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Sea of Thieves Maiden Voyage tutorial: Key and journal locations, and how to complete all other Maiden Voyage commendations

How to earn every commendation in Maiden Voyage.

Maiden Voyage is the Sea of Thieves tutorial quest, known as a Tall Tale in-game, which is designed to teach you the basics of being a pirate.

If you take the time to explore the island, known as Old Sailor's Isle, in Maiden Voyage you'll discover that there's far more to this location than a simple tutorial. Hidden in the ruins of a pirate you'll uncover a collection of journals and a key , which will lead you to lost treasure.

Completing all ten commendations for Maiden Voyage will also reward you with cosmetic items for both your pirate and ship.

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How to access tutorial quest Maiden Voyage in Sea of Thieves

Maiden voyage quest walkthrough in sea of thieves, where to find the key during tutorial maiden voyage in sea of thieves, journal locations during the maiden voyage quest in sea of thieves, other commendations and secrets in maiden voyage in sea of thieves.

If you're looking to learn the essentials of Sea of Thieves, read up on sailing , ship battles , and how to survive fights with skeletons and the kraken .

If this is the first time you've played Sea of Thieves, then, after you've selected a pirate to play as, you'll have to play at least some of the Maiden Voyage quest to access the rest of the game.

If you're a returning player, then you can still play the Maiden Voyage quest to either to refresh your Sea of Thieves skills or to earn the special items available from earning all the Maiden Voyage commendations.

Maiden Voyage can be played at any time by selecting from the bottom right-hand corner of the Sea of Thieves Experience menu, which is the first menu you access upon starting the game.

Maiden Voyage begins with you awakening on an island and the ghostly Pirate Lord appearing in front of you. You need to eat, however, to properly talk to the Pirate Lord.

To do this open your Equipment Radial and then select the food you stored there. Once it's in hand, you can eat it and then talk to the Pirate Lord.

He'll instruct you to retrieve the cutlass that is sticking out of the remains of a skeleton tied to a nearby tree. When you do retrieve this cutlass, the skeleton won't be too happy, so quickly destroy it with a few swipes of your blade.

Blade in hand, meet the Pirate Lord on the shore and he'll give you a shovel, which you should immediately put away. The Pirate Lord will then ask you to retrieve some treasure for him.

To do this open up your maps and select the only one you currently have available. You can now look at this map whenever you like and continue to move about the island as you do so. Keep in mind though, you won't be able to tell where you personally are by looking at the map.

To find the treasure head west along the beach, until you reach the area where it curves out into the sea.

Next, follow the curved beach out towards the ruined ship at its end and stop when you reach the plant with red leaves - it's here that you'll find the buried treasure.

With your shovel, dig up the Old Sailor's Chest and then bring it back to the Pirate Lord.

He'll allow you to open the chest and take the equipment inside, which includes a flintlock pistol, compass, telescope, bucket and lantern.

You can now spend some time experimenting with your new weapons and equipment if you like.

This is also the time to explore Old Sailor's Isle, the island where Maiden Voyage is set, and uncover its various secrets, including a collection of hidden journals.

Once you've found every secret or simply want to continue playing the game, talk once more to the Pirate Lord and he'll open the path to the Sea of Thieves. First, however, you have to get your ship ready for the open seas.

Swim out to your ship and board via the ladder on the side.

Your first task is to raise the mast, which can be done by interacting with the sail length rope that is to the right-hand side of the ladder you used to board the ship with.

Now head to the bottom deck via your cabin and collect some planks from the wood barrel you find down there.

You can use these planks to repair the cracks around the base of the mast. You'll need to do this three times for this task to be complete.

Next, select your bucket and head back back to the bottom deck. Here you need to scoop up some of the water into your bucket and then throw it overboard, until your ship is water free.

With that task completed, head to the topmost deck and use the capstan to raise the anchor, before returning to the sail length rope to lower the sails.

Now you can finally head out into the open seas, using the wheel to steer the ship, so that you can follow the trail of green torches to the Sea of Thieves.

Don't let your guard down as your journey though. There will be a shark that you must avoid and, at some point, you'll encounter a skeleton ship.

To deal with this ship, you must load one of your cannons using the cannonball barrel on the deck and fire it towards your enemy. Don't worry if you miss - a kraken will take care of the ship for you.

Eventually you'll receive the Unto the Horizons commendation, bringing Maiden Voyage and the tutorial to an end.

If you want to access the hull of the destroyed ship in the middle of Old Sailor's Isle in the Maiden Voyage quest, you're going to need to find the key.

To do this head to the pool of water that lies in-between both ships and, once you're there, look to your left to see a pathway. This path will lead you around the left-hand side of the broken ship and up onto the hilltop where one of the broken masts rests.

You will also find a small spring at the top of this hilltop that descends to the ground below as a waterfall.

To find the key you need to dive underwater in this pool and swim to the rocks that form the top of the waterfall.Just in front of these rocks, you'll find the key sticking out of the dirt.

This key may take some time to find due to it being a similar colour to the dirt that lies the base of the pool, but if you take your time, ensuring you swim slowly, you'll be able to find it.

Key in hand, return to the area that sits in-between the two broken halves of the ship. You'll want to head towards the steps that led up to the first level of the right-hand side of the ship, but don't climb these steps. Instead, look at the ground to the right hand side of this ship to see a hatch in the dirt.

Use the key on this hatch to open the hull for the broken ship, so that you climb inside and help yourself to a selection of lost treasure like a true pirate.

Inside the hull, you'll find 25,000 Gold, 200 Doubloons and the 'My Secret Plan' journal, which you need to read as part of the A Storied Crossing commendation.

Entering the hull will also complete the Hidden Secrets commendation.

As you explore Old Sailor's Isle during the Maiden Voyage quest in Sea of Thieves you might come across a journal or two. There are ten journals for you to find in total during the quest and, if you find them, you'll earn the A Storied Crossing commendation.

Remember - you need to read each journal once you've found them to complete this commendation.

Below you'll find out how to find all ten journals in Maiden Voyage:

The Sea of the Damned

Just beyond the campfire where you begin Maiden Voyage, you'll find a small pool with a waterfall.

If you swim towards this waterfall, you'll discover that there's a cave hidden behind it.

Venture to the back of this cave and you'll find 'The Sea of the Damned.'

Regarding Merfolk

Beyond where you dig up the Old Sailor's Chest, you'll see a sunken ship; the hull is at the very tip of the sand dune, while the cabin is on the right-hand side.

To find this book you need to dive into the cabin, entering through the doorway underwater and pay close attention to the sea-bed.

In one of the topmost corners you'll find 'Regarding Merfolk.'

They Gave It A Name

In the middle of Old Sailor's Isle you'll find the remains of a great ship broken in half. Before you reach this ship, however, there is a path leading to the right, following this will bring you to a ladder and, once you've climbed it, you'll find yourself in the remains of a bedroom.

Next, head up the stairs within this room to reach the top deck of the ruined ship and, by the ship's wheel, you'll find 'They Gave It A Name.'

Lost Secret's

After reading 'They Gave It A Name,' walk around the mast until you find the ladder attached to its side.

Climbing this ladder will take you to the crows-nest where you'll find 'Lost Secret's.'

So Near and Yet...

To find this journal, climb the set of steps at the base of the right-hand side of the broken ship and then cross the bridge that connects the two halves together.

Once you reach the other side of the boat, look to your left and you'll see a pair of barrels surrounded by leaves. At the foot of the upright barrel you'll find 'So Near and Yet...'

My Secret Plan

'My Secret Plan' is located in the hull of the broken ship, which is unlocked with the key you'll find as part of earning the Hidden Secrets commendation.

Lord of the Sea

Head down the path that goes through the tunnel in-between the two halves of the broken ship and continue following it until you reach a bridge.

Rather than crossing this bridge, go to the cliffedge to your right where you'll find a ladder.

Head down this ladder and search through the leaves to your left; amongst the ivy, you'll find the 'Lord of the Sea' journal.

Painting from the Past

Following the path that begins in-between the two halves of the broken ship to its end will bring you to the top of the second island and there you'll find a campsite.

Amongst the items that make up this little camp, you'll find the 'Painting from the Past' journal.

Making Camp

You'll walk past a wooden door on your journey to the top of the second island. Situated to the left of this door is a lever, which, when you pull it, will open the door.

Beyond the doorway, you'll find another small camp and, on the floor to the left of the campfire, you'll find the 'Making Camp' journal.

A Ship That Fits

After reading 'Making Camp' follow the pathway into the depths of the mountain, until you reach a raised bridge.

Opposite this raised bridge, you'll find a capstan, which you can use to lower the bridge and continue down the path.

Eventually, you'll reach another closed door. This time you can raise the door using the pulley next to it.

This will bring you into a cavern containing the rowing boat used for the Yer Boat commendation. Rather than climbing into the boat, head to your left where you'll see a ladder leading to a small ledge.

Once you've climbed the ladder, look on at the right-hand side of the ledge and, on the ground, you'll find the last journal - 'A Ship That Fits.'

The first season has arrived! Learn about all Season 1 Battle Pass rewards and everything else added in the Sea of Thieves patch notes . New to the game? Learn what to do in Sea of Thieves and take take part in the Maiden Voyage tutorial , which teaches you the essentials of sailing and ship battles . It's also useful for beginners to know how to survive fights with skeletons and the kraken . Elsewhere we have advice on how to get easy gold and doubloons , complete skeleton forts and The Shroudbreaker , take part in fishing in Sea of Thieves and Sea of Thieves island maps .

There are four other commendations for you to complete in Maiden Voyage, the tutorial for Sea of Thieves, and completing these commendations, along with the ones outlined above, will unlock the Magpie's Fortune Sails for your ship.

You can check to see how many commendations you've completed for the Maiden Voyage quest by going to the Reputation tab in the in-game menu.

From there select Tall Tales and then cycling to the next screen, where you'll find the option for Maiden Voyage. Here you'll find a full list of commendations available for this quest and the rewards you'll receive for completing them.

A Fine Catch

To earn this commendation, you have to do a spot of fishing . First, grab your fishing rod from the Equipment Reel, which is located in the second section of the reel.

Once you've got your fishing rod in hand, head to the nearest patch of water and cast out into the sea.

You'll have to wait a short while for a fish to appear, but, when you see a fish swimming and jumping around the end of your line, you'll know it's nearly time to start reeling in a fish.

When a fish does take the bait, you need to angle your rod in the opposite direction to the one it's swimming in. This would be right if the fish is swimming left, upwards if it's fishing directly away from you or left if it's heading to the right.

When the fish gets tired, you'll have the chance to reel it in.

You will have to repeat this process a number of times to catch a fish, but once you do so you'll receive the 'A Fine Catch' commendation.

Just make sure you don't reel the fish in when it's moving or point the rod in the wrong direction - if you do you'll break the line and lose the fish.

A Hearty Meal

This commendation begins with you killing one of the chickens that can be found near the campfire that you awaken by at the beginning of Maiden Voyage. You can do this by using either your cutlass or flintlock pistol.

Once you've committed chickenide, pick up the chicken meat left behind and take it to the nearby campfire.

Now all you have to do is cook it and you'll receive the commendation.

Saluting the Pirate Lord

For this commendation, you need to climb up the left of the broken ship, until you reach the level with the destroyed brig where you'll find a barrel of cannonballs.

Take these cannonballs and then head up the stairs to the top floor of this part of the ship. Here you'll find a cannon and all you have to do now is load, then fire, the cannon.

The best time to complete this commendation is just after you've read the final book, 'A Ship That Fits.'

In the same cavern where you find this book, you'll find a rowing boat. Once you've read the book, climb into the rowing boat, pick up the oars and take it for a spin.

After a couple of minutes of rowing, you'll receive this commendation.

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How 350-year-old ‘cursed’ shipwreck was finally FOUND after vessel vanished on maiden voyage carrying valuable cargo

• Aiya Zhussupova , Foreign News Reporter
• Published : 14:30 ET, Apr 25 2024
• Updated : 6:00 ET, Apr 26 2024
• Published : Invalid Date,

THE mystery behind a "cursed" shipwreck was finally solved 350 years after it vanished during its maiden voyage.

The Griffin, which disappeared carrying a valuable cargo in 1679, was identified by a couple of shipwreck hunters.

Steve Libert and his wife, Kathie, claim that they have found the infamous vessel.

The ship was built by the French explorer Rene Robert Cavelier, Sieur de La Salle with the goal to sail through uncharted waters where only canoes had previously gone.

The Griffin was the first and biggest at the time vessel to enter the Great Lakes beyond Niagara falls.

But it vanished without a trace with all six crew members and a valuable load of fur - estimated to be £640,000 in today's money - onboard on its return journey.

Rumours have long circulated that the Griffin had been cursed by the Iroquois tribe's prophet.

The vessel became a "holy grail" for shipwreck hunters since its disappearance with many attempting to discover its resting place.

Steve and Kathie believe that they are the first ones to uncover the ship's whereabouts.

They published their fascinating find in a new book, Le Griffon and the Huron Islands – 1679: Our Story of Exploration and Discovery. 

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Steve said: "Our extensive research and deciphering of historic documents led us precisely to the resting place of an undiscovered colonial-age ship."

The couple claim that the wreckage found in 2018 near Poverty Island, Lake Michigan, matched well with the description of the Griffin.

They also believe a bowsprit discovered a few miles away in 2001 is another component of the ship.

The Griffin's owner, La Salle, stayed behind on the island where the ship briefly stopped and never learnt the fate of his vessel.

But multiple theories have sprung up over the years, speculating what might have happened.

Steve said: "Father Louis Hennepin said it was lost in a violent storm.

"Some say that the native Indians boarded the ship and killed the crew. They then set the ship on fire. 

"Many believed the Jesuits were responsible for the ship's disappearance.

"La Salle was certain that the captain and his men committed mutiny, sank the ship and absconded with all the furs."

According to one legend, the Griffin was cursed by Metiomek, an Iroquois prophet, who predicted La Salle and his ship's demise.

Metiomek apparently told him: "Beware! Darkness like a cloud is ready to envelop you.

"The Christian Indian's curse rests on you and on your great canoe. 

"She will sink beneath the deep waters and your blood shall stain the hands of those in whom you trusted!"

As per native's traditions, the Griffin became a ghost ship, sailing through the moonlit skies as crew can sometimes be heard chanting.

Steve explained: "Both the Seneca and Iroquois felt threatened by the construction and sight of Le Griffon, and felt that it was a threat to the 'Great Spirit.'

"The Seneca were in awe of the French for having built such a large canoe. They were concerned for their safety in as much that they tried to burn the ship during construction."

Just as the prophecy foretold, La Salle died at the hands of his own men during a 1687 expedition and his ship sank.

But the evidence suggest that it was a severe storm that brought about the end of the Griffin.

The vessel was reportedly caught up in a four-day storm in which its bowsprit broke off from the rest of the ship.

Steve said: "The distance of 3.8 miles between the bowsprit and main sections highly suggests the Indians did not sink it either, nor did La Salle's men mutiny and sink the ship.

"If any of the latter was true the ship would rest in deeper water instead of shallow waters."

The bowsprit's carbon dating indicates an age range that is within a year of the sinking.

A rough dating of the remaining wreckage places it between 1632 and 1682.

Steve, who dreamed of finding the ship since learning about it in history class as a kid, didn't have an easy path to his discovery.

The search efforts were delayed because of a 10-year legal battle with the State of Michigan, preventing explorers to excavate the site until 2013.

Michel L'Hour, a French archaeologist, dubbed "Indiana Jones in a diving suit", put forward a theory that the rest of the ship was nearby.

Steve then spent two years going through satellite images before his breakthrough.

He found the keelson and frames of the vessel and the dive in September 2018 confirmed his suspicions.

He said: "I was emotionally drained of all my energy, and was in a complete state of relief and exhaustion, but I could still yell out the words "we found it!" once I broke the surface. 

"Michel was spot on when he said the main body of the wreck would be within four miles of the bowsprit."

But the state continues hindering the process as the pair are still banned from conducting an in-depth excavation.

Mr Libert said: "I believe the state feels we are encroaching upon their sovereignty and feels we are nothing more than treasure hunters intruding on the rights of academia and archaeologists. 

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"But we can systematically search the bottom using non-intrusive techniques and remote sensing devices for conclusive diagnostic evidence. 

"It is just a matter of time before we achieve our goal. Possibly a cannon, hopefully with the date stamped on it."

Maiden Voyage

• View history

The Maiden Voyage is a standalone introductory Tall Tale released with the December 2019 Sea of Thieves Festival of Giving (2019) Content Update.

• 1 Mechanics
• 2.1.1 Pirate Lord Dialogue
• 2.2.1 Cooking and Fishing
• 2.2.2 Cannon Fire
• 2.2.3 The Rowboat Cave
• 2.3 Secrets
• 3 Pirate Lord's Journals
• 4 Quest Items
• 5.1 Commendations

Mechanics [ ]

The Maiden Voyage can always be accessed from the Main Menu.

The Maiden Voyage is very different from any other Tall Tale in game, but it listed as such under the Reputation Menu with its own Commendations , Rewards and Titles .

The main difference is that this Tall Tale is a Solo adventure and cannot be voted on. Instead, Players are tasked with completing this Voyage after creating their Pirate in the Infinite Pirate Generator and before setting sail to the Sea of Thieves . The Maiden Voyage can always be replayed from the Main Menu, where there is a designated button for the Voyage in the bottom-right corner.

The Maiden Voyage [ ]

The voyage [ ].

The Old Sailor's Isle on the Map.

The main NPC related to this Tale is the ghostly Pirate Lord himself, guiding the Player through the main aspects of the game on Old Sailor’s Isle , a Large Island hidden in the Devil’s Shroud .

Players are introduced to Eating Food , fighting with Weapons , using Equipment items and a Treasure Map to dig up an Old Sailor's Chest , maintaining a Sloop ’s Mast , Repairs , Sails , Anchor and Wheel and shooting Cannons .

After all of these actions are performed, the Player can then sail through the Devil’s Shroud towards The Sea of Thieves .

Pirate Lord Dialogue [ ]

Pirate Lord

You look a little worse for wear, my friend. You must be on quite the journey. I should eat something, if I were you. A full belly can do wonders for your spirits. Once you’re in good health, we’ll speak properly.

After eating the Banana

There, you look better already. Maybe even strong enough to reach the Sea of Thieves. These days they call me The Pirate Lord, but back when I discovered this place I was just a bold explorer like you. I dreamt of finding uncharted waters filled with treasures and rife with danger, where every sunrise brought a new adventure… You’ve been brave to make it this far. Not many do. Now you’ve one last crossing to make. You’ll want some trusty steel at your side, though. There’s a sword in those trees whose owner doesn’t seem to need it any more.

After receiving the Cutlass

There’s far more to being a pirate than a blade in your hand and a love of other people’s money. It’s about finding your way through ancient caverns by lamplight, digging up long-lost treasures… … and raising a frothing great tankard of grog when you live to tell the tale! For all of that, you’ll need the right equipment. You can start by taking this old shovel.

After taking the Shovel

I stowed a few belongings around here back in the day. The map will show you the way.

After giving the Old Sailor's Chest to the Pirate Lord

Ah, my old chest! Let’s see if she still hides her secrets.

After switching to the Flintlock

A fine weapon. She’ll serve you well out there.

After you are done with your Equipment

There! Now you look like a true pirate. There’s plenty more to see, so why not stretch your legs and explore? I’ll be here when you’re ready to leave.

Once you are ready to leave

Well now, I’d say you’re as ready as you’ll ever be for what’s ahead. Allow me to show you the path… The Shroud is beginning to part, but you have one more task before your journey continues. You may be ready to sail, but your ship still needs repairs. Go, and tend to her wounds!

Other Interactions [ ]

Cooking and fishing [ ].

In addition to the base mechanics, Old Sailor’s Isle is hiding the introduction to a couple of additional mechanics, hinted at in the Maiden Voyage Commendations , hidden in the Tall Tales section of the Reputation Menu.

Curious players can learn the Cooking of food, by either killing any of the Island’s Chicken for Meat , or catching some Fish with a Fishing Rod (which by itself is introduced when taking out the Fishing Rod Item) and putting these Food items on a Campfire . There are two Campfires on Old Sailor’s Isle , one right by where the Player spawns near the Pirate Lord , and another hidden inside a Cave.

Cannon Fire [ ]

Players are taught how to use the Cannons once they are aboard their Sloop , however attentive players will find an additional Cannon on the shipwreck of the Magpie’s Fortune with a handful of Cannonballs in the Cannonball Barrel below. Here, players are taught that they can not only shoot Cannonballs out of Cannons, but also themselves!

The Rowboat Cave [ ]

At the Island with the tallest Peak, players will find a closed off door with a Lever to open it. This will lead players to a hidden Cave with an additional Campfire and two steps of interactable objects to reveal the Cave’s final secret. The Player will need to drop a drawbridge by using a Capstan and then use a Pulley to lift another wooden door. This will lead players to a lonely Rowboat with a complete tutorial on how to use these small vessels.

Secrets [ ]

Despite being a Tutorial Island, Old Sailor’s Isle has quite a few secrets hidden away, which are all hinted at in the Maiden Voyage Commendations . The most notable Secret is the Rowboat Cave described above, however there are still a few hidden valuables on the Island. Upon careful searching, players can find up to 10 Journals hidden away on Old Sailor’s Isle , which are all documented with their locations at the Journal subsection below.

The ultimate hidden secret of Old Sailor’s Isle, is the Pirate Lord ’s Hideout below the Magpie’s Fortune. A more attentive player can find that there is a locked hatch below the massive shipwreck, seemly requiring a key.

One of the hidden Journals hints to the location of the key.

The Journal you are looking for is hidden on the Shipwreck of Magpie’s wing. Look towards the skies!

The Old Sailor’s Key was dropped in the fresh-water pond that is above the shipwreck of Magpie’s Fortune. It is underwater along the edge of the waterfall.

Once unlocked, Players can find the final Journal and 3 chests of Gold worth 25,000!

Pirate Lord's Journals [ ]

There are 10 Journals written by the Pirate Lord that are hidden on Old Sailor’s Isle during the Maiden Voyage. All 10 of these Journals have to be found and read for A Storied Crossing Commendation . The Journal transcriptions are presented below, with the Expand button showing the exact locations of each Journal. Reading these Journals are also part of Seasons ' Trials.

• Regarding Merfolk
• The Sea of the Damned
• They Game It a Name
• Lost Secrets
• So Near and Yet…
• The Lords of the Sea
• Paintings from the Past
• Making Camp
• A Ship That Fits
• My Secret Plan

Regarding Merfolk [ ]

Outside of the door on the shipwreck on the Northwestern point of the Island.

A new landmark! This stricken ship certainly wasn't here during my last visit. There's no sign of her crew, so perhaps they fell overboard and met their end. Things are very different on the Sea of Thieves — thanks in no small part to my own adventures, I must confess. We have an… arrangement… with the merfolk who live deep under the waves. Should any pirate become lost at sea, stranded, they'll help them back to their ship. If you should find yourself flung overboard, traveler, look for the merfolk's beacon before the sharks get your scent. You'll be glad you did!

The Sea of the Damned [ ]

In the cave behind the waterfall southwest of the campfire .

Not all my journeys to this island are happy ones. Today I stumbled onto this poor soul, map still in their hands. To think, they were so close… No matter how swiftly we sail or how sharp our aim, it is only a matter of time before the Reaper's hand clamps down upon our shoulder. I am fortunate to have had a friend with wisdom enough to know this. Thanks to her, I live on beyond my years… at least in spirit. For younger pirates, another hope presents itself. When they perish, their souls are saved from drifting alone through the Sea of the Damned. If you should die on the Sea of Thieves and find yourself in the Ferryman's company, know this: he deserves your respect, for he has made the greatest sacrifice of all...

They Gave It a Name [ ]

On the railing to the right of the shipwreck Magpie's Fortune's wheel .

'The Sea of Thieves'. That's what they're calling it nowadays. The genie is out of the bottle, and more pirates are finding their way there every day. Some are looking to hide — from their enemies, from their pasts, from the Grand Maritime Union - while others have heard the call to adventure. It's only a matter of time before they reach this island, too. Maybe they'll be dreaming about the Sea of Thieves has to offer, just as I was. If that's the shape of things to come, I'd be a fool to complain. Instead, I'll stow a few supplies around the place for those who need them. Things work differently beyond the Shroud. Better, for the most part, but newcomers will have to think on their feet if they're to survive.

Lost Secrets [ ]

On the railing of the shipwreck Magpie’s Fortune's crow's nest .

Blast it all! The key to my ship's hold is missing. It must have slipped from my pocket at some point in my time here. Between this and that business with Rathbone, I'm developing a bad habit of losing the keys to my belongings. Perhaps it made its bid for freedom from my jacket when I climbed up for a drink of fresh spring water. It's another lost treasure now.

So Near and Yet… [ ]

Resting next to the broken barrels on the lowest level of the front half of the shipwreck Magpie’s Fortune.

You've really done it this time, Ramsey. It's one thing to return to your favorite island and quite another to wreck your ship at the heart of it! I was bound to get careless sooner or later. This place has been my little secret for so long now. I couldn't wait to get back here. To dream… I'm so close to the Shroud, I feel like I could reach out and touch it. I'm not ready to sport a hook for a hand, though. Not yet, anyway! What lies on the other side? Piles of glittering gems? Huge leviathans the size of galleons? Even better… Might there be a future for pirates like me? Next time, things will be different. I'll visit Magpie, the Shipwright, and buy a new vessel. Take my time, find a crew. We shall sail together.

The Lords of the Sea [ ]

Resting on a rock in foliage to the left of the ladder under the bridge below the shipwreck’s bowsprit.

Once, long ago, I was standing atop these cliffs and staring out to sea, quite lost in my own thoughts. Suddenly, there was an almighty crashing sound. It was a kraken, and one of the largest I'd seen for quite some years! I was so startled, I couldn't help but take a leap backwards in surprise. Once I'd picked myself up, battered and bloody, I decided to install this ladder in case any future visitors took a tumble in the same way. Nowadays, thanks to that fool Merrick, krakens aren't the only sea monsters to watch for. Megalodons are once more roaming freely beneath the waves. They can prove quite the challenge even for experienced pirates. Why, I once battled a monstrous pale skinned beast at—well, I'll save that tale for another time.

Paintings from the Past [ ]

At the camp near the peak of the second island.

Of all the unsolved mysteries that haunt my dreams, none are more tantalizing than the long-lost people known to pirates as 'The Ancients'. Their legacy can be felt all across the Sea of Thieves, from ruins that lurk under deep waters to clifftop paintings that shame my humbler efforts. They clearly had a great wealth of knowledge and had mastered many curses and other arcane powers… and yet, something drove them to leave. Maybe some great war or calamity struck their civilization? Perhaps it was simply time for them to move on. The truth, as it always has, eludes us all.

Making Camp [ ]

In a crate by the campfire inside the cave below the tallest peak. Follow the path up from the bridge and use the lever by the portcullis to access the cave.

Even with all the wonders I've experienced, it's the simple things in life remain the most enjoyable. Tonight, that's a hot meal roasted over a roaring fire. Fresh fruit's all well and good, but if you take the time to properly prepare a meal, you'll feel all the better for it. The trick is to keep an eye on the dish and serve it up when it's perfectly cooked. No amount of grog can wash away the taste of burned food. With care and a bit of practice, even a humble splashtail can keep a pirate in good health with a full belly. At least they're good for something!

A Ship That Fits [ ]

Follow the path past the campfire down into the Rowboat cave. The journal is up near the grate to the left upon entering the cave.

We've all seen what happens when huge armadas try to make it through the Devil's Shroud, and it's not pretty. Screaming sailors and splintered ships. I learned long ago that smaller crews have a better chance of making it along the twisting routes that provide safe passage to the Sea of Thieves. A lone traveler is best served by a sloop. They're small and nimble, though their size comes at the expense of firepower. Larger crews must learn to sail a brigantine, or even the mighty galleon - a commanding sight with her eight cannons and three great sails. Then, of course, we have the humble rowboat. These tiny craft can be carried by the other larger ships and are perfect for retaining the element of surprise…

My Secret Plan [ ]

Resting on a stool inside the Pirate Lord’s Hideout. See the Secrets section above on how to access the Hideout.

If you're reading this, you've broken into my strongbox, which makes you a worthy pirate indeed! Worthy enough to hear my plan. Transforming this old stomping ground of mine into a safe haven for travelers has sparked something deep within my soul. It is the flame of an idea — a great tavern, far more magnificent than the usual pubs and alehouses, known only to truly legendary pirates. A den that sold only the finest plunder, where hardened adventurers and cunning sea dogs could meet to swap stories of gold and glory. If you make it to the Sea of Thieves, and should your heart desire a real challenge, heed my words: seek Athena's Fortune. I shall be waiting.

Quest Items [ ]

• Old Sailor's Chest
• Old Sailor’s Key

Commendations, Rewards and Titles [ ]

Commendations [ ].

The following Title can be equipped at the Vanity Chest after finishing the Maiden Voyage:

• Maiden Voyager - After braving the journey through the shroud you have reached the Sea of Thieves!
• When the player finds and sits in the Rowboat , a rendition of "Row Row Row Your Boat" starts playing.
• Therefore it can be determined that Old Sailor Isle is south of Thieves' Haven, just beyond the Devil's Shroud.

Gallery [ ]

The Player finally arriving at the Sea of Thieves, towards what's supposedly Thieves' Haven

• Sea of Thieves
• 1 Commendations

• International edition
• Australia edition
• Europe edition

Pocket watch of business magnate who died in Titanic sinking to be auctioned

14-carat gold watch belonging to John Jacob Astor, reportedly richest passenger onboard ill-fated liner, may fetch up to £150,000

A gold pocket watch recovered from the body of the wealthy business magnate John Jacob Astor, who went down with the Titanic, is expected to fetch up to £150,000 at auction.

The 14-carat gold Waltham pocket watch, engraved “JJA”, was found when Astor’s body was recovered from the Atlantic Ocean seven days after the sinking of the liner, which hit an iceberg on its maiden voyage to New York in 1912.

Astor, reputedly the richest man onboard the ship and a prominent member of the Astor family, had safely seen his pregnant second wife Madeleine into a lifeboat. He was last seen smoking a cigarette and chatting with a fellow passenger.

The watch is tipped to fetch between £100,000 and £150,000 when it goes under the hammer at auctioneers Henry Aldridge & Son in Devizes, Wiltshire , on Saturday.

“Astor is well known as the richest passenger aboard the RMS Titanic and was thought to be among the richest people in the world at that time, with a net worth of roughly $87m – equivalent to several billion dollars today,” said the auctioneer Andrew Aldridge.

“At 11.40pm on April 14 1912 the Titanic hit an iceberg and started to take on water. At first, Astor did not believe the ship was in any serious danger but later it was apparent she was sinking and the captain had started an evacuation after midnight, so he helped his wife into lifeboat 4.”

Astor’s wife survived.

Astor was a great-grandson of the German-American fur-trader John Jacob Astor and Sarah Cox Todd, whose fortune made the family one of the wealthiest in the US.

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A businessman, real estate developer, investor and writer, he was identified by the initials sewn on the label of his jacket. His son, Vincent, claimed the pocket watch and passed it to the son of his father’s executive secretary, William Dobbyn.

“The watch itself was completely restored after being returned to Mr Astor’s family and worn by his son, making it a unique part of the Titanic story and one of the most important pieces of horological history relating to the most famous ship in the world,” Aldridge added.

• The Titanic

More on this story

Unsinkable: Titanic Untold review – story of disaster told through government inquiry

Fascists’ feasts and grated rat: exhibition of vintage menus serves up slice of history

Oysters and ice-cream: menu for dinner on Titanic sold for £83,000

Titanic salvage plan scrapped after Titan implosion killed mission head

Why the world remains gripped by Titanic fever

Billionaires and the Titanic: the allure of extreme expeditions

‘She has stories to tell’: digital scan of Titanic wreck could reveal its secrets

Haunting new footage of Titanic wreckage to be released

Most viewed.

Rickie Fowler made a hole-in-one at one of golf’s most famous courses

B ack in January, Justin Thomas was asked by reporters about a course he hasn’t played but would like to. The answer was immediate— Pine Valley Golf Club , ranked as the No. 1 course on Golf Digest’s America’s 100 Greatest Courses list . JT described how stoked he was to be making his maiden voyage in April along with a group of buddies.

It appears that trip to Pine Valley got even more special. Word is that Rickie Fowler was one of those buddies with him on the trip—and Fowler made a hole-in-one on Pine Valley’s third hole on Wednesday morning. Fowler reportedly used a 7-iron from 182 yards.

Pine Valley’s third hole is an ideal setting for an ace. The elevated tee box provides a perfect view of the green—meaning Fowler and his buddies likely were able to see the ball find the bottom of the cup on the putting surface that rolls sharply right to left.

(UPDATE (4/25/24): Video surfaced on Thursday morning of Rickie's hole-in-one, which appears to have been captured by either a playing partner or caddie.)

Here’s the view from the tee box, courtesy of our recently updated “Every Hole At” video of Pine Valley :

Carlos Amoedo

And here's footage of Pine Valley's third hole from our "Every Hole At: Pine Valley" video:

Here's a photo shared by a Rickie Fowler fan account on X -- looks like two-time Super Bowl MVP Eli Manning was also present on Wednesday:

We're also told that Fowler's ace wasn't the only one at Pine Valley on Wednesday. Sean Pence of Newport Beach, Calif., also made a hole-in-one on the third hole—this one coming from the club's regular tees at 168 yards. Pence used a 6-iron. We're told Pence had to hustle to the airport after his round, so he wasn't able to grab a photo with Fowler.

• 100 Greatest
• Best In State

Fowler is no stranger to holes-in-one. The five-time PGA Tour winner has three aces in his career on tour, most recently holing his tee shot at the seventh hole during the final round of the 2023 WM Phoenix Open . He also just took down the Par-3 Contest at this year’s Masters Tournament —so we know Fowler has been throwing darts on one-shotters at the moment.

Here's the ace from last year's WM Phoenix Open:

We’ll venture to say that an ace at a bucket list course—playing alongside some buddies—ranks among the top holes-in-one that Fowler’s had in his life. Though Pine Valley’s no-phone policies might’ve prohibited Fowler from having the moment on camera, we’d also hope that his buddies might’ve taken a photo that will be shared on social media once the group’s trip is complete. Stay tuned!

Maiden Voyage

“Less overtly adventurous than its predecessor, Empyrean Isles , Maiden Voyage nevertheless finds Herbie Hancock at a creative peak. In fact, it’s arguably his finest record of the ’60s, reaching a perfect balance between accessible, lyrical jazz and chance-taking hard bop. By this point, the pianist had been with Miles Davis for two years, and it’s clear that Miles’ subdued yet challenging modal experiments had been fully integrated by Hancock. Not only that, but through Davis, Hancock became part of the exceptional rhythm section of bassist Ron Carter and drummer Tony Williams, who are both featured on Maiden Voyage , along with trumpeter Freddie Hubbard and tenor saxophonist George Coleman.

The quintet plays a selection of five Hancock originals, many of which are simply superb showcases for the group’s provocative, unpredictable solos, tonal textures, and harmonies. While the quintet takes risks, the music is lovely and accessible, thanks to Hancock’s understated, melodic compositions and the tasteful group interplay. All of the elements blend together to make Maiden Voyage a shimmering, beautiful album that captures Hancock at his finest as a leader, soloist, and composer.” – Allmusic

Original Liner Notes written by Herbie Hancock:

“The sea has often stirred the imagination of creative minds involved in all spheres of art. There still exists an element of mystery which surrounds the sea and the living aquatic creatures which provide it with its vital essence. Atlantis, the Sargasso Sea, giant serpents, and mermaids are only a few of the many folkloric mysteries which have evolved through man’s experiences with the sea.

This music attempts to capture its vastness and majesty, the splendor of a sea-going vessel on its maiden voyage, the graceful beauty of the playful dolphins, the constant struggle for survival of even the tiniest sea creatures, and the awesome destructive power of the hurricane, nemesis of seamen.” – Herbie Hancock

Original Liner Notes by Nora Kelly

Before the dawn of water is clear and quiet, the small movement of the waves rhythmic it is a stillness in itself. The birds are silent, and the beach is as empty as the sky, except for a few small crabs that poke among the rocks, looking for food tinier than they.

As the first hint of gray suffuses the horizon and imperceptibly lightens the deep black waters, a light wind ruffles the tips of the wavelets, whitening their crests with tongues of foam. Slowly the sand gains life, the grayness of the starry night becoming faintly yellow, a forerunner to the blazing white of noon.

In this empty hour the busy world is shrouded in loneliness. Half-buried cans glint weakly in the diffused light, and as the day grows broader, the whole length of the beach slowly becomes visible, vast and silent, the discarded residue of humanity scarring its desert purity. Metal wastebaskets are dotted over the landscape as far as the eye can see, looking strange and useless, as desolate as gravestones.

A single ship, perhaps on her maiden voyage, her mast a black spike against the sky, hovers near the horizon, until the curving waters sink her sail from view. The sand twinkles in the growing day, but all too soon the sea will break on a shore of people. Gone will be the huge, secret silence, as the masses stream from the city behind, scurrying madly like lemmings to the waiting strand.

But through the land may submit, the sea is yet implacable, changeless, and though the people, deeming themselves brave, tiptoe out from the edge of the land and splash in the shallows, tasting the salt, they can but shiver on the fringes of her mystery. Her vastness remains dark and secret, a misty world of silence and beauty and fluid grace. From the great sluggish sea turtles gliding in slow motion through the depths, to the swift and playful dolphins, jesters and intelligentsia of her kingdom, everything in the sea moves constantly in flight or pursuit.

To us a playground or a symbol of peace, to her creatures the sea is a water jungle, a world of swift life and swifter death, whose silence cloaks a lurking danger. Killer whales, cruel kings of the sea, cruise slowly about, slaying for the love of blood and battle. Sea anemones, beautiful and deadly, wave their tentacles, beckoning small fish to death by poison. Like the land, it is a world where the small and timid must be swift and clever at hiding, where the strong prey on the weak, the weak on those more defenseless than themselves, a world where only the fittest survive.

Ancient tales speak of its beauty and danger, of nameless terrors that lurk in the shadows, awaiting the unwary, of fantastic monsters rearing vast and hideous heads from the depths, crunching ships in tow with one snap of their jaws.

They speak too of the wondrous cities built by men of old under the sea, that appear only once in a hundred years, only to sink beneath the surface again, leaving no trace. Yet in truth, no cities of man exist beneath the sea, and lost Atlantis is but a woman’s tale. The sea yet holds her secrets, and it will be many a long year ere man plumbs her depths, ravaging her beauty, imprisoning her creatures, usurping her throne with a savage hand. – Nora Kelly

1998 Complete Blue Note Sixties Sessions Box Set Liner Notes:

MARCH 11, 1965 UNISSUED SESSION

This rejected (and lost) session is a mystery. Clearly from the titles recorded that day. (“Maiden voyage,” “Dolphin Dance” and “Little One” this date was to be the Maiden voyage album. Freddie was listed on cornet, George Coleman was on tenor, Herbie, Ron Carter on bass and…Stu Martin on drums. This session is listed in the Blue Note files but no tapes have been found. Stu Martin had recorded with Herbie on a Sonny Rollins session (for RCA), and had been with Gil Evans during 1964. We don’t know the reasons for Mr. Martin’s presence, and with no aural evidence, one can only speculate as to how the music sounded.

NEW SESSION RECORDED MARCH 17, 1965

Herbie went back into the studio for Blue Note and recorded one of jazz’s all-time great albums Maiden Voyage (BN-4195). Freddie was now on trumpet, George, Herbie and Ron were there, and now Tony Williams was on drums. The music recorded on this day remains fresh and vital. The compositions are among the most favored by jazz musicians all over the world. “Maiden voyage,” the title track, has been covered by hundreds of artists.

As the year 1965 rolled around, Miles took his Quintet to the West Coast, and broke house records at Basin Street West, a posh San Francisco nightspot. The quintet headed for Los Angeles and went into the Columbia Hollywood studios to record their first studio album. From January 20th thru the 22nd, the Miles Davis Quintet recorded the album ESP (Columbia CL 235O). Herbie’s composition “Little One” was recorded.

“Maiden Voyage’ is a simple composition, a variation on the 32-bar song form. The harmony is based on what jazz musicians call “sus chords.” The sus chords used in “Maiden Voyage” are based on the dominant seventh. The inspiration for this sound came from the coda to “Eighty-One”, recorded on the Miles Davis ESP album. After the final melody statement of “Eighty One”, Herbie lands on an F7sus and repeats a rhythm which is now known as the “Maiden Voyage’ pattern. The performance by this studio band (why was Wayne Shorter not on this date?) is classic.

“The Eye Of The Hurricane” is a 12-bar minor blues set off by a melody statement that changes meter on the 7th measure. The melody form subverts the blues form, but follows it closely. All of the solos are hot, especially Freddie, who gets inspired by minor blues changes.

Little One” is a waltz with a difficult, non-cliche solo form. It opens with a rubato statement and then enters the 84 pulse. “Little One” closes with a repeat of the rubato section.

“Survival Of The Fittest” follows in the tradition of “The Egg”. It is pure improvisation, but the musicians are improvising with open expressiveness. Once again Herbie has mixed up funk and freedom.

This classic album closes with one of jazz’s prettiest compositions, the lovely Dolphin Dance. Recorded (probably) as much as “Maiden Voyage.” “Dolphin Dance” is a unique Hancock original, with the form as challenging as the harmony. Vamps, odd cadences and tricky modulations capture the essence of this song. Herbie’s solo is memorable; he sustains the feel of the music and with his build up at the end (Tony Williams makes it easy) adds a sense of drama to the performance.

The album Maiden Voyage was a hit. Herbie remarked, but only in the jazz circle.’ But someone at Yardley Perfumes must have been in that circle, because shortly after Maiden Voyage was released, Yardley asked Herbie if they could use the title track for one of their television ads. Herbie consented and soon, “Maiden Voyage’ was reaching a larger audience, even if by the route of the jingle.

The impact Maiden Voyage has had on musicians is still evident today. How many songs have that “Maiden Voyage” vamp implied, or intended, in their structure? This album is indeed a classic, worthy of the praise.

The next month, (April 14) Herbie was involved in a Stanley Turrentine big band date for Blue Note (Joy Ride BN-4201) that Oliver Nelson had arranged the music for. Oliver had hired Herbie when Herbie first came to town, and trusted him to provide sensitive accompaniment behind Stanley and the big band. “Little Sheri” is a standout containing a fantastic Herbie solo.

That same day, Miles Davis underwent a serious operation on his hip, the result of a bad car accident. This meant that the Miles Davis Quintet was going to be inactive for a while. Herbie landed a gig at the Village Vanguard as an intermission pianist in May (opposite Sonny Rollins). On May 23, 1965, Blue Note assembled Herbie, Ron, Freddie and Joe Chambers to record Sam Rivers’s album Contours (BN-4206). The album is stunning, a high level of jazz playing is evident throughout the recording. Herbie plays fantastically on every song, and his solo on “Mellifluous Cacophony” is superb. During that solo, Herbie concentrates on a “right hand” solo, his left hand almost silent. (Herbie would later crystallize this sound on the Miles Davis album Miles Smiles a year and a half later).

By June, Herbie’s solo gig at the Vanguard had expanded into a trio with Ron Carter or Richard Davis on bass and Tony Williams on drums. The trio gigged in Baltimore and then with Wayne added, hit the Vanguard (billed as the “Miles Davis Quartet”). In the July 29 issue of Down Beat , there is a photo of Herbie with Wayne, Tony and Richard Davis from the Vanguard. On June 10, 1965, Herbie recorded with Bobby Hutcherson ( Components BN-4213). Bobby and Herbie were reunited, and from this session forward, they would record together often. Also on the date are Freddie, Ron and Joe Chambers. The title track stands out as superlative Hancock.

On June 14, 1965, Wayne Shorter recorded an album for Blue Note. On piano was Herbie, Cecil McBee was on bass, and Joe Chambers was the drummer. This session was not issued until 1978 in Japan as Wayne Shorter The Collector (GFX-3059) and, in the US in 198O, as Etcetera (BİN-LT-1O56).

As Miles lay in his bed recuperating, the members of his quintet were spreading themselves all over the place. Herbie worked with Milt Jackson in Philadelphia from July 12-17. On August 12, 1965, Tony Williams recorded his album Spring (BN-4216) for Blue Note. Herbie played on two tracks. The other musicians were Wayne, Sam Rivers and Gary Peacock. Soon after this recording, a verite tape from a club was made of Herbie, Wayne, Tony and an unidentified bassist (claims that Gary Peacock or Art Davis were on this gig have persisted despite denials from Peacock). The tunes played during this set included Herbie’s “The Eye Of The Hurricane” and Wayne’s “Oriental Folk Song” and “Virgo.” On September 17, Herbie was in Rudy’s sound factory recording with Lee Morgan. The date was rejected, and the next day the date was completed. The album was Lee Morgan Cornbread (BN-4222), and Herbie’s solo on “Ceora” is a definitive example for anyone who really wants to feel the power of Herbie’s touch and ideas. The solo is simply a masterpiece. The album itself is classic Blue Note, with Hank Mobley and Billy Higgins lending so much to this feeling.

On October 15, 1965, Wayne Shorter returned to the studio for Blue Note and recorded his album The All Seeing Eye (BN-4219). Most of the music is abstract, but tied together by a theme that invokes deep emotions from the musicians. The musicians include Freddie, Ron James Spaulding, Joe Chambers and Grachan Moncur III. Herbie tends to explore the rhythmic and expressionist side of the piano. What makes this date, and so many that Herbie was involved in, is the complete unity that the band achieves, the blend, the shared harmonic language, and the feeling that is evoked. The All Seeing Eye would be considered intellectual by some, but the musicianship demonstrated is too sophisticated for simple analysis. There is too much emotion with these musicians and an intensity that was evident in the performances. “We didn’t smile a lot in those days,” Herbie said to me after watching himself on videotape from 1967. “We [the Miles Quintet] really had an attitude, a level of seriousness that we took on stage.”

Herbie started getting calls for commercial jazz dates, and one of the first was the Donald Byrd “ Up With… ” sessions for Verve. Dave Pike hired Herbie for his rock-influenced album Jazz For The Jet Set (Atlantic SD-1457). Dave recorded Herbie’s tune “Blind Man, Blind Man.” The date took two sessions to complete (October 26 and November 2, 1965). On November 20, Herbie was called to participate in Wes Montgomery’s Goin’ Out Of My Head (Verve V-8642) as a session player. This session would solidify Herbie’s future as an in-demand sideman.

By this time, Miles Davis had recovered and was back in action. The first gigs were in Detroit at the Grand Bar. Gary Peacock was the bassist. By November, Miles was in Philadelphia at the Showboat with Reggie Workman on bass. This version of the Miles Davis Quintet hit the Vanguard in Greenwich Village and the Bohemian Caverns in Washington, D.C. By the end of December, Ron had rejoined in time for a two-day recording session for Columbia in Chicago. Miles Davis: The Complete Live At The Plugged Nickel was recorded on December 22nd and 23rd. It is a marvelous example of the quintet throwing caution to the wind. Obviously slowed down by Miles’s hip problems, the quintet pushed further that week than they realized. Herbie was liberated by the band’s enforced off-time, and his solos and comping are a true delight, fresh and exciting, and filled with a sense of wonder and discovery. Columbia released only parts of the two nights in 1977 and 1978 (in Japan and in 1985 in the US), before releasing everything in 1995.

Miles returned to New York and began a weekend-only policy at the Vanguard, which lasted about a month. Herbie made Woody Shaw’s demo session (with Joe Henderson, Paul Chambers and Joe Chambers) that was eventually released as In The Beginning in 1989. Nat Adderley hired Herbie to play on his Sayin’ Somethin’ date for Atlantic (SD-1460) On January 13, 1966. “Cantaloupe Island” was recorded. On February 3, 1966, Herbie recorded the title track for Wayne Shorter’s album Adam’s Apple (BN-4232), followed by a February 8 session for Blue Note under Bobby Hutcherson’s leadership. The album was called Happenings (BN4231) and it was a quartet with Bobby, Herbie, Bob Cranshaw and Joe Chambers. “Maiden Voyage” was recorded at this session. Happenings is an incredible display of Herbie’s power and strength. The musicianship level on this date was stunning. On February 24, Herbie Completed Wayne’s Adam’s Apple date. “The Collector” an abstract composition by Herbie, was recorded at this session. In 1968, Miles recorded this song and it was released in 1980 as “Teo’s Bag,” and erroneously credited to Miles Davis.

Herbie returned to the studio On March 5 to record two titles for a Freddie Hubbard session. On the date were Joe Henderson, Reggie Workman and Elvin Jones. The music was not released until 1987 (on Freddie Hubbard’s Blue Spirits CDP-46545). On March 28th and April 1st, Herbie played piano for Kai Winding’s Verve album Dirty Dog (V- 8661), which included “Cantaloupe Island” and “Blind Man, Blind Man.” From April 18-20, Herbie played on Ed Thigpen’s Verve album Out Of The Storm (V-8663). Maiden Voyage was recorded but never issued, and the album featured Clark Terry, Kenny Burrell and Ron Carter. Miles was working sporadically at this time, so Herbie had plenty of time to take sessions. Miles spent a week at the Bohemian Caverns the latter part of May. Clearly, Herbie was in demand not only as jazz soloist, but as a session player and composer as well.

By June, Herbie had started to sub for Hank Jones in Benny Goodman’s band at the Rainbow Room at the top of Rockefeller Center Music Masters has released some of this material which includes a great Herbie solo on “Avalon”. July 4th found Herbie back with Miles’s Quintet at the Newport Jazz Festival. On July 15, The Quintet appeared at Lewisohn Stadium, but soon Miles was cancelling gigs as fast as he could take them.

On July 19, 1966, Herbie went to Rudy’s to create a session based on soul and funk-jazz. The sidemen included Stanley Turrentine, Melvin Lastie on cornet, Garnett Brown on trombone, Pepper Adams on baritone sax, and a rhythm section consisting of Billy Butler and Eric Gale on guitar, Herbie on piano, Bob Cranshaw on electric bass and Bernard Purdie on drums. The session was a noble experiment. “I was trying to make a funk record without knowing a thing about funk,” Herbie said to me. “I really wasn’t ready, I hadn’t really gotten fully into rock music by then, I was still sort of a jazz snob, and the date didn’t turn out as I expected.” Of the six tracks recorded that day, Only one track is included on this collection called “Don’t Even Go There.” This track captures the spirit of this session. The next day, Herbie hit the road for Chicago to work with Miles for two weeks at the Plugged Nickel (July 20–31). Eddie Gomez was on bass. By August 7 the Quintet was in Detroit and on the 8th played the Ohio Valley Festival in Cincinnati.

Verve called again on September 14-16 for Herbie to play on Wes Montgomery’s California Dreamin’ album (V-8672). During this time, the Miles Davis Quintet worked at the Village Vanguard. On October 24th and 25th, Miles Smiles (Columbia CL 26O1) was recorded, arguably one of the most spectacular recordings in jazz. One cannot say enough about this recording, and it showcases Herbie in an unusual way. He’s noticed for not playing, the art of laying out during Miles’s and Wayne’s excursions. The finest track on the album is “Circle”, in which Herbie expands the language of jazz piano through his classical training. Herbie’s solo literally improvises Chopin and Ravel in a natural jazz style. The style and focus of this album is an extraordinary event in jazz history.

Herbie got a big break when Michelangelo Antonioni asked Herbie to score his art film Blow Up . In November 1966, Herbie put together a great band to record the music, which consisted of loose sketches and cues. Joe Henderson, Phil Woods, Freddie Hubbard, Jim Hall on guitar, Ron Carter and Jack DeJohnette on drums (who would be subbing for Tony at the Vanguard). The title track “Main Theme From Blow Up” was recorded later by Bobby Hutcherson, but lately “Jane’s Theme” has been discovered and covered by a new generation of jazz artists. The rest of the music has elements from all of Herbie’s Blue Note records, and shows a few surprises as well. The compositions are bold and adventuresome, with a healthy touch of the romantic. This film gave Herbie a very public cachet, and soon the music industry was taking a closer look at Herbie’s career. Creed Taylor started calling Herbie more frequently. December 2nd and 6th were reserved for Stan Getz’s Verve album Voices (V-8707). Miles settled in at the Village Vanguard for three weeks (with Jack DeJohnette on drums) and Herbie was in town to do sessions.

1999 Remastered Edition Liner Notes: “A New Look At Maiden Voyage”

Concept albums more often than not turn into attenuated exercises in pretense. Not so with this album, which has to be considered on of the all-time jazz masterpieces. There is an aura surrounding the melodic material and the rhythms, particularly the ebb-and-flow washed of Tony William’s drums, that sustain the nautical conceit; and the musicians respond in the spirit of wonder, adventure, risk, awe and joy appropriate to each track.

The band assembled here might be considered an edition of the Miles Davis quintet with Freddie Hubbard in the trumpet chair. As such, it reinforces the conclusion derived from Hancock’s previous Empyrean Isles – that, in Rudy Van Gelder’s studio under Alfred Lion’s supervision, the Hancock/Carter/Williams troika produced music every bit as magnificent (and far better sounding) than the justly-celebrated Davis quintet recordings for Columbia. Hubbard, who had played cornet on Empyrean Isles nine months earlier, is back on trumpet here, while George Coleman is added on tenor sax.

Coleman’s presence is a bit unexpected, given that he had left the Davis band in 1964 and that his ultimate replacement with Davis, Wayne Shorter, was a Blue Note leader who one assumes was as available as the rest of Davis’ band. Perhaps Hancock felt that Coleman had not received sufficient opportunity to display his skill in the context of newly-minted material during his tenure with the trumpeter. In any event, Coleman proves the model of eloquence here, and these solos remain among the most exquisite he ever recorded.

The work of Hubbard and Williams deserves special mention. Hubbard takes his horn into areas on the title track and “Eye Of The Hurricane” that galvanize the music, coming as close to translating the expressive innovations of John Coltrane to the trumpet as any brass player ever got.

(In a recent conversation, Hubbard acknowledged that the extended techniques heard here, and on his equally immortal solo on Oliver Nelson’s “Stolen Memories,” were directly inspired by Coltrane, and opined that such blowing may have contributed to his later embouchure problems.) For all of the “edge” that these flurries impart, Hubbard still turns in one of his most melodic performances. He often performed better as a sideman than a leader, especially when he worked on Hancock’s projects. Williams, for his part, never turned his sixth sense for percussive nuance more finely than he did on this session, where he captures every metaphorical breeze and droplet in Hancock’s compositions.

The compositions are among the classics of the period. Hancock had, at least temporarily, set aside the funky inclinations expressed so convincingly on “Watermelon Man” and “Cantaloupe Island,” and was plumbing the challenging harmonic terrain where beauty and experimentation coexist so brilliantly. For this album, he provided five distinct yet complimentary structures, two of which (“Maiden Voyage” and “Dolphin Dance”) continue to be as frequently covered as any jazz originals from the period. It makes Hancock’s achievement only more impressive when one realizes that the tunes were not originally conceived as a five-part suite. “Maiden Voyage” was written as background music for a TV ad; and the non-oceanic though emotionally fitting “Little One,” previously recorded by the Davis quintet with Shorter on the Columbia album ESP, was (like Hancock’s subsequent composition “The Sorcerer”) a tribute to Davis.

Blue Note logs indicate that an attempt had been made to record “Maiden Voyage,” “Little One” and “Dolphin Dance” six days earlier, with Hubbard on cornet and Stu Martin in place of Williams. Those performances were rejected at the time, and have been lost in the ensuing years. It might have been interesting to hear these alternate versions of such familiar tunes, but hardly essential. There is, after all, no way to improve a perfect album, and Maiden Voyage is one of the perfect ones. – Bob Blumenthal, 1999

2014 HD Tracks Remastered Edition Liner Notes:

The history of jazz is often told through the exploits of its firestarters, outsized personalities like Charlie Parker and Miles Davis who sent shockwaves through every bandstand they visited. That’s the headline level, and it’s useful for understanding various periods and styles. But as the music evolved and expanded in the 1960s, priorities shifted, and so did the roles of the players. There was need for musicians who were perhaps not always so flamboyant. The collective pursuit of a sound became as important as individual heroics, and that created opportunities for gifted team players and facilitators, musicians who sought to complement what was happening rather than dazzle people all the time.

Maiden Voyage springs from the mind of one of the most adept and creative of the sound-sculpting facilitators, pianist and composer Herbie Hancock. By the time he recorded this, Hancock had been in the Miles Davis Quintet for several years, an experience he, bassist Ron Carter and drummer Tony Williams, the rhythm section here, all described as transformative. Among Hancock’s tasks in that group was to create expansive landscapes for Davis; the pianist stoked and framed what became epic discussions by drawing on a range of sources. His accompaniments might glance at the syncopated jabs of 1920s Ellington, or the clusters of free jazz, or the gorgeous pastel chords associated with Debussy. Hancock has said that in the Davis fold he learned about space and subtlety, about how something small and slight, like a three-note chord, could trigger torrents of spontaneous creativity. To hear that in action, consult virtually any recording of the ‘60s Quintet.

Or check out this record, because Hancock brought those strategies for conjuring and slyly shaping a tune into his own projects. Maiden Voyage , arguably his peak solo statement from the 1960s, appropriates elements of the Davis group dynamic for a transfixingly understated meditation on the lure of the sea. It’s a classic that’s justifiably revered for its compositions and its solos, and also, perhaps most importantly, the rich and delicate interactions that run throughout. The album is a perfect case study in the art of group interplay; it offers an array of thoughtful answers to the question “How, exactly, does conversation happen in jazz?” Hancock starts with the notion of melody: Each of these five pieces is built around a singable theme, one that’s durable enough to be inverted, paraphrased or passed around the group in the heat of improvisation. The melodies of Hancock’s tunes serve as a kind of through-line, echoing in the margins.

Hancock refers to his themes, in oblique ways, when accompanying trumpeter Freddie Hubbard and tenor saxophonist George Coleman: He’s cultivating an atmosphere of expansive openness, and sometimes those glancing references help remind everyone involved about the dimensions of the canvas, the color palette and overall tone. This tactic proves particularly wise on the deceptively challenging “Dolphin Dance:” The mood is placid but the solos get stormy, and whenever it seems like the music is about to fracture, Hancock slips in some little phrase that gathers everyone back together.

In the headstrong jazz year 1965, lots of players were screaming “Look what I can do!” trying to grab attention by any contrived means possible. Hancock’s Maiden Voyage represents the flipside of all that: His windblown, undulating, intentionally low-key environment proceeds from the belief, acquired from Davis, that a minimal setting can inspire all kinds of meaningful musical conversations. Everybody is listening carefully, and out to enhance the proceedings. There is great grace, and concision, in every gesture here, and it’s not an accident that within these discussions, there are also bold, wailing outbursts and provocations. That’s what happens when everyone involved is in pursuit of musical aptness rather than audacity. – Tom Moon

Recorded on March 17, 1965 at the Van Gelder Studio, Englewood Cliffs, New Jersey.

Original recording and 1998 remastering by Rudy Van Gelder.

All transfers from analog to digital were made at 24-bit resolution.

Originally issued as Blue Note BLP 4195 and BST 84195.

bon [maiden] voyage

An amatuer adeventurer abroad, dis core course trip to moscow.

Hi all Maiden Voyagers! I really dropped the ball on documenting my last travel week but I’m gonna pick it back up and give you all the deets on Russia!

So! For my core course, Globalization and European Economies, we travel to Moscow for five or six days learning all about Russian Economies and Culture. After a surprisingly short flight we landed on Sunday afternoon and headed to the Red Square. Stepping off the bus was like entering another world. The enormous, ornate architecture is breath taking. And of course, the first snow you see each year is magical. (Well, this was no novelty to the locals as I’d learn. It snowed every day we were there.)

DIS packs quite the itinerary, and we didn’t rest for a minute! Every second was action packed with metro riding, lectures at institutions, or cultural visits. Here’s the highlights of all three!

Metro Riding:

Gosh did we do a lot of it. You might be puzzled why metro riding gets its own category. Well for one we took it everywhere which adds up. But, this is no ordinary metro. It was built under soviet rule and is a representation of Soviet power. Each station is decorated in ornate mosaics, statues, stained glass, chandeliers, you name it. All of the art portrays happy, hard working Soviets with a bounty of resources. Absolutely beautiful propaganda.

Institutional Lectures

DIS certainly meets its goal of making this an educational experience. We visited up to two institutions a day learning all about Russia. I know more about the Russian economy than maybe some Russians. It’s very dependent on oil prices, and is cursed with its resource dependence. While all of the institutions said they wanted to move away from oil, it was apparent that green alternatives weren’t gaining popularity yet. That’s what I took away from our many visits, but here’s a list of my favorites: the Bank of Russia, Sberbank, The European Bank for Reconstruction and Development, the IMF Russia, the Carnegie Foundation Russia, just to name a few!

Cultural Visits

We had fewer cultural stops than educational ones, but DIS still squeezed it in there. We had some great cultural food like Borscht and Stroganoff. We toured the Red Square and the Kremlin, and got to spend a night with real Russian students making tangible cultural exchanges (excuse the goofy photo).

And that’s it! Did it seem like a whirlwind? Because it was! I was so exhausted I slept for a whole day when we got home. An experience of a lifetime for sure! Bon Maiden Voyage!

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40 facts about elektrostal.

Written by Lanette Mayes

Modified & Updated: 02 Mar 2024

Reviewed by Jessica Corbett

Elektrostal is a vibrant city located in the Moscow Oblast region of Russia. With a rich history, stunning architecture, and a thriving community, Elektrostal is a city that has much to offer. Whether you are a history buff, nature enthusiast, or simply curious about different cultures, Elektrostal is sure to captivate you.

This article will provide you with 40 fascinating facts about Elektrostal, giving you a better understanding of why this city is worth exploring. From its origins as an industrial hub to its modern-day charm, we will delve into the various aspects that make Elektrostal a unique and must-visit destination.

So, join us as we uncover the hidden treasures of Elektrostal and discover what makes this city a true gem in the heart of Russia.

Key Takeaways:

• Elektrostal, known as the “Motor City of Russia,” is a vibrant and growing city with a rich industrial history, offering diverse cultural experiences and a strong commitment to environmental sustainability.
• With its convenient location near Moscow, Elektrostal provides a picturesque landscape, vibrant nightlife, and a range of recreational activities, making it an ideal destination for residents and visitors alike.

Known as the “Motor City of Russia.”

Elektrostal, a city located in the Moscow Oblast region of Russia, earned the nickname “Motor City” due to its significant involvement in the automotive industry.

Home to the Elektrostal Metallurgical Plant.

Elektrostal is renowned for its metallurgical plant, which has been producing high-quality steel and alloys since its establishment in 1916.

Boasts a rich industrial heritage.

Elektrostal has a long history of industrial development, contributing to the growth and progress of the region.

Founded in 1916.

The city of Elektrostal was founded in 1916 as a result of the construction of the Elektrostal Metallurgical Plant.

Located approximately 50 kilometers east of Moscow.

Elektrostal is situated in close proximity to the Russian capital, making it easily accessible for both residents and visitors.

Known for its vibrant cultural scene.

Elektrostal is home to several cultural institutions, including museums, theaters, and art galleries that showcase the city’s rich artistic heritage.

A popular destination for nature lovers.

Surrounded by picturesque landscapes and forests, Elektrostal offers ample opportunities for outdoor activities such as hiking, camping, and birdwatching.

Hosts the annual Elektrostal City Day celebrations.

Every year, Elektrostal organizes festive events and activities to celebrate its founding, bringing together residents and visitors in a spirit of unity and joy.

Has a population of approximately 160,000 people.

Elektrostal is home to a diverse and vibrant community of around 160,000 residents, contributing to its dynamic atmosphere.

Boasts excellent education facilities.

The city is known for its well-established educational institutions, providing quality education to students of all ages.

A center for scientific research and innovation.

Elektrostal serves as an important hub for scientific research, particularly in the fields of metallurgy, materials science, and engineering.

Surrounded by picturesque lakes.

The city is blessed with numerous beautiful lakes, offering scenic views and recreational opportunities for locals and visitors alike.

Well-connected transportation system.

Elektrostal benefits from an efficient transportation network, including highways, railways, and public transportation options, ensuring convenient travel within and beyond the city.

Famous for its traditional Russian cuisine.

Food enthusiasts can indulge in authentic Russian dishes at numerous restaurants and cafes scattered throughout Elektrostal.

Home to notable architectural landmarks.

Elektrostal boasts impressive architecture, including the Church of the Transfiguration of the Lord and the Elektrostal Palace of Culture.

Offers a wide range of recreational facilities.

Residents and visitors can enjoy various recreational activities, such as sports complexes, swimming pools, and fitness centers, enhancing the overall quality of life.

Provides a high standard of healthcare.

Elektrostal is equipped with modern medical facilities, ensuring residents have access to quality healthcare services.

Home to the Elektrostal History Museum.

The Elektrostal History Museum showcases the city’s fascinating past through exhibitions and displays.

A hub for sports enthusiasts.

Elektrostal is passionate about sports, with numerous stadiums, arenas, and sports clubs offering opportunities for athletes and spectators.

Celebrates diverse cultural festivals.

Throughout the year, Elektrostal hosts a variety of cultural festivals, celebrating different ethnicities, traditions, and art forms.

Electric power played a significant role in its early development.

Elektrostal owes its name and initial growth to the establishment of electric power stations and the utilization of electricity in the industrial sector.

Boasts a thriving economy.

The city’s strong industrial base, coupled with its strategic location near Moscow, has contributed to Elektrostal’s prosperous economic status.

Houses the Elektrostal Drama Theater.

The Elektrostal Drama Theater is a cultural centerpiece, attracting theater enthusiasts from far and wide.

Popular destination for winter sports.

Elektrostal’s proximity to ski resorts and winter sport facilities makes it a favorite destination for skiing, snowboarding, and other winter activities.

Promotes environmental sustainability.

Elektrostal prioritizes environmental protection and sustainability, implementing initiatives to reduce pollution and preserve natural resources.

Home to renowned educational institutions.

Elektrostal is known for its prestigious schools and universities, offering a wide range of academic programs to students.

Committed to cultural preservation.

The city values its cultural heritage and takes active steps to preserve and promote traditional customs, crafts, and arts.

Hosts an annual International Film Festival.

The Elektrostal International Film Festival attracts filmmakers and cinema enthusiasts from around the world, showcasing a diverse range of films.

Encourages entrepreneurship and innovation.

Elektrostal supports aspiring entrepreneurs and fosters a culture of innovation, providing opportunities for startups and business development.

Offers a range of housing options.

Elektrostal provides diverse housing options, including apartments, houses, and residential complexes, catering to different lifestyles and budgets.

Home to notable sports teams.

Elektrostal is proud of its sports legacy, with several successful sports teams competing at regional and national levels.

Boasts a vibrant nightlife scene.

Residents and visitors can enjoy a lively nightlife in Elektrostal, with numerous bars, clubs, and entertainment venues.

Promotes cultural exchange and international relations.

Elektrostal actively engages in international partnerships, cultural exchanges, and diplomatic collaborations to foster global connections.

Surrounded by beautiful nature reserves.

Nearby nature reserves, such as the Barybino Forest and Luchinskoye Lake, offer opportunities for nature enthusiasts to explore and appreciate the region’s biodiversity.

Commemorates historical events.

The city pays tribute to significant historical events through memorials, monuments, and exhibitions, ensuring the preservation of collective memory.

Promotes sports and youth development.

Elektrostal invests in sports infrastructure and programs to encourage youth participation, health, and physical fitness.

Hosts annual cultural and artistic festivals.

Throughout the year, Elektrostal celebrates its cultural diversity through festivals dedicated to music, dance, art, and theater.

Provides a picturesque landscape for photography enthusiasts.

The city’s scenic beauty, architectural landmarks, and natural surroundings make it a paradise for photographers.

Connects to Moscow via a direct train line.

The convenient train connection between Elektrostal and Moscow makes commuting between the two cities effortless.

A city with a bright future.

Elektrostal continues to grow and develop, aiming to become a model city in terms of infrastructure, sustainability, and quality of life for its residents.

In conclusion, Elektrostal is a fascinating city with a rich history and a vibrant present. From its origins as a center of steel production to its modern-day status as a hub for education and industry, Elektrostal has plenty to offer both residents and visitors. With its beautiful parks, cultural attractions, and proximity to Moscow, there is no shortage of things to see and do in this dynamic city. Whether you’re interested in exploring its historical landmarks, enjoying outdoor activities, or immersing yourself in the local culture, Elektrostal has something for everyone. So, next time you find yourself in the Moscow region, don’t miss the opportunity to discover the hidden gems of Elektrostal.

Q: What is the population of Elektrostal?

A: As of the latest data, the population of Elektrostal is approximately XXXX.

Q: How far is Elektrostal from Moscow?

A: Elektrostal is located approximately XX kilometers away from Moscow.

Q: Are there any famous landmarks in Elektrostal?

A: Yes, Elektrostal is home to several notable landmarks, including XXXX and XXXX.

Q: What industries are prominent in Elektrostal?

A: Elektrostal is known for its steel production industry and is also a center for engineering and manufacturing.

Q: Are there any universities or educational institutions in Elektrostal?

A: Yes, Elektrostal is home to XXXX University and several other educational institutions.

Q: What are some popular outdoor activities in Elektrostal?

A: Elektrostal offers several outdoor activities, such as hiking, cycling, and picnicking in its beautiful parks.

Q: Is Elektrostal well-connected in terms of transportation?

A: Yes, Elektrostal has good transportation links, including trains and buses, making it easily accessible from nearby cities.

Q: Are there any annual events or festivals in Elektrostal?

A: Yes, Elektrostal hosts various events and festivals throughout the year, including XXXX and XXXX.