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The Hundred-Foot Journey

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Director Lasse Hallström does lovely work and Helen Mirren is always worth watching, but The Hundred-Foot Journey travels predictable ground already covered by countless feel-good dramedies.

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Lasse Hallström

Helen Mirren

Madame Mallory

Manish Dayal

Hassan Kadam

Charlotte Le Bon

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The Hundred-Foot Journey with Steven Spielberg and Oprah Winfrey

The recipe, the ingredients, the journey, on set with oprah winfrey, coconut chicken, rotten tomatoes® score.

Mirren is drily funny, deploying an arsenal of MasterChef-style horrified reaction shots.

How wrong can you go with a comedy about beautiful people making beautiful food in the south of France? And Helen Mirren? The woman can turn 105 and she'll still be alluring, even when she's being haughty. Lots of laughs.

It's an enjoyable film about passion; the passion for food, passion for culture but most of all, passion for life.

This isn't your usual summer fare, because it cares far too much about the people whose story it is telling and it takes the time to let you get to know them.

If you're into simple, pleasant movies that offer two-hour escapist entertainment, this may be for you.

[A] beautifully written story.

Fulfilling, rich and delicious, The Hundred Foot Journey is an effervescent delight, sizzling with cinematic and emotional flavor.

If films about the culinary arts revolved around the same strictures to obtain something like a Michelin star rating, The Hundred-Foot Journey would always and forever be a big fat zero.

For foodies and folks looking for the cinematic version of a poolside paperback, THE HUNDRED-FOOT JOURNEY delivers. If you're seeking something with a little artistic nutrition, you'll need to look elsewhere.

Overall, The Hundred-Foot Journey is not a bad dish, but considering its rich ingredients, it still lacks a bit of spice.

Additional Info

• Genre : Comedy, Drama
• Release Date : August 8, 2014
• Languages : English, Spanish
• Captions : English, Spanish
• Audio Format : 5.1

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The HundredFoot Journey (2014) Stream and Watch Online

Looking to watch ' The HundredFoot Journey ' on your TV or mobile device at home? Hunting down a streaming service to buy, rent, download, or view the Lasse Hallström-directed movie via subscription can be tricky, so we here at Moviefone want to do the work for you. Read on for a listing of streaming and cable services - including rental, purchase, and subscription choices - along with the availability of 'The HundredFoot Journey' on each platform when they are available. Now, before we get into all the details of how you can watch 'The HundredFoot Journey' right now, here are some specifics about the Amblin Entertainment Harpo Films Participant Imagenation Abu Dhabi FZ Reliance Entertainment Touchstone Pictures DreamWorks Pictures comedy flick. Released August 8th, 2014, 'The HundredFoot Journey' stars Helen Mirren , Manish Dayal , Om Puri , Charlotte Le Bon The PG movie has a runtime of about 2 hr 2 min, and received a user score of 73 (out of 100) on TMDb, which assembled reviews from 1,364 well-known users. You probably already know what the movie's about, but just in case... Here's the plot: "A story centered around an Indian family who moves to France and opens a restaurant across the street from a Michelinstarred French restaurant" 'The HundredFoot Journey' is currently available to rent, purchase, or stream via subscription on YouTube, Microsoft Store, AMC on Demand, Google Play Movies, Amazon Video, Vudu, and Apple iTunes .

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The Hundred-Foot Journey

Director Lasse Hallström's ( Chocolat ) adaptation of the Richard C. Morais novel about the rivalry between an Indian restaurant that is 100 feet away from a three-Michelin-star-hunting bistro in the south of France. Produced by Steven Spielberg and Oprah Winfrey, starring Oscar-winner Helen Mirren ( The Queen ).

A young immigrant named Hassan (Manish Dayal, Breaking The Girls ) and his father (Om Puri, Ghandi ) open an Indian restaurant in Saint-Antonin-Noble-Val in the south of France. Hassan - a gifted chef - must win over the eccentric Madame Mallory (Mirren), the head chef at the revered Le Saule Pleureur bistro.

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The Hundred-Foot Journey | Ratings & Reviews

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"Often with foodie films, the filmmakers treat the on-screen dishes like Michael Bay treats women: they tart the subject up and use glistening gratuitous close-ups with the intention of making the audience drool. But in this adaptation of Richard C. Morais’ novel, Chocolat director Lasse Hallström isn’t as interested in food porn as he is in food romanticism."

"It contrasts the heat and intensity of Indian cooking with the elegance and refinement of French haute cuisine, then balances the two with a feel-good lesson in ethnic harmony."

"The movie’s never tastier than when screen vets Mirren and Puri are sparring, pettily buying out each other’s produce at the local market or bellyaching to the town’s mayor."

"Is likely neither to pique your appetite nor to sate it, leaving you in a dyspeptic limbo, stuffed with false sentiment and forced whimsy."

"A film that telegraphs all its beats and character arcs, executes them adequately but without passion or personality, then congratulates itself on a job done."

"When it comes to character development, Manish Dayal, as Hassan, and Le Bon are sold short, landed with thankless, undeveloped roles."

"Colorful locales and exotic spices can't hide its essential blandness."

"It is the film's winning collection of wonderful characters that will truly satisfy all tastes."

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• Rolling Stone Peter Travers Linus Sandgren's camera caresses the cuisine like an ecstatic lover. It brought out the foodie in me.
• Chicago Sun-Times Bill Zwecker Mirren's Madame Mallory unctuously oozes her dedication to perfection from every pore -- and it's truly delicious to watch her work her magic up on the screen.
• Richard Roeper.com Richard Roeper Food porn with a sweet albeit predictable menu.
• Boston Globe Peter Keough One of the characters, no doubt alluding to Proust, says, "Food is memories." Unfortunately, this is one movie about food that I'm forgetting already.
• Christian Science Monitor Peter Rainer Hallström, who also directed Chocolat, follows the foodie-cinema aesthetic by filming the dishes in a gleaming sumptuousness designed to make you famished.
• Philadelphia Inquirer Steven Rea It would be curmudgeonly to count all the ways in which The Hundred-Foot Journey is unsurprising, unrealistic, unnecessary.
• leonardmaltin.com Leonard Maltin Food is the great equalizer in 'The Hundred-Foot Journey.'
• Movie Mom Nell Minow The chef characters would know better than to serve anything so sugary.
• Movie Mezzanine Tomris Laffly ...The Hundred-Foot Journey, which goes down like ice cream during two-thirds of its running time, starts feeling overstuffed toward its final act...
• Grantland Wesley Morris If the movie is high on gastronomy, it also redefines cooking with gas.
• Slant Magazine Elise Nakhnikian The film is rife with tired food metaphors and plot twists so predictable you see them coming like travelers on the poplar-lined street that leads to the dueling restaurants.
• Detroit News Adam Graham Awards material it's not, but the movie knows its intentions and audience, and cooks everything up into a satisfying meal.
• Newsday Rafer Guzman Overall, it's tough to grumble about such a sturdy and crowd-pleasing soufflé.
• New York Times A.O. Scott "The Hundred-Foot Journey" is likely neither to pique your appetite nor to sate it, leaving you in a dyspeptic limbo, stuffed with false sentiment and forced whimsy and starved for real delight.
• Orange County Register Michael Sragow It's a rare delight to watch Puri and Mirren play off each other.
• New York Magazine/Vulture Bilge Ebiri A moving piece of food porn, The Hundred-Foot Journey is a familiar tale enlivened by some sensitive, sincere touches.
• ReelViews James Berardinelli The Hundred-Foot Journey is vintage Hallstrom - genial and meditative, focusing more on characters and emotions than an overcooked plot. The story is simple; the people inhabiting the movie make this worth seeing.
• Los Angeles Times Kenneth Turan If there is room for romantic fantasy in your life, this cinematic equivalent of comfort food goes down easy enough, and it's hard to begrudge it that.
• USA Today Claudia Puig Apart from the scenic location of Saint-Antonin-Noble-Val and the equally enthralling shots of Indian and French cuisine, what remains is a pleasant if rather syrupy tale of clashing cultures.
• Wall Street Journal Joe Morgenstern The folk-wisdom level is tolerable, just as the clichés and manipulations are palatable, because the story is full of life, and free of ironic additives.

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A story centered around an Indian family who moves to France and opens a restaurant across the street from a Michelin-starred French restaurant.

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• REVIEW: Does <I>The Hundred-Foot Journey</i> Deserve One Michelin Star or Two?

REVIEW: Does The Hundred-Foot Journey Deserve One Michelin Star or Two?

W ith Steven Spielberg and Oprah Winfrey serving as producers, and a story that forges warm feelings between two generations of restaurant rivals, The Hundred-Foot Journey is on a mission to make you cry. Whether you oblige will depend on your fondness for, or immunity to, the gentler stereotypes of movie romance.

But there’s one shot that should bring tears of joy to anyone who thinks of food as something more than the stuff grabbed from a plastic bag and automatically consumed on a couch during a reality show. Early in the proceedings we are shown a plate of fresh vegetables, tomatoes mostly, that a pretty young French woman offers to weary Indian travelers. Artfully arranged and glowingly photographed, the comestibles would send moviegoers rushing avidly from the auditorium to the lobby — if the concession stand were a neighborhood stall run by Edesia, the goddess of banquets .

(SEE: TIME’s flavorfully illustrated list of the Top 8 Food Movies )

The food, traditional French cuisine or the livelier Indian masala, looks delicious: what Los Angeles Times writer Jenn Harris, in an interview with Indian-American chef Floyd Cardoz, calls a “ sumptuous buffet of gastro-porn .” Although Harris was referring to the preparations by Cardoz and other cooks of the film’s incredible edibles, Spielberg and Winfrey wouldn’t mind if viewers applied the phrase to the whole movie. They want you to swallow, in one savory sitting, their tale of colliding cultures reaching an entente cordiale. That particular buffet demands a more generous palate.

Winfrey chose Richard C. Morais’ novel for her 2010 reading list and teamed with Spielberg, who had directed her in The Color Purple nearly three decades ago, to bring the story to the screen. As director they hired Lasse Hallstrom, who specializes in upmarket sentiment and in films with food-related titles: What’s Eating Gilbert Grape , The Cider House Rules , Salmon Fishing in the Yemen . His signature food movie was Chocolat , a highly caloric confection about an outsider (Juliet Binoche) who opens a pastry shop in a French village, horrifies the locals, outrages the mayor (Albert Molina) and eventually seduces all of them with her bewitching sweets. With Johnny Depp on hand as Binoche’s roguish ally, Chocolat became Hallstrom’s biggest box-office hit.

(READ: Richard Schickel’s review of Chocolat )

In The Hundred-Foot Journey , the outsiders are Papa (Bollywood stalwart Om Puri), his son Hassan (Manish Dayal) and their family of Mumbai restaurateurs, sent packing when their establishment is torched by fanatics and Papa’s wife (the great beauty Juhi Chawla) is incinerated in the fire. The French village they wind up in is the almost obscenely picturesque Saint-Antonin-Noble-Val, in the Midi-Pyrénées, and the wavering mayor this time is Michel Blanc. The family’s most obstinate rival — Mme. Mallory, who owns the one-star restaurant 100 feet across the street from where Papa sets up his noisy Maison Mumbai — is played by Helen Mirren with her chin held high in defiance; Queen Elizabeth might think Mirren’s manner too imperious. And Hassan finds love and competition with Mme. Mallory’s sous-chef Marguerite (Charlotte Le Bon).

The journey in the novel was essentially Hassan’s. A budding genius in creating dishes both Indian and French, he hopes to rise through the gastronomic ranks and become the most innovative chef at the hottest restaurant in Paris. He is a human version of Remy the rodent in Pixar’s Ratatouille , conquering French-foodie snobbishness with his culinary inspirations. Screenwriter Steven Knight, who has scripted modern crime movies ( Eastern Promises ) and stately period pieces ( Amazing Grace ), as well as directing the Tom-Hardy-in-a-car movie Locke , makes room for the Hassan story, but promotes age — the slow-boiling friendship of Papa and Madame — over youth and beauty.

(READ: Corliss on Tom Hardy, trapped in a car, in Steven Knight’s Locke )

Mme. Mallory’s interest in Hassan, once he convinces her of his expertise, is a matter of pride. For 30 years, her restaurant, Le Saule Pleureur (The Weeping Willow), has carried an honored but equivocal one star, out of a possible three, from the Michelin guide to French cuisine. She wants that second star and thinks the gifted Hassan can help her get it. (It happens that, a couple hundred miles to the east, in Monteux, there is an actual establishment by that name. An online reviewer wrote, “This restaurant has one Michelin star and easily deserves another.”)

As Madame, Dame Helen anglicizes aspects of two revered French actresses who might have been more suitable for the role: imagine a frosty Isabelle Huppert who thaws into Catherine Deneuve. Because this is a movie aimed at Americans, Mirren must speak English in a stern, borderline-ludicrous French accent — both to Papa and Hassan, who confer with each other in Marathi and speak perfect English but perhaps not French, and to her French kitchen staff. “In English,” she says to her balky chef Jean-Pierre (Clément Sibony), “so we can all understand.” This time, the royal “we” that Mirren used in The Queen means the non-francophone audience.

(READ: How Helen Mirren reigned and triumphed in The Queen )

If the poetry of this Franco-Indian alliance gets lost in translation, the visuals sing ecstasy in any language. Cinematographer Linus Sandgren, fresh from making the actors in American Hustle look fabulously tatty, brings radiance not just to each morsel of food but also to the dewy closeups of Dayal (born in Orangeburg, S.C.) and Le Bon (from the recent bio-pic Yves Saint Laurent ) as the lovers-in-waiting. The movie revels in scenes of dappled soft-focus — you never saw so many dapples! — and punctuates the Spielberg-starry night sky with fireworks for every occasion. Though it must acknowledge Mama’s charred death, and a spate of anti-immigrant enmity (the scrawling of “French for the French” on a Maison Mumbai wall), the film is eager to seem good enough to eat.

The one moment of earned poignancy comes when Hassan goes across the street to work at Le Seule Pleureur, and Papa offers him his treasured box of Indian spices. “They have their own spices,” the young man says in the softest tones of renunciation. In a new land, the young must learn from their old-country past, use some parts and reject others, to become a success. That’s how you season the melting pot. At this moment, viewers may shrug off the glutinous manipulations of The Hundred-Foot Journey and give it a second star in the Michelin guide to comfort-food movies.

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