1989 world tour i wish you would

Taylor Swift’s Epic ‘1989’ Tour: Every Night With Us Is Like a Dream

By Rob Sheffield

Rob Sheffield

Welcome to New York! Ish! Taylor Swift brought it all back home last night, or at least to New Jersey’s MetLife Stadium, for her 1989 Tour. Never one to do things halfway, Swift has made this a pop show — or rather the pop show, as far as 2015 is concerned. The whole night was a two-hour pop-blitz spectacle, where the songs retain all the teardrops-on-my-guitar intimacy of her early days, except blown up into massive electro-warrior emotional avalanches pushing the can’t-even-ometer into the red. This show had it all: life lessons (“You are not the opinion of someone who doesn’t know you!”), synth-disco raves, acoustic ballads, explosions, video interviews with her cats, sparkle-intensive costume changes, a Weeknd duet and oh yeah, the U.S. Women’s Soccer Team parading through the crowd to “Style” in front of 60,000 screaming fans. That kind of night.

When Bruce Springsteen plays NYC, he likes to joke about how the city’s beloved hometown icons — Sinatra, the Statue of Liberty, the sports teams — are rooted in Jersey. There was an element of that when Swift kicked off with her new theme song “Welcome to New York,” explaining, “Although we’re in New Jersey, our story opens in New York.” But these songs aren’t really about any particular city any more than they’re about any particular boy — they all take place in the galaxy Taylor creates in her songs, one where everything orbits around one girl’s mood swings, where boys are disposable and cats are keepers, where girlfriends matter and lying about your feelings is not how things are done around here. (A handwritten sign taped to a door backstage: “Cats Roaming. Do Not Open.” Only on Planet Tay.) It was the kind of show that could only make emotional sense in a stadium this size.

As always, the hardcore fans were a crucial part of the spectacle, in full gear with their costumes and glowsticks. The crowd was, as Taylor said, “jumping and dancing and loud and lit up and dressed up.” There was a gang of girls with their birthdates bedazzled on their shirts a la the 1989 logo—2004, 2007, etc—while their moms proudly repped 1976. Two girls with matching lightboards, one saying WE’RE TOO BUSY DANCING and the other TO GET KNOCKED OFF OUR FEET. A couple of girls with homemade Mean Girls -style shirts announcing, “You Can’t Swift With Us.” The fan faves were probably the girls carrying giant Starbucks venti cups as big as they were, with the logo tweaked to STARBUCKS LOVERS and Taylor’s face in the middle. That’s how a Swift show works: You love the players and you love the game.

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“We all have different insecurities, different fears, different scars,” Taylor announced. “There are many different types of people here tonight. But we have one thing in common: When we feel great amounts of joy or great amounts of pain, we turn to music, and that’s why we’re here tonight.” The show was a marathon—19 songs, stretching almost to midnight. The new songs, despite their studio sheen, really kick live—especially synth-pop epiphanies like “New Romantics” (where Taylor’s male harem of private dancers toted her around on a park bench) and “Blank Space.” She rocked a glow-in-the-dark polka-dot ensemble for “How You Get The Girl,” as her dancing boys twirled neon umbrellas and her band staged an extremely welcome twin-guitar duel. She picked up her trusty acoustic guitar for “Can’t Feel My Face” with the Weeknd, whose hair might have been the most truly 1989 thing in sight.

She radically revised the oldies, which did not stop anyone from singing them. “I Knew You Were Trouble” began with a slow creepy goth-industrial intro — loads of the Sisters of Mercy’s Andrew Eldritch in her vocals! Floodland , holla! — before the drums kicked in and turned it into a rock-me-Amadeus stomp. “Love Story” became a synth ballad, as she whisked around the stadium on her magic levitating catwalk. Even better was the hair-metal version of “We Are Never Ever Getting Back Together,” which has never-ever-ever sounded this nasty–Taylor in leather at the lip of the stage, doing a perfect version of the Slash guitar slouch, shoulders hunched, hair falling over face. Who knows, maybe Tay will do an full-on Headbanger’s Ball album next time.

The Reinvention of Taylor Swift

The taylor swift guide to 1989: breakers gonna break, fakers gonna fake, taylor swift: the music that made me.

And because she’s Taylor, she talked the talk. You have never heard a pop star say “Let me clarify that statement” more times in one night. It got heavy, like when she confessed, “Real talk, Jersey: I haven’t always felt like I have real friends, or any friends at all.” She gave the crowd her list of friendship requirements (“You have to like me” and “you have to want to spend time with me,” with various codicils and subclauses). She also told us, “If I had my way, everything would be simple for all of you. I wish nobody would ever mess with your mind. I wish nobody would wait two days to text you back, when you know they had their phone with them the whole time!” That line got one of the biggest roars of the night.

But the hugest moment had to be “Style,” when she brought out the U.S. soccer team, just a few hours after their ticker-tape victory parade. They looked like they were having a blast, strutting down the catwalk, waving giant flags. (After the show they gave her a SWIFT #13 team jersey.) She also brought out Project Runway host Heidi Klum, who if memory serves is from one of the countries the U.S. team aufed in the tournament. (Let the healing begin!) Tay’s been preaching the girl-bonding gospel so long, it’s easy to take that part of her game for granted — but that’s just a measure of how much she’s changed the pop-star landscape. For “Bad Blood,” she struck a pose with video comrades Hailee Steinfeld, Lily Aldridge, Gigi Hadid and Lena Dunham — she shows off her girlfriend collection the way rock bands like Guns N Roses or Great White used to make videos where the girlfriends lounge around the soundstage.

(And speaking of Taylor girlfriends, a sincere question: have Haim always been this good? I wasn’t a fan going in but their opening set was fire, roughing up their pop hits and doing a fantastic version of “Oh Well,” by the Peter Green edition of Fleetwood Mac, which sounds sounds so snotty as a sullen-teen-girl anthem — “Don’t ask me what I think of you / I might not give the answer that you waaant me toooo.” Somewhere, Peter Green must be proud these black magic women have given this song a new life.)

As usual for a Swift show, the quiet moments were some of the most intense, especially “Clean,” “This Love” and the piano medley of “Enchanted” and “Wildest Dreams,” where she whipped out the piano-hair windmills. One of the highlights was “You Are In Love”—not just a deep cut, but a bonus track—where she led the whole crowd in a sing-along. Funny how all the state-of-the-art special effects can’t hold a glowstick to the visceral power of 60,000 fans singing about love pains.

It all ended with “Shake It Off,” with fireworks, confetti and dancing boys in purple Angus Young schoolboy outfits. All night, the Eighties concept took many different forms — from the pre-show mix tape (Human League, Toto, Fine Young Cannibals and my girl Tiffany) to the beats. But mostly, it’s in the way she embodies the Eighties ideal of a pop star — Madonna, Prince, Bruce — as an auteur who makes every album, every tour something new. Honestly, if Taylor Swift had just done the Red tour all over again, plugging in the new songs with some greatest hits, that would have been fine with absolutely everyone. Taking the easy way would have been 100 percent good enough. It just wasn’t what she wanted to do. Instead, she wanted to push a little harder and make a gloriously epic pop mess like this. What a night.

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1. “Welcome to New York” 2. “New Romantics” 3. “Blank Space” 4. “I Knew You Were Trouble” 5. “I Wish You Would” 6. “How You Get the Girl” 7. “I Know Places” 8. “All You Had to Do Was Stay” 9. “Can’t Feel My Face” with The Weeknd 10. “You Are in Love” 11. “Clean” 12. “Love Story” 13. “Style” 14. “This Love” 15. “Bad Blood” 16. “We Are Never Ever Getting Back Together” 17. “Enchanted”/“Wildest Dreams” 18. “Out of the Woods” 19. “Shake It Off”

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I Wish You Would

1989 (2014) | 1989 (taylor's version) [2023], table of contents, lyrical theme.

«'I Wish You Would’ is a song that I wrote with Jack Antonoff and it was the first song we ever worked on together. I think, for this song, we wanted to create a sort of John Hughes movie visual with pining and, you know, one person’s over here and misses the other person but is too prideful and won’t say it. Meanwhile this other person is here and missing the same person; they’re missing each other but not saying it. And I had this happen in my life and so I wanted to kind of narrate it in a very cinematic way where it’s like you’re seeing two scenes play out and then in the bridge you’re seeing the final scene, where it resolves itself. So it says, 'It’s a crooked love in a straight line down, makes you wanna run and hide but it makes you turn right back around.’ It kind of is like that dramatic love that’s never really quite where it needs to be and that tension that that creates.» Taylor Swift

Writing to Track

«This is another way I’ve written songs recently. This is a song I did with Jack Antonoff, and Jack is one of my friends and so were hanging out and he pulled out his phone and goes ‘I made this amazing track the other day. It’s so cool, I love these guitar sounds.’ And he played it for me and immediately I could hear this finished song in my head, and I just said ‘Please, please let me have that. Let me play with is, send it to me.’ And so he sent it to me and I was on tour and this was me playing the track on my laptop recording me singing the vocal into my phone and it ended up being a song called 'I Wish You Would', because Jack wrote back and said ‘I love that’. So this is another way of writing, it’s writing to track.» Taylor Swift

Live Performances

[Verse 1] It’s 2am in your car Windows down, you pass my street The memories start You say it’s in the past You drive straight ahead You’re thinking that I hate you now ‘Cause you still don’t know what I never said

[Chorus 1] I wish you would come back Wish I never hung up the phone like I did I wish you knew that I’ll never forget you as long as I live And I wish you were right here Right now, it’s all good I wish you would

[Verse 2] It’s 2am in my room Headlights pass the window pane I think of you We’re a crooked love In a straight line down Makes you want to run and hide Then it makes you turn right back around

[Chorus 2] I wish you would come back Wish I never hung up the phone like I did I wish you knew that I’ll never forget you as long as I live And I wish you were right here Right now, it’s all good I wish you would I wish we could go back And remember what we were fighting for And I wish you knew that I miss you too much to be mad anymore And I wish you were right here Right now, it’s all good I wish you would

[Post-Chorus] I, I, I, I, I, I wish, I wish I, I, I, I, I, I wish, I wish I, I, I, I, I, I wish, I wish

[Bridge] You always knew how to push my buttons You give me everything and nothing This mad, mad love makes you come running To stand back where you stood I wish you would, I wish you would I wish you would, I wish you would (I wish you would, I wish you would) I wish you would, I wish you would (I wish you would, I wish you would) (I wish, I wish, I)

[Verse 3] 2am, here we are See your face, hear my voice in the dark We’re a crooked love in a straight line down Makes you wanna run and hide But it made us turn right back around…

[Chorus 2] I wish you would come back Wish I never hung up the phone like I did And I wish you knew that I’ll never forget you as long as I live And I wish you were right here Right now, it’s all good I wish you would I wish we could go back And remember what we were fighting for And I wish you knew that I miss you too much to be mad anymore And I wish you were right here Right now, it’s all good I wish you would

[Repeat Bridge] You always knew how to push my buttons You give me everything and nothing This mad mad love makes you come running To stand back where you stood I wish you would, I wish you would

[Outro] I, I, I, I, I, I wish, I wish I, I, I, I, I, I wish, I wish I, I, I, I, I, I wish, I wish I wish you would

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Setlist History: Taylor Swift Kicks Off The '1989' World Tour

• Setlist History
• Published: 5 May 2023, 15:00:05
• Written by: Ashly Nagrant
• Photography by: Jun Sato/LP5/Getty Images for TS
• Categories: Setlist History Tagged: Taylor Swift The 1989 World Tour

1989 may have been Taylor Swift’s fourth album overall, but it was actually her very first pop album. Departing from her country roots, the singer-songwriter played around with synth sounds and pop friendly beats and it paid off. The album sold over a million copies in just its first week out. It dominated the Billboard charts and landed Taylor the Grammy for Album of the Year.

So it stands to reason that the tour that accompanied this album would be just as epic. Fans found out just how huge it was when The 1989 World Tour kicked off on May 2, 2015 at the Tokyo Dome in Japan.

The setlist was almost exclusively songs from 1989 , with 14 out of 18 songs from the album dominating the night. In Tokyo this meant there were plenty of live debuts: “New Romantics,” “I Wish You Would,” “How You Get the Girl,” “I Know Places,” “All You Had to Do Was Stay,” “You Are In Love,” “Clean,” “This Love” and “Bad Blood.”

The few previously released songs Taylor performed were remixed specifically for the tour to fit with the synth-pop feel of 1989 . “Love Story” and “We Are Never Ever Getting Back Together” notably were changed for the tour.

The actual show was broken up across eight “acts,” with a few songs featured in each. Back-up dancers, costume changes, floating platforms and more made up the stage show, though there was also time for Taylor alone on stage with a grand piano to perform a mash-up of “Enchanted” and “Wildest Dreams.” The show closed out with the album’s hit lead single “Shake It Off,” accentuated by fireworks and confetti.

That night in Tokyo was the start of something big. The tour went on to be a global success and was notable for featuring surprise songs and surprise guests at each of the dates. But none of it happens without Taylor herself setting the standard on that first date eight years ago at the kick off, with a brand new sound and a brand new show.

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Taylor Swift ‘1989’ Album Track-By-Track Review: I Wish You Would

Track #07: I Wish You Would

This is another catchy tune from record breaking album ‘1989’ and is placed as the 7th track. That is s decent position for this song, because when we reach the 7th track we are very well aquainted with the genre change in the album and we can enjoy the rhythm in ‘I Wish You Would’.

Looking at the lyrics, I don’t believe there’s a lot of deep meaning to it. What it says is what it means. ‘I Wish You Would’ was written by Taylor Swift and Jack Antonoff.

The entire song pretty much speaks about a bad breakup and how the girl is continuously worried about leaving him so suddenly. Looks like an argument broke through the phone and the girl hung up on him and that was it…

“ I wish you would come back Wish I’d never hung up the phone like I did I wish you knew that I’d never forget you as long as I’d live”  

Taylor says the man was always testing the limits with the girl, with regards to what is a mystery.

“ You always knew how to push my buttons You give me everything and nothing”

The guy was everything she wanted, but also he was nothing like what she wanted?

Well, those two lines are what was worth looking into, and the others are pretty simple and rhythmic.

Again we get to see the popsynth music in this track, which had been a key feature throughout the album up to now. Synthesizers and electric drums have been used in I Wish You Would to bring out the POP effect of the song.

All-in-all another track I fell in love with on the first listen itself. I know this effect is mutual among many Swifites since I have been reading comments on places where lyrics and audio clips of ‘I Wish You Would’ were placed.

Buy ‘I Wish You Would’ on Amazon / iTunes

Buy taylor swift’s ‘1989’ here: amazon  / itunes.

Lyrics Credits: MetroLyrics.com

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We Re-created Taylor Swift’s 1989 World Tour for You

T. Swift is on tour, and she has her own hashtag. Since the  #1989WorldTour  kicked off in Tokyo last month, tweets, Vines, and Instagrams have flooded social media with videos and images from devoted Swifties. Although it might be annoying to attend a concert surrounded by cell-phone-wielding teens, their dedication makes vicarious living easy. We creeped social media to put together a virtual Taylor show, from the tour trucks pulling in to the fireworks finale. Here’s what you’re missing out on.

The surest sign that Tay is near are the enormous trucks with her face on them. If these pull into your town, steel yourself.

In Baton Rouge, Taylor’s mom came out to greet fans before the show …

… and took so many selfies.

Before the show, Tay usually does a meet-and-greet with fans, and it’s usually adorable.

Every concertgoer gets a wristband that look like an alien mind-control device but actually just lights up in sync to each song. (They also save lives .)

Then, depending on the venue, the audience files into a stadium that looks roughly like this. (Thanks to the wristbands, the crowd looks less like people and more like majestic fireflies. Good thinking, T.)

Vance Joy opens at Tay’s North American venues and Shawn Mendes pops up at “ select performances ,” but if you’re in Europe, Canada, or Australia, you’re totally in luck because no one will distract you from T. Swift’s glory.

She opens by reminding everyone she was born in 1989 (in case you forgot), and then explodes into “Welcome to New York.” Everyone screams.

Next up, she sheds the jacket for “New Romantics …”

… and executes a sultry left-leg kick in “Blank Space.” Chalk one up for choreography.

Next on the set list is “Trouble,” which of course involves lots of shoving male backup dancers and angry smoke explosions.

With so much live performance experience, Taylor is an expert at stage banter. In Baton Rouge, she told the crowd what she’d do as mayor for the day. Hint: It involves cats.

The mind-control bracelets go crazy during “I Wish You Would.”

And Tay herself lights up during the super-sweet Singin’ in the Rain– esque “How You Get the Girl.”

Then she switches back to fierce vixen mode, donning all white and thigh-high heeled boots for “I Know Places” and “All You Had to Do Was Stay.”

Tay breaks out the acoustic guitar for “You Are in Love.” Then, while everyone’s still in cry mode, she launches into an emotional speech (complete with acoustic background music) that turns out to be the intro for “Clean.”

“After learning for 25 years, the one thing I do know is that pain makes you a stronger person.” Preach.

Did we mention she’s singing on a flying scaffold?

She stays there to sing “Love Story.” If there’s one thing she’s learned during her years of touring, it’s how to arm-gesture .

Next she sings “Style” and “This Love” in a gorgeous sparkly silver flapper unitard thing.

And then — you all saw this coming — a dramatic rendition of “Bad Blood.” Even though she’s missing her girl gang, Tay still dresses out in head-to-toe black leather.

Let’s revisit that stage writhe, shall we?

She goes full punk-rock for “We Are Never Ever Getting Back Together.”

Afterward, everyone takes a deep breath. Taylor changes into a flowing white tulle gown, takes a seat at her giant silver space piano , and sings a fab mash-up of “Wildest Dreams” and “Enchanted.”

She changes into a full-body glitter catsuit for “Out of the Woods.” Should we be suspicious that not one of her costumes shows her belly button ?

And then, via some wormhole in the space-time continuum, she pulls on another romper decked out in green fringe before her final number, “Shake It Off.”

Which she and her dancers perform on a moving scaffold.

With fireworks.

And the bracelets go wild!

It might seem like the show is over, but afterward, there’s still so much to see and scream about … Taylor leaving her tour bus, for instance.

Another great thing about T. Swift is that she has friends, and sometimes she brings them along to perform at her shows. For instance, in Detroit, she surprised the crowd with a rendition of “Radioactive,” accompanied by Imagine Dragons’ Dan Reynolds.

That same night, she performed “Style” with her supermodel BFFs Gigi Hadid and Martha Hunt. Keep an eye out for guest stars at future stops on the tour. (Our best guesses are Ed Sheeran, Lorde, and Karlie Kloss.)

Although the dad crowd might not be super into T. Swift’s current tour …

… fans agree that the 1989 World Tour is pretty much the peak of their existence.

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The 1989 World Tour

• View history

1989 World Tour was the fourth concert tour by Taylor Swift in support of her fifth album 1989.

The tour began on May 5th, 2015 and ended on December 12th, 2015.

Set List [ ]

• "Welcome To New York"
• "New Romantics"
• "Blank Space"
• "I Knew Your Were Trouble"
• "I Wish You Would"
• "How You Get The Girl"
• "I Know Places"
• "All You Had To Do Was Stay"
• "You Are In Love"
• "Love Story"
• "This Love"
• "Bad Blood"
• "We Are Never Ever Getting Back Together"
• "Enchanted / Wildest Dreams"
• "Out Of The Woods"
• "Shake It Off"

Tour Dates [ ]