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April 17, 2024

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Nostalgia acts take crowd on journey back to the 1980s

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There’s plenty of truth in the phrase “soundtrack to our lives,” which rock acts use as a justification to keep touring decades after their songs topped the charts.

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Bands such as Journey and Toto showed off many of those moments of nostalgia Monday night at the Canada Life Centre.

A study published in Psychology Today in June 2023 found people best recalled songs that were popular when they were between 10 and 30 years of age; these songs evoke the most vivid memories and defined who they are.

MIKE SAVOIA PHOTO

From left: Journey's Jonathan Cain, Arnel Pineda and Neal Schon perform in Providence, R.I. on Feb. 21.

For the many 50- and 60-year-olds in the crowd Monday night, hearing Rosanna and Africa , songs from 1982 that Toto performed during its hour-long opening set, no doubt evoked fond high school reminiscences, calling to mind a time long before families were formed, careers were built and retirement strategies were devised.

The same feelings were stirred afterward when Journey took the stage and played Don’t Stop Believin’ and Who’s Crying Now , the group’s 1981 mega-hits, early in its set.

Journey, which included Neal Schon and Jonathan Cain in its lineup Monday night, both of whom co-wrote Don’t Stop Believin’ with former lead singer Steve Perry, received thundering applause, even if it was Filipino vocalist Arnel Pineda singing the rock ballads rather than Perry at the microphone.

Concert review

Journey with Toto Monday, March 4 • Canada Life Centre • Attendance: 9,000 Four stars out of five

Their PR teams didn’t allow the Free Press — or any other media organization on their North American tour — to photograph the concert last night, lest images of Schon, 70, and Cain, 74, and the absence of Perry mess with the recollections of the crowd, who sang along with Don’t Stop Believin’ like they did when they listened to the group on their Sony Walkmans.

Pineda’s vocals were strong and his relatively youthful energy fit the show, as did Schon’s guitar skills, especially during his guitar-solo version of O Canada .

Pineda, who has been with Journey for 16 of its 50 years, was at his best during the band’s famous weepers, Open Arms and Faithfully while Schon seemed to have a lengthy solo for every occasion, including Any Way You Want It , the night’s finale.

Despite what the Psychology Today study revealed, life does goes on after the small-town girl and the city boy take the midnight train going anywhere and we do store more events in our memory banks after we hit the big 3-0.

And that’s a problem that afflicts the music industry in 2024. When Journey and Toto hit the road with their hits in the early 1980s, they only had to compete with their contemporaries.

Sure, the Rolling Stones toured off and on in football stadiums, but Led Zeppelin and the Eagles broke up in 1980 and the Beatles were just a baby-boomer memory.

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Compare that to today, when a rock act on the rise is squeezed for radio airplay by Taylor Swift and her budget-breaking Eras tour and for Winnipeggers later this year, visits by rock heavyweights Neil Young and Bruce Springsteen.

Today’s new rock and pop acts also compete with the growing popularity of country music — the genre’s biggest song of 2023 was Luke Combs’ version of Fast Car , Tracy Chapman’s folk-rock hit of 1988 — and legacy acts such as Journey and Toto, the latter of which featured an all-star-laden seven-piece band that has recorded with Stevie Wonder, Michael Jackson and even T-Swizzle herself, delivering a note-perfect version of Africa that had the crowd dancing, singing, photographing and filming, all at the same time.

They were potent, yet delicate moments, to steal a phrase from Don Draper of TV’s Mad Men , which might, just might, become part of the lasting memories of what Winnipeg was like in the year 2024.

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Alan Small has been a journalist at the Free Press for more than 22 years in a variety of roles, the latest being a reporter in the Arts and Life section.

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• March 12, 2023 Setlist

Journey Setlist at Scotiabank Arena, Toronto, ON, Canada

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Tour: Freedom Tour 2023 Tour statistics Add setlist

• Only the Young Play Video
• Guitar Solo Play Video
• Stone in Love Play Video
• Don't Stop Believin' Play Video
• Lights Play Video
• Send Her My Love Play Video
• Escape Play Video
• Who's Crying Now Play Video
• Mother, Father ( Deen Castronovo on Vocals ) Play Video
• Let It Rain Play Video
• Lovin', Touchin', Squeezin' Play Video
• Piano Solo Play Video
• Open Arms Play Video
• Faithfully Play Video
• Girl Can't Help It ( Jason Derlatka on vocals ) Play Video
• Guitar Solo ( Incorporated parts of "Oh Canada" (The Canadian National Anthem ) Play Video
• Wheel in the Sky Play Video
• Separate Ways (Worlds Apart) Play Video
• Be Good to Yourself Play Video
• Any Way You Want It Play Video

Edits and Comments

40 activities (last edit by ExecutiveChimp , 2 Jul 2023, 03:36 Etc/UTC )

Songs on Albums

• Don't Stop Believin'
• Mother, Father
• Stone in Love
• Who's Crying Now
• Only the Young
• Send Her My Love
• Separate Ways (Worlds Apart)
• Guitar Solo (2)
• Wheel in the Sky
• Be Good to Yourself
• Girl Can't Help It
• Any Way You Want It
• Lovin', Touchin', Squeezin'
• Let It Rain

Complete Album stats

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Scotiabank arena.

• Toto Start time: 7:30 PM 7:30 PM
• Journey This Setlist Start time: 8:55 PM 8:55 PM

Journey Gig Timeline

• Mar 08 2023 Centre Bell Montreal, QC, Canada Add time Add time
• Mar 09 2023 Centre Vidéotron Quebec City, QC, Canada Add time Add time
• Mar 12 2023 Scotiabank Arena This Setlist Toronto, ON, Canada Start time: 8:55 PM 8:55 PM
• Mar 13 2023 Canadian Tire Centre Ottawa, ON, Canada Start time: 9:00 PM 9:00 PM
• Mar 16 2023 KeyBank Center Buffalo, NY, USA Add time Add time

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<div style="text-align: center;" class="setlistImage"><a href="https://www.setlist.fm/setlist/journey/2023/scotiabank-arena-toronto-on-canada-bba5d7a.html" title="Journey Setlist Scotiabank Arena, Toronto, ON, Canada, Freedom Tour 2023" target="_blank"><img src="https://www.setlist.fm/widgets/setlist-image-v1?id=bba5d7a" alt="Journey Setlist Scotiabank Arena, Toronto, ON, Canada, Freedom Tour 2023" style="border: 0;" /></a> <div><a href="https://www.setlist.fm/edit?setlist=bba5d7a&amp;step=song">Edit this setlist</a> | <a href="https://www.setlist.fm/setlists/journey-3d6b507.html">More Journey setlists</a></div></div>

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[url=https://www.setlist.fm/setlist/journey/2023/scotiabank-arena-toronto-on-canada-bba5d7a.html][img]https://www.setlist.fm/widgets/setlist-image-v1?id=bba5d7a[/img][/url] [url=https://www.setlist.fm/edit?setlist=bba5d7a&amp;step=song]Edit this setlist[/url] | [url=https://www.setlist.fm/setlists/journey-3d6b507.html]More Journey setlists[/url]

Tour Update

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RESCHEDULED: Journey - Freedom Tour

Originally scheduled for: may 13, 2022.

Event Information

Journey with very special guest TOTO originally scheduled for May 13, 2022 at Scotiabank Arena has been rescheduled for March 12, 2023. All original tickets remain valid for the newly scheduled date.

Mobile Ticketing

Moving forward, all future tickets sold for events at Scotiabank Arena will be Mobile Only Delivery. Download the Official Scotiabank Arena Mobile App to manage your tickets.

Scotiabank Arena Bag Policy

To protect our fans, employees and teams, and to align with league and tour standards, a restricted bag policy is in place at Scotiabank Arena.

Our up to date bag policy can be viewed HERE

Re-Entry Policy

Please note that as an additional security measure, no re-entry is permitted after you have exited Scotiabank Arena gates. There are no longer any in-and-out privileges.  

Camera Policy

NBA Policy: Camera flashes may not be used at any time during games. Cameras with detachable lenses are strictly prohibited. Video cameras are permitted, however NBA policy strictly prohibits the use of still photos or video footage for commercial purposes without the express written approval of the NBA head office.

NHL Policy: Non-flash still photography is permitted; however, the lens must not exceed 75mm. Video cameras, GoPros, and Selfie Sticks are not permitted.

Concerts:  As the camera policy for each event varies, we recommend that fans contact Fan Services at (416) 815-5982 prior to arriving at the building to confirm the camera policy for a particular event. iPads and other tablets are not permitted during Concerts/Special Events. MLSE reserves the right to confiscate any tape or film that is used during an event.

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JOURNEY ANNOUNCES 2023 FREEDOM TOUR

One of the most legendary rock bands of all time, Journey, announces the continuation of their highly successful tour with the 50th Anniversary Celebration  Freedom Tour 2023  featuring, very special guest   Toto. Journey ,  diamond-selling Rock & Roll Hall of Famers will take the stage in 38 cities across North America with their catalog of global chart-topping hits, including  Don’t Stop Believin’,   Any Way You   Want It ,  Faithfully ,  Lights  and more.

Tickets can be purchased by visiting  ticketmaster.ca and will be available to the general public on  Friday , Oct. 21, at 10 a.m.

Journey features founder, Neal Schon (lead guitarist), Jonathan Cain   (keyboards, backing vocals), Arnel Pineda (lead vocals), Jason Derlatka (keyboards, vocals), Deen Castronovo (drums, vocals) and Todd Jensen (bass). Neal Schon is a three-time Hall of Fame inductee: Oklahoma Hall of Fame, Rock & Roll Hall of Fame and Grammy Hall of Fame. Jon Cain is a recipient of two BMI songwriter awards and was inducted into the Rock & Roll Hall of Fame as a member of Journey.

“We are all thankful and overwhelmed by the success of our  Journey Freedom Tour 2022  this year and have added a new run of dates for 2023” says Journey founder Neal Schon. “We are looking forward to hitting the road again with our very good friends Toto! Come join us for a special evening full of fun and rockin’ good memories. See you soon friends.”

Jonathan Cain adds “Excited to perform for our fans as we tour next year with Toto. The combined hits of both bands represent a couple of decades of excellence that have become a soundtrack for people’s lives. The music of Journey along with the music of Toto is an example of “certain music” during “uncertain times”.

Edgar Winter & Steve Lukather perform with Ringo Starr And His All Star Band, Leons Centre, Kingston. Sept 27, 2022. Photo: Ron Pettitt

Very special guest Toto, who have collectively streamed more than 3.3 billion plays on Spotify alone based on hits including  Rosanna ,  Africa  and  Hold the Line , will join Journey on all dates.

Toto’s Steve Lukather shares, “’On behalf of myself and the band, we are very honoured and excited to do this tour with our old and dear friends Journey. Gonna be a great night of music, and as all the guys are lifelong friends… a blast off stage as well.”

JOURNEY – FREEDOM TOUR 2023 CANADIAN  DATES

*All dates, cities and venues below subject to change

March 8 – Montreal, Bell Centre

March 9 – Quebec City, Videotron Centre

March 12 – Toronto, Scotiabank Arena

March 13 – Ottawa, Canadian Tire Centre

About Journey

Since the group’s formation in 1973, Journey has earned 19 top 40 singles, 25 gold and platinum albums and has sold over 100 million albums globally. Their  Greatest Hits  album is certified 15 times-platinum, making Journey one of the few bands to ever have been diamond-certified, and their song  Don’t Stop Believin’  has been streamed over one billion times alone.

Journey was inducted into the Rock & Roll Hall of Fame in 2017, and 2018’s co-headlining tour with Def Leppard was the band’s most successful tour to date, landing them in the Top 10 year-end touring chart with more than one million tickets sold, and earning them the prestigious  Billboard  Legends   of   Live touring award. March 2019 saw the release of  Escape & Frontiers Live In Japan ,  a live DVD/CD set from their concert at the Budokan in Tokyo featuring the band’s first-ever performances of the albums  Escape  and  Frontiers  in their entirety. Journey has also received a star on the Hollywood Walk of Fame and were inducted into the Hollywood Bowl Hall of Fame. Additionally, the band is the subject of the award-winning documentary  Don’t Stop Believin’: Everyman’s Journey  about the band’s resurgence upon adding Arnel Pineda as lead singer after Journey founder, Neal Schon discovered the Philippines native on YouTube.

The members of Toto are celebrating an accomplishment few bands have achieved in the modern era. Cumulative streams of the ensemble’s repertoire now exceed three billion plays. Amongst the most listened to recordings,  Africa  accounts for over one billion streams on Spotify alone. This year the song was recertified by the RIAA eight-times platinum.

Over the past decade, the band has had a major renaissance in popularity like few bands at this point in their career. The audience is truly multi-generational, becoming younger with each passing year. Joining Steve Lukather and Joseph Williams are band members bassist John Pierce (Huey Lewis and The News), drummer Robert “Sput” Searight (Ghost-Note, founding member Snarky Puppy, Snoop Dogg), keyboardist Dominique “Xavier” Taplin (Prince, Ghost-Note), multi-instrumentalist / vocalist Warren Ham (Ringo Starr) and keyboardist / background vocalist Steve Maggiora. This line-up marks the fifteenth incarnation of Toto in consideration of band members or sidemen who joined or exited. Individually and collectively, few have had a larger imprint on pop culture than the members of Toto. The family tree can be heard on an astonishing 5,000 albums that together amass a sales history of a half a billion albums. Amongst these recordings, NARAS applauded the performances with hundreds of Grammy nominations.

With now 45-plus years together and literally thousands of credits, including the biggest selling album of all time: Michael Jackson’s  Thriller , and accolades to their names, Toto remains one of the top selling touring and recording acts in the world. They are the benchmark by which many artists base their sound and production, and they continue to transcend the standards set by the entire music community, being simply synonymous with musical credibility. They are pop culture and are one of the few 70s bands that have endured the changing trends and styles continuing to remain relevant.

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JOURNEY Announces 'Freedom Tour 2023' With Very Special Guest TOTO

One of the most legendary rock bands of all time, JOURNEY has announced the continuation of their highly successful tour with the 50th-anniversary celebration "Freedom Tour 2023" featuring very special guest TOTO . JOURNEY , diamond-selling Rock And Roll Hall Of Famers, will take the stage in 38 cities across North America with their catalog of global chart-topping hits, including "Don't Stop Believin'" , "Any Way You Want It" , "Faithfully" and "Lights" .

Presented by AEG Presents , JOURNEY "Freedom Tour 2023" begins February 4 in Allentown, Pennsylvania, making stops in Austin, Montreal, Memphis and more before wrapping April 25 at the brand new Acrisure Arena in Palm Springs, California. The 2023 run includes rescheduled dates in Washington D.C., Hartford, Toronto and Quebec that were postponed earlier this year due to COVID-19.

JOURNEY features founder Neal Schon (lead guitarist), Jonathan Cain (keyboards, backing vocals), Arnel Pineda (lead vocals), Jason Derlatka (keyboards, vocals), Deen Castronovo (drums, vocals) and Todd Jensen (bass).

Says Schon : "We are all thankful and overwhelmed by the success of our JOURNEY 'Freedom Tour 2022' this year and have added a new run of dates for 2023. We are looking forward to hitting the road again with our very good friends TOTO ! Come join us for a special evening full of fun and rockin' good memories. See you soon, friends."

Cain adds: "Excited to perform for our fans as we tour next year with TOTO . The combined hits of both bands represent a couple of decades of excellence that have become a soundtrack for people's lives. The music of JOURNEY along with the music of TOTO is an example of 'certain music' during 'uncertain times'."

Very special guest TOTO , who have collectively streamed more than 3.3 billion plays on Spotify alone based on hits including "Rosanna" , "Africa" and "Hold The Line" , will join JOURNEY on all dates.

TOTO 's Steve Lukather shares: "'On behalf of myself and the band, we are very honored and excited to do this tour with our old and dear friends JOURNEY . Gonna be a great night of music, and as all the guys are lifelong friends... a blast off stage as well."

"Freedom Tour 2023" dates:

February 04 - Allentown, PA - PPL Center February 05 - Charlottesville, VA - John Paul Jones Arena February 08 - Savannah, GA - Enmarket Arena February 10 - Columbia, SC - Colonial Life Arena February 11 - Greensboro, NC - Greensboro Coliseum February 14 - Lexington, KY - Rupp Arena February 17 - Knoxville, TN - Thompson-Boling Arena February 19 - Bossier City, LA - Brookshire Grocery Arena February 22 - Austin, TX - Moody Center February 23 - Lafayette, LA - Cajundome February 26 - Jacksonville, FL - Vystar Veterans Memorial Arena March 01 - Washington, DC - Capital One Arena * March 03 - State College, PA - Bryce Jordan Center March 04 - Hartford, CT - XL Center * March 08 - Montreal, QC - Bell Centre March 09 - Quebec, QC - Videotron Centre * March 12 - Toronto, ON - Scotiabank Arena * March 13 - Ottawa, ON - Canadian Tire Centre March 16 - Buffalo, NY - KeyBank Center March 17 - Atlantic City, NJ - Boardwalk Hall March 20 - Champaign, IL - State Farm Center March 21 - Moline, IL - Vibrant Arena at The MARK March 24 - Sioux Falls, SD - Denny Sanford PREMIER Center March 25 - Lincoln, NE - Pinnacle Bank Arena March 28 - Des Moines, IA - Wells Fargo Arena March 31 - Tulsa, OK - BOK Center April 01 - Memphis, TN - FedExForum April 04 - San Antonio, TX - AT&T Center April 07 - Springfield, MO - Great Southern Bank Arena April 08 - Wichita, KS - INTRUST Bank Arena April 11 - Casper, WY - Ford Wyoming Center April 13 - Boise, ID - ExtraMile Arena April 14 - Spokane, WA - Spokane Arena April 17 - Eugene, OR - Matthew Knight Arena April 19 - Stockton, CA - Stockton Arena April 22 - Bakersfield, CA - Mechanics Bank Arena April 23 - Fresno, CA - SaveMart Center April 25 - Palm Springs, CA - Acrisure Arena

* Rescheduled date

JOURNEY and TOTO previously joined forces for an early 2022 U.S. arena tour.

JOURNEY is continuing to promote its latest album, "Freedom" , which was released in July via BMG . The LP debuted at No. 1 on the Billboard Current Rock chart.

The members of JOURNEY celebrated the album's release by kicking off a residency featuring special symphony orchestra performances at the new, state-of-the-art Resorts World Casino in Las Vegas.

As JOURNEY 's legend continues to grow larger and their touring gets bigger, "Freedom" is the band’s first album of new material to be released in eleven years, since 2011's "Eclipse" , and in addition to Schon , along with longtime keyboard player and primary lyricist Cain and Pineda , one more member was recruited for the LP — bassist extraordinaire Randy Jackson , who had played on JOURNEY 's 1986 album "Raised On Radio" .

Inducted into the Rock And Roll Hall Of Fame in 2017, JOURNEY has 25 gold and platinum albums, with total sales adding up to over 100 million albums worldwide, earning the band two Diamond Awards with a third on the way for the "Frontiers" album. JOURNEY has also surpassed one billion streams on Spotify .

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PODCAST | NOTABLE RELEASES | NEWS | REVIEWS | FEATURES

Journey announces 50th anniversary freedom tour 2023.

Posted by Buddy Iahn | Oct 17, 2022

Group will be joined by Toto

One of the most legendary rock bands of all time, Journey, announces the continuation of their highly successful tour with the 50th Anniversary Celebration Freedom Tour 2023 featuring very special guest Toto on all dates. Journey, the Diamond-selling Rock & Roll Hall of Famers, will take the stage in 38 cities across North America with their catalog of global chart-topping hits, including “Don’t Stop Believin,” “Any Way You Want It,” “Faithfully,” “Lights” and more.

Presented by AEG Presents, Journey Freedom Tour 2023 begins February 4th in Allentown, PA – making stops in Austin, Montreal, Memphis and more – before wrapping April 25th at the brand new Acrisure Arena in Palm Springs, CA. The 2023 run includes rescheduled dates in Washington DC, Hartford, Toronto and Quebec that were postponed earlier this year due to COVID.

“We are all thankful and overwhelmed by the success of our Journey Freedom Tour 2022 this year and have added a new run of dates for 2023, says Journey founder Neal Schon. “We are looking forward to hitting the road again with our very good friends Toto! Come join us for a special evening full of fun and rockin’ good memories. See you soon Friends.”

Toto’s Steve Lukather shares, “On behalf of myself and the band, we are very honored and excited to do this tour with our old and dear friends Journey. Gonna be a great night of music, and as all the guys are lifelong friends… a blast off stage as well.”

Citi cardmembers will have access to presale tickets for the US dates beginning Tuesday, October 18th at 10 am local time until Thursday, October 20th at 10 pm local time through Citi Entertainment, excluding Canada, Washington DC and Hartford shows. A limited number of exclusive VIP Packages are also available. These exceptional offers can include an amazing selection of reserved seated tickets, custom merchandise and much more.

Tickets go on sale to the public Friday, October 21st at 10 am local time via Ticketmaster and Journey’s website .

Journey features Schon on lead guitar, Jonathan Cain on keyboards and backing vocals, Arnel Pineda on lead vocals, Jason Derlatka on keyboards and vocals, Deen Castronovo on drums and vocals and Todd Jensen on bass.

Journey & Toto Freedom 2023 Tour Dates:

Feb 4 – Allentown, PA @ PPL Center Feb 5 – Charlottesville, VA @ John Paul Jones Arena Feb 8 – Savannah, GA @ Enmarket Arena Feb 10 – Columbia, SC @ Colonial Life Arena Feb 11 – Greensboro, NC @ Greensboro Coliseum Feb 14 – Lexington, KY @ Rupp Arena Feb 17 – Knoxville, TN @ Thompson-Boling Arena Feb 19 – Bossier City, LA @ Brookshire Grocery Arena Feb 22 – Austin, TX @ Moody Center Feb 23 – Lafayette, LA @ Cajundome Feb 26 – Jacksonville, FL @ Vystar Veterans Memorial Arena Mar 1 – Washington, DC @ Capital One Arena Mar 3 – State College, PA @ Bryce Jordan Center Mar 4 – Hartford, CT @ XL Center Mar 8 – Montreal, QC @ Bell Centre Mar 9 – Quebec, QC @ Videotron Centre Mar 12 – Toronto, ON @ Scotiabank Arena Mar 13 – Ottawa, ON @ Canadian Tire Centre Mar 16 – Buffalo, NY @ KeyBank Center Mar 17 – Atlantic City, NJ @ Boardwalk Hall Mar 20 – Champaign, IL @ State Farm Center Mar 21 – Moline, IL @ Vibrant Arena at The MARK Mar 24 – Sioux Falls, SD @ Denny Sanford PREMIER Center Mar 25 – Lincoln, NE @ Pinnacle Bank Arena Mar 28 – Des Moines, IA @ Wells Fargo Arena Mar 31 – Tulsa, OK @ BOK Center Apr 1 – Memphis, TN @ FedExForum Apr 4 – San Antonio, TX @ AT&T Center Apr 7 – Springfield, MO @ Great Southern Bank Arena Apr 8 – Wichita, KS @ INTRUST Bank Arena Apr 11 – Casper, WY @ Ford Wyoming Center Apr 13 – Boise, ID @ ExtraMile Arena Apr 14 – Spokane, WA @ Spokane Arena Apr 17 – Eugene, OR @ Matthew Knight Arena Apr 19 – Stockton, CA @ Stockton Arena Apr 22 – Bakersfield, CA @ Mechanics Bank Arena Apr 23 – Fresno, CA @ SaveMart Center Apr 25 – Palm Springs, CA @ Acrisure Arena

About The Author

Buddy Iahn founded The Music Universe when he decided to juxtapose his love of web design and music. As a lifelong drummer, he decided to take a hiatus from playing music to report it. The website began as a fun project in 2013 to one of the top independent news sites. Email: [email protected]

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Journey Through the Decades: Exploring the Legacy of the Iconic Rock Group Journey

Rock group journey: a step-by-step guide to their success.

Journey, the iconic rock group that dominated the charts in the 70s and 80s, is one of the most successful bands in music history. Known for their electrifying stage presence and memorable anthems, Journey continues to inspire new generations of fans worldwide.

In this blog post, we will take a step-by-step look at Journey’s success story and explore what made them stand out from other bands during their time.

Step 1: The Early Days Formed in San Francisco in 1973, Journey initially started as a progressive rock band with humble beginnings. The original lineup consisted of guitarist Neal Schon, keyboardist Gregg Rolie, drummer Prairie Prince, bassist Ross Valory and vocalist George Tickner. Their debut album did not achieve much commercial success, but it laid the foundation for what was to come.

Step 2: A New Sound Journey’s sound started evolving in their third album “Infinity” which marked the first time lead singer Steve Perry lent his powerhouse vocals to the mix. This partnership with Perry played a crucial role in shaping Journey’s signature sound that would cement their place in music history.

Step 3: Chart-Topping Hits With Perry onboard as their frontman, Journey’s fourth album “Escape” became an overnight success that catapulted them into superstardom. With hits like “Don’t Stop Believing,” “Open Arms,” and “Separate Ways,” Journey quickly became one of the top-selling acts of all time.

Step 4: Resilience Despite significant commercial success under their belt by the mid-80s, tensions between members led to multiple breakups and changes within the band ‘s lineup. Instead of succumbing to these challenges though—Journey persevered. They bounced back stronger than ever before each breakup preceding another chart-topping hit such as “Send Her My Love,” “Why Can’t This Night Go On Forever?” and “Be Good To Yourself.”

Step 5: Legacy Today, Journey remains one of the most heavily-lauded bands in music history. They have been honored with induction into the Rock and Roll Hall of Fame, amid countless other accolades. The band’s style and sound continue to inspire new artists that keep their music alive for future generations.

Journey is a true testament to perseverance, resilience, and dedication in pursuing one’s dreams with an unwavering spirit. Their story is proof that greatness can come through hard work, collaboration with new talent— all while staying true to oneself throughout the journey.

In conclusion, Journey remains one of the pioneering forces in rock music that has stood the test of time. Their legacy continues on through their chart-topping hits, electrifying live performances & inspiring lyrics that have inspired legions of fans worldwide. If you haven’t already, take some time today to listen to Journey’s timeless anthems and appreciate what it means to be truly great!

Your Rock Group Journey FAQs, Answered

The world of rock and roll can be both exhilarating and confusing, especially for new bands just starting out. With so many questions about the process of forming a group , touring, and finding success, it can be difficult to navigate the industry as a new band. Luckily, we’ve compiled some of the most frequently asked questions about rock group journeys and are here to provide you with some answers.

1. How do I form a successful rock band?

Forming a successful band involves several key steps. Firstly, you’ll need to gather talented musicians who share your passion for music and who work well together. Once you have your lineup sorted, it’s vital to spend time developing your sound; this means writing original material that showcases your individuality as a group .

Additionally, networking with other local bands is an excellent way to gain exposure and build connections within the music scene . Keep in mind that being professional – showing up on time for gigs, respecting venues and their staff members – can go a long way toward establishing yourselves as serious artists.

2. How do we get our music heard by more people?

Thanks to social media platforms like YouTube and Facebook, getting your music out there has never been easier! You can also gain exposure by playing live shows in different venues – put together an EPK (electronic press kit) with music recordings, photos of the band performing live etc., approach influential blogs or radio stations in order to get recognition.

Building relationships with other bands can also lead to more gig opportunities: Consider organizing joint shows or collaborating on projects together for wider audience reach.

3. What should we expect when taking our band on tour? Touring is simultaneously exciting yet grueling experience for any Rock-n-Roll outfit — from managing finances while away from home base i.e., paying gas/food bills – it’s necessary that every member pull equal weight in sharing these responsibilities if one falls ill or becomes fatigued- keeping track of equipment, navigating unfamiliar cities and venues with clear directions or GPS, promotional material distribution (to be shared among different show audiences), meeting new fans before moving on.

It can be tough to keep morale up when times are tough such as having little turnout in the audience, sleeping for days in cramped van quarters or not knowing where your next meal will come from. You might experience some transient “road life blues” but if your group manages to stay strong & motivated through rough patches – you will inevitably stick together as a tight-knit team with lasting memories that are both meaningful and epic.

4. What makes a great Rock-n-Roll group?

Great rock bands often share common traits: a powerful, entertaining live presence; a willingness to take risks with their music while staying true to their sound; and creative drive. These groups also tend to have dedicated fan bases thanks to consistent touring and promotion.. Innovation in songwriting is key as well – think about pairing lyrical relatability that resonates with listeners along with technically accomplished musicianship.

Ultimately, it takes personality and hard work too! — the perseverance required of sticking upstanding persistent dedication—all combined together make up that indefinable “X-factor” which draws fans in for an exciting journey.

These four FAQs offer just scratching the surface when it comes to the world of rock band formation, touring footwork & success factors. However, by putting these answers into practice and maintaining passion/commitment throughout the process — you’ll be well on your way towards achieving the rock star status you’ve always dreamed of!

The Top 5 Facts You Didn’t Know About Rock Group Journey

Journey is a household name for anyone who grew up in the ’80s and ’90s. Their music has stood the test of time and they continue to be one of the most beloved rock groups out there. But, did you know that there are several interesting and unknown facts about this iconic band ? Here are the top 5 surprising facts you didn’t know about Journey.

1. Steve Perry wasn’t their first lead singer When most people think of Journey, they immediately picture Steve Perry’s remarkable vocals. However, Steve Perry was not their original lead singer! In fact, Journey had three other lead singers before Perry joined the group in 1977 – Gregg Rolie (who went on to join Santana), Robert Fleischman, and George Tickner.

2. The song “Don’t Stop Believin'” almost didn’t make it onto their album “Don’t Stop Believin'” is without a doubt one of Journey’s biggest hits, but it almost didn’t make it onto their classic album Escape. The band initially left it off the album because they felt like it needed more work. It wasn’t until their producer convinced them to record it again that they finally agreed to include it on the album – and we’re so grateful they did!

3. They’ve broken up multiple times Despite being known as one of the bands that defined an era, Journey have actually broken up multiple times throughout their career. After increasing tensions within the band led to temporary break-ups in 1980 and 1983, guitarist Neal Schon was determined to keep Journey going even when others were uncertain about whether or not they should stay together as a group .

4. Their hit song “Separate Ways” has an infamous video The music video for “Separate Ways” is notorious among fans as one of the worst music videos ever made. Shot entirely in front of green screens with very basic graphics, the video features the band members awkwardly playing their instruments while poorly choreographed female models dance around them. The result is cringe-inducing, but has still managed to become a cult classic in its own right.

5. Journey was inducted into the Rock and Roll Hall of Fame… without Steve Perry In 2017, Journey was finally inducted into the Rock and Roll Hall of Fame – but Steve Perry didn’t show up to perform with them. In fact, they performed with their singer at the time, Arnel Pineda, who had been discovered on YouTube by guitarist Neal Schon. While some fans were disappointed that Steve Perry didn’t make an appearance, his contributions to Journey’s legacy were not forgotten during their induction speech.

In conclusion, Journey may have been around for decades and produced timeless classics like “Don’t Stop Believin'”, but there are still plenty of lesser-known facts about this iconic band that will surprise even diehard fans! From lineup changes to notorious music videos and Hall of Fame inductions sans lead singers – these five facts just scratch the surface of what makes Journey such a fascinating group .

A Look At The Discography Of Rock Group Journey

Journey is a classic rock band that has been captivating audiences around the world for over four decades. With their powerful vocals, energetic guitar riffs, and memorable choruses, this group has left an indelible mark on the music industry. Their timeless songs have continued to inspire generations of fans and musicians alike, solidifying their place as one of the greatest rock bands in history.

Let’s take a closer look at the discography of Journey, starting with their first album “Journey” released in 1975. This album featured hits such as “Of A Lifetime,” “In My Lonely Feeling/Conversations,” and “To Play Some Music,” which showcased the band’s progressive rock sound . Although it did not achieve commercial success at the time of its release, it set the foundation for future albums to come.

Their second album, “Look Into The Future” was released in 1976 and helped to further establish Journey’s unique sound . The album featured songs such as “I’m Gonna Leave You,” “People,” “Nickel And Dime,” and more that were notable because they incorporated elements of progressive rock mixed with traditional blues-rock elements.

Their third album, titled “Next” was released just one year later in 1977. This time around Journey opted for a mainstream rock sound with songs like “Spaceman” and “Kahoutek”. Things really picked up steam for the band after lead vocalist Steve Perry joined forces with them in 1978.

With Perry onboard, Journey’s fourth studio album titled “Infinity” was released which proved to be a game changer for them on the charts. Released in 1980 it contained hits like “Feeling That Way”, “Anytime” & “Wheel In The Sky”, amongst many others – helping the album go platinum three times.

The next year brought forth another significant milestone for Journey as they released Escape (1981), an album that defined their sound in the mainstream, highlighted by tracks such as “Don’t Stop Believin’,” “Open Arms,” “Who’s Crying Now”, and “Stone In Love”. All of which helped this blockbuster album achieve the sales accolade of a diamond certification.

Their seventh studio album, Frontiers (1983), continued in the vein of Escape with anthems like “Separate Ways (Worlds Apart)” and power ballads such as “Faithfully.” They also mixed things up with a bit more synthesizer use than their previous albums, depicting a new era for Journey’s musical style.

Journey’s eighth album Raised on Radio (1986) marked another creative shift. With Perry at the helm once again on lead vocals, they moved away from their signature rock guitar sound to include funk R&B beats on songs like “Girl Can’t Help It” and “Be Good To Yourself.”

Subsequent journeys into reunited line-ups have seen continual sonic changes over time, however many fans will always identify Steve Perry as providing the trademark trademark awareness throughout much of Journey music history.

In conclusion, Journey has left a lasting impression in rock history with an impressive discography that spans several decades. From their early days as a progressive rock band to their rise to chart-topping success with hits including “Don’t Stop Believin’,” and incorporating sounds ranging through blues-rock into pop-rock throughout its careers; it’s clear that each album spotlights something unique about them. Whatever your favorite era or lineup may be — one thing is certain: Journey’s music will continue to inspire and captivate fans around the world.

Inside Story Of The Rise And Fall Of Rock Group Journey

As one of the most beloved American rock bands of all time, Journey captured the hearts and minds of fans across the globe with their soaring ballads and electrifying performances. From their humble beginnings in San Francisco to their meteoric rise to fame in the 1980s, the story of Journey is a tale of triumph and tragedy that will forever be etched into the annals of music history.

The genesis of Journey dates back to 1973 when former members of Santana, Neal Schon and Gregg Rolie, joined forces with drummer Prairie Prince, bassist Ross Valory, and guitarist George Tickner to form a new group. The band’s early sound was heavily influenced by jazz fusion and progressive rock, but as they began recording and touring extensively throughout the mid-70s, they gradually evolved into a more mainstream rock outfit.

In 1977, Journey released their fourth album “Infinity,” which marked a turning point in their career. The record was a commercial success thanks to hits like “Lights” and “Wheel In The Sky,” launching them onto arena stages across America. By 1981’s chart-topping “Escape,” which gave us epic power ballads like “Open Arms” and “Don’t Stop Believin’,” Journey had cemented themselves as one of the biggest acts on the planet.

However, behind closed doors things were far from rosy for the band . Struggling with addiction issues and personal conflicts between members led to lineup changes over the years including Steve Perry replacing Rolie on lead vocals in 1977 before himself being replaced by Arnel Pineda in 2007 amid Perry’s struggles with vocal damage.

In addition to those internal problems member infighting also led to break ups following differences over style-disconnect after Shearhart stopped writing songs when they hired Jonathan Cain causing some frictions between member.

Despite these challenges though, Journey remained an incredibly popular live act, drawing huge crowds to their shows with their catchy hooks and anthemic choruses. They continued to release albums throughout the 90s and beyond, but the magic of the peak years was never quite recaptured.

Today, many fans fondly remember Journey for their iconic hits, from “Open Arms” to “Don’t Stop Believin’,” as a testimony that despite hardships and failure one can rise back stronger than ever. Their story reminds us that success in music requires not only talent but also perseverance, grit, and resilience; journey showed strength even in moments when they had all odds against them. And though their era might have passed into history books but always an adventure continues for rock lovers as they follow other great bands hoping tales-such journeys repeat through innovation or interchanging achievements even today to lead future generations towards endless possibilities rather than repetition of same glory-days narratives.

Experience the Evolution of Music with Rock Group Journey

Journey is one of the iconic rock bands that took the world by storm in the late 70s and early 80s. The band’s distinctive blend of rock, classical, and progressive music marked them out as visionary musicians whose sound would continue to influence audiences for decades to come.

The history of Journey dates back to their founding in San Francisco in 1973. The group originally started out with the name Golden Gate Rhythm Section but quickly changed it after they recruited Neal Schon, a guitar prodigy who had played with Carlos Santana on his first three albums. Alongside keyboardist Gregg Rolie and drummer Aynsley Dunbar, Schon helped create a unique style that blended traditional rock with more experimental sounds .

Journey’s early years were characterized by a constantly changing line-up, but in 1977 things came together when Steve Perry joined as lead vocalist. With Perry’s soaring voice fronting the group, they began recording hit songs like “Wheel In The Sky,” “Lights,” and “Any Way You Want It.” These tracks helped propel Journey onto the national stage making them one of America’s most popular rock groups .

One notable example of their talent is their iconic song “Don’t Stop Believing” which has stood the test of time becoming an anthem for generations. Its catchy melody combined with meaningful lyrics made it an instant classic among fans and critics alike. In fact, this song is so widely appreciated that it even appeared in many films including “Rock of Ages”, “Family Guy: Partial Terms of Endearment” among others.

Journey continued to evolve throughout their career, experimenting with different musical styles while staying true to their core values as musicians. There is no doubt that without Journey’s contribution to rock music there wouldn’t be modern-day classics like ‘Arnel Pineda’s Faithfully’ which was released about Thirty-seven years after Arnel joined the band in 2007. Although the members have changed over time, their music remains timeless; proving that they were not just a fleeting trend, but rather one of rock music ‘s greats.

So there you have it, Journey’s musical evolution from a group of talented musicians seeking to create something original and memorable to becoming one of rock’s most influential bands. With their legacy firmly cemented in the annals of music history, Journey will continue to inspire and captivate audiences for generations to come!

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Hugely successful stadium rock outfit, Journey have sold millions of records, after rising to prominence in the 70s and 80s, perhaps best known for their hit single, "Don't Stop Believing."

Journey began life in San Francisco, US, having formed in 1973, spending several years developing their sound and lineup over their early albums. Their initial offerings were moderately successful jazz-rock records, that frequently broke out into instrumental experimentations. The influence of musical prodigy and former Santana guitarist, Neal Schon, was certainly on display, backed by Ross Valory (bass), Aynsley Dunbar (drums) and George Tickner (guitar), although George left after one album. Former Santana member, Gregg Rolie (keyboards, vocals) joined shortly after.

Not finding mainstream success, Journey decided they needed to find a strong vocalist, employing Steve Perry for the role. His presence immediately had an effect, with 1978's "Infinity" selling a million records in just one year. "Evolution" and "Departure" continued this success yet it was with "Escape" that they had created a real hit, featuring three Top Ten singles, "Who's Crying Now," "Don't Stop Believing" and "Open Arms." Journey sold millions of copies of "Escape," topping the charts internationally. 1983's "Frontiers" also spawned a number of hits, with Perry then embarked upon a solo venture, achieving double-platinum sales with 1984's "Street Talk."

Perry returned to Journey for 1986's "Raised on Radio," however the band disbanded shortly after. Perry continued his solo recordings whilst Schon and Cain formed Bad English and created the hit single, "When I See You Smile." In 1996, the band reunited, releasing the widely successful "Trial By Fire," bolstered by the success of the single, "When You Love a Woman." Tours followed, although minus Perry, maintaining the band's popularity.

In 2005, Journey's success was recognized, after receiving a star on the Hollywood Walk of Fame, which was followed by the band embarking on a celebratory 30th anniversary tour. Struggling to find a vocalist who could front Journey, they trialled Jeff Scott Soto before finding Arnel Pineda, a Filipino vocalist who they had discovered on Youtube. He made his debut with the band on 2008's "Revelation," which proved Journey still had songwriting abilities, with the album going Platinum. In 2011, they celebrated their prog-rock roots, blending their early sounds with the arena rock style they had developed into at their peak for the album, "Eclipse" in 2011.

Live reviews

I attended the Journey concert at the Minnesota State Fair on Labor Day 2014. It was supposed to rain that night, but the weather gods must also be Journey fans as it was a perfect evening for a concert. It is funny that a group with members in their 60s and the youngest member being Arnel Pineda at 46 had far more energy than the warm-up band with most members being in their 20s or 30s. I have been a Journey fan for a good 7 years now, and I discovered them by accident while browsing through records at a bookstore. As such, Journey to me means Steve Perry and the first time I saw them in concert last year was with Arnel Pineda and hearing him sing the songs that Perry largely wrote and performed was disorienting. I really enjoy the new album Eclipse, and it wasn’t hard for me to enjoy Pineda as these are his songs to sing and his voice is incredible. This year, I was more accustomed to Pineda and was determined to enjoy myself, and did I ever! The band has a great amount of energy and the crowd responded in kind, singing along to the songs and cheering like crazy. You’ll hear the classics for sure (Don’t Stop Believin’ was really special as the crowd really got loud when singing along to that) and that was really fun to hear, but there were some unexpected surprises as well. Firstly, it was nice to hear some of their new songs like "Ritual" from Eclipse and "Faith in the Heartland" from Generations, all the more so as the economy is not very good and many times the Midwest is considered flyover country by the coastal states. As good as Journey's classics are, I appreciated that they played their new songs too. Let's pray that "City of Hope" and "Tantra" will get stage time next year.

In an age where most “artists” can’t sing a lick without the aid of Autotune, every one of the band members can sing in addition to playing instruments. The drummer, Dean Castronovo (a newcomer to the band in 2001) sang the lead vocals for “Mother, Father” while playing drums at the same time. This song is very difficult as the key is very high and requires a great amount of power and range to express the powerful lyrics. He nailed it! I was not expecting the drummer to sing, but it was an unexpected surprise. Jonathan Cain is a very talented man, as he is not only a great piano player, but can play the guitar and provide vocals as well. He was very impressive singing “Anytime” and his piano portions in “Faithfully” were stunning as always. Ross Valory is the bass man, but can sing backing vocals as well.

Neil Schon is also amazing as his guitar work is legendary. From his “here comes the train” sequence in “Don’t Stop Belevin’” to his more intimate moments in “Who’s Crying Now” or “Open Arms”, he can also sing quite well and you are also treated to his rendition of the national anthem as well as a psychedelic guitar piece that has a bit of Indian sitar mixed in. It was really a trip, and shame on the people who were talking during these moments as they were great to listen to. Arnel Pineda is made for Journey. I must admit that I would love to hear Perry sing these songs, but that’s not going to happen and Pineda is the only other person I can think of that can fill Perry’s shoes. He has a tremendous amount of energy, range, and is very kind and humble and still looks amazed that he is leading a band like Journey. He was homeless for many years in his youth and spent a lifetime covering Journey songs and is now leading them. He appreciated how much the crowd got into the songs and promised to return to the Twin Cities. I’ll be there!

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The Journey show is Syracuse NY on August 28 was absolutely fantastic. I had seen them earlier this year and there was some minor sound issues. Not this time. The band hit the stage and rocked the house for about 90 minutes. Their sound was as crisp as their recordings. Neil was incredible as any fan would expect. Dean is a monster on the drums, Jonathan is just so smooth, Ross was as his usual entertaining the crowd with his facial Expressions and Arnel has certainly found a comfort zone and without question is a focal point of the band. When anyone goes to a Journey concert there are high expectations and this concert started fast paced and continued through the night. The band truly rocked the house. They went as far back playing anytime and La Do Da to current release Ritual. The stadium was close to sold out. When 'Don't Stop Believing' started you could hardly hear the back due to the crowd signing along. That's what should happen at one of their shows. The band also expressed their appreciation of the fans. They did not take the crowd for granted. All of the bands members thanked the fans for coming out and Arnel specifically thanked the fans numerous times. The band is not only rocking today like they did 35 years ago, they truly show that they still enjoy it. If you don't have tickets to an up coming show or if you have already seen one of their shows, you should get tickets NOW. This was my second show this year and I would travel again to see them. There was nothing to criticize the band for. They just Came out and nailed it. Great job. Now quit reading reviews and go find where you can enjoy the experience

Not going to lie, I went to a Journey, Steve Miller Band, Tower of Power concert somewhat dreading to see Journey. Like the rest of this world and probably a few more, I have that love hate relationship with Journey's mega hit, sing alongs, and was not too excited to be going to see them. But, a couple of my friends were going and concerts at Shoreline tend to be a good time, so I went along with it. Needless to say, how pleaseanty surprised I was to find myself up dancing and belting the lyrics to songs I had never heard before (you can be sure that when Don't Stop and Anyway You Want It came on I was the loudest one there).

All this coming from the kid who thought it was going to be a real snoozefest. I would categorize this concert as a show to see for the fun and the experience over the music itself. Unless, in some bizarre turn of events, you are in fact a Journey fan, in which case buy your tickets now and throw on that tour t-shirt from the last time they came to town. The lead singer, a short Filipino fellow who apparently they found on tour in South East Asia, will have you wondering if he has been in the band all along with his streaming energy and spot on voice. All in all, a good show to go see with friends. Make sure to get there early and get a good spot to set up shop!

I can't think of anyone who won't have heard the classic hit 'Don't Stop Believin'', and I must say, this was the only track that I was familiar with before seeing Journey live. It wasn't a gig that I had planned on going to, but the experience was just phenomenal. The energy of their performance was just out of this world, especially considering they've been performing for the last 40 years! Each member of the band took a solo which was a really cool moment to give everyone the credit that they deserved, and it was great to be able to applaud each member individually. Even if you don't know the back catalogue of their music, the great 80s vibe is perfect for dancing alone, and the catchy hooks have you singing along before too long, which is what I found myself doing! The balance of the band and vocals complimented eachother well, with neither overpowering the other, making for a great sound in the massive venue, which had great acoustics. Great vocals, band, performance, and tracks. Such a fun night, I would definitely go again, and can say from experience that it really doesn't matter whether you know the music well or not to have a blast!

Arnel Pineda is an amazing addition to Journey. His stage presence is fantastic and he really knows how to interact with the audience. During the first few songs it seemed his voice was drowned out by the music, but the remainder of the concert you could hear him better. The rest of the band is equally talented in each of their respective areas as witnessed by their solo performances. The entire show was fantastic. The only draw back was drunk people in the audience. There was a handicapped women sitting next to us who was unable to stand and the people in front of us refused to sit after multiple times of asking them. A fight started between another audience member due to their lack of consideration. The staff quickly interceded, but didn't have the couple sit down. I think the show should be enjoyed by everyone who purchases a ticket and not by the few who think they are having a private concert just for them. After all, the ticket you purchase is for the seat. You should sit in it, especially if it is interfering with other people's view. Unfortunately this experience overshadowed the otherwise fantastic concert.

I thought nothing could be more exciting than sneaking through a basement window of a university auditorium to see one of the premiere classic rock bands of all-time. It hadn't been 30 seconds after we figured out where there were two open seats when Journey opened their set with "Anyway You Want It" to the roar of the 3,000+ fans in attendance. Guitarist Neal Schon sealed the deal for me with his precise, piercing riffs as the band rocked the crowd with intense energy that the crowd responded to all night. The synchronized lighting system that rhythmically danced with the music for almost every beat contributed to those on the main floor dancing, singing and waving their arms for the entire show while even spectators like us on the risers couldn't help but be out of our seats grooving all night long. Journey is one of those bands that has such polished musically talent that they make the experience of attending a live concert unforgettable. Taking into account the hundreds of concerts I've attended - for pay - this Journey concert will go down in the books as one of the top three...even if it would not have been for free.

Wow, what a tour-de-force of Rock & Roll power...

The Journey, Doobies and Dave Mason show was better than I'd hoped or expected...

I'm a music TV producer and have friends who have played in all of these bands over the years so have seen each group a number of times. I'm loving these super-group mash-ups of recent years and this one did not disappoint me.

I do want to commend the sound crew for the "Journey" set because it was one of the most expert and satisfying live mixes and exhibited real genius in the EQ, and overall artistic treatment.

In recent years I've noticed ( to my disappointment ) more events with inept live sound due to the apparent lack of talent or concern amongst our live-sound mixing communities. Nothing can ruin a great performance easier than a slacker at the board and I'm very happy to report, Journey's sound crew are at the top of their game...

I attended my very first Journey concert last night. Journey with Steve Perry was the very first rock band I truly was enamored with. Sure, the others soon followed, like Def Leppard, Motley Crue, Whitesnake, Guns 'n Roses, Bon Jovi, just to name a few, but none really truly rivaled Journey.

I've always stayed faithful to Journey. The lyrics resonate, the music simply thrills. I'll forever equate "The Voice" with Journey, but I don't mind saying Arnel.... DAMN, you rock! (Neal, glad to see you can still hold your own ;) )

In short, if you are, or have ever been a Journey fan, they will not disappoint.

Saw them in Calgary in 2012 and Arnel had a flu and wasn't even close to top form and the rest of the band had to give him breaks because he was so sick. This time everyone was at their best and it was truly a great show. Very few vocalists sound as good live as they do in a studio, Arnel Pineda is one of them. Neal Schon's solo project wasn't a bad opener, but it didn't exactly get the audience excited either. Overall it was a spectacular show though, I'd see them again without question because of it.

This band just doesn't quit!! Have been going to see them since the70's and they are still o e of the best shows going these days. My daughter is now a big fan. The show last night in Louisville was as good as ever. These guys work hard and it shows in the quality of the show.

Now it's even more fun to watch knowing they are in the Rock And Roll Hall of Fame!!!

If they come anywhere around do not miss the show!! I came to this KY show from FL....

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Past concerts

Peoria Civic Center Arena

CHI Health Center Omaha

United Supermarkets Arena

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Journey tour dates and tickets 2024-2025 near you

Want to see Journey in concert? Find information on all of Journey’s upcoming concerts, tour dates and ticket information for 2024-2025.

Journey is not due to play near your location currently - but they are scheduled to play 18 concerts across 5 countries in 2024-2025. View all concerts.

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• Fort Wayne, IN, US
• North Charleston, SC, US
• Wilkes-barre, PA, US

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• Los Angeles (LA) (61)
• SF Bay Area (59)
• Las Vegas (50)
• Detroit (38)
• Philadelphia (34)

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• Steve Perry (116)
• Bryan Adams (90)
• Cheap Trick (85)
• Night Ranger (82)
• Foreigner (82)

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How to Watch 'Thank You, Goodnight: The Bon Jovi Story' Online: Stream the Legendary Band's Docuseries

Spanning a decades long career, 'Thank You, Goodnight: The Bon Jovi Story' gives fans an inside look into the band's journey.

The chart-topping rock band from New Jersey, Bon Jovi, is giving audiences something new to sing about.

Thank You, Goodnight: A Bon Jovi Story is a four-part docuseries chronicling the group's legendary rise and staying power. Featuring never-before-seen footage and interviews with band members — including singer Jon Bon Jovi , keyboard player David Bryan, bassist Hugh McDonald, drummer Tico Torres and guitar player Phil X — this is a streaming event fans won't want to miss. Thank You, Goodnight: A Bon Jovi Story  premieres on Hulu on Friday, April 26.

Watch 'Thank You, Goodnight: A Bon Jovi Story' on Hulu

Learn even more about the epic rock band Bon Jovi in Hulu's upcoming docuseries. 

Plans starting at $8/month

The release of the new docuseries coincides with Bon Jovi's 40th anniversary of making music together. Jon Bon Jovi, the band's front-man, spoke with ET about the timing of the documentary. 

"It's a round number, you know? I mean, I think 40 years is worth taking a look back... 50? I think at 50, [I] sort of wonder, 'Will I make it?'" Jon Bon Jovi said. He went on, "It was the 38th anniversary-ish when these thoughts came across my mind, you know, and I thought, 'Time to archive things, time to consider a documentary, time to think about what's the plan,' and this all came together."

Below, learn everything you need to know to stream the series at home.

When does  Thank You, Goodnight: A Bon Jovi Story premiere?

All four episodes of  Thank You, Goodnight: A Bon Jovi Story  premiere on Friday, April 26, 2024, on Hulu. 

How to stream  Thank You, Goodnight: A Bon Jovi Story  online:

Thank You, Goodnight: A Bon Jovi Story  is a Hulu original series, so one of the easiest ways to stream the series at home is on Hulu. Hulu subscriptions start at $7.99 per month.

Watch on Hulu

Hulu subscribers who signed up for the Disney Bundle or who also have a Disney+ subscription can watch  Thank You, Goodnight: A Bon Jovi Story  on Disney+ with the new Hulu on Disney+ integration. Disney+ allows international users to stream the documentary, which cannot be done with Hulu alone.

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A.I.’s Original Sin

A times investigation found that tech giants altered their own rules to train their newest artificial intelligence systems..

This transcript was created using speech recognition software. While it has been reviewed by human transcribers, it may contain errors. Please review the episode audio before quoting from this transcript and email [email protected] with any questions.

From “The New York Times,” I’m Michael Barbaro. This is “The Daily.”

[MUSIC PLAYING]

Today, a “Times” investigation shows how as the country’s biggest technology companies race to build powerful new artificial intelligence systems, they bent and broke the rules from the start.

My colleague Cade Metz on what he uncovered.

It’s Tuesday, April 16th.

Cade, when we think about all the artificial intelligence products released over the past couple of years, including, of course, these chatbots we’ve talked a lot about on the show, we so frequently talk about their future their future capabilities, their influence on society, jobs, our lives. But you recently decided to go back in time to AI’s past, to its origins to understand the decisions that were made, basically, at the birth of this technology. So why did you decide to do that?

Because if you’re thinking about the future of these chatbots, that is defined by their past. The thing you have to realize is that these chatbots learn their skills by analyzing enormous amounts of digital data.

So what my colleagues and I wanted to do with our investigation was really focus on that effort to gather more data. We wanted to look at the type of data these companies were collecting, how they were gathering it, and how they were feeding it into their systems.

And when you all undertake this line of reporting, what do you end up finding?

We found that three major players in this race OpenAI, Google, and Meta as they were locked into this competition to develop better and better artificial intelligence, they were willing to do almost anything to get their hands on this data, including ignoring, and in some cases, violating corporate rules and wading into a legal gray area as they gathered this data.

Basically, cutting corners.

Cutting corners left and right.

OK, let’s start with OpenAI, the flashiest player of all.

The most interesting thing we’ve found, is that in late 2021, as OpenAI, the startup in San Francisco that built ChatGPT, as they were pulling together the fundamental technology that would power that chatbot, they ran out of data, essentially.

They had used just about all the respectable English language text on the internet to build this system. And just let that sink in for a bit.

I mean, I’m trying to let that sink in. They basically, like a Pac-Man on a old game, just consumed almost all the English words on the internet, which is kind of unfathomable.

Wikipedia articles by the thousands, news articles, Reddit threads, digital books by the millions. We’re talking about hundreds of billions, even trillions of words.

So by the end of 2021, OpenAI had no more English language texts that they could feed into these systems, but their ambitions are such that they wanted even more.

So here, we should remember that if you’re gathering up all the English language text on the internet, a large portion of that is going to be copyrighted.

So if you’re one of these companies gathering data at that scale, you are absolutely gathering copyrighted data, as well.

Which suggests that, from the very beginning, these companies, a company like OpenAI with ChatGPT, is starting to break, bend the rules.

Yes, they are determined to build this technology thus they are willing to venture into what is a legal gray area.

So given that, what does OpenAI do once it, as you had said, runs out of English language words to mop up and feed into this system?

So they get together, and they say, all right, so what are other options here? And they say, well, what about all the audio and video on the internet? We could transcribe all the audio and video, turn it into text, and feed that into their systems.

Interesting.

So a small team at OpenAI, which included its president and co-founder Greg Brockman, built a speech-recognition technology called Whisper, which could transcribe audio files into text with high accuracy.

And then they gathered up all sorts of audio files, from across the internet, including audio books, podcasts —

— and most importantly, YouTube videos.

Hmm, of which there’s a seemingly endless supply, right? Fair to say maybe tens of millions of videos.

According to my reporting, we’re talking about at least 1,000,000 hours of YouTube videos were scraped off of that video sharing site, fed into this speech recognition system in order to produce new text for training OpenAI’s chatbot. And YouTube’s terms of service do not allow a company like OpenAI to do this. YouTube, which is owned by Google, explicitly says you are not allowed to, in internet parlance, scrape videos en masse from across YouTube and use those videos to build a new application.

That is exactly what OpenAI did. According to my reporting, employees at the company knew that it broke YouTube terms of service, but they resolved to do it anyway.

So, Cade, this makes me want to understand what’s going on over at Google, which as we have talked about in the past on the show, is itself, thinking about and developing its own artificial intelligence model and product.

Well, as OpenAI scrapes up all these YouTube videos and starts to use them to build their chatbot, according to my reporting, some employees at Google, at the very least, are aware that this is happening.

Yes, now when we went to the company about this, a Google spokesman said it did not know that OpenAI was scraping YouTube content and said the company takes legal action over this kind of thing when there’s a clear reason to do so. But according to my reporting, at least some Google employees turned a blind eye to OpenAI’s activities because Google was also using YouTube content to train its AI.

So if they raise a stink about what OpenAI is doing, they end up shining a spotlight on themselves. And they don’t want to do that.

I guess I want to understand what Google’s relationship is to YouTube. Because of course, Google owns YouTube. So what is it allowed or not allowed to do when it comes to feeding YouTube data into Google’s AI models?

It’s an important distinction. Because Google owns YouTube, it defines what can be done with that data. And Google argues that it has a right to that data, that its terms of service allow it to use that data. However, because of that copyright issue, because the copyright to those videos belong to you and I, lawyers who I’ve spoken to say, people could take Google to court and try to determine whether or not those terms of service really allow Google to do this. There’s another legal gray area here where, although Google argues that it’s OK, others may argue it’s not.

Of course, what makes this all so interesting is, you essentially have one tech company Google, keeping another tech company OpenAI’s dirty little secret about basically stealing from YouTube because it doesn’t want people to know that it too is taking from YouTube. And so these companies are essentially enabling each other as they simultaneously seem to be bending or breaking the rules.

What this shows is that there is this belief, and it has been there for years within these companies, among their researchers, that they have a right to this data because they’re on a larger mission to build a technology that they believe will transform the world.

And if you really want to understand this attitude, you can look at our reporting from inside Meta.

And so what does Meta end up doing, according to your reporting?

Well, like Google and other companies, Meta had to scramble to build artificial intelligence that could compete with OpenAI. Mark Zuckerberg is calling engineers and executives at all hours pushing them to acquire this data that is needed to improve the chatbot.

And at one point, my colleagues and I got hold of recordings of these Meta executives and engineers discussing this problem. How they could get their hands on more data where they should try to find it? And they explored all sorts of options.

They talked about licensing books, one by one, at $10 a pop and feeding those into the model.

They even discussed acquiring the book publisher Simon & Schuster and feeding its entire library into their AI model. But ultimately, they decided all that was just too cumbersome, too time consuming, and on the recordings of these meetings, you can hear executives talk about how they were willing to run roughshod over copyright law and ignore the legal concerns and go ahead and scrape the internet and feed this stuff into their models.

They acknowledged that they might be sued over this. But they talked about how OpenAI had done this before them. That they, Meta were just following what they saw as a market precedent.

Interesting, so they go from having conversations like, should we buy a publisher that has tons of copyrighted material suggesting that they’re very conscious of the kind of legal terrain and what’s right and what’s wrong. And instead say, nah, let’s just follow the OpenAI model, that blueprint and just do what we want to do, do what we think we have a right to do, which is to kind of just gobble up all this material across the internet.

It’s a snapshot of that Silicon Valley attitude that we talked about. Because they believe they are building this transformative technology, because they are in this intensely competitive situation where money and power is at stake, they are willing to go there.

But what that means is that there is, at the birth of this technology, a kind of original sin that can’t really be erased.

It can’t be erased, and people are beginning to notice. And they are beginning to sue these companies over it. These companies have to have this copyrighted data to build their systems. It is fundamental to their creation. If a lawsuit bars them from using that copyrighted data, that could bring down this technology.

We’ll be right back.

So Cade, walk us through these lawsuits that are being filed against these AI companies based on the decisions they made early on to use technology as they did and the chances that it could result in these companies not being able to get the data they so desperately say they need.

These suits are coming from a wide range of places. They’re coming from computer programmers who are concerned that their computer programs have been fed into these systems. They’re coming from book authors who have seen their books being used. They’re coming from publishing companies. They’re coming from news corporations like, “The New York Times,” incidentally, which has filed a lawsuit against OpenAI and Microsoft.

News organizations that are concerned over their news articles being used to build these systems.

And here, I think it’s important to say as a matter of transparency, Cade, that your reporting is separate from that lawsuit. That lawsuit was filed by the business side of “The New York Times” by people who are not involved in your reporting or in this “Daily” episode, just to get that out of the way.

I’m assuming that you have spoken to many lawyers about this, and I wonder if there’s some insight that you can shed on the basic legal terrain? I mean, do the companies seem to have a strong case that they have a right to this information, or do companies like the “Times,” who are suing them, seem to have a pretty strong case that, no, that decision violates their copyrighted materials.

Like so many legal questions, this is incredibly complicated. It comes down to what’s called fair use, which is a part of copyright law that determines whether companies can use copyrighted data to build new things. And there are many factors that go into this. There are good arguments on the OpenAI side. There are good arguments on “The New York Times” side.

Copyright law says that can’t take my work and reproduce it and sell it to someone. That’s not allowed. But what’s called fair use does allow companies and individuals to use copyrighted works in part. They can take snippets of it. They can take the copyrighted works and transform it into something new. That is what OpenAI and others are arguing they’re doing.

But there are other things to consider. Does that transformative work compete with the individuals and companies that supplied the data that owned the copyrights?

And here, the suit between “The New York Times” company and OpenAI is illustrative. If “The New York Times” creates articles that are then used to build a chatbot, does that chatbot end up competing with “The New York Times?” Do people end up going to that chatbot for their information, rather than going to the “Times” website and actually reading the article? That is one of the questions that will end up deciding this case and cases like it.

So what would it mean for these AI companies for some, or even all of these lawsuits to succeed?

Well, if these tech companies are required to license the copyrighted data that goes into their systems, if they’re required to pay for it, that becomes a problem for these companies. We’re talking about digital data the size of the entire internet.

Licensing all that copyrighted data is not necessarily feasible. We quote the venture capital firm Andreessen Horowitz in our story where one of their lawyers says that it does not work for these companies to license that data. It’s too expensive. It’s on too large a scale.

Hmm, it would essentially make this technology economically impractical.

Exactly, so a jury or a judge or a law ruling against OpenAI, could fundamentally change the way this technology is built. The extreme case is these companies are no longer allowed to use copyrighted material in building these chatbots. And that means they have to start from scratch. They have to rebuild everything they’ve built. So this is something that, not only imperils what they have today, it imperils what they want to build in the future.

And conversely, what happens if the courts rule in favor of these companies and say, you know what, this is fair use. You were fine to have scraped this material and to keep borrowing this material into the future free of charge?

Well, one significant roadblock drops for these companies. And they can continue to gather up all that extra data, including images and sounds and videos and build increasingly powerful systems. But the thing is, even if they can access as much copyrighted material as they want, these companies may still run into a problem.

Pretty soon they’re going to run out of digital data on the internet.

That human-created data they rely on is going to dry up. They’re using up this data faster than humans create it. One research organization estimates that by 2026, these companies will run out of viable data on the internet.

Wow. Well, in that case, what would these tech companies do? I mean, where are they going to go if they’ve already scraped YouTube, if they’ve already scraped podcasts, if they’ve already gobbled up the internet and that altogether is not sufficient?

What many people inside these companies will tell you, including Sam Altman, the chief executive of OpenAI, they’ll tell you that what they will turn to is what’s called synthetic data.

And what is that?

That Is data generated by an AI model that is then used to build a better AI model. It’s AI helping to build better AI. That is the vision, ultimately, they have for the future that they won’t need all this human generated text. They’ll just have the AI build the text that will feed future versions of AI.

So they will feed the AI systems the material that the AI systems themselves create. But is that really a workable solid plan? Is that considered high-quality data? Is that good enough?

If you do this on a large scale, you quickly run into problems. As we all know, as we’ve discussed on this podcast, these systems make mistakes. They hallucinate . They make stuff up. They show biases that they’ve learned from internet data. And if you start using the data generated by the AI to build new AI, those mistakes start to reinforce themselves.

The systems start to get trapped in these cul-de-sacs where they end up not getting better but getting worse.

What you’re really saying is, these AI machines need the unique perfection of the human creative mind.

Well, as it stands today, that is absolutely the case. But these companies have grand visions for where this will go. And they feel, and they’re already starting to experiment with this, that if you have an AI system that is sufficiently powerful, if you make a copy of it, if you have two of these AI models, one can produce new data, and the other one can judge that data.

It can curate that data as a human would. It can provide the human judgment, So. To speak. So as one model produces the data, the other one can judge it, discard the bad data, and keep the good data. And that’s how they ultimately see these systems creating viable synthetic data. But that has not happened yet, and it’s unclear whether it will work.

It feels like the real lesson of your investigation is that if you have to allegedly steal data to feed your AI model and make it economically feasible, then maybe you have a pretty broken model. And that if you need to create fake data, as a result, which as you just said, kind of undermines AI’s goal of mimicking human thinking and language, then maybe you really have a broken model.

And so that makes me wonder if the folks you talk to, the companies that we’re focused on here, ever ask themselves the question, could we do this differently? Could we create an AI model that just needs a lot less data?

They have thought about other models for decades. The thing to realize here, is that is much easier said than done. We’re talking about creating systems that can mimic the human brain. That is an incredibly ambitious task. And after struggling with that for decades, these companies have finally stumbled on something that they feel works that is a path to that incredibly ambitious goal.

And they’re going to continue to push in that direction. Yes, they’re exploring other options, but those other options aren’t working.

What works is more data and more data and more data. And because they see a path there, they’re going to continue down that path. And if there are roadblocks there, and they think they can knock them down, they’re going to knock them down.

But what if the tech companies never get enough or make enough data to get where they think they want to go, even as they’re knocking down walls along the way? That does seem like a real possibility.

If these companies can’t get their hands on more data, then these technologies, as they’re built today, stop improving.

We will see their limitations. We will see how difficult it really is to build a system that can match, let alone surpass the human brain.

These companies will be forced to look for other options, technically. And we will see the limitations of these grandiose visions that they have for the future of artificial intelligence.

OK, thank you very much. We appreciate it.

Glad to be here.

Here’s what else you need to know today. Israeli leaders spent Monday debating whether and how to retaliate against Iran’s missile and drone attack over the weekend. Herzi Halevi, Israel’s Military Chief of Staff, declared that the attack will be responded to.

In Washington, a spokesman for the US State Department, Matthew Miller reiterated American calls for restraint —

^MATTHEW MILLER^ Of course, we continue to make clear to everyone that we talked to that we want to see de-escalation that we don’t want to see a wider regional war. That’s something that’s been —

— but emphasized that a final call about retaliation was up to Israel. ^MATTHEW MILLER^ Israel is a sovereign country. They have to make their own decisions about how best to defend themselves. What we always try to do —

And the first criminal trial of a former US President officially got underway on Monday in a Manhattan courtroom. Donald Trump, on trial for allegedly falsifying documents to cover up a sex scandal involving a porn star, watched as jury selection began.

The initial pool of 96 jurors quickly dwindled. More than half of them were dismissed after indicating that they did not believe that they could be impartial. The day ended without a single juror being chosen.

Today’s episode was produced by Stella Tan, Michael Simon Johnson, Muge Zaidi, and Rikki Novetsky. It was edited by Marc Georges and Liz O. Baylen, contains original music by Diane Wong, Dan Powell, and Pat McCusker, and was engineered by Chris Wood. Our theme music is by Jim Brunberg and Ben Landsverk of Wonderly.

That’s it for “The Daily.” I’m Michael Barbaro. See you tomorrow.

• April 17, 2024   •   24:52 Are ‘Forever Chemicals’ a Forever Problem?
• April 16, 2024   •   29:29 A.I.’s Original Sin
• April 15, 2024   •   24:07 Iran’s Unprecedented Attack on Israel
• April 14, 2024   •   46:17 The Sunday Read: ‘What I Saw Working at The National Enquirer During Donald Trump’s Rise’
• April 12, 2024   •   34:23 How One Family Lost $900,000 in a Timeshare Scam
• April 11, 2024   •   28:39 The Staggering Success of Trump’s Trial Delay Tactics
• April 10, 2024   •   22:49 Trump’s Abortion Dilemma
• April 9, 2024   •   30:48 How Tesla Planted the Seeds for Its Own Potential Downfall
• April 8, 2024   •   30:28 The Eclipse Chaser
• April 7, 2024 The Sunday Read: ‘What Deathbed Visions Teach Us About Living’
• April 5, 2024   •   29:11 An Engineering Experiment to Cool the Earth
• April 4, 2024   •   32:37 Israel’s Deadly Airstrike on the World Central Kitchen

Hosted by Michael Barbaro

Featuring Cade Metz

Produced by Stella Tan ,  Michael Simon Johnson ,  Mooj Zadie and Rikki Novetsky

Edited by Marc Georges and Liz O. Baylen

Original music by Diane Wong ,  Dan Powell and Pat McCusker

Engineered by Chris Wood

Listen and follow The Daily Apple Podcasts | Spotify | Amazon Music

A Times investigation shows how the country’s biggest technology companies, as they raced to build powerful new artificial intelligence systems, bent and broke the rules from the start.

Cade Metz, a technology reporter for The Times, explains what he uncovered.

On today’s episode

Cade Metz , a technology reporter for The New York Times.

Background reading

How tech giants cut corners to harvest data for A.I.

What to know about tech companies using A.I. to teach their own A.I.

There are a lot of ways to listen to The Daily. Here’s how.

We aim to make transcripts available the next workday after an episode’s publication. You can find them at the top of the page.

The Daily is made by Rachel Quester, Lynsea Garrison, Clare Toeniskoetter, Paige Cowett, Michael Simon Johnson, Brad Fisher, Chris Wood, Jessica Cheung, Stella Tan, Alexandra Leigh Young, Lisa Chow, Eric Krupke, Marc Georges, Luke Vander Ploeg, M.J. Davis Lin, Dan Powell, Sydney Harper, Mike Benoist, Liz O. Baylen, Asthaa Chaturvedi, Rachelle Bonja, Diana Nguyen, Marion Lozano, Corey Schreppel, Rob Szypko, Elisheba Ittoop, Mooj Zadie, Patricia Willens, Rowan Niemisto, Jody Becker, Rikki Novetsky, John Ketchum, Nina Feldman, Will Reid, Carlos Prieto, Ben Calhoun, Susan Lee, Lexie Diao, Mary Wilson, Alex Stern, Dan Farrell, Sophia Lanman, Shannon Lin, Diane Wong, Devon Taylor, Alyssa Moxley, Summer Thomad, Olivia Natt, Daniel Ramirez and Brendan Klinkenberg.

Our theme music is by Jim Brunberg and Ben Landsverk of Wonderly. Special thanks to Sam Dolnick, Paula Szuchman, Lisa Tobin, Larissa Anderson, Julia Simon, Sofia Milan, Mahima Chablani, Elizabeth Davis-Moorer, Jeffrey Miranda, Renan Borelli, Maddy Masiello, Isabella Anderson and Nina Lassam.

Cade Metz writes about artificial intelligence, driverless cars, robotics, virtual reality and other emerging areas of technology. More about Cade Metz

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