star trek tos izle

• Yabancı Diziler
• Star Trek TOS

Star Trek TOS (1966)

• Genel Bakış

Star Trek TOS Dizisinin Tüm Sezon ve Bölümleri

• Sezon  1
• Sezon  2
• Sezon  3

• Kullanım Koşulları
• Gizlilik İlkelerimiz

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Star Trek İzleme Sırası

İsmail Yamanol 15 Eylül 2015 Dizi 2 yorum

Yarım asırlık tarihiyle  Star Trek , ardında sayısız dizi ve film bırakarak uçsuz bucaksız bir kurgusal evren yaratmayı başardı. Hal böyle olunca, pek çok izleyici bu devasa evrene dalmaktan korkabilmekte ve daha da önemlisi Star Trek yapımlarını hangi sıra ile izleyeceği noktasında akıl karışıklığı yaşayabilmektedir. Hiç kuşkusuz Star Trek’i hatmetmek kolay bir iş değil ve uzun bir seyir maratonu gerektiriyor. İşte bu seyir rehberi , Star Trek evrenine girme iradesi gösterenlerin işini kolaylaştırmak adına kaleme alındı. Henüz bu iradeyi gösterememiş olanlara da şunu anımsatmakta yarar var: Star Trek, bilimkurgu türünün zirve noktalarından biridir ve bir kez izlenmeye başlandığında seyircisini peşine takıp sürüklemekte de uzmandır.

Öte yandan çekildikleri dönem düşünülecek olursa, çoğu Star Trek yapımı günümüz şartlarının gerisinde bir görselliğe sahip ve özellikle genç izleyici kitlesi, bunu bahane ederek yapımları izlemeye yanaşmayabiliyor. Ancak modern teknikler kullanılarak Star Trek: TOS  ve  Star Trek: The Next Generation ‘ın tamamı elden geçirilip güncellenmiştir. Güncellenen yapımların Blu-Ray kalitesinde görüntüye kavuştuğunu ve özellikle uzay , gezegen ve gemi manzaralarının çok daha gerçekçi hale getirildiğini belirtelim. Dolayısıyla düşük görüntü kalitesi, izlememek için bir bahane olmaktan çıkmıştır.

İlginize sunulan rehber, yapımların yayın tarihleri baz alınarak oluşturulmuştur. Bu sıra ile izlemek hem Star Trek’in gelişimine birebir tanık olmanızı ve hem de yapımları kendi içinde bağımsız olarak değerlendirmenizi sağlayacaktır. Örneğin Enterprise dizisi, diğer Star Trek dizilerinin başlangıcı niteliğindedir ve kronolojik sıralamanın tepesinde yer almaktadır.

Ancak Star Trek evrenine 2000’li yıllarda çekilmiş bir dizi ile başlamak, yapımın kendi tarihsel varoluşunu gözardı etmek anlamına gelecektir. Aşağıda sizler için bir adet “ayrıntılı izleme sırası” ile bir adet de “kolay izleme sırası” verilmiştir. Kolay izleme sırası, eş zamanlı olarak birden fazla dizi izlemekten hoşlanmayanlar için hazırlanmıştır.

Eğer yapımları yayımlanma sırasına göre değil de kronolojik sıraya göre izlemek isterseniz “ Star Trek Kronolojisi ” yazımıza göz atabilirsiniz.

Ayrıntılı İzleme Sırası

• Star Trek (TOS) 1. Sezon (Tüm Bölümler)
• Star Trek (TOS) 2. Sezon (Tüm Bölümler)
• Star Trek (TOS) 3. Sezon (Tüm Bölümler)
• Star Trek: The Animated Series (TAS) 1. Sezon (Tüm Bölümler)
• Star Trek I: The Motion Picture (Sinema Filmi)
• Star Trek II: The Wrath of Khan (Sinema Filmi)
• Star Trek III: The Search for Spock (Sinema Filmi)
• Star Trek IV: The Voyage Home (Sinema Filmi)
• Star Trek: The Next Generation (TNG) 1. Sezon (Tüm Bölümler)
• Star Trek V: The Final Frontier (Sinema Filmi)
•   Star Trek: The Next Generation (TNG) 3. Sezon (Tüm Bölümler)
• Star Trek VI: The Undiscovered Country (Sinema Filmi)
• Star Trek: The Next Generation (TNG) 5. Sezon (Tüm Bölümler)
• Star Trek: The Next Generation (TNG) 6. Sezon (Tüm Bölümler)
• Star Trek: Deep Space Nine (DS9) 1. Sezon (Tüm Bölümler)
• Star Trek: The Next Generation (TNG) 7. Sezon (Tüm Bölümler)
• Star Trek VII: Generations (Sinema Filmi)
• Star Trek: Deep Space Nine (DS9) 3. Sezon (Tüm Bölümler)
• Star Trek: Voyager (VOY) 1. Sezon (Tüm Bölümler)
• Star Trek: Voyager (VOY) 2. Sezon (Tüm Bölümler)
• Star Trek VIII: First Contact (Sinema Filmi)
• Star Trek: Deep Space Nine (DS9) 5. Sezon (Tüm Bölümler)
• Star Trek: Voyager (VOY) 3. Sezon (Tüm Bölümler)
• Star Trek: Deep Space Nine (DS9) 6. Sezon (Tüm Bölümler)
• Star Trek IX: Insurrection (Sinema Filmi)
• Star Trek: Deep Space Nine (DS9) 7. Sezon (Tüm Bölümler)
• Star Trek: Voyager (VOY) 5. Sezon (Tüm Bölümler)
• Star Trek: Voyager (VOY) 6. Sezon (Tüm Bölümler)
• Star Trek: Voyager (VOY) 7. Sezon (Tüm Bölümler)
• Star Trek X: Nemesis (Sinema Filmi)
• Star Trek: Enterprise (ENT) 2. Sezon (Tüm Bölümler)
• Star Trek: Enterprise (ENT) 3. Sezon (Tüm Bölümler)
• Star Trek XI (Sinema Filmi)
• Star Trek XII: Into Darkness (Sinema Filmi)
• Star Trek XIII: Star Trek Beyond (Sinema Filmi)
• Star Trek: Short Treks 1. Sezon (Tüm Bölümler)
• Star Trek: Short Treks 2. Sezon (Tüm Bölümler)
• Star Trek: Picard (PIC) 1. Sezon (Tüm Bölümler)
• Star Trek: Lower Decks (LD) 1. Sezon (Tüm Bölümler)
• Star Trek: Discovery (DIS) 3. Sezon (Tüm Bölümler)
• Star Trek: Lower Decks (LD) 2. Sezon (Tüm Bölümler)
• Star Trek: Prodigy (PRO) 1. Sezon (Tüm Bölümler)
• Star Trek: Discovery (DIS) 4. Sezon (Tüm Bölümler)
• Star Trek: Picard (PIC) 2. Sezon (Tüm Bölümler)
• Star Trek: Strange New Worlds (SNW) 1. Sezon (Tüm Bölümler)
• Star Trek: Lower Decks (LD) 3. Sezon (Tüm Bölümler)
• Star Trek: Picard (PIC) 3. Sezon (Tüm Bölümler)
• Star Trek: Strange New Worlds (SNW) 2. Sezon (Tüm Bölümler)
• Star Trek: Lower Decks (LD) 4. Sezon (Tüm Bölümler)

Kolay İzleme Sırası

• Star Trek (Dizi)
• Star Trek I: The Motion Picture (FİLM)
• Star Trek II: The Wrath of Khan (FİLM)
• Star Trek III: The Search for Spock (FİLM)
• Star Trek IV: The Voyage Home (FİLM)
• Star Trek V: The Final Frontier (FİLM)
• Star Trek VI: The Undiscovered Country (FİLM)
• Star Trek VII: Generations (FİLM)
• Star Trek VIII: First Contact (FİLM)
• Star Trek IX: Insurrection (FİLM)
• Star Trek X: Nemesis (FİLM)
• Star Trek: Deep Space Nine (Dizi)
• Star Trek: Voyager (Dizi)
• Star Trek XI (FİLM)
• Star Trek XII: Into Darkness (FİLM)
• Star Trek XIII: Star Trek Beyond (FİLM)
• Star Trek: Discovery (Dizi)
• Star Trek: Picard (Dizi)
• Star Trek: Lower Decks (Animasyon Dizi)
• Star Trek: Prodigy (Animasyon Dizi)
• Star Trek: Strange New Worlds (Dizi)

Bunu paylaş:

Etiketler İzleme Sırası Seyir Rehberi Star Trek Star Trek Dizileri Star Trek Filmleri Star Trek: Deep Space Nine Star Trek: Enterprise Star Trek: The Animated Series Star Trek: The Next Generation Star Trek: Voyager Uzay Yolu Uzay Yolu Dizileri Uzay Yolu Filmleri

Yazar: İsmail Yamanol

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İkinci Sezonuyla Star Trek: Strange New Worlds

İlk sezonuyla izleyiciye özlediği Star Trek ruhunu hatırlatan Star Trek: Strange New Worlds, ikinci sezonuyla …

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Star Trek: The Original Series episode guides - All TOS episodes rated, reviewed

In those days before the Federation had continuity, there was Star Trek: The Original Series. Watch the TOS stories in any other you wish; it rarely matters, as essentially every single episode in TOS is a bottle episode. Ultimately, however, many TOS episodes are retconned into prequel stories (e.g. “The Menagerie”, “Space Seed”, “City on the Edge of Forever”), sequels (e.g. “Mirror Mirror”) or even crossovers (“The Trouble with Tribbles”) for the other series and movies.

TOS Season 1

• View history

The first season of Star Trek: The Original Series was produced and filmed from May 1966 to February 1967 by Desilu . It began airing in the fall season on NBC , running new episodes until the spring of 1967 , and continuing in repeats until the premiere of TOS Season 2 in the fall of 1967. In the United Kingdom, the season premiered on the ITV network on Sunday, September 6, 1981 , and ended on Sunday, March 21, 1982 .

• 1.1 First pilot
• 1.2 Season 1
• 3 Background information
• 4.2.1 Uncredited crew
• 6 External links

Episodes [ ]

First pilot [ ], season 1 [ ], summary [ ].

The Starfleet vessel USS Enterprise sets out on a five-year mission to explore new worlds and seek out new lifeforms in the Alpha Quadrant of the Galaxy . Under the command of Human Captain James T. Kirk and the Vulcan Spock , the Enterprise comes across many strange lifeforms in the first year of its mission – including shapeshifters , androids , and even more bizarre creatures . Elsewhere, there are run-ins with several prominent species, including the warrior race of the Klingons , the Romulan Star Empire , and the Gorn .

The rest of the crew develop close bonds on the long journey, and even as each one experiences the joys of the brave new world of space, they all experience grief and sacrifices. Amongst those who grow close as part of the senior staff are one of the ship's nurses, Christine Chapel , the ship's doctor Leonard McCoy , Kirk's yeoman Janice Rand , helmsman Hikaru Sulu and communications officer Uhura .

Background information [ ]

• Production for the initial season of Star Trek cost an average of US$190,635 per episode. (Some episodes went largely over budget, such as " The City on the Edge of Forever ", which cost $250,396, the most expensive of all episodes except the two pilots). But this figure would gradually decrease in the two seasons to come. ( Inside Star Trek: The Real Story )
• Each episode was scheduled to be filmed in six days; however, many of them went over schedule, resulting in one or two extra days of shooting. When Paramount Pictures took over Desilu in mid-season 2, schedules became much more strict, and episodes had to be completed in six days (closer to five and half days actually).
• The first season of TOS was nominated for two Emmy Awards in 1967 as "Outstanding Dramatic Series" and "Outstanding Performance by an Actor in a Supporting Role in a Drama – Leonard Nimoy ".
• The episodes " The Menagerie, Part I ", " The Menagerie, Part II ", and " The City on the Edge of Forever " won Hugo Awards as "Best Dramatic Presentation". " The Corbomite Maneuver " and " The Naked Time " were also nominated.

Credits [ ]

• Jeffrey Hunter as Capt. Pike ("The Cage")
• William Shatner as Capt. Kirk ("Where No Man Has Gone Before" – "Operation -- Annihilate!")
• Leonard Nimoy as " Mr. Spock "
• DeForest Kelley as " Dr. McCoy "
• James Doohan as " Scott "
• George Takei as " Sulu "
• Nichelle Nichols as " Uhura "
• Grace Lee Whitney as " Yeoman Rand "
• Majel Barrett as " Christine Chapel "
• See : TOS Season 1 performers
• " The Cage "
• " Mudd's Women " (story)
• " Charlie X " (story)
• " The Menagerie, Part I "
• " The Menagerie, Part II "
• " The Return of the Archons " (story)
• " Where No Man Has Gone Before "
• " The Corbomite Maneuver "
• " This Side of Paradise " (story)
• " Mudd's Women " (teleplay)
• " The Enemy Within "
• " The Man Trap "
• " The Naked Time "
• " Charlie X " (teleplay)
• " Tomorrow is Yesterday "
• " This Side of Paradise " (teleplay/story)
• " Balance of Terror "
• " The Squire of Gothos "
• " What Are Little Girls Made Of? "
• " Dagger of the Mind "
• " The Galileo Seven " (teleplay)
• " The Conscience of the King "
• " The Galileo Seven " (teleplay/story)
• " Court Martial " (teleplay/story)
• " Court Martial " (teleplay)
• " Operation -- Annihilate! "
• " Shore Leave "
• " Arena " (teleplay)
• " A Taste of Armageddon " (teleplay)
• " Space Seed " (teleplay)
• " The Devil in the Dark "
• " Errand of Mercy "
• " Arena " (story)
• " The Alternative Factor "
• " The Return of the Archons " (teleplay)
• " A Taste of Armageddon " (teleplay/story)
• " Space Seed " (teleplay/story)
• " The City on the Edge of Forever "
• " Mudd's Women "
• " Court Martial "
• " Space Seed "
• " Charlie X "
• " The Galileo Seven "
• " A Taste of Armageddon "
• " This Side of Paradise "
• Gene Roddenberry
• Gene Roddenberry ("Where No Man Has Gone Before" – "Dagger of the Mind", "The Menagerie, Part II")
• Gene L. Coon ("The Conscious of the King", "The Menagerie, Part I")
• Gene Roddenberry ("The Conscious of the King", "The Menagerie, Part I")
• Robert H. Justman ("Where No Man Has Gone Before" – "Operation -- Annihilate!")
• John D.F. Black ("The Corbomite Maneuver" – "Miri")
• Byron Haskin ("The Menagerie, Part II")
• Steven W. Carabatsos ("The Conscience of the King" – "A Taste of Armageddon") (not credited for "The Menagerie, Part II")
• D.C. Fontana ("This Side of Paradise" – "Operation -- Annihilate!")
• Ernest Haller , ASC ("Where No Man Has Gone Before")
• Jerry Finnerman (all episodes, except "The Menagerie, Part II")
• William E. Snyder , ASC ("The Menagerie, Part II")
• Walter M. Jefferies ("Where No Man Has Gone Before", "Mudd's Women", "The Man Trap", "The Naked Time" and "Charlie X")
• Roland M. Brooks ("The Corbomite Maneuver")
• Walter M. Jefferies
• Franz Bachelin ("The Menagerie, Part II")
• Alexander Courage
• Alexander Courage ("Where No Man Has Gone Before", "The Man Trap", "The Naked Time", "Dagger of the Mind", "Miri", "The Galileo Seven" – "The Menagerie, Part II", "The Squire of Gothos" – "Operation -- Annihilate!")
• Fred Steiner ("The Corbomite Maneuver", "Mudd's Women", "Charlie X" – "What Are Little Girls Made Of?")
• Sol Kaplan ("The Enemy Within")
• Mullendore ("The Conscience of the King")
• Gerald Fried ("Shore Leave")
• John Foley , ACE ("Where No Man Has Gone Before")
• Robert L. Swanson ("The Corbomite Maneuver", "The Man Trap", "Balance of Terror", "The Galileo Seven", "The Menagerie, Part I")
• Bruce Schoengarth ("Mudd's Women", "The Naked Time", "Dagger of the Mind", "Court Martial", "The Squire of Gothos", "Tomorrow Is Yesterday", "A Taste of Armageddon", "Errand of Mercy")
• Fabien Tordjmann ("The Enemy Within", "Charlie X", "Miri", "Shore Leave", "Arena", "Return of the Archons", "The Devil in the Dark", "Operation -- Annihilate!")
• Frank P. Keller , A.C.E. ("What Are Little Girls Made Of?", "The Conscience of the King")
• Leo Shreve ("The Menagerie, Part II")
• James D. Ballas , ACE ("The Alternative Factor", "Space Seed", "This Side of Paradise", "City on the Edge of Forever")
• Edward K. Milkis ("The Corbomite Maneuver", "The Enemy Within", "The Conscience of the King" – "Operation -- Annihilate!")
• Robert H. Justman ("Where No Man Has Gone Before")
• Gregg Peters (odd-numbered episodes from "The Corbomite Maneuver" through "Arena", "Return of the Archons", "A Taste of Armageddon", "The Devil in the Dark", "City on the Edge of Forever")
• Michael S. Glick (even-numbered episodes from "Mudd's Women" through "The Alternative Factor", "Charlie X", "The Menagerie, Part I", "The Menagerie, Part II", "Tomorrow Is Yesterday", "Space Seed", "This Side of Paradise", "Errand of Mercy", "Operation -- Annihilate!")
• Tiger Shapiro (Second Assistant Director)
• Ross Dowd ("Where No Man Has Gone Before")
• Carl F. Biddiscombe ("The Corbomite Maneuver" – "What Are Little Girls Made Of?")
• Marvin March ("Dagger of the Mind" – "Operation -- Annihilate!") (uncredited for "The Menagerie, Part II")
• Edward M. Parker ("The Menagerie, Part II")
• William Theiss ("Where No Man Has Gone Before" – "Operation -- Annihilate!")
• Bill Heath ("Where No Man Has Gone Before" – "Operation -- Annihilate!")
• Jack Hunsaker ("Where No Man Has Gone Before")
• Robert H. Raff ("The Corbomite Maneuver" – "The Conscience of the King", "Court Martial" – "Shore Leave")
• Jim Henrikson ("The Galileo Seven", "The Squire of Gothos" – "Operation -- Annihilate!")
• Joseph G. Sorokin ("Where No Man Has Gone Before", "The Corbomite Maneuver" – "Charlie X", "What Are Little Girls Made Of?" – "The Conscience of the King", "The Menagerie, Part I", "The Menagerie, Part II")
• Douglas H. Grindstaff ("Balance of Terror", "The Galileo Seven", "Court Martial", "Shore Leave" – "Operation -- Annihilate!")
• Cam McCulloch ("Where No Man Has Gone Before")
• Jack F. Lilly ("The Corbomite Maneuver" – "The Return of the Archons", "Space Seed") (uncredited for "The Menagerie, Part II")
• Stanford G. Haughton ("The Menagerie, Part II")
• Cameron McCulloch ("A Taste of Armageddon")
• Carl W. Daniels ("This Side of Paradise" – "Operation -- Annihilate!")
• Howard Anderson Co. ("Where No Man Has Gone Before, "The Corbomite Maneuver", "The Man Trap", "The Enemy Within" – "Charlie X", "The Menagerie, Part II")
• Westheimer Company ("Mudd's Women", "What Are Little Girls Made Of?", "Dagger of the Mind", "The Conscience of the King", "Shore Leave", "Arena", "Tomorrow Is Yesterday", "Space Seed", "This Side of Paradise", "Errand of Mercy", "Operation -- Annihilate!")
• Film Effects of Hollywood ("Balance of Terror", "The Galileo Seven" – "The Menagerie, Part I", "The Squire of Gothos", "The Alternative Factor", "Return of the Archons", "A Taste of Armageddon", "The Devil in the Dark", "The City on the Edge of Forever")
• Cinema Research Corporation ("Miri")
• George A. Rutter ("The Corbomite Maneuver" – "Arena", "Return of the Archons" – "This Side of Paradise")
• Billy Vernon ("The Alternative Factor", "Tomorrow Is Yesterday")
• Wilbur Hatch ("Where No Man Has Gone Before – "Operation -- Annihilate!")
• Julian Davidson ("Where No Man Has Gone Before – "Operation -- Annihilate!")
• Bob Overbeck ("Where No Man Has Gone Before")
• Jim Rugg ("The Corbomite Maneuver" – "Operation -- Annihilate!"; except "The Menagerie, Part II")
• Joe Lombardi ("The Menagerie, Part II")
• Irving A. Feinberg (all episodes; uncredited for "The Menagerie, Part II")
• Jack Briggs ("The Menagerie, Part II")
• George H. Merhoff (all episodes; uncredited for "The Menagerie, Part II")
• Bob Campbell ("The Menagerie, Part II")
• George Rader ("The Corbomite Maneuver" – "Operation -- Annihilate!")
• James A. Paisley ("The Menagerie, Part II")
• Bernard A. Widin ("The Corbomite Maneuver" – "Operation -- Annihilate!")
• Robert Dawn ("Where No Man Has Gone Before")
• Fred B. Phillips , SMA ("The Corbomite Maneuver" – "Operation -- Annihilate!")
• Hazel Keats ("Where No Man Has Gone Before")
• Virginia Darcy , CHS ("The Corbomite Maneuver" – "Operation -- Annihilate!")
• Gertrude Reade ("The Menagerie, Part II")
• Paul McCardle ("Where No Man Has Gone Before")
• Margaret Makau ("The Corbomite Maneuver" – "Operation -- Annihilate!")
• Joseph D'Agosta ("The Enemy Within", "The Naked Time", "What Are Little Girls Made Of?", "The Conscience of the King")
• Glen Glenn Sound Co. ("Where No Man Has Gone Before" – "Operation -- Annihilate!")
• Norway Corporation
• Herbert F. Solow ("The Corbomite Manuever" – "Operation -- Annihilate!")

Uncredited crew [ ]

• Darrell Anderson – Transporter Effects ("The Cage")
• John Chambers – Special Makeup Creator (for Leonard Nimoy) ("The Cage")
• Morris Chapnick – Assistant to the Producer ("The Cage")
• Jim Danforth – Prop Maker ("The Cage")
• Richard C. Datin – Model Maker ("The Cage", "Where No Man Has Gone Before", "The Galileo Seven", et.al. )
• Kellam de Forest ( de Forest Research ) – Researcher ("The Cage")
• Roger Duchowny – Second Assistant Director ("The Cage")
• Linwood G. Dunn – Visual Effects Cinematographer
• Pato Guzman – Production Designer ("The Cage")
• Oscar Katz – Executive in Charge of Production ("The Cage")
• Richard A. Kelley – Camera Operator ("The Cage")
• Thomas Kellogg – Production Illustrator ("The Galileo Seven")
• Reuben Klamer – Prop Maker ("Where No Man Has Gone Before")
• Harvey P. Lynn – Researcher ("The Cage")
• Bill McGovern – Clapper/Loader
• Donald R. Rode – Assistant Film Editor (also responsible for editing the episode trailers)
• Penny Romans – Choreographer (Susan Oliver's dance) ("The Cage")
• Denis Russell – Scenic Artist ("The Cage")
• Leo Shreve – Film Editor ("The Cage")
• Speed & Custom Shop ("The Galileo Seven")
• Craig Thompson – Office Manager Post-Production
• Penny Unger – Gene Roddenberry's secretary
• Charles Washburn – DGA Trainee
• Gene Winfield – Model and Set Maker ("The Galileo Seven")
• Albert Whitlock – Matte Painter ("The Cage", "Where No Man Has Gone Before")

See also [ ]

• Star Trek: The Original Series (VHS)
• TOS Season 1 Blu-ray
• TOS Season 1 DVD
• TOS Season 1 HD DVD
• TOS Season 1 performers

External links [ ]

• Star Trek: The Original Series season 1 at Memory Beta , the wiki for licensed Star Trek works
• The Original Series Season 1 episode reviews  at Ex Astris Scientia
• 3 Ancient humanoid

How Star Trek's Klingons Evolved the Behind the Scenes

As rich as their onscreen history is, the way Gene L. Coon and Star Trek storytellers created and evolved the Klingons is an equally epic saga.

Quick Links

Star trek's original series klingons were created by 'the other gene', the klingons were re-imagined for star trek films and the next generation era, how star trek: enterprise reconciled the tos and tng klingon appearances, star trek redesigned the klingons for the kelvin timeline and discovery.

There is a constant question about which alien species is the most iconic in Star Trek : Klingons or Vulcans. While Spock is the most famous alien in the universe, he's also a part of the crew. Worf is the second most famous alien in the universe, and he's still very much at arm's length. They still feel alien in Gene Roddenberry's future. This makes Klingons excellent contenders for the most famous Star Trek alien in history.

As it stands, Klingons are the only Star Trek alien race other than Vulcans to appear in every iteration of the franchise, including most of the films. Early Klingon appearances were even explained away with a particularly clever storyline in Star Trek: Enterprise . Their language -- guttural noises as improvised by James Doohan in Star Trek: The Motion Picture -- became an actual language by Star Trek: The Search for Spock . The Klingons are one of the biggest things Star Trek ever produced, and yet, they almost didn't exist.

William Shatner Joins Leonard Nimoy's Family in Remembering the Star Trek Legend

While Roddenberry gets a lot of credit for dreaming up the show in the first place, Star Trek's other Gene gets too little. Gene L. Coon was a television writer who was extremely prolific at his typewriter, churning out quality scripts and rewrites faster than any other writer. "Whenever there was something going wrong, they would call Gene Coon," Mort Zarcoff said in The Fifty-Year-Mission - The First 25 Years by Edward Gross and Mark A. Altman. "He would fix scripts; he would fix pilots. He was a jack-of-all-trades." In multiple interviews, both William Shatner and Leonard Nimoy credit Coon for creating much of what fans love about Star Trek , including the Klingons .

The Klingons first appeared in The Original Series Season 1's "Errand of Mercy," a clear allegory between the United States and the Soviet Union. Subsequent appearances depicted them as totalitarians, eager for combat with Starfleet. Story editor and writer Dorothy D.C. Fontana wrote some scenes depicting the Klingons as more ruthless and without honor, but those were cut according to the These Are The Voyages books by Marc Cushman with Susan Osborn. She also wanted to establish a Klingon alliance with the Romulans to explain why they sometimes used the same ships (a budget consideration). Yet, the Klingon culture was mostly undefined. For example, not a word of the Klingon language was ever heard in The Original Series .

The Klingons were depicted with dark brown makeup, beards and golden tunics over black uniforms. Roddenberry and Coon wanted to make them look more alien, but both budget and the time required to shoot the series wouldn't allow for it. William Campbell, who played Koloth in The Original Series and Star Trek: Deep Space Nine , said that Gene L. Coon didn't even like the name "Klingon," in a featurette on Star Trek VI: The Undiscovered Country's home release . It only stuck because neither he nor the other writers could think of anything better. When Star Trek came back for its second wave of films and series, the name stayed but the look of the signature heavies of the universe would change drastically.

Star Trek: Section 31 Will Debut a Younger Version of a Next Generation Character

The Klingons appeared in what was almost a cameo in Star Trek: The Motion Picture , when a small fleet of ships are the first vessels destroyed by the approaching V'Ger. Robert Fletcher, the costumer on The Motion Picture , Fred Phillips, the makeup lead, and Roddenberry each shaped the new look of the Star Trek Klingons . Roddenberry took the idea of forehead ridges that were an extension of the spine from a pilot he wrote, according to Cinefantastique. Fletcher then worked with the costume and makeup artists to develop this new look. To him, the evolution of the Klingons was just the realities of production catching up to his imagination.

The updated Klingon look persisted through the films of The Original Series era, and into The Next Generation where Hollywood makeup legend Michael Westmore continued its evolution . He created the ridges, according to the Star Trek VI home release, by copying patterns from dinosaur fossils. This was born from an idea of Fletcher and Roddenberry's concept that the Klingons evolved from reptilian ancestors. This was actually evolved further in the Star Trek: Discovery redesign that proved very controversial among the fans. However, it wasn't until the creation of Worf that the Klingons got a culture .

While developing Star Trek: Phase II the Klingon culture was meant to be examined, and early drafts and notes suggest something very different from the honor-obsessed warrior race. In both Star Trek: The Next Generation and Star Trek: Deep Space Nine , the Klingons were shown less as totalitarians and more of a military culture focused on honor and glory. They were ritualistic and spiritual, following Kahless the Unforgettable, a pre-Federation Klingon historical ruler turned deity. The governmental structure and caste society were examined in numerous episodes of the series. However, it wasn't until the prequel series that the disparity in the Klingon appearance got a canon explanation.

Section 31: First Image of Michelle Yeoh in New Star Trek Movie Released

In Season 4 of Star Trek: Enterprise , Manny Coto took over the show and used the final episodes of this series to examine the history of the universe. One arc featured a crew of genetic augments like Khan Noonien Singh, but this time led by one of Brent Spiner's Dr. Soong characters. In the episode they capture a Klingon vessel, which alerts the still mostly mysterious race to genetic augmentation. A Klingon scientist tries to create augments using the advanced human DNA, creating a super virus.

The cure, created by Dr. Phlox of the NX-01 Enterprise saved the Klingons but smoothed out their ridges and made them look more human . At the end of the episode, Dr. Phlox posits the ridges could return with time or advanced sci-fi surgery. This was added to explain how John Colicos's Kor and Campbell's Koloth showed up on Deep Space Nine with ridges when they didn't have them in The Original Series . It's one of those masterful uses of disparate pieces of Star Trek canon that weave in-real-life limitations together to tell an interesting story that seems as if it was always intended by the various generations of writers.

Star Trek: Picard also, inadvertently, added the subtle notion that Klingon ridges can change . Michael Dorn's Worf returned in that series with a slightly less pronounced set of forehead ridges than in previous series. This was an aesthetic decision (and likely to give Dorn less time in the makeup chair). Yet, those sorts of decisions are always behind the evolution of the look of the Klingons. While fans accepted the upgrade from The Original Series to The Next Generation , future attempts to evolve the look of the Klingons have been met with consternation and outright fan anger.

Star Trek 4 Gets Back on Course With New Screenwriter Revealed

A key component of the Kelvin Timeline films was that everything would look different and more modern sci-fi than what was established in past Star Trek series. This meant the Klingons got an upgrade. In the 2009 Star Trek , the Klingons were only seen wearing helmets. In Star Trek: Into Darkness the Klingons were given a sleeker, hairless appearance that leaned into the Roddenberry-esque idea that they evolved from reptiles . Yet, these films never spent much time with the iconic heavies of the 23rd Century iteration of this universe.

Series creator Bryan Fuller, a veteran of Star Trek: Voyager , was the driving force behind the Klingon redesign for 2017's Discovery . Once he left the series, the producers continued to embrace the idea that Klingons evolved from reptiles and used the most advanced prosthetics and makeup to show that. The Klingon language was also extremely accurate in the series, because this was done in the same spirit Phillips, Fletcher and Roddenberry embraced for The Motion Picture .

However, they pushed the limit too far, with the Klingons adopting a more familiar appearance in Discovery Season 2 and reverting to their TNG era look in Strange New Worlds. The Klingons have yet to appear in the 32nd Century future in which Star Trek: Discovery Season 5 takes place. Even if they don't show up in the series' final season, there's sure to be some Klingon encounters in Starfleet Academy , the new young-adult focused series currently in development. Just like Vulcans and starships with dual nacelles, Klingons are never far from Star Trek stories.

The Star Trek universe encompasses multiple series, each offering a unique lens through which to experience the wonders and perils of space travel. Join Captain Kirk and his crew on the Original Series' voyages of discovery, encounter the utopian vision of the Federation in The Next Generation, or delve into the darker corners of galactic politics in Deep Space Nine. No matter your preference, there's a Star Trek adventure waiting to ignite your imagination.

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S1.E0 ∙ The Cage

S1.E1 ∙ The Man Trap

S1.E2 ∙ Charlie X

S1.E3 ∙ Where No Man Has Gone Before

S1.E4 ∙ The Naked Time

S1.E5 ∙ The Enemy Within

S1.E6 ∙ Mudd's Women

S1.E7 ∙ What Are Little Girls Made Of?

S1.E8 ∙ Miri

S1.E9 ∙ Dagger of the Mind

S1.E10 ∙ The Corbomite Maneuver

S1.E11 ∙ The Menagerie: Part I

S1.E12 ∙ The Menagerie: Part II

S1.E13 ∙ The Conscience of the King

S1.E14 ∙ Balance of Terror

S1.E15 ∙ Shore Leave

S1.E16 ∙ The Galileo Seven

S1.E17 ∙ The Squire of Gothos

S1.E18 ∙ Arena

S1.E19 ∙ Tomorrow Is Yesterday

S1.E20 ∙ Court Martial

S1.E21 ∙ The Return of the Archons

S1.E22 ∙ Space Seed

S1.E23 ∙ A Taste of Armageddon

S1.E24 ∙ This Side of Paradise

S1.E25 ∙ The Devil in the Dark

S1.E26 ∙ Errand of Mercy

S1.E27 ∙ The Alternative Factor

S1.E28 ∙ The City on the Edge of Forever

S1.E29 ∙ Operation -- Annihilate!

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• April 9, 2024 | Review: The EXO-6 ‘Star Trek: Deep Space Nine’ 1:6 Odo Figure Is The Shape of Things To Come
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Review: The EXO-6 ‘Star Trek: Deep Space Nine’ 1:6 Odo Figure Is The Shape of Things To Come

| April 9, 2024 | By: Jeff Bond 7 comments so far

Constable Odo 1/6 Scale Action Figure

Manufacturer: EXO-6 Price: $215 Grade: A+

Way back in the no-man’s land between the release of Star Trek: The Motion Picture and The Wrath of Khan , when it briefly looked like there might be no more Star Trek movies and there hadn’t been a new Star Trek TV show since the 1973 animated series, I had a weird dream one night that there was a new Star Trek series on the air and one of the actors in it was René Auberjonois. At the time I knew Auberjonois from his performances in the 1976 King Kong remake and The Eyes of Laura Mars (where he did an uncanny impression of Lloyd Bridges using only his face).

What I didn’t imagine was that Auberjonois would indeed appear in a new Star Trek show a decade or so later—but his face would be covered by a thick layer of latex makeup and he would be playing an alien shapeshifter named Odo. Like Spock, Data, and later characters like Seven of Nine and Saru, Odo was part of the Star Trek formula that dictated an alien “other” character was always needed to provide an outsider perspective on humanity. A holdover from the Cardassian’s shepherding of their space station Terok Nor, Odo retained his job as a security officer to become Deep Space Nine’s “constable”—a sheriff who keeps a close eye on the denizens that live on and visit DS9, particularly his arch nemesis, the Ferengi Quark. Odo can use his shapeshifting abilities to impersonate other beings or even disguise himself as inanimate objects—all a boon to his work maintaining law and order on the station.

René Auberjonois as Constable Odo in a Deep Space Nine publicity photo (Paramount)

Odo’s origins were initially mysterious, even to himself (in one first season episode after chasing what he’d thought to be a clue to his background, a lonely Odo gazes out into space from a runabout and ponders, “Home…where is it?”). Eventually, he discovers that he’s part of the race of the Founders, dangerous “changelings” and founders of the Dominion, a warlike confederation of races that threatens the Federation. Odo consequently finds himself torn between loyalty to his friends on DS9 and the race that gave birth to him. Auberjonois, a reliable and effective character actor, gave Odo a gruff, no-nonsense personality that set him off from DS9’s mix of hotheads, pious clerics, and very human Starfleet officers. He figured in some tremendous storylines, although I wish the show hadn’t gone in the direction of putting him and Major Kira—two of the strongest characters in the series—in a standard romance that ultimately weakened both of them.

René Auberjonois as Constable Odo in “What You Left Behind” (Paramount)

EXO-6 Odo Figure

EXO-6’s Deep Space Nine line of 12” action figures has been absolutely stellar in its quality, and Odo might just be the best release yet. One might think that capturing Odo’s deliberately featureless prosthetic makeup would be a breeze, but it actually seems more like a trap as the proportions of the character’s face come off as deliberately vague and confusing due to the makeup. Sculptor Dean Tolliver pulls off the assignment flawlessly, from Odo’s prim, downturned mouth to his piercing, deep-set eyes.

EXO-6 DS9 Odo figure

One big challenge to these characters is hair—it has to be molded into the one-piece head sculpt which often gives the entire character a plastic, doll-like sheen. Odo’s hair even in the series has an uncanny, sleek appearance that lends itself well to this kind of reproduction—there’s a very fine seam bisecting the head, something you can catch with careful examination on this and some other EXO figures, but it mostly disappears within the hair sculpture, and that’s really the only minor flaw (if you can call it that) in the figure.

Odo’s clothes are of drab and utilitarian Bajoran make, almost allowing him to disappear among the brown and bronze arches of the space station’s promenade, and the figure captures the cut of the uniform, its Bajoran insignia, belt and boots perfectly.

If you watch the series, you know that Odo doesn’t roll with standard Starfleet weaponry—he’s his own weapon, with the ability to turn his arms into whiplike tendrils or any other shape that might come in handy to subdue a scofflaw. Odo comes with the standard Starfleet PADD and a tricorder, but this figure boasts two more-character-based accessories that really set this release off and required a larger-than-normal collectors box. One accessory is Odo’s “bucket”—a metallic container that the shapeless being relaxes inside in liquid form after a hard day’s crime-fighting. EXO also includes a spectacular clear vinyl sculpture of Odo in mid-transformation, congealing upwards from a puddle on the floor, his arms folded and his distinctive features starting to take shape.

Bucket and shape-shifting accessories for EXO-6 DS9 Odo figure

These accessories make Odo’s display footprint about twice the size of a normal EXO-6 figure, but it’s worth it, especially since at $215 he’s in line with most of the other DS9 figure price points.

Odo was released today and is available now at EX0-6.com .  This is another spectacular figure release from EXO-6 and since they tend to sell out quickly, you’d be well advised to order ASAP.

The Odo figure is part of EXO-6’s Star Trek: Deep Space Nine collection. Quark and Sisko have already sold out. The Kira figure [ see TrekMovie’s review ] is still available. Dr. Julian Bashir is next in line , but the pre-order period has already sold out.

Upcoming EXO-6 Dr. Bashir figure

A closer look at Odo

Jeff Bond is a freelance writer and book author who’s addicted to plastic models and action figures. You can catch up with him on  Facebook  and  Instagram  where he posts model works in progress, and takes commissions. His latest Star Trek book is  Star Trek: The Motion Picture: The Art and Visual Effects .

Find more Star Trek merchandise news and reviews at TrekMovie.com .

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Star Trek Merch: TOS Art Poster, EXO Ensign Ro, “Subspace Rhapsody” On Vinyl, And More

Incredible detail, the greatest representation….

Finally, an EXO sculpt that actually looks like the character.

Kind of funny that it’s the one with a deliberately featureless messed up face.

Wow. I sold my TMP Kirk and Spock due to the poor likenesses.

But this actually looks really good. Maybe….

Gotta admit, this IS a good one! 🫤 If only I had the bars of latinum… 😒💸

This looks absolutely fabulous!! 😍

Well done. These are so well done. Not surprised they keep selling out.

I sure hope Hiya Toys can give us a diverse range of Star Trek figures drawing from the entire legacy of Star Trek like Exo-6 is doing here. Playmates has certainly dropped the ball but I still have faith that a good quality line could be a success. I hope unlike Playmates, Hiya will take fan’s comments and input into consideration like Exo-6 is also doing. We fans like feeling like we have some say in the thought process of creating a line and being appreciated by the teams responsible for developing products like this and Playmates just took all our patronage for granted.

Why 'Star Trek: Discovery' deserves more credit as a barrier-breaking series

Starship Discovery will soon be ending its mission, and what a journey it's been.

“Star Trek: Discovery,” which premiered in 2017, is entering its fifth and final season Thursday on Paramount+. And you’ll need the Captain’s Log to remember all the twists, turns and transformations the show has gone through since it began.

One thing that hasn’t changed, though, is the hate the series has received from some Trek fans. (“Discovery” has an overall audience score of 37% on Rotten Tomatoes, a stark difference from the 87% critic rating.)

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While the show is far from free of legitimate criticism, many of the complaints seem unfairly – though perhaps tellingly – placed on the show’s focus on a Black woman commander, its LGBTQ+ stars and allies and its inclusive storylines. “Woke agenda” and other dog whistles frequently surface on Reddit and social media posts about the series.

That so much of the negativity is rooted in a backlash against inclusivity raises questions. After all, the "Star Trek" franchise has long emphasized and celebrated culture, diversity and humanity coming together and preserving the integrity of beings they meet across the galaxy.

"It doesn't make any sense, because (these fans) say they love this franchise," series star Sonequa Martin-Green says in an interview. The show “has always been about breaking those boundaries. It's always been about diversity and equality. And our world has changed since the last iteration of 'Trek.' We have a responsibility to push that needle forward and to stay true to that."

More: Issa Rae says Hollywood needs to be accountable. Here's why diverse shows are so important

The series is originally set before the events of NBC's original “Star Trek: The Original Series” (later jumping to the future) and follows Michael Burnham (Martin-Green), who became the starship’s captain, and the rest of the crew of the USS Discovery: first officer Saru (Doug Jones), chief engineer Paul Stamets (Anthony Rapp), lieutenant and now Starfleet Academy teacher Sylvia Tilly (Mary Wiseman), medical officer Hugh Culber (Wilson Cruz), courier and Burnham’s love interest Cleveland “Book” Booker (David Ajala) and ensign Adira Tal (Blu del Barrio).

Many more characters have stood on the bridge, battled with Burnham, or otherwise make up the world of "Discovery." The series had some trouble finding the right footing, but it’s always had heart, especially in its recurring theme of redemption. And it deserves more support for what it has meant for the entire "Star Trek" franchise.

Here’s why “Star Trek: Discovery” deserves more credit:

Prioritizing diversity and inclusivity

A Vulcan philosophy (and one espoused by “Star Trek” creator Gene Roddenberry) is IDIC, or “infinite diversity in infinite combinations,” and many of the related series, movies and books underscore this belief. “Discovery” also has diversity at its core: the show focuses on a Black woman who becomes captain. Stamets and Culber are an openly gay couple, and engineer Jett Reno (Tig Notaro) is a lesbian. And the show introduced a few franchise firsts: Adira Tal as the first nonbinary character in "Star Trek ," and their boyfriend, Gray ( Ian Alexander ), is the first transgender character , both introduced in Season 3.

More: 'Star Trek' documentary unveils star Nichelle Nichols' impactful NASA connection

Starting a new age of Star Trek

“Discovery” helped launch the CBS All Access streaming platform, a CBS subscription service that would eventually become Paramount+, as well as a new era of "Star Trek" series including “Lower Decks” and “Picard.” Before “Discovery,” the last Trek series was “Star Trek: Enterprise,” which ended in 2005.

Exploring strange new worlds

The second season of “Discovery” also served as a launching pad for the well-received spinoff, “Star Trek: Strange New Worlds,” which resurfaced popular characters from the original series including Spock (Ethan Peck), Captain Pike (Anson Mount), Uhura (Celia Rose Gooding) and Number One (Rebecca Romijn).

Finding time for the simple things

In a few scenes scattered throughout "Discovery," we see characters like Culber and Stamets sharing a meal or talking about their day while brushing their teeth. It’s almost mundane, but there’s also something so lovely about watching LGBTQ+ characters who rarely are the focus in movies or television simply living their lives, being their whole selves. Burnham rocking braids at the beginning of Season 3 speaks cultural volumes. The subtle amid the big battles and overarching plots do have meaning, especially for those whose voices often go unheard.

Going boldly

The first season of “Discovery” went out of its way to highlight its connections to the original series: Burnham is Spock’s adopted sister, and there's a brief appearance by Spock’s father, Sarek. But it wasn’t always so neatly woven, sometimes seeming more like it was using franchise lore as a crutch. But “Discovery” wasn’t afraid to try new things, turning itself around after an overcomplicated first season and again after a very “TOS”-inspired second, slowly building up its own universe without relying too heavily on the old. 

The first episodes of Season 5 are a little rocky before it settles into a comfortable speed. 

"This time around, we wanted to bring in some levity," Martin-Green says. "But there's a grand sort of epicness to Season 5, even though we didn't know it was our last season when we were shooting it. I think looking back on it, and when we share it with the world, it'll seem that way because the season is so big. So people can expect a lot of fun. They can expect it to go really fast." 

It will be interesting to see if “Discovery” sticks the landing through the remainder of the season.

“The good outweighs the bad,” Burnham says in an upcoming episode about a mission, and that’s also true of “Discovery."

The fifth and final season of "Star Trek: Discovery" (two episodes now streaming, then weekly on Thursdays) streams on Paramount+.

This article originally appeared on USA TODAY: Why 'Star Trek: Discovery' deserves more credit as a barrier-breaking series

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Barbara baldavin, actress on ‘star trek’ and ‘medical center,’ dies at 85.

She later was involved in casting on such series as ‘Dynasty,’ ‘Matt Houston’ and ‘Trapper John, M.D.’

By Mike Barnes

Mike Barnes

Senior Editor

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Barbara Baldavin, who appeared on three episodes of the original Star Trek and recurred on Medical Center before working in the casting department on shows including Dynasty and Trapper John, M.D. , has died. She was 85.

Baldavin died Sunday of congestive heart failure at her home in Manhattan Beach, her son Marc D’Agosta told The Hollywood Reporter .

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She then returned as Lt. Lisa, a communications officer and court reporter, on the series finale, “Turnabout Intruder,” which aired in June 1969.

Baldavin played Nurse Holmby on 51 episodes during the last six seasons (1970-76) of CBS’ Medical Center , starring Chad Everett and James Daly. She had appeared as another character on the first season.

In the 1980s, she worked in the casting departments of shows including Hagen — Everett’s series follow-up to Medical Center — Square Pegs , Matt Houston , Dynasty , Finder of Lost Loves and Trapper John, M.D.

A native of Quincy, Massachusetts, Baldavin started acting while attending El Camino College in Torrance, California, and she studied at the Lee Strasberg Institute.

She also showed up on episodes of Rawhide , The Fugitive , Insight , Columbo , Mannix , Adam-12 , Toma , The F.B.I. , McMillan & Wife , Bronk , Baretta , Barnaby Jones , Charlie’s Angels , Fantasy Island , Vega$ and more.

Baldavin worked as an instructor at Dawn Wells ‘ Film Actor’s Boot Camp. She and the late Gilligan’s Island star were great friends and shared a birthdate: Oct. 18, 1938.

Survivors include another son, Joseph, and her grandchildren, Casandra and Justine. Her former husband was Joseph D’Agosta, who served as casting director on Star Trek and other Desilu series.

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