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oft she visits this lone mountain

Dido and Aeneas

Libretto by nahum tate.

(The Palace. Enter Dido, Belinda and attendants)

Shake the cloud from off your brow,

Fate your wishes does allow;

Empire growing, pleasures flowing,

Fortune smiles and so should you.

Banish sorrow, banish care,

Grief should ne’er approach the fair.

Ah! Belinda, I am press’d

With torment not to be confess’d.

Peace and I are strangers grown.

I languish till my grief is known,

Yet would not have it guess’d.

Grief increases by concealing.

Mine admits of no revealing.

Then let me speak; the Trojan guest

Into your tender thoughts has press’d.

SECOND WOMAN

The greatest blessing Fate can give,

Our Carthage to secure, and Troy revive.

When monarchs unite, how happy their state;

They triumph at once o’er their foes and their fate.

Whence could so much virtue spring?

What storms, what battles did he sing?

Anchises’ valor mix’d with Venus’ charms,

How soft in peace, and yet how fierce in arms.

A tale so strong and full of woe

Might melt the rocks, as well as you.

What stubborn heart unmov’d could see

Such distress, such piety?

Mine with storms of care oppress’d

Is taught to pity the distress’d;

Mean wretches’ grief can touch

So soft, so sensible my breast,

But ah! I fear I pity his too much.

BELINDA and SECOND WOMAN

Fear no danger to ensue,

The hero loves as well as you.

Ever gentle, ever smiling,

And the cares of life beguiling

Cupids strew your paths with flowers

Gather’d from Elysian bowers.

Fear no danger to ensue

And the cares of life beguiling.

(Æneas enters with his train)

See, your royal guest appears;

How godlike is the form he bears!

When, royal fair, shall I be bless’d,

With cares of love and state distress’d?

Fate forbids what you pursue.

Æneas has no fate but you!

Let Dido smile, and I’ll defy

The feeble stroke of Destiny.

Cupid only throws the dart

That’s dreadful to a warrior’s heart,

And she that wounds can only cure the smart.

If not for mine, for empire’s sake.

Some pity on your lover take;

Ah! make not in a hopeless fire

A hero fall, and Troy once more expire.

Pursue thy conquest, Love - her eyes

Confess the flame her tongue denies.

To the hills and the vales,

To the rocks and the mountains,

To the musical groves, and the cool shady fountains

Let the triumphs of love and of beauty be shown.

Go revel ye Cupids, the day is your own.

The Triumphing Dance

(The Cave. Enter Sorceress)

Prelude for the Witches

Wayward sisters, you that fright

The lonely traveler by night,

Who like dismal ravens crying

Beat the windows of the dying,

Appear at my call, and share in the fame.

Of a mischief shall make all Carthage flame.

Appear! Appear! Appear! Appear!

(Enter witches)

FIRST WITCH

Say, Beldame, what’s thy will?

Harm’s our delight and mischief all our skill.

The Queen of Carthage, whom we hate,

As we do all in prosp’rous state,

Ere sunset shall most wretched prove,

Depriv’d of fame, of life and love.

Ho, ho, ho, etc.

FIRST and SECOND WITCHES

Ruin’d ere the set of sun?

Tell us, how shall this be done?

The Trojan Prince you know is bound

By Fate to seek Italian ground;

The Queen and he are now in chase,

Hark! Hark! The cry comes on apace!

But when they’ve done, my trusty elf,

In form of Mercury himself,

As sent from Jove, shall chide his stay,

And charge him sail tonight with all his fleet away.

But ere we this perform

We’ll conjure for a storm.

To mar their hunting sport,

And drive ‘em back to court.

In our deep vaulted cell.

The charm we’ll prepare,

Too dreadful a practice

for this open air.

Echo Dance of Furies

(The Grove. Enter Æneas, Dido, Belinda and their train)

Thanks to these lonesome vales,

These desert hills and dales,

So fair the game, so rich the sport

Diana’s self might to these woods resort.

Oft she visits this lone mountain,

Oft she bathes her in this fountain.

Here, Actæon met his fate,

Pursued by his own hounds;

And after mortal wounds,

Discover’d too late

Here Actæon met his fate.

(A dance to entertain Æneas

by Dido’s women)

Behold, upon my bending spear

A monster’s head stands bleeding

With tushes [tusks] far exceeding

Those did Venus’ huntsman tear.

The skies are clouded:

Hark! How thunder

Rends the mountain oaks asunder!

Haste to town! this open field

No shelter from the storm can yield

Haste to town!

Haste to town! This open field

(The Spirit of the Sorceress descends to

Æneas in the likeness of Mercury)

Stay, Prince, and hear great Jove’s command:

He summons thee this night away.

Tonight thou must forsake this land;

The angry god will brook no longer stay.

Jove commands thee, waste no more

In love’s delights those precious hours

Allow’d by th’almighty powers

To gain th’Hesperian shore

And ruin’d Troy restore.

Jove’s commands shall be obey’d;

Tonight our anchors shall be weigh’d.

But ah! What language can I try,

My injur’d Queen to pacify?

No sooner she resigns her heart

But from her arms I’m forc’d to part.

How can so hard a fate be took?

One night enjoy’d, the next forsook.

Yours be the blame, ye gods! for I

Obey your will; but with more ease could die

(The Ships)

Come away, fellow sailors, your anchors be weighing,

Time and tide will admit no delaying;

Take a boozy short leave of your nymphs on the shore,

And silence their mourning

With vows of returning,

But never intending to visit them more.

Come away, fellow sailors, your anchors be weighing

The Sailor’s Dance

(Enter Sorceress and Witches)

See, see the flags and streamers curling,

Anchors weighing, sails unfurling.

Phoebe’s pale deluding beams

Gilding o’er deceitful streams.

Our plot has took,

The Queen’s forsook!

Elissa’s ruin’d, ho, o, ho, etc.

Our next motion

Must be to storm her lover on the ocean.

From the ruin of others our pleasures we borrow;

Elissa bleeds tonight, and Carthage flames tomorrow.

Destruction’s our delight,

Delight our greatest sorrow;

Elissa dies tonight,

And Carthage flames tomorrow.

The Witches Dance

(Jack of the Lanthorn leads the Sailors out of

their way among the Witches)

(Enter Dido, Belinda and women)

Your counsel all is urg’d in vain,

To earth and heaven I will complain;

To earth and heaven why do I call?

Earth and heaven conspire my fall.

To Fate I sue, of other means bereft,

The only refuge for the wretched left.

See, madam, see where Prince appears!

Such sorrow in his look he bears

As would convince you still he’s true.

What shall lost Æneas do?

How, royal fair, shall I impart

The god’s decree, and tell you we must part?

Thus on fatal banks of the Nile

Weeps the deceitful crocodile;

Thus hypocrites that murder act

Make heav’n and gods the authors of the fact!

By all that’s good -

By all that’s good, no more!

All that’s good you have forswore.

To your promis’d empire fly,

And let forsaken Dido die.

In spite of Jove’s commands I’ll stay,

Offend the gods, and love obey.

No, faithless man, thy course pursue;

I’m now resolv’d, as well as you.

No repentance shall reclaim

The injur’d Dido’s slighted flame;

for ‘tis enough, what e’er you now decree,

That you had once a thought of leaving me.

Let Jove say what he please, I’ll stay!

Away, away!

No, no, I’ll stay and Love obey.

No, no, away, away,

To Death I’ll fly

If longer you delay.

Away, Away!

(Exit Æneas)

But Death alas! I cannot shun;

Death must come when he is gone.

Great minds against themselves conspire,

And shun the cure they most desire.

Thy hand, Belinda; darkness shades me,

On thy bosom let me rest;

More I would but Death invades me;

Death is now a welcome guest.

When I am laid in earth, may my wrongs create

No trouble in thy breast,

Remember me! But ah! forget my fate.

( Cupids appear in the clouds o’er her tomb)

With drooping wings ye Cupids come,

And scatter roses on her tomb.

Soft and gentle as her heart;

Keep here your watch, and never part.

Cupid’s Dance

oft she visits this lone mountain

25. Oft she visits this lone mountain

About the text.

  • Author: Nahum Tate

Instrumentation

  • 2nd Woman ( Soprano )
  • Violoncello + Basso continuo
  • Harpsichord

Similar instrumentation

  • Aria: Dolce vita del mio petto Handel
  • Recitativo: Se l’empio Silla, o padre Mozart
  • Air: Cor fedele Handel
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  • Full score: Henry Purcell, The Works of Henry Purcell vol. 3 (London: Novello & Company Limited, 1979), p. 60
  • Scores at IMSLP  ›

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  • Henry Purcell feat. Emmanuelle Haïm Lyrics
  • Purcell: Dido and Aeneas Album
  • Dido and Aeneas, ACT 2, Scene 2: The Grove: Oft she visits this lone mountain (Second Woman) Lyrics

Henry Purcell feat. Emmanuelle Haïm - Dido and Aeneas, ACT 2, Scene 2: The Grove: Oft she visits this lone mountain (Second Woman) Lyrics

Artist: Henry Purcell feat. Emmanuelle Haïm

Album: Purcell: Dido and Aeneas

oft she visits this lone mountain

Oft she Visits this lone Mountain, Oft she bathes her in this Fountain. Oft she Visits this lone Mountain, Oft she bathes her in this Fountain. Here Acteon met his Fate, Here Acteon met his Fate, Pursued by his own Hounds, And after Mortal Wounds, And after Mortal Wounds, Discover'd, discover'd too late. And after Mortal Wounds, Discover'd, discover'd too late.

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oft she visits this lone mountain

Dido and Aeneas, Z 626 (Henry Purcell)

  • 1.1.1.1 Act 1
  • 1.1.1.2 Act 2
  • 1.1.1.3 Act 3
  • 1.2.1 29. Chorus: "Come away, fellow sailors"
  • 1.2.2 Final scene "Thy hand … When I am laid … With drooping"
  • 2.1 External websites:
  • 3 Original text and translations

Music files

Complete work.

oft she visits this lone mountain

Individual movements to CPDL #11860

Excerpts and arrangements, 29. chorus: "come away, fellow sailors".

oft she visits this lone mountain

Final scene "Thy hand … When I am laid … With drooping"

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General Information

Title: Dido and Aeneas , Z. 626 Composer: Henry Purcell Lyricist:

Number of voices: 4vv   Voicing: SATB , plus 9 solo roles: 2 mezzo-sopranos , 5 sopranos , 2 tenors Genre: Secular ,  Opera

Language: English Instruments: Strings : Violin I, Violin II, Viola, Violoncello, Basso Continuo/Harpsichord)

First   published: 1841  Musical Antiquarian Society     2nd   published: 1889  Purcell Society Works ed. Cummings     3rd   published: 1925  ed. Dent (after Tenbury version) Description:  Fowler's edition CPDL #11860 is based on MS 1266 (5) at St. Michaels College, Tenbury, a mid-18c copy. The earliest printed scores (1841 & 1889) follow 4 late-18c mss., making the Sorceress a bass and calling Belinda "Anna", besides differing considerably in musical details. Of the original version only a late 17c libretto survives. It includes 5 lost items: a prologue, dances with guitars following 11. "Pursue thy conquest, love" and 24. "Thanks to these lonesome vales", another witches' scene after Mercury's "Stay, prince, and hear", and an epilogue "All that we know the angels do above".

External websites:

  • Free choir training aids for this work are available at Choralia .
  • Dido and Aeneas, Z 626 (Henry Purcell) at the Petrucci Music Library (IMSLP)

View the Wikipedia article on Dido and Aeneas, Z 626 (Henry Purcell) .

Original text and translations

Original text and translations may be found at Dido and Aeneas .                                            

  • Calebe Barros editions
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Dido and Aeneas Libretto

Cast: DIDO or Elissa , Queen of Carthage (Soprano) BELINDA, her sister (Soprano) SECOND WOMAN (Soprano) SORCERESS (Mezzo-Soprano) FIRST WITCH (Soprano) SECOND WITCH (Soprano) SPIRIT (Mezzo-Soprano) AENEAS, a Trojan Prince (Tenor) SAILOR (Soprano or Tenor) CHORUS Dido's train, Aeneas' train, Fairies, Sailors PROLOGUE [The music to the prologue is lost] Phoebus Rises in the Chariot. Over the Sea, The Nereids out of the Sea. PHOEBUS From Aurora's Spicy Bed, Phoebus rears his Sacred Head. His Coursers Advancing, Curvetting and Prancing. FIRST NEREID Phoebus strives in vain to Tame'em, With Ambrosia Fed too high. SECOND NEREID Phoebus ought not now to blame'em, Wild and eager to Survey The fairest Pageant of the Sea. PHOEBUS Tritons and Nereids come pay your Devotion CHORUS To the New rising Star of the Ocean. Venus Descends in her Chariot, The Tritons out of the Sea. The Tritons Dance NEREID Look down ye Orbs and See A New Divinity. PHOEBUS Whose Lustre does Out-Shine Your fainter Beams, and half Eclipses mine, Give Phoebus leave to Prophecy. Phoebus all Events can see. Ten Thousand Thousand Harmes. From such prevailing Charmes, To Gods and Men must instantly Ensue. CHORUS And if the Deity's above, Are Victims of the powers of Love, What must wretched Mortals do. VENUS Fear not Phoebus, fear not me, A harmless Deity. These are all my Guards ye View, What can these blind Archers do. PHOEBUS Blind they are, but strike the Heart, VENUS What Phoebus say's is alwayes true. They Wound indeed, but 'tis a pleasing smart. PHOEBUS Earth and Skies address their Duty, To the Sovereign Queen of Beauty. All Resigning, None Repining. At her undisputed Sway. CHORUS To Phoebus and Venus our Homage wee'l pay, Her Charmes blest the Night, as his Beams blest the day. The Nereids Dance. Exit. The Spring Enters with her Nymphs. SCENE I The Grove. VENUS See the Spring in all her Glory, CHORUS Welcomes Venus to the Shore. VENUS Smiling Hours are now before you, Hours that may return no more. Exit, Soft Musick. SPRING Our Youth and Form declare, For what we were designed. 'Twas Nature made us Fair, And you must make us kind. He that fails of Addressing, 'Tis but Just he shou'd fail of Possessing. The Spring and Nymphs Dance SHEPHERDESSES Jolly Shepherds come away, To Celebrate this Genial Day, And take the Friendly Hours you vow to pay. Now make Trial, And take no Denial. Now carry your Game, or for ever give o're. The Shepherds and Shepherdesses Dance CHORUS Let us Love and happy Live, Possess those smiling Hours, The more auspicious Powers, And gentle Planets give. Prepare those soft returns to Meet, That makes Loves Torments Sweet. The Nymphs Dance Enter the Country Shepherds and Shepherdesses. HE Tell, Tell me, prithee Dolly, And leave thy Melancholy. Why on the Plaines, the Nymphs and Swaines, This Morning are so Jolly. SHE By Zephires gentle Blowing. And Venus Graces Flowing. The Sun has bin to Court our Queen, And Tired the Spring with wooing. HE The Sun does guild our Bowers, SHE The Spring does yield us Flowers. She sends the Vine, HE He makes the Wine, To Charm our happy Hours. SHE She gives our Flocks their Feeding, HE He makes'em fit for Breeding. SHE She decks the Plain, HE He fills the Grain, And makes it worth the Weeding. CHORUS But the Jolly Nymph Thitis that long his Love sought, Has Flustred him now with a large Mornings draught, Let's go and divert him, whilst he is Mellow, You know in his Cups he's a Hot-Headed Fellow. The Countreys Maids Dance Exit ACT THE FIRST Overture The Palace Enter Dido, Belinda and train BELINDA Shake the cloud from off your brow, Fate your wishes does allow; Empire growing, pleasures flowing, Fortune smiles and so should you. CHORUS Banish sorrow, banish care, Grief should ne'er approach the fair. DIDO Ah! Belinda, I am press'd With torment not to be confess'd, Peace and I are strangers grown. I languish till my grief is known, Yet would not have it guess'd. BELINDA Grief increases by concealing, DIDO Mine admits of no revealing. BELINDA Then let me speak; the Trojan guest Into your tender thoughts has press'd; The greatest blessing Fate can give Our Carthage to secure and Troy revive. CHORUS When monarchs unite, how happy their state, They triumph at once o'er their foes and their fate. DIDO Whence could so much virtue spring? What storms, what battles did he sing? Anchises' valour mix'd with Venus' charms How soft in peace, and yet how fierce in arms! BELINDA A tale so strong and full of woe Might melt the rocks as well as you. SECOND WOMAN What stubborn heart unmov'd could see Such distress, such piety? DIDO Mine with storms of care oppress'd Is taught to pity the distress'd. Mean wretches' grief can touch, So soft, so sensible my breast; But ah! I fear, I pity his too much. BELINDA AND SECOND WOMAN repeated by Chorus Fear no danger to ensue, The Hero loves as well as you, Ever gentle, ever smiling, And the cares of life beguiling, Cupid strew your path with flowers Gather'd from Elysian bowers. Dance this Chorus The Baske Aeneas enters with his train BELINDA See, your Royal Guest appears; How Godlike is the form he bears! AENEAS When, Royal Fair, shall I be bless'd With cares of love and state distress'd? DIDO Fate forbids what you pursue. AENEAS Aeneas has no fate but you! Let Dido smile and I'll defy The feeble stroke of Destiny. CHORUS Cupid only throws the dart That's dreadful to a warrior's heart, And she that wounds can only cure the smart. AENEAS If not for mine, for Empire's sake, Some pity on your lover take; Ah! make not, in a hopeless fire A hero fall, and Troy once more expire. BELINDA Pursue thy conquest, Love; her eyes Confess the flame her tongue denies. A Dance. Gittars Chacony CHORUS To the hills and the vales, to the rocks and the mountains, To the musical groves and the cool shady fountains. Let the triumphs of love and of beauty be shown. Go revel, ye Cupids, the day is your own. The Triumphing Dance ACT THE SECOND SCENE I The Cave Enter Sorceress Prelude for the Witches SORCERESS Wayward sisters, you that fright The lonely traveller by night. Who, like dismal ravens crying, Beat the windows of the dying, Appear! Appear at my call, and share in the fame Of a mischief shall make all Carthage flame. Appear! Enter Enchantresses FIRST WITCH Say, Beldame, say what's thy will. CHORUS Harm's our delight and mischief all our skill. SORCERESS The Queen of Carthage, whom we hate, As we do all in prosp'rous state, Ere sunset, shall most wretched prove, Depriv'd of fame, of life and love! CHORUS Ha, ha, ha, ha, ha, ha! TWO WITCHES Ruin'd ere the set of sun? Tell us, how shall this be done? SORCERESS The Trojan Prince, you know, is bound By Fate to seek Italian ground; The Queen and he are now in chase. FIRST WITCH Hark! Hark! the cry comes on apace. SORCERESS But, when they've done, my trusty Elf In form of Mercury himself As sent from Jove, shall chide his stay, And charge him sail tonight with all his fleet away. CHORUS Ha, ha, ha, ha, ha, ha! Enter a Drunken Sailor; a dance TWO WITCHES But ere we this perform, We'll conjure for a storm To mar their hunting sport, And drive 'em back to court. CHORUS in the manner of an echo In our deep vaulted cell the charm we'll prepare, Too dreadful a practice for this open air. Echo Dance ( Enchantresses and Fairies ) SCENE II The Grove Enter Aeneas, Dido, Belinda, and their train Ritornelle ( Orchestra ) BELINDA repeated by Chorus Thanks to these lovesome vales, These desert hills and dales, So fair the game, so rich the sport, Diana's self might to these woods resort. Gitter Ground A Dance SECOND WOMAN Oft she visits this lone mountain, Oft she bathes her in this fountain; Here Actaeon met his fate, Pursued by his own hounds, And after mortal wounds Discover'd, discover'd too late. A Dance to entertain Aeneas by Dido's women AENEAS Behold, upon my bending spear A monster's head stands bleeding, With tushes far exceeding Those did Venus' huntsman tear. DIDO The skies are clouded, hark! how thunder Rends the mountain oaks a sunder. BELINDA repeated by Chorus Haste, haste to town, this open field No shelter from the storm can yield. exeunt Dido and Belinda and train The Spirit of the Sorceress descends to Aeneas in the likeness of Mercury SPIRIT Stay, Prince and hear great Jove's command; He summons thee this Night away. AENEAS Tonight? SPIRIT Tonight thou must forsake this land, The Angry God will brook no longer stay. Jove commands thee, waste no more In Love's delights, those precious hours, Allow'd by th'Almighty Powers. To gain th' Hesperian shore And ruined Troy restore. AENEAS Jove's commands shall be obey'd, Tonight our anchors shall be weighed. Exit Spirit But ah! what language can I try My injur'd Queen to pacify: No sooner she resigns her heart, But from her arms I'm forc'd to part. How can so hard a fate be took? One night enjoy'd, the next forsook. Yours be the blame, ye gods! For I Obey your will, but with more ease could die. CHORUS The Sorceress and her Enchantresses Then since our Charmes have sped, A Merry Dance be led By the Nymphs of Carthage to please us. They shall all Dance to ease us, A Dance that shall make the Spheres to wonder, Rending those fair Groves asunder. The Groves Dance ACT THE THIRD SCENE I The Ships Enter the Sailors Prelude FIRST SAILOR repeated by Chorus Come away, fellow sailors, your anchors be weighing, Time and tide will admit no delaying. Take a boozy short leave of your nymphs on the shore, And silence their mourning With vows of returning But never intending to visit them more. The Sailors' Dance Enter the Sorceress, and her Enchantresses SORCERESS See the flags and streamers curling Anchors weighing, sails unfurling. FIRST WITCH Phoebe's pale deluding beams Gilding o'er deceitful streams. SECOND WITCH Our plot has took, The Queen's forsook. TWO WITCHES Elissa's ruin'd, ho, ho! Our plot has took, The Queen's forsook, ho, ho! SORCERESS Our next Motion Must be to storm her lover on the ocean! From the ruin of others our pleasures we borrow; Elissa bleeds tonight, and Carthage flames tomorrow. CHORUS Destruction's our delight Delight our greatest sorrow! Elissa dies tonight, And Carthage flames tomorrow. Ha, ha! The Witches' Dance Jack of the the Lanthorn leads the sailors out of their way among the Enchantresses. SCENE II The palace Enter Dido, Belinda and train DIDO Your counsel all is urg'd in vain, To Earth and Heaven I will complain! To Earth and Heaven why do I call? Earth and Heaven conspire my fall. To Fate I sue, of other means bereft, The only refuge for the wretched left. Enter Aeneas BELINDA See, Madam, see where the Prince appears; Such sorrow in his look he bears As would convince you still he's true. AENEAS What shall lost Aeneas do? How, Royal Fair, shall I impart The God's decree, and tell you we must part? DIDO Thus on the fatal Banks of Nile, Weeps the deceitful crocodile; Thus hypocrites, that murder act, Make Heaven and Gods the authors of the Fact. AENEAS By all that's good ... DIDO By all that's good, no more! All that's good you have forswore. To your promis'd empire fly And let forsaken Dido die. AENEAS In spite of Jove's command, I'll stay, Offend the Gods, and Love obey. DIDO No, faithless man, thy course pursue; I'm now resolv'd as well as you. No repentance shall reclaim The injur'd Dido's slighted flame. For 'tis enough, whate'er you now decree, That you had once a thought of leaving me. AENEAS Let Jove say what he will: I'll stay! DIDO Away, away! No, no, away! AENEAS No, no, I'll stay, and Love obey! DIDO To Death I'll fly If longer you delay; Away, away!..... Exit Aeneas But Death, alas! I cannot shun; Death must come when he is gone. CHORUS Great minds against themselves conspire And shun the cure they most desire. DIDO Thy hand, Belinda; darkness shades me, On thy bosom let me rest, More I would, but Death invades me; Death is now a welcome guest. When I am laid in earth, May my wrongs create No trouble in thy breast; Remember me, but ah! forget my fate. Cupids appear in the clouds o'er her tomb CHORUS With drooping wings you Cupids come, And scatter roses on her tomb. Soft and gentle as her heart Keep here your watch, and never part. Cupids Dance

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Dido and Aeneas; Thanks to these lonesome vales [a]; Oft she visits this lone mountain [b]

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Other recordings from this album: Dido and Aeneas; Overture [a]; Shake the cloud from off your brow [b] Dido and Aeneas; Ah! Belinda [a]; When monarchs unite [b] Dido and Aeneas; Whence could so much virtue spring [a]; Fear no danger [b] Dido and Aeneas; See, see your royal guest appears Dido and Aeneas; Wayward sisters Dido and Aeneas; Ruin'd ere the set of sun? Dido and Aeneas; In our deep vaulted cell [a]; Echo dance of furies [b] Dido and Aeneas; Thanks to these lonesome vales [a]; Oft she visits this lone mountain [b] Dido and Aeneas; Behold upon My bending spear Dido and Aeneas; Come away, fellow sailors [a]; Sailor's dance [b]; See the flags and streamers [c] Dido and Aeneas; Our next motion [a]; Destruction's our delight [b]; Dance of the witches and sailors [c] Dido and Aeneas; Your council all is urg'd in vain [a]; Great minds against themselves conspire [b] Dido and Aeneas; Thy hand Belinda [a]; [b] When I am laid in earth Dido and Aeneas; With drooping wings, ye cupids

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Uploaded by jakej on January 16, 2019

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  1. Oft She Visits This Lone Mountain

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  2. Henry Purcell

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  4. H. Purcell: "Oft she visits this lone mountain", Dido and Aeneas

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COMMENTS

  1. Dido and Aeneas, Z. 626, Act II: Song. "Oft She Visits This ...

    Provided to YouTube by Warner Classics InternationalDido and Aeneas, Z. 626, Act II: Song. "Oft She Visits This Lone Mountain" (Second Woman) · William Chris...

  2. Libretto | dido-and-aeneas

    Oft she visits this lone mountain, Oft she bathes her in this fountain. Here, Actæon met his fate, Pursued by his own hounds; And after mortal wounds, Discover’d too late. Here Actæon met his fate. (A dance to entertain Æneas. by Dido’s women) ÆNEAS. Behold, upon my bending spear. A monster’s head stands bleeding. With tushes [tusks ...

  3. Dido and Aeneas, Z. 626, Act II: Song. "Oft She Visits This ...

    Provided to YouTube by Warner ClassicsDido and Aeneas, Z. 626, Act II: Song. "Oft She Visits This Lone Mountain" (Second Woman) · Emmanuelle Haïm/Cécile de B...

  4. Dido and Aeneas, Z. 626, Act II: Aria "Oft She Visits This ...

    Provided to YouTube by IDOLDido and Aeneas, Z. 626, Act II: Aria "Oft She Visits This Lone Mountain" · Anna Prohaska · Il Giardino Armonico · Giovanni Antoni...

  5. Oft she visits this lone mountain [Text & Translation]

    SECOND WOMAN. Oft she visits this lov’d mountain, Oft she bathes her in this fountain; Here Actaeon met his fate, Pursued by his own hounds, And after mortal wounds. Discover’d, discover’d too late. [A Dance to entertain Aeneas by Dido’s women]

  6. Dido and Aeneas, ACT 2, Scene 2: The Grove: Oft she visits ...

    Oft she Visits this lone Mountain, Oft she bathes her in this Fountain. Oft she Visits this lone Mountain, Oft she bathes her in this Fountain. Here Acteon met his Fate, Here Acteon met his Fate, Pursued by his own Hounds, And after Mortal Wounds, And after Mortal Wounds, Discover'd, discover'd too late. And after Mortal Wounds,

  7. Dido and Aeneas, Z 626 (Henry Purcell) - ChoralWiki - CPDL

    "Oft she visits this lone mountain" (Posted 2006-05-30) CPDL #11796: (Sibelius 4) Editor: John Henry Fowler (submitted 2006-05-30). Score ...

  8. Dido and Aeneas Libretto | Purcell | Opera-Arias.com

    Oft she visits this lone mountain, Oft she bathes her in this fountain; Here Actaeon met his fate, Pursued by his own hounds, And after mortal wounds Discover'd, discover'd too late. A Dance to entertain Aeneas by Dido's women AENEAS Behold, upon my bending spear A monster's head stands bleeding, With tushes far exceeding Those did Venus ...

  9. Dido and Aeneas; Thanks to these lonesome vales [a]; Oft she ...

    Dido and Aeneas; Thanks to these lonesome vales [a]; Oft she visits this lone mountain [b] Dido and Aeneas; Behold upon My bending spear Dido and Aeneas; Come away, fellow sailors [a]; Sailor's dance [b]; See the flags and streamers [c] Dido and Aeneas; Our next motion [a]; Destruction's our delight [b]; Dance of the witches and sailors [c]

  10. Dido and Aeneas A coproduction of the San Francisco Girls ...

    Aria with Gittar Ground (2nd Woman): Oft she visits this lone mountain Ritornelle Recit (Aeneas, Dido): Behold upon my bending spear Aria (Belinda, Chorus): Haste, haste to town Recit (Spirit, Aeneas): Stay, Prince and hear great Jove’s command Chorus: Then since our Charmes have sped The Groves Dance Act III Scene I: The Ships Prelude