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Muse  

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Muse is an English rock band from Teignmouth in Devon that formed in 1994

It includes frontman, vocalist, and multi-instrumentalist Matt Bellamy, bassist and backing vocalist Christopher Wolstenholme, and drummer Dominic Howard. Muse is known for a unique style of alt-rock, with electronic music leanings and a blend of classical music, which lends to an ethereal, melancholic sound.

Starting in the early ’90s under the original name Gothic Plague, the band toured relentlessly with bands such as Skunk Anansie. The band released its first EPs to a loyal fan base and was met with relative success in the UK indie charts. This earned the group crucial backing from the likes of Steve Lamacq and NME, and its debut studio album Showbiz was released in 1999, scoring relative chart success. The album has since gone on to become a certified platinum album in the UK.

Muse’s second album, released in 2001, revealed a growth in sound and ambition that is still evident in its records today. Origin of Symmetry saw the band shift into progressive rock territory, producing momentous singles like “New Born” and “Bliss.” The album acted as a catalyst that moved Muse into commercial and critical success for years to come. Its next four albums all topped the UK album charts, and the band has sold over 15 million albums worldwide.

In 2003, Muse released its third album, Absolution. This album debuted at number one in the UK, and with time, became certified gold in the US. This album is widely considered the band’s breakthrough album, with key hits such as “Time Is Running Out” and “Hysteria” topping the charts. In support of this album, Muse headed out on a year-long international tour.

In 2006, Muse released its fourth studio album, Black Holes and Revelations. This album debuted at number one on the charts in five countries. From this album, two singles, "Supermassive Black Hole" and "Knights of Cydonia," became chart-toppers, reaching the top 10 hits in the UK.

Muse’s live shows also followed the same ambitious, gargantuan elevation of music. Famed for its tours, the band has won two Brit Awards for Best Live Act, and it sells out arenas and stadiums around the globe with ease. Muse has become a legendary force on the festival circuit, and has headlined Reading and Leeds, T in the Park, and Glastonbury over the years. At Glastonbury Festival 2010, a gigantic crowd to its pyramid stage set up at the latter event in 2010.

Around the same time, Muse’s latest album The Resistance was conquering all corners of the UK. The band then scooped three Grammy nominations and a win for Best Rock Album, which helped it officially break into the US. Its explosion in popularity led to its performance at the opening ceremony of the 2012 Olympic Games in London – and to its single “Survival” becoming the official anthem of the event.

Since its acclaimed Olympic performance, Muse has gone on to produce three more albums. Released in 2015, Drones was an album that aimed to return to the original rock sound for which Muse was originally known, but weaved in a powerful statement on the dehumanization of modern warfare. with the release of Drones, Muse began another tour focused on small venues throughout the UK and theAlong US. Drones an immediate hit, topping charts globally.

After touring the globe, including headlining at major festivals, Muse continued its path forward with another album release in 2018 — Simulation Theory. This kicked off the Simulation Theory World Tour, which took the band all the way from Houston, Texas, to a final stop in Lima, Peru.

At the end of 2019, Muse released a special compilation box titled Origin of Muse. This included remastered versions of its albums and previously unreleased music. This special edition is a dream come true for Muse fans. The box contains a 48-page book, nine CDs, four vinyl records. One of the highlights of the set is a fully-remastered version of the band’s debut album Showbiz.

Most recently, in 2022, Muse released the Will of the People. This album showcases the darker, heavier side of Muse’s music, with singles “Won’t Stand Down” and “Compliance” quickly becoming fan favorites.

Known for its flawless performances, Muse continues to capture the depth of its musical history in every show. Fans, who are often referred to as Musers, flock to see the band perform at large arenas around the world. Most shows sell out, and in order to find a position near the front of the stage, Musers arrive hours ahead of showtime.

Not only does Muse deliver an incredibly dynamic and energetic live show, but its sound production is renowned for being top-quality. Bellamy’s vocals can be heard clearly, along with every accompanying instrument. Recently, touring member Morgan Nicholls was replaced by Dan Lancaster. Lancaster now plays additional keys, percussion, and guitar, as well as providing backup vocals.

To snag tickets to a Muse tour date, make sure to pay attention to recently released tour schedules. Muse’s 2022-2023 “The Will of the People World” Tour reaches far and wide.

Live reviews

Enjoyed the band but not the show. The organizers failed in everything they could fail. Believe me, I've been to a lot of international shows here in Argentina and Chile, and this was the first time ever that I couldn't hear the music some times.

The "Complejo al Río" is in a great zone of Vicente López, really near to buses, subway, and two of the most important avenues (Av. Santa Fe/Cabildo/Maipú and Av. Libertador); so I got there without any troubles and even had some food because there were a lot of places to eat or drink near it.

It all went down when the showtime was getting near: I got in without getting checked, as most people, really dangerous; then, the entrance was full of construction debris (dangerous x2). Once I was in, I realized that the venue was pretty much a cement parking lot with a couple of bleachers, wouldn't be much of a problem if it weren't that: a) there were holes in the floor, so somebody could have get hurt while jumping and; b) it was on downhill, so that meant that in certain areas of the "campo trasero" you couldn't see anything.

When it started, everyone was excited, jumping, but two songs in we realised that we couldn't hear sometimes: the sound came and then go away. You could literally heard people talking over the music! And this wasn't an acoustic show! The low-volume stayed the whole gig, and it ruined songs like Madness that I could literally not hear. Bonus track: Matt confused Argentina with Uruguay and used their flag here. Everyone shouting "NOOO" which meant hearing even less.

Going strictly to the show: the band pulled out a pretty good one, they didn't interacted with the public a lot but considering videos I've seen, that's just how they are. The setlist was the very same of two days ago in Chile, so there's nothing to complain about though we Argentinians are used to the fact that the bands always play more songs here, or change the setlist a bit. Muse was not the case.

I still had a great time and would totally go to see this band again, specially because I feel like I didn't got the full experience. It's too much to know that they never come with the full stages and theatrics to add the fact that they came without speakers.

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This was the 3rd concert I have seen Muse at. I have to say as far as concerts go, you won't find one with any more to it than a Muse concert. I have been to many concerts and I love them all. Music made in a studio is never going to capture the real live sound. Music is made to be played live!

The Simulation tour was simply amazing. Visually, audibly and just being there. Having trombones being played, actually played not recorded and being a part of the opening was simply astonishing. It as a great sound and visually it was amazing. The same with Pressure, having the trombones out there added to the song and made it unbelievable.

They also played Dig Down the acoustic gospel version live. With Dom, Matt and Chris playing center of the stadium. Chris on the acoustic guitar, Matt on the piano and Dom obviously on the drums. What a neat set to see them playing so close together and the gospel signers on stage lit up by their costumes. Very well done!

Our son didn't(teenager) didn't understand the Close Encounters of the 3rd kind part. Where Matt was playing the guitar and the mother ship was responding. He is too young. :-) My wife and I got it.

Watching Matt play his guitar by his tong! What? I had never seen anything like it. He is amazing. Chris is just amazing on bass and Dom on drums. These guys can do it all!

What a fun show. I really appreciate what Muse has done to give back to their fan's. Too many bands don't care as long as they sell their tickets. Muse doesn't appear to be like that. Even purchasing tickets, they allow the true fans to purchase first getting the best seats.

I look forward to seeing them again! Great show, great music, and a great time. Playing for almost 2 hours. Great job Muse!

Over the course of two decades, Muse’s live show has evolved into one of the most sensational spectacles in the world - an experience worthy of four (!) live DVDs churned out since the release of Hullabaloo in 2001.

From humble beginnings touring the UK dive bar circuit, the band’s intellectual prog-rock quickly earned them the heavy burden of ‘the next Radiohead’: a stigma brushed aside, and a prophecy fulfilled.

The band’s trajectory to international stardom was driven in the early noughties by huge success around ‘Origin Of Symmetry’ and ‘Absolution’; a pair of records that delivered sold out arena shows across the globe.

From that point on, Muse poured everything into their live show. From huge satellite dishes beaming light into the sky to monumental, rotating pillars, each tour delivers something totally unexpected, and utterly jawdropping. And that’s prior to any mention of the crazy, crazy talent exhibited on stage. Matt Bellamy, one of the few true rockstars of the modern age, thrashes and strokes at his guitar in equal measure, and delivers stunning falsetto vocals. Though the band have recruited extra, ‘behind-the-scenes’ members over recent years, the amount of noise produced by the three piece remains astounding.

With Glastonbury and Coachella headline slots - and just about everything other accolade - under their belts, where now for Muse? Somehow, the only way, still, is up. And it’s guaranteed to be totally bombastic.

Since their incarnation in 1994, the Devon trio has evolved from a garage rock band into a momentous live act that has conquered the largest stages and festivals all around the planet with their space-themed apoco-pop rock. The band has six albums in its discography, which was not seem like very much for an artist that has reached a reputation as saintly as Muse, yet it is what Matt Bellamy and co transform their music into onstage which continues to wow audiences.

As the bass rumbles and begins 'Supremacy', the band appear all at once surrounded by fire and pyrotechnics as they wage some solar war all within their own minds. As they run through their hits such as 'Supermassive Black Hole' and 'Starlight' at blistering speeds, the audience have no choice to watch on in blind amazement. Matt Bellamy is a frontman often likened to the late, great Freddie Mercury and after seeing him perform you realise there is serious weight behind these lofty claims.

No matter how big his crowd, Matt throws himself into every blistering guitar solo and whips crowds into frenzies like no other. When the finale of 'Knights Of Cydonia' kicks in, the audience has completely surrendered itself to the supernatural, surreal world of Muse and simply hope they will never return.

Santiago de Chile - October 13th

The first good surprise was with the opening band, Kaiser Chiefs. The show was short but a very good one! The singer, Ricky Wilson, is very charismatic and an excellent dancer!

About Muse - Tour Simulation Theory:

the sound was very good, the instruments were heard in good frequency and also the voices.

The band has a strong connection on stage and a great dynamic between them.

The setlist was very well chosen, mixing successful songs from previous albums, like Hysteria, Supermassive and Starlight; and new album hits like: Algorithm, Propaganda and Thought Contagion.

The songs were similar to other shows that they played on this tour in all Latin America, but they surprised Santiago with the song Bliss (not in other setlists).

Lead singer Matt sings very well live can make different tones of voice, is incredible, just like the albums!

In addition, the lighting games and dancers who were on the stage during the show further contributed to the whole presentation.

The show finished with Knights of Cydonia and made everyone very happy!

A great night! Thank you Muse!

I had seen Muse a few times at various festivals over the years (Reading twice, V Festival, Download) and wanted to see them in their own show and I thought what better place than to do that than at Londons O2 Arena.

Muse played for 2 hours with a faultless performance. Belting out classics such as Plug In Baby, Stockholm Syndrome and completing the evening with the infectious Knights Of Cydonia as well as promoting songs from the current Drones album.

My only regret of the evening was having to be upstairs on Level 4 for this concert. People standing in the Floor areas and Level 1 seem to be able to let loose and enjoy themselves but upstairs really didn't know how to behave at a rock concert with he majority remaining seated and I was even asked to sit down by the person behind me. Unfortunately the big arenas can bring out the punters who aren't used to what a rock concert can be about but i'll balance this comment by saying that I should have been downstairs if I really wanted to rock out.

Great performance by band, disappointed with the crowd as a whole.

We came in from Houston to see Muse in Austin. I've had to miss their TX shows in the past because I didnt have the money or time, but this year I said fuck it, I'm going to this show and I wont miss them again. It was so worth it. They sounded amazing, the whole band are great performers. They posted the whole concert on facebook so I thought that was cool. I can watch it again if I want. So, so worth it. The stage was really cool with these stacks of video monitors in the back and they were staggered. It's hard to describe, but it looked really good. The only complaint I had was that I bought an actual seat but everyone stood the whole time, so it was kind of pointless, but I'm glad I had something to lean on if I got too tired. It was kind of hard to see the band on stage because people were in the way, but I'm sort of short so...oh well. It was a very minor complaint and nothing against Muse. If (I should say WHEN) I see them again, I'll try to get a seat on the rail with no one in front of me, but you know how it goes.

An impressive start with "Psycho" brought all the energy to the Olympia-halle without any warming up. The setlist was loaded with the tracks of their latest Best-Rock-Album-Grammy winner, "Drones", but also included some classics as "Plug In Baby", "Stockholm Syndrome", and an amazing performance of "Citizen Erased", a song from "Origin of Symmetry" rarely played in the latest years shows.

The stage in itself deserves recognition as it was meant to rotate, while holding a structure from where around ten drones came into the show flashing and wandering around some meters over the crowd. In addition, a series of interactive projections were prepared in accordance to every song lyrics.

Bellamy asked people to help on singing the already classic "Time Is Running Out", as well as "Starlight" and the whole chorus for "Uprising".

A great show that clarifies why they are one of the best live bands at the moment.

There is a reason these guys play in big arenas. It’s not just a few guys on a stage playing their music, it’s a production. Even up in the nosebleeds it was a great show.

Spoiler alert! Don’t read any further if you don’t want to know.

Had it all! Glowing glasses, lit up suits, giant robots, a piano that shoots lasers, dancers with flashlights, smoke machines and glowing batons, and a special appearance by Eddie! People hanging from wires, surprises coming up from trap doors, lasers, lasers and more lasers! The set was a blistering 26 songs lasting a little over two hours!

I will definitely see them again the next time they come to town. Though not from the balcony. They say “Don’t look down if you have a thing about heights.” That’s where the stage is!

Great show.

Saw them in Milan 20/5. I've been attending concerts for more than 10 years now and this gig goes into my top 5!! The show, the energy, the sound (!!) was amazing! I was blown away by Matt's voice, so clear and beautiful, Chris's dexterity with the bass (for me the second best bass player ever) and Dominic's drum solos. I loved the round stage in the center of the arena, you can really see them well from wherever you are standing/seating. I really wish more bands could afford this kind of technology, oh well... And the video projections, especially the puppeteering part during The Handler... genious and scary! The setlist included almost all the songs I wanted to hear live (I only missed Stockholm Syndrome and Bliss). All in all, kudos to the guys, really, I hope too see them again very soon.

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Want to see Muse in concert? Find information on all of Muse’s upcoming concerts, tour dates and ticket information for 2024-2025.

Muse is not due to play near your location currently - but they are scheduled to play 1 concert across 1 country in 2024-2025. View all concerts.

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Muse Announce 2023 North American Tour With Evanescence

Muse  bring their "Will of the People Tour" to stateside fans when the English rock band visits venues in the U.S. and Canada for a North American tour in early 2023. Evanescence  provide support on the bill.

Are you ready to rock?  Get Muse tickets here.

Will of the People is Muse's latest album. The futuristically anthemic rockers' ninth studio effort, it emerged last month. It contains the singles "Won't Stand Down," "Compliance," "Kill or Be Killed," "You Make Me Feel Like It's Halloween" and the title track.

Muse singer  Matt Bellamy said that  Slipknot influenced the album, thanks to his son's love of the metal band .

General on-sale for Muse tickets starts Oct. 7 at 10AM. Pre-sale begins Oct. 4. Go to  willofthepeopletour.com  and get info here . See the dates below.

Muse + Evanescence 2023 North American Tour Dates

Feb. 25 – Chicago, Ill. @ United Ctr Feb. 26 – Minneapolis, Minn. @ Target Ctr Feb. 28 – Austin, Texas @ Moody Ctr March 2 – Houston, Texas @ Toyota Ctr March 3 – Fort Worth, Texas @ Dickies Arena March 7 – Columbus, Ohio @ Nationwide Arena March 9 – Toronto, Canada @ Scotiabank Arena March 11 – Quebec City, Canada @ Videotron Ctr March 14 – Montreal, Canada @ Bell Ctr March 17 – New York, N.Y. @ MSG March 19 – Philadelphia, Pa. @ Wells Fargo Ctre April 2 – Glendale, Ariz @ Desert Diamond Arena April 4 – Denver, Colo. @ Ball Arena April 6 – Los Angeles, Calif. @ Crypto.com Arena April 8 – Las Vegas, Nev. @ T-Mobile Arena April 10 – San Diego, Calif. @ Pechanga Arena April 12 – Anaheim, Calif. @ Honda Ctr April 16 – Portland, Ore. @ Moda Ctr April 18 – Seattle, Wash. @ Climate Pledge Arena April 20 – Salt Lake City, Utah @ Vivint Arena

Rock + Metal Bands That Have Played Over 2,000 Shows

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Muse With Special Guests Evanescence and ONE OK ROCK

On top of the global chart success of their ninth studio album Will Of The People , multi-platinum and Grammy Award winning rock band Muse are bringing their North American tour for Spring 2023 to the United Center on February 25th..

Widely recognized as one of the best live bands in the world, Muse have consistently produced exhilarating and ground-breaking shows, and their 2023 Will Of The People world tour will be no exception. The tour features special guests  Evanescence and  ONE OK ROCK .

Muse are Matt Bellamy, Dominic Howard and Chris Wolstenholme. Since forming in 1994, Muse have released nine studio albums, selling over 30 million units worldwide. Their latest album ‘Will of the People” debuted at #1 in multiple territories including, UK (their 7th consecutive #1), Austria, France, Finland, Italy and Switzerland. Their previous album, ‘Simulation Theory’, debuted at #1 in multiple territories and followed their 2015 album, ‘Drones’, which went on to win a Grammy Award for Best Rock Album, the band’s second.

Muse have won numerous music awards including two Grammy Awards, an American Music Award, five MTV Europe Music Awards, two Brit Awards, eleven NME Awards and seven Q Awards, amongst others.

The following approved process will be implemented at the United Center for the General Admission (GA) pit:

• WRISTBAND DISTRIBUTION TIMES: At 9 a.m. on show day, guests will receive a numbered wristband. This represents the order they will be lined up in to access the GA area. Numbered wristbands will be distributed until 4:30 pm.
• LOCATION: Fans will only receive wristbands from a credentialed United Center security employee at Gate 5.
• LEAVING PRIVILEGES: Once the wristband is received, guests are free to leave and return to Gate 5 no later than 4:30 p.m.
• RETURNING TIME: All guests with a wristband must return to the United Center and be lined up in order by 4:30 p.m. to have wristband number honored.
• LATE ARRIVAL: If a guest with a numbered wristband arrives after 4:30 p.m., the guest will be placed in line after the last guest in line. Guests without wristbands arriving after 4:30 pm will also be placed in line after the last guest in line.
• ONE PROCESS: This is the only process approved for GA entry. No additional arrangements can be honored at this time.

**Please note- you must have your ticket to obtain a wristband and it’s one wristband per person.

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Take Madison Street west from the Loop.

Take I-290 East to exit 28A (Damen Avenue). Take Damen Avenue north to Madison Street. Make a right onto Madison Street and the building will be on your right.

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Take the Orange, Green, Purple, or Brown lines to Madison. Take #20 Madison buses west.

To the United Center : The #19 United Center Express Bus runs on game days. Service begins 90 minutes prior to game time, runs every 10 minutes until 30 minutes until start of game. Board at stops starting southbound on Michigan and Randolph. Connections are made with Metra trains at Millennium Station, Ogilvie Center and Union Station. The #20 Madison Bus travels west on Madison Street, starting downtown at Wabash Street and runs every few minutes, making all stops to the United Center.

From the United Center : The #19 United Center Express and the #20 Madison buses run every few minutes, departing from the eastbound side of Madison Street. Buses make all stops.

General Parking

PLEASE NOTE: Parking lots and Uber lot open to public two and a half hours prior to event time.

All prices are subject to change without advance notice.

All major credit cards accepted. The United Center offers free parking for select family shows in all official United Center parking lots. All Parking Policies outlined below remain in effect.

Purchase parking via Ticketmaster in advance HERE .

For details on handicap parking, please see the United Center Accessibility Guide .

EV Charging Stations EV Charging Stations are available in Lot H and Lot K. Charging is free. Please be courteous and maintain parking/charging for the posted time limits. 

Parking Policies No in/out privileges. No overnight parking unless related to event activites and approved in advance. No solicitation allowed. No consumption of alcoholic beverages on lot or in parked vehicles. No tailgating or similar activities.

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Book parking in advance.

SpotHero We recommend booking convenient and affordable parking in advance through SpotHero, the nation's leading parking reservations app. To reserve your parking spot, visit the United Center SpotHero Parking Page .

Fans visiting the United Center can also reserve their parking in advance via  Ticketmaster .

Suites Parking

Two reserved parking passes will be valid in lots C and K. The other two reserved parking passes will be for parking in lots A, B, D, or L. Holders of these passes will be directed to A, B, D, or L lots by traffic police and parking attendants based on traffic conditions. Parking passes are good for one space each. All parking passes are mobile entry only.

For all special events, each Executive Suite Holder will receive two complimentary parking passes per event ordered. These two passes will be for reserved parking located in lots C and K. In addition, Executive Suite Holders will also receive the option to purchase four additional parking passes in lots C and K for special events.

Suite Holder parking passes are also valid for buses or limousines under specific guidelines.

Lexus Club Parking

Lexus Club Seat members have reserved parking in fenced, well-lit and clearly marked parking lots adjacent to the United Center for all Blackhawks or Bulls preseason, regular season and playoff games. All Lexus Club members who purchase tickets to other events may also purchase one preferred parking pass (in lot C or K) for such events. Details on how to obtain parking for other events are included with the fax transmission announcing each event.

Lexus Club Seat members with two to four tickets receive a complimentary, reserved parking space in a closed-in, paved lot for all Blackhawks or Bulls preseason, regular season and playoff games. Lexus Club Seat members with five seats or more will be provided with two parking passes.

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UBER ZONE FAQs:

What is the Uber Zone (Lot E) at the United Center? To increase and streamline the fan experience for guests who take Uber to and from the United Center, the new Uber Zone is located at the corner of Madison Street and Wood Street (Lot E) and will combine the three former Uber locations around the arena. Traffic leading to the three prior Uber pickup locations 1) Zone A, previously located on Wood Street & Washington Blvd. near Lot A, 2) Zone D, previously located on Monroe Street & S. Paulina Street near Lot D and 3) Zone F, previously located on Monroe Street & Seeley Ave. near Lot F will now be directed towards the one new Uber Zone in Lot E.

What is the location of the Uber Zone? The new Uber Zone at the United Center is located on the corner of Madison Street and Wood Street. Fans will enter and exit through the sidewalk entrance located on Madison Street and cars will enter the lot by turning into the Uber Zone from Madison Street. Cars will exit on Warren Blvd.

What are the hours of operation? On event days, the Uber Zone is open two hours prior to games, concerts and events and will remain open up to one hour after each event. On non-event days, the Uber Zone will be closed and Uber rides will be dropped off near the corner of Madison Street and Wood Street outside of the Uber Zone.

What is the pickup process for fans?

• Using the Uber app, fans inside the United Center will call an Uber ride.
• Guests will then head to the new Uber Zone located at the corner of Madison Street and Wood Street in front of the United Center.
• When arriving, fans will show the Uber attendant the lane number their driver is in.
• Fans will be shown the location where their Uber vehicle is located to start their next journey.

What is the dropoff process for fans? When Uber drivers arrive with guests at the United Center, they will be instructed to pull into the Uber Zone from the Madison Street side to drop off fans. Once exiting the vehicle, guests will walk out of the main entrance located on the corner of Madison Street and Wood Street. Guests can cross the street to the United Center and are encouraged to enter through the East Atrium.

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Muse review – sublimely ridiculous rock’n’roll camp

Groupama Stadium, Lyon With pyrotechnics that might tire a pyromaniac and a giant blow-up Satan the Devonian stadium-fillers have lost none of their thrilling pomp

H alfway through Muse’s set, probably the daftest thing that Groupama Stadium has ever seen happens. Frontman Matt Bellamy is wearing shimmering silver while perched at a light-up piano and playing booming horror cliche Toccata and Fugue in D Minor by Bach. Then his band break into You Make Me Feel Like It’s Halloween, replete with a three-storey-tall masked, hooded face behind them, the video screen inside it alternating between Jason Voorhees, Freddy Krueger and other scary movie villains. It’s the most high-budget display of rock’n’roll camp – yet the night will get madder from here.

Outside this near-60,000 crowd, Muse aren’t necessarily the coolest band in the world any more. It was as early as 2007 that the Devon trio ascended to this grandiose level: after megahits from Supermassive Black Hole to Starlight meshed pop-rock drama with calls for revolution just vague enough that both the left and right could rally behind them, they became the first band to sell out the new Wembley Stadium. Since then though, hit-and-miss albums such as last year’s Will of the People have dented what was previously a bulletproof reputation for top-notch anthem-making.

Fortunately, from 2007 to 2023, one thing remains consistent: Muse gigs revel in the sublimely ridiculous. Following You Make Me Feel Like It’s Halloween’s spooky pomp, Bellamy introduces Uprising by playing its synth melody on a Nintendo Power Glove attached to a suit coated in LEDs. We Are Fucking Fucked has its juvenile title complemented by the kind of production a 10-year-old on a sugar rush would mastermind: fire spews from the stage so frequently that it would overstimulate a pyromaniac. Then, finally, the encore of Kill Or Be Killed and Knights of Cydonia is backed by a blow-up bust of Satan so massive that its arms extend beyond the stadium stage.

Sixteen years deep into filling football fields, Muse understand the assignment more than almost every other rock band. More is more and, even after feeding Lyon two hours of overblown theatre, they achieve the meteoric feat of making a 25-song extravaganza feel too short.

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With Evanescence and ONE OK ROCK

Toyota Center is excited to welcome back multi-platinum and Grammy Award winning rock band Muse on March 2! Widely recognized as one of the best live bands in the world, Muse have consistently produced exhilarating and ground-breaking shows, and their 2023 Will Of The People World Tour will be no exception. Muse will be joined by special guests Evanescence and ONE OK ROCK. Don’t miss Muse back in Houston in March!

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Muse to perform at Abu Dhabi F1 Grand Prix after-race concert

The british rock band is the first act to be revealed for the four-night concert series.

Singer Matt Bellamy of Muse. Getty Images

Muse will perform at Etihad Park as part of the 2024 Etihad Airways Abu Dhabi Grand Prix after-party series.

The British rock group are the first performers to be announced for the concert series running from December 5 to 8.

The date for their show will be set later. Access to all concerts is exclusive for Abu Dhabi F1 Grand Prix ticket holders.

It will be the second time the group performed as part of the concert series, having made their regional debut on Yas Island in 2013.

In The National ’s review of the concert , Muse was praised for delivering a high-octane show.

"British prog rockers Muse took us outer space with their dense and cinematic sounds that are both ethereal and thunderous," the report read.

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"From Supermassive Black Hole and United States of Eurasia to Madness and Unnatural Selection , they managed to retain the audience's attention throughout their challenging set due to their exhilarating musicianship."

Fans can expect to hear hits from the group's 25 years in the business, but also some of the tracks from their latest 2022 album, The Will of the People .

In its review , The National described the band's ninth album as bleak and bombastic.

Will of the People is another viscerally charged collection of songs where singer and chief songwriter Matt Bellamy catalogues a litany of dangers facing us today.

Muse is part of a growing number of hard-charging rock groups performing as part of the Abu Dhabi F1 Grand Prix over the years.

Previous headliners include last year's show by the Foo Fighters , Def Leppard in 2022, The Who in 2014 and Aerosmith at the inaugural race in 2009.

The other artists for the concert series will be revealed at a later date.

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Billy Joel serenades ex-wife Christie Brinkley with ‘Uptown Girl’ during concert

Christie Brinkley is still Billy Joel’s muse nearly 30 years after their split.

The “Vienna” singer, 74, serenaded his ex-wife during his New York City concert at Madison Square Garden Friday night.

The former supermodel was all smiles while Joel sang “Uptown Girl,” which he wrote about her at the start of their romance in the early ’80s, in front of nearly 20,000 fans.

Cameras captured Brinkley dancing and singing along to the smash hit on the Jumbotron for nearly the entirety of the song, according to a video posted to TikTok.

The 70-year-old model looked radiant in a low-cut, metallic blue top as she swayed back and forth alongside a friend.

“Billy Joel wrote ‘Uptown Girl’ about his then-partner Christie Binkley,” the user wrote atop the clip. “Tonight she watched him sing the song he wrote about her to all of Madison Square Garden.”

In the caption, the user added, “40 years later and your ex man is still grinning at you like that while he sings the song he wrote about how rich and hot you are?”

The pair met in 1983 while Joel was already working on “Uptown Girl,” which was originally about several women, including one-time girlfriend Elle Macpherson.

“Rather than it [being] about all these different girls, she became the Uptown Girl. I started writing it about one person,” he told Howard Stern in 2010.

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Brinkley went on to star in the “Uptown Girl” music video and the pair wed in 1985. They welcomed their daughter, Alexa Ray, less than a year later.

Although the “Piano Man” singer and the supermodel split nine years later, they have remained good friends for the sake of their daughter.

In fact, the now 38-year-old joined her parents at the concert on Friday night, taking to the stage to perform a song dedicated to her dad.

“I’m gonna try not to get all verklempt,” she told the crowd. “This song is a song that my father introduced to me when I was a little girl and it’s a real classic, throwback moment. And I feel like its the kind of song that one should sing to their hero… and you are my hero dad.”

Alexa, dressed in a retro pink outfit, then did her best rendition of “To Sir With Love” as her father proudly watched from his piano bench.

After finishing the song, the noticeably emotional singer hugged his daughter before she walked off stage.

Music and Concerts | Todd Rundgren on his career, longevity and why…

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Music and concerts | todd rundgren on his career, longevity and why his latest tour will resonate with fans.

In the annals of popular music, you’d be hard-pressed to find an artist as eclectic and prolific as Todd Rundgren. To call him creatively restless is like calling The Beatles a quaint pop band.

As a solo artist, he’s notched 27 releases under his belt (with the most recent being 2022’s “Space Force.”) And that doesn’t include projects he’s recorded as a member of The Nazz, Utopia and the New Cars.

As if that’s not enough, the Pennsylvania native has an equally impressive résumé as a producer, having worked on albums for a number of seminal artists ranging from Badfinger (“Straight Up”), the New York Dolls (self-titled, “Cause I Sez So”) and Meat Loaf (“Bat Out of Hell”) to Grand Funk Railroad (“We’re An American Band,” “Shinin’ On”), XTC (“Skylarking”) and the Psychedelic Furs (“Forever Now”).

But for the man who once released an album called “The Ever Popular Tortured Artist Effect,” performing live does just as much to satiate his creative urges with the most recent road jaunt being the Me/We Tour. And while recent live outings have found him going from performing 25 virtual shows from Chicago in the immediate aftermath of the pandemic to opening for fellow Keystone stater Daryl Hall, this current string of dates — which includes two nights at Penn’s Peak in Jim Thorpe, Saturday and Sunday — finds Rundgren wanting to do something specifically for his devotees.

“I figured when it was time for me to get to doing my tour, I want to give the fans something special and figure out some sort of sustainable production that can travel but it’s still a show that’s worth coming out for,” he said in an early April interview. “I figure one of the things that I may not have done recently is a real deep dive of a lot of the stuff that rarely gets played or has never been played. A lot of it is fan favorites, but sometimes I can’t figure out how it will fit into what I’m doing. I think it’s going to be a very enjoyable evening for the fans despite the fact that for at least some segment of them, a lot of the material might be unfamiliar.”

While a quick peek at Rundgren’s set list from some recent overseas gigs reveals that he’s been trotting out well-known gems like “Hello It’s Me,” “I Saw the Light” and “Can We Still Be Friends,” the former hermit of Mink Hollow promises to dust off a number of more obscure nuggets.

“I had never played the song ‘Afterlife’ before. It’s from the album called ‘Liars,’ but it didn’t work in the context of the show now, so we never performed it during the ‘Liars’ show,” he explained. “I just did a brief [swing through] Australia and we worked it up for that tour and it really sounded great. It sounded really good and the audience liked it. ‘Liars’ was a pretty popular album among my fans. To find a song that hadn’t been played off of that was a little special.”

So where does Rundgren’s insatiable need to embrace the various aspects of the recording studio and any sort of emerging technology as a means of helping realize his artistic visions come from?

Part of it starts with a childhood growing up in Upper Darby Township, where early on, the budding creative genius started out being enraptured by his parents’ singles collection.

“The earliest musical memories I have are of a little RCA 45 player that my parents got. I remember it to this day,” he recalled. “It was a brown Bakelite with a little round grill on the front and a spindle with the red top on it. And you would stack singles on the spindle and they would automatically play one after another. My parents had collected a lot of Boston Pops light classical performances like ‘Chicken Reel’ and ‘Skaters Waltz’ and that sort of thing. They were pressed on colored vinyl — red, green, blue and yellow. For me, listening to the music on that little player and staring through the red, blue and green record or putting one on top of the other — it was [my first] multi-media experience.”

While the young Rundgren spent time dabbling with various instruments including flute, clarinet and his grandmother’s stand-up piano (…“it’s where I learned how to pick out melodies, which I actually turned out to be pretty good at…”), it was a specific instrumental that led to his parents purchasing their budding musician son an instrument when he was seven years old.

“Once I heard ‘Walk, Don’t Run’ by The Ventures, it was all about the guitar,” Rundgren explained. “That was the future and I knew I had to learn how to play. My parents realized that I wanted to do it badly enough and that I was serious that they bought a guitar, but they had to buy lessons along with it, which I hated.”

Within a year of graduating high school, Rundgren went from his first band Money to playing with the Paul Butterfield Blues Band-influenced Woody’s Truck Stop and eventually landing with rock band Nazz. Looking to record material more along the lines of The Who and The Beatles, Rundgren and his crew were signed by Atlantic Records subsidiary Screen Gems Columbia (SGC). Assigned jazz musician Bill Traut as a producer for the 1968 self-titled debut album (“…he [Traut] essentially spent most of his time reading the trades in the [recording] booth.”), Rundgren soon took it upon himself to remix the album himself because “…we didn’t get what we wanted out of this guy even though we paid for him.”

Rundgren’s first turn at a console was the beginning of a storied production career that while he was technically proficient at, wasn’t level with his interactions with some of the artists whose projects he oversaw, most notably XTC.

“I knew how to make records and how to make them sound a certain way, but as time went on, there were a lot of painful moments between me and whoever I was working with because I was either incognizant or didn’t care about the personality part,” he admitted.

With so much life experience under his belt, the 75-year-old Rundgren shows no signs of slowing down. And much of it has to do with his willingness to follow his own muse.

“I think what I’ve learned is, and it seems especially applicable these days is that you don’t measure your success by others’ estimation and you have to be patient,” he said.

“Sometimes what you do doesn’t fit with the zeitgeist of what’s going on. They say art is brief and history is long. The point is that you don’t do your art for this time. Do it in a way that it doesn’t matter when somebody discovers it. That way, maybe you’ll have a longer life as an artist. A lot of artists feel like if they don’t make it now, they’re never going to make it. It’s still an interesting experience for me. I don’t feel like I would run out of musical ideas. At least not in a reasonable human lifetime.”

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Taylor Swift earned her 12th No. 1 on the Billboard Hot 100. Here are all of her songs that topped the chart.

• Taylor Swift's single "Fortnight," featuring Post Malone, debuted at No. 1 on the Billboard Hot 100 .
• The song is Swift's 12th chart-topper, joining the ranks of hits like "Shake It Off" and "Anti-Hero."
• All of Swift's No. 1 songs are listed below in chronological order of their peak dates.

1. "We Are Never Ever Getting Back Together"

Despite writing ubiquitous hits like "You Belong With Me" and "Love Story" earlier in her career (which peaked at No. 2 and No. 4, respectively), "We Are Never Ever Getting Back Together" was Swift's first-ever song to top the chart.

The country-pop-crossover smash was released as the lead single from Swift's fourth studio album "Red." It rose from No. 72 to No. 1 in its second week of tracking and remained atop the chart for three weeks.

2. "Shake It Off"

"Shake It Off" was released as the lead single from Swift's fifth album "1989." It became her first song to debut at No. 1 and remained atop the chart for four weeks.

3. "Blank Space"

"Blank Space," the second single from "1989," debuted at No. 18 on the Hot 100.

It rose to No. 13 before soaring to No. 1 in its third week — dethroning "Shake It Off" and making Swift the first woman in history to replace herself in the chart's top spot.

"Blank Space" went on to become one of Swift's biggest hits, reigning atop the chart for seven weeks. 

4. "Bad Blood" featuring Kendrick Lamar

A remix of "Bad Blood" featuring Kendrick Lamar was released as the fourth single from "1989" on May 17, 2015.

It rose from No. 53 to the chart's top spot after the music video premiered at the 2015 Billboard Music Awards and broke the Vevo record for most views in 24 hours .

5. "Look What You Made Me Do"

Despite mixed reactions from critics, Swift's lead single for "Reputation" rose to No. 1 after its first full week of tracking, breaking the weekly streaming record for a song by a woman.

Once again, Swift's music video broke the record for most views within 24 hours , racking up 43.2 million views in its first day.

"Look What You Made Me Do" remained atop the chart for three weeks.

6. "Cardigan"

Swift announced the arrival of her eighth album, " Folklore ," just one day in advance. The second track, "Cardigan," was released at the same time as the album and promoted with a whimsical music video .

"Folklore" debuted at No. 1 on the Billboard 200 while "Cardigan" simultaneously debuted at No. 1 on the Hot 100, making Swift the first artist in history to open atop both charts in the same week.

7. "Willow"

Just five months after "Folklore," Swift repeated her pandemic-era strategy and surprise-released " Evermore " alongside its lead single. The music video for "Willow" is painted as a witchy sequel to "Cardigan," with plenty of Easter eggs for fans buried in the details.

Again, "Evermore" debuted at No. 1 on the Billboard 200 while "Willow" simultaneously debuted at No. 1 on the Hot 100, making Swift the first artist to debut atop both charts simultaneously — twice. (She has now done it six times.)

8. "All Too Well (10 Minute Version) (Taylor's Version) (From the Vault)"

" Red (Taylor's Version) " was the second rerecorded album Swift released. It was accompanied by the long-awaited extended version of "All Too Well," a fan-favorite track from the original album.

"All Too Well (10 Minute Version)" was promoted with a self-directed short film  and plenty of theories about the song's potential muse . Fittingly, it debuted at No. 1 on the Hot 100.

9. "Anti-Hero"

"Anti-Hero" was released alongside " Midnights " and promoted as the album's lead single.

It quickly became Swift's biggest hit ever, reigning atop the Hot 100 for eight weeks and surpassing "Blank Space" as her longest-running No. 1 song.

The same week that "Anti-Hero" debuted at No. 1, Swift became the first and only artist in history to occupy the entire top 10 on the Hot 100 . The hit single was flanked by "Lavender Haze" (No. 2), "Maroon" (No. 3), "Snow on the Beach" (No. 4), "Midnight Rain" (No. 5), "Bejeweled" (No. 6), "Question...?" (No. 7), "You're On Your Own, Kid" (No. 8), "Karma" (No. 9), and "Vigilante Shit" (No. 10).

10. "Cruel Summer"

"Cruel Summer" was originally released as the second track on Swift's 2019 album "Lover."

Although it was identified early as a fan favorite, the song was never promoted as a single and debuted modestly at No. 29 on the Hot 100.

Four years later, Swift transformed "Cruel Summer" into a showstopping spectacle on The Eras Tour . Streams of the song began to surge and it reigned atop Billboard's Pop Airplay chart for two months. Swift's label sent the song to pop radio in June 2023.

Finally, following the release of " The Cruelest Summer " EP — which includes a live version of the song and a remix by LP Giobbi — the song reached No. 1 on the Hot 100, marking Swift's milestone 10th chart-topper. It later returned to the top spot, notching four weeks total.

11. "Is It Over Now?"

"Is It Over Now?" was released as the final vault track on "1989 (Taylor's Version)," a rerecording of her beloved fifth album.

Although it wasn't initially slated as a single, passionate fan reception pushed Swift's team to serve the song to pop radio.

"Is It Over Now?" debuted at No. 1 on the Hot 100 , dethroning "Cruel Summer." Swift is the only woman in history to replace herself in the top spot; she previously achieved the feat in 2014, when "Blank Space" took the crown from "Shake It Off."

12. "Fortnight" featuring Post Malone

"Fortnight" was released alongside " The Tortured Poets Department " and promoted as the album's lead single.

The Post Malone duet debuted at No. 1 on the Hot 100 while "Poets" simultaneously debuted at No. 1 on the Billboard 200, earning Swift's biggest sales week to date .

Once again, Swift managed to occupy the entire top 10 of the Hot 100 , becoming the first and only artist to achieve the feat twice. In fact, the top 14 positions on the chart were occupied by "Poets" tracks, including "Down Bad" (No. 2) and "I Can Do It With a Broken Heart" (No. 3), all the way through to "The Smallest Man Who Ever Lived" (No. 14).

Swift is now tied with Madonna and The Supremes for the fifth-most No. 1 hits in history.

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