gotham travel poster

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Gotham City Travel Poster Art Print

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Meet the artist

Joined on   Jan 1, 1970 .     Read less

Set the tone of your room from the walls out. Mix and match your favorite art prints on a gallery wall showcasing everything that makes your style unique. Art prints are available in five sizes, from x-small to x-large.

Natural white, matte, ultra smooth background

100% cotton, acid and lignin-free archival paper

Custom trimmed with border for framing; 1" for x-small and small, 2" for all larger sizes

Every order is custom made just for you

All sizes listed are overall paper dimensions including the white border

Exact sizing may vary slightly due to printing process, we advise waiting to buy frames until the prints arrive.

Product Note: Color variations between on-site previews, your screen and printed artwork may occur.

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SHIPPING: Items are made to order and typically ship within 3-4 business days. Click here for more information about delivery options.

RETURNS: Return requests can be made within 30 days of your item(s) delivery. Click here for more information on returns.

Q : When should I purchase frames?

A : Because sizing can be off by fractions of an inch based on the file provided by the artist, we recommend waiting to receive your art print before purchasing frames.

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Batman™ - gotham city skyline poster.

• 12" x 16" in $13.17 $21.95
• 20" x 28" in $22.77 $37.95

print in landscape format of Gotham City from the Batman™ movies and comics, with the well-known Bat-signal lighting up the dark sky. This recurring view is a must-have for any wall!

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Out & About

Jon Bon Jovi Hits the Town, and Gustavo Dudamel Takes the Stage

This week, fans turned out for a new documentary about Jon Bon Jovi and took in a performance led by Gustavo Dudamel at the New York Philharmonic’s spring gala.

By The New York Times

Out & About is a column that covers the events where notable, powerful and influential figures gather — and their outfits. This week: We attended a screening of “Thank You, Goodnight: The Bon Jovi Story” and the New York Philharmonic’s spring gala.

A Rocker Greets His Fans

By Katie Van Syckle

Jon Bon Jovi stood blinking, rubbing his eyes, temporarily blinded on Thursday night by the lights from a row of photographers.

Recovering, the musician said, “OK, I’m here now,” and then “Hi, love,” his eyes wide as he flashed a very white smile.

He was standing just inside a movie theater at the South Street Seaport for a special screening of a new documentary series, “Thank You, Goodnight: The Bon Jovi Story.” He approached the event, hosted by the Cinema Society and Hulu, with the same charming grit that helped make him famous.

The show, now on Hulu, traces the musician’s path from his teenage years playing covers in Asbury Park, N.J., to mega-stardom with his band Bon Jovi, packing arenas with rock anthems. It also touches on his recent vocal cord trouble that led to surgery.

“I’m wonderful,” said Bon Jovi, 62, dressed in a leather jacket and jeans, with a full, feathery head of gray hair. “What you see in the film was a year and two years ago. It’s a work in progress. But it is really far down the road of recovery at this point.”

Bon Jovi will release its 16th studio album, “Forever,” on June 7. The band currently has no plans to tour, but its frontman is hopeful. “When it is right, that’s when we’ll tour,” he said.

A crowd that included the model Maye Musk and the television presenter Dan Abrams filed into the cushy seats of the iPIC Fulton Market theater to watch the first episode of the four-part series, which is directed and executive produced by Gotham Chopra. After the screening, Bon Jovi answered questions and tried to put the health concerns shown in the series in context.

“If, God forbid, I can’t perform at Giants Stadium, woe is me,” he said. “So what if I can’t sing again?”

The audience then meandered to the Fulton by Jean-Georges, a high-end seafood spot overlooking the East River, where a crowd surrounded the musician near a raw bar. The rocker grinned and chatted with fans like the actress Jennifer Esposito.

• David Krumholtz Rebecca Smeyne for The New York Times
• Ilana Becker Rebecca Smeyne for The New York Times
• Dan Abrams Rebecca Smeyne for The New York Times
• Coco Mitchell, left, and Earl Davis Rebecca Smeyne for The New York Times
• Timo Weiland Rebecca Smeyne for The New York Times

Ms. Esposito said that when she was in high school, she asked her hairdresser for Bon Jovi’s look. “I used to bring in a picture of him and say, ‘Make it look like that,’” she recalled.

The two later acted alongside each other. “He’s a cool dude from Jersey,” she said. “He wasn’t a big shot. He just wanted to show up and do a good job.”

Just before 10 p.m., after posing for a row of selfies, the musician slid out the door. Servers continued to circle with sliders and summer rolls, and as “Livin’ on a Prayer” played through the restaurant, a young bartender smiled and sang the lyrics to herself.

A Preview of Dudamel at the New York Philharmonic

By Sarah Bahr

“What are we excited about tonight?” said Agnes Hsu-Tang, the archaeologist, art historian and wife of the New York Philharmonic co-chairman Oscar L. Tang.

“Dudamel!” she and her husband said in unison.

They were at a cocktail reception before the New York Philharmonic’s annual spring gala at David Geffen Hall on Wednesday night. In a special East Coast appearance, Gustavo Dudamel, the charismatic conductor of the Los Angeles Philharmonic, led the New York Philharmonic through a 90-minute program and preview of what is to come when he officially takes over as the orchestra’s music and artistic director in 2026.

The night was attended by music-world fixtures such as Jamie, Alexander and Nina Bernstein, the children of the conductor Leonard Bernstein; J’Nai Bridges, the mezzo-soprano; and Anthony Roth Costanzo, the countertenor.

“The whole idea is to pull classical music out of its rut and show the world how flexible and versatile it can be,” Jamie Bernstein said.

The evening gave many in attendance their first look at Mr. Dudamel, 43, the rare maestro whose fame transcends classical music. That’s not to say it will all be smooth sailing for Mr. Dudamel. He will face the challenge of reaching younger and more diverse audiences, as well as an investigation into how the orchestra handled a sexual assault accusation in 2010.

But on Wednesday night, with his baton bobbing and his curls bouncing, he led the orchestra through “The Mother Is Standing,” by the composer Nina Shekhar. The piece was followed by Heitor Villa-Lobos’s Aria from Bachianas Brasileiras No. 5 (a feature for the soprano Hera Hyesang Park), Arturo Márquez’s Danzón No. 8 and Richard Strauss’s Der Rosenkavalier Suite.

• Carolina Herrera Dolly Faibyshev for The New York Times
• Anthony Roth Costanzo Dolly Faibyshev for The New York Times
• Hera Hyesang Park Dolly Faibyshev for The New York Times
• Nina Shekhar Dolly Faibyshev for The New York Times
• Fay Leshner Dolly Faibyshev for The New York Times
• Barbara Tober Dolly Faibyshev for The New York Times
• Tania León Dolly Faibyshev for The New York Times
• Claudia Romo Edelman Dolly Faibyshev for The New York Times
• Sylvia Tóth Dolly Faibyshev for The New York Times

The gala also featured performances by Common, the rapper and actor; Bernie Williams, the classical guitarist and former New York Yankees center fielder; and student musicians from across New York City. The night drew about 2,200 people and raised more than $2.4 million for the orchestra.

Later, during a dinner of jumbo asparagus and Amish chicken, a beaming Ms. Park graciously entertained a stream of well-wishers.

“I woke up at 6 a.m. before my first rehearsal with Dudamel because I couldn’t sleep because I was so excited,” she said, as people stopped by her table to congratulate her. “And,” she added, “tonight was even better than I imagined.”

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Gotham City Skyline Fantasy Travel Cool Wall Decor Art Print Poster 16x24

16.25x24.25

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About this item.

• Poster measures 16x24 inches (41x61 cm) and ideal size for any standard 16x24 frame. Lightweight and low-glare satin finish paper creates photo quality poster art for your home decor. All poster prints are carefully rolled and packed.
• MAKES A GREAT GIFT - Whether you need a special gift for friends or family or looking for yourself, our wall poster is suitable for living room decor, bedroom wall art, bathroom decor and office posters wall decoration. This cool wall art will light up your home, it is the modern way to brighten up any space, each and every piece comes with its own unique story. We believe in delivering impeccable quality prints that last a lifetime.
• MADE IN THE USA and OFFICIALLY LICENSED - This poster is professionally printed in the USA on premium acid-free paper for a high color aesthetic and years of fade resistant enjoyment of your artwork. The attractive images come from our vast curated collection of officially licensed and custom designed art prints.
• EASY TO HANG - Wall decor posters are easy to hang in a variety of ways. Our posters ship professionally rolled in a sturdy tube and you can use tape or putty or pins or poster hangers or poster frames to hang them on your wall. You can also laminate them to create door signs or a dry erase sign for your bulletin board.
• Perfect for fans of sci-fi action 80s 90s movie posters or TV decor. Unique gift for dad, mom, coworker, sister, mom, dad, girlfriend, boyfriend, or best friend as an anniversary, birthday, or housewarming. Make any room your movie room or give a film theme to a bedroom. A quality product.

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The week in TV: Have You Got It Yet? The Story of Syd Barrett and Pink Floyd; Thank You, Goodnight: The Bon Jovi Story and more – review

In a bumper week for rock-related programmes, a long-gestating profile of Syd Barrett offers little that’s new, Bon Jovi get the show they don’t quite deserve – and there are glaring gaps in a history of Gary Glitter’s crimes

Have You Got It Yet? The Story of Syd Barrett and Pink Floyd ( Sky Arts ) Thank You, Goodnight: The Bon Jovi Story (Disney+) Glitter: The Popstar Paedophile ( ITV1 ) The Jinx: Part Two ( Sky Documentaries ) Ibiza: Secrets of the Party Island (BBC Three) | iPlayer

It’s now 40 years since the rockumentary This Is Spinal Tap was released. By rights, it should have destroyed the rock documentary as a genre, so devastating was its spoofing of rock stars’ bottomless self-absorption. But four decades on, the schedules are filled with rockumentaries, and nowhere more than on Sky Arts.

Its latest is Have You Got It Yet? The Story of Syd Barrett and Pink Floyd , which has been 12 years in the making. One of its co-directors, Storm Thorgerson, who conducts many of the interviews, died in 2013 , so you’re never quite sure at what point in history the contributors are speaking, which lends the proceedings a time-freezing quality, as if the hippies of the late 1960s reached a certain point and simply stopped ageing.

Barrett, who died in 2006, has become a fully fledged rock myth. He was the young, charismatic leader of early Pink Floyd who struggled with fame, sought refuge in hallucinogens, lost his sanity and retreated from public view. Ever since, he’s been the subject of creative speculation and drama. Pink Floyd wrote Shine on You Crazy Diamond about him, and he features as a character in Tom Stoppard’s play Rock ’n’Roll . Here, though, was an attempt to tell the story of what really happened to Barrett.

It turns out that it’s not a long way from what was previously known. There’s lots of early footage of him with Byronic curls and great cheekbones looking like the perfect angelic-demonic rock star. A series of still-glamorous former girlfriends testify to his discomfort with the demands of fame. And a lot of grey-haired blokes disagree about exactly who took acid where and with how many other people present. They talk as if these details are tremendously important to them, like war veterans disputing who got to the beachhead first.

But what keeps getting in the way is Barrett’s music. Although he’s hailed by some as a lyrical genius, the truth is that most of his output was grating psychedelic whimsy, and it’s hard to deny that Pink Floyd improved significantly with his departure.

What makes his tale a tragedy is not so much that Barrett stopped making music, but that his family, and in particular his sister, had to look after him, day in, day out, for 25 years. Against that monumental and uncelebrated effort, the earnest discussions about his brief period at the centre of London’s art-rock scene seem like a nostalgic exercise in missing the point.

One of the interesting aspects of Pink Floyd’s origins is the impeccably middle-class world from which they emerged in Cambridge. They were all far too sensitive and entitled to become just another rock band. By contrast, Thank You, Goodnight: The Bon Jovi Story (Disney+) traces the trajectory of the blue collar outfit from New Jersey who were so fixated on big hair and tight-trousered success that they probably didn’t notice that This Is Spinal Tap , which came out just after they formed, was a comedy.

Lead singer Jon Bon Jovi has never appeared self-conscious about saying things such as: “I was born with sunglasses and a guitar”. But as he turns 60 we see him taking singing lessons and doing exercises to preserve his vocal cords, and there’s a touching vulnerability to his showboating. The obvious problem with this four-part series is that, for all their admirable longevity, Bon Jovi are simply not compelling enough to warrant this kind of focus. The most notable thing about the other band members is the keyboard player’s perm, which seems to have been modelled on a drowned poodle.

That, however, is a significant improvement on Gary Glitter’s wig, an absurd pompadour that helped conceal his real identity as a serial abuser of children. It featured prominently in Glitter: The Popstar Paedophile (ITV1). After Jimmy Savile was posthumously exposed as a monster (we always knew he was a creep), everyone asked why the dark rumours about him were never pursued while he was alive. Glitter, or Paul Gadd, to use his real name, was careful not to generate the same kinds of rumours. He made sure to charm adults, the better to groom children.

This documentary was a solid attempt to track Gadd’s crimes, but while it spoke to some of those in the entertainment industry who had innocently happened across his path, it didn’t include the entourage who must have helped him get to children. After all, victims testified that assistants deliberately distracted their parents to enable him to be alone with them.

Nevertheless, the programme does succeed in reminding us that there is nothing as shocking as the recent past. In 1993, the News of the World ran a story about Gadd that mentioned a 14-year-old girl he’d “made love” to. Rather than confront child rape, the newspaper preferred to make a fuss about Glitter wearing a wig. The following year he was the subject of a Children in Need tribute. And three years after that he was back on TV singing a song with the lyrics: “What your mama don’t see your mama don’t know.” He was then 53.

Gadd eventually faced justice, many years after he should have done, rather like Robert Durst, the multimillionaire triple killer who was finally trapped by a fascinating TV documentary, the six-part The Jinx , broadcast nine years ago. Now there’s a second series on Sky updating viewers on the dastardly Durst.

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Perhaps the biggest takeaway from the first episode of the new series is that one of the jurors who found Durst not guilty of murder, in a case in which he had admitted chopping up a body and disposing of it, later went on to help him hide evidence regarding another murder. Like everyone else in this show, the juror gave an unabashed TV interview about his friendship with Durst. While most criminals have learned to say nothing in police interviews, in the US at least the lure of the TV camera seems to loosen the tongues of even the most ruthless fiends and their helpers.

The British are different. Here, it’s holidaymakers who will tell TV interviewers anything . In Ibiza: Secrets of the Party Island (BBC Three), one young woman said that she’d taken to nude modelling to support her partying in the Balearics. “It wasn’t like legs spread, everything out, see what I had for dinner,” she explained. Good to know.

Star ratings (out of five) Have You Got It Yet? The Story of Syd Barrett and Pink Floyd ★★★ Thank You, Goodnight: The Bon Jovi Story ★★ Glitter: The Popstar Paedophile ★★★★ The Jinx : Part Two ★★★★ Ibiza: Secrets of the Party Island ★★

What else I’m watching

Red Eye (ITV1/ITVX) Slightly bonkers drama in which a British doctor returns home from China and, before he’s allowed through immigration, is immediately sent back on a homicide charge. He’s accompanied by a Chinese-heritage detective who assumes he’s guilty of not just murder but, far worse, “white privilege”.

Babylon Berlin (Sky Atlantic/Now) It’s been going for seven years, but I’m just catching up with it. Fabulous invocation of Weimar-era Berlin, with a deliciously complex plot, stunning sets and camerawork, and even a moody singing performance by Bryan Ferry in English and German.

Match of the Day 2 (BBC One) I tend to catch up the following day and fast-forward to the inevitable VAR controversies – there were some corkers last Sunday, all disfavouring Nottingham Forest . Arguments about refereeing decisions is where the true drama of football is now to be found.

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