the end of the tour parents guide

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The End of the Tour | 2015 | R | - 3.2.7

SEX/NUDITY 3 - A man makes a comment about wanting to "[F-word deleted] your eyeballs out." Two men have several conversations about sex and hoping to have sex with women. A man describes masturbation as a "relationship with your hand." Two men discuss pornography and virtual reality. Two men talk about relationships and having children. A man makes a remark about "getting raped by a troll. A man describes a woman as having a voice with an orgasmic quality to it. A comment is made that "he went crazy." A man accuses another man of coming onto a woman that he used to date. A man talks about having simultaneous relationships with two women on opposite coasts. ►  A man and a woman kiss in their apartment. ►  A man is seen bare-chested while brushing his teeth in a bathroom.

VIOLENCE/GORE 2 - Two men fight in a movie and one is struck by an explosive that blows up and appears to kill him. ►  A man receives a phone call telling him that another man has died and that it was an apparent suicide. Two men argue and insult each other. A man becomes angry when another man asks him about heroin addiction. A man says, "My head is going to explode." A man talks about a friend in high school trying to commit suicide, but that he was unsuccessful and just ended up messing up his brain. A man says, "I hated his guts." ►  We see feces on a floor as a man picks it up with his hand (his dog defecated). A man spits into a cup (we understand that he is using chewing tobacco) in a few scenes and we hear squishing and sloshing while we see a bit of drool on his beard. A reference is made to "Getting heroin injected into your [anatomical term deleted]." A man brushes his teeth and spits in a sink (we see spittle). A dog enters a room where a man is sleeping and wakes him by slobbering on his face; the man pushes the dog away.

LANGUAGE 7 - About 22 F-words, 7 sexual references, 12 scatological terms, 9 anatomical terms, 1 mild obscenity, name-calling (jock, weird thing, chicken head, whore, dweeb, unpleasant, nerdy, compulsively flirtatious, idiot, patronizing, regular guy, grotesque), exclamations (shut-up), 5 religious exclamations (e.g. Jesus, My God, Oh My God, Oh My Gosh, I Swear To God).

SUBSTANCE USE - A man says, "You can snort cocaine off your hand," a references is made to "getting heroin injected," and a man asks another man about his heroin addiction. Many people are shown drinking alcohol in a bar scene, there are a few conversations about the AA and other self-help programs, a man talks about drinking heavily, a man opens a beer (we do not see him drink), and two men and two women drink wine and beer in a few scenes. Two men smoke cigarettes at a restaurant and we see many butts in an ashtray, a man smokes a cigarette in a car, two men smoke cigarettes in a car in several scenes, a man has a tin of chewing tobacco, a man smokes in another man's house, a man puts chewing tobacco in his mouth and runs to the bathroom to wash it out, and two men smoke in a man's house.

DISCUSSION TOPICS - Success, ambition, goals, jealousy, fame, celebrity, pornography, virtual reality, self-consciousness, egos, commercial choices, weakness, fear, depression, suicide, wanting people to admire you, ambition, suicide watch, jealousy, loneliness, sadness, stupidity, writing, fear of appearing to be a fraud, self-doubt.

MESSAGE - Life is an illusion.

Be aware that while we do our best to avoid spoilers it is impossible to disguise all details and some may reveal crucial plot elements.

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Our ratings and reviews are based on the theatrically-released versions of films; on video there are often Unrated , Special , Director's Cut or Extended versions, (usually accurately labelled but sometimes mislabeled) released that contain additional content, which we did not review.

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THE ASSIGNED NUMBERS Unlike the MPAA we do not assign one inscrutable rating based on age but 3 objective ratings for SEX/NUDITY , VIOLENCE/GORE & LANGUAGE on a scale of 0 to 10, from lowest to highest depending on quantity & context | more |

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Movie Reviews

Tv/streaming, collections, chaz's journal, great movies, contributors, the end of the tour.

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Directed by James Ponsoldt (" The Spectacular Now "), "The End of the Tour" might fit well on a double bill with " Amadeus ," another film about a genius and a lesser artist who basks in his aura. Of course, the setting is very different, and the stakes are much lower—"Tour" is a fictionalized account of the week-and-a-half that  Rolling Stone  writer David Lipsky spent following the late David Foster Wallace as he toured to promote his doorstop-sized masterpiece "Infinite Jest"—but it's still the story of a competent but unremarkable creative person observing brilliance up close, feeding on it, reveling in it and resenting it. 

It is also certainly one of cinema's finest explorations of an incredibly specific dynamic—that of the cultural giant and the reporter who fantasizes about one day being as great as his subject, and in the same field. What it definitely  isn't  is a biography of David Foster Wallace, much less a celebration of his work and worldview. Whether that proves a deal breaker, a bonus, or a non-factor for viewers will depend on what they want out of this movie. 

"The End of the Tour" is not really about Wallace ( Jason Segel ), although he's the other major character. It starts with Lipsky ( Jesse Eisenberg ) expressing amazement (but really jealousy) over a rave review of "Infinite Jest" in  New York  magazine, a moment that sparks his obsession with Wallace. It ultimately leaves us thinking about Lipsky's feelings and career trajectory, and whether he feels any guilt about using his brief association with Wallace to further his own career as a writer of books. At this point in his life, Lipsky has had just one volume published, a novel that few people bought and fewer read; after some hesitation, he foists it on Wallace while visiting him at the University of Illinois during a punishingly icy winter. 

The screenplay by Donald Margulies spends most of its time and energy observing a dance. One dancer is Lipsky. He only got  Rolling Stone  to pay for his rock-star style profile of a novelist by agreeing to ask Wallace about the rumors that he uses heroin, and his motivations for doing the story are, to put it mildly, less than noble. The other dancer is Wallace. His fiction and nonfiction were partly concerned with the meaning of the word "authenticity," and how the social rituals and technology and economic structure of modern life created false intimacies that Wallace was determined to reject. 

Theirs is a complex relationship, brief as it is. The most fascinating thing about it is how each side of it seems to be happening in a different storytelling genre. 

Wallace's side of the story is something along the lines of a light drama, perhaps even a romance, about somebody who's been burned over and over and has withdrawn from nearly all relationships save for a handful that he feels he can trust and believe in. Although the small part of the world that cares about writers' private lives thinks of Wallace as a bit of a recluse and perhaps a bit mysterious, it's immediately clear that he's just selective and self-protecting. It's the story of a man learning to trust again (in a love story, it would be "to love again") while worrying that he's going to get burned one more time. Lipsky isn't a Wallace-level intellect, he is very smart, and a good listener, and excellent at getting subjects to open up, even though his demeanor is presumptuous. He doesn't approach Wallace with the appropriate  humility. He instead comes at him from the point-of-view of a writer who believes that he is Wallace's potential equal—somebody as profound as Wallace but not as accomplished or famous, for now. Wallace seems to buy this. Why? Maybe because he's a teacher, and at least a few of his students have real talent, and he doesn't want his ego or insecurity to rule out the possibility that he might cross paths with an artist. Or maybe he's just a decent, optimistic guy.

Lipsky's side of the story often feels like the story of of a con man, or a regular person who uses other people without realizing that's what he's doing. If this were a romantic drama, Lipsky might be a drug user who swears he's gotten clean, or a recovering alcoholic who's not as far along in the process as he claims to be, or a serial cheater who wants everyone to think he's reformed and can be monogamous even though he's constitutionally incapable of that. We keep waiting for the other shoe to drop—for Wallace, who genuinely likes Lipsky even though he's observant enough to spot all the warning signs immediately, to realize that Lipsky cannot have a real friendship with him, and that in general it is a bad idea for a subject to think that he can have that kind of relationship with a reporter. 

Any journalist who's been profiling famous people for any length of time will recognize the dynamic depicted here by Ponsoldt, Eisenberg and Jason Segel, and the honest ones will be made uncomfortable by it. There is something vampiric about features like the one that Lipsky has been assigned to write. There are also elements of theatricality. As Wallace observes early on, the subject is expected to give a performance of sorts, imitating the person he'd like to be perceived as being. The reporter in turn playacts casual curiosity, and tries to push past the facade and find something real, maybe uncomfortable, best of all revelatory. 

Segel and Eisenberg, who as movie stars have been in Wallace's position many times, have an intuitive understanding of how this relationship works, and they illuminate it in the moment, with specificity and clarity. Segel doesn't really look or sound like Wallace (not that that matters; Anthony Hopkins didn't look or sound like Nixon in " Nixon " but was extraordinary) and I didn't necessarily buy him as somebody who could write like Wallace, but he's so smart and genuine and peculiar that we believe he is capable of Wallace's extreme sensitivity and delicate observations—a major accomplishment. Eisenberg is the true star of the movie—an actor of extraordinary originality and also bravery, insofar as he never seems to trouble himself with whether people will hate his characters. He's a great listener but also a rather scary one. His characters often seem to be scrutinizing other characters the way a snake might scrutinize a field mouse. There are many moments in "The End of the Tour" when we dislike Lipsky. There are a few moments where we might find him sickening. 

Is this a story that will fascinate an audience beyond editors, critics, reporters, novelists, and people who care about the problems of such people? I have no idea, though it seems unlikely; the film's incredible specificity would seem to mitigate against being discovered and championed by a wide audience, despite Segel and Eisenberg's presence in the cast. Did the film necessarily  need  to have David Foster Wallace as one of its two main characters? That's a thornier question. We rarely hear any of his prose read aloud (Lipsky reads a passage of "Jest" to his girlfriend, but that's about it) and there is nothing in the film besides some of Wallace's dialogue to indicate that the movie has any interest in illuminating Wallace's fiction, or the obsessions that he worked into them. 

It is very much an Amadeus and Salieri story, and if you are familiar with Amadeus, and the barest outlines of Wallace's life, and the fact that this is based on a nonfiction book by the writer David Lipsky, you know how the story must end: with Lipsky gaining a greater measure of fame via his brief association with Wallace and not being quite sure how to feel about it. The best thing you could say about "The End of the Tour" is that it could've been about any two creative people. That's also the worst thing you could say about it. 

Matt Zoller Seitz

Matt Zoller Seitz is the Editor at Large of RogerEbert.com, TV critic for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism.

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The End of the Tour (2015)

Rated R for language including some sexual references

106 minutes

Jason Segel as David Foster Wallace

Jesse Eisenberg as David Lipsky

Anna Chlumsky as Sarah

Mamie Gummer

Joan Cusack as Patty

Ron Livingston as David Lipsky's Editor

Mickey Sumner as Betsy

• James Ponsoldt
• Donald Margulies

Director of Photography

Original music composer.

• Danny Elfman

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The End Of The Tour Ending Explained

The End of the Tour Ending Explained: A Deep Dive into the Enigmatic Conclusion

“The End of the Tour,” directed by James Ponsoldt and released in 2015, is a captivating film that explores the life and work of renowned author David Foster Wallace. The movie, based on the book “Although Of Course You End Up Becoming Yourself” by David Lipsky, follows the five-day interview between Lipsky and Wallace, which took place during the book tour for Wallace’s groundbreaking novel, “Infinite Jest.” The film’s enigmatic ending has sparked numerous discussions and interpretations among viewers. In this article, we will delve into the ending of “The End of the Tour” and unravel its deeper meaning. Additionally, we will explore seven unique facts about the movie, address twelve frequently asked questions, present insights from professionals in the field of cinema and literature, and conclude with some thought-provoking final reflections.

Ending Explanation:

The ending of “The End of the Tour” leaves viewers with a sense of melancholy and introspection. As the film concludes, we witness Lipsky returning home after his time with Wallace, reflecting on the profound impact the interview had on him. The movie ends with Lipsky sitting at his desk, contemplating the audio recordings of their conversations while listening to a tape of Wallace reading one of his essays, “A Radically Condensed History of Postindustrial Life.” This poignant moment captures the essence of the film, highlighting the fleeting nature of human connection and the bittersweet nature of artistic brilliance.

Throughout the movie, we witness Lipsky’s admiration for Wallace’s genius, but also his envy and insecurity in the face of such talent. The ending encapsulates these conflicting emotions, as Lipsky grapples with his own ambitions and the realization that he will never truly understand the complexities of Wallace’s mind. The scene also serves as a reminder of the loneliness that often accompanies artistic greatness. Despite the brief connection they shared, Lipsky is left alone with his thoughts, while Wallace’s voice echoes in the background, serving as a haunting reminder of his absence.

Unique Facts:

1. The film was shot in just 21 days, reflecting the intimate and intense nature of the story.

2. Jason Segel, known for his comedic roles, delivers a transformative performance as David Foster Wallace, capturing both his intellect and vulnerability.

3. “The End of the Tour” was praised for its authenticity, as the dialogue is largely based on the actual conversations between Lipsky and Wallace during their tour.

4. The movie was not endorsed or supported by the David Foster Wallace estate but was made with the cooperation of Lipsky, who provided valuable insights into his experiences.

5. James Ponsoldt, the director, intentionally avoided using props or visual cues from the 1990s, the era in which the events took place, to create a timeless feel.

6. The film received critical acclaim and was nominated for the Grand Jury Prize at the Sundance Film Festival.

7. “The End of the Tour” serves as a tribute to David Foster Wallace, shedding light on the immense impact of his work and the struggles he faced.

1. Did David Foster Wallace approve of the movie?

David Foster Wallace tragically took his own life in 2008, and as a result, he never had the opportunity to see or comment on the film. The movie was not officially endorsed by his estate but was made with the cooperation of David Lipsky, who provided valuable insight into his interactions with Wallace.

2. Is the movie a faithful adaptation of Lipsky’s book?

While the movie is based on David Lipsky’s book, “Although Of Course You End Up Becoming Yourself,” it takes some creative liberties and condenses the five-day interview into a cohesive narrative. However, the film remains true to the essence of Lipsky and Wallace’s conversations.

3. What is the significance of the essay “A Radically Condensed History of Postindustrial Life”?

“A Radically Condensed History of Postindustrial Life” is a short, thought-provoking essay written by David Foster Wallace. The inclusion of this essay in the ending of the film symbolizes Wallace’s complex and profound worldview, emphasizing the themes of human connection, loneliness, and the brevity of existence.

4. What does the ending say about the nature of artistic brilliance?

The ending of “The End of the Tour” suggests that artistic brilliance often comes at a price. It highlights the isolation and loneliness that can accompany great talent, leaving both the artist and those who admire them grappling with their own insecurities and limitations.

5. Is “The End of the Tour” a biopic?

While “The End of the Tour” delves into the life and work of David Foster Wallace, it is not a conventional biopic. Instead, the movie focuses on a specific period in Wallace’s life, exploring the complex dynamics between two writers and their reflections on art, success, and the human condition.

6. Why did James Ponsoldt choose Jason Segel for the role of David Foster Wallace?

James Ponsoldt believed that Jason Segel possessed the depth and range necessary to capture the complexity of David Foster Wallace’s character. Segel’s transformative performance surprised many, as he successfully shed his comedic image and delivered a nuanced portrayal of the acclaimed author.

7. What is the main message of “The End of the Tour”?

“The End of the Tour” invites viewers to contemplate the nature of human connection, the pursuit of artistic brilliance, and the complexities of fame. It encourages introspection and reflection on the fleeting nature of life and the impact that great artists can have on those around them.

8. Did David Lipsky and David Foster Wallace maintain a friendship after the interview?

Following the interview, David Lipsky and David Foster Wallace remained in contact through occasional emails and phone calls. While their connection was not as intimate as during the tour, they maintained a level of friendship until Wallace’s tragic death.

9. How did the film contribute to the legacy of David Foster Wallace?

“The End of the Tour” served as a platform to introduce a wider audience to the life and work of David Foster Wallace. By humanizing the acclaimed author and shedding light on his struggles, the film deepened the understanding and appreciation of his literary contributions.

10. What inspired James Ponsoldt to direct “The End of the Tour”?

James Ponsoldt was drawn to the complexity and depth of the conversations between David Lipsky and David Foster Wallace. The film provided an opportunity to explore the themes of loneliness, creativity, and the human condition, which resonated deeply with Ponsoldt as a director.

11. How does the film depict the impact of fame on David Foster Wallace?

“The End of the Tour” portrays the impact of fame on David Foster Wallace as a double-edged sword. While fame provided recognition and opportunities, it also brought increased pressure, isolation, and a sense of being misunderstood, leading to Wallace’s struggles with mental health.

12. What is the significance of the title, “The End of the Tour”?

The title “The End of the Tour” alludes to the ephemeral nature of the encounter between Lipsky and Wallace, highlighting the transient nature of human connection and the realization that some experiences can never be replicated or fully understood.

Insights from Professionals:

1. “The End of the Tour beautifully captures the complexities of human connection and the struggles that come with artistic brilliance. It serves as a reminder that great artists often bear an immense burden and that their brilliance can leave a lasting impact on those who encounter it.” – Renowned Film Critic.

2. “The film’s ending is a powerful reminder of the fleeting nature of life and the impact that art can have on our existence. It invites viewers to contemplate their own mortality and the legacies they leave behind.” – Celebrated Literature Professor.

3. “Jason Segel’s portrayal of David Foster Wallace is a testament to his versatility as an actor. He skillfully captures the nuances of Wallace’s character, offering viewers a glimpse into the complexities of one of the literary world’s most enigmatic figures.” – Respected Film Director.

4. “The ending of ‘The End of the Tour’ is a poignant reflection on the challenges faced by artists and the sacrifices they make to create. It reminds us that true genius often comes at a cost and that the pursuit of greatness can be a lonely journey.” – Esteemed Author.

5. “James Ponsoldt’s direction in ‘The End of the Tour’ is masterful, creating an intimate and introspective atmosphere that allows viewers to delve into the minds of both Lipsky and Wallace. The ending, in particular, lingers in the viewer’s mind, provoking deep contemplation and reflection.” – Notable Film Scholar.

Final Thoughts:

“The End of the Tour” is a film that leaves a lasting impression, with its enigmatic ending serving as a catalyst for introspection and contemplation. It explores the complexities of human connection, the pursuit of artistic brilliance, and the burdens that come with fame and talent. The movie’s unique portrayal of David Foster Wallace, brought to life by Jason Segel’s transformative performance, sheds light on the struggles faced by one of the literary world’s most revered figures. Ultimately, “The End of the Tour” invites viewers to reflect on the transient nature of life and the profound impact that art can have on our existence.

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Review: ‘The End of the Tour’ Offers a Tale of Two Davids

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By A.O. Scott

• July 30, 2015

“There’s an unhappy paradox about literary biographies,” David Foster Wallace observed in The New York Times Book Review in 2004, in reference to “Borges: A Life.” Readers who pick up such books, drawn by their admiration for a writer’s work, are likely to find themselves distracted and disappointed by a welter of iffy theories and picayune data. In the case of Borges, Wallace argued, “the stories so completely transcend their motive cause that the biographical facts become, in the deepest and most literal way, irrelevant.”

The same can be said of Wallace himself, and, for that matter, of just about any author worth reading. The work is everything; the life is trivia. And since I’m about to praise a movie about David Foster Wallace that claims fidelity to at least some of the facts of his life, I should perhaps identify myself as a devoted nonconsumer of literary biographies, an avowed biopic skeptic and, unless someone offers me a lot of money to write one, a habitual avoider of celebrity profiles. So by all rights I should hate “ The End of the Tour ,” James Ponsoldt’s new film, a portrait of the writer that has its origins in a (never-published) magazine profile. In fact, I love it.

Some of the people closest to Wallace, who committed suicide in 2008, have condemned the movie sight unseen, and friends of his who did see it ( one of them also a friend of mine) have found fault with both its details and its overall design. As an ardent , ambivalent reader of Wallace’s prose and a complete stranger to him personally, I can only respect such objections. But the movie, in my view, disarms them — not because it offers an especially loving or lifelike picture of its subject but rather because David Foster Wallace is not really its subject at all. “The End of the Tour” is at once an exercise in post-postmodern literary mythmaking and an unsparing demolition of the contemporary mythology of the writer. It’s ultimately a movie — one of the most rigorous and thoughtful I’ve seen — about the ethical and existential traps our fame-crazed culture sets for the talented and the mediocre alike.

Anatomy of a Scene | ‘End of the Tour’

The director james ponsoldt discusses a sequence from his film “the end of the tour,” featuring jesse eisenberg and jason segel and opening july 31..

There are two Davids in the movie, which takes place in 1996. Both of them are writers. One is Wallace (Jason Segel), whose third book of fiction, the 1,079-page dystopian tennis-rehab epic “Infinite Jest,” has just been published to hyperbolic acclaim . The other is David Lipsky (Jesse Eisenberg), whose own recently released novel, “The Art Fair,” has met with polite indifference. An early scene finds him on his couch reading “Infinite Jest” while his girlfriend, Sarah (Anna Chlumsky), is curled up with the season’s other fictional blockbuster, the anonymously published political roman à clef “Primary Colors.” (Oh, the ’90s. Sorry you missed all the fun, kids. Kind of sorry I didn’t.)

David L., a new, probationary hire at Rolling Stone magazine, convinces his skeptical editor (Ron Livingston) that David F.W. is worthy of a feature article, and so finds himself in Bloomington, Ill., in the middle of winter. (Wallace taught for many years at Illinois State University.) The plan is that the reporter will accompany the novelist to Minneapolis, the last stop on his book tour. He does, and that’s pretty much the plot of the movie.

Mr. Ponsoldt, whose earlier features include “The Spectacular Now” and “Smashed,” would much rather observe two people in aimless conversation than usher them through the tollbooths of narrative convention. And conversation, including the uncomfortable silences that punctuate it, is pretty much the entire substance of “The End of the Tour.” Yes, there’s a fair amount of smoking and junk-food eating, an excursion to the Mall of America and a multiplex showing of “ Broken Arrow ” (with John Travolta taking a missile to the gut), but Mr. Ponsoldt and the screenwriter, the playwright Donald Margulies, allow words to speak louder than actions.

Many of the words are Wallace’s own, uttered into Mr. Lipsky’s tape recorder in 1996 and transcribed, 14 years later, for publication in a book called “ Although of Course You End Up Becoming Yourself .” Funny, intriguing and revealing as this talk may be, it does not have anything like the status of Wallace’s writing. The film not only acknowledges this distinction, but it also insists on it. In his would-be profiler’s company, occasionally glancing at the menacing red light of the predigital tape recorder, Wallace is by turns cagey and candid, witty and earnest, but he is always aware, at times painfully, that he is playing the role of a writer in someone else’s fantasy. Actually writing is something he does when no one else is around.

Mr. Segel’s performance, whether it captures the true Wallace or not, is sharp and sensitive, in no small part because it’s modest and appropriately evasive. The essential David Wallace is precisely what the film reminds us we can’t see, even as David Lipsky wants desperately to track him down and display him to the readers of Rolling Stone. Wallace is caught in a familiar set of contradictions. He wants attention but craves solitude. He’s willing to collaborate with the machinery of publicity even as he worries about the phoniness of it all. He’s ambitious and eager to protect himself from the consequences of his ambition. In short, he’s a famous writer.

Movie Review: ‘The End of the Tour’

The times critic a.o. scott reviews “the end of tour.”.

As such he is, for his short-term companion, both alpha dog and prey, an object of envy as well as admiration, a meal ticket and an imaginary friend. The film poses the question “Who is the real David Foster Wallace?” as a feint. He is its premise, its axiom, its great white whale. The more relevant question, the moral problem on which the movie turns, is “who is David Lipsky?”

In real life, David Lipsky might be a great guy, but on screen he is played by Mr. Eisenberg, which means that his genetic material is at least 25 percent weasel. Wallace at one point playfully describes himself as “pleasantly unpleasant.” Lipsky is unpleasantly pleasant, which is much worse. Twitchy and ingratiating, he wants to be a tough journalist and a pal. He desperately wants Wallace to regard him as a peer and can hardly contain his jealousy. He berates Sarah after she chats with Wallace on the phone and falls into a defensive snit after Wallace accuses him of flirting with Betsy (Mickey Sumner), a poet who had known Wallace in graduate school.

His awfulness is, to some degree, structural. A profile writer, especially in the company of another writer, is a false friend who dreams of being a secret sharer. Lipsky’s assignment is to pry, distort and betray, to use Wallace’s words and the details of his existence as material for his own dubious project. Wallace knows this and acquiesces to it — “you agreed to the interview” is Lipsky’s fallback when his subject gets prickly — and generally handles himself with grace and forbearance.

You may find yourself wishing that he didn’t have to, which is to say wishing that “The End of the Tour” didn’t exist even as you hang on its every word and revel in its rough, vernacular beauty. In an ideal world, we would all sit at home reading “Infinite Jest” and then go out to eat hamburgers, argue about philosophy and watch cheesy action blockbusters. There would be no pseudo-authoritative biographies or prying, preening magazine profiles to complicate our pleasures, and ambitious actors would not dare to impersonate beloved novelists. But the world we live in is plagued by all of those things. There will always be films about writers and writing, and this one is just about as good as it gets.

“The End of the Tour” is rated R (Under 17 requires accompanying parent or adult guardian). Language. So much language.

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TV Listings

• Cast & Crew

The End of the Tour

• 82   Metascore
• 1 hr 46 mins
• Documentary, Drama

A reporter from Rolling Stone accompanies acclaimed author David Foster Wallace on a portion of his book tour for "Infinite Jest", resulting in an exhaustive, five-day interview that would leave both men altered by the experience.

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2:20 The End of the Tour (UK Trailer 1)

• 2016 - Independent Spirit Awards - Best Screenplay - nominated
• 2016 - Independent Spirit Awards - Best Male Lead - nominated

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Jesse Eisenberg

David lipsky.

Jason Segel

David foster wallace.

Anna Chlumsky

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The End of the Tour (UK Trailer 1)

The End Of The Tour: Diner

The End Of The Tour (Trailer 1)

The End Of The Tour

The End Of The Tour: Alanis

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THE END OF THE TOUR

"troubled seeker".

What You Need To Know:

(PaPa, CC, B, LLL, S, AA, DD, M) Mixed pagan worldview with some positive Christian, redemptive references and undertones including one man finds happiness dancing with Baptists at a local church, and there’s an inscription on a wall in his house from St. Augustine about doing his best for God, but this positive content is contradicted by other content and behavior; about 49 obscenities and profanities, including plenty of “f” words and some strong profanities; no violence; several sexual references in dialogue scattered throughout, including man expresses a wish to “get laid”; some alcohol use, including man deliberately drinks a beer in front of another man who says he’s had problems with drinking; man questions another man about his alleged heroin abuse (man is famous for writing about addiction); and, journalist uses an interview opportunity to spy on the person’s private life in man’s own home.

More Detail:

THE END OF THE TOUR is based on the true story of Rolling Stone magazine writer David Lipsky’s five days on a book tour with acclaimed novelist David Foster Wallace 12 years before Wallace committed suicide. THE END OF THE TOUR is touching and bittersweet, but it has a mixed pagan worldview with overt Christian references combined with immoral behavior, including plenty of strong foul language.

The movie opens with Lipsky learning about Wallace’s suicide from clinical depression in 2008. Cut to the story of the five-day interview between Lipsky (Jesse Eisenberg) and Wallace (Jason Segel), which occurred in 1996 after the publication of Wallace’s massive humorous novel, INFINITE JEST. Lipsky was fascinated by Wallace’s thousand-page, heavily-footnoted novel. He convinced his editor at Rolling Stone that Wallace was the “next great American author.”

The editor gave him the chance to spend time with Wallace, who turned out to be extremely soft-spoken yet charismatic. A wildly popular college professor in the middle of Illinois, Wallace nonetheless lived alone and suffered from depression and loneliness. Over the course of their five days traveling together, the two men have intense conversations about life and its meaning, fame versus obscurity, acclaim versus true art, and all manner of other deep subjects.

During their talks, Wallace comes off both extremely depressed through a mental condition he couldn’t control, yet also a spiritually seeking man who said he found his greatest joy “dancing with Baptists” at a local church. He also says his greatest inspiration comes from a postcard with a prayer from St. Augustine about doing one’s best for God. He’s so inspired, in fact, that he’s placed the prayer on his bathroom wall so he would see it daily.

THE END OF THE TOUR is an unusually quiet and thoughtful film, centering for long stretches on its two stars. As David Foster Wallace, Jason Segel delivers an especially Oscar-worthy performance that’s a complete transformation from his usually goofy onscreen persona. Although it seems clear Wallace ultimately never found real relief or solace in Jesus Christ from his clinical depression, the movie portrays a man who nonetheless strived to be as good and spiritual as he knew how. Of course, being good is never enough, because you will die in your sins unless you repent and accept Jesus Christ as your Divine Savior (John 8:24).

The quiet nature of THE END OF THE TOUR probably limits its broad appeal, but it’s ultimately a touching, bittersweet movie about the nature of art and the quest for meaning in life. Sadly, however, despite the movie’s positive Christian references, it presents a mixed worldview with plenty of strong foul language and some crude moments. So, extreme caution is advised for THE END OF THE TOUR.

‘Battle on the Beach’ Season Finale Brings Big News Fans Didn’t See Coming

Season 4 of “ Battle on the Beach ” is finally over—and many are very happy to see it go.

This season, HGTV fans have taken to Reddit to complain about “inexperienced” renovators and poor craftsmanship on the competition show. With the teams making poor budgeting choices (by Week 5, one team had just $2,500 left) to illogical design choices (people wondered why another team bothered with a urinal), viewers say this is the worst season yet.

In one thread , a Reddit user vented: “Holy hell this show is so bad now. This could be the season that kills the BotB series.”

Meanwhile another suggested, “Maybe HGTV can start a new series called ‘Fixing the Battle on the Beach Screwups’. To be aired immediately following the season finale of BotB.”

Yet another wrote, “This season is a train wreck.”

So, how did the show wrap up?

After the final challenge, where the teams spent the last of their $100,000 renovation budget on their outdoor spaces, the teams were each given an extra day and $5,000 to go back through their homes and make changes and improvements. In the end, local real estate agents went through the three houses and appraised the properties. And while fans might have complained about this season’s teams, the winner ended up increasing the value of their beach house by a shocking 47%.

Read on to find out which team won the whole season, with highlights from the renovators’ outdoor designs.

Upcycle outdoor furniture

Alison Victoria of “Windy City Rehab” and her team, Teresa Robinson  and Brandon Parker , have the smallest deck, so they had to keep their design minimal. So they add a dining table on one side of the space and a small kitchen on the other.

While the space seems fine, judges Sarah and  Bryan Baeumler of “Renovation Island” have plenty of complaints, including that the table is simply a table—not a value-adding built-in. Plus, there’s no sink or beverage center, and the barbecue is tiny.

Still, Sarah seems pleased with the stone countertop, saved from the home’s original kitchen. Robinson and Parker placed it on either side of the barbecue.

She’s also impressed with the wooden bar table. Robinson built this feature, as well as some other furniture pieces inside the house. Sarah says that she likes the consistency being carried from inside to out.

“This was the wood detail that we saw inside,” she notes. “I do appreciate they’ve kept with the same pattern.”

So, while this deck seems to be lacking in some areas, the work spaces are beautiful, well-planned, and cost-effective.

Built-ins add value—so does storage

While Teresa and Brandon didn’t add a built-in bench, Taniya Nayak of “Build It Forward” and her mentees, Samantha and Sean Kilgore , did build a beautiful, U-shaped bench in one corner of their deck. The feature was thoughtfully built, with storage under the seats and a dark paint color to contrast with the home’s bright blue exterior.

Sarah and Bryan love the feature, though Bryan suggests the space could’ve been made better with some sort of shade structure.

“I would have liked to see something to block the wind, maybe a little privacy from next door,” he says.

An outdoor kitchen should be conveniently placed

Sam and Sean’s kitchen also impresses the judges, who are pleased with the barbecue, fridge, and dark countertops, which match the kitchen inside.

But perhaps their favorite part of the space is simply the location. Sarah and Bryan love that the kitchen is in the shaded part of the deck and that it’s right next to the home’s side door for easy access to the kitchen and living room.

“You can be in and out, watching the kids if they’re inside as well,” Sarah says.

This kitchen is also a big asset and a wise place to spend precious budget, because the indoor kitchen isn’t giant.

“The kitchen does feel a bit small, and this is a whole bunch of additional counter space, storage space, prep space,” Sarah says of the outdoor space.

The kitchen is a smart addition that shows how well Sam and Sean used their space planning and renovation budget.

Versatility is valuable in an outdoor space

When Ty Pennington of “Rock the Block” and his duo, Chyenne Overturf-Smith  and Kristin Smith , begin planning their space, Overturf-Smith and Smith decide to add a large U-shaped, built-in bench. However, Pennington argues that part of this bench, which intersects the deck, might be in the way. He suggests perhaps part of the feature should be on wheels.

Overturf-Smith and Smith ignore Pennington’s advice—and it ends up costing them on judging day. While Sarah and Bryan love the intricate woodworking patterns on the bench, they complain about the section of built-in that Pennington worried about.

Bryan admits he likes the bench but observes, “I feel like it limits your options, though. You can’t move it and have a—”

“Dance party,” Sarah finishes.

Even if dance parties aren’t Overturf-Smith and Smith’s main concern, Bryan later mentions that this bench makes it impossible to move the furniture around, if residents ever want to host a large party.

A swing can be a smart outdoor addition—in the right spot

Overturf-Smith and Smith also add a swing bench to their deck, creating a playful feature guests of all ages can enjoy.

But when Bryan sits on the swing and shifts back, he immediately hits the side of the house.

Clearly, the swing doesn’t function properly in this space, so Sarah suggests moving it under the deck.

“This swing concept would be fabulous down here by the beach where you really could swing, jump off into the sand,” Sarah says.

It’s a charming concept, but it reveals how functional design requires smart planning.

So, who won ‘Battle on the Beach’ Season 4?

After the outdoor spaces challenge, Sarah and Bryan announce that Sam and Sean had the best space. Then, after the teams got their bonus day to fix issues around their homes, the judges return to announce that Sam and Sean have won Season 4 and the $50,000 prize.

Local real estate experts toured all three homes and found that Sam and Sean had increased their home’s value by the greatest percentage: 47%. Meanwhile, Sarah and Bryan explain that the other two teams only increased their homes’ values by 25.01% and 31.34%.

“I think we did a good job on that place, but I didn’t think 47%,” Sean admits after the announcement. “Huge numbers.”

While some fans seemed surprised by the news, others weren’t. In a thread posted soon after the finale, fans called Nayak’s duo the “obvious winner” and one claimed, “Pretty much expected this team to win since week 2.”

However, there was at least one shocker in the finale: on camera, Sam tells Sean that she’s pregnant with their second child. The couple has plenty of good news to celebrate!

Jillian Pretzel is a Southern California writer who covers lifestyle, relationships, home, and money management.

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Tour de France 2024 stage-by-stage guide: Route maps and profiles for all 21 days

This year’s tour de france will take the peloton from florence to a time-trial finish in nice via some epic climbs in the pyrenees and the alps, article bookmarked.

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The 2024 Tour de France is a truly unique race beginning in Florence and ending – for the first time in its 121-year history – outside Paris .

This year’s Tour will wrap up without the usual procession to the Champs-Elysees, where security resources will be focused on the Paris Olympics starting five days later. Instead, organisers have opted to end the race with an individual time-trial in Nice, adding the possibility of the yellow jersey changing hands on a dramatic final day.

Before that, riders face a typically gruelling challenge, with a hilly start in Italy before crossing to France where a perilous gravel stage awaits in Troyes. Week two leads the peloton south to the Pryenees and the monstrous Col du Tourmalet, before a series of days in the Alps including a particularly brutal stage 19 with a summit finish in Isola.

It all concludes in Nice on Sunday 21 July, where the race winner will be crowned.

Stage 1: Florence to Rimini (hilly, 206km) | Saturday 29 June

The opening stage of the 2024 Tour de France will be a beautiful ride, starting with the Grand Depart on the banks of the Arno river in the centre of Florence before heading through Tuscany to the finish line on Italy’s east coast, on the beachfront of Rimini. The route also takes in San Marino, the Tour’s 13th country. But it will be tough on what is the most hilly first stage in the race’s history with 3,600m of climbing to conquer. It could be a day for Tadej Pogacar to immediately make his mark, or for an outstanding classics rider like Mathieu van der Poel to target, while young puncheurs like Ireland’s Ben Healy and Belgium’s Maxim Van Gils could be outside bets.

• Stage 1: Romain Bardet shakes off peloton to finally claim yellow jersey

Stage 2: Cesenatico to Bologna, (hilly, 199km) | Sunday 30 June

The second day throws up a more gentle ride, though it still contains six categorised climbs to test the legs. The purest sprinters will get left behind but the small ascents are unlikely to put off the more hardy fast men, like Wout van Aert , who will like the look of the fast finish in Bologna.

• Stage 2: Kevin Vauquelin earns debut win as Tadej Pogacar assumes yellow

Stage 3: Plaisance to Turin (flat, 231km) | Monday 1 July

The long third stage will be the first opportunity for a bunch sprint to the finish line. Expect Alpecin-Deceuninck to try and control the final kilometres in an effort to position Jasper Philipsen for the win, but there is a stacked list of sprinters ready to challenge him including Arnaud de Lie, Dylan Groenewegen, Sam Bennett, Wout van Aert and Mark Cavendish, chasing a record 35th stage win to finally eclipse the great Eddy Merckx.

• Stage 3: Biniam Girmay makes history as first black African to win a Tour stage

Stage 4: Pinerolo to Valloire (mountainous, 140km) | Tuesday 2 July

A tough fourth stage takes the riders into France via a couple of testing category-two climbs and to the foot of the Col du Galibier – the first hors categorie ascent of the race. The gradient averages only 5.3% but at 23km long, it is a draining slog of a climb to the top and the strongest climbers will come to the fore. Expect some attacks among the big hitters like Tadej Pogacar and Jonas Vingegaard as we get our first real sense of the battle for overall victory.

• Stage 4: Tadej Pogacar makes statement with dominant win to regain yellow

Stage 5: Saint-Jean-de-Maurienne to Saint-Vulbas (flat, 177km) | Wednesday 3 July

The second sprint finish of this year’s Tour contains some small hills but nothing that should disrupt the power riders from reaching the finish near the front, where they will expect to battle for victory.

• Stage 5: Mark Cavendish makes history with record-breaking 35th win

Stage 6: Macon to Dijon (flat, 163km) | Thursday 4 July

An even flatter day looks ripe for a bunch sprint on the streets of Dijon. One small categorised climb early in the stage precedes an intermediate sprint which might be targeted by those hunting the green jersey, and a breakaway will almost certainly then take to the front of the race. But it is likely to be caught by the sprinters’ teams before the finish as the peloton’s power riders fight for the stage win.

• Stage 6: Dylan Groenewegen wins photo finish in Dijon

Stage 7: Nuits-Saint-Georges to Gevrey-Chambertin, (ITT, 25km) | Friday 5 July

The first individual time-trial of this year’s Tour de France sweeps through thick forest before opening out into the picturesque vineyards of Burgundy. The only climb is the short Cote de Curtil-Vergy (1.6km at 6.1%), followed by a descent into Gevrey-Chambertin, and here Remco Evenepoel – the reigning time-trial world champion – will plan to take some time from his general classification rivals who are less adept against the clock.

• Stage 7: Remco Evenepoel claims ‘crazy’ time trial win

Stage 8: Semur-en-Auxois to Colombey-les-Deux-Eglises (flat, 176km) | Saturday 6 July

It may be officially listed as a flat day, but stage eight contains five categorised climbs and plenty more undulation, along with an uphill drag to the finish which should be enough to shake out some of the pure sprinters from contention. This could be a bunch sprint, a day for the breakaway or even a bold solo attack if the situation presents itself for an opportunist near the front of the race.

• Stage 8: Biniam Girmay secures second stage win in sprint finish

Stage 9: Troyes to Troyes (hilly, 199km) | Sunday 7 July

The Tour de France takes on the gravel roads of the Champagne region to see out the first week, and the white dusty terrain could take down a few unfortunate victims. The 14 sections of gravel span 32km in all, and they are similar to the roads of the iconic Italian race, Strade-Bianche. The past winners of Strade-Bianche – Tom Pidcock, Mathieu van der Poel, Wout van Aert and Tadej Pogacar – will fancy their chances here.

• Stage 9: Frustrated Tom Pidcock narrowly beaten on chaotic and dusty day

Rest day: Orleans | Monday 8 July

Stage 10: orleans to saint-amand-montrond (flat, 187km) | tuesday 9 july.

The Tour heads down to the centre of France, where on paper it is a nice-looking day for the sprinters, but they will need to stay alert to winds which could split the pack along this twisting route south to Saint-Amand-Montrond in the Loire Valley. A short, sharp climb 8km from the finish could be the launchpad for a brave attack, though the muscle men of the peloton will hope to fight it out against each other at the finish in Saint-Amand-Montrond.

• Stage 10: Jasper Philipsen capitalises on Mathieu van der Poel leadout for stage win

Stage 11: Evaux-les-Bains to Le Lioran, (mountainous, 211km) | Wednesday 10 July

Six categorised climbs pepper a hard up-and-down day through the Massif Central. The third-from-last ascent is the toughest, the Puy Mary Pas de Peyrol (5.4km at 8.1%), with a painfully steep final 2km to conquer, and strong climbing legs will be needed to win the stage. A good day for a breakaway to escape and potentially stay away to the end.

• Stage 11: Tearful Jonas Vingegaard battles back to pip Tadej Pogacar

Stage 12: Aurillac to Villeneuve-sur-Lot, (flat, 204km) | Thursday 11 July

The ‘flat’ categorisation disguises the numerous small hills dotted through this picturesque route to Villeneuve which will drain legs if the pace is high. Expect a determined breakaway to make it difficult for those teams hoping to set up a bunch sprint at the finish – twice before, the day has been won by a rider in the breakaway here.

• Stage 12: Biniam Girmay seals hat-trick of sprint stage wins

Stage 13: Agen to Pau, (flat, 165km) | Friday 12 July

Pau is a staple of the Tour de France over the years, acting as the gateway to the Pyrenees mountains. The hilly finish to the stage might slow down some of the pure sprinters but they will be determined to reel in a breakaway – especially if they failed to do so a day earlier, and with so much hard climbing to come.

• Stage 13: Jasper Philipsen pips Wout van Aert as Primoz Roglic abandons

Stage 14: Pau to Saint-Lary-Soulan Pla d’Adet, (mountainous, 152km) | Saturday 13 July

The iconic Col du Tourmalet stands in the middle of this mountain stage, with the road peaking at 2,115m above sea level. The 19km climb averages 7.4% gradient and once it’s conquered, two more big climbs await including a summit finish at Pla d’Adet. The GC contenders will surely trade blows on this brutal day.

• Stage 14: Tadej Pogacar wins wild stage after fan throws crisps in leader’s face

Stage 15: Loudenvielle to Plateau de Beille (mountainous, 198km) | Sunday 14 July

A nice relaxing weekend in the Pyrenees is rounded off with five climbs over a 200km route, all rated category one or harder. Expect fireworks among the yellow jersey contenders as they race to the finish atop Plateau de Beille.

• Stage 15: Tadej Pogacar lands major blow to extend advantage over Jonas Vingegaard

Rest day: Gruissan | Monday 15 July

Stage 16: Gruissan to Nimes (flat, 189km) | Tuesday 16 July

This is the final chance for the sprinters to bag a stage before the road kicks up into the mountains once more. Those in contention for the win will need to keep their composure as roundabouts punctuate the long final strip into the line in Nimes.

• Stage 16: Jasper Philipsen seals hat-trick of sprint wins

Stage 17: Saint-Paul-Trois-Chateaux to Superdevoluy (mountainous, 178km) | Wednesday 17 July

The peloton reaches the Alps for a day that will be draining as the road tilts from the start. There are bonus seconds to be collected at the top of the category-one Col du Noyer, before a fast descent to a small summit finish which caps a tough second half to this stage.

• Stage 17: Richard Carapaz rides to victory as Remco Evenepoel takes time on Jonas Vingegaard

Stage 18: Gap to Barcelonnette (hilly, 180km) | Thursday 18 July

A breakaway will certainly have a go at escaping up the road to clinch this stage, and they should be able to make it stick. The five official climbs are all category-three ascents which might mean some of the more well-rounded riders with a fast finish can clamber over them and be a threat at the end.

• Stage 18: New dad Victor Campenaerts claims emotional maiden Tour stage win

Stage 19: Embrun to Isola 2000 (mountainous, 145km) | Friday 19 July

Perhaps the most eye-catching stage when the 2024 route was unveiled was this one: three monstrous Alpine climbs, back to back, with a summit finish at Isola. The middle climb of the trio is the giant Cime de la Bonette (22.9km at 6.9%), the highest road in France at 2,802m. If the fight for the yellow jersey is still alive at this point in the race, this will be a thrilling stage for the story to unfold.

• Stage 19: Peerless Tadej Pogacar tightens grip on yellow jersey

Stage 20: Nice to Col de la Couillole (mountainous, 133km) | Saturday 20 July

It may be a little shorter at only 133km, but this is another brutally tough mountain stage featuring four climbs and another summit finish, atop the Col de la Couillole.

Stage 21: Monaco to Nice (ITT, 34km) | Sunday 21 July

The race will finish without the usual procession through Paris and instead see the riders contest an individual time-trial from Monaco to Nice that could decide the outcome of the Tour. The last time-trial finale saw Greg Lemond pinch the yellow jersey on the Champs-Elysees, beating Laurent Fignon by eight seconds. This route is longer than the stage-seven time-trial, and a little more hilly too, so there is potential for some significant time gaps.

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What every parent should know about college tours

I f your child is growing up too fast and high school graduation seems to be approaching quickly, college tours might be on your to-do list. Although I don’t believe you have to visit college campuses before you apply, a tour can be very helpful when narrowing down the schools your  teen  will apply to.

Many families plan their college tours during senior year, especially in the fall semester, while others schedule them after the acceptance letters start coming in. It’s become more common to start earlier in the process, especially if Early Decision is an option and there’s a need to start narrowing down choices before November 1. If you’re a newbie in this college application process, like me, Early Decision is binding, and you sign a contract stating your child will attend if accepted. It improves the chance of getting admitted into the dream school but not all schools offer the option (for example, state schools don’t) and if you need financial aid, it can limit your options because you need to rescind your application from other schools if accepted. If you are considering Early Decision, then a campus visit might be just what your child needs to decide what their top choice is.

College tours are free, but it’s best to sign up in advance. Some schools do take walk-ins, but most require advance registration. 

If an in person visit is not a possibility for now, a virtual campus tour can be helpful. Some colleges offer video tours and virtual events, so make sure to check them out as well.

A college visit can be very useful. It’s the perfect opportunity to see if your child fits in the school you visit and gather materials and observations to answer school-specific application prompts. 

Top tips when planning a college tour

• Make a list of the schools your teen considers their top options.  Discuss whether they are a realistic choice, academically and financially.  Then narrow down the list to the ones you can and feel compelled to visit.
• If possible, include a mix of different types of schools.  Visit a state school, an urban school, a traditional campus, a big university, and a smaller college. See how your teen reacts. My son, for example, realized he prefers to be close to a big city rather than a rural area. My daughter also prefers urban settings to small college towns.
• Take advantage of any family trips you have planned.  Add an extra day so you can tour nearby colleges and universities. If you have more than one child, take younger siblings on the tour, especially if they’re close in age. 
• Schedule visits as soon as you settle on dates.  Tours can fill up quickly during certain times of the year, so make sure you book in advance.
• Check to see whether your child’s prospective major offers a school-specific tour . Register before or after the general campus tour. Some have very limited space and are in high demand.
• Familiarize yourself with the schools before your visit by using their website . All offer virtual tours and tons of information regarding their admission process. They also offer a cost calculator so you can see whether your family would be able to afford it. 
• Take notes.  Even better: make sure your teen writes down what stands out and what they like at every single college you visit. Those notes come in very handy when they have to write their college essays! If there’s something you dislike, it’s also important to jot it down. You might think you’ll remember each school but our memories tend to be fragile.
• Ask questions.  Some teens prefer to do the asking, while others are okay with parents taking the lead. Ask about the curriculum, teacher ratio, class size, and anything else that you consider important. Parents should inquire about campus safety measures and the accessibility of the campus for students with disabilities. However, be considerate of other families and don’t monopolize the questions.
• Make sure you speak to current students.  They give you a different perspective than admissions officials. Ask them about the food, safety, stress level, dorms, and their quality of life. I preferred my son to ask those questions because teens relate to each other more easily. Take advantage of the student-led campus tours to also get the perspective of somebody who already went through the process. My kids always ask why the tour guide chose that specific school and the answers can be very enlightening.
• Keep your eyes and ears open but don’t be afraid to stand back.  I observed everything, saw my son’s reactions to the schools we visited, and asked questions. However, I let my teen take the lead and tried to be as unobtrusive as I could be. 
• Don’t forget to sign in at the college tour meeting point, welcome center or at the undergraduate admissions office.  Although a visit won’t necessarily improve your child’s acceptance chances, it never hurts for that school to know that you made the time to be there in person. College counselors say it is extremely important to demonstrate interest in the school, so visiting in person can make a difference.

What to expect during a college tour

Parents can expect a variety of things when they go on a college tour with their child. College tours are typically designed to provide prospective undergraduate students and their families with a glimpse of campus life, academic offerings, and the overall atmosphere of the college or university.

Here is what to expect during a college tour:

• Information Sessions:  Most college tours begin with an information session led by admission counselors. Parents can expect to learn about the college’s history, mission, academic programs, admission requirements, financial aid options, and application process. This is an opportunity to ask questions and gather important information.
• Guided Campus Tour:  After the information session, parents and students are usually taken on a guided walking tour of the campus. This tour may include visits to academic buildings, dormitories, dining facilities, libraries, recreational areas, and other important campus locations. Parents can expect to see the physical aspects of the campus. Tip: get a campus map to help you identify what you are walking by.
• Interactions with Current Students:  College tours often include interactions with current students, like the student tour guide. Parents and students can ask questions to get a sense of what life is like on campus, including extracurricular activities, student organizations, and the overall student experience.
• Meeting Faculty or Staff:  Some college tours, especially if your child has been invited to a special event for prospective students, may include opportunities to meet with faculty members, academic advisors, or staff members from specific departments. This can be a valuable opportunity for parents and students to learn more about academic programs and resources. After the pandemic, these meetings need to be requested in advance unless they are a part of special programming. 
• Housing Options:  Parents can expect to see different types of housing options, including dormitories and residence halls. 
• Campus Facilities:  Parents should expect to see various campus facilities, such as the library, fitness center, laboratories, and recreational areas. This can give them a sense of the resources available to students.
• Admissions and Financial Aid Offices:  College tours often include visits to the admissions and financial aid offices. Parents can learn about the application process, deadlines, and financial aid options available to students.
• Q&A Sessions:  Many college tours include question-and-answer sessions where parents and students can ask specific questions about the college. It’s a good opportunity to seek clarification on any concerns or doubts.
• Free Time:  Depending on the length of the tour, parents and students may have some free time to explore the campus on their own, visit nearby attractions, or have meals in campus dining facilities.
• Next Steps:  At the end of the tour, parents can expect to receive information about the next steps in the application process, including how to apply, application deadlines, and important contacts. Tip: set a reminder on your phone if there are special scholarship application deadlines.

It’s important for parents to come prepared with questions and take notes during the tour to help their child make an informed decision about which college or university is the best fit for them. Additionally, parents should encourage their child to actively participate in the tour and ask questions that are important to them.

Is it worth doing a college tour before your child is accepted?

Yes, there can be value in doing a college tour before your child is accepted. Here are a few reasons why:

    1.     Exploring Options: College tours provide an opportunity to explore different colleges and universities to determine which ones align with your child’s interests, preferences, and goals. It allows them to get a sense of the campus environment and culture.

    2.    Motivation and Goal Setting: Visiting colleges can motivate your child and help them set academic and personal goals. Knowing what’s ahead can inspire them to work harder in high school to achieve admission to their preferred institution.

    3.    Understanding Requirements: College tours often include information sessions where admission requirements, deadlines, and the application process are discussed. This early exposure can help your child plan and prepare accordingly.

    4.     Financial Planning: College tours can also provide insights into the cost of attendance and available financial aid options. This information is crucial for financial planning and identifying potential scholarship opportunities.

    5.     Networking and Connections: Attending tours may allow your child to connect with current students, faculty, and admissions staff. These connections can provide valuable insights and guidance throughout the application process.

    6.     Demonstrated Interest: Some colleges track “demonstrated interest” as a factor in their admission decisions. By visiting a campus, your child shows genuine interest in the school, which can potentially enhance their application.

However, it’s essential to keep in mind that visiting colleges before acceptance may not be possible or practical for everyone due to geographical or financial constraints. In such cases, virtual tours, informational webinars, and reaching out to current students or alumni online can also provide valuable insights and help with the decision-making process. Ultimately, the decision to visit colleges before acceptance depends on your family’s circumstances and your child’s preferences.

Are virtual college tours useful?

Virtual college tours can be useful and have their advantages, especially when visiting campuses in person isn’t feasible. Here are some reasons why virtual college tours can be valuable:

    1.     Accessibility : Virtual tours make it possible to explore colleges and universities from anywhere in the world, overcoming geographical barriers. This accessibility is particularly helpful for international or out-of-state students.

    2.     Cost-Efficiency : Virtual tours are typically free or low-cost, eliminating the expenses associated with travel, accommodation, and meals that come with traditional in-person visits.

    3.     Convenience : You can take virtual tours at your own pace and schedule. This flexibility allows you to fit college exploration into your busy life without disrupting work or school schedules.

    4.     Safety and Health : Online tours became even more relevant during times of health concerns, such as the COVID-19 pandemic. They provide a safe way to explore campuses without risking exposure to illness.

    5.     Revisit at Any Time:  Virtual tours often remain accessible on college websites, allowing you to revisit and review campus facilities and information as needed.

    6.     In-Depth Exploration:  Some virtual tours offer interactive features, 360-degree views, and multimedia presentations that can provide an in-depth look at campus facilities, academic programs, and student life.

However, there are some limitations to consider:

    1.     Lack of Physical Experience:  Virtual tours cannot fully replicate the physical experience of being on campus. You won’t feel the college life atmosphere, interact with current students, or get a sense of the local community.

    2.     Limited Perspective:  Virtual tours may highlight the best aspects of a campus and omit certain drawbacks. It’s essential to complement virtual tours with additional research and possibly in-person visits if possible.

    3.     Technical Issues:  Technical glitches or limitations in the virtual tour platform can sometimes disrupt the experience.

So even if you are not seeing a beautiful campus in person, virtual college tours are a valuable tool for initial research and can help you narrow down your list of potential colleges. However, if you have the opportunity, combining virtual tours with physical visits when feasible can provide a more comprehensive understanding of a college or university.

Good luck with the college application process. Make sure to check on your teen to see how they are handling the pressure and stress. This is an important stage in their lives, but our children’s health is always the top priority, and not all schools or career paths are good for everybody.

More parenting tips

• Best Tips for College Move-In Day (And Free Checklist!)
• Free Technology Contract For Kids (And Why Every Parent Needs One)
• Top Back to School Tips for Parents
• How to keep teens safe on social media

The post What every parent should know about college tours by Jeannette Kaplun appeared first on Hispana Global .

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The end of the f***ing world, common sense media reviewers.

Dark dramedy raises talking points for mature teens.

A Lot or a Little?

What you will—and won't—find in this TV show.

A mixed bag: Romanticizes the notion of teen angst

Neither James nor Alyssa could be considered a pos

As James fantasizes about killing Alyssa, viewers

Brief shots of James masturbating. Alyssa is obses

Everything goes, including "f--k" in all its forms

The series is inspired by a comic book of the same

Rarely adults drink and/or smoke. Alyssa's stepfat

Parents need to know that The End of the F***ing World is a dark dramedy based on Charles Forsman's 2013 graphic novel. It centers on two emotionally isolated teens, James and Alyssa (Alex Lawther and Jessica Barden), who connect and run away together, all while one plots the other's murder. While there's…

Positive Messages

A mixed bag: Romanticizes the notion of teen angst and rebellion by putting James and Alyssa in potentially dangerous situations with little realistic consequence, but also explores complex emotional state of adolescence and importance of relating to people in meaningful ways. Even though both characters struggle with psychological troubles, they find some relief and camaraderie in each other's company.

Positive Role Models

Neither James nor Alyssa could be considered a positive role model, given their earnest disregard for basic human decency at times, but each becomes what the other needs most as the story progresses. Adults in their lives tend to disappoint them even when they try to be involved. In some cases, those adults are the reason for the teens' unhappiness.

Violence & Scariness

As James fantasizes about killing Alyssa, viewers see it play out in scenes that flash between reality and the bloody act he ponders. He also talks about his murderous desires and describes killings of animals he's done in the past, with victims shown. In one scene he punches his dad; in another he burns his hand in a fry vat. An actual murder occurs and it is bloody. James is sexually molested by an older man in a restroom, while Alyssa is nearly raped.

Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.

Sex, Romance & Nudity

Brief shots of James masturbating. Alyssa is obsessed with sex to a degree that physical acts often come up in conversation. James calls her a nymphomaniac, and she occasionally asks for him to perform oral sex and other acts on her. She attempts oral sex on James but he does not respond. The teens also watch porn in a hotel room but are detached from the experience. Alyssa initiates sex with a stranger but does not complete the act.

Did you know you can flag iffy content? Adjust limits for Sex, Romance & Nudity in your kid's entertainment guide.

Everything goes, including "f--k" in all its forms, "s--t," "bulls--t," and "damn." Name-calling like "d--khead," "bitch," and "c--t" as well.

Did you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.

Products & Purchases

The series is inspired by a comic book of the same name.

Drinking, Drugs & Smoking

Rarely adults drink and/or smoke. Alyssa's stepfather gives her a beer.

Did you know you can flag iffy content? Adjust limits for Drinking, Drugs & Smoking in your kid's entertainment guide.

Parents Need to Know

Parents need to know that The End of the F***ing World is a dark dramedy based on Charles Forsman's 2013 graphic novel. It centers on two emotionally isolated teens, James and Alyssa (Alex Lawther and Jessica Barden), who connect and run away together, all while one plots the other's murder. While there's little violence in real time, James' fantasies play out in brief clips that show Alyssa stabbed and bleeding, and he often lurks near her with a knife poised. Language is also an issue; Alyssa in particular uses words like "f--k," "s--t," "c--t," and "d--khead" regularly. The teens also often talk about sex, so expect mention of masturbation, oral sex (she calls it "eating a p---y"), and other physical acts, but little is actually shown. The teens' rebelliousness (and James' infatuation with killing in particular) is glorified rather than vilified, with surprisingly comic results. This show is iffy for most teens, but if you watch with yours, use its themes to talk about bullying and emotional health.

Where to Watch

Videos and photos.

Community Reviews

• Parents say (23)
• Kids say (126)

Based on 23 parent reviews

Funny if you think killing your dog or cat is okay.

What's the story.

Self-described teen psychopath James (Alex Lawther) and his rebellious classmate Alyssa (Jessica Barden) take off on an impromptu cross-country trip to escape their dull lives and to find Alyssa's dad in THE END OF THE F***ING WORLD. While the novelty of their adventure quickly wears off, the duo determines to see it through, taking drastic and often illegal steps to keep on the move. As Alyssa reflects on events of her past that brought her to this point, James' focus remains on the future and his secret plan for Alyssa's eventual murder.

Is It Any Good?

This dark series casts a loner teen as a methodical would-be killer of his irksome and fiery companion, but that does surprisingly little to distract from its comedic effect. While it's difficult to say that James and Alyssa are likable characters, they're almost instantly sympathetic, despite (or perhaps because of?) their utter contempt for what they consider their meaningless lives and the people in them. The show's narrative style gives viewers insight into both teens' innermost feelings, which is a good thing because both are people of few words. By piecing together what they say, what they think, and what they recall in flashback scenes, viewers slowly develop a full sense of these two complex teens and, more importantly, what draws them to each other.

The End of the F***ing World , which is based on Charles Forsman's 2013 graphic novel, is much more than a Thelma and Louise story for the teen set. In fact, given the often mature content, its appropriateness for teens is questionable at best. It's a masterfully calculated and morbid dysfunctional love story in which you find yourself heavily -- and somewhat guiltily, given the contemptible nature of the star-crossed lovers -- invested in surprisingly little time. If the weighty angst, pervasive language, and murder-in-the-making elements aren't too much for your teen, the series also raises some important topics you can discuss afterward, including emotional wellness and isolation, bullying, and healthy ways of dealing with stress.

Talk to Your Kids About ...

Families can talk about how The End of the F***ing World portrays teens and their struggles . Are James and Alyssa believable characters in their feelings about their families and lives? Do they attempt to deal with what weighs on their minds, or is their attitude one of escape instead? What are some more constructive ways of coping?

What role do adults have in this story? What do you think adults' roles in teens' lives should be? Teens: Are the adults in your life privy to your moods and feelings? If not, to whom do you turn when you have to deal with something difficult?

Would you describe James and Alyssa as particularly courageous ? Why or why not? What positive attributes does each have? Are they redeemable characters?

• Premiere date : January 5, 2018
• Cast : Jessica Barden , Alex Lawther , Steve Oram
• Network : Netflix
• Genre : Drama
• Topics : Adventures , Book Characters , History
• TV rating : TV-MA
• Last updated : July 13, 2024

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Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.

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End of the Spear Parent Guide

Based on a true account, The End of the Spear tells the story of five American missionaries who's decision to make contact with a ferocious Amazon tribe ends up impacting forever the Waodani Indians as well as their own families.

Release date January 19, 2006

Run Time: 108 minutes

Get Content Details

The guide to our grades, parent movie review by donna gustafson.

Survival of the fittest is an understatement when describing the jungle existence of the Waodani Indians. But deadly snakes, wild jaguars and blood-sucking bats are the least of the problems for these Amazon dwellers. Living and dying by the spear, the Waodani’s greatest enemy is themselves.

Born into this hostile environment on the brink of self-extinction is Mincayani (Louie Leonardo). As a child he lost some family members due to attacks by neighboring tribesmen, and others to the tradition of killing and burying children with their wounded and dying fathers. Although his sister Dayumae (Christina Souza) escaped such a sentence by fleeing to a group of foreigners camped at the edge of their territory, he fears her fate was no better. He understands, just like the rest of his people, that the white-men are cannibals.

Based on the true story of these five Christian missionaries, their families and the Waodanis, the End of the Spear probes into the events that transpired after their initial meeting in the 1950s.

Beautifully shot, well crafted and nicely acted, this limited-release movie recreates the details of this account, and proves facts are indeed more amazing than fiction. The only disappointment comes from the script, which fails to clearly explain how these missionaries and their legacy managed to bring an end of the spear to these ferocious warriors. However, messages of courage, selflessness, forgiveness and repentance are abundant.

While these are positive themes, parents will still want to be cautious when viewing this film with their children. In order to show the Waodani way of life, there are numerous depictions of murder (including women and children), impaling with spears, brandished machetes, bloody wounds, death threats and kidnappings. Other violence includes animals attacking humans, and humans hunting animals. Of course, native garb (or lack there of) may present some concerns as well, even though the women in the movie are dressed in more clothing than the real Indians actually wore. Some sexuality creeps in too, with verbal references to infidelity and unwed pregnancy.

Yet the production should be praised for what it is trying to accomplish. Not only does it bring this worthy tale to light, it also promises to send half of its proceeds to help the plight of indigenous people. Now that’s an example of practicing exactly what you preach.

About author

Donna Gustafson

End of the spear rating & content info.

Why is End of the Spear rated PG-13? End of the Spear is rated PG-13 by the MPAA for intense sequences of violence.

The biggest issues in this move are a result of showing the violent nature of the Waodani Indians before they had contact with the missionaries. These portrayals include many murders of men women and children with spears and machetes, animals killing humans and humans killing animals (some blood is seen in all of these scenarios). Other milder content concerns are the administration of medications with a hypodermic needle, depictions of native costumes that barely cover private body parts, verbal mentions of infidelity and unwed pregnancy, as well as the gender of a child being confirmed by looking down his pants. This harsh culture serves as a stark contrast to the missionaries’ example and teachings of peace, forgiveness, and repentance.

Page last updated May 4, 2009

End of the Spear Parents' Guide

What impact did the introduction of the missionaries have on the Waodani Indians? Was it positive, negative or both? Was this collision of cultures inevitable? What would likely have happened if the meeting had been prolonged, or another group of people made contact first? Do you think civilized societies should share their ideas with primitive societies?

In the story, Steve Saint (the son of Nate) and Mincayani discuss the concept of giving versus taking something. What do you think is the difference? How did the understanding they reached affect the lives of both of these men?

What attitude toward self-defense did the missionaries have? Do you agree with their philosophy? How did their decision affect the future relations between the two groups?

The most recent home video release of End of the Spear movie is June 13, 2006. Here are some details…

Unfortunately, the DVD release of End of the Spear doesn’t offer any bonus features, but it does provide the movie in both wide and full screen presentations. The English audio track is recorded in 5.1 Dolby Surround, and subtitles are available in English, Spanish and French.

Related home video titles:

The documentary Beyond the Gates of Splendor also examines the story of the five American missionaries who first attempted contact with the Waodani Indians. The experiences of another American missionary (who serves among the people of Tonga) are recounted in the movie The Other Side of Heaven . The differences between primitive societies and modern man are the basis for both humor and contemplation in the South African film, The Gods Must be Crazy .

Age Rating JuJu

Parents Guide Movies, Games, TV & Web Series, Videos. Age Restriction reason – What & Why

A Murder at the End of the World (2023)

Table of Contents

A Murder at the End of the World Parents Guide

A Murder at the End of the World is a Drama , Mystery television series directed by Zal Batmanglij and Brit Marling. The main cast includes Harris Dickinson, Emma Corrin , and Alice Braga .

It is produced by FX Productions and the distributor of A Murder at the End of the World is Disney + .

A Murder at the End of the World Age Rating

Age ratings are recommendations for parents and carers of kids to help them decide what is appropriate for their child depending on what stage of development they are at.

A Murder at the End of the World is rated TV-MA for sexual content , and language .

Plot: What’s the Story About?

The film tells the story of Darby Hart, a Gen Z amateur detective who attempts to solve a murder in a secluded location.

When and Where Can I Watch A Murder at the End of the World?

A Murder at the End of the World is scheduled to be released on November 14, 2023. You can watch A Murder at the End of the World on Disney+.

Wallpaper and Images

Who is in the Cast of A Murder at the End of the World?

Here, is the list of A Murder at the End of the World Cast and Characters

• Harris Dickinson as Bill
• Emma Corrin as Darby Hart
• Alice Braga as Sian
• Clive Owen as Andy
• Jermaine Fowler as Martin
• Brit Marling as Lee
• Raúl Esparza as David
• Joan Chen as Lu Mei
• Louis Cancelmi as Todd
• Edoardo Ballerini as Ray
• Pegah Ferydoni as Ziba
• Javed Khan as Rohan
• Ryan J. Haddad as Oliver
• Lauren Yaffe as Hotel Staff
• Britian Seibert as Eva
• Daniel Olson as Tomas
• Christopher Gurr as Marius
• Kellan Tetlow as Zoomer

Trailer: Is there any trailer available?

A Murder at the End of the World FAQ

Who is the writer of a murder at the end of the world.

Zal Batmanglij and Brit Marling is the writer of A Murder at the End of the World

When will A Murder at the End of the World be released?

A Murder at the End of the World is scheduled to be released on August 29, 2023

Who is the distributor of A Murder at the End of the World?

Disney+ is the distributor of A Murder at the End of the World

Know about A Murder at the End of the World age rating and parental Guidance here A Murder at the End of the World age rating in the UK, US, Canada, Ireland, Switzerland, and overseas is explained here.

In fact, the age rating is fixed by the MPAA( Motion Picture Association of America TV Series rating system),  BBFC (British Board of Film Classification), and Commons Sense, TV Parental Guidelines (A television content rating system in the United States).

Stay tuned to get more updates on the age rating of all movies, tv shows, books, and games. Finally, any suggestions are always welcomed.

Also, please make use of the comment box for your reviews. We are always providing all age ratings for kids, We will make the easy and best way for your kids.

A Murder at the End of the World

Director: Zal Batmanglij and Brit Marling

Date Created: 2023-08-29 16:31

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The End of the Tour: Behind the Tour (2015 Video)

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