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Star Trek: The Original Series

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Star Trek: The Original Series (referred to as Star Trek prior to any spin-offs) is the first Star Trek series. The first episode of the show aired on 6 September 1966 on CTV in Canada, followed by a 8 September 1966 airing on NBC in America. The show was created by Gene Roddenberry as a " Wagon Train to the Stars". Star Trek was set in the 23rd century and featured the voyages of the starship USS Enterprise under Captain James T. Kirk .

Star Trek was later informally dubbed The Original Series , or TOS, after several spin-offs aired. The show lasted three seasons until canceled in 1969 . When the show first aired on TV, and until lowering budget issues in its third season resulted in a noticable drop in quality episodes and placed in a 10 pm Friday night death slot by the network, Star Trek regularly performed respectably in its time slot. After it was canceled and went into syndication , however, its popularity exploded. It featured themes such as a Utopian society and racial equality, and the first African-American officer in a recurring role.

Ten years later, Star Trek: The Motion Picture reunited the cast on the big screen aboard a refurbished USS Enterprise . They appeared in five subsequent films, ending with Star Trek VI: The Undiscovered Country in 1991, during production of the spin-off series Star Trek: The Next Generation and shortly before Gene Roddenberry's death. Several original series characters also appeared in the seventh movie, Star Trek Generations , and in other Star Trek productions.

• 1 Opening credits
• 2.1 Starring
• 2.2 Also starring
• 3 Production crew
• 4.1 First pilot
• 4.2 Season 1
• 4.3 Season 2
• 4.4 Season 3
• 5.1 Concept
• 5.2 The first pilot
• 5.3 The second pilot
• 5.4 The series begins
• 5.5 The first season
• 5.6 Syndication
• 5.7 Reception
• 5.8 Remastered
• 6 Related topics
• 8 External links

Opening credits [ ]

• Main Title Theme (Season 1)  file info (composed by Alexander Courage )
• Main Title Theme (Season 2-3)  file info (composed by Alexander Courage )

Main cast [ ]

Starring [ ].

• William Shatner as Captain Kirk

Also starring [ ]

• Leonard Nimoy as Mr. Spock
• DeForest Kelley as Dr. McCoy ( 1967 - 1969 ; co-star 1966 - 1967 )

In addition, the following regulars were listed in the end credits as co-stars:

• James Doohan as Scotty
• Nichelle Nichols as Uhura
• George Takei as Sulu
• Walter Koenig as Chekov ( 1967 - 1969 )
• Majel Barrett-Roddenberry as Christine Chapel
• Grace Lee Whitney as Janice Rand

Production crew [ ]

• Gene Roddenberry – Creator, Writer, Producer, Executive Producer
• Gene L. Coon – Writer, Producer
• John Meredyth Lucas – Writer, Producer, Director
• Fred Freiberger – Producer (1968-69)
• Robert H. Justman – Associate Producer (Season 1-2), Co-Producer (Season 3), First Assistant Director (two pilots)
• D.C. Fontana – Writer, Script Consultant (1967-68)
• Steven W. Carabatsos – Writer, Story Consultant (1966)
• John D.F. Black – Associate Producer, Writer, Story Editor (1966)
• Arthur H. Singer – Story Consultant (1968-69)
• Byron Haskin – Associate Producer (first pilot)
• Walter "Matt" Jefferies – Production Designer, Art Director
• William E. Snyder – Director of Photography (first pilot)
• Ernest Haller – Director of Photography (second pilot)
• Jerry Finnerman – Director of Photography (61 episodes, 1966-1968)
• Keith Smith – Director of Photography (1 episode, 1967)
• Al Francis – Director of Photography (16 episodes, 1968-1969), Camera Operator (61 episodes, 1966-1968)
• Jim Rugg – Supervisor of Special Effects
• Rolland M. Brooks – Art Director (34 episodes, 1965-1967)
• Fred B. Phillips – Make-up Artist
• Robert Dawn – Make-up Artist (second pilot)
• William Ware Theiss – Costume Designer
• Gregg Peters – First Assistant Director (Season 1), Unit Production Manager (Season 2-3), Associate Producer (Season 3)
• Claude Binyon, Jr. – Assistant Director (third season)

Episode list [ ]

• List of TOS episodes by airdate
• List of TOS remastered episodes by airdate

First pilot [ ]

Season 1 [ ].

TOS Season 1 , 29 episodes:

Season 2 [ ]

TOS Season 2 , 26 episodes:

Season 3 [ ]

TOS Season 3 , 24 episodes:

Behind the scenes [ ]

Concept [ ].

Star Trek was created by Gene Roddenberry, whose interest in science fiction dated back to the 1940s when he came into contact with Astounding Stories . Roddenberry's first produced science fiction story was The Secret Weapon of 117 , which aired in 1956 on the Chevron Theatre anthology show. By 1963 Roddenberry was producing his first television series, The Lieutenant , at MGM .

In 1963, MGM was of the opinion that "true-to-life" television dramas were becoming less popular and an action-adventure show would be more profitable (this prediction turned out to be right, and led to series such as The Man from U.N.C.L.E ). Roddenberry had already been working on a science fiction concept called Star Trek since 1960 , and when he told MGM about his ideas, they were willing to take a look at them. As the production of The Lieutenant came to an end, Roddenberry delivered his first Star Trek draft to MGM. The studio was, however, not enthusiastic about the concept, and a series was never produced.

Roddenberry tried to sell his " wagon train to the stars " format to several production studios afterward, but to no avail. In 1964 , it was rumored that Desilu was interested in buying a new television series. Desilu was a much smaller company than MGM, but Roddenberry took his chances, greatly aided with the help of Desilu Executive Herb Solow . This led to a three-year deal with Desilu in April 1964 .

The first attempt to sell the Star Trek format to broadcasting network CBS (Desilu had a first proposal deal with the network) failed. CBS chose another science fiction project, Irwin Allen 's more family-oriented Lost in Space instead of Roddenberry's more cerebral approach. But in May 1964 , NBC 's Vice-President of Programming Mort Werner agreed to give Roddenberry the chance to write three story outlines, one of which NBC would select to turn into a pilot.

One of the submitted story lines, dated 29 June 1964 , was an outline for " The Cage ", and this was the story picked up by NBC. Now, the daunting task that Roddenberry and his crew faced was to develop the Star Trek universe from scratch. Roddenberry recruited many people around him to help think up his version of the future. The RAND Corporation's Harvey P. Lynn acted as a scientific consultant, Pato Guzman was hired as art director, with Matt Jefferies as an assisting production designer. This phase of creativity and brainstorming lasted throughout the summer, until in the last week of September 1964 the final draft of the "The Cage" script was delivered to NBC, after which shooting of the pilot was approved.

The first pilot [ ]

In early October, preparations for shooting "The Cage" began. A few changes in the production crew were made: Roddenberry hired Morris Chapnick , who had worked with him on The Lieutenant , as his assistant. Pato Guzman left to return to Chile and was replaced by Franz Bachelin . Matt Jefferies finalized the design for the Enterprise and various props and interiors. By November 1964 , the sets were ready to be constructed on stages Culver Studios Stage 14 , 15 , and 16 . Roddenberry was not happy with the stages, since they had uneven floors and were not soundproof, as Culver Studios had been established in the silent movie era when soundproofing had not been an issue to consider. Eventually, in 1966 , the rest of the series was shot on Paramount stages 9 and 10 , which were in better shape.

Casting of the characters was not a problem, apart from the lead role of Captain Pike (still known as "Captain April " at this point, later renamed "Captain Winter" before finally choosing "Pike") who Roddenberry convinced Jeffrey Hunter to play. Leonard Nimoy ( Spock ) had worked with Roddenberry on The Lieutenant . Majel Barrett , also a familiar face from The Lieutenant , got the part of the ship's female first officer, Number One . Veteran character actor John Hoyt , who had worked on many science fiction and fantasy projects before, was chosen to play the role of Doctor Phil Boyce . Young Peter Duryea and Laurel Goodwin were hired as José Tyler and Yeoman J.M. Colt , respectively. The extras were cast from a diversity of ethnic groups, which was significant because integration was not a usual occurrence in 1960s television, and segregation was still a reality in the United States.

To produce the pilot episode, Robert H. Justman was hired as assistant director; he had worked on The Outer Limits shortly before. Makeup artist Fred Phillips was brought in as well, whose first job it was to create Spock's ears. Another veteran from The Outer Limits was producer-director Byron Haskin , who joined as associate producer. On 27 November 1964 , the first scenes of "The Cage" (or "The Menagerie," as it was briefly known), were shot. Filming was scheduled to be eleven days, however the production went highly over budget and over schedule, resulting in sixteen shooting days and US$164,248 plus expenses.

But there were still a lot of visual effects to be made. An eleven-foot filming model of the USS Enterprise , designed by Matt Jefferies, was built by Richard Datin , Mel Keys , and Vern Sion in Volmer Jensen 's model shop , and was delivered to the Howard Anderson Company on 29 December 1964 .

In February 1965 , the final version of "The Cage" was delivered at NBC and screened in New York City. NBC officials liked the first pilot. Desilu's Herb Solow says that NBC was surprised by how realistic it looked, and that it was "the most fantastic thing we've ever seen." The reason the pilot was rejected was because it was believed that it would attract only a small audience, and they wanted more action and adventure. They also had problems with the "satanic" Spock and the female first officer (Number One). However, NBC was convinced that Star Trek could be made into a television series, and that NBC itself had been at fault for choosing the "The Cage" script from the original three stories pitched. Also, after spending US$630,000 on "The Cage" (the most expensive TV pilot at the time), they didn't want to have their money wasted. NBC then made the unprecedented move to order a second pilot.

The second pilot [ ]

For the second pilot, NBC requested three story outlines again. These were " Where No Man Has Gone Before " by Samuel A. Peeples , and " Mudd's Women " and " The Omega Glory " by Roddenberry. Although it was the most expensive of the three, NBC chose " Where No Man Has Gone Before ", as it had the most action and most outer space spectacle. However, the other two premises were also made into episodes of the series later.

Filming the second pilot began in July 1965 , and took nine days to complete. The entire cast of " The Cage " was replaced except Spock. Jeffrey Hunter chose not to reprise his role as Captain Pike, mostly by the advice of his wife, who felt that "science fiction ruins her husband's career". Roddenberry wanted both Lloyd Bridges and Jack Lord for the role of the new captain, however both declined. Finally William Shatner , who had previous science fiction experience acting in episodes of The Twilight Zone and The Outer Limits , was chosen. The new captain was named James R. Kirk (later renamed James T. Kirk).

For the role of the chief medical officer, Roddenberry chose veteran actor Paul Fix . Canadian actor James Doohan got the role of chief engineer Scott , and young Japanese-American George Takei was featured as ship's physicist Sulu . The latter two reprised their roles in the upcoming series, though Sulu was a helmsman in the series. Other actors considered for being regulars were Lloyd Haynes as communications officer Alden and Andrea Dromm as Yeoman Smith , but neither of them were re-hired after the pilot.

Many of the production staff were replaced. Robert Dawn served as head make-up artist, however Fred Phillips returned to the position in the series itself. Academy Award winner cinematographer Ernest Haller came out of semi-retirement to work as the director of photography. Associate producer Byron Haskin was replaced by Robert H. Justman , who now shared double duties as producer and assistant director.

The Enterprise model was updated for the second pilot, and many new outer space effects shots were made, most of which were reused in the series itself. The sets were also updated a bit, most notably the main bridge and the transporter room. Most of the uniforms, props, and sets were reused from " The Cage ", however some new props (including the never-seen-again phaser rifle ) and a brand new matte painting (the planet Delta Vega ) were made specially for this episode.

" Where No Man Has Gone Before " was accepted by NBC and the first season of a regular series was ordered for broadcasting in the 1966-67 television season. History was made.

The series begins [ ]

Preparation for the first regular season began in early 1966 . All the Enterprise interior sets were updated, as well as the introduction of brand new uniforms. The look of the show became more colorful and more vivid. The Enterprise model was also updated once more. Also, the entire production was moved from Desilu's Culver City studios to the main Gower Street studio's Stage 9 and 10 ( Paramount Stage 31 and 32 from 1967 onward) in Hollywood.

Kirk (Shatner) and Spock (Nimoy) were kept as the series stars, with Grace Lee Whitney joining the two as Yeoman Janice Rand (replacing Andrea Dromm as Yeoman Smith). Whitney had worked with Roddenberry a year before on an unsold pilot titled Police Story . Publicity photos promoting the new series were made at this time, with the three of them, mostly using props left from the two pilots (most notably the aforementioned phaser rifle). Shatner and Nimoy wore their new uniforms on these photographs, while Whitney had to wear an old, pilot version.

Scott (Doohan) and Sulu (Takei) were also kept, the latter becoming the ship's helmsman instead of physicist. Two additions made the Enterprise main crew complete: DeForest Kelley was hired to play the new chief medical officer, Leonard McCoy , as Roddenberry had known him from previous projects, including the aforementioned Police Story . Actress Nichelle Nichols got the role of communications officer Uhura , who became a symbol of the racial and gender diversity of the show. Nichols was a last minute addition, weeks before filming began on the first regular episode.

Jerry Finnerman became the new director of photography, while Fred Phillips, Matt Jefferies, and Rolland M. Brooks returned to their former positions. Writer John D.F. Black was brought in as the second associate producer (next to Justman). While Roddenberry and Black handled the script and story issues, Justman was in charge of the physical aspects of production.

Filming of the first regular episode, " The Corbomite Maneuver " began on 24 May 1966 . Finally Star Trek debuted on NBC with a "Sneak Preview" episode at 8:30 pm (EST) on 8 September 1966 . NBC chose " The Man Trap " (the fifth episode in production order) to air first, mainly because they felt it was more of a "traditional monster story" and featured more action.

The first season [ ]

In August 1966 , several changes were made in the Star Trek production staff. Roddenberry stepped down as line producer and became the executive producer. His replacement was Gene L. Coon , who also regularly contributed to the series as a writer. While Black had also left the series, story editor Steven W. Carabatsos came in, sharing story duties with Roddenberry and Coon. To handle post-production, Edward K. Milkis was brought in by Justman. Carabatsos had left Star Trek near the end of the season, and was replaced by D.C. Fontana , formerly Roddenberry's secretary and a writer for the series.

Syndication [ ]

• See : Syndication

Due to the overall length of the episodes of The Original Series , several minutes of each episode are frequently cut during the show's reruns, notably on the Sci-Fi Channel . Starting in April 2006 , the G4 network began airing the full length episodes in "Uncut Marathons" on Saturdays. G4 stopped airing these full-length versions in November 2006, and has discontinued its run of Star Trek 2.0 , which was a trivia-oriented and interactive version of the show for the viewers.

For current airings see Where to watch .

Reception [ ]

The Original Series has been nominated for and won a number of awards over the years. Some of the awards include:

• The series was nominated for thirteen Emmy Awards during its run, but did not win any.
• It was nominated eight times for the "Best Dramatic Presentation" Hugo Award , sweeping the nominees in 1968. It won twice, and Roddenberry won a special award in 1968.
• The 2003 "Pop Culture Award" in the TV Land Awards .
• The 2005 Saturn Award for "Best DVD Retro Television Release."

Aaron Harberts and James Frain cited TOS as their favorite Star Trek series. ( AT : " O Discovery, Where Art Thou? ")

Remastered [ ]

On 31 August 2006 , CBS Paramount Television announced that, in celebration of the 40th anniversary of Star Trek , the show would return to broadcast syndication for the first time in sixteen years. The series' 79 episodes were digitally remastered with all new visual effects and music. The refurbished episodes have been converted from the original film to high-definition video, making it on par with modern television formats.

Related topics [ ]

• TOS directors
• TOS performers
• TOS recurring characters
• TOS writers
• Character crossover appearances
• Undeveloped TOS episodes
• Desilu Stage 9
• Desilu Stage 10
• Star Trek Writers/Directors Guide
• Star Trek: The Original Series novels
• Star Trek: The Original Series comics (DC)
• Star Trek: The Original Series comics (IDW)
• Star Trek: The Original Series soundtracks
• Star Trek: The Original Series on VHS
• Star Trek: The Original Series on Betamax
• Star Trek: The Original Series on CED
• Star Trek: The Original Series on LaserDisc
• Star Trek: The Original Series on DVD
• Star Trek: The Original Series on Blu-ray

External links [ ]

• Star Trek: The Original Series at Wikipedia
• Star Trek: The Original Series at Memory Beta , the wiki for licensed Star Trek works
• Star Trek: The Original Series at StarTrek.com
• Star Trek: The Original Series at the Internet Movie Database
• Star Trek: The Original Series at the Movie and TV Wiki
• Public Radio Special: The Peace Message in Star Trek

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Star Trek – Season 1, Episode 1

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Cast & crew.

William Shatner

Capt. James T. Kirk

Leonard Nimoy

DeForest Kelley

Dr. Leonard McCoy

James Doohan

Engineer Montgomery Scott

Nichelle Nichols

George Takei

Episode Info

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Star Trek: The Complete Original Series DVD (Seasons 1-3)

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Product Description

"Space...The Final Frontier. These are the voyages of the Starship, Enterprise. Its 5-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before !" The series is set in the 23rd century where Earth has survived World War III then moved on to explore the stars. Brought to you in a brilliant remastered edition….this is Star Trek like you’ve never seen it before!

The first-season DVD set is supplemented by 80 minutes of featurettes incorporating 2003-04 interviews with Shatner, Leonard Nimoy, other cast members, and producers, and some 1988 footage of Gene Roddenberry. The longest (24 minutes) featurette, "The Birth of a Timeless Legacy," examines the two pilot episodes and the development of the crew. Slightly shorter are "To Boldly Go... Season One," which highlights key episodes, and "Sci-Fi Visionaries," which discusses the series' great science fiction writers (most famously in "The City of the Edge of Forever"). Shatner shows off his love of horses in "Life Beyond Trek ," and, more interestingly, Nimoy debunks various rumors in "Reflections of Spock." As they've done for many of the feature-film special editions , Michael Okuda and Denise Okuda provide a pop-up text commentary on four of the episodes filled with history, trivia, and dry wit. It's the first commentary of any kind for a Star Trek TV show, but an audio commentary is still overdue. The technical specs are mostly the same as other Trek TV series--Dolby 5.1, English subtitles--but with the welcome addition of the episode trailers. The plastic case is an attempt to replicate some of the fun packaging of the series' European DVD releases, but it's a bit clunky, and the paper sleeve around the disc case seems awkward and crude. Still, the set is a vast improvement both in terms of shelf space and bonus features compared to the old two-episode discs , which were released before full-season boxed sets became the model for television DVDs. --David Horiuchi

On the DVD The remastered episodes are the highlight of the 2008 second-season release; like in season one, the reworked visual effects might irk purists but are an improvement overall, and some of the space exteriors are very exciting. It's not in high definition, however; season one was released in 2007 on two-sided combination HD DVD and standard DVD discs, which are now obsolete. Season two mimics the packaging, but is only standard-definition DVD, not Blu-ray. The picture, while obviously not high-definition quality, is still much improved over the 2004 DVD release. Special features here mostly mirror that 2004 set: 80 minutes of featurettes ("To Boldly Go" season recap, " Kirk, Spock & Bones: The Great Trio," "Star Trek's Divine Diva," "Designing the Final Frontier," and "Writer's Notebook: D.C. Fontana"), though missing from this set are the text commentaries on two episodes, the Red Shirt Logs, the production art, and the photo gallery. There are two new featurettes: " Star Trek 's Favorite Moments," in which cast members of later Trek franchises and fans recall certain episodes, and "Billy Blackburn's Treasure Chest, part 2," in which a Trek extra tells stories and shows some of his on-set home movies. And because season 2 includes "The Trouble with Tribbles," the set includes two bonus episodes: "More Tribbles, More Troubles" from the Animated Series and "Trials and Tribble-ations" from Deep Space Nine . Conveniently, all three Tribble-centric episodes are on the same disc, and include the bonus features from the earlier DVD releases (the commentary by writer David Gerrold on "More Troubles" and the two featurettes--"Uniting Two Legends" and "An Historic Endeavor"--from "Tribble-ations"). The bonus episodes were not remastered, and you can tell the difference when comparing the original Tribble episode on this set with the grainier footage that was used in the DS9 episode. A minor annoyance is that the discs are one-sided but appear to be two-sided, as if they had been designed for combo HD DVD again before a late change. That means the info on the disc is restricted to a ring around the middle, rather than a full label that could have listed the episodes on each disc; as is, they're only listed on the glossy "collector's data cards." And once again, the plastic shell is clunky and the disc spindles are way too tight. All in all, it's a nice package, especially if one doesn't already have the other Tribble episodes, but it feels like it's floating in a standard-definition limbo, stuck in the transition between HD DVD and Blu-ray. --David Horiuchi

Season Three

Saved from the brink of cancellation by its loyal fanbase, Star Trek 's third and final season rewarded them with a number of memorable episodes. Tight budgets and slipping creative control, however, made it the series' most uneven season, though it did have some of the coolest episode titles ("For the World Is Hollow and I Have Touched the Sky," "Is There in Truth No Beauty," "Let That Be Your Last Battlefield"). Some of the best moments involved a gunfight at the OK Corral ("Spectre of the Gun"), a knock-down drag-out sword battle with the Klingons aboard the Enterprise ("Day of the Dove"), the ship getting caught in an ever-tightening spacial net ("The Tholian Web"), TV's first interracial kiss ("Plato's Stepchildren," and it should be easy to guess who participated), Sulu taking command ("The Savage Curtain"), and Kirk's switching bodies with an ex-love interest ("Turnabout Intruder").

The 2008 DVD set benefits from the same remastering given to the other two seasons, though only the first was released in high definition (the now-defunct HD DVD format). Still, the episodes are substantially cleaned up to the point where they look quite good, rather than jarringly fuzzy to the modern viewer. And there are some new visual effects that are well-done, and obtrusive only to the strictest fans. Compare, for example, the dramatic close-up of the green-glowing U.S.S. Defiant in "The Tholian Web" with the original effect, which had the ship floating in a green haze. New bonus features are 11 more minutes of rare footage from extra Billy Blackburn; "Collectible Trek ," a 14-minute discussion of rare Trek items, filmed in 2004 with the rest of the bonus content but not included on the previous DVD set; and the newly filmed "Captain's Log: Bob Justman," an affectionate nine-minute tribute to the series producer. Otherwise, the set retains almost all the special features from the 2004 set, including the features on Walter Koenig, George Takei, and James Doohan (who died the following year), plus the two versions of the series pilot, "The Cage," a restored color version and the original, never-aired version that alternates between color and black and white. Starring Jeffery Hunter as Captain Pike, Leonard Nimoy as a relatively emotional Spock, and Majel Barrett (the future Nurse Chapel and Mrs. Gene Roddenberry) as a frosty Number One, this pilot was rejected, but a second was commissioned, "Where No Man Has Gone Before," now considered the "official" beginning of the series. But "The Cage" is very recognizably Star Trek with its far-out concepts (telepathic aliens collecting species samples), sexy humanoid women, character development, and of course cheesy costumes and special effects. Footage was later reused in the season 1 two-parter, "The Menagerie." --David Horiuchi

Product details

• Is Discontinued By Manufacturer ‏ : ‎ No
• MPAA rating ‏ : ‎ Unrated (Not Rated)
• Product Dimensions ‏ : ‎ 6.8 x 6.9 x 5.5 inches; 4 ounces
• Director ‏ : ‎ Anton Leader, David Alexander, Don McDougall, Gene Nelson, Gerd Oswald
• Media Format ‏ : ‎ Color, NTSC, Multiple Formats, Original recording remastered, Box set, Full Screen
• Run time ‏ : ‎ 68 hours and 41 minutes
• Release date ‏ : ‎ November 18, 2008
• Actors ‏ : ‎ William Shatner, Leonard Nimoy, DeForest Kelley, Katherine Woodville, James Doohan
• Studio ‏ : ‎ Paramount
• ASIN ‏ : ‎ B001DHXT6G
• Number of discs ‏ : ‎ 25
• #2,319 in Science Fiction DVDs

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Recap | 'mirrors', warp five: sonequa martin-green on the gift of michael burnham, stuck in a loop, the 10 plagues of the original series.

No matter how bad things get, the one thing you always have is a choice.

The Star Trek: Discovery actress walks us through 'Face the Strange,' her love of the franchise, fandom, and more!

From The Next Generation to Discovery, going around and around is sometimes very revealing.

As Passover brought 10 plagues to test Pharaoh, so too did The Original Series test the crew of the Enterprise!

StarTrek.com honors the luminary whose contributions saved the Star Trek universe.

The final adventure returns with Star Trek: Discovery

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REVIEW: IDW Publishing's Star Trek #1

A bold new future for Star Trek has arrived with the relaunched core series from IDW Publishing. Here's CBR's review of the debut issue.

Star Trek #1

While there have been plenty of Star Trek comic books released by IDW Publishing , many of which tie into the growing wave of new Star Trek programming on Paramount+, the flagship comic title has just received a prestige revamp. The creative team of Collin Kelly, Jackson Lanzing, and Ramon Rosanas have relaunched the core Star Trek series with a brand-new debut issue, bringing together an entire era of Star Trek storytelling while forging their own creative path. More than just providing the ultimate, fan-favorite team-up between iconic Starfleet personnel, Star Trek #1 stands as the strongest single issue IDW Publishing has released in recent memory.

Sometime after the events of the Star Trek: Deep Space Nine series finale, Captain Benjamin Sisko has returned to DS9 after being whisked away by the Bajoran Prophets. However, Sisko has no time to enjoy this happy reunion with old friends and family as he embarks on a mission, assembling several familiar faces when a mysterious threat begins eliminating deities across the cosmos. Even joined by the best crew Starfleet has to offer, Sisko's cosmic awareness begins to ebb away in a race against time to stop this cataclysmic enemy.

RELATED: What Happened to Star Trek: Deep Space Nine's Missing Changelings?

Kelly and Lanzing are certainly no strangers to the world of Star Trek , having previously collaborated on the series with 2019's Star Trek: Year Five . Here, the creative team has a much broader canvas to work with, drawing in elements from Star Trek: The Next Generation and Star Trek: Voyager , along with DS9 , to present an ambitious vision of a truly shared universe. However, this debut issue isn't one full of fan service for the sake of gimmickry but rather one that revolves around heartfelt character moments and escalating stakes as Sisko immediately dives back into action with a host of familiar characters around him.

Making all this spacefaring derring-do possible is Rosanas' engaging artwork, elevated by colorist Lee Loughridge. Each character is instantly recognizable as their television counterparts, albeit not as a stilted facsimile awkwardly brought to life as with other comic book adaptations of live-action properties. The science fiction spectacle is here in full force with the feeling that the art team is only just getting started as Sisko stumbles upon a scene that could change the Star Trek Universe forever, with Rosanas and Loughridge capturing the awestruck majesty of the cosmic unknown.

RELATED: Star Trek: Voyager Star Says There Are 'Talks' of a Picard-Esque Janeway Series

Star Trek #1's biggest strength is that it all feels very organic and earned within the wider tapestry of the franchise. The very premise of a cosmically upgraded Sisko returning to DS9 was something baked into the television series finale, with this story finally fulfilling that longstanding promise. Similarly, each conversation and major character moment feels perfectly in line with where the characters would be at this particular moment of their individual journeys, informing the narrative that the creative team is presenting.

Star Trek #1 is an opening issue that presumes readers have at least a passing familiarity with at least the DS9 finale before boldly venturing into undiscovered territory. Rather than being hung up on the novelty of bringing its celebrated cast together for this strange new mission, the creative team moves forward with all systems go, taking time to ensure that each scene flows naturally into the larger story being told. A genuine delight and love letter to the '90s era of Star Trek , IDW Publishing's new series comes out the gate with engines at full, inviting readers to join the ride.

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Star Trek: Discovery

Ten years before Kirk, Spock, and the Enterprise, the USS Discovery discovers new worlds and lifeforms as one Starfleet officer learns to understand all things alien. Ten years before Kirk, Spock, and the Enterprise, the USS Discovery discovers new worlds and lifeforms as one Starfleet officer learns to understand all things alien. Ten years before Kirk, Spock, and the Enterprise, the USS Discovery discovers new worlds and lifeforms as one Starfleet officer learns to understand all things alien.

• Bryan Fuller
• Alex Kurtzman
• Sonequa Martin-Green
• Anthony Rapp
• 4.5K User reviews
• 102 Critic reviews
• 21 wins & 87 nominations total

Episodes 65

Photos 1396

• Michael Burnham …

• Lt. Cmdr. Paul Stamets …

• Sylvia Tilly …

• Lt. Keyla Detmer …

• Lt. Joann Owosekun …

• Lt. Gen Rhys …

• Dr. Hugh Culber

• Lt. R.A. Bryce …

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• Cleveland Booker

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• Trivia The Starfleet vessels seen in the first season, including the Discovery, the Shenzou and the redesigned Enterprise, were all designed by production artist John Eaves. Eaves' work with Star Trek spans three decades. Probably his most notable contribution was the design of the Enterprise-E for Star Trek: First Contact (1996) .
• Goofs With Michael being the adoptive sister of Spock, the series has many flashbacks to their childhood and upbringing on Vulcan. Spock's Vulcan half-brother, Sybok, does not appear nor is mention during these scenes. In Star Trek V: The Final Frontier (1989) , Spock says that he and Sybok grew up together. However, since it's never stated when Sybok joined Sarek's home - only that he did so following his mother's death - or when he was exiled from the family, it's not impossible Sybok moved in after Burnham, and left before she graduated (the two extremes of the flashbacks). Also, since Sybok was never mentioned before Star Trek V, it seems reasonable the family never spoke of him again after his estrangement.
• Alternate versions The serif-font legends and subtitles in the "broadcast" episodes are absent from the DVD versions, where they are replaced with the standard DVD subtitles.
• Connections Featured in MsMojo: Top 10 Female Lead TV Shows You Should Be Watching in 2017 (2017)

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• Feb 9, 2022

April 2024 TV and Streaming Premiere Dates

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• Why do the Klingons in this series look completely different to how they look in all of the previous Star Trek shows and films?
• Do I need to have seen any previous Star Trek TV series and movies in order to be able to understand and follow this show?
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• September 24, 2017 (United States)
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• Pinewood Toronto Studios, Port Lands, Toronto, Ontario, Canada
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• Runtime 1 hour
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Stamets has tardigrade dna star trek: discovery’s spore drive navigator explained.

Commander Paul Stamets' tardigrade DNA is an essential part of USS Discovery's spore drive navigation system, and comes with interesting side effects.

• Commander Paul Stamets has tardigrade DNA thanks to combining his own genetics with a tardigrade named Ripper.
• Stamets' tardigrade DNA lets him navigate the USS Discovery through the mycelial network.
• Stamets invented the USS Discovery's spore drive, and he is unaffected by temporal disruptions thanks to his tardigrade DNA.

It's true: Commander Paul Stamets (Anthony Rapp), the inventor of the spore drive on Star Trek: Discovery , has tardigrade DNA. Discovery's displacement-activated spore hub drive is a classified propulsion system unique to Star Trek: Discovery , and an alternative to the warp drive that's usually seen on Star Trek 's starships. Rather than warping space-time to travel faster than light, the spore drive actively displaces the USS Discovery from normal space into another plane of existence, the mycelial plane. During a jump, or "black alert" , Discovery travels along the mycelial network, an interconnected structure that branches through space-time organically.

Spore drives were installed on two Crossfield-class starships in the 23rd century, with Stamets assigned to the USS Discovery and Stamets' research partner, Straal (Saad Siddiqui), assigned to the USS Glenn. Discovery operated its spore drive with cultivated spores, but was only capable of short jumps, whereas the USS Glenn could make much longer jumps. A disaster aboard the Glenn in Star Trek: Discovery season 1 , episode 3, "Context is for Kings", proved that a failure to navigate with complete precision through the mycelial network could result in space-time twisting through organic matter, causing fatal "helical trauma." The only survivor was a huge tardigrade, which attacked Discovery's away team, and was brought aboard the USS Discovery.

Star Trek: Discovery’s Anthony Rapp & Paul Stamets Explained

Why commander paul stamets has tardigrade dna in star trek: discovery, it's better than making the tardigrade be discovery's navigator..

Commander Paul Stamets' tardigrade DNA is essential to navigating the mycelial network that the USS Discovery's spore drive uses to jump through space. Star Trek: Discovery season 1's Captain Gabriel Lorca (Jason Isaacs) appreciated the savage nature of the angry tardigrade, nicknamed "Ripper", and demanded that Specialist Michael Burnham (Sonequa Martin-Green) make Ripper into a weapon. Burnham's workaround to Lorca's request was working with Stamets to find that Ripper the tardigrade had a symbiotic relationship with the spores, and could independently navigate the mycelial network to make longer jumps, like the USS Glenn had done. However, the jumps were painful for Ripper, who couldn't consent to being used as a tool.

Tardigrade DNA gave Stamets the ability to co-exist with the mycelial network itself.

Paul Stamets' solution was to combine Ripper's tardigrade DNA into his own, so Stamets could navigate the mycelial network directly, instead of subjecting Ripper to a lifetime of pain as the spore drive's unwilling navigator. Tardigrade DNA gave Stamets the ability to co-exist with the mycelial network itself, a dream come true for Star Trek: Discovery 's astromycologist, but it came at a high cost. The pain that Ripper felt was neurological damage that Paul also sustained when navigating the mycelial network. Although Stamets took the pain on willingly, repeated exposure to long jumps along the network pushed Stamets' mind to the limits, and warped Stamets' perception of reality.

Genetic engineering was outlawed by the United Federation of Planets following Star Trek 's Eugenics Wars, but the USS Discovery's spore drive was one of Starfleet's only advantages in the Klingon War, so the Federation gave Stamets a wartime pass for tampering with his own DNA.

Why Commander Stamets’ Tardigrade DNA Lets Him Live Outside Of Time

Reality is all gooey in the mycelial network..

Star Trek: Discovery 's Commander Paul Stamets is no longer bound by the constraints of time, thanks to the tardigrade DNA that lets Stamets navigate the USS Discovery through the mycelial network, which exists outside normal space-time. Because Stamets' tardigrade DNA biologically connects Stamets to the mycelial network, Stamets' own perception of time and space is more aligned with the quantum nature of the mycelial plane. Paul Stamets is aware when something isn't right with time; when Discovery is caught in a time loop in Star Trek: Discovery season 1, episode 7, "Magic to Make the Sanest Man Go Mad", Stamets is the only person who can break it.

Stamets' ability to exist outside of time made him crucial to solving Star Trek: Discovery season 5, episode 4, "Face the Strange's" time loops.

Commander Stamets' connection to the mycelial network can go even further, altering Stamets' relationship with space-time. When repeated jumps push the USS Discovery closer to Star Trek 's Mirror Universe , Stamets confuses the two timelines and becomes entangled with Mirror Stamets' memories. Stamets' memory of his husband, Dr. Hugh Culber (Wilson Cruz), exists physically within the mycelial network after Culber's Discovery season 1 death, allowing Paul to resurrect Hugh in Star Trek: Discovery season 2. Once just a navigational necessity on Star Trek: Discovery, Commander Paul Stamets' tardigrade DNA makes Stamets naturally aware of the flow of time and space, and able to spot abnormalities within it.

Star Trek: Discovery is streaming on Paramount+.

Star Trek: Discovery

Star Trek: Discovery Just Brought A Legendary Original Series Episode Back Into The Mix

Let's fly ... away from spoilers . Read no further if you haven't watched the latest episode of "Star Trek: Discovery."

Mirror, mirror on the wall, who's the strangest of them all? In "Star Trek," that title goes to one of the zaniest concepts ever introduced into the canon: The Mirror Universe. The idea of our alternate selves living completely different lives somewhere out there is no longer the sole domain of perhaps the nerdiest franchise in all of sci-fi (although shows like "For All Mankind," "Foundation," and "3 Body Problem" are creating some stiff competition), the Marvel Cinematic Universe, or the best episode of "Community" ever made . Fans might be surprised to find out that many in the scientific community believe the theory is worth discussion these days . But "Trek" put its own unmistakable fingerprints on the multiverse by emphasizing one in particular that stands at odds with the usual Prime Universe -- one that poses a fundamentally moral dilemma between the paragons of Starfleet we know and love, and the absolute worst versions of themselves.

It doesn't come as a huge surprise that "Star Trek: Discovery" would use its final season to travel full circle and return to the Mirror Universe that played such a significant role back in season 1 (even if, ironically, there might be a parallel universe out there where we were able to see  former showrunner Bryan Fuller's more complex and nuanced take on it ). But what's sure to shock and delight longtime fans in episode 5, aptly titled "Mirrors," is a deep-cut reference to arguably one of the most influential hours of "Trek" ever made, and the one that introduced the Mirror Universe in the first place.

Read more: Every Star Trek Show And Movie In Chronological Order

A Different Kind Of Black Mirror

There might not be any sinister goatees or chest-baring V-necks in sight throughout this episode of "Discovery," but the lasting effects of "The Original Series" episode "Mirror, Mirror" are plain to see. Upon entering the wormhole that took scavengers Moll (Eve Harlow) and L'ak (Elias Toufexis) into multidimensional space, Captain Michael Burnham (Sonequa Martin-Green) and Book (David Ajala) discover the wrecked remains of their ship ... alongside the still-functioning husk of a familiar-looking Starfleet vessel, emblazoned with the name, "ISS Enterprise." For those who haven't brushed up on their 1967 "Trek" lore (and, quite frankly, shame on you if that's the case), Burnham helpfully points out that this isn't exactly the same starship captained by the fabled James T. Kirk thousands of years ago. It's one that has somehow found its way from the depths of the Mirror Universe (the exact specifics are oddly brushed aside) and remained stranded ever since.

But then "Discovery" goes a step further and hearkens back to "Mirror, Mirror" more thematically. While exploring the derelict ship, Burnham and Book stumble upon information about the previous occupants of the ISS Enterprise and specifically that of a certain Kelpian who rose from a slave to a leader in his own right. That, of course, refers to none other than the Mirror version of Saru (Doug Jones) seen in season 3, whom Emperor Georgiou (Michelle Yeoh) saved from certain death and pointed towards his proper path. Where the ending of "Mirror, Mirror" suggests that Mirror Spock is still "a man of integrity" despite the ruthlessness of the Empire he serves, "Discovery" reconfirms that even the comically rampant evil of the Mirror Universe is no match for the stubborn idealism of "Trek."

New episodes of "Star Trek: Discovery" stream on Paramount+ every Thursday.

Read the original article on SlashFilm