available at particularly affordable prices, yet still represents excellent value as an everyday or travel camera.

What’s the best Canon camera for beginners?

Canon makes a range of cameras for beginners. Which one is right for you will depend on your specific needs, skills, and budget. Whether you’re upgrading from a point-and-shoot or switching from a smartphone, Canon has a camera for you.

Which is the best Canon camera for beginners? We think the best all-round Canon camera for most novices is the Canon EOS Rebel SL3 / EOS 250D. A lightweight, entry-level DSLR with excellent battery life and ergonomics that make it great to hold, it’s a brilliant camera for new photographers to handle. Although its 9-point autofocus system is dated, it performs consistently and image quality is good. Plus there are plenty of compatible lenses in Canon’s catalog when you’re ready to get creative.

That said, if you’d prefer to start out with a mirrorless camera, the Canon EOS M50 is also an excellent choice for beginners. Since succeeded by the Canon EOS M50 Mk II (a minor upgrade), it remains a very capable APS-C camera that’s accessible and easy to use. Its combination of an excellent electronic viewfinder with a slick, vari-angle touchscreen makes it very approachable for first-timers. Dual Pixel autofocus is also fast and reliable. If you can look past the limited battery life and plasticky finish, it’s a great value choice if you’re just starting out.

Prepared to take the plunge and buy a camera that you can grow into? The Canon EOS RP is a full-frame mirrorless camera that’s relatively affordable and offers top-notch performance. It’s compact and easy to use thanks to a responsive rear touchscreen, so beginners should quickly get to grips with its interface – yet the EOS RP also produces sharp, vibrant images and boasts excellent autofocus performance. If you can deal with the 1.6x crop on 4K footage, it’s an appealing package.

Is Canon or Nikon better?

The Canon versus Nikon debate has been rumbling on for decades. For as long as both Japanese brands have existed, there’s been a question as to which is superior. Yet a simple answer is impossible: while there are many die-hard fans of each camera maker, the winner in each case will depend on what kind of camera you want and how you plan to use it.

As you’ll see from the list above, Canon has a huge catalog of cameras, catering to all kinds of photographers and videographers. Nikon is no different: check out our round-up of the best Nikon cameras and you’ll find a similarly comprehensive stable of models, ranging from travel compacts to full-frame mirrorless powerhouses.

While both Canon and Nikon offer something for everyone, they do take different approaches to certain features. Compare the Canon EOS R6 II with the Nikon Z6 II, for example, and you’ll immediately find differences in the way that they handle and how their interfaces operate. Which suits you better will usually come down to personal preference.

The question is best approached on a case-by-case basis, either comparing specific models or assessing each brand’s offerings in a particular category. We’ve done exactly that in our in-depth Canon vs Nikon feature . Unless you’re already invested in one manufacturer’s lens mount system – or deeply familiar with a specific control setup – we don’t recommend choosing by name alone. It’s always better to decide on the basis of expert testing, in light of your specific expectations.

How we test Canon cameras

Buying a camera these days is a big investment, so every camera in this guide has been tested extensively by us so we can authoritatively decide on the best Canon camera. These days, real-world tests are the most revealing way to understand a camera's performance and character, so we focus heavily on those, along with standardized tests for factors like ISO performance.

To start with, we look at the camera's design, handling, and controls to get a sense of what kind of photographer it's aimed at and who would most enjoy shooting with it. When we take it out on a shoot, we'll use it both handheld and on a tripod to get a sense of where its strengths lie, and test its startup speed.

When it comes to performance, we use a formatted card and shoot in both raw and JPEG (if available). For burst shooting tests, we dial in our regular test settings (1/250 sec, ISO 200, continuous AF) and shoot a series of frames in front of a stopwatch to see if it lives up to its claimed speeds. We'll also look at how quickly the buffers clears and repeat the test for both raw and JPEG files.

In various lighting conditions, we also test the camera's different autofocus modes (including Face and Eye AF) in a single point, area, and continuous modes. We also shoot a range of photos of different styles (portrait, landscape, low light, macro/close-up) in raw and JPEG to get a sense of metering and its sensor's ability to handle noise and resolve fine detail.

If the camera's raw files are supported by Adobe Camera Raw, we'll also process some test images to see how we can push areas like shadow recovery. And we'll also test its ISO performance across the whole range to get a sense of the levels we'd be happy to push the camera to.

Battery life is tested in a real-world fashion, as we use the camera over the course of the day with the screen set to the default settings. Once the battery has reached zero, we'll then count the number of shots to see how it compares to the camera's CIPA rating. Finally, we test the camera's video skills by shooting some test footage at different frame rates and resolutions, along with its companion app.

We then take everything we've learned about the camera and factor in its price to get a sense of the value for money it offers, before reaching our final verdict.

• Best cameras for photography
• Best camera for beginners
• Best beginner DSLR cameras
• Best 4K camera
• Best full-frame camera
• Best compact camera
• What camera should I buy?
• Mirrorless vs DSLR: 10 key differences
• Camera rumors

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Tim is the Cameras editor at TechRadar. He has enjoyed more than 15 years in the photo video industry with most of those in the world of tech journalism. During his time as Deputy Technical Editor with Amateur Photographer, as a freelancer and consequently editor at Tech Radar, Tim has developed a deeply technical knowledge and practical experience with cameras, educating others through news, reviews and features. He’s also worked in video production for Studio 44 with clients including Canon, and volunteers his spare time to consult a non-profit, diverse stories team based in Nairobi. Tim is curious, a keen creative, avid footballer and runner, and moderate flat white drinker who has lived in Kenya and believes we have much to enjoy and learn from each other. 

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Best Canon Camera for Travel

 photo by Merlas  via iStock

Canon is a kingpin in the world of cameras regardless of what type of photographer you are, and it's no different when it comes to travel photography. 

Whether you are on the hunt for a pocket-sized compact travel camera, a traditional DSLR travel camera, or a newer best-of-both-worlds mirrorless travel camera, Canon makes them all! 

So without further ado, let’s dive in and take a look at all the best canon camera for travel! 

Best Compact Camera for Travel by Canon

Compact cameras are popular choices for those looking to travel as minimally as possible, and the Canon G5 X Mark II is certainly my favorite Canon compact camera for travel. 

The G5 X Mark II has a large 20.1MP sensor that delivers some of the sharpest images of any compact camera, and thanks to the new DIGIC 8 image processor it’s also one of the fastest. The autofocus is super quick, it can shoot continually at up to 20fps, and has a 30fps burst RAW burst mode. 

It has a 5x optical zoom lens which is the equivalent of 24-120mm. With those focal lengths you can shoot every type of travel photography! Furthermore, the f1.8-2.8 aperture lets you have a shallow depth of field and creates a beautiful bokeh effect when shooting travel street photography or travel portrait photography.  

Switching over to video, it can record 4K footage at 30p and full HD at up to 120p. Those numbers are hard to come by in compact cameras and make the Canon G5 X Mark II one of the best compact cameras for travel if you plan to shoot both photos and video. 

Other amazing travel features I love in this camera are the optical image stabilization, the 180° touchscreen LCD, built-in Wi-Fi and bluetooth, panoramic mode, macro mode, and the special star shooting mode!

Best Mirrorless Camera for Travel by Canon

Having used all different types of cameras, mirrorless cameras are my personal favorite for travel photography. They are more versatile than compact cameras since they have the ability to use interchangeable lenses, but they are smaller and lighter than DSLRs. 

With that being said, the best Canon mirrorless camera for travel is the Canon EOS M50 Mark II . It has a 24MP APS-C sensor, the same upgraded DIGIC 8 image processor as the G5 X Mark II, and comes at a much cheaper price than comparable mirrorless cameras from other brands! 

While the camera shoots great stills, where it has really made a name for itself is among travel vloggers. They just can’t seem to get enough of this camera! Video features they love are the ability to shoot both 4K and full HD, a 30-minute recording limit, face and eye-tracking autofocus, vertical video mode, a fully articulating screen, and live streaming to YouTube.

One of the best features of the M50 Mark II, along with all other Canon mirrorless cameras, is its ability to use EF Canon lenses with an adapter . That means if you are a long-time Canon DSLR user and want to make the switch over to a lighter mirrorless camera for travel, all your old lenses will still work! 

The two biggest features I would like to see added to future models of the M50 are in-body stabilization and USB charging. These are two super-useful travel features and some of the only things holding it back from being the perfect mirrorless camera for travel!   

Learn More:

• Top Photography Travel Bags
• Australia Travel Brochure: Where to Spend Your Time

Best DSLR Camera for Travel for Beginners

While DSLRs may not be the lightest cameras out there, they are still a popular camera thanks to their long history and relatively low prices. If you are on a budget, getting a beginner DSLR camera for travel is no doubt the best option! 

My top pick is the Canon EOS Rebel SL3 ! Released in 2019, it's the smallest and lightest EOS DSLR ever made and a terrific entry-level travel camera. It has a 24.1MP APS-C sensor which produces crisp images, is extremely beginner-friendly, and can be bought new or used at an excellent price. A great place to look for used cameras is MPB.com .  

Additionally, it can record 4K video and can create beautiful 4K timelapse videos without the need of any external software. The time-lapse movie mode is something long-time Canon users have been begging for for years! 

The true stand-out feature of this camera however is the battery life! While most mirrorless cameras get somewhere in the range of 300-400 shots per battery, the Rebel SL3 can take a mind-boggling 1,070! When on the road you can never be certain when you’ll have access to power, so all that extra battery life is sure to come in handy. 

Best DSLR Camera for Travel for Professionals

 If you’re a more serious photographer, the best Canon camera for travel is the Canon EOS 5D Mark IV . Due to its large price tag and bulky frame, it’s not the optimal travel camera for the average person, but if you are a professional it’s an easy choice! 

 It has a giant 30.4MP full frame sensor that produces unmatched image quality when compared against the rest of Canon’s camera lineup.

  On top of that, it produces stunning 4K video that rivals much more expensive cinema cameras. It’s no wonder this all-around beast of a camera is a top choice by both professional photographers and videographers alike. 

 Another crazy cool travel feature is the built-in Wi-Fi and GPS that allows you to instantly share photos to your phone and select social media sites! This is incredibly useful and saves a lot of time when you just want to make a quick post. 

Other Canon Cameras for Travel to Consider

Not totally sold on one of the travel cameras above? Check out these other stellar Canon travel camera options! 

• Canon PowerShot SX70
• Canon EOS Rebel T7
• Canon EOS M200
• Canon Powershot G7 X Mark III
• Canon EOS M6 Mark II

 Learn More:

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Canon EOS R6 Full-Frame Mirrorless Camera with 4K Video, Full-Frame CMOS Senor, DIGIC X Image Processor, Dual UHS-II SD Memory Card Slots, and Up to 12 fps with Mechnical Shutter, Body Only, Black

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About this item.

• High Image Quality featuring a New 20 Megapixel Full-frame CMOS Sensor.
• DIGIC X Image Processor with an ISO range of 100-102400; Expandable to 204800.
• High-speed continuous shooting of up to 12 fps with Mechanical Shutter and up to 20 fps electronic (silent) shutter.
• Dual pixel CMOS AF covering approx. 100% area with 1,053 AF areas.
• Subject tracking of people and animals using deep learning technology.
• Video capture resolution: 4K UHD 2160p

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Ready for Anything

For photographers and video content creators looking for a versatile camera to keep up with their active lives, look no further than the EOS R6 full-frame mirrorless camera. Featuring a high-performance CMOS sensor, 4K video and more, it offers all you need to take your imagery to the next level.

Full-frame CMOS Sensor

The high-performance 20 MP CMOS image sensor helps the EOS R6 deliver outstanding image quality.

Advanced Image Processor

DIGIC X powers 4K capture, enhances detail, reduces noise and more with high speed and efficiency.

Capture High-speed Action

Continuous shooting is available up to 12 fps (Mechanical Shutter) and 20 fps (Silent Shutter).

Fast, Precise Autofocus

Dual Pixel CMOS AF II enables high detail, offering approx. 100% area coverage with 1,053 AF areas.

People & Animals in Focus

Subject tracking detects the head, eye and face for people, and body, face and eye for animals*.

5-axis Image Stabilizer

In-body image stabilization offers up to 8 stops of shake correction** for smooth, steady imagery.

Wireless Capabilities

Built-in Wi-Fi*** and Bluetooth^ allow for quick and convenient wireless connectivity.

Robust & Reliable

A polycarbonate exterior body and an internal structure of mainly magnesium enable high durability.

Cinematic 4K Capture

4K (up to 60 fps) and Full HD 1080 (up to 120 fps) recording is ideal for quality content creation.

Rich & Accurate Color

4K and Full HD video shooting is possible in 10-bit 4:2:2 (H.265) with Canon Log or HDR PQ.

Breathtaking, Clear Video

Dual Pixel CMOS AF II is available in all video modes, enabling recording with outstanding clarity.

More Mobility for Videos

Internal recording is available in all modes with Dual Pixel CMOS AF II and HDR-PQ (H.265).

Built-in 0.5” 3.68 Million Dots OLED EVF

The high-precision 0.5-inch OLED EVF features approx. 3.68 million dots and a 23mm eyepoint, supporting a 120 fps refresh rate^^ for bright, sharp and colorful 100% display of subjects.

Dual Card Slots

The EOS R6 has dual card slots for UHS-II SD memory cards. Both slots are capable of burst shooting of approx. 20MP images at speeds of up to 20 fps, as well as internal recording of 4K 60p movies.

Vari-angle LCD Touchscreen

The 3.15-inch, 2.1 Megapixel Clear View LCD II Vari-angle Touchscreen LCD offers extensive flexibility, making it easy to compose and shoot from virtually any angle.

Scroll Wheel & Controller Stick

The EOS R6 is designed for easy handling that feels intuitive. Use the convenient scroll wheel and controller stick to making capturing photos a breeze.

Main Dial and Quick Main Dials 1 & 2

The EOS R6 features a three dial User Interface in the main dial, quick control dial 1 and quick control dial 2, providing direct control over exposure controls like Shutter Speed, Aperture and ISO.

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What's in the box.

• Camera Body & Lens

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My Favorite Features of the Canon R6

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Is the Canon R6 really that good? My unbiased review w/ pics

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Canon R5 and R6 Comparison #thisorthat

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Canon 7D Mark II /5d Mark IV / R6 COMPARED #thisorthat

Looking for specific info, product information, warranty & support, product guides and documents, product description.

The EOS R6 features the same base image sensor and image processor as the EOS-1D X Mark III, enabling a native ISO range of 100-102, 400. With high-speed continuous shooting of upto 12 fps with the Mechanical shutter and upto 20 fps with Electronic “silent” shutter, the EOS R6 can keep up with just about any fast moving subject. Combined with the new Dual Pixel CMOS AF II system with approx. 100% coverage of the frame, and 1,053 Automatic AF Zones, the EOS R6 will confidently follow elusive subjects at 20fps for sharp images. Tracking subjects is easy and intuitive with the ability to track people using Eye, Face and Head Detection AF, or when tracking the whole body, face or eye of cats, dogs, or birds with Animal Detection AF. With the new 5-axis In-Body Image Stabilizer, up to 8-stops of shake correction is possible with both non-stabilized and optically image-stabilized lenses, opening up many more creative opportunities for incredibly stable lower light photo or video content creation. Those looking for creative cinematic video options will appreciate frame rates including 4K 60P and Full HD 120P with the option of internally recorded 4:2:2 10-bit Canon Log or HDR-PQ recording. And the inclusion of Dual SDXC UHS-II card slots combined with Wi-Fi and Bluetooth allows for multiple transfer and automatic backup options, making the EOS R6 ready when you are.

Customer reviews

Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.

To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.

Customers say

Customers like the quality, focus, and ease of use of the digital camera. They mention that it takes amazing pictures and performs exceptionally well in low light. They are also happy with the quality and focus of the lens. However, some customers have reported issues with the performance of the camera, saying that it stopped working within minutes. Customers also disagree on heating, and value.

AI-generated from the text of customer reviews

Customers like the quality of the camera. For example, they say it's a high-quality camera, with incredible capabilities. Some mention that the shots are amazing and the camera is perfect.

"...and High-Definition 🌃🎬: The 4K video capabilities of the R6 are equally impressive ...." Read more

"...The body is a nice improvement. The build quality seems relatively the same ; however the button placement on the R6 seems largely more intuitive..." Read more

"The sharpness is great, quality product , long battery, works amazing, good price!" Read more

"...The EVF is very good , even in very bright light, most of the time, but I still think there's a lot of room for improvements in these mirrorless..." Read more

Customers like the image quality of the camera. They say it takes good pictures, has a sharper and cleaner image, and has all the necessary features for great video and still images. Some mention that the auto focus is magical and makes portrait photography that much more freeing. Some say that the 4K video is nice to have, and the 20 MP resolution is fine.

"...Despite the premium price tag, its superior image and video quality , speedy performance, convenient storage options, and impressive continuous..." Read more

"...The EOS R6 not only takes fantastic shots it does so more consistently than the EOS R did for me...." Read more

"...to a cheaper camera like the Canon R, but I still like the quality of video better , especially due to the better quality image with a high ISO...." Read more

"...I can shoot at up to ISO 25,600 and get perfectly usable images . I rarely shoot at these settings, but it's nice to know I can...." Read more

Customers like the focus of the camera. For example, they mention it has an amazing autofocus, the eye autofocus is the best update, and it's incredibly fast. They also appreciate the accurate focusing, edge-to-edge focus capabilities, and sticky autofocus.

"...the premium price tag, its superior image and video quality, speedy performance , convenient storage options, and impressive continuous shooting..." Read more

"...Just as an example of how absurdly accurate the eye autofocus is : When I first got the camera I was testing it in my bedroom...." Read more

"...Sharpness remains intact.Photo quality, auto focus and stabilization from the IBIS do well. No complaints...." Read more

"...AF is markedly better. Faster and more sensitive in dimmer light...etc...." Read more

Customers are satisfied with the low-light capability of the camera. They mention that it performs exceptionally well in low light, exceeding their expectations. The dynamic range is insane, and the low light performance is unbeatable. The results are absolutely perfect.

"... Low light performance is also excellent , reducing noise while maintaining clarity and detail...." Read more

"...Speaking of the evening event, the low light capability of this camera is exceptional . Truly...." Read more

"The sharpness is great, quality product, long battery, works amazing , good price!" Read more

"... Low light capabilities are great . I've done pictures at parties and a wedding and the lighting was very dim...." Read more

Customers find the digital camera easy to use and like. They say it has user-friendly amenities and is fun to use. Customers also mention that it's easy to maneuver through the menu screen and saves them a ton of time editing photos.

"...The camera is a joy to use . Starting off with the auto focus since that is a major improvement over previous Canon models...." Read more

"...The good:1. The camera is a delight to handle and is easy to like.2. Autofocus is superb with either lens...." Read more

"...This has been saving me a ton of time editing photos . It almost feels like I'm cheating...." Read more

"...It is easy to use and it supports two SD cards. Nice product but a bit expensive." Read more

Customers are mixed about the value of the digital camera. Some mention that it provides the best value for money, with all necessary features for great video and still images. They say that it's worth the investment and has saved them money from buying a new lens. However, some customers feel that the camera is expensive and has obvious cost cutting.

"The sharpness is great, quality product, long battery, works amazing, good price !" Read more

"...💰 Price: Premium Investment 💼💲: The EOS R6 comes with a premium price tag , which might be a consideration for those on a tighter budget...." Read more

"Okay first off this product is INSANE! So worth the money . I have a few things to point out to those of you who are looking for some specs...." Read more

"It fits fine and working great. Saved me money from buying a new lens. thank you, Cannon." Read more

Customers are mixed about the heating of the camera. Some mention that they've not seen any overheating, while others say that it overheats and loses focus. Some customers also say that there's no internal temperature check and that the hot shoe is loose after using it for 7 months.

"...THE BIGGEST and SCARIEST THING - Not just the overheating that I've seen so many reviews on. Not that...." Read more

"Do not buy this camera if you plan on filming video. It will overheat after 20 minutes and you won't be able to film another 20 minute segment for..." Read more

"...I also have not had a single issue with overheating at all. The reports are so blown out of proportion...." Read more

"...I really cant beleive it overheats just waiting . I even did the firmware update and still the same issue...." Read more

Customers are dissatisfied with the performance of the digital camera. They say that it stopped working within minutes, acts dead, and doesn't even try to work. Some customers say that the device went out within only 2 weeks of having it in their hands.

"...high pulse shutter speed with the mechanical shutter will not work with a nockoff battery even at a full charge...." Read more

"...- sometimes in more dim lighting especially with the adapter, it acts dead and just doesn’t even try to focus...." Read more

"...It went out within only 2 weeks of having this in my hands. I've read about 2 more reviews on B and H and here that had had similar issues...." Read more

"...had a lifelong brand loyalty to Canon, but this camera was such a terrible product that I'm switching to Sony going forward. Unbelievable." Read more

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• Mirrorless Cameras
• RF Mount Compatible with RF Lenses and EF/EF-S Lenses*.
• 30.3 Megapixel Full-frame CMOS Sensor and DIGIC 8 Image Processor.
• Dual Pixel CMOS AF with 5,655 Manually Selectable AF Points**.
• 4K 30p with Canon Log and 10-bit 4:2:2 HDMI Output.
• Built-in EVF with 3.69 Million Dots, Vari-angle Touchscreen LCD and Dot-matrix LCD Panel.
• Sophistication in a Lightweight, Compact Size.

Terms The following are the terms and conditions ("Terms") for the Canon U.S.A., Inc. Auto Replenishment System (the "Service"). These Terms are between you and Canon U.S.A., Inc. ("Canon USA," "we" or "us") and govern your and our respective rights and obligations relating to the Service. Please note that your use of the Service is also governed by Canon Direct’s  Terms of Use  and our Privacy Statement, each of which (as changed over time) are incorporated into these Terms, and all of which govern our respective rights and obligations concerning the Service. By placing an order through, or otherwise using, the Service, you accept, and agree to be bound by, these terms, conditions, limitations and requirements. Please read these Terms carefully. Service We reserve the right to change the Service benefits, including discount amounts and eligibility used to determine discount amounts, at any time in our sole discretion. All such changes will apply to future orders. When you are enrolled, the Service will automatically create a new order for Eligible Products according to the shipment schedule applicable to the frequency of the Service you have selected, until you cancel. We may, in our sole discretion, terminate your enrollment at any time without notice. If we do so, you will only be charged for orders that have been shipped to you. Eligible Products The eligible products that may be ordered through the Service (the identity of which are subject to change) are set forth on the product detail page on the Canon Direct website (shop.usa.canon.com) with the option to select the Service displayed (each, an "Eligible Product"). Your participation in the Service is personal to you, and you may not assign or transfer your enrollment, or any of the benefits of the Service, to any third party without our authorization. The Service is only available to customers with shipping addresses in the 50 United States and the District of Columbia. Offers, Orders and Returns Discounts and any limited time promotions associated with the Service apply only to Eligible Products displaying the offer message on the product detail page on the Canon Direct website (shop.usa.canon.com). Discounts and any amounts from limited time promotions that apply to your order, if any, and which are still in effect, will be automatically deducted from your order. Some offer details may change as you receive deliveries over time (for example, price, taxes, availability, and shipping charges). If an Eligible Product is unavailable when we plan to ship it, we will notify you that we are unable to process your order, and we will wait to process your order until the next scheduled shipping date when the Eligible Product is available. When the Eligible Product becomes available, the price will be the price when you ordered it, regardless of when it becomes available. Returns of Eligible Products under the Service are subject to our  return policy . Service enrollments are void where prohibited. Enrollment As part of your enrollment in the Service, you will be required to register with us so that your printer can be identified as participating in the Service. Instructions for registering your printer are contained in the introductory email sent to you after you apply for enrollment in the Service, as well as in the "My Account" section of the Canon Direct website (shop.usa.canon.com). You will be required to accept terms and conditions provided by our parent company, Canon Inc., as part of registering your printer. Canon Inc. will notify us when an ink or toner cartridge reaches a certain low ink/toner threshold, and we will fill an order for the ink or toner and ship it to you under these Terms. Information provided to us and Canon Inc. may be stored on servers outside of the United States and will be subject to our Privacy Statement. It's possible that your order for Eligible Products will not arrive prior to running out of ink or toner where your use was more than usual, particularly if such greater use occurred over 1 or 2 days. Payment and Cancellation The total cost charged to your payment method for each order under the Service will be the cost of the Eligible Product on the day that order is processed, less any discount offered as a percentage or dollars off at the time you registered, plus any applicable sales tax. We reserve the right to modify or cancel any discount offered at the time you registered for the Service, with notice to you, and future orders fulfilled under the Service will reflect any such change. For each Eligible Product shipped under the Service, you authorize us to charge the payment method used when you enrolled unless otherwise directed by you. If we are unable to complete your order with the payment method you used when you enrolled, we will not fulfill the order and will notify you that your payment method needs to be updated. Your enrollment in the Service will remain in effect until it is canceled. You can cancel or modify your enrollment at any time via the "My Account" section of the Canon Direct website (shop.usa.canon.com). If you cancel or modify your enrollment after an order has been processed, you will be charged for the order as processed. If the discount for such Eligible Product changes, the new discount will be applied to your future shipments of that Eligible Product. If, after enrollment, you are no longer in possession of your printer for any reason (e.g., due to warranty return, replacement, or exchange), the total cost for the Service will continue to be charged to your payment method until you cancel your enrollment. No refunds will be granted because of your failure to cancel your enrollment in such situation. Your rights under these Terms will automatically terminate without notice if you fail to comply with any of its terms and conditions. In the event of such termination, we may immediately revoke your access to the Service. Our failure to insist upon or enforce your strict compliance with these Terms and will not constitute a waiver of any of our rights. Changes to Terms We may, in our sole discretion, change these Terms without notice to you. If any change to these Terms is found invalid, void, or for any reason unenforceable, that change is severable and does not affect the validity and enforceability of any remaining changes or conditions. YOUR CONTINUED PARTICIPATION AFTER WE CHANGE THESE TERMS CONSTITUTES YOUR ACCEPTANCE OF THE CHANGES. IF YOU DO NOT AGREE TO ANY CHANGES, YOU MUST CANCEL YOUR ENROLLMENT. Disclaimer of Warranties and Limitation of Liability WE DISCLAIM ALL WARRANTIES, EXPRESS OR IMPLIED, CONCERNING THE SERVICE INCLUDING THE IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NON-INFRINGEMENT. WITHOUT LIMITING THE PRECEDING SENTENCE, UNLESS OTHERWISE REQUIRED BY APPLICABLE LAW, IN NO EVENT WILL OUR, OR OUR LICENSORS’, AGGREGATE LIABILITY UNDER THESE TERMS WITH RESPECT TO ANY CLAIM EXCEED ONE HUNDRED DOLLARS ($100.00).

Return Policy

The Canon Online Store will accept, for return or exchange, defective or unopened merchandise purchased at the Canon Online Store, subject to the exceptions and timeframe for returns listed below: All merchandise returned to the Canon Online Store must be in the original packaging with all original items (such as manuals, cables, etc.) accompanying the merchandise and a copy of the invoice/packing slip included to be eligible for return or exchange. Shipping and handling fees from your original order will not be refunded, unless the merchandise is determined by the Canon Online Store, in its sole discretion, to be defective.

See Return Policy for complete information.

Meet Canon's new addition to the EOS System, the EOS R camera. The foundation of this system is an entirely new lens mount, designed for optical excellence today and incredible optical potential for the future. Get ready to capture a variety of subjects in many different environments. Versatility is key with the EOS R; a 30.3 Megapixel Full-frame CMOS sensor and the DIGIC 8 Image Processor deliver stellar low-light performance, even in dark situations. Focus can be attained with incredible speed and accuracy thanks to Canon's proprietary Dual Pixel CMOS AF system and a maximum of 5,655 manually selectable AF points*. This system also captures smooth 4K video that's easy to share and can be enhanced in post-production thanks to the included Canon Log. The built-in, high-precision EVF and a Vari-angle Touchscreen LCD make it easy to adapt to different shooting situations. In daylight or in the dark, in the studio or on the street, the EOS R's lightweight, intuitive and durable design means strong performance and gorgeous results. Whether capturing landscapes or wildlife, wedding portraits or dance performances, the EOS R is an advanced and impressive imaging tool that's primed to deliver the stunning photos and videos that photographers, moviemakers and any visual storytellers need to make their stories fly. Witness a new beginning with the EOS R and be the revolution.

Technical Specifications

View full technical specs pdf.

• SD card speed class-compatible.
• UHS-I and II supported.
• Use of UHS-II microSDHC/SDXC cards with a microSD to SD adapter is not recommended. When using UHS-II supported cards, use SDHC/SDXC cards compatible with UHS-II.
• Eye-Fi cards not supported.Multimedia cards (MMC) cannot be used.

Image Sensor

• Removes dust adhering to the low-pass filter.
• At power off only / Enable / Disable. Performed automatically (taking about 3.0 sec. as indicated on the screen) or manually (taking about 9.0 sec. as indicated on the screen).
• After manually activated cleaning, the camera will automatically restart (Power OFF to ON).
• When [Multi Shot Noise Reduction], [Multiple exposures], or [HDR mode] is set, [Clean now] and [Clean manually] cannot be selected.
• The coordinates of the dust adhering to the low-pass filter are detected by a test shot and appended to subsequent images.
• The dust coordinate data appended to the image is used by the provided software to automatically erase the dust spots.
• Not available with EF-S lenses, in cropped shooting or when distortion correction is applied.
• Manual cleaning (by hand)

Recording System

• Values for Recording Pixels are rounded to the nearest 100,000 or 10,000.
• For RAW and JPEG images, information outside the cropping area is not retained.
• JPEG images are generated in the set aspect ratio.
• RAW images are generated in [3:2], and the set aspect ratio is appended.
• The numbering of captured images continues even after you replace the card.
• When you replace the card, the numbering will be reset to start from 0001. If the new SD card already contains images, the numbering will continue from the last recorded image in the card.
• Resets the file number to 0001, and creates a new folder automatically.
• Fine Detail
• In Scene Intelligent Auto, [Auto] will be set automatically.
• [Standard] is the default setting for [User Def. 1-3].

White Balance

• Tungsten light
• White fluorescent light
• Custom (Custom WB)
• Color temperature
• AF point information
• Number of remaining multiple exposures
• HDR shooting
• Multiple-exposure shooting
• Dual Pixel RAW shooting
• Multi Shot Noise Reduction
• Digital Lens Optimizer
• AF operation
• Metering mode
• Anti-flicker shooting
• Shooting mode
• Scene icons
• Flash-ready
• High-speed sync
• Shutter speed
• Multi-function lock warning
• Lens information
• Exposure level indicator
• Exposure compensation
• Highlight tone priority
• Possible shots
• Number of self-timer shooting
• Maximum burst
• Battery level
• Exposure simulation
• Still photo cropping
• Aspect ratio
• Auto Lighting Optimizer
• Picture Style
• White balance
• White balance correction
• Image Quality
• Bluetooth® function
• Wi-Fi® function
• Electronic level
• One-Shot AF
• Manual (Manual focus)
• Focus range with the AF-assist beam is generally no more than 13.1 ft. / 4m (at f/5.6).

Exposure Control

• Evaluative metering (AF point-linked)
• Partial metering (approx. 6.1% of the area at the center of the screen)
• AF point-linked spot metering not provided.
• Center-weighted average metering
• Scene Intelligent Auto
• Flexible-priority AE
• Program AE (shiftable)
• Shutter-priority AE (Safety shift possible)
• Aperture-priority AE (Safety shift possible)
• Manual exposure
• Custom shooting mode C1, C2, C3

Manual Setting

• For [Highlight tone priority], the minimum ISO speed limit will be ISO 200 to 40000.
• ISO speed safety shift possible with Custom Function.
• All the expanded ISO speeds including those for movies are only “equivalent speeds.”

* 1 Depending on [Minimum] and [Maximum] of [ISO speed settings] or [Range for stills].

• The metering mode for AE lock after focus can be customized.
• In the Fv, P, Tv, Av and M modes, enabled with the AE lock button. (Press again to update.)
• Enabled in all metering modes.
• Electronic first curtain, mechanical second curtain
• Electronic shutter (slit rolling read out)
• Mechanical first and second curtain

External Speedlite

• Flash firing, E-TTL II Flash metering, Slow synchro, Safety FE, Flash mode, Wireless function, Flash zoom, Shutter synchronization and Flash exposure compensation
• The setting options for both (1) and (2) will differ depending on the Speedlite used.

Drive System

• Single shooting
• The conditions are attaining the maximum continuous shooting speed are as follows:
• Shooting with a fully charged battery in One-Shot AF mode at a 1/1000 sec. or faster shutter speed and maximum aperture (depending on the lens), at room temperature (73°F/23°C), with flicker reduction, Dual Pixel RAW shooting and Digital Lens Optimizer disabled.
• In One-Shot AF mode with Image Stabilizer off when using these lenses: EF 300mm f/4L IS USM, EF 28-135mm f/3.5-5.6 IS USM, EF 75-300mm f/4-5.6 IS USM, EF 100-400mm f/4.5-5.6L IS USM.
• The continuous shooting speed for high-speed continuous shooting may be lower, depending on conditions such as these: battery level, temperature, flicker reduction, Dual Pixel RAW shooting, shutter speed, aperture, subject conditions, brightness, AF operation, type of lens, use of flash and shooting settings.
• The maximum continuous shooting speed may be lower when using a cold battery in cold environments or when the battery level is low, at approx. 6.0 shots/sec.
• With Servo AF, the maximum continuous shooting speed may become slower depending on subject conditions or the lens used. Also, the maximum continuous shooting speed will become slower when setting the [LV silent shooting] to [Disable].
• Max. approx. 3.0 fps
• High-speed continuous shooting not possible.
• Self-timer: 10 sec./remote control
• Self-timer: 2 sec./remote control

Live View Functions

• Dual Pixel CMOS AF
• Magnified view possible by approx. 5x or 10x for manual focusing (not possible during movie shooting).
• Metering brightness range: EV -1 - 20 (at 73°F/23°C, ISO 100)
• For face detection with Face detection + Tracking AF.

Video Shooting

• Variable (averaged) bit rate

LCD Monitor

• Anti-smudge coating provided.
• Anti-reflection coating not provided.
• Single image display
• No information display
• Basic information display
• Detailed shooting information display
• Detailed information
• Lens/Histogram information
• White balance information
• Picture Style information 1
• Picture Style information 2
• Color space/Noise reduction information
• Lens aberration correction information 1
• Lens aberration correction information 2
• Record of sent images
• GPS information
• IPTC information

Display selection is available for Basic information display and Shooting information display.

• 4-image index
• 9-image index
• 36-image index
• 100-image index

Image Protection and Erase

• Single image (select image)
• Select range
• All images in folder
• Image browsing and image search can be based on ratings.
• Ratings-based image selections also possible with DPP.
• All found images (only during image search)
• Select images to erase
• All images on card

Direct Printing

Dpof: digital print order format, customization.

Customizable Buttons

Customizable Dials

• For PC communication
• For WFT-E7 (Ver. 2) connection
• Shared with terminal for in-camera charging with the USB Power Adapter PD-E1.
• In-camera charging: although it is compatible with USB Type-C (5V/1.5A) equivalent, do not charge the camera other than with the USB Power Adapter PD-E1.
• Images can be displayed through the HDMI output and on screen at the same time.
• Images will not be displayed unless [NTSC] or [PAL] is properly set according to the video system of the TV set.

Power Source

• With the AC Adapter + DC Coupler, AC power is possible.
• When the Battery Grip BG-E22 is used, two battery packs (LP-E6N or LP-E6) can be installed.
• With the USB Power Adapter PD-E1, in-camera charging of LP-E6N is possible but LP-E6 cannot be charged. The USB Power Adapter PD-E1 is not compatible with powering the camera.
• Based on CIPA standards.

Dimensions and Weight

Operating environment, working conditions.

85° or less

SDK / API Compatibility

How is your Canon product performing for you?

DEFINITIONS

Throughout this Contract, the following capitalized words have the stated meaning:

"Accidental Damage From Handling" , "ADH" : refers to accidental damage from handling, meaning such damage resulting from unintentionally dropping the Covered Product or liquid spillage. "Administrator" : the entity responsible for administrating benefits to You in accordance with the Service Contract provisions, conditions and exclusions, who is Canon U.S.A., Inc., One Canon Park, Melville, NY 11747-3036. "Claim" : a demand for payment in accordance with this Contract sent by You to the Administrator or Us. "Commercial Use" : any non-residential use; including rental, business, educational and institutional, but not including heavy industrial use. "Contract Purchase Receipt" : the receipt document (paper or e-mail) provided to You by the Adxministrator or Retailer as proof of Your Contract purchase that indicates the Term, Deductible, and date in which the Service Contract was purchased; which must be attached to and forms part of this Service Contract. "Failure" : the mechanical or electrical breakdown of Your Product to perform its intended function including defects in materials or workmanship and normal wear and tear; occurring during normal use of the Product. "Original Purchase Price" : the amount paid by You for the covered Product(s); excluding any applicable taxes and/or fees, as evidenced on Your sales/Canon purchase documentation. "Power Surge" : damages to the Product resulting from an oversupply of voltage to Your Product while properly connected to a surge protector approved by the Underwriter's Laboratory Inc. (UL), but not including damages resulting from the improper installation or improper connection of the Product to a power source. "Product(s)" : the item(s) which You purchased and is covered by this Service Contract. "Retailer" : the seller that has been authorized by Us to sell this Service Contract to You. "Service Contract" , "Contract" : this document detailing all coverage provisions, conditions, exclusions and limitations for this Contract that has been provided to You upon purchase completion from Our Retailer. "Term" : the period of time shown on Your Contract Purchase Receipt which represents the duration in which the provisions of this Service Contract are valid. "We" , "Us" , "Our," "Obligor," "Provider" : the party or parties obligated to provide service under this Service Contract as the service contract provider, Northcoast Warranty Services, Inc., 800 Superior Avenue E., 21st Floor, Cleveland, OH 44114; ( Florida Residents: this Service Contract is an agreement between You and Technology Insurance Company, Inc., License No. 03605, 59 Maiden Lane, 43rd Floor, New York, NY 10038). . "You" , "Your" : the purchaser/owner of the Product(s) covered by this Service Contract.

PRODUCT ELIGIBILITY

This Service Contract covers Products purchased as new or factory-refurbished and manufactured for use in the United States, which, at the time of Product purchase, included a Canon USA, Inc. limited warranty valid in the United States providing minimum coverage of one (1) year parts and labor. The original Service Contract must be purchased within ninety (90) days of purchase of Your Product. Purchase of this Service Contract is not required to purchase the Product or to obtain financing for the Product. Coverage outlined in this Service Contract only applies to Products not covered under any other insurance warranty, guarantee and/or service contract providing the same benefits as outlined herein. Products must be purchased from a Retailer, and be solely intended for personal use, and not intended for Commercial Use or for resale. Accessories, external peripheral devices and/or add-on options are not covered under this Service Contract.

Subject to this section, Your original Service Contract can be renewed. The renewal must be purchased no sooner than ninety (90) days prior to expiration date of the original Service Contract Term and not after such date. In no event, however, will the combined Term of your manufacturer's Limited Warranty, original Service Contract and any Service Contract renewal period exceed the maximum coverage time period of five (5) years from date of Product purchase. Coverage during the renewal period will be governed by the then current version of the Service Contract Terms & Conditions which must be agreed to in order for the renewal period to become effective. To renew Your Service Contract, sign into Your Canon Account at usa.canon.com to view your eligible products or call 1-833-CAREPAK (1-833-227-3725).

YOUR RESPONSIBILITY

PRODUCT PROTECTION: If damage or breakdown of the Product is suspected, You should promptly take reasonable precautions in order to protect against further damage.

SERVICE CONTRACT TERM

Effective date of coverage:.

• Damage resulting from Power Surge or Accidental Damage from Handling ("ADH"): Coverage for damages to Your Product resulting from Power Surge or Accidental Damage From Handling, begins on the date of Product purchase or delivery (if different from Product purchase date), and continues for the Term shown on Your Contract Purchase Receipt.
• Failure resulting from Mechanical/Electrical Breakdown: Coverage for Failure of Your Product resulting from mechanical or electrical breakdown as described in the definition of "Failure" begins upon expiration of the shortest portion of the manufacturer's original parts and/or labor limited warranty and continues for the remainder of Your Term.

WHAT IS COVERED – GENERAL

In accordance with the SERVICE CONTRACT TERM described above, We agree to procure the necessary services to restore Your Product to standard operating condition at Our discretion, which may result in a replacement of Your originally covered Product in lieu of repair services, if Your Product experiences a Failure or damage from Accidental Damage From Handling ("ADH") or Power Surge.

If provided to You, a replacement product may be a new or refurbished product of equal or similar features and functionality, but not necessarily the same model. Please refer to the LIMIT OF LIABILITY section for full details regarding Product replacements.

IMPORTANT: COVERAGE DESCRIBED IN THIS SERVICE CONTRACT WILL NOT REPLACE OR PROVIDE DUPLICATIVE BENEFITS DURING ANY ACTIVE MANUFACTURER'S LIMITED WARRANTY PERIOD. DURING SUCH PERIOD, ALL PARTS, LABOR, ON-SITE SERVICE AND/OR SHIPPING COSTS COVERED BY THAT LIMITED WARRANTY ARE THE SOLE RESPONSIBILITY OF THE MANUFACTURER (WHO IS CANON U.S.A., INC.) PARTS USED TO REPAIR OR REPLACE YOUR PRODUCT MAY BE NEW, USED, REFURBISHED, OR NON-ORIGINAL MANUFACTURER PARTS THAT PERFORM TO THE FACTORY SPECIFICATIONS OF YOUR PRODUCT. Where applicable, technological advances may result in a replacement product with a lower selling price than Your original Product, and no refunds will be made based on the replacement product cost difference.

This Service Contract is valid for repairs or replacement within the United States of America, its territories or Canada.

ADDITIONAL BENEFITS INCLUDED IN YOUR PLAN

In addition to coverage for a Failure, Your Contract also provides coverage for:

• ACCIDENTAL DAMAGE FROM HANDLING (ADH): labor and/or parts required to repair Your Product, or at Our sole discretion, replacement of Your original Product in lieu of repair in consideration of sudden and unforeseen ADH.
• COMPLIMENTARY CUSTOMER SUPPORT: During your Service Contract Term and upon validation of CarePAK coverage with an active Canon Account, Your Contract includes agent-assisted support, for all CarePAK eligible Products, via phone at 1-833-CAREPAK (1-833-227-3725) or email at [email protected] .
• NO LEMON GUARANTEE: Within any consecutive twelve (12) month period, if Your Product has three (3) repairs covered under Your Contract for the same problem and a fourth (4th) repair is required for the same problem and considered covered under Your Contract, We will replace Your Product with one of like kind and quality, but not necessarily same model, or, at Our sole discretion, provide You with reimbursement equal to the fair market value of the Product as determined by Us based upon the age of the Product and subject to the LIMIT OF LIABILITY section. Any repair services performed while Your Product is under its manufacturer's warranty or in association with ADH are not considered to be qualifying service repairs under this benefit.
• CANON MAINTENANCE SERVICE FOR CAMERAS AND EF/RF LENSES: You are entitled to one (1) Canon Maintenance Service (CMS) procedure per covered Product per year for each year of coverage during the coverage period. This service includes 18-point Digital SLR Maintenance Service and/or 11-point EF/RF Lens Maintenance Service. The CMS service benefit for each Product is not transferable to any other Product. For more details on the service, please visit usa.canon.com/maintenance .

There is no Deductible required to obtain service on Your Product under this Service Contract.

OBTAINING SERVICE

IN ORDER FOR A CLAIM TO BE CONSIDERED, YOU WILL NEED TO FIRST CONTACT THE ADMINISTRATOR FOR APPROVAL AND A REPAIR AUTHORIZATION NUMBER. IMPORTANT: THE SUBMISSION OF A CLAIM DOES NOT AUTOMATICALLY MEAN THAT THE DAMAGE OR BREAKDOWN TO YOUR PRODUCT IS COVERED UNDER YOUR SERVICE CONTRACT. THE ADMINISTRATOR MUST VALIDATE AND PROVIDE YOU WITH APPROVAL (I.E. A REPAIR AUTHORIZATION NUMBER) FOR YOUR SUBMITTED CLAIM PRIOR TO ANY BENEFITS BEING CONSIDERED UNDER THIS CONTRACT.

THIS SERVICE CONTRACT MAY NOT PROVIDE ANY COVERAGE IF YOU MAKE UNAUTHORIZED REPAIRS. Upon validation of CarePAK coverage, Canon will make commercially reasonable efforts to service and ship Your repair or replacement within five (5) business days after you receive the No Charge Repair Acknowledgement correspondence via email and subject to availability of parts or replacement Product. Note that business days are Monday through Friday, 9am-5pm, and exclude Canon observed holidays, and any periods where unavailability is due to circumstances beyond Canon's control.

If You need to file a Claim under this Service Contract or verify Your coverage, call the Administrator's Customer Care Center at 1-833-CAREPAK (1-833-227-3725). To expedite service, please have Your Contract Purchase Receipt readily available. The Administrator will confirm Your Service Contract coverage and collect any additional information necessary from You and about Your covered Product. When You receive authorization for service on Your Product under this Contract, You will also receive further instructions on how to obtain such service. In general:

• If Your covered Product is a camera, video, lens, flash, projector or binoculars, You can also arrange for service under this Contract online by visiting the Administrator's Product Repair Page at www.usa.canon.com/support.
• If Your covered Product is a printer, scanner or multifunction printer, the Administrator is unable to authorize service for these particular products through its website; You must call the Administrator's Customer Care Center at 1-833-CAREPAK (1-833-227-3725) to initiate service.

Please do not take or return Your Product to the Retailer or ship Your Product anywhere unless the Administrator instructs You to do so. If You are instructed by the Administrator to transport or ship Your Product, be sure to include the following with Your Product:

• (1) a copy of Your Contract Purchase Receipt;
• (2) a brief written description of the problem You are experiencing with the Product; and
• (3) a prominent notation of Your repair authorization number that the Administrator gave You.

Please use caution when transporting and/or shipping Your Product as directed by the Administrator, as We are not liable for any freight charges or damages due to improper packaging by You or Your representative.

If Your Term expires during the time of an approved Claim, Your coverage under the Contract will be extended until the date in which Your approved Claim in progress has been fulfilled completely in accordance with the terms and conditions of this Service Contract.

LIMIT OF LIABILITY

During the Term of Your Service Contract, the maximum amount that We are obligated to pay for services in connection with all Claims pursuant to this Service Contract is:

• One (1) Product replacement for a covered Claim for ADH damage (in which Your replacement product is ineligible for continued coverage under Your original Contract); OR
• Two (2) Product replacements for covered Claims for Power Surge or Failures (in which Your replacement products are automatically covered under Your original Contract for the remainder of Your Term).

Once the first limit has been met, Our obligation under this Contract is considered fulfilled in its entirety and coverage ends.

NEITHER WE NOR THE ADMINISTRATOR NOR THE RETAILER SHALL BE LIABLE FOR ANY INCIDENTAL OR CONSEQUENTIAL DAMAGES; INCLUDING BUT NOT LIMITED TO: PROPERTY DAMAGE, LOST TIME OR LOST DATA RESULTING FROM THE FAILURE OF ANY PRODUCT OR EQUIPMENT, FROM DELAYS IN SERVICE OR THE INABILITY TO RENDER SERVICE, OR RESULTING FROM THE UNAVAILABILITY OF REPAIR PARTS/COMPONENTS. NEITHER WE NOR THE ADMINISTRATOR NOR THE RETAILER SHALL BE LIABLE FOR ANY AND ALL PRE-EXISTING CONDITIONS KNOWN TO YOU; INCLUDING ANY INHERENT PRODUCT FLAWS.

WHAT IS NOT COVERED (GENERAL EXCLUSIONS)

THIS SERVICE CONTRACT DOES NOT COVER:

• LOSS OF OR DAMAGE TO THE COVERED PRODUCT RESULTING FROM: ABUSE (MEANING THE INTENTIONAL TREATMENT OF THE COVERED PRODUCT IN A HARMFUL, INJURIOUS, MALICIOUS OR OFFENSIVE MANNER WHICH RESULTS IN ITS DAMAGE AND/OR FAILURE), MISHANDLING, IMPROPER PACKAGING BY YOU, ALTERATION, COLLISION WITH OR OF ANOTHER OBJECT, ELECTRICAL CURRENT FLUCTUATIONS (OTHER THAN THAT WHICH IS EXPLICITLY DEFINED AS POWER SURGE IN THE DEFINITIONS SECTION), FAILURE TO FOLLOW OPERATING, MAINTENANCE OR ENVIRONMENTAL INSTRUCTIONS PRESCRIBED IN THE COVERED PRODUCT'S MANUFACTURER OWNER'S MANUAL OR SERVICE PERFORMED BY ANYONE OTHER THAN A SERVICER AUTHORIZED BY CANON.
• SERVICE, REPAIR OR REPLACEMENT NECESSITATED BY THE USE OF PARTS OR SUPPLIES (OTHER THAN THOSE SOLD BY THE COVERED PRODUCT'S ORIGINAL MANUFACTURER) WHICH DAMAGE THE COVERED PRODUCT OR CAUSE ABNORMALLY FREQUENT SERVICE CALLS OR SERVICE PROBLEMS.
• SERVICE, REPAIR OR REPLACEMENT OF THE COVERED PRODUCT IF ITS SERIAL NUMBER OR MANUFACTURER DATING HAS BEEN ALTERED OR REMOVED.
• SERVICE, REPAIR OR REPLACEMENT OF ANY COVERS, LIDS OR TRIM PARTS, OR OF ANY CONSUMABLE ITEMS; INCLUDING WITHOUT LIMITATION: INK CARTRIDGES, INK TANKS AND DISPOSABLE PRINT HEADS.
• PREVENTIVE MAINTENANCE.
• SERVICE, REPAIR OR REPLACEMENT OF ANY OTHER ITEM, EQUIPMENT OR SOFTWARE THAT MAY BE INCLUDED WITH OR CONNECTED TO THE COVERED PRODUCT.
• ON-SITE OR IN-HOUSE SERVICE OR REPAIR OF THE COVERED PRODUCT.
• ANY ITEM THAT IS PURCHASED OUTSIDE OF THE UNITED STATES OF AMERICA.
• SERVICE, REPAIR OR REPLACEMENT OF A COVERED PRODUCT OUTSIDE OF THE UNITED STATES OF AMERICA, ITS TERRITORIES OR CANADA.
• PRE-EXISTING CONDITIONS INCURRED OR KNOWN TO YOU (MEANING A CONDITION THAT, WITHIN ALL REASONABLE MECHANICAL OR ELECTRICAL PROBABILITY, RELATES TO THE MECHANICAL FITNESS OF THE COVERED PRODUCT BEFORE ISSUANCE OF THIS SERVICE CONTRACT).
• COSMETIC DAMAGE (MEANING DAMAGES OR CHANGES TO THE PHYSICAL APPEARANCE OF THE PRODUCT THAT DOES NOT IMPEDE OR HINDER THE PRODUCT'S NORMAL OPERATIONAL FUNCTION; SUCH AS SCRATCHES, ABRASIONS, OR CHANGES IN COLOR, TEXTURE, OR FINISH), RUST, CORROSION, WARPING, BENDING OR EXPOSURE TO WEATHER CONDITIONS.
• ANY KIND OF MANUFACTURER RECALL OR REWORK ORDER ON THE COVERED PRODUCT THAT THE MANUFACTURER IS RESPONSIBLE FOR PROVIDING, REGARDLESS OF THE MANUFACTURER'S ABILITY TO PAY FOR SUCH REPAIRS.
• BREAKDOWN OR DAMAGE THAT IS COVERED UNDER ANY OTHER INSURANCE, WARRANTY, GUARANTEE AND/OR SERVICE CONTRACT PROVIDING THE SAME BENEFITS AS OUTLINED IN THIS SERVICE CONTRACT.
• ANY ACCESSORIES, EXTERNAL PERIPHERAL DEVICES AND/OR ADD-ON OPTIONS.
• ANY CLAIM THAT HAS NOT BEEN PRIOR AUTHORIZED BY THE ADMINISTRATOR OR US.
• ANY LOSS ARISING OUT OF THE UNAUTHORIZED ACCESS OR USE OF ANY SYSTEM, SOFTWARE, HARDWARE, OR FIRMWARE, OR ANY MODIFICATION, REPROGRAMMING, DESTRUCTION, OR DELETION OF DATA OR SOFTWARE BY ANY MEANS.

YOU ARE RESPONSIBLE FOR BACKING UP ALL SOFTWARE AND DATA ON A REGULAR BASIS AND PRIOR TO COMMENCEMENT OF ANY REPAIR. THIS SERVICE CONTRACT DOES NOT COVER RESTORATION OF SOFTWARE OR DATA, OR DATA RETRIEVAL TO/FROM YOUR COVERED PRODUCT, AND WE ARE UNABLE TO TRANSFER SUCH SOFTWARE OR DATA TO ANY REPLACEMENT DEVICE THAT MAY BE PROVIDED TO YOU. IN NO EVENT SHALL WE BE RESPONSIBLE FOR THE RESTORATION OF SOFTWARE OR DATA, OR FOR RETRIEVING DATA FROM YOUR PRODUCT. IF YOUR CAREPAK PLUS COVERAGE INCLUDES CANON IMAGE RECOVERY FULFILLED BY SEAGATE® RESCUE SERVICE ("IMAGE RECOVERY"), PLEASE NOTE THAT IMAGE RECOVERY TERMS AND CONDITIONS ARE SEPARATE AND INDEPENDENT FROM CAREPAK PLUS, AND CAN BE FOUND AT USA.CANON.COM/CAREPAK-PLUS .

IF YOUR PRODUCT EXPERIENCES AN OCCURRENCE THAT IS EXCLUDED FROM COVERAGE UNDER THIS SECTION, OR IN THE EVENT OF A SERVICE INCIDENT WHEREIN THERE IS A "NO PROBLEM FOUND" DIAGNOSIS FROM OUR AUTHORIZED SERVICER, THEN YOU MAY BE RESPONSIBLE FOR ALL COSTS IN ASSOCIATION WITH SUCH SERVICE INCLUDING ANY SHIPPING AND/OR ON-SITE SERVICING COSTS.

OUR RIGHT TO RECOVER PAYMENT

If You have a right to recover against another party for anything We have paid under this Service Contract, Your rights shall become Our rights. You shall do whatever is necessary to enable Us to enforce these rights. We shall recover only the excess after You are fully compensated for Your loss.

CANCELLATION

You may cancel this Service Contract at any time by informing the Administrator of Your cancellation request. If such request is within thirty (30) days of the purchase of this Service Contract, You will receive a one hundred percent (100%) refund of the Service Contract purchase price paid by You, less the amount of any Claims paid by Us. If such request is made after thirty (30) days of the purchase date of this Service Contract, You will receive a pro-rata refund of the Service Contract purchase price paid by You, less the amount of any Claims paid by Us and less an administrative fee not to exceed ten percent (10%) of the Service Contract purchase price, or twenty-five dollars ($25.00), whichever is less. In no event will any imposed administrative fee exceed twenty-five dollars ($25.00).

We may only cancel this Service Contract for the following reasons:

• 1) non-payment of the Service Contract fee by You;
• 2) material misrepresentation by You to Us; or
• 3) substantial breach of duties by You under this Service Contract in relation to the covered Product or its use.

If We cancel this Service Contract, We must provide written notice to You at least fifteen (15) days prior to the effective date of cancellation. Such notice will be sent to Your current address in Our file (email or physical address as necessary), with the reason for and effective date of such cancellation. If We cancel this Service Contract, You will receive a pro-rata refund based upon one hundred percent (100%) of any unearned Service Contract fee paid by You, minus any Claims paid by Us.

NOTICE: These CANCELLATION provisions apply to the original purchaser of this Service Contract only.

This is not an insurance policy; it is a service contract. We have obtained an insurance policy to insure Our performance under this Service Contract. Should We fail to pay any Claim or fail to replace the Product covered under this Service Contract within sixty (60) days after the Claim has been submitted, or in the event You cancel this Service Contract, and We fail to refund any unearned portion of the Service Contract price, You are entitled to make a direct claim against the insurer, Wesco Insurance Company, at 866-505-4048 or 59 Maiden Lane, 43rd Floor, New York, NY 10038.

TRANSFERABILITY

If You are the original purchaser of this Service Contract and wish to transfer coverage under this Service Contract to a different owner, You may initiate a one-time transfer of ownership by calling the Administrator at 1-833-CAREPAK (1-833-227-3725). You will be required to provide Your registration number located on Your Contract Purchase Receipt and a copy of Your Product purchase receipt (if provided separately). Transferability is determined at Canon's discretion, as approved by Us, and may not be available with all Products. The CANCELLATION provisions apply to the original purchaser of this Service Contract only.

ENTIRE AGREEMENT

This Service Contract, including the terms, conditions, limitations, exceptions and exclusions, and Your Contract Purchase Receipt, constitute the entire agreement between Us and You and no representation, promise or condition not contained herein shall modify these items, except as required by law.

SPECIAL STATE REQUIREMENTS

Regulation of service contracts may vary widely from state to state. Any provision within this Service Contract which conflicts with the laws of the state where You live shall automatically be considered to be modified in conformity with applicable state laws and regulations as set forth below. The following state specific requirements apply if Your Service Contract was purchased in one of the following states and supersede any other provision within Your Service Contract terms and conditions to the contrary.

Alabama: CANCELLATION is amended as follows: If You request cancellation of this Service Contract within thirty (30) days of the purchase date of the Service Contract and the refund is not paid or credited within forty-five (45) days after Your cancellation request to Us, a ten percent (10%) penalty will be added to the refund for every thirty (30) days the refund is not paid. This provision applies only to the original purchaser of the Service Contract. Any refund may be credited to any outstanding balance of Your account and the excess, if any, returned to You.

Arizona: WHAT IS NOT COVERED (GENERAL EXCLUSIONS) is amended to include: Only unauthorized product repairs, modifications or alterations performed after the effective date of the Service Contract are excluded.

Arkansas: CANCELLATION is amended as follows: If You request cancellation of this Service Contract within thirty (30) days of the purchase date of the Service Contract and the refund is not paid or credited within forty-five (45) days after Your cancellation request to Us, a ten percent (10%) penalty will be added to the refund for every thirty (30) days the refund is not paid. This provision applies only to the original purchaser of the Service Contract.

OBTAINING SERVICE is amended to include: If You need to file a claim under this Service Contract, You must contact the Administrator at 1-833-CAREPAK (1-833-227-3725) to obtain a repair authorization number prior to having any repairs made to Your Product. If a repair or replacement occurs when the Administrator's office is closed, You may follow these claims procedure without prior authorization. However, You must call the Administrator as soon as reasonably possible. Failure to call in and report the claim will result in non-payment.

California: CANCELLATION is amended as follows: This Service Contract may be cancelled by You for any reason, including, but not limited to, the Product covered under this Service Contract being sold, lost, stolen or destroyed. If You decide to cancel Your Service Contract, and Your cancellation notice is received by the Administrator within thirty (30) days and You have made no claims against the Service Contract, You will be refunded the full Service Contract price; or if Your Service Contract is cancelled by written notice after thirty (30) days from the date You received this Service Contract, You will be refunded a pro-rated amount of the Service Contract price, less any claims paid, less an administrative fee of ten percent (10%) of the Service Contract price or twenty-five dollars ($25), whichever is less. If a cancellation refund is not paid or credited within thirty (30) days after Your cancellation request to Us, a ten percent (10%) penalty will be added to the refund for every thirty (30) days the refund is not paid.

The following disclosure statement is added to this Service Contract: Canon U.S.A., Inc., (License No. S-5067) is the Service Contract Administrator and Northcoast Warranty Services, Inc. (License No. SA-19178) is the Obligor for this Service Contract.

Colorado: CANCELLATION is amended as follows: If You request cancellation of this Service Contract within thirty (30) days of the purchase date of the Service Contract and the refund is not paid or credited within forty-five (45) days after Your cancellation request to Us, a ten percent (10%) penalty will be added to the refund for every thirty (30) days the refund is not paid. This provision applies only to the original purchaser of the Service Contract.

Connecticut: The following disclosure statement is added to this Service Contract: In the event of a dispute with Administrator, You may contact The State of Connecticut, Insurance Department, P.O. Box 816, Hartford, CT 06142-0816, Attn: Consumer Affairs. The written complaint must contain a description of the dispute, the purchase or lease price of the Equipment, the cost of repair of the Equipment and a copy of the warranty Service Contract.

CANCELLATION is amended as follows: You may cancel Your Service Contract if the covered Equipment is sold, lost, stolen, or destroyed.

District of Columbia: CANCELLATION is amended as follows: If Your refund is not paid or credited within forty-five (45) days after Your cancellation request to Us, We will add an extra ten percent (10%) to Your due refund for every thirty (30) days the refund is not paid by Us.

Florida: The definition of "We" , "Us" , "Our" , "Obligor" , "Provider" is deleted and replaced with the following: "We" , "Us" , "Our" , "Obligor" , "Provider" : Technology Insurance Company, Inc., License No. 03605, 59 Maiden Lane, 43rd Floor, New York, NY 10038. This Service Contract is between the Provider, Technology Insurance Company, Inc. (License No. 03605) and You.

CANCELLATION is amended as follows: You may cancel Your Service Contract by informing the selling dealer or the Administrator. In the event the Service Contract is canceled by You, return of the premium shall be based upon ninety percent (90%) of the unearned pro-rata premium less any claims that have been paid or less the cost of repairs made on Your behalf. In the event the Service Contract is canceled by the Administrator or Provider, return of the premium shall be based upon one hundred percent (100%) of the unearned pro-rata premium less any claims that have been paid or less the cost of repairs made on Your behalf.

GUARANTY is deleted and replaced with the following: This is not an insurance policy, it is a Service Contract.

The following disclosure statement is added to this Service Contract: The rates charged to You for this Service Contract are not subject to regulation by the Florida Office of Insurance Regulation.

Georgia: WHAT IS NOT COVERED (GENERAL EXCLUSIONS) is amended to include: Only unauthorized product repairs, modifications or alterations performed after the effective date of the Service Contract are excluded.

CANCELLATION is amended as follows: The Provider may not cancel this Service Contract except for fraud by You, material misrepresentation by You, or nonpayment by You. Notice of such cancellation will be in writing and given at least thirty (30) days prior to cancellation.

If You cancel this Service Contract within thirty (30) days of the purchase of this Service Contract, You will receive a one hundred percent (100%) refund of the Service Contract purchase price paid by You, less the amount of any claims paid. If You cancel the contract within thirty (30) days of the contract purchase date, and no claim has been made, a ten percent (10%) penalty per month shall be added to any refund that is not paid or credited within forty-five (45) days after receipt of the cancellation request. If Cancellation request is made by You after thirty (30) days of the purchase date of this Service Contract, You will receive a pro-rata refund of the Service Contract purchase price paid by You, less any claims that have been paid or less the cost of repairs made on Your behalf, and less an administrative fee not to exceed ten percent (10%) of the pro-rate refund amount or twenty-five dollars ($25.00); whichever is less

The following disclosure statement is added to this Service Contract: This Service Contract will be interpreted and enforced according to the laws of the state of Georgia.

Hawaii: CANCELLATION is amended as follows: If You request cancellation of this Service Contract within thirty (30) days of the purchase date of the Service Contract and the refund is not paid or credited within forty-five (45) days after Your cancellation request to Us, a ten percent (10%) penalty will be added to the refund for every thirty (30) days the refund is not paid. This provision applies only to the original purchaser of the Service Contract.

Illinois: The following disclosure statement is added to this Service Contract: Covered items must be in place and in good operating condition on the effective date of coverage and become inoperative due to normal wear and tear after the effective date of this Service Contract. This Service Contract does cover failures resulting from normal wear and tear.

Indiana: The following disclosure statements are added to this Service Contract: Your proof of payment to the Retailer for this Service Contract shall be considered proof of payment to the insurance company which guarantees Our obligations to You. This Service Contract is not insurance and is not subject to Indiana insurance law.

Maine: CANCELLATION is amended as follows: If You request cancellation of this Service Contract within thirty (30) days of the purchase date of the Service Contract and the refund is not paid or credited within forty-five (45) days after Your cancellation request to Us, a ten percent (10%) penalty will be added to the refund for every thirty (30) days the refund is not paid. This provision applies only to the original purchaser of the Service Contract.

Maryland: CANCELLATION is amended as follows: No cancellation fee shall apply. If You request cancellation of this Service Contract within thirty (30) days of the purchase date of the Service Contract and the refund is not paid or credited within forty-five (45) days after Your cancellation request to Us, a ten percent (10%) penalty will be added to the refund for every thirty (30) days the refund is not paid. This provision applies only to the original purchaser of the Service Contract.

Massachusetts: CANCELLATION is amended as follows: If You request cancellation of this Service Contract within thirty (30) days of the purchase date of the Service Contract and the refund is not paid or credited within forty-five (45) days after Your cancellation request to Us, a ten percent (10%) penalty will be added to the refund for every thirty (30) days the refund is not paid. This provision applies only to the original purchaser of the Service Contract.

Minnesota: CANCELLATION is amended as follows: If You request cancellation of this Service Contract within thirty (30) days of the purchase date of the Service Contract and the refund is not paid or credited within forty-five (45) days after Your cancellation request to Us, a ten percent (10%) penalty will be added to the refund for every thirty (30) days the refund is not paid. This provision applies only to the original purchaser of the Service Contract.

Missouri: CANCELLATION is amended as follows: If You request cancellation of this Service Contract within thirty (30) days of the purchase date of the Service Contract and the refund is not paid or credited within forty-five (45) days after Your cancellation request to Us, a ten percent (10%) penalty will be added to the refund for every thirty (30) days the refund is not paid. This provision applies only to the original purchaser of the Service Contract. If Your cancellation request is made more than thirty (30) days from the date of purchase, You will receive a pro-rata refund of the Service Contract purchase price. No cancellation fee will apply. In no event will claims paid be deducted from any refund.

Nevada: The following disclosure statement is added to this Service Contract: If You are not satisfied with the manner in which We are handling your claim, You may contact the Nevada Insurance Commissioner toll-free at (888)-872-3234.

CANCELLATION is amended as follows: Any reference to Administrative Fee is deleted and replaced with the term Cancellation Fee. If You request cancellation of this Service Contract within thirty (30) days of the purchase date of the Service Contract and the refund is not processed within forty-five (45) days, a penalty of ten percent (10%) of the Service Contract price will be added to the refund for every thirty (30) days the refund is not paid. This provision applies only to the original purchaser of the Service Contract. The Provider of this Service Contract may cancel this Service Contract within seventy (70) days from the date of purchase for any reason. After seventy (70) days, the Provider may only cancel this Service Contract for non-payment by You, fraud or material misrepresentation by You in obtaining the Contract, or in presenting a Claim, or a substantial breach of duties by You relating to the Covered Product or its use if it occurred after the effective date of the Contract and it substantially and materially increased the service required under the Contract. If the Provider cancels Your Service Contract You will be entitled to a pro-rata refund of the unearned Service Contract fee, no cancellation fee will be deducted. If Your Service Contract was financed, the outstanding balance will be deducted from any refund. In no event will claims be deducted from any refund.

OBTAINING SERVICE is amended to include: This Contract will not cover any unauthorized or non-manufacturer recommended modifications to Your Product, or any damages arising from such unauthorized or non-manufacturer recommended modifications. However, if Your Product is modified in a manner that is not recommended by the manufacturer of Your Product, this Contract will continue to provide any applicable Coverage that is not related to the unauthorized or non-manufacturer recommended modification or any damages arising there from, unless such Coverage is otherwise excluded by the terms of this Contract.

New Hampshire: The following disclosure statement is added to this Service Contract: In the event You do not receive satisfaction under this Service Contract, You may contact the New Hampshire Insurance Department at, 21 South Fruit Street, Suite 14, Concord, NH 03301, 603-271-2261.

New Jersey: CANCELLATION is amended as follows: If You request cancellation of this Service Contract within thirty (30) days of the purchase date of the Service Contract and the refund is not paid or credited within forty-five (45) days after Your cancellation request to Us, a ten percent (10%) penalty will be added to the refund for every thirty (30) days the refund is not paid.

New Mexico: CANCELLATION is amended as follows: If You request cancellation of this Service Contract within thirty (30) days of the purchase date of the Service Contract and the refund is not paid or credited within sixty (60) days after Your cancellation request to Us, a ten percent (10%) penalty will be added to the refund for every thirty (30) days the refund is not paid. This provision applies only to the original purchaser of the Service Contract. The Provider of this Service Contract may cancel this Service Contract within seventy (70) days from the date of purchase for any reason. After seventy (70) days, the Provider may only cancel this Service Contract for: Non-payment, discovery of fraud or material misrepresentation by You in obtaining the Contract or in presenting a Claim, or discovery of either of the following: an act of omission, or violation of any condition of the Contract if it occurred after the effective date of the Contract.

New York: CANCELLATION is amended as follows: If You request cancellation of this Service Contract within thirty (30) days of the purchase date of the Service Contract and the refund is not paid or credited within thirty (30) days after Your cancellation request to Us, a ten percent (10%) penalty will be added to the refund for every thirty (30) days the refund is not paid. This provision applies only to the original purchaser of the Service Contract.

North Carolina: CANCELLATION is amended as follows: Any cancellation fee shall not exceed the lesser of ten percent (10%) of the pro rata refund amount or twenty-five ($25.00) dollars. We may cancel this Service Contract only for non-payment of the purchase price of the Service Contract or a direct violation of the Service Contract by You.

Oklahoma: The following disclosure statement is added to this Service Contract: The Service Warranty Association is Northcoast Warranty Services, Inc., Oklahoma Identification # 44200963. This is not an insurance contract. Coverage afforded under this service warranty is not guaranteed by the Oklahoma Insurance Guaranty Association.

CANCELLATION is deleted in its entirety and replaced with the following: If You cancel this service warranty within the first thirty (30) days and no claim has been authorized or paid within the first thirty (30) days, We will refund the entire service warranty contract purchase price. If You cancel this service warranty after the first thirty (30) days, or have made a claim within the first thirty (30) days, return of the provider fee shall be based upon ninety percent (90%) of the unearned pro-rata provider fee less the actual cost of any service provided under the service warranty contract. If We cancel this service warranty, return of the provider fee shall be based upon one hundred percent (100%) of unearned pro-rata provider fee less the actual cost of any service provided under the service warranty contract.

Oregon: OBTAINING SERVICE is amended as follows: If You need to file a claim under this Service Contract, You must contact the Administrator at 1-833-CAREPAK (1-833-227-3725) to obtain a repair authorization number prior to having any repairs made to Your Product. If You reasonably determine that You have a Covered Failure when the Administrator's office is closed and You choose to have Your Product repaired, You are responsible for paying for the repair. You must then call the Administrator during the next available regular business hours, or as soon as reasonably possible, so that the Administrator may determine whether there was a Covered Failure. Failure to call in and report the claim may result in non-payment. If the Administrator determines that there was a Covered Failure, then We will pay You in accordance with the terms and conditions of this Contract.

The following disclosure statement is added to this Service Contract: If the purchase of this Contract was financed, any outstanding balance due to the finance company will be deducted from any due refund and paid to the finance company instead of You. The refund amount paid to the finance company may be less than the Contract purchase price financed if claims have been paid by Us.

South Carolina: CANCELLATION is amended as follows: If You request cancellation of this Service Contract within thirty (30) days of the purchase date of the Service Contract and the refund is not paid or credited within forty-five (45) days after Your cancellation request to Us, a ten percent (10%) penalty will be added to the refund for every thirty (30) days the refund is not paid. This provision applies only to the original purchaser of the Service Contract.

The following disclosure statement is added to this Service Contract: If You have any questions regarding this Service Contract, or a complaint against the Obligor, You may contact the South Carolina Department of Insurance at 1201 Main Street, Suite 1000, Columbia, South Carolina 29201, (803) 737-6160.

Texas: The definition of Administrator is amended to add the following: Canon, USA, Inc. Service Contract Administrator No. 330.

The following disclosure statement is added to this Service Contract: If You have any questions regarding the regulation of the Service Contract Provider or a complaint against the Obligor, You may contact the Texas Department of Licensing & Regulation, 920 Colorado, P.O. Box 12157, Austin, Texas 78711, (800) 803-9202.

CANCELLATION is amended as follows: You may return this Service Contract within thirty (30) days of the date of purchase of this Service Contract. If this Service Contract is cancelled within the first thirty (30) days, We will refund the entire Service Contract charge, less claims paid. If this Service Contract is cancelled after the first thirty (30) days, You will receive a pro-rata refund less a twenty-five dollar ($25) cancellation fee and less claims paid. A ten percent (10%) penalty per month will be added to a refund that is not made within forty-five (45) days of Your cancellation request to the provider. You may apply for reimbursement directly to the insurer if a refund or credit is not paid before the 46th day after the date on which the Service Contract is canceled. These provisions apply only to the original purchaser of the Service Contract. If We cancel this Service Contract, We shall mail a written notice to You at the last known address held by Us before the fifth day preceding the effective date of cancellation. The notice will state the effective date and the reason for the cancellation. However, prior notice is not required if the reason for cancellation is nonpayment of the provider fee, fraud or a material misrepresentation by the Service Contract Holder to the provider or the provider's administrator, or a substantial breach of duties by the Service Contract Holder relating to the covered product or its use. If We cancel this Service Contract, no cancellation fee shall apply.

Utah: The following disclosure statement is added to this Service Contract: Coverage afforded under this Service Contract is not guaranteed by the Property and Casualty Guaranty Association.

CANCELLATION is amended as follows: We may only cancel this Service Contract for material misrepresentation, nonpayment by You or a substantial breach of duties by You relating to the covered property or its use. If We cancel this Service Contract for non-payment, such cancellation will be effective ten (10) days after the mailing of notice. If We cancel this Service Contract for material misrepresentation of a substantial breach of duties, such cancellation will be effective thirty (30) days after mailing of notice. This Service Contract or warranty is subject to limited regulation by the Utah Insurance Department. To file a complaint, contact the Utah Insurance Department. HOW TO FILE A CLAIM section is amended as follows: If You need to file a claim under this Service Contract, You must contact the Administrator at 1-833-CAREPAK (1-833-227-3725) to obtain a repair authorization number prior to having any repairs made to Your Product. If a repair or replacement occurs when the Administrator's office is closed, You may follow these claims procedure without prior authorization. However, You must call the Administrator as soon as reasonably possible. Failure to call in and report the claim will result in non-payment.

Virginia: The following disclosure statement is added to this Service Contract: If any promise made in the Contract has been denied or has not been honored within sixty (60) days after your request, you may contact the Virginia Department of Agriculture and Consumer Services, Office of Charitable and Regulatory Programs at http://www.vdacs.virginia.gov/food-extended-service-contract-providers.shtml to file a complaint.

Washington: CANCELLATION is amended as follows: If You request cancellation of this Service Contract within thirty (30) days of the purchase date of the Service Contract and the refund is not paid or credited within thirty (30) days after Your cancellation request to Us, a ten percent (10%) penalty will be added to the refund for every thirty (30) days the refund is not paid. This provision applies only to the original purchaser of the Service Contract. In the event We cancel this Service Contract, We will mail a written notice to You at Your last known address at least twenty-one (21) days prior to cancellation with the effective date for the cancellation and the reason for cancellation.

The following disclosure statement is added to this Service Contract: What is Not Covered from coverage are limited to those expressly stated under the "WHAT IS NOT COVERED (GENERAL EXCLUSIONS)” section above.

GUARANTY is amended to include: You may file a claim directly with Wesco Insurance Company at any time, at 59 Maiden Lane, 43rd Floor, New York, NY 10038 or 866-505-4048.

The following disclosure statement is added to this Service Contract: The State of Washington is the jurisdiction for any civil action in connection with this Contract.

Wisconsin: The following disclosure statement is added to this Service Contract: THIS CONTRACT IS SUBJECT TO LIMITED REGULATION BY THE OFFICE OF THE COMMISSIONER OF INSURANCE .

CANCELLATION is deleted and replaced with the following: You may cancel this Service Contract at any time. We may only cancel this Service Contract for material misrepresentation by You, nonpayment by You or a substantial breach of duties by You relating to the covered property or its use. If We cancel this Service Contract, We shall mail a written notice to You at Your last known address at least five (5) days prior to cancellation. The notice shall state the effective date of the cancellation and the reason for the cancellation. If We cancel for any reason other than nonpayment, then We shall refund one hundred percent (100%) of the unearned pro rata provider fee, less any claims paid and less a cancellation fee not to exceed ten percent (10%) of the Contract purchase price paid.

If this Service Contract is canceled within thirty (30) days of the date of purchase and no claims have been paid, the Administrator shall return one hundred percent (100%) of the purchase price paid and the Service Contract shall be void. The right to void the Service Contract applies only to the original purchaser of the Service Contract. If the refund is not paid or credited within forty-five (45) days after return of the Service Contract to Us, We shall pay a ten percent (10%) per month penalty of the refund amount outstanding, which We shall add to the amount of the refund.

For service Contracts canceled subsequent to the period stated in the preceding paragraph or if a claim has been made under this service Contract within such period, We shall refund one hundred percent (100%) of the unearned pro rata provider fee, less any claims paid and less a cancellation fee not to exceed ten percent (10%) of the Service Contract purchase price paid.

If You request cancellation due to a total loss of Your Product which is not covered by a replacement under the terms of Your Service Contract, the Administrator shall return one hundred percent (100%) of the unearned pro-rata Service Contract purchase price paid, less claims paid. Unauthorized repairs may not be covered.

GUARANTY is amended to include: Our obligations under this Service Contract are insured under a service contract reimbursement insurance policy. Should We fail to pa any claim or fail to replace the Product covered under this Service Contract within sixty (60) days after You provide proof of loss or, in the event You cancel this Service Contract and We fail to refund the unearned portion of the Service Contract Purchase Price or, if the Provider becomes insolvent or otherwise financially impaired, You are entitled to make a direct claim against the insurer, Wesco Insurance Company, at 1-866-505-4048 or 59 Maiden Lane, 43rd Floor, New York, NY 10038 for reimbursement, payment or provision of this Service Contract.

Wyoming: CANCELLATION is amended as follows: If You request cancellation of this Service Contract within thirty (30) days of the purchase date of the Service Contract and the refund is not paid or credited within forty-five (45) days after Your cancellation request to Us, a ten percent (10%) penalty will be added to the refund for every thirty (30) days the refund is not paid. This provision applies only to the original purchaser of the Service Contract. If We cancel this Service Contract, We shall mail a written notice to You at Your last known address at least ten (10) days prior to cancellation. The notice shall state the effective date of the cancellation and the reason for the cancellation. Prior notice is not required if the reason for cancellation is nonpayment of the provider fee, a material misrepresentation by You to the provider or a substantial breach of duties by You relating to the covered product or its use.

For questions about this Service Contract or to obtain a copy of these terms & conditions, log onto the Administrator's website at www.usa.canon.com/carepak-plus or call 1-833-CAREPAK.

"Accidental Damage From Handling" , "ADH" : refers to accidental damage from handling, meaning such damage resulting from unintentionally dropping the Covered Product or liquid spillage. "Administrator" : the entity responsible for administrating benefits to You in accordance with the Service Contract provisions, conditions and exclusions, who is Canon U.S.A., Inc., One Canon Park, Melville, NY 11747-3036. "Claim" : a demand for payment in accordance with this Contract sent by You to the Administrator or Us. "Contract Purchase Receipt" : the receipt document (paper or e-mail) provided to You by the Administrator or Retailer as proof of Your Contract purchase that indicates the Term, Deductible, and date in which the Service Contract was purchased, which must be attached to and forms part of this Service Contract. "Failure" : the mechanical or electrical breakdown of Your Product to perform its intended function including defects in materials or workmanship and normal wear and tear; occurring during normal use of the Product. "Original Purchase Price" : the amount paid by You for the covered Product(s); excluding any applicable taxes and/or fees, as evidenced on Your sales/Canon purchase documentation. "Power Surge" : damages to the Product resulting from an oversupply of voltage to Your Product while properly connected to a surge protector approved by the Underwriter's Laboratory Inc. (UL), but not including damages resulting from the improper installation or improper connection of the Product to a power source. "Product(s)" : the item(s) which You purchased and is covered by this Service Contract. "Retailer" : the seller that has been authorized by Us to sell this Service Contract to You. "Service Contract" , "Contract" : this document detailing all coverage provisions, conditions, exclusions and limitations for this Contract that has been provided to You upon purchase completion from Our Retailer. "Term" : the period of time shown on Your Contract Purchase Receipt which represents the duration in which the provisions of this Service Contract are valid. "We" , "Us" , "Our," "Obligor," "Provider" : the party or parties obligated to provide service under this Service Contract as the service contract provider, Northcoast Warranty Services, Inc., 800 Superior Avenue E., 21st Floor, Cleveland, OH 44114; ( Florida Residents: this Service Contract is an agreement between You and Technology Insurance Company, Inc., License No. 03605, 59 Maiden Lane, 43rd Floor, New York, NY 10038). "You" , "Your" : the purchaser/owner of the Product(s) covered by this Service Contract.

This Service Contract covers Products purchased as new or factory-refurbished and manufactured for use in the United States, which, at the time of Product purchase, included a Canon USA, Inc. limited warranty valid in the United States providing minimum coverage of one (1) year parts and labor. The original Service Contract must be purchased within ninety (90) days of purchase of Your Product. Purchase of this Service Contract is not required to purchase the Product or to obtain financing for the Product. Coverage outlined in this Service Contract only applies to Products not covered under any other insurance warranty, guarantee and/or service contract providing the same benefits as outlined herein. Products must be purchased from a Retailer, be solely intended for professional, educational, or institutional use, and not intended for personal or industrial use, resale, or rental. Accessories, external peripheral devices and/or add-on options are not covered under this Service Contract.

• Damage resulting from Power Surge or Accidental Damage from Handling ( "ADH" ): Coverage for damages to Your Product resulting from Power Surge or Accidental Damage From Handling, begins on the date of Product purchase or delivery (if different from Product purchase date), and continues for the Term shown on Your Contract Purchase Receipt.

If provided to You, a replacement product may be a new or refurbished product of equal or similar features and functionality, but not necessarily the same model. Please refer to the LIMIT OF LIABILITY section for full details regarding Product replacements. IMPORTANT: COVERAGE DESCRIBED IN THIS SERVICE CONTRACT WILL NOT REPLACE OR PROVIDE DUPLICATIVE BENEFITS DURING ANY ACTIVE MANUFACTURER'S LIMITED WARRANTY PERIOD. DURING SUCH PERIOD, ALL PARTS, LABOR, ON-SITE SERVICE AND/OR SHIPPING COSTS COVERED BY THAT LIMITED WARRANTY ARE THE SOLE RESPONSIBILITY OF THE MANUFACTURER (WHO IS CANON U.S.A., INC.) PARTS USED TO REPAIR OR REPLACE YOUR PRODUCT MAY BE NEW, USED, REFURBISHED, OR NON-ORIGINAL MANUFACTURER PARTS THAT PERFORM TO THE FACTORY SPECIFICATIONS OF YOUR PRODUCT. Where applicable, technological advances may result in a replacement product with a lower selling price than Your original Product, and no refunds will be made based on the replacement product cost difference.

This Service Contract is only valid for repairs or replacement within the contiguous United States, plus Alaska and Hawaii.

THIS SERVICE CONTRACT MAY NOT PROVIDE ANY COVERAGE IF YOU MAKE UNAUTHORIZED REPAIRS. Upon validation of CarePAK coverage, Canon will make commercially reasonable efforts to service and ship Your repair or replacement within five (5) business days after you receive the No Charge Repair Acknowledgement correspondence via email, and subject to availability of parts or replacement Product. Note that business days are Monday through Friday, 9am-5pm, and exclude Canon observed holidays, and any periods where unavailability is due to circumstances beyond Canon's control.

• You can also arrange for service under this Contract online by visiting the Administrator's "Request Product Repair Page" at www.usa.canon.com/support .

Please do not take or return Your Product to the Retailer or ship Your Product anywhere unless the Administrator instructs You to do so. If You are instructed by the Administrator to transport or ship Your Product, a prepaid shipping label will be provided. Be sure to include the following with Your Product:

NEITHER WE NOR THE ADMINISTRATOR NOR THE RETAILER SHALL BE LIABLE FOR ANY INCIDENTAL OR CONSEQUENTIAL DAMAGES; INCLUDING BUT NOT LIMITED TO: PROPERTY DAMAGE, LOST TIME OR LOST DATA RESULTING FROM THE FAILURE OF ANY PRODUCT OR EQUIPMENT, FROM DELAYS IN SERVICE OR THE INABILITY TO RENDER SERVICE OR RESULTING FROM THE UNAVAILABILITY OF REPAIR PARTS/COMPONENTS. NEITHER WE NOR THE ADMINISTRATOR NOR THE RETAILER SHALL BE LIABLE FOR ANY AND ALL PRE-EXISTING CONDITIONS KNOWN TO YOU; INCLUDING ANY INHERENT PRODUCT FLAWS.

• LOSS OF OR DAMAGE TO THE COVERED PRODUCT RESULTING FROM: ABUSE (MEANING THE INTENTIONAL TREATMENT OF THE COVERED PRODUCT IN A HARMFUL, INJURIOUS, MALICIOUS OR OFFENSIVE MANNER WHICH RESULTS IN ITS DAMAGE AND/OR FAILURE, INCLUDING BUT NOT LIMITED TO LOSS OR DAMAGE RESULTING FROM STUNTS OR SPECIAL EFFECTS EMPLOYED IN FILM, TELEVISION, OR THEATRE PRODUCTIONS, PRACTICAL, MECHANICAL, OR VEHICULAR STUNTS, AND/OR EXPLOSIONS OR OTHER PYROTECHNICS).
• LOSS OF OR DAMAGE TO THE COVERED PRODUCT RESULTING FROM: MISHANDLING, IMPROPER PACKAGING BY YOU, ALTERATION, COLLISION WITH OR OF ANOTHER OBJECT, ELECTRICAL CURRENT FLUCTUATIONS (OTHER THAN THAT WHICH IS EXPLICITLY DEFINED AS POWER SURGE IN THE DEFINITIONS SECTION), FAILURE TO FOLLOW OPERATING, MAINTENANCE OR ENVIRONMENTAL INSTRUCTIONS PRESCRIBED IN THE COVERED PRODUCT'S MANUFACTURER OWNER'S MANUAL OR SERVICE PERFORMED BY ANYONE OTHER THAN A SERVICER AUTHORIZED BY CANON.
• SERVICE, REPAIR OR REPLACEMENT OF ANY COVERS, LIDS OR TRIM PARTS, OR OF ANY CONSUMABLE ITEMS.
• SERVICE, REPAIR OR REPLACEMENT OF A COVERED PRODUCT OUTSIDE OF THE CONTIGUOUS UNITED STATES OF AMERICA, ALASKA, OR HAWAII.

YOU ARE RESPONSIBLE FOR BACKING UP ALL SOFTWARE AND DATA ON A REGULAR BASIS AND PRIOR TO COMMENCEMENT OF ANY REPAIR. THIS SERVICE CONTRACT DOES NOT COVER RESTORATION OF SOFTWARE OR DATA, OR DATA RETRIEVAL TO/FROM YOUR COVERED PRODUCT, AND WE ARE UNABLE TO TRANSFER SUCH SOFTWARE OR DATA TO ANY REPLACEMENT DEVICE THAT MAY BE PROVIDED TO YOU. IN NO EVENT SHALL WE BE RESPONSIBLE FOR THE RESTORATION OF SOFTWARE OR DATA, OR FOR RETRIEVING DATA FROM YOUR PRODUCT. IF YOUR CAREPAK PRO COVERAGE INCLUDES CANON IMAGE RECOVERY FULFILLED BY SEAGATE® RESCUE SERVICE ("IMAGE RECOVERY"), PLEASE NOTE THAT IMAGE RECOVERY TERMS AND CONDITIONS ARE SEPARATE AND INDEPENDENT FROM CAREPAK PRO, AND CAN BE FOUND AT USA.CANON.COM/CAREPAK-PRO .

NOTICE: These CANCELLATION provisions apply to the original purchaser of this Service Contract only. If the purchase of this Contract was financed, any outstanding balance due to the finance company will be deducted from any due refund and paid to the finance company instead of the Holder.

Connecticut: The following disclosure statement is added to this Service Contract: In the event of a dispute with Administrator, You may contact The State of Connecticut, Insurance Department, P.O. Box 816, Hartford, CT 06142-0816, Attn: Consumer Affairs. The written complaint must contain a description of the dispute, the purchase or lease price of the Product, the cost of repair of the Product and a copy of the warranty Service Contract.

GUARANTY is amended as follows: If We fail to pay or to deliver service on a claim within sixty (60) days after proof of loss has been filed, or in the event You cancel this Service Agreement and We fail to issue any applicable refund within sixty (60) days after cancellation, You may file a claim against the insurer, Wesco Insurance Company at 59 Maiden Lane, 43rd Floor, New York, NY 10038, by calling 1-866-505-4048.

CANCELLATION is amended as follows: This Service Contract may be cancelled by the Service Contract Holder if the Device covered under this Service Contract is returned, sold, lost, stolen or destroyed.

YOUR RESPONSIBILITY is amended to include: It is Your responsibility of the to follow the manufacturer's specifications for the use and care/maintenance of the covered Product.

Georgia: CANCELLATION is amended as follows: Any cancellation fee shall not exceed ten percent (10%) of the pro rata premium refund due or twenty-five dollars ($25.00) whichever is less. If You cancel the contract within thirty (30) days of the contract purchase date, and no claim has been made, a ten percent (10%) penalty per month shall be added to any refund that is not paid or credited within forty-five (45) days after receipt of the cancellation request.

The Provider may only cancel this Service Contract for fraud by You, material misrepresentation by You, or nonpayment by You. If We cancel this Service Contract, no cancellation fee shall apply and We shall provide written notice to You at the last known address held by Us at least thirty (30) days preceding the effective date of cancellation. The notice will state the effective date and the reason for the cancellation. The lienholder may only cancel this Contract for non-payment if they hold a power of attorney.

WHAT IS NOT COVERED (GENERAL EXCLUSIONS) is amended to include: Only unauthorized product repairs, modifications or alterations performed after the effective date of the Service Contract are excluded. PRE-EXISTING CONDITIONS – The "Pre-Existing Condition:" definition is deleted and replaced with: Conditions that were caused by You or known by You prior to purchasing this Service Contract. The following disclosure statement is added to this Service Contract: This Service Contract will be interpreted and enforced according to the laws of the state of Georgia.

Hawaii: CANCELLATION is amended as follows: If You request cancellation of this Service Contract within thirty (30) days of the purchase date of the Service Contract and the refund is not paid or credited within forty-five (45) days after Your cancellation request to Us, a ten percent (10%) penalty will be added to the refund for every thirty (30) days the refund is not paid. This provision applies only to the original purchaser of the Service Contract. YOUR RESPONSIBILITY is amended to include: It is Your responsibility to follow the manufacturer's specifications for the use and care/maintenance of the covered Product.

Illinois: The following disclosure statement is added to this Service Contract: Covered items must be in place and in good operating condition on the effective date of coverage and become inoperative due to defects in materials or workmanship, or normal wear and tear, after the effective date of this Service Contract.

Indiana: The following disclosure statement is added to this Service Contract: This Contract is not insurance and is not subject to Indiana insurance law.

GUARANTY is amended as follows: Your proof of payment to the Retailer for this Service Contract shall be considered proof of payment to the insurance company which guarantees Our obligations to You. If We fail to perform or make payment due under this Contract within sixty (60) days after You request the performance or payment, You may request the performance or payment directly from the insurer that issued the provider's Service Contract reimbursement policy, including any applicable requirement under the Contract that the provider refund any part of the cost of the Contract upon cancellation of the Contract.

WHAT IS NOT COVERED (GENERAL EXCLUSIONS) is amended as follows: The "Pre-Existing Condition" definition is deleted and replaced with: conditions that were caused by You or known by You prior to purchasing this Service Contract.

Utah: The following disclosure statement is added to this Service Contract: Full payment will be received for the purchase price of this Service Contract at the time of purchase.

The following disclosure statement is added to this Service Contract: This Service Contract or warranty is subject to limited regulation by the Utah Insurance Department. To file a complaint, contact the Utah Insurance Department. Coverage afforded under this Service Contract is not guaranteed by the Property and Casualty Guaranty Association.

GUARANTY is amended as follows: Should the provider fail to pay or provide service on any claim within sixty (60) days after proof of loss has been filed, the contract holder is entitled to make a claim directly against the Insurance Company.

CANCELLATION is amended as follows: We may only cancel this Service Contract for material misrepresentation by You, nonpayment by You or a substantial breach of contractual duties by You relating to the covered property or its use. If We cancel this Service Contract for material misrepresentation or a substantial breach of contractual duties, such cancellation will be effective thirty (30) days after mailing of notice. If We cancel this Service Contract for non-payment, such cancellation will be effective fifteen (15) days after the mailing of notice. The notice will state the effective date and the reason for the cancellation.

OBTAINING SERVICE is amended as follows: If You need to file a claim under this Service Contract, You must contact the Administrator at 1-833-CAREPAK (1-833-227-3725) to obtain a repair authorization number prior to having any repairs made to Your Product If You reasonably determine that You have a Covered Failure when the Administrator's office is closed and You choose to have Your Product repaired, You are responsible for paying for the repair. You must then call the Administrator during the next available regular business hours, or as soon as reasonably possible, so that the Administrator may determine whether there was a Covered Failure. Failure to call in and report the claim will result in non-payment. If the Administrator determines that there was a Covered Failure, then We will pay You in accordance with the terms and conditions of this Contract.

Virginia: If any promise made in the Contract has been denied or has not been honored within sixty (60) days after your request, you may contact the Virginia Department of Agriculture and Consumer Services, Office of Charitable and Regulatory Programs at http://www.vdacs.virginia.gov/food-extended-service-contract-providers.shtml to file a complaint.

For questions about this Service Contract or to obtain a copy of these terms & conditions, log onto the Administrator's website at www.usa.canon.com/carepak-pro or call 1-833-CAREPAK.

• MAXIFY GX X: Maximum of 80,000 printed pages by the Covered Product.
• WG Series Inkjet Printer: Maximum of 300,000 printed pages by the Covered Product. Should the page count exceed the listed maximum printed page count for these Products only, the eCarePAK coverage will no longer apply regardless of the expiration date printed on the eCarePAK Certificate. All repairs requested beyond the printed page limit will be excluded from coverage under the eCarePAK .
• Subject to the limitations set forth in “Service Limitations” below, CUSA agrees to repair or replace, without charge, any defective part in your Covered Product with a new, rebuilt, or different part during the Term of the eCarePAK, provided such part is the same as, or functionally comparable to, the defective part removed. Any parts that are replaced will become the property of CUSA. Replacement of parts will not extend the Term of the eCarePAK. Likewise, if CUSA should replace the Covered Product, the original Covered Product will become the property of CUSA. Coverage under the eCarePAK will automatically transfer to the replacement product but will not extend the Term.
• The eCarePAK is valid only for service of a Covered Product purchased and used in the United States. The eCarePAK is not transferable to another Covered Product except as provided in paragraph 1 above.
• For Oregon residents only: Should CUSA fail to perform under this eCarePAK within sixty (60) days, you may contact Sompo Japan for recourse.
• For Virginia residents only: If any promise made in the Contract has been denied or has not been honored within 60 days after your request, you may contact the Virginia Department of Agriculture and Consumer Services, Office of Charitable and Regulatory Programs at http://www.vdacs.virginia.gov/food-extended-service-contract-providers.shtml to file a complaint.
• Advanced Exchange Program: CUSA may elect to service your Covered Product through its Advanced Exchange Program. Under the Advanced Exchange Program, a defective Covered Product will be exchanged for a comparable refurbished Covered Product on an expedited basis, usually by the next business day (or longer if your ship-to address is determined by Canon to be a rural or remote location). You will be required to provide a ship-to location (street address only) for the replacement product. You may be required to sign a form to guarantee the return of the defective unit and provide a valid credit card authorization. If you do not return your defective Covered Product to CUSA by the date and in the manner specified by CUSA, CUSA may cancel your eCarePAK and invoice you for the full replacement cost of a new Covered Product, or charge your credit card for this cost.
• Service Provider: In the event that CUSA's technical troubleshooting cannot resolve your problem, CUSA may elect to send a Service Provider to your location in an expedited manner to facilitate the repair of your Covered Product.
• ASF Program (Carry In/): Under CUSA's ASF Program, the defective Covered Product is repaired by an ASF and then returned to you. The CUSA representative will direct you how to obtain the name and phone number of the ASF nearest to you. You must contact the ASF to schedule the repair. DO NOT INCLUDE AN OTHER ITEMS WITH THE COVERED PRODUCT. Covered Products will be repaired and returned to you without charge by the ASF.
• Loss of or damage to the Covered Product due to abuse, mishandling, improper packaging by you, neglect, alteration, electric current fluctuation or accident; improper use, including failure to follow operating, maintenance or environmental instructions prescribed in the operator's manual; use of the Covered Product with non-compatible computers, peripheral equipment or software; or repair performed by other than a service representative qualified by CUSA.
• Service necessitated by the use of parts or supplies (other than those distributed by CUSA) which damage the Covered Product or which cause abnormally frequent service calls or service problems.
• Service of the Covered Product if it has been modified or altered in any way (including any alteration or removal of serial numbers or identification marks).
• Service, repair or replacement of any covers, lids, or trim parts, or any consumable items, including without limitation, ink and/or maintenance cartridges, and ink tanks. Toner cartridges and print heads may have a separate limited warranty based on your product. Please refer to your product's limited warranty for details. Preventative maintenance and or inspections.
• Service, repair or replacement of accessories or options for the Covered Product, or of any equipment or software not distributed by Canon which may be used with, or be connected to, the Covered Product.
• Service, repair, or replacement of any Covered Product purchased or used outside of the United States.
• Place the printer on its stand with your assistance.
• Load media on to the printer.
• Fill ink tanks.
• Produce a test print to ensure that the printer is installed and operating within specifications.
• Upon your request, connect the printer to a network (i.e. Ethernet connection). You must have a live Ethernet connection to your network, as well as an Ethernet cable, at the time of your request. If not, an additional visit to connect the printer to your network will need to be scheduled when both of these requirements have been met. This additional visit will incur a fee.
• Place the imagePROGRAF printer on its stand with your assistance.
• Load media on to imagePROGRAF printer.
• Produce a test print to ensure that the imagePROGRAF printer is installed and operating within specifications.
• Place the Colortrac scanner on its stand with your assistance.
• Install, at a basic level, the computer and monitor.
• Connect the Colortrac scanner to the imagePROGRAF printer and produce a test scan to ensure that the imagePROGRAF printer and Colortrac scanner are connected and operating within specifications.
• Place the scanner in its designated location with your assistance.
• Install replacement rollers if they are not already factory installed.
• Install additional accessories (if applicable).
• Connect scanner and perform a test scan to ensure that scanner is operating within specifications.
• Install ink tanks.
• Upon your request, connect the printer (via USB or network (i.e. Ethernet connection)). You must have a live Ethernet connection to your network, as well as an Ethernet cable, at the time of your request. If not, an additional visit to connect the printer to your network will need to be scheduled when both of these requirements have been met. This additional visit will incur a fee.
• Upon your request, connect the printer (via USB or network (wireless or Ethernet connection)). You must have a live Ethernet connection to your network, as well as an Ethernet cable, at the time of your request. If not, an additional visit to connect the printer to your network will need to be scheduled when both of these requirements have been met. This additional visit will incur a fee.
• Installation technicians may, in their sole discretion, refuse to install Covered Products that are incompatible, are, or appear to be, damaged, are inappropriate for installation, exhibit signs of excessive wear or are deemed unsafe. Covered Products which are not new, or are damaged, will be documented before the installation begins. You may be subject to additional charges should the installation technician conclude that the proposed installation is unsafe and therefore cannot be completed.
• A pre-existing power outlet(s) must be accessible in order to install your Covered Product.
• Installation services are only available in the 50 United States and the District of Columbia. Extra charges may apply in the event special travel is required to reach the installation site.
• Extra charges may apply in the event additional work is necessary to complete the installation, including, but not limited to, carpentry, electrical work, floor covering modifications, moving of furniture, or additional wire, parts and/or accessories.
• Carefully review your installation needs, your installation plans and the accessories and hardware you have and/or need to facilitate and complete the installation.
• CUSA and/or Canon authorized service provider will contact you to schedule your installation appointment. Cancellations or rescheduling of scheduled installation appointments must be made no later than twenty four (24) hours prior to your appointment to avoid additional charges. Cancellation requests are not valid until confirmed by CUSA and or Canon Authorized service provider.
• You must ensure that the Covered Product(s) to be installed, the installation site, and the hardware and accessories required to facilitate and complete your installation, are prepared and ready prior to the arrival of the installation technician. You may be subject to an additional charge for failure to prepare the Covered Product, the installation site, or the required hardware and accessories prior to the arrival of the installation technician.
• You must move or rearrange furniture to provide accessibility and a safe, adequate work space for the installation technician.
• You must provide a sufficient amount of power, power sources, power cords and, if applicable, surge protectors that are readily available to the installation technician and/or safely accessible to the installation site. The installation technicians will not move or install AC power sources or feeds of television signals from cable, satellite or other sources.
• You must dispose of the packaging materials and trash following the installation. Although the installation technicians will clean up the work site, it is your responsibility to arrange for the final disposal of any packaging materials or trash related to the installation.
• Training is only provided during the time of installation.
• Training on the general operation of the scanner component of the imagePROGRAF iPF MFP.
• Training on the general operation of the scanner
• Training on the Canon software and drivers included with the scanner.
• Training on scanner preparation, maintenance and errors on scanner.
• CUSA reserves the right to refuse or limit any Training Services if you fail to satisfy any minimum requirements for such Training Services as published or provided to you by CUSA prior to the start of such Training Services.
• CUSA reserves the right to refuse, limit, or cancel any Training Services if, in the opinion of CUSA, you display unreasonable behavior or are deemed by CUSA to be violent, abusive, or disruptive. In such cases, no refunds will be paid.
• Ownership of all copyright and other intellectual property rights in the training material supplied by CUSA, or its authorized service provider, including any documentation, data, technical information and know-how provided to you as part of the Training Services, remains vested in CUSA, its authorized service provider(s), or the owner of such materials, as applicable. All such information will be held by you in confidence and will not be disclosed or copied to third parties, without the express written permission of CUSA.
• Perform physical inspection on the internal, external and functionality of the scanner.
• Perform necessary cleaning routine of the interior and exterior body of the scanner.
• Install new user replaceable rollers.
• Document maintenance statistics.
• Perform test scans after preventative maintenance is complete and ensure that Scanner is operating within specifications.
• Only customers under warranty, eCarePAK, or eCarePAK+PM coverage can purchase Preventative Maintenance services.
• Scheduling Preventative Maintenance is the sole responsibility of the customer and will expire upon expiration of the warranty, eCarePAK, or eCarePAK+PM.
• CUSA will provide Preventative Maintenance only during normal business hours of operation, Monday through Friday, 9AM-5PM local time excluding holidays.
• CUSA will schedule the Preventative Maintenance within five business days of when the customer contacts CUSA’s Technical support Center.
• If the unit is not in working condition, the Preventative Maintenance will be delayed and a break/fix call will be opened.
• Subject to the limitations set forth in "Service Limitations" below, CUSA agrees to repair or replace, without charge, any defective part in your Covered Product with a new, rebuilt, or different part during the Term of the eCarePAK, provided such part is the same as, or functionally comparable to, the defective part removed. Any parts that are replaced will become the property of CUSA. Replacement of parts will not extend the Term of the eCarePAK. Likewise, if CUSA should replace the Covered Product, the original Covered Product will become the property of CUSA. Coverage under the eCarePAK will automatically transfer to the replacement product but will not extend the Term.
• 3. ASF Program (Carry In/): Under CUSA's ASF Program, the defective Covered Product is repaired by an ASF and then returned to you. The CUSA representative will direct you how to obtain the name and phone number of the ASF nearest to you. You must contact the ASF to schedule the repair. DO NOT INCLUDE ANY OTHER ITEMS WITH THE COVERED PRODUCT. Covered Products will be repaired and returned to you without charge by the ASF.
• Service, repair or replacement of any covers, lids, or trim parts, or any consumable items, including without limitation, toner and/or ink cartridges, ink tanks and printheads.
• Preventative maintenance and or inspections.
• Upon your request, connect the printer to a network (i.e. Ethernet connection).
• Connect the Colortrac M40 scanner to the imagePROGRAF printer and produce a test scan to ensure that the imagePROGRAF printer and Colortrac M40 scanner and Colortrac scanner are connected and operating within specifications.
• Training on the SmartWorks MFP Software.
• Only customers under warranty or eCarePAK coverage can purchase or receive Preventative Maintenance.
• Scheduling a Preventative Maintenance is the sole responsibility of the customer and will expire upon expiration of the warranty or eCarePAK.
• CUSA will schedule the Preventative Maintenance within five business days of when the customer contacts CUSA's Technical support Center.

Recommended Accessories

AC Adapter AC-E6N

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Product disclaimer.

* As of February 13, 2019.

** Optional Canon Mount Adapter EF-EOS R is required when using EF/EF-S lenses with an EOS RP camera.

*** Available AF point locations may decrease when shooting with AF cropping or in movie mode, or depending on camera settings or lens attached.

**** Based on AF speed tests, performed by Canon, Inc., using RF 24-105mm f/4L IS lens.

^ When using RF 50mm F1.2 L USM, with central AF point.

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04/16/2024: New firmware updates are available.

RF100-300mm F2.8 L IS USM - Version 1.0.6

RF400mm F2.8 L IS USM - Version 1.0.6

RF600mm F4 L IS USM - Version 1.0.6

RF800mm F5.6 L IS USM - Version 1.0.4

RF1200mm F8 L IS USM - Version 1.0.4

03/26/2024: New firmware updates are available.

EOS R3 - Version 1.7.1

EOS R5 - Version 2.0.0

EOS R6 - Version 1.8.4

EOS 1DX Mark III - Version 1.9.0

WFT-R10 - Version 1.3.1

12/05/2023: New firmware updates are available.

EOS R6 Mark II - Version 1.3.0

EOS R7 - Version 1.4.0

EOS R8 - Version 1.2.0

EOS R10 - Version 1.4.0

Selphy QX10 - Version 1.1.0.0

07/31/2023: New firmware updates are available.

CR-N700 - Version 1.2.0

CR-N500 - Version 1.3.0

CR-N300 - Version 1.3.0

CR-X300 - Version 1.1.0

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All reviews, the 5 best budget mirrorless cameras - spring 2024 reviews.

Buying a camera can be a big investment, and the costs can quickly add up when you factor in additional lenses and accessories. With so many different models to choose from, it can also be hard to narrow down your options. Thankfully, most modern mirrorless cameras can capture excellent images and take your photography up a notch from simply using your smartphone. If you're on a tight budget, consider buying a used model. With a large used market on eBay and at retailers like Adorama ,  B&H Photo Video ,  KEH , and  MPB , you can find a great camera without spending a fortune. But if you're set on buying new, there are still some great budget options to choose from.

We've bought over 100 cameras, and below, you'll find our best tested budget mirrorless cameras. Our picks below are all interchangeable-lens models, but if you're looking for a fixed-lens camera, you can check out our best point-and-shoot cameras . If you're just starting out in photography, you can also look at our best mirrorless cameras for beginners . Conversely, if you need something more advanced, try the best mirrorless cameras we've tested.

Best Budget Mirrorless Camera

The Canon EOS R50 is one of the best budget cameras you can buy brand new, and it has a lot to offer for those buying their first "proper" camera. With simple controls, a fully articulated screen, and a highly portable body, you can bring this camera wherever you go. Its APS-C sensor captures excellent image quality, and the camera has a highly effective autofocus system, so you rarely have to worry about missing focus, even with moving subjects.

Beyond that, it has surprisingly advanced video features for a budget camera, including uncropped 4k recording at up to 30 fps and the option to capture 10-bit color internally in its HDR PQ mode for more advanced shooters who want more flexibility with their footage. The camera's biggest downside is that the RF mount still has a somewhat limited lens selection if you ever want to move beyond the kit lens. However, it could still be a good investment for those who may want to upgrade to a full-frame camera down the line since it shares the same lens mount as higher-end models in Canon's mirrorless lineup.

See our review

Best Budget Mirrorless Camera For Portability

The Olympus OM-D E-M10 Mark IV is one of the best budget options if you need something compact. It uses a smaller Micro Four Thirds (MFT) sensor than the Canon EOS R50 . However, that comes with the added benefit of a more portable camera system—not only is the body super compact, but MFT lenses are also typically smaller than their APS-C counterparts. The MFT system also has a more established lens lineup, so you'll have more lens options to choose from than the newer RF mount. Despite its small size, the E-M10 Mark IV still has excellent ergonomics and intuitive controls.

This model is also one of the few budget cameras to feature in-body image stabilization (IBIS). IBIS can help you capture steadier shots at slower shutter speeds, which is handy in darker lighting, or record smoother handheld video. Although it doesn't have the quickest or most reliable autofocus, this is a great little camera for the price.

Best Budget Mirrorless Camera For Lens Selection

If you want a budget option with a well-established lens ecosystem, that's the Sony α6400 or one of its Alpha siblings. The  Sony α6100  is the cheapest of the bunch if you're on a tighter budget, with a lower-res EVF and cheaper build quality, while the more expensive  Sony α6600  offers a longer battery life and in-body image stabilization. Regardless of which model you choose, you'll have a vast library of E-mount lenses to choose from, including plenty of great third-party options that can help you step up your photography game.

While the camera's ergonomics and user interface have a steeper learning curve than a camera like the Canon EOS R50 , the α6400 offers an excellent sensor and a great balance of features. Despite being on the market for several years now, its autofocus is still one of the most effective of its class, and the camera's relatively portable design makes it easy to take on the go.

Best Budget Mirrorless Vlogging Camera

If you're looking for a budget vlogging camera, consider the Sony ZV-E10. It uses the same sensor as the  Sony α6400  above but has a more vlogging-oriented design. That includes a fully articulated screen to help you monitor yourself while vlogging and an improved stereo mic with a detachable windscreen to reduce wind noise when shooting outdoors. However, it does lack a viewfinder, making it less versatile for photography.

Beyond its design, it can record 4k video at up to 30 fps and 1080p at up to 120 fps, giving you a range of frame rate options, whether you want to record smooth action footage or incorporate slow-motion into your vlogs. The camera's autofocus system is also very reliable, ensuring you and your subjects stay in focus. There's even a dedicated 'Product Showcase' mode for product vloggers. All in all, this camera offers a ton of value for its price for amateur video shooters and aspiring YouTubers.

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