napalm death tour 2023

Resentment is Always Seismic

New mini-album out February 11th via

Official Website Of Napalm Death

"resentment is always seismic", new mini-album to complement "throes of joy in the jaws of defeatism".

Continuing the fearless exploration of their legendary sound's outer limits, UK's Grindcore pioneers NAPALM DEATH return with "Resentment is Always Seismic – a final throw of Throes", a partner recording to their much acclaimed "Throes Of Joy In The Jaws Of Defeatism" album from 2020. Concluding matters through vital, tumultuous Grindcore and shockwave ambience, this 8-track mini-album with all previously unreleased material - including Bad Brains and SLAB! cover versions.

"Resentment is Always Seismic – a final throw of Throes" is available as limited CD Digipak, 180g LP and as digital album February 11th, 2022 via Century Media Records

Throes of Joy in the Jaws of Defeatism

16th studio album by napalm death out now.

From the pinnacle of confrontational instrumental extremity and steadfast lyrical humanity, Napalm Death's new album warps musical landscapes all over again. The 16th studio album by pioneers of the genre and much anticipated follow-up to 2015's acclaimed "Apex Predator – Easy Meat" includes 12 songs seething with caustic evolution and unrelenting scope.

"Throes of Joy in the Jaws of Defeatism" is out September 18th, 2020 as jewelcase CD, limited mediabook CD with 3 bonus tracks and 180gsm vinyl LP with a bonus track via Century Media Records!

Follow Century Media Records on Youtube for more official videos and behind the scenes clips from Napalm Death

Life?... & Napalm Death

An autobiography by shane embury.

Napalm Death bassist Shane Embury has been a major figure in grindcore for more than four decades, and his story is closely tied to the history of that scene. Coming soon via Rocket 88 Books, "Life?... & Napalm Death" takes the reader on a front seat, white-knuckle ride through the sights, sounds, places and people who’ve been central to the music and the life. Told in his own, inimitable style, this is not just the life story of Shane, but also a history of Napalm Death and the development of death metal and grindcore from their beginnings to the present.

Order either the Classic or the Signature edition and get your name in the book!

Follow Napalm Death on Bandsintown to get concert, live stream and tour updates

Official Merchandise

Visit the official Napalm Death webstore for t-shirts, limited edition vinyl records and more exclusive merchandise

Napalm Death are credited as pioneers of the grindcore genre by incorporating elements of crust punk and death metal, using a noise-filled sound that uses heavily distorted, down-tuned guitars, grinding overdrive bass, high speed tempo, blast beats, and vocals which consist of incomprehensible growls, or high-pitched shrieks, extremely short songs, fast tempos, and sociopolitical lyrics.

Even after exerting an indelible influence on the entire world of heavy music for nearly 40 years, there is still no band on Earth that sounds like Napalm Death. Not just the pioneers, but an enduring benchmark for invention and fearlessness in heavy and experimental music of all kinds, the Birmingham legends are still hurtling forward at full pelt.

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Artwork by Frode Sylthe · Video direction by Chariot Of Black Moth, Marc Nickel, Ljuba Generalova, Michael Panduro, Sam Edwards, Khaled Lowe, Cloud · Illustrations by Bite Radius Designs, Rob Middleton · Photography by Gobinder Jhitta · Server management by Max "Butcher"

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Hailing from the West Midlands, UK, Napalm Death helped establish the sound of grindcore in the late 80s, combining bludgeoning thrash/death metal with hardcore punk to create their uniquely brutal sonic assault, helping to influence the next generation of heavy music.

The band began in 1981, initially inspired by the anarcho-punk movement of bands such as Crass. As the decade progressed, they began incorporating more hardcore, post punk and thrash metal elements, before eventually finding the extreme sound of their 1987 debut, “Scum.” The more extreme direction of the band prompted a number of members to leave, including Justin Broadrick, who would later go on to find fame with Godflesh and Jesu. The album was a critical success, building reputation for their incendiary live performances and radio sessions, gaining significant support from BBC Radio One DJ, John Peel.

The band solidified their lineup by 1989, featuring vocalist Mark “Barney” Greenway, bassist Shane Embury, guitarist Mitch Harris and drummer Danny Herrera. In 1990, they released “Harmony Corruption,” which moved towards a more conventional sound. However, the end result did not satisfy the members, returning with an all-out grindcore assault with the EP, “Mass-Appeal Madness.” Their 1994 “Fear, Emptiness, Despair” earned Napalm Death their biggest success yet, surprisingly entering the the top ten of the US charts, after being featured on the soundtrack for the film “Mortal Kombat.”

Napalm Death continued to release critical acclaimed albums, including 1995’s “Diatribes” and 1999’s “Words from the Exit Wound.” They returned to their early sound in the new millennium, with “Enemy of the Music Business,” in 2001. With an astonishing thirty years at the forefront of extreme music, they continued to release high quality albums, celebrating their 15th album, “Utilitarian” in 2012.

Live reviews

Hellfest was lit up like crazy when Napalm Death took the stage. They are a band that brings the heaviest performance they have at all times. The crazy lights there were going off just added to the intensity of the show.

The first song that they played was a familiar one to all of the metal fans in the crowd including myself. It was titled 'Take the Poison'. Since Napalm Death's singer does so much deep growling and screaming we could not really sing along per say but we were all screaming, yelling, and headbanging.

Napalm Death wanted us to create a moshpit and circle pit during the middle of the set and that got people going crazy. The members were not wearing any special clothes but the drumset was like a prop in itself. It was so large that I could not even fathom how the drummer could play it but he did very well.

The entire show was fantastic and Napalm Death's singer just said 'Thank you!' at the end of the set and although we all knew they were not sentimental type of guys, they were still grateful that all of us fans came to the metal show to have a great time.

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Bat, Rotten Sound and Misery Index were great and gave me some neck pain. As much as I love the bands mentioned above, Misery Index managed to play the best show that night, they just played too correct and their way of interacting with the audience is just nice.

I'm not a fan of EyeHateGod or sludge in general, but their performance has left its mark on my memory and I would definitely like to see them live again. Mike Williams is simply a unique personality, and it's very interesting to see him live, but admittedly his way of interacting with the crowd draws a certain amount of hatred.

Napalm are machines and always give a great show, Barney is an incredible front man who will make sure you never get bored.

The audience in general was quite nice, not small in number, well-behaved and very lively.

The organizers did a good job, I had no problems finding the location, the toilets were adequate, the bars worked perfectly etc.

All in all a great performance, and I would recommend any of the bands listed to anyone.

Napalm Death never fails to deliver the most brutal hard pounding shows. The House of Blues exploded last night in a fit of fury and while it was one of the most brutal pits I can remember because of the small size of the venue, it is always a pit of respect as brothers and sisters party and hang out together. Truly a memorable show and the sound was also spot on. To the grandfathers of Death Metal, Napalm Death, I salute you and see you again next time around.

Awesome show, all 5 bands were excellent. Would have liked to see a little more from Napalm Death since it was the first time seeing them. Thank you Slayer for setting up such an awesome show, you guys are simply amazing and will always be legendary in the music industry.

Amazing concert \m/ .... one hour n half of f^#* NAPALM DEATH... Long live to Barny ..... Chimba de pic Shane .... brutal show .... not songs list , but always Scum , Mentally Murder a lot f^#* more songs .... got 2 shirts .... he took about political campaing

Napalm death was awesome.But I must say Black Dahalia Murder stole the show.They put on one of the best sets by far this year in Baltimore.Agressive,smart, and engaging.Worth the price of admission for them alone.100% will see them again.

Napalm in Frisco was fucking awesome!With Municipal Waste, Sick Of It All, and Take Offense this lineup ruled I only hope that all of these guys keep touring for years to come...

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Napalm Death Announces Fall/Winter 2022-2023 US Tour Dates Featuring Brujeria and Frozen Soul

Daniel Pacheco Muñoz

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Napalm Death 2023 Australia Tour

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• Napalm Death

The pioneers of grindcore, the legendary Napalm Death return to Australia this spring for a five-date national run.

Napalm death 2023 tour dates, hot in your box.

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Napalm Death & Wormrot, Auckland NZ, 2023

Napalm Death & Wormrot

17th september 2023 galatos, auckland, new zealand..

Review by Sarah Kidd . Photography by  Mark Derricutt .

What could be sweeter than an international headliner on a Sunday night? The answer is simple, a double international headliner on a Sunday night!

Announcing their ‘Campaign for Musical Destruction’ tour back in May, Napalm Death doubled down on the already welcomed news by declaring that they would be supported by Wormrot, a grindcore trio from Singapore that are insanely phenomenal live.

Arriving on stage and coming eye to eye with a sea of black clad fans, Wormrot wasted no time as they delivered opener ‘All Will Wither’ from their latest album Hiss.

Formed in 2007, Wormrot have slowly been gathering a legion of dedicated fans across the world thanks to their live performances that are utterly unrelenting in their sheer power. With four studio albums and several EP’s/Splits under their belt, they certainly had a wide range of material to pull from.

Sadly, their previous lead vocalist Arif, who had been with Wormrot since inception, announced his departure just before Hiss was released back in June last year. The departure came as a serious blow to Wormrot as they also lost Arif’s wife Azean who had managed them.

Still auditioning for a permanent new lead vocalist, the position is currently being filled by Gabriel Dubko of Implore, a German grindcore band who if you haven’t heard of you should certainly get to know. Unfortunately, for many of the audience tonight, watching Dubko is the closest that they will get to seeing Implore live, as the four piece announced their split and farewell European Tour last month after over a decade together.

Standing in for Arif, Dubko did an outstanding job; keeping to the side of the stage for most of the evening, long hair framing his heavily inked frame, he delivered the vocals from a cavern deep within himself, pausing between tracks every so often to grin at the audience, or dangle his mic from its cord like a hangman’s noose, motioning for another pit to be formed at his feet.

Of course, it would be an absolute fallacy not to declare that despite the overall killer performance that Wormrot delivered it was drummer Vijesh that everybody had their eyes on. Front and centre, the man was totally unstoppable. Having joined Wormrot in 2015 after completing his compulsory military service, Vijesh has quickly become known for his indefatigable performances that leave jaws on the ground, his blast beats and windmill arms mind-blowing to watch.

Track after track pummelled the audience face first, the pit down front of flailing limbs and hair relishing every moment of it. After one particularly merciless onslaught, guitarist Rasyid giving it his all, a patron from the very back declared wholeheartedly “ that was really fucking nice, thank you very much ” bringing a smile to the trio.

‘Blockhead Fuck Off’ was definitely a highlight of the set along with one of Vijesh’s skull crushing drum solos that was followed by a loudly declared “ Woo! ”. A statement of thanks and a call from Dubko for those down in front to give it their all while simultaneously looking out for each other just highlighting that it truly is about solidarity in the music and the message and no bullshit about egos and gatekeeping.

Closing out their set with thanks, fans valiantly tried to convince Wormrot to give them one more song, the boys smiling and nodding but making it clear that they were done. There were certainly no complaints from anyone though as they delivered a set that will certainly be filed away under ‘favourites’ in the memory bank.

Napalm Death are certainly no newcomers to the scene, formed in 1981, the boys from West Midlands England have gifted the world sixteen studio albums, their most recent ‘Throes of Joy in the Jaws of Defeatism’ cited by many as one of their best.

Lead by the charismatic Mark ‘Barney’ Greenway, Napalm Death are political activists as much as they are grindcore musicians, and that has been much of their appeal over the years. It shows in their audiences too, looking around there is an absolutely mixed bag of patrons both young and old, Napalm Deaths messages throughout their discography something that resonates with many.

Sporting that unmistakable short haircut, Greenway was on the go from the start, ‘Narcissus’ from their EP ‘Resentment is Always Seismic – A Final Throw of Throes’ seeing him storm the stage and pace in circles, the audience relishing every moment as his imposingly tall figure loomed over them.

Joined by Shane Embury on bass and John Cooke on guitar, Danny Herrera of course holding down the kit, Napalm Death were in fine form despite having played the last two consecutive nights. While always a joy to watch as a whole, it is hard not to focus on Barney (as he is affectionately known), who shows absolutely no signs of ever slowing down in any shape or form. Vocals still on point in their brutality, Barneys growls continue to sound like they are emanating from the very bowels of the underworld itself, Auckland fans lapping up every moment of the show from start to finish.

Often when groups have a history as illustrious as Napalm Death does, they lean on sets comprised of ‘highlights’ to get them through and keep crowds happy. But not Napalm Death, last nights set alone containing several tracks from their last studio album, all of which were welcomed with open arms.

Barney still has that sense of English humour too, pausing momentarily near the beginning of the set for some banter of how they may be British, but they are still “rude fuckers” who are an “unapologetic noise band”. His following words however a little more serious as he spoke of how no human being is illegal and how no one person or small group of people should ever get to dictate as to who is or who isn’t. “ Everyone is welcome, all refugees are welcome ” Barney declared, eliciting rounds of applause from all those present; ‘Contagion’ finishing the point off nicely.

‘Invigorating Clutch’, one of the longer tracks from the same album was noted by Barney as also one of their slower numbers, but the strength contained within it is still just as mouthwatering; live it was even better, Cooke on guitar driving home the killer riffs. ‘Scum’ from their debut album released a mere thirty-six years ago, had everyone throughout the room moving, ‘Amoral’ once again from their latest release emphatically proving to one and all that Napalm Death still have something to say.

And this is important in the longevity of an act like this, a longevity that continues to draw fans to their shows. Barney still sounds angry, the whole band does, like they would still kick in doors and pin people to walls if they believed some injustice was being committed.

Their music, their sound, their words are not about making music just for the sake of it or to bring another pay check in. It is about aggression against the system that sees many as disposable, about governments that make ludicrous decisions while making themselves richer, about general society’s vapid values.

Speaking of how last year governments had the audacity to try and control women’s bodies and tell them what they could and could not do with them, Barney spoke of how this year’s target is the trans community.

“ The very notion of trying to erase people just trying to live by their own genetic code is ridiculous ” he announced with venom, “ Those who believe that the world would be a better place without trans people can go fuck themselves; and religious peeps can mathematically go fuck themselves several times ”.

His speech elicited raucous agreement from the crowd, those cheers soon turning into ones of euphoria as ‘Suffer the Children’ was thrown down. Barney is right though, across the world attacks on the trans community are being seen everywhere, including – most concerningly – within our own political parties here in Aotearoa.

‘The Infiltrator’ soon followed, a surprise bonus for many fans, before ‘Smash a Single Digit’ destroyed the room, Barney’s vehemence in delivery proving just why he is still in the game.

Of course, there were a couple of cover songs, Napalm’s version of the Bad Brains track ‘Don’t Need It’ certainly welcomed, but it was easily overshadowed by their insanely remorseless rendition of the Dead Kennedys ‘Nazi Punks Fuck Off’.

Finishing with ‘Siege of Power’ which allowed both Napalm and audience to let everything loose one last time, it almost seemed like time stopped momentarily as the house lights went up and the crowd blinked as if to double check that what just went down was really over.

Sure, last night was a double header that left everyone feeling brutalised in the best way possible – but more importantly it was a timely reminder to one and all. There are agendas that our politicians and governments are trying to force feed us, there are agendas whose basic purpose is to devalue and dehumanize those around us. These agendas need to be shut down immediately, and our politicians told in no uncertain terms that we will not accept this form of hate speech within our own communities.

For if we do not speak out now, our silence will forever be seen as acceptance.

Napalm Death:

Were you there at Galatos for this delightful grindcore metal gig? Or have you seen Napalm Death or Wormrot perform live somewhere else before? Tell us about it in the comments below!

Napalm Death Setlist:

• Backlash Just Because
• Fuck the Factoid
• Lucid Fairytale
• Everyday Pox
• Invigorating Clutch
• Unchallenged Hate
• Throes of Joy in the Jaws of Defeatism
• Suffer the Children
• Mass Appeal Madness
• Don’t Need It [ Bad Brains cover ]
• Breed to Breathe
• The Infiltrator
• Smash a Single Digit
• Nazi Punks Fuck Off [ Dead Kennedys cover ]
• Siege of Power

Note: Ambient Light was provided passes to review and photograph this concert. As always, this has not influenced the review in any way and the opinions expressed are those of Ambient Light’s only. This post contains an affiliate link. If you purchase a product using an affiliate link, Ambient Light will automatically receive a small commission at no cost to you.

If you enjoyed this content, please consider donating towards the running of Ambient Light, covering expenses and allowing us to expand the coverage you love by visiting our PressPatron page .

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NAPALM DEATH To Tour Japan In December 2023

August 24, 2023, 8 months ago

news napalm death

Extreme metal / grindcore legends Napalm Death will return to Japan for the first time in seven years this December. Japanese promoter Smash has confimred the following shows:

December 11 - Club Quattro - Osaka, Japan 12 - ell. Fitsall - Nagoya, Japan 13 - Unit - Tokyo, Japan

Prior to heading to Japan, Napalm Death will perform in Australia, New Zealand, United Kingdom, and France. Their complete tour schedule can be found at NapalmDeath.org .

Napalm Death bassist, Shane Embury, has been a major figure in grindcore for more than four decades, and his story is closely tied to the history of that scene.

His upcoming biography, Life?… And Napalm Death, will be published in October via Rocket 88 Books. It takes the reader on a front seat, white-knuckle ride through the sights, sounds, places and people who’ve been central to the music and the life. Told in his own, inimitable style, this is not just the life story of Shane, but also a history of Napalm Death and the development of death metal and grindcore from their beginnings to the present.

There are two editions of Life?… And Napalm Death; the Classic hardback and the Signature hardback which is signed by Shane. The cover of the book has been created by long-time Napalm Death collaborator Gary Ronaldson of Bite Radius Designs, who has worked with Shane and the band for almost a decade.

Pre-order your choice of the Classic or Signed edition here . You can choose to have a name printed in the book.

Watch a pair of trailers below:

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Napalm Death Announce ‘Campaign For Musical Destruction’ Australian Tour

By Jules LeFevre

British outfit Napalm Death will head down under for an Australian tour in September this year. The tour will get underway at Magnet House in Perth on Tuesday, 5th September, before moving through most most major cities before finishing in Brisbane a week later.

The band will be joined at all dates by Singapore outfit WORMROT , who are fresh off the release of their album HISS. Napalm Death’s last album was 2022’s Resentment is Always Seismic – A Final Throw of Throes, which served as a companion record to 2020’s Throes Of Joy In The Jaws Of Defeatism.

Napalm Death: ‘Amoral’

Napalm Death are widely considered to be pioneers of grindcore, and have released 17 albums across their long career, which began in 1981. None of the founding members of the band remain, but the lineup has mostly stayed the same since the early 1990s.

Guitarist Mitch Harris found himself in hot water recently , being put on blast over bizarre comments he made about “cunts that claim benefits”, “dole scroungers” and (??) “lads with manbags”. Harris was promptly put in his place by Sleaford Mods’ Jason Williamson.

Napalm Death Australia Tour With WORMROT

• Tuesday, 5th Sep – Magnet House Perth
• Thursday, 7th Sep – Lion Arts Factory Adelaide
• Friday, 8th Sep – The Factory Theatre Sydney
• Saturday, 9th Sep – The Croxton Melbourne
• Tuesday, 12th Sep – The Triffid Brisbane

Tickets are on sale Thursday, 11th May at 9am.

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Napalm Death, Pig Destroyer, Primitive Man & Wormrot Set For European/UK Tour

Napalm Death , Pig Destroyer (select dates), Primitive Man and Wormrot will embark on another leg of the ‘ Campaign For Musical Destruction Tour ‘ in early 2024. That European/UK leg will take place as follows:

02/09 Koln, GER – Essigfabrik 02/10 Drachten, NET – Iduna 02/11 Hamburg, GER – Gruenspan 02/13 Brno, CZE – Sono 02/14 Budapest, HUN – Durer Kert 02/15 Wien, AUT – Arena 02/16 Leipzig, GER – Conne Island 02/17 Berlin, GER – Astra Kulturhaus 02/19 Munchen, GER – Backstage 02/20 Paderno, Dugnano, ITA – Slaughter Club 02/21 Geneve, SWI – L’Usine 02/22 Montpellier, FRA – Salle Victorie 2 02/23 Biarritz, FRA – L’Attabal 02/24 Paris, FRA – File 7 02/25 Audincourt, FRA – Le Moloco 02/27 Saarbrucken, GER – Garage 02/28 Nurnberg, GER – Z-Bau 02/29 Heidelberg, GER – Halle02 03/01 Maddeburg, GER – Factory 03/02 Leer, GER – Zollhaus

With Pig Destroyer :

03/03 Antwerpen, BEL – Zappa 03/05 Sheffield, UK – Corporation 03/06 Newcastle Upon Tyne, UK – Anarchy Brew Co. 03/07 Glasgow, UK – Queen Margarent Union 03/08 London, UK – Electric Brixton 03/09 Liverpool, UK – O2 Academy

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Napalm Death Announce ‘Campaign For Musical Destruction’ New Zealand Tour

Recognised by The Guinness Book of Records as the creators of the shortest ever recorded song (their 1.316 second classic ' You Suffer '), UK grindcore pioneers Napalm Death are returning to our shores for a triple date Campaign For Musical Destruction New Zealand Tour . Indisputably one of the most influential and aggressive groups of any kind to emerge in the last 40 years, Napalm Death formed in Meriden, West Midlands in 1981 and have unleashed seventeen studio long player so far, including last year's mini-album Resentment Is Always Seismic . Last here in 2017 , Napalm Death's current membership is Shane Embury, Mitch Harris, Danny Herrera and Mark "Barney" Greenway — don't miss them bringing the fury with special guests from Singapore Wormrot in Tāmaki Makaurau, Te Whanganui-a-Tara and Ōtautahi at the following dates...

UPDATE: Napalm Death's Christchurch event is now happening at Loons — all tickets remain valid and UTR ticket holders have been emailed direct with details (check your promotions and spam folders).

Napalm Death Campaign For Musical Destruction New Zealand Tour with Wormrot

Friday 15th September - Meow, Wellington Saturday 16th September - Loons, Christchurch [new venue] Sunday 17th September - Galatos, Auckland

Christchurch tickets available via  HERE via UTR Wellington tickets available via moshtix.co.nz Auckland tickets available via galatos.co.nz

Experience Napalm Death's 'Contagion' from their 2020 album Throes of Joy in the Jaws of Defeatism ...

Here's Napalm Death's classic cover of 'Nazi Punks Fuck Off' by Dead Kennedys (click through to view)...

Take in the brutality of Wormrot's 'Behind Closed Doors' from their 2022 album Hiss (Earache Records)...

Press release:

NAPALM DEATH. One of the most influential and legendary acts in the history of heavy metal, and considered by all, as the fathers of grindcore. Over 40 years on and seventeen albums in, NAPALM DEATH are in no way, shape or form of slowing down. As stated in their own words, silence sucks, noise is always the answer and they continue to create music that confronts, confounds and eviscerates in equal measure.

Grinding faces with the best of them will be Singapore’s vitriolic extreme noise terrorists WORMROT. Released in 2022, their latest album HISS has been heralded as one of the best modern grind albums, period! Their performances are intense, spectacular, furious, a barrage of unrelenting, head-caving abuse, honed by a singular determination to fucking destroy the competition. Get it or get out of the way!!

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NAPALM DEATH

TUESDAY, SEP 5 2023

 NAPALM DEATH. One of the most influential and legendary acts in the history of heavy metal, and considered by all, as the fathers of grindcore. Over 40 years on and seventeen albums in, NAPALM DEATH are in no way, shape or form of slowing down. As stated in their own words, silence sucks, noise is always the answer and they continue to create music that confronts, confounds and eviscerates in equal measure. Grinding faces with the best of them will be Singapore’s vitriolic extreme noise terrorists WORMROT. Released in 2022, their latest album HISS has been heralded as one of the best modern grind albums, period! Their performances are intense, spectacular, furious, a barrage of unrelenting, head-caving abuse, honed by a singular determination to fucking destroy the competition. Get it or get out of the way!!

Events coming to Magnet House

The Magnet House Photo Collection

See you at maggie's.

393 murray street, Perth

Every Wed and Fri 9pm, Sat 8pm till late late late!

It is an offence to sell or supply liquor to a person under the age of 18 years on licensed or regulated premises; or for a person under the age of 18 years to purchase, or attempt to purchase, liquor on licensed or regulated premises. | Liquor license: 6070007625 License Class: Nightclub License. Licensee Club Capitol Pty Ltd. Website crafted by Identity Perth .

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Napalm Death

• September 8, 2023 Setlist

Napalm Death Setlist at The Factory Theatre, Sydney, Australia

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• Narcissus Play Video
• Backlash Just Because Play Video
• Fuck the Factoid Play Video
• Contagion Play Video
• Lucid Fairytale Play Video
• Everyday Pox Play Video
• Invigorating Clutch Play Video
• Scum Play Video
• I Abstain Play Video
• Throes of Joy in the Jaws of Defeatism Play Video
• Amoral Play Video
• The Kill Play Video
• Suffer the Children Play Video
• When All Is Said and Done Play Video
• Don't Need It ( Bad Brains  cover) Play Video
• Mentally Murdered Play Video
• Unchallenged Hate Play Video
• You Suffer Play Video
• Smash a Single Digit Play Video
• Dead Play Video
• Nazi Punks Fuck Off ( Dead Kennedys  cover) Play Video
• Siege of Power Play Video

Edits and Comments

12 activities (last edit by rreett , 16 Dec 2023, 12:46 Etc/UTC )

Songs on Albums

• Backlash Just Because
• Fuck the Factoid
• Invigorating Clutch
• Throes of Joy in the Jaws of Defeatism
• Lucid Fairytale
• Mentally Murdered
• Unchallenged Hate
• Siege of Power
• Don't Need It by Bad Brains
• Nazi Punks Fuck Off by Dead Kennedys
• Smash a Single Digit
• Suffer the Children
• When All Is Said and Done
• Everyday Pox

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The Factory Theatre

• Wormrot Add time Add time
• 12 Gauge Rampage Add time Add time
• Napalm Death This Setlist Start time: 10:20 PM 10:20 PM

Napalm Death Gig Timeline

• Sep 05 2023 Magnet House Perth, Australia Add time Add time
• Sep 07 2023 Lion Arts Factory Adelaide, Australia Add time Add time
• Sep 08 2023 The Factory Theatre This Setlist Sydney, Australia Start time: 10:20 PM 10:20 PM
• Sep 09 2023 Croxton Park Hotel Melbourne, Australia Add time Add time
• Sep 12 2023 The Triffid Brisbane, Australia Add time Add time

9 people were there

• jasper2112op
• louderthanthou
• megalomaniatree

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Tour Update

Marquee memories: alien ant farm.

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• Apr 24, 2024
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Archiv-Veranstaltung

NAPALM DEATH (uk) + DROPDEAD (us) + SIBERIAN MEAT GRINDER (rus) + ESCUELA GRIND (us) *NACHHOLTERMIN*

Termin in Kalender kopieren

Doors open: 18:30

18:30 Einlass (Es gibt noch Karten an der Abendkassa) 19:30 Escuela Grind 20:20 Siberian Meat Grinder 21:20 Dropdead 22:20 Napalm Death Das Konzert wurde auf 15.2.2023 verschoben!  Bereits gekaufte Karten behalten ihre Gültigkeit, können bei Bedarf aber auch bis 28.3.2022 bei der jeweiligen Vorverkaufsstelle zurückgegeben werden. The concert got postponed to February 15th, 2023! Tickets stay valid but can also be returned to the point of purchase until March 28th, 2022. Campaign for Musical Destruction Tour 2023 This successful and extraordinary tour has been leading Napalm Death through the world for already 30 years. The tour can always convince through a colourful blend between a creative up and extreme underground music. Sure, this tour has always been a guaranty for interesting blends, also a door-opener for new variations and music styles, it has always been and still is doubtfully legendary. Also, there is no other metal tour that has been comparably successful without ever having to change the concept for decades, always presenting new influences and extreme music against all odds. For the 30th anniversary, M.A.D. and NAPALM DEATH are again inviting you to an interesting meeting point between styles and forms, keeping the original core alive.  Vorverkauf/Presale € 30,- (+ € 3,- Fee) Abendkassa/Doors € 35,-

CAMPAIGN FOR MUSICAL DESTRUCTION TOUR 2023

"Uns erreichte gerade die Nachricht, dass BIERMÄCHT letzten Freitag leider nicht in Deutschland gelandet sind und aus bisher ungeklärten Gründen ihre Teilnahme an der „Campaign For Musical Destruction Tour 2024“ abgesagt haben. Als Ersatz werden in Berlin die Band PIECE auftreten. Euer 36 Concerts Team."

NAPALM DEATH

There aren't many tours that survive decades and are still as interesting and influential as the "Campaign For Musical Destruction Tour". This successful and extraordinary tour has taken Napalm Death around the world for over 30 years. The tour always impresses with a colorful mix of extreme, creative and underground music. Sure, this tour has always been a guarantee for interesting mixes, also a door opener for new variations and musical styles or bands, it was and is undoubtedly legendary. In addition, there is no other metal tour that has been comparably successful without having to change the concept for decades and, despite all odds, always presenting new influences and extreme music and not having to adapt at all.