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Friday 28 March 2025

Fearless Vampire Killers

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11 Goods Way, Kings Cross, London N1C 4PW London, UK 0203 179 2800 www.lafayettelondon.com/

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Doors open: 19:00

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Fearless Vampire Killers

Lafayette | london.

Doors: 19:00

Age Restrictions: 16+

Curfew: 22:00

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Spotlight band: Fearless Vampire Killers are BACK!

March 12, 2022

What fans have hoped for, ever since the band split up five years ago, got confirmed yesterday – Fearless Vampire Killers are BACK!

A few weeks ago, a show was announced at the Black Heart in Camden Town, London. The band’s name was After The Flames. Soon after the announcements, there were first talks about this being a secret show of Fearless Vampire Killers. No one was sure, but there were certain signs. The show was sold-out pretty quick and hopes were high.

So…fast forward to yesterday night….and hopes were fulfilled – Fearless Vampire Killers are truly back!!!

By now the band’s Facebook page got updated and the band shared a video on their youtube page, where Kier Kemp (guitar and vocals) and Laurence Beveridge (guitar and vocals) talk about past, present, and future.

Fearless Vampire Killers always had a close connection to their fanbase. That seems to never have broken. Everyone, keep your eyes open for what’s about to come.

Meanwhile, check out some of their hits from a while back, like “Maeby”, “All Hallows Evil”, “Like Bruises” and “Neon At The Dance Floor”.

For more information on the band, follow their social media:

https://www.facebook.com/wearefearlessvampirekillers

http://www.fearlessvampirekillers.co.uk/

https://twitter.com/fvkillers

https://www.instagram.com/fvkillers/

https://www.youtube.com/channel/UCcUEiRyvxCTromTf75XerEA

In a bland musicscape we need bands like FVK. Their gigs rank amongst the best I have been to. Such fantastic news to know they are back.

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Fearless Vampire Killers announce first new music in six years, ‘Something Terminal’

“We’ve realised that creating together is in the makeup of who we are as friends"

Fearless Vampire Killers have announced a new double A-side, ‘Something Terminal’, after making their long-awaited live return last week.

The band played their first show in five years on Friday (March 12) at the Black Heart in Camden Town, London under the pseudonym ‘After The Flames’. Sharing a video from the secret gig on Twitter, the group said “the reaction was beyond our expectations”.

Today (March 14) it’s been confirmed that Fearless Vampire Killers will release ‘Something Terminal’ on April 1 via Cult Records. You can pre-save it here .

“’Something Terminal’ is a love letter to the band we were, a final acknowledgement of all our quirks and contradictions,” explained co-vocalist Laurence Beveridge in an official statement.

“We want to take our listeners on a journey, both lyrically and musically, through our history, and eventually our hopes for the future. The title track is expansive, perhaps a little indulgent, but truly in the spirit of what makes Fearless Vampire Killers so special.”

Beveridge continued: “It’s a showcase of all the styles we’ve amassed over the years; the melodic synths, crushing riffs, the stripped-back piano-led theatrics.”

Last night we did our first show in five years… It was a secret show, but well, the secret got out, and the reaction was beyond our expectations. To those who were able to attend, your presence and your dedication means the world to us. To those who missed out. Hang tight… pic.twitter.com/SSZRVrvWI0 — Fearless Vampire Killers (@fvkillers) March 12, 2022

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The forthcoming ‘Something Terminal’ double A-side will serve as the first new material from Fearless Vampire Killers since their 2015 EP ‘Bruises’. Per a press release, the nine-minute title track represents the “ups and downs” of the band with an “ultimate focus on new beginnings”.

Second song ‘Delicate’, meanwhile, has been described as a contrasting crowd-pleaser that boasts an “anthemic stomp, searing riffs and [an] instantly grabbing chorus”.

“We’ve realised that creating together is in the makeup of who we are as friends,” said co-vocalist Kier Kemp of FVK’s comeback.

“We used to make films as kids and things just weren’t the same without something to work on together. So I guess in that way Fearless Vampire Killers doing more was inevitable. I don’t think that will ever change.”

Further news on the band’s next chapter is said to be coming “very soon”.

Following last week’s surprise gig, Fearless Vampire Killers told fans: “To those who were able to attend, your presence and your dedication means the world to us. To those who missed out. Hang tight…”

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Fearless vampire killers.

Fearless Vampire Killers formed in 2008, their gnarly blend of punk, emo and alternative rock stemming from a melting pot of influences; Queen, My Chemical Romance, Iron Maiden, Green Day, David Bowie and Danny Elfman to name a few. Hailing from Beccles, they made a move to the big smoke and spent years crammed into a cramped two-bedroom flat in North London. Every available moment working was spent working on music, designing and printing their own merch, editing music videos, creating their own social network, writing tie-in novels to flesh out the world behind their songs. With ambitious eyes far too big for their stomachs, they made biting off more than they could chew the only way to eat.

After years of honing their skills on many stages (many that could questionably be described as a stage…), they began venturing all around the UK to build and nurture one of the most engaging fan bases any independent band has ever seen. Live highlights include countless sold out headline runs, Download, Warped Tour UK, and a myriad of support slots to the likes of Black Veil Brides, Enter Shikari and Escape The Fate.

Combining their extensive tour schedule with two colossal albums under their belts, Militia Of The Lost (2012) and Unbreakable Hearts (2014), Fearless Vampire Killers were going from strength to strength on the surface. However carrying the load of running everything themselves behind the closed doors of their cramped two-bed flat, the band grew fatigued and disbanded in 2016.

Fast forward to 2022, and after much soul searching Fearless Vampire Killers return with a new fire in their bellies. “We’ve realised that creating together is in the makeup of who we are as friends”, explains co-vocalist Kier Kemp, “We used to make films as kids and things just weren’t the same without something to work on together. So I guess in that way Fearless Vampire Killers doing more was inevitable. I don’t think that will ever change.”

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Kygo concert London 2024

Ken carson concert london 2024, the chats announces uk tour for 2024, experience rock like never before: fearless vampire killers hit london 2024 at lafayette.

What to remember:

The Fearless Vampire Killers concert is set to electrify the Lafayette venue in London in 2024 , promising a mix of gothic and punk energy for a memorable night of rock music. This highly anticipated event is a must-attend for both long-time fans and those looking to discover their new favourite band.

High demand is expected for this sell-out show, emphasizing the importance of securing tickets early. Attendees are encouraged to prepare by reviewing tips for ticket purchase and selecting the best seats to enhance their concert experience, ensuring they won't miss out on what's poised to be the concert of the year.

The event promises an immersive experience with the possibility of new anthems alongside classic hits, setting the stage for a night of spirited performances and an unforgettable atmosphere. This is a unique opportunity to rediscover the thrill of live music with a band known for its dynamic stage presence and captivating performances.

Get Ready to Rock with Fearless Vampire Killers in London 2024!

Are you eager for a night of unforgettable rock music, packed with energy and anthems that will have you on your feet? Look no further! Fearless Vampire Killers are set to bring down the house at London's Lafayette, promising a performance that mixes gothic charm with punk vigour. If my own experiences at rock concerts are anything to go by, you're in for a treat that'll have you talking for weeks. I remember the last time I saw them live, the electrifying atmosphere was something that couldn't be replicated anywhere else. It's not just a concert; it's an experience that unites fans in a spectacle of sound and vision.

The upcoming concert in London promises to be a highlight of the 2024 music calendar. Whether you're a long-time fan or looking to discover your new favourite band, Fearless Vampire Killers offer a dynamic and immersive live music experience. Their stage presence is unmatched, blending theatrics with raw musical talent that captivates from the first chord to the last echo. And, if we're lucky, there might just be a new anthem or two to shout our lungs out alongside the classics!

Preparation is key for snagging the best spots at what's bound to be a sell-out show. Don't leave it to chance; make sure you're ready by checking out these tips for preparing the ticketing opening . And once you're in, knowing how to choose the best seats can make all the difference to your concert experience.

Searching for Fearless Vampire Killers London 2024 tickets? Ensure you visit reputable sources for your concert tickets to avoid disappointment. After all, who wants to miss out on what's likely to be the concert of the year?

Informations Événement

• Artist: Fearless Vampire Killers
• Town or city: London
• Venue: Lafayette
• Date of event: 2024

Rediscover the thrill of live music with Fearless Vampire Killers at Lafayette, London. Secure your spot, and prepare for a night that promises to be filled with rock anthems, spirited performances, and an atmosphere that only live music can create. See you at the front!

Categories and ticket prices

The ticket prices will start from 22.5€ (The details will be available soonThe pricing and categories of seats will be provided shortly.

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Passionate writer with a rather healthy obsession with Taylor Swift. 🎶 I love writing passionately about everything from breaking news to the hottest trends in the music sphere. If I'm not frantically typing away on my keyboard, you'll probably find me humming the latest Shakira hits or planning my next trip to the Sziget Festival. So, if you need a writer who knows how to mix quality writing with a dash of madness (and a pinch of Taylor Swift), look no further, I'm your man 😉

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Wargasm + Scene Queen + Fearless Vampire Killers + Knife Bride @ O2 Kentish Town, London

November 10, 2022 Metal-Rules.com UK Team Rock Concert Reviews 0

Wargasm + Scene Queen + Fearless Vampire Killers + Knife Bride

O2 kentish town, london, 27 october 2022, photos by rebecca bush, review by the flâneur.

At quarter to 7 pm I was sitting down by Kentish Town station eating my 79p Lidl slice of cold pizza and observing all the cool kids walking by me. Listening to Oranssi Pazuzu and dressed up in my drab office outfit, I finally knew what it’s like to be the Canary Wharf bank bro at a metal gig. Man, was I underdressed.

In a wonderful turn of events, three of the four bands tonight featured female members. As Knife Bride started their set, the O2 was already pretty full – uncharacteristically so for a London venue. A disclaimer – this was my favourite band that night, although nu-metal is very much not my thing. Their sound could overall be summarised as Katy Perry meets In This Moment – with a dash of Iggy Azalea .

The vocalist excelled at both clean and harsh vocals, and her half-rapping was actually pretty good, all the while dancing without it compromising her vocals. That’s what I call talent! Her stage presence was enthralling, and her beautiful Selkie-esque hot pink mini dress was a breath of fresh air. I found myself bobbing my head in approval – but shhh, it’s a secret!

Although the vocals were consistently on point, the overall sound was still a little mono. Though, that didn’t stop the band from giving their best and genuinely having a lot of fun on stage. The audience reflected this by giving them an early mosh pit, which lasted on throughout their set.

Although their sound was varied, I rather thought their songs weren’t, and I got bored quite early into it. I was simply too sober. In the intermission the venue was playing pop hits, including Left Outside Alone by Anastasia , to which the audience cheered as much as they did for Knife Bride .

Fearless Vampire Killers took the stage shortly after 8pm. In a wonderful turn of events, they were the only band who didn’t have female members that night. Each of the five members was dressed in a slightly different style, which I loved. Their sound was quite poppy with a tinge of hardcore, and overall, more stereotypically third wave emo.

This was also my least favourite band on the bill – they sounded like your regular year 10 high school band – the one that plays every homecoming to clueless teenagers sitting bored on the side-lines thinking about how they’d rather be anywhere else. However, a large portion of the crowd knew the lyrics to their songs by heart, and everyone cheered wholeheartedly when one of the two vocalists professed that, “this is rock music!” .

I was bored out of my mind when Fearless Vampire Killers finished their set after around thirty minutes, so I decided to jazz up my outfit a little bit, hit up the smoking area, and speak to some of the bonanza-goers about how they were finding the event. Below are some of the comments I jotted down:

“It’s not bad.”

“They [Fearless Vampire Killers] mean a lot to us and they’re amazing as always.”

“Tours like this one are so progressive.”

“I’m here with my daughter – it’s her first gig.”

“Pretty exciting.”

“Tomorrow doesn’t really matter.” – Adam, to whom I promised I’d wish happy birthday. Happy birthday, Adam!

At 9 pm, the previous Katy Perry reference was reinstated by the third band of the night – Scene Queen . Their cover of I Kissed A Girl left the crowd reeling, but me slightly disappointed. I mean, I really enjoy the song, but I was hoping for a more valiant effort at covering it. The public loved it though, and rewarded the band with gratuitous crowd surfing.

It may just be my dislike for the bundle of genres played that evening influencing my perception of the bands, but Scene Queen seemed like a random local emo band that became somewhat popular but never improved their playing. Or, alternatively, a bit like the soundtrack of a coming of age flick. The sound was impeccable though, and it was really impressive that the band had travelled from the US specifically for this gig.

Towards the end of their set, the vocalist provided us with a beautiful quote: “if you’re a) confident and b) hammered, you can do everything you want to do” . Sadly, I was neither, so I was quite critical at the following prompt for an “all-girl mosh pit” . In my opinion it was very “white girl feminism”, but it seemed like few others shared my concerns as said mosh pit was a roaring success.

Here, I want to note that this gig was indeed quite progressive from the standpoint of diversity. Three out of the four bands had female members, the crowd was represented by the full gender spectrum, and was much less white than most metal gigs I’ve attended in the past. It only goes on to show how closed off heavier metal genres can be, and how unwelcome non-white and non-cis people might feel at gigs from heavier bands.

As I was pondering all of this, Wargasm took the stage to the public singing along from the very first seconds. They really threw the crowd into a frenzy with their energetic performance and punchy riffs. This was the first time I had ever listened to Wargasm – I had to take over covering the gig from a colleague last minute, so I truly didn’t know what to expect.

Multiple people in the smoking area were telling me during my conversations with them that I might actually end up enjoying Wargasm – but, in the end, they were wrong. However, I was still impressed by how much effort Wargasm  put into their performance and their overabundance of stage presence.

What I did enjoy was the tinge of ebm/industrial being intermixed into the whole – but the whole was like Peaches meets a very white version of Rage Against The Machine , meets babycore . As Wargasm spun from one alleged banger to another, I found myself growing more and more disillusioned – yet hopeful at the same time. On the one hand, every single song sounded the same to me – and was the opposite of white noise to my ears (but still incredibly white in colour).

On the other hand, Wargasm definitely have the potential to be a great starter band for teens and young adults venturing out into the realms of rock, metal, and industrial. And, in that lies their real strength. Even though their sound is the opposite of everything I generally find appealing in music, it’s a combination of genres and scenes with little to no racial or gender diversity. And, in that, I think it’s important to remind ourselves on the heavier side of the metal spectrum, that we shouldn’t gatekeep the genre and sideline those who listen to more “mainstream” facets of it. Because by othering them, we assure the decline of the genres we know and love, the very genres we gatekeep. We prevent successful innovation and experimentation, and we aid in the increasingly commonplace advancement of our beloved genres into far right territory. Which is why even though I disliked profoundly most of the cacophony played during the night, talking to the fans really made me realise that it’s not all about the music.

And indeed, the crowd was clearly having the best time of their lives, so who am I to say that this was not fun? In the immortal words of the fabled Adam: “tomorrow doesn’t really matter” –  and that’s what everybody seemed to agree on.

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The Fearless Vampire Killers

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The Fearless Vampire Killers

A noted professor and his dim-witted apprentice fall prey to their inquiring vampires, while on the trail of the ominous damsel in distress. A noted professor and his dim-witted apprentice fall prey to their inquiring vampires, while on the trail of the ominous damsel in distress. A noted professor and his dim-witted apprentice fall prey to their inquiring vampires, while on the trail of the ominous damsel in distress.

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• 181 User reviews
• 106 Critic reviews
• 56 Metascore
• 1 nomination

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• Village Idiot

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• Trivia Originally Roman Polanski wanted to shoot his film on location in and around a castle in Switzerland which he saw during a vacation, but as this was impossible, other locations in the Alps were found, along with studio shoots in England. While on location, Polanski employed dozens of local artisans to make the large numbers of coffins needed in the film. Unfortunately tourists were rather unnerved by the sight of these, and hotels had to erect signs to assure their guests that the area hadn't been struck by plague.
• Goofs When the Professor first enters Count von Krolock's library, he puts his spectacles on at the tip of his nose, so that he can read some of the books' titles. He nevertheless looks right above his glasses, thus making no use of them.

Shagal, the Inn-Keeper : [Magda tries to fend off Shagal, a Jewish Vampire, with a cross] Oy vey, have you got the wrong vampire.

• Crazy credits In the opening credits the MGM-lion transforms into a vampire.
• Alternate versions For the original UK cinema release heavy cuts were made by the BBFC to the scene of Von Krolock attacking Sarah in her bath in order for the film to receive an 'A' certificate. Later video and DVD releases restored the cuts and were upgraded to '15'.
• Connections Edited into The Kid Stays in the Picture (2002)

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Fearless Vampire Killers split up after Kier Kemp quits

FVK (Fearless Vampire Killers) reveal “shock” and “heartbreak” after deciding to split following the departure of vocalist Kier Kemp

FVK (Fearless Vampire Killers) have split up after vocalist Kier Kemp announced his decision to quit.

The English outfit leave a legacy of three albums and three EPs, their most recent release being last year’s Bruises .

FVK say in a statement: “Last Friday Kier announced he was leaving. This revelation was greeted with shock, disappointment and heartbreak as we’ve given our lives to this band. The idea of giving up was completely alien to us.

“However, over the weekend we’ve struggled to find the answer – and we’ve come to the conclusion that it would be wrong to continue without Kier.”

The band add that Kemp’s decision wasn’t easy, but that if he hadn’t quit he’d have had to continue “something he no longer passionately connects with.”

They continue: “He apologises for any upset this may cause and is available in all the usual places if anyone has any questions or would like to talk more about it.”

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The remaining members want to take time to “rebuild and reflect,” but they vow that they “will not abandon our musical union.”

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Wishing Kemp well and apologising to fans, they say: “This is not the ending we chose, but our hands have been forced. The creative force behind FVK will return.”

In his own update, the vocalist says: “I wish there was another way. Believe me I tried. When you’re a kid the dream is to obviously go that whole distance with your first band, but sometimes stuff just doesn’t pan out exactly as you want it to.

“Something like Fearless Vampire Killers required nothing less than utter dedication and when I realised I had lost that, I felt like a fake.”

He continues: “Let’s try and dig something a little more positive out of all of this. There is a legacy. There is a message that we had – and despite instantaneous reactions all of FVK are my dear friends and I’m sure that won’t end. At least, I hope it won’t.”

They completed their last UK tour in March.

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Not only is one-time online news editor Martin an established rock journalist and drummer, but he’s also penned several books on music history, including SAHB Story: The Tale of the Sensational Alex Harvey Band , a band he once managed, and the best-selling Apollo Memories about the history of the legendary and infamous Glasgow Apollo. Martin has written for Classic Rock and Prog and at one time had written more articles for Louder than anyone else (we think he's second now). He’s appeared on TV and when not delving intro all things music, can be found travelling along the UK’s vast canal network.

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