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About novembers doom.

Novembers Doom is a death/doom metal band from Chicago. They are currently signed to The End Records. Along with Evoken and Rigor Sardonicous, Novembers Doom is one of the earliest U.S. death/doom metal bands that are still active today.

• Amid Its Hallowed Mirth (1995)
• Of Sculptured Ivy and Stone Flowers (1999)
• The Knowing (2000)
• To Welcome the Fade (2002)
• The Pale Haunt Departure (2005)
• The Novella Reservoir (2007)
• Into Night's Requiem Infernal (2009)
• Aphotic (2011)
• Bled White (2014)
• Hamartia (2017)
• Nephilim Grove (2019)

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Nephilim Grove

Nephilim Grove (Luxus)

The Knowing (Reissue)

Amid Its Hallowed Mirth

Into Night's Requiem Infernal

The Novella Reservoir

The Pale Haunt Departure

To Welcome The Fade

Of Sculptured Ivy And Stone Flowers

Novembers Doom Chicago, Illinois

Chicago death doom legends Novembers Doom were formed in 1989 by vocalist and lyricist Paul Kuhr. Throughout its career, the group has evolved from mournfully slow compositions into an entity that defies categorization, combining varied musical styles and elements without abandoning their roots. ND constantly reinvented itself to cultivate a unique sound that makes them immediately recognizable. ...   more

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Novembers Doom

A pioneering, enduring Chicago area doom/death metal act whose sound has continued to evolve in sometimes-unexpected directions.

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Novembers Doom

• Hamartia · 2017
• Nephilim Grove · 2019
• Bled White · 2014
• I Hurt Those I Adore
• Into Night's Requiem Infernal · 2009
• Nephilim Grove
• Twilight Innocence
• The Novella Reservoir · 2007
• Plague Bird
• For Every Leaf That Falls (Soft)
• Of Sculptured Ivy and Stone Flowers · 1999

About Novembers Doom

Consistently active since the late '80s, Chicago's Novembers Doom developed from thrashy beginnings to early adopters of a sludgy doom metal sound. Over the next several decades, the band continued to evolve from their doomy roots, embracing orchestral impulses and unlikely gothic folk instrumentation on albums like 2000's The Knowing and 2007's epic The Novella Reservoir. The band formed in 1989 in Downers Grove, Illinois, first operating under the name Laceration. They changed their name to Novembers Doom soon after to reflect a shift to a doomier, apocalyptic sound. In 1992, while still in their infancy, the band signed on with Italy's Regress Records on the strength of their two-song demo. Debut album Amid Its Hallowed Mirth was released in 1995 and earned praise for its hard rock -- and heavy metal -- orchestrated sound. The group also added a song to a Pavement Music compilation. In 1997, Novembers Doom released their second effort, an EP entitled For Every Leaf That Falls. Drawing on influences such as My Dying Bride, Edge of Sanity, and Paradise Lost, Novembers Doom released their second full-length album, Of Sculptured Ivy & Stone Flowers, in 1999. The band also signed to Martyr Music Group, Inc. In May 2000, Novembers Doom entered the studio to begin work on their third album. In July 2000, the group signed to Dark Symphonies. The band released The Knowing in 2000. This proved to be an international breakthrough, garnering them significant attention in Europe. After a grueling tour and short break, Novembers Doom reentered the studio with producer Neil Kernon, who had helmed recordings by everyone from Cannibal Corpse and Judas Priest to Queensrÿche and Hall & Oates. The end result was To Welcome the Fade, issued in September. Their profile grew even more as the album was declared Album of the Year in Metal Maniacs Magazine. Novembers Doom toured as support for the Gathering and headlined their own shows as well. Impressed by that tour, the Gathering's label, The End Records, signed Novembers Doom in mid-2003. They began recording in 2004 with mixing engineer Dan Swanö and Chris Djuricic as producer. Pale Haunt Departure, their most diverse collection to date, skirted the edges of dark doom and death metal while remaining firmly inside them, though there are moments when hard rock, black metal, and even NWOBHM enter the sonic fray. This time, the band headlined their own tour, playing festivals and large club dates across the U.S. and embarking on their first long trek across Europe as a headliner. In 2007, Novembers Doom released The Novella Reservoir, which appeared to complete the expansive trilogy that began with To Welcome the Fade. Co-produced by the band with bassist Djuricic (aka Chris Wisco) and once again employing Swanö in the mixing chair, it fully implemented the flashier, meatier style of new guitarist Vito Marchese with veteran Larry Roberts' more melodic, riff-laden approach. Since they were not yet ready to cut another record, the End licensed the group's first two albums, remastered them, and added bonus tracks to create deluxe packages for reissue in 2008. That same year saw the filming and release of the DVD The Novella Vosselaar: Live in Belgium. Into Night's Requiem Infernal was released in 2009 and created a seeming schism between longtime fans and new ones. Novembers Doom's ability to weave in more textures and dynamics moved them all but out of the doom genre as their approach grew more assaultive. The set was co-produced by the band and Wisco (who left his bass chair, which was filled by Mike Feldman) with Swanö a seemingly permanent part of the team at this juncture. Live audiences greeted the new material with the same enthusiasm, and their European audience doubled as they headlined festivals across the Continent. Released in 2011, Aphotic incorporated their extreme roots with atmospheric, near prog and gothic aspects. It featured the track "What Could Have Been," with Paul Kuhr in duet with former Gathering lead vocalist Anneke van Giersbergen. Again, after extensive touring, the band took a break to write. Kuhr underwent some major life changes during this period as well. They re-emerged in July of 2014 with the aggressive Bled White, which featured new drummer Garry Naples, who replaced Sasha Horn. The band toured internationally, playing headline gigs as well as festival stages in the United States and Europe throughout 2015, cementing their live chemistry with this incarnation of the band. The following year, the same bandmembers entered Belle City Sound in Racine, Wisconsin with producer Djuricic and Swanö mixing. (It marked the first time in its 28-year history that Novembers Doom had worked on two consecutive albums with the same lineup.) During the recording process, they enlisted help from Ben Johnson on keyboards, My Dying Bride guitarist Andrew Craighan, and alternating backing vocals from Rhiannon Kuhr, Bernt Fjellestad (Susperia), and Swanö. In January of 2017, they announced the finished album as Hamartia, and offered the preview single "Plague Bird," and a second titled "Zephyr" in March. Hamartia was issued by the End Records in April. Two years later, 11th album Nephilim Grove materialized, presenting the band's ever-diverse range of sounds and styles with dynamic and clear production. ~ Jason MacNeil

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Novembers Doom: "Our tragic flaw is our ability to love"

Watch Novembers Doom's new lyric video for Zephyr

Chicago self-proclaimed dark metallers Novembers Doom are premiering their new lyric video for Zephyr exclusively with Metal Hammer.

Zephyr is taken from the band’s upcoming album Hamartia , which mainman and founding member Paul Kuhr says has something for everyone.

“Fans of the earliest form of Novembers Doom will appreciate some of the darker, and heavier moments, and fans of (2013 album) Bled White will love the progression. There’s some moments of (2005 album) The Pale Haunt Departure in there too, all with something new.

“To me, any fan of the band should love this album, so my fingers are crossed that it’s well received. We’re quite proud of this one.”

You can listen to the first taste of Hamartia below, with some deeper insight into the album and the band from Paul himself.

What is the meaning behind the song Zephyr ?

“The entire album of Hamartia is based on relationships, and I took a different approach for some of it’s lyrical content. I wrote certain songs through the eyes of other people, who are very close to me in my life, keeping it all very personal. Zephyr is one song written though the eyes of my daughter, and after watching her struggle with a demon she’s had for years, it was a way for me to put into words what I have witnessed all along. It’s about standing up, calling it out for what it is, and doing what needs to be done to move forward with her life.”

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Where does Hamartia fit into the Novembers Doom catalogue? How does it progress what you guys are doing?

“When we begin writing every album, we always push ourselves to create a better album than the previous one. We have never taken the easy route and released a clone of the previous record. We could easily knock out an album a year, but no one would be happy with the result. The process of trying to be better with each release takes us time, to make sure we’re happy with the result. There are always elements of our past in everything thing we do, we constantly try to add in new influences and try new things vocally, and musically. To me, this is the best we’ve created in ten albums. From beginning to end, this is the strongest, most cohesive record yet.”

What is the story behind the album artwork?

“This album is about relationships. The Greek word ‘Hamartia’ means a tragic flaw in one’s character that could lead to their demise. Relationships are like a plague, and they effect us all in life. Our tragic flaw is our ability to love. The plague doctor image shows no matter how much you attempt to protect yourself from this plague, your heart is always exposed, and it’s showing you our flaw. There’s no avoiding a broken heart.”

You’re also approaching 30 years as a band. What has been the secret to your longevity?

“We’ve never approached this band in a way where we have had to rely on it for income. The perception of the music business from those not involved is interesting. People assume that when they see your CDs in stores, or hear your music on a streaming service, or we’ve been added to an official Apple playlist, that we live off of the music. This could not be further from the truth, and knowing this would never be the case puts you in control of your own destiny. Novembers Doom has always been a glorified hobby for us. We play when we want, write what we want, and tour when we can. There’s no pressure to pay the bills with the band. It has allowed us to keep going because we love the music we create. If and when the time comes, where Novembers Doom decides it’s coming to a close, it will be on our terms, and because we decide to walk away, not because we must.”

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How does it feel being the only original member of the band left?

“I started this band very young, and since it is a glorified hobby, it’s impossible to think the same people will stick around for that. Real life comes into play, and people move on with their lives, and leave the hobby behind. I feel fortunate to still find band members who are like-minded, and work so well together. I’ve always felt this band has had a few lives now, and we’re on its fourth life. I may be the only original member left, but I wouldn’t be anything without the other guys, so I’m proud to be a part of this band, this line-up, right now. I was proud of every incarnation of Novembers Doom, everyone I’ve played with has a spot in my heart, but here, right now, we have something quite special with the five of us. We are writing the best music Novembers Doom has ever created. It’s not always easy, but the end result is something I can sit down and enjoy as a fan myself.”

How do you feel about the doom metal scene in 2017?

“This is going to sound incredibly ignorant, but I don’t follow it at all. I understand it’s doing very well and there’s a strong following for it now, but I never felt we fit into that category. Not in that traditional sense. The slower, sludgy doom metal that seems to define the genre has attracted that more trendy, ‘hipster’ type crowd, and again, this is only my perspective as the outsider looking in at the local scene in Chicago. None of this is a knock to anyone or the genre, I’m sure there are a lot of amazing bands that are leading it, but for me, I tend to focus on what I like, and I find myself always going back to the classics when I want to listen to doom. It’s why I’ve always called Novembers Doom ‘dark metal’. It just makes more sense, as it’s impossible to put us into a mould. So, how do I feel about the doom metal scene? The more popular is gets, the better it is for all underground bands, and I applaud those bands who carry the torch! I’m all for growth in our small piece of the pie.”

What else do you want to achieve with Novembers Doom?

“Every goal I have ever set out for myself with this band, we’ve accomplished, so I made a new list, and we accomplished that list. It’s easy to set a goal, and fight for it, and to earn it with hard work and persistence. If there’s anything else left to achieve, it’s respect.

“I don’t mean this is a negative way either. We are highly respected by our fans, and many people we’ve worked with in our long career. We’ve witnessed a lot of things over the years, and have heard popular bands say some horrible things to promoters and about their own fans in our presence. It’s always amazed me, the bigger the jerk a band can be, the more they are respected and taken care of by promoters and a growing fan base. It’s this ‘bad boy’ mentality in the music scene, and people gravitate to the stories and the drama. It’s not about the music anymore, it’s about the image. I’d love to earn the same respect only for the music we’ve written and the accomplishments we’ve earned with our longevity. People mistake kindness for weakness all the time, and that old cliche is true. Nice guys finish last. This is by no means complaining or whining, we are very happy the way we did things, and continue to do. The squeaky wheel gets the grease, and I suppose we’ve been too quiet to be noticed in that regard, while the loudest have become the most respected. It’s a crazy business, and in the end, I’d love to achieve that same respect but for doing things our way. We’re the Rodney Dangerfield of this business!”

Hamartia is available April 14, via The End Records . There are also limited edition album bundles available to pre-order .

Luke Morton joined Metal Hammer as Online Editor in 2014, having previously worked as News Editor at popular (but now sadly defunct) alternative lifestyle magazine, Front. As well as helming the Metal Hammer website for the four years that followed, Luke also helped relaunch the Metal Hammer podcast in early 2018, producing, scripting and presenting the relaunched show during its early days. He also wrote regular features for the magazine, including a 2018 cover feature for his very favourite band in the world, Slipknot, discussing their turbulent 2008 album, All Hope Is Gone.

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NOVEMBERS DOOM: European Tour Dates Finalized

Chicago dark metal act NOVEMBERS DOOM have finalized the dates for their upcoming tour of Europe with labelmates AGALLOCH that begins on November 17 in The Netherlands. They are as follows:

Nov. 17 - Plato - Helmond, Netherlands (w/ AGALLOCH, SATURNUS AND THURISAZ) Nov. 18 - Biebob - Vosselaar, Belgium (w/ AGALLOCH, SATURNUS & THURISAZ) Nov. 19 - Metropool - Netherlands (w/ AGALLOCH, SATURNUS & THURISAZ) Nov. 20 - Loppen - Copenhagen, Denmark (w/ AGALLOCH, SATURNUS & THURISAZ) Nov. 21 - K17 - Berlin, Germany (w/ AGALLOCH & THURISAZ) Nov. 23 - Black Pes - Prague, Czech Republic (w/ AGALLOCH) Nov. 24 - Backstage - Munich, Germany (w/ AGALLOCH) Nov. 25 - Gildenhof - Belgium (w/ THURISAZ) Nov. 27 - Satan's Hollow - Manchester, England (w/ THE PROPHECY)

In other news, the band has set a February 20, 2007 release date of their forthcoming album, "The Novella Reservoir" , for The End Records . The artwork and an mp3 of the song "Drown the Inland Mere" can be found at www.thenovellareservoir.com .

"The Novella Reservoir" was recorded with Chris Djuricic , mixed by Dan Swanö ( EDGE OF SANITY , BLOODBATH ) and mastered by James Murphy ( TESTAMENT , DEATH ) and is the follow-up to 2005's "The Pale Haunt Departure" .

About the album, singer Paul Kuhr says, "The only way to describe 'The Novella Reservoir' is natural progression. With each CD we release, we evolve in style. This time, we took a step forward in speed and aggression, while maintaining the same sound we've had over all six CDs. 'The Pale Haunt Departure' was so well received, we knew writing the follow up would be a challenge, and I feel we've successfully created a worthy release."

"The Novella Reservoir" track listing:

01. Rain 02. The Novella Reservoir 03. Drown the Inland Mere 04. Twilight Innocence 05. The Voice of Failure 06. They Were Left to Die 07. Dominate the Human Strain 08. Leaving This

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Novembers Doom

• May 28, 2022 Setlist

Novembers Doom Setlist at Edison Lot, Baltimore, MD, USA

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• Petrichor Play Video
• The Witness Marks Play Video
• Plague Bird Play Video
• Ghost Play Video
• Rain Play Video
• Buried Play Video
• The Pale Haunt Departure Play Video
• Harvest Scythe Play Video

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4 activities (last edit by cwleft2 , 28 May 2022, 20:33 Etc/UTC )

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Novembers Doom Gig Timeline

• Jan 10 2020 70,000 Tons of Metal 2020 Fort Lauderdale, FL, USA Add time Add time
• May 06 2022 Karmøygeddon 2022 Kopervik, Norway Add time Add time
• May 28 2022 Maryland Deathfest XVIII This Setlist Baltimore, MD, USA Add time Add time
• Oct 20 2022 Durty Nellie's Palatine, IL, USA Add time Add time
• Nov 05 2022 Mass Destruction Metal Fest 2022 Atlanta, GA, USA Start time: 8:40 PM 8:40 PM

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Boris Announce US Tour in 2024: How to Get Tickets

J apanese noise rockers Boris are kicking off a tour of the United States this fall, and it’s going to be a special one. The Amplifier Worship Service Tour will see the band performing their hit 1998 album of the same name in its entirety.

This is going to be a classic throwback Boris tour featuring their older, more doom metal sound. American rock band Starcrawler will support Boris for all tour dates. This is not a tour you’ll want to miss if you love noise rock and doom metal!

The Boris 2024 Tour will start on September 25 in San Diego, California at Music Box. The tour will end on November  3 in Tempe, Arizona at Marquee Theatre. 

General on-sale for this tour will begin on Friday, April 26 at 10:00 am local. Select tour dates currently have presale events live on Ticketmaster . If your chosen tour date has sold out by the time you’re ready to get tickets, it might be a good idea to check Stubhub . Stubhub usually has at least a few tickets available to sold-out shows, especially for big names in rock like Boris. It’s worth checking, at least!

Get your tickets to see Boris live before they’re gone!

Boris 2024 Tour Dates

September 25 – San Diego, CA – Music Box 

September 26 – Los Angeles, CA – Belasco 

September 27 – Pomona, CA – Glass House 

September 28 – Fresno, CA – Strummer’s 

September 29 – San Francisco, CA – The Fillmore 

October 1 – Portland, OR – Revolution Hall 

October 2 – Seattle, WA – Showbox 

October 4 – Boise, ID – Treefort Music Hall 

October 6 – Denver, CO – Bluebird Theater 

October 8 – Omaha, NE – The Waiting Room 

October 9 – Minneapolis, MN – Fine Line 

October 10 – Milwaukee, WI – Vivarium 

October 11 – Chicago, IL – Ramova Theatre 

October 12 – Indianapolis, IN – The Vogue 

October 13 – St. Louis, MO – Delmar Hall 

October 15 – Grand Rapids, MI – Elevation 

October 16 – Detroit, MI – St. Andrew’s Hall 

October 17 – Cleveland, OH – Beachland Ballroom 

October 18 – Pittsburgh, PA – Thunderbird Music Hall 

October 19 – Philadelphia, PA – Union Transfer 

October 21 – Boston, MA – Paradise 

October 22 – Hamden, CT – Space Ballroom 

October 23 – New York, NY – Racket 

October 24 – Baltimore, MD – Soundstage 

October 25 – Carrboro, NC – Cat’s Cradle 

October 26 – Atlanta, GA – Masquerade 

October 27 – Birmingham, AL – Saturn 

October 29 – Dallas, TX – Granada Theater 

October 30 – Houston, TX – Warehouse Live Midtown 

November  2 – Tucson, AZ – 191 Toole 

November  3 – Tempe, AZ – Marquee Theatre 

Photo courtesy of Boris’ official Facebook page

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The post Boris Announce US Tour in 2024: How to Get Tickets appeared first on American Songwriter .

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