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Star Trek: Who Plays Nero & Which Academy Award Winner Was Rumored For The Part?

The "Star Trek" universe has had a brilliant collection of villains causing trouble for Starfleet and whichever hot-shot team leader we follow on their particular five-year mission. In the case of the "Star Trek" reboot in 2009, Chris Pine's charismatic James T. Kirk faces off against a rebellious Romulan named Nero, who was responsible for the death of Kirk's father (Chris Hemsworth). Considered one of the most dangerous foes in "Star Trek" history , such a role demanded some serious acting chops — someone who could deliver menace that stretched beyond the prosthetics and makeup covering their face. The filmmakers found it in none other than "Chopper" and "Munich" star Eric Bana, who managed to find some humanity in an alien enemy who was ferocious when he needed to be.

Taking on the antagonist gig in what he described to The Guardian as a film that's "almost made for the non 'Star Trek' fan," Bana, as brilliant as he was in the role, wasn't the initial choice for Nero. Instead, J.J. Abrams had another star in mind for the part — one who originated not too far from Bana's homeland. It was "Gladiator" star and Oscar-winning actor Russell Crowe.

Russell Crowe got offered to face off with Kirk in Abrams' Star Trek

Perhaps in another timeline (one where the Academy Award winner wasn't so busy at the time), Russell Crowe may have accepted the initial offer to take on the role of Nero when J.J. Abrams tried to beam him aboard. According to CourierMail , Crowe was "definitely considering J.J. Abrams' offer. Russell was always a 'Star Trek' fan as a kid, which is a big bonus." Unfortunately, that casting never came to be, but at least the result we got was still worth a watch when Bana came aboard.

As Nero, Bana provided one of those rare but always welcome foes that, as evil as they are, are relatable in their actions and aims. "I hate films where the villain just turns up, and we have to accept that they're the villain for no real reason," explained Bana, whose character swore vengeance against Spock both past (Leonard Nimoy) and present (Zachary Quinto). "We can at least connect to some human quality in the rage and the revenge." While Crowe's involvement never came to pass, given that "Star Trek" has gained a resurgence with the likes of "Strange New Worlds" and "Star Trek: Discovery," there still might be some space aboard the bridge for Crowe to turn up eventually, in this parsec or the next.

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The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful Romulan from the future creates black holes to destroy the Federation one pl... Read all The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful Romulan from the future creates black holes to destroy the Federation one planet at a time. The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful Romulan from the future creates black holes to destroy the Federation one planet at a time.

• J.J. Abrams
• Roberto Orci
• Alex Kurtzman
• Gene Roddenberry
• Zachary Quinto
• 1.6K User reviews
• 532 Critic reviews
• 82 Metascore
• 27 wins & 95 nominations total

• Spock Prime

• (as Zoë Saldana)

• Amanda Grayson

• George Kirk

• Winona Kirk

• Captain Robau

• Officer Pitts
• (as Antonio Elias)
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• Production, box office & more at IMDbPro

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Did you know

• Trivia Simon Pegg did not audition for the role - he simply received an email from J.J. Abrams asking if he would like to play Scotty. Pegg said he would have done this for free, or even paid Abrams to be in this film, if he had not been offered a role.
• Goofs After Spock boards the Vulcan ship on board the mining vessel, Kirk is seen walking through some pipes. His Starfleet phaser has switched to a Romulan gun (longer barrel and no lights), before switching back to the Starfleet one again in the next scene. He actually acquires the Romulan gun a few scenes later.

Spock Prime : James T. Kirk!

James T. Kirk : Excuse me?

Spock Prime : How did you find me?

James T. Kirk : Whoa... how do you know my name?

Spock Prime : I have been and always shall be your friend.

James T. Kirk : Wha...

[shakes head]

James T. Kirk : Uh... look... I-I don't know you.

Spock Prime : I am Spock.

James T. Kirk : Bullshit.

• Crazy credits The first part of the closing credits is styled after the opening credits of Star Trek (1966) , where the starship Enterprise blasts off into space as a monologue describes its mission, and then the cast names appear as the famous "Star Trek" theme music plays.
• Connections Edited into De wereld draait door: Episode #4.157 (2009)
• Soundtracks Theme from 'Star Trek' TV Series Written by Alexander Courage & Gene Roddenberry

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• Jul 13, 2021

Reboots & Remakes

• If this premise is that an alternate timeline created when Nero traveled back in time, then what happened to James Kirk's older brother, Sam, aka George Samuel Kirk Jr.?
• How can Spock's mother still be alive years later (original series) when she dies earlier on in this movie ?
• What is Star Trek about?
• May 8, 2009 (United States)
• United States
• Official Facebook
• Star Trek: The Future Begins
• Vasquez Rocks Natural Area Park - 10700 W. Escondido Canyon Rd., Agua Dulce, California, USA (Vulcan)
• Paramount Pictures
• Spyglass Entertainment
• See more company credits at IMDbPro
• $150,000,000 (estimated)
• $257,730,019
• $75,204,289
• May 10, 2009
• $385,681,768

Technical specs

• Runtime 2 hours 7 minutes
• Dolby Digital
• Dolby Atmos
• 2.35 : 1 (original ratio)
• 2.39 : 1 (original ratio)

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7 best Star Trek villains, ranked

Thanks to its more than 50 years of continued existence, Star Trek   has produced just a lot of stuff. That stuff includes several great TV shows, more than a few outstanding movies, and perhaps most importantly of all, some genuinely great villains.

4. The Klingons

3. the borg queen, 2. gul dhukat.

Because Trek has always concerned itself with the politics of the stories it tells, the series has also introduced some genuinely nuanced bad guys. There are plenty of great villains of the week, to be sure, but there are also legendary villains who have made their way onto this list. These are the seven best Star Trek villains, ranked.

Say what you will about  Star Trek Into Darkness , but J.J. Abrams’ first Star Trek effort was a rousing success. Among its many feats was its introduction of a totally new villain in the form of Nero, a vengeful Romulan who blames Spock for not preventing the death of his family.

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Eric Bana’s performance in the role is transformative, but what really sells the whole endeavor is the sense of grandeur and scale that’s on display. Nero is filled with rage, and it’s that rage that has driven him to where he is now.

We’ve had plenty of great villains from across the many Trek shows, but Deep Space Nine ’s Weyoun was among the most beloved, in part because he was an ideal foil to the show’s cast. As the mouthpiece for the Dominion and a Vorta himself, Weyoun always delivered his message with a smile, but that rarely meant that he actually had the best of intentions.

In fact, Weyoun was in many ways your typical slimey politician, and that was undoubtedly a huge part of what made him so appealing to fans of  Deep Space Nine every time he was killed off and then inevitably returned to the show.

An omnipotent being that is a reminder of how far  Star Trek  characters can come, Q was first introduced as an ominous presence but became something much sillier as he became more familiar to Star Trek fans.

It was Q’s actions that ultimately resulted in the introduction of the Borgs to the universe, and he was also the one who charged Picard with the crimes of humanity. In spite of his power, Q is ultimately not the worst perpetrator of evil in the world of Star Trek, even though he certainly could have been.

In many ways the primordial Star Trek villain, the Klingons have shown up in a number of different villainous guises over the course of the franchise’s long and storied history. In the show’s original configuration, they existed as a foil to the Federation — the USSR to the Federation’s America.

Of course, Trek never expressed any idea quite that simply, and the Klingons were always humanized, even as they often opposed what the Federation was doing. You understood that they had their reasons, even if you weren’t always supposed to be sympathetic to them.

The Borg, in general, is a major menace to the crew of Star Trek: The Next Generation . Operating as a hive mind with the goal of assimilating all other living things into them, part of the point of the Borg was that they were everywhere and nowhere.

That’s why many were so worried by the introduction of the Borg Queen, but they didn’t have any reason for concern. The Borg Queen totally works, in large part thanks to Alice Krige’s memorable, sensual performance in the central role.

Gul Dukat was the best version of the authoritarian mode of Star Trekvillain. A character so villainous and tyrannical that you wanted nothing more than his ultimate defeat, even if you also found him compelling.

A Cardassian war criminal who ruled over Bajor as a complete totalitarian, what made Dukat so remarkable was that you could understand that his actions were heinous, even as you found yourself drawn into his world. Many argue that Gul Dhukat is the finest villain Star Trek has ever produced, and we think that’s pretty close to being on the money.

A name memorably screamed not once but twice in Star Trek movies , Khan is most remembered today for killing Spock in  The Wrath of Khan , widely regarded as the best of the  Trek  movies for a reason.

Although Khan was just a villain-of-the-week in the original series, in Wrath of Khan , he is elevated to a devious mastermind, capable of taking down and outsmarting even Kirk, Spock, and their crew. Ricardo Montalbán’s performance made the role one of the most important in the history of the franchise. As for Benedict Cumberbatch’s reprisal of the character? Well, the less said about that, the better.

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It may be spring, but it's also alien invasion season on Netflix. And while 3 Body Problem deals with that premise in a very high-concept way, it's been unseated from the top of the list of Netflix's most popular shows by a new South Korean series called Parasyte: The Grey.

Parasyte: The Grey is based on the popular manga by Hitoshi Iwaaki, which has previously been adapted as an anime series and two live-action movies in Japan. But you don't need to know anything about those to enjoy Parasyte: The Grey. This is a separate story that features its own characters, and it's clearly catching on with fans around the world. That's why we're sharing three reasons why you should watch Parasyte: The Grey on Netflix. It's the story of a girl and her alien

There may be no franchise in history more beloved than Star Wars. While not everyone considers themselves a fan, there are plenty of people who do, even if no one can agree on which movies are actually good. What we can hopefully all agree on, though, is that a great Star Wars parody is almost as good as the real thing.

Because the franchise is so beloved by so many, there have been tons of great parodies over the years. We've pulled together a list of seven of the best parodies in the history of Star Wars, ranked from pretty good to undeniably great. 7. Hardware Wars Hardware Wars: The Original Star Wars Parody 1978

Star Wars: The Acolyte aims to be one of the more unique additions to the Star Wars universe. This upcoming series will give audiences their first look into the world of the Jedi during the age of the High Republic. Specifically, it will follow the Jedi near the end of this era as they investigate a string of crimes that will have them uncover evil forces brewing in the shadows.

Due to the open-ended nature of this piece of Star Wars history, fans can only imagine what The Acolyte will add to the franchise. But until it premieres, here's hoping the show will feature these five things in its first season. The Jedi-Sith War

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Star trek's 2009 movie hid the full power of nero's ship (& its borg connection).

The Narada, Nero's ship in the 2009 Star Trek film, had a much deeper history than fans initially thought - including a tie to the Borg!

Nero, the villain of 2009’s Star Trek film, had a powerful ship - but the movie obscured just how dangerous it was. The ship, called the Narada , was the instrument of Nero’s vengeance against Spock and the Federation, but as revealed in Star Trek: Countdown (the comic prequel to the movie), it was far deadlier than anyone realized, easily rivaling anything in the 23rd - and even the 24th - centuries.

By the early 2000s, the Star Trek franchise was seemingly running out of gas, and Paramount decided to completely reboot the franchise, creating an alternate timeline (called the Kelvin timeline) that allowed the studio to recast the iconic roles of Kirk and Spock. However, writers Roberto Orci and Alex Kurtzman needed a way to create this timeline. Enter Nero and the Narada. Thrown back to the 23rd century by a singularity, the Narada attacked the USS Kelvin , thus creating a new timeline. The Narada was a massive and awe-inspiring ship, but its origins were not revealed in the film. However, IDW Publishing released a special, four-issue miniseries, Star Trek: Countdown that bridged the gap between the Prime and Kelvin timelines - and readers learned the Narada ’s shocking origin.

Related: Star Trek Officially Names the Best Ship in the Federation's Fleet

The Narada Was the Romulans' Greatest Accomplishment

Star Trek: Countdown #3 is written by Mike Johnson and Tim Jones, working from a story by Kurtzman and Orci, and was drawn by David Messina. The Romulan home world has just been destroyed by a supernova, and Nero blames both Spock and the Federation for his loss. A miner, Nero takes his ship to a secret Romulan facility, whose existence is known only to a few. The station’s commander welcomes him and gives him a tour of the facility. She reveals the existence of a new, Romulan super-ship, one created from Borg technology, which has been adapted to Romulan designs. This innovation will give Romulan ships superior firepower, warp and cloaking capabilities; furthermore, the weapon can identify and adapt to various threats. The commander feels the Narada would be an excellent choice to be fitted with the weapon.

Nero Was Using Borg Technology

This issue reveals the Narada’s backstory, and it runs far deeper than movie fans realized. The Narada was a unique looking ship, not conforming to any known Romulan designs. The reason: it was made from Borg technology , and upon a closer look, fans can see subtle hints of the Borg in the superweapon fitted onto the Narada . A centerpiece of Borg tech is the ability to adapt to any attack, and the Narada has this feature as well. Perhaps a true testament to the Narada’s power and strength came when Captain Kirk’s father piloted the Kelvin directly into the enemy ship; while it disabled the Narada , it failed to destroy it. Nero repaired it and embarked on a crusade of revenge.

As stated earlier, the Narada was light years ahead of anything else seen in the 24th century, outside a Borg cube. By traveling back to the 23rd century, Nero and the Narada far outclassed any other Federation vessel, but it still was not enough to save him from defeat at the hands of the Enterprise crew. The Narada was lost at the end of the movie, marking an end for one of Star Trek ’s most powerful ships.

Star Trek Is Officially Redefining What "Where No One Has Gone Before" Actually Means

• The iconic catchphrase "where no one has gone before" gets an epic new meaning in Star Trek #19, by Jackson Lanzing, Collin Kelly and Megan Levens.
• Captain Sisko and his crew are heading into the Pleroma, Star Trek's newly revealed "realm of the gods," prompting Doctor Crusher to call it "where no one has gone before."
• One of Star Trek's key tenets is that humanity can evolve and transcend, and the journey to the Pleroma is the first step in this quest.

For generations of Star Trek fans, the catchphrase “where no one has gone before” has been an iconic call to adventure, but now it has taken on a whole new meaning. In Star Trek #19, the crew of the Theseus is heading to the Pleroma, a mysterious new realm that promises great adventure–and great peril. As they prepare for the hazardous journey, the franchise’s catchphrase takes on new layers.

Star Trek #19 is written by Jackson Lanzing and Collin Kelly and drawn by Megan Levens. T’Lir, the enigmatic Vulcan, has been revealed to be the last of the Organians and has charged Sisko and company with a new mission: travel to the Pleroma and help fix the damage Kahless has caused. Sisko is wary of the Pleroma, having been forbidden to travel there by the Prophets.

He discusses the impending journey with Doctor Crusher, and she refers to the Pleroma as “where no one has gone before.”

For Over 60 Years, Star Trek's Opening Monologue Has Perfectly Set the Show's Tone

It has undergone several changes over the years.

The catchphrase “where no one has gone before” is one of the most memorable in pop culture. Part of a larger opening monologue, the phrase has undergone a few alterations. When Star Trek premiered in 1966, the line read: “where no man has gone before.” When Star Trek: The Next Generation debuted in 1987, it was updated to the much better and more inclusive “where no one has gone before.” This has since become, with a few exceptions, the standard across the franchise, still recited in both the Abrams Kelvin-timeline movies and Strange New Worlds.

In the pilot episode of Star Trek: Enterprise , it was revealed Zefram Cochrane coined the phrase "where no man has gone before."

Star Trek is a story of exploration and discovery, and this catchphrase perfectly sums up this philosophy. Every week, the crews of the various Star Trek shows encounter bizarre alien life forms and awe-inspiring stellar phenomena. Ships like the Enterprise, Voyager or Discovery expanded the frontiers of knowledge while keeping the galaxy safe. Star Trek’s opening monologs set the tone perfectly for the incredible stories that follow. Now, on the eve of one of the biggest discoveries in galactic history, it is taking on a new meaning.

Star Trek Already Confirmed Its Real Final Frontier (& It's Not Space)

Star trek is about more than just exploring space--it's about exploring the human heart too, the pleroma may hold the key to humanity's evolution.

Yet, Star Trek is more than just stories of the exploration of space, but also expanding the potential of humanity . In addition to featuring a future where strife and war have been eliminated, the franchise has shown humanity has great potential, something Q alluded to in the Star Trek: The Next Generation episode “All Good Things.” Humanity will one day be like gods, and the Theseus’ journey to the Pleroma is the first step along the way. The Pleroma opens new possibilities in the Star Trek franchise, giving new meaning to “where no one has gone before.”

Star Trek #19 is on sale now from IDW Publishing!

Star Trek’s J.J. Abrams Advised Chris Pine to Be ‘Less Shatner’ While Portraying James T. Kirk

Chris Pine reflects on playing James T. Kirk in the latest Star Trek movies, and the actor acknowledges those wonderful "Shatnerisms."

• J.J. Abrams advised Chris Pine to embody "less Shatner" when portraying James T. Kirk in the big-screen reboot of Star Trek.
• Pine starred as Captain Kirk in all three reboot films; he says the franchise feels "cursed."
• A new Star Trek movie is part of Paramount's "intent," according to Roddenberry Entertainment's C.O.O.

“Less Shatner.” Those two little words encompassed the advice filmmaker J.J. Abrams had for Chris Pine when the two collaborated on the big-screen reboot of the Star Trek franchise, which began in 2009. Pine was tasked with picking up the enormous mantle of the iconic character, James T. Kirk, who was portrayed brilliantly by William Shatner from 1966 until 1994. Pine said in an interview during his appearance on the Wait Wait… Don’t Tell Me podcast:

“I think the biggest correction that J.J. [Abrams] ever had for me was ‘less Shatner.’ Because it’s so deliciously fun. I mean, anything from how he sits in the chair to how he does a double take. There are many… the Shatnerisms are long and deep, and they’re beautiful. They’re beautifully crafted.”

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Pine starred as James T. Kirk in all three of the reboot films, which began with Star Trek (2009) and was followed up by the sequels Star Trek Into Darkness and Star Trek Beyond . Abrams directed the first two movies, but he turned the director’s chair over to Justin Lin for the third installment. And nearly eight years have passed since Star Trek Beyond , and Star Trek 4 has still yet to warp speed into movie theaters.

Chris Pine Believes the Star Trek Franchise Is 'Cursed'

While J.J Abrams’ 2009 reboot certainly isn’t the best of the Star Trek films, both critics and audiences alike enjoyed the U.S.S. Enterprise’s encounter with the rogue Romulan Nero (Eric Bana), which featured the return of Leonard Nimoy as the original Mr. Spock. Abrams’ new vision of the sci-fi phenomenon also made $385.7 million worldwide (per Box Office Mojo ). So, a sequel was inevitable. And in the summer of 2013, Kirk and crew faced off against Khan (Benedict Cumberbatch) in Star Trek Into Darkness .

Star Trek Into Darkness made even more money ($467.4 million) than Star Trek (2009) did globally, but 2016’s Star Trek Beyond didn’t fare as well as its predecessors ($343.5 million), and the reboot series has been in limbo ever since. Co-star Zoe Saldaña (Lt. Uhura) still has hope that Star Trek 4 will come to fruition. But when it comes to the Star Trek franchise, Pine “feels like it’s cursed,” according to an interview he did with Esquire in 2023.

Star Trek 4: Plot, Cast, Release Date, and Everything Else We Know

In March of this year, the C.O.O./President of Development for Roddenberry Entertainment, Trevor Roth, said “there is a plan” for a new Star Trek movie. Roth elaborated on the possibility in the same interview conducted at the SXSW film festival:

“I am not able to say much, but I can say that it is Paramount's intent to figure out the Star Trek side of movies and what's going on there. There's every intent of a new movie coming out in the very near future. There's a lot of secrecy around what's going to happen there. But there is a plan getting into place. And we're very excited to see it return to the big screen.”

Most recently, Pine wrote and directed his first feature film, Poolman. Pine also stars alongside Danny DeVito in the comedic mystery, which opens exclusively in theaters on May 10. And fans can watch the Poolman trailer right now.

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Commander Rayner (Callum Keith Rennie) isn’t thrilled by this prospect, pointing out before she leaves that it’s too dangerous a mission for a captain to undertake. But Burnham disagrees that this is enough of a reason to stop her; it’s a nice reminder that this is a show and a character that originated in the time of James T. Kirk, a time when captains didn’t stay behind in the face of danger.

But it’s not only that, there’s something else going on. Burnham gives Rayner permission to be blunt, quoting a classic work on Rayner’s native Kellerun , The Ballad of Krull , asking him to “serve it without a crumb of ossekat .” (As far as made-up Star Trek idioms go, that’s a pretty good one.)

It’s also the beginning of a sudden and relentless onslaught of references to Rayner’s culture, but more on that later. What’s Rayner’s problem? He’s uncomfortable with the prospect of being left in command of a ship and crew that aren’t “his.” Welcome to being second in command, buddy.

Book and Burnham take off, heading into the wormhole and finding it to be an inhospitable place. They quickly drop out of communication range with Discovery , there’s ship debris everywhere, including the wreckage of Moll and L’ak’s ship…. and what’s that, the  ISS Enterprise ?!

(A side note before we get too excited about that: what is the deal with all the empty space in the new shuttlecraft set, introduced in last season’s “All Is Possible”? The two pilot seats looked like they were crammed into the corner of a huge unfurnished room.)

Okay, Enterprise time. Burnham and Book rightly surmise that this is where Moll and L’ak must have escaped to and beam to the ship, which of course turns out to be a redress of the Strange New Worlds  standing sets. A quick scan identifies that no one else is aboard — though the clue, which Moll and L’ak have found, does also have a lifesign, hmm — and that Moll and L’ak are holed up in sickbay. Burnham takes a few moments to ponder her visit to the Mirror Universe back in Season 1 and wonder what the alternate version of her half-brother Spock might have been like (bearded, for one).

And aside from some brief storytelling about Mirror Saru’s role as a rebel leader, that’s about it for the Terran Empire of it all. Star Trek: Discovery has spent plenty of time in and around the Mirror Universe already, and I personally don’t think they need to revisit it again. But introducing the  ISS Enterprise — the ship that started it all with The Original Series ’ “Mirror, Mirror” — and then not doing anything momentous with it? Strange decision, and one that makes it ultimately feel more like this was a way for the show to get to reuse a set on the cheap than it does a materially significant addition to the episode.

In fact, in some ways it’s actually a detriment to the episode. If the action had been set on any other ship it would have been fine, but being on the ISS Enterprise I kept expecting something — like seeing Paul Wesley as Mirror Kirk slinking around, or finding Anson Mount camping it up as Mirror Pike in a personal log. If they’d set the action on a generic derelict ship, what we got wouldn’t have seemed like a let down. As it is though, I kept waiting for the other shoe to drop… and it simply never did.

Maybe in a subsequent episode, it’ll turn out that there’s an advantage in having an entire functional starship composed of atoms from another universe at Starfleet’s disposal — or to have a convenient collection of Constitution -class sets available for that Starfleet Academy show to borrow once in a while — but until that happens (if it even does) the use of the ISS Enterprise just seems like a name drop and a “We have to set the action somewhere , why not here?” instead of a significant use of the setting and the huge amount of lore and history that comes with it.

It’s like setting something aboard the Titanic without ever mentioning any icebergs.

As Burnham and Book make their way down to sickbay they do find evidence that the ship was being used in a way that seemed unusually gentle for a Terran Empire vessel: signs that children and families were aboard at one time, and that they were the kind of people sentimental enough to have keepsakes and favorite stuffed animals. But again, nothing about this seems like it needs the Mirror Universe connection. Ships of people trying to escape adversity are already a Star Trek staple.

Burnham and Book find Moll (Eve Harlow) and L’ak (Elias Toufexis) in sickbay, and after a valiant but ultimately unsuccessful attempt at getting them to surrender, everyone starts shooting. Moll and L’ak have a Breen blood bounty — an erigah — on their heads and surrender is simply not an option. During the firefight a lockdown is triggered, forcefields coming down that split the group into pairs: Burnham and L’ak stuck in sickbay, while Book and Moll able to go back to the bridge to try and reset sickbay.

Pairing off also gives Book the opportunity to continue his efforts to connect with Moll, and I have to say, I don’t think I’m a fan. Setting aside the portion of this that’s purely a strategic attempt to forge a connection with someone who is very to keen to kill him, my first reaction to the way Book talks to Moll about her father (and his mentor) was distaste.

I don’t think Book meant it this way, but the way he’s written in these scenes feels unpleasantly close to the “Well, he was a great guy to me , I never saw him do anything bad” response that’s sometimes made to accusations of misconduct. A person can be wonderful to some people in their life and terrible to others; both experiences are true for the people who received them, but they’re not mutually exclusive.

Book is preternaturally empathetic, and yet he doesn’t seem to see how continually assuring Moll that her father loved her is an act that’s both unwanted and actively painful for Moll to hear. I understand that Book is just trying to bring a sliver of comfort to Moll – but in the process he’s dismissing her own experiences of her father and his place in her life. Unless Moll asks him for this, it’s really none of Book’s business.

I suspect they’re setting up Moll’s character for a nice, cathartic arc where she comes to terms with her life, forgives her father, releases her past, whatever. And when that happens in real life that’s great — but it doesn’t always, and that’s okay too. If Moll never sees in her father the man Book saw in his mentor, it’s not a character failing. Discovery is really hammering home the theme of confronting one’s past in order to take control of one’s present and future, and I think it would be valuable if they included an example of a character learning to do the latter… without having to be okay with the former.

And to return to a question I posed in my review of “Under the Twin Moons,” I know Book is isolated and excruciatingly lonely after the destruction of Kweijan and his split with Michael, but the weight he’s placed on his relationship with Moll as “the closest thing he has to family” seems like he’s setting himself up for disappointment. Maybe I’m just a cynic, but this does not feel like a hopeful storyline to me. Not everyone wants to be family, and right now it doesn’t seem like Moll’s been given much of a choice in the matter — despite her frequent and very powerful explanations of why she’s not interested.

Clearly frustrated with Book’s topic of conversation and desperate to return to L’ak, Moll makes a reckless decision to brute-force a solution and overload some circuits. It works, and the forcefields in sickbay come down, but it also sends the Enterprise onto an unstoppable collision course with the too-small-to-pass-through and also going-to-be-closing-forever-soon wormhole. They’ve got eight minutes to figure this out.

Meanwhile aboard Discovery , we see Rayner’s struggles to interact with the crew. This thread could have gone so many different ways, Rayner seeming “too good” for a temporary command, him seeing this as his chance to do things “better” than Burnham or show how it’s “really done,” but instead the show takes the much more subtle and satisfying route: Rayner is deeply respectful of the captaincy, as a rank and a role, and really doesn’t want to step on Burnham’s authority.

He’s more than willing to disagree with her on command decisions , but he doesn’t question her command . And more personally, he doesn’t want his gruffness and lack of experience with this crew to cause problems. He’s trying, in his own Rayner way, and more importantly he’s succeeding — and, as we see as he shepherds the crew through figuring out how to communicate with and then rescue Book and Burnham, the crew does their part and meets him halfway.

Rayner is learning that he needs to tone down his temperament just enough that he doesn’t come across as an actual asshole to this crew, and the crew is learning that his gruffness isn’t a sign of disrespect but simply a desire to cut to the chase and get to direct, actionable information with a minimum of fluff. There are shades of Nimoy’s Spock or Voyager -era Seven of Nine here, but couched within a distinctly different temperament, and it’s fascinating to watch. I’d love to have seen him interacting with the crew of the Antares , where he presumably felt more comfortable.

The interpersonal stuff with Rayner and the crew is great; where Rayner’s thread feels distractingly like a box being checked is the explosion of “Rayner is a Kellerun!” being shouted from the bulkheads. I could practically hear the writers yelping out a panicked “Oh crap, we forgot to say what kind of alien Rayner is!”

Again, Discovery is back to its old self with the clunky, heavy-handed, and oddly paced character work. Rayner goes from having zero cultural touchstones to having about five in the span of the 15-20 minutes of screentime that his story gets this week. They’re good touchstones, don’t get me wrong — I’m skeptical of Kellerun citrus mash, I have to be honest, but I’d give it a try; not so sure about boiling a cake though — they’re just very present .

As with Rayner’s alienness, the frequent flashbacks throughout the episode to Moll and L’ak’s meeting and courtship feel like a “We forgot to explain this and now we’re trying to reference it!” correction. The content of the flashbacks is fine, there’s a lot of interesting Breen worldbuilding for a species that’s been mysterious from the start — and watching Moll and L’ak’s relationship grow from one of mutual convenience to one of true love is genuinely moving. But the way it’s woven into an episode that, again, feels like it’s composed of bits and pieces of storyline, makes it hard to shake the sense that I was watching a To Do list get checked off.

By the time the season is over it might be clear that there was simply no extra room to give a full episode over to Moll and L’ak’s meeting, or maybe an episode without any of the main cast wasn’t something they were willing or contractually able to do, but I would have loved if these flashbacks were pulled out and expanded into a full-length episode of their own. Some of the worldbuilding felt hasty to the point of hindering the emotional beats — at times I wondered if I’d forgotten a whole bunch of Breen lore and at others I was just trying to keep up with what was going on.

For example, my confusion about L’ak’s comment about having two faces, which Moll seemed to completely understand — “Duh, everyone knows the Breen have two faces” — was a distraction in the middle of an otherwise nice and significant moment. This is later clarified as the translucent face and the solid face, but again I was distracted from fully appreciating an interesting bit of Breen culture because I was busy applying what I’d just learned back to the previous scene.

The quickly (and maybe not totally clearly articulated notion) that Breen deliberately restrict themselves to their translucent form for reasons that are entirely to do with avoiding any perception of weakness is a potent if hasty bit of social commentary, and as I said I nearly didn’t catch it.

Whether holding the translucent form requires the armor for protection or the armor necessitates the translucent form — it seems like it would be more comfortable wearing that helmet all the time if you were the texture and consistency of lime jello — this is surely a metaphor for the increasingly rigid, isolating, and emotionally and sometimes physically unhealthy things men in certain circles feel they must do to be appropriately masculine. Seeing L’ak free himself from that rigidity is powerful.

With the forcefields in sickbay down, Burnham and L’ak immediately spring into action:  Burnham trying to get the artifact from L’ak and L’ak simply trying to get away. They fight, and Burnham impressively proves she can hold her own against a Breen. When L’ak accidentally falls on his own blade, Burnham grabs the clue and speeds to the bridge where she manages to get a message to Rayner through some tractor beam trickery. The message? Another reference to that classic of Kellerun literature that gives Rayner the info he needs. Hey, did you know Rayner was a Kellerun?

The ISS Enterprise makes it through the wormhole, Moll and L’ak zip away in an escape pod, and it’s time to wrap things up. We head to Red’s for a quick but significant moment between Tilly (Mary Wiseman) and Culber (Wilson Cruz), as Tilly offers advice and an ear to a Culber who’s going through a quiet existential – maybe also spiritual? – crisis.

OBSERVATION LOUNGE

• In addition to the dedication plaques on the bridge, the ISS Enterprise has an additional plaque in its transporter room — one which, despite recounting the heroism of rebel action hero Mirror Saru, still states “Long Live the Empire.”
• The transporter room plaque is marked with “Stardate 32336.6,” which is about 9 years before the events of “Encounter at Farpoint.”
• The plaque describes the fate of Mirror Spock, who was killed after instituting the reforms which later led to the fall of the Terran Empire (as described in DS9’s “Crossover”).

The full text of the ISS Enterprise transporter room plaque:

The new High Chancellor presented hope and justice as if they were natural to our world. His words, “The light of hope shines through even the darkest of nights” became our rallying cry. He spoke of reform, and changed many of us. But some saw this as weakness. They killed him, and we sought help from an unlikely ally: A Kelpien slave turned rebel leader.   He spoke of visitors from another world… a near perfect mirror cast our darkness into light. With his aid we secured the Enterprise and stayed behind to continue his work. We bear scars from our escape, but our hope remains. May it carry us into a pristine, peaceful, and just future.

• Not counting L’ak’s previous appearances this season, this episode marks the first time we have seen the Breen in live action since their involvement in the Dominion War in Deep Space Nine.  (The species has appeared in  Star Trek: Lower Decks three times.)
• The 32nd century Breen wear updated encounter suits clearly based on the designs introduced in  Deep Space Nine ; their digital speech is extremely faithful to the incomprehensible noises Breen soldiers have spoken in past appearances.
• Given the fact that Moll appears to be just fine in the environment of the Breen ship, I guess Weyoun was right when he said the Breen homeworld was “quite comfortable” in “The Changing Face of Evil.”
• When L’ak is stabbed he gently oozes some green goo — but as we learned in “In Purgatory’s Shadow,” Breen do not have traditional humanoid blood.

• During his time in command of Discovery , Rayner never sits in the captain’s chair.
• This episode closes with a dedication plaque that reads “In loving memory of our friend, Allan ‘Red’ Marceta”. Marceta was, I presume, the namesake for Discovery’s bar.
• Someone aboard Discovery keeps a Cardassian vole as a pet. Going by Tilly’s reaction, and what we know from  Deep Space Nine , this is not a good thing.
• Linus (David Benjamin Tomlinson) plays a mean piano.
• Owosekun and Detmer get the off-screen cherry assignment of flying the ISS Enterprise back to Federation Headquarters, alone. I’m thinking that’s going to inspire some fanfic…

We don’t learn what this week’s clue is, though we know there’s a blue vial tucked away inside it, but we do learn that the crew of the ISS Enterprise did indeed make it to our universe. The scientist responsible for hiding this particular clue there was one of them, a Dr. Cho, who eventually made it all the way to branch admiral.

They strove for something positive and succeeded against all odds. Hopefully Discovery will be able to do the same as they continue their pursuit of Moll, L’ak, and the Progenitors.

Star Trek: Discovery Season 5 returns with “Whistlespeak” on Thursday, May 2.

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Published Apr 16, 2024

WARP FIVE: Callum Keith Rennie on Discovery's Gruff First Officer

The Star Trek: Discovery actor talks Rayner's second chance, command style, and more!

SPOILER WARNING: This article contains story details and plot points for the fifth season of Star Trek: Discovery.

Getty Images / StarTrek.com

Welcome to Warp Five, StarTrek.com's five question post-mortem with your favorite featured talent from the latest Star Trek episodes.

We're only three episodes into Star Trek: Discovery 's final season, but the stakes could not be higher. Not long after saving the entire galaxy from the Dark Matter Anomaly, Captain Michael Burnham and the crew of the U.S.S. Discovery is handed a Red Directive mission from Dr. Kovich.

An 800-year-old science vessel was found on the edge of the Beta Quadrant. Aboard that ship is "something vital to the security of the Federation." They are to retrieve that artifact; however, they're not the only ones on the hunt for the artifact's ancient power. While chasing two criminals in the fifth season opener, " Red Directive ," Burnham comes across Captain Rayner and the U.S.S. Antares who is also hot on their trail and unwilling to let Moll and L'ak go as easily as the Discovery captain.

StarTrek.com had the opportunity to speak with actor Callum Keith Rennie on making first contact with Star Trek , demotions and second chances, his approach to Discovery 's newest distinguished yet gruff first officer, and more.

Point of First Contact

"Under the Twin Moons"

StarTrek.com

Like many others, Rennie was first introduced to the franchise with The Original Series in his youth.

"My first contact with Star Trek was watching it on TV with the original," remembers Rennie. "That's the one that I always reference. If it comes on, I watch it still. For me, I did see all of those other variations as they came out, but I held onto my Spock and my Jim Kirk."

For the Love of the Federation

"Red Directive"

In "Red Directive," as Burnham and Discovery is in hot pursuit of this season's main antagonists, Moll and L'ak, they soon learn that the Antares captain has been pursuing them for quite some time, and he refuses to let the slippery pair go each time they're within grasp.

When asked how big of a threat Moll and L'ak, as well as the Progenitor tech, pose to the Federation? Rennie teases that more will be revealed in time, "He has a history [with them] that will be explained later."

Speaking on the choices we've seen Rayner make in response to the two criminals, he shares, "That's Rayner's style of command. His is, 'We're to get those people; we're not to make concessions.' There's no other way outside of what he wants to do. His drive is to succeed; 'Pick a thing, I'll go do it.' That's what he knows how to do."

The distinction is clear; Rayner is a gruff, smart Starfleet captain who holds a clear line between commander and crew — he leads, they follow. His approach is, you get the job done and apologize later.

In an earlier discussion with StarTrek.com , executive producer and co-showrunner Michelle Paradise noted, "What's interesting about [Captain Rayner] is that he is going to be a bit of an antagonist, but not in a bad guy way. He's going to push Burnham, and we'll get to see new sides of Burnham and new growth in Burnham because of her interactions with him."

He has a storied track record of wartime success. In " Under the Twin Moons ," Federation president Rillak has to remind him that times have changed and they're no longer at war. However, the Antares captain sees threats everywhere, arguing that the Breens are in-fighting, the Orions are regrouping, and war is always a possibility. Not only that, Moll and L'ak now have a head start at retrieving a piece of technology with unbelievable power. He wants everyone to stop living in a "candy-colored holo fantasy."

The Fallout of Q'Mau

During Burnham and Rayner's first run-in, while Discovery 's captain sabotages the fleeing thieves' ship while on the hull of their ship, she tells the Antares captain to release its tractor beam hold as the enemy vessel's warp bubble is starting to collapse and her ship can't beam her out to safety while she's in the diminishing bubble. Then, while on Q'Mau together, Rayner continues to pursue Moll and L'ak on his own leaving Burnham and Cleveland 'Book' Booker behind; stating he doesn't have time for their "strategic advantages." Rayner plans to thwart their getaway by detonating the explosive charges hidden in a mountain's entrance, risking the potential of harming those living on the settlement of Q'Mau. Burnham reminds him they're on a non-Federation planet undertaking a highly sensitive and classified mission. When the detonation spirals into a fast-moving avalanche that would decimate the local inhabitants, Discovery requests Antares aid them in creating a shield to block the avalanche as there is not enough time to evacuate. However, Rayner holds off on letting Antares leave orbit at the risk of allowing the two thieves to evade them again.

When Rayner is held accountable for his actions as Federation Headquarters holds an inquiry to the events on Q'Mau. Despite his commendable 30 years of service to Starfleet, and his longstanding friendship with Admiral Vance, the Antares captain was forced to take an early retirement.

"Here's a guy who's been in command for 30 years," Rennie distills. "He goes in to help Burnham and her crew, and then the next thing you know, he's dismissed. So, all of that is bad. If he didn't show up to participate in any of that, he would still just be running his own crew and doing his own thing. He'd be happy on the Antares until the end of time. But he went to help, he made a decision that caused a problem, and then he was fired, sent out to pasture, and he has to make a decision to go, 'Am I done or am I not done?'"

Second Chances and Second Contacts

"Jinaal"

Valuing Rayner's aid he provided her crew while she was on Lyrek, Captain Burnham tells Rayner she'd like for him to be part of her crew — her first officer position has opened up — and she knows he's not ready to end his Starfleet career here. After all, no one understands the value of a second chance more than Burnham herself.

Reflecting on the opportunity presented to his character Rayner, Rennie notes, "He wants to try to be a better person. He's looking at his stuff going, acknowledging at times that he's been too impulsive and doing the the thing that he shouldn't have done, and but doing it anyway."

On his second chance, Rennie adds, "Does he want to be retired or does he still want to be part of the Federation and Starfleet? And he makes that choice, believing, 'What's the worst that can happen? They'll fire me again.'"

An important component of modern Star Trek has been to show the many facets of Starfleet and the Federation. It's not a monolithic institution incapable of faults.

"You do the best job you can at the given moment, and sometimes that works out and sometimes that doesn't," reflects Rennie. "You have to be, 'Well, let's take that risk.' From a commander standpoint, nothing's infallible. There's certain missions that only certain people will be assigned to because of their style. He's the man for the job," before teasing, "You'll soon discover why he's a little harsh at times."

In " Jinaal ," while Burnham heads to the surface of Trill to unlock their latest crew, Rayner is tasked with getting to know the senior crew better. While his first impression wasn't great, he now has the opportunity to make a second first impression. Unfortunately for him, his second contact isn't off to a great start when he offers the crew 20 words to provide him insight into them.

It's not going to be an overnight scenario for Rayner to change his ways. "He doesn't want to participate with the Discovery crew the way Burnham wants him to be a team player," he explains. "He's not in that space yet. He's not good at, 'Let's all be friends.' It's not his style."

Joining the Discovery Family

Rennie's experience joining a series in its final season mirrors Rayner's experience joining a tight-knit crew.

"Coming into a show, you're a new kid in school, you don't know who you're going to be friends with," states Rennie. "You don't know if you're going to get along with anybody. Much like Rayner is there to do his work, I'm there to do my work. But, my [personal] experience was fun. Episode to episode, time spent with everyone, you warm up. There's a warmth that just grows as you move along [with Sonequa Martin-Green and this cast], and you've become part of something."

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Christine Dinh (she/her) is the managing editor for StarTrek.com. She’s traded the Multiverse for helming this Federation Starship.

Star Trek: Discovery Seasons 1-4 are streaming exclusively on Paramount+ in the U.S., the UK, Canada, Switzerland, South Korea, Latin America, Germany, France, Italy, Australia and Austria. Seasons 2 and 3 also are available on the Pluto TV “Star Trek” channel in Switzerland, Germany and Austria. The series streams on Super Drama in Japan, TVNZ in New Zealand, and SkyShowtime in Spain, Portugal, Poland, The Nordics, The Netherlands, and Central and Eastern Europe and also airs on Cosmote TV in Greece. The series is distributed by Paramount Global Content Distribution.

'Star Trek: Discovery' Season 5's Captain Rayner Ran His Ship Like a Pirate

Callum Keith Rennie also discusses coming into 'Discovery's final season, getting into prosthetics, and how much he has in common with Rayner.

The Big Picture

• Callum Keith Rennie's Captain Rayner brings conflict and depth to Star Trek: Discovery 's final season.
• Rennie discusses his experience on Star Trek: Discovery , praising the supportive cast and crew, despite the initial challenges of joining an established series for its last season.
• In Season 5, Episode 4 "Face the Strange," Burnham and Rayner must work together within a time bubble to save the universe.

As Captain Michael Burnham ( Sonequa Martin-Green ) embarks on one last adventure with her crew, Star Trek: Discovery Season 5 is bringing a few new characters along for the ride. Chief among those newcomers is the blunt, war-worn Captain Rayner. Played by Battlestar Galactica alum Callum Keith Rennie , Rayner is Burnham's new second in command on the Discovery , taking over after Saru ( Doug Jones ) took a different position at Starfleet.

Having lived through The Burn, Rayner doesn't have time for niceties and butts heads with Burnham almost immediately — so naturally, she takes it upon herself to give him a second chance when Starfleet is ready to cut him loose. Last week's episode saw him, rightfully, put in his place a bit as Tilly ( Mary Wiseman ) attempted to help him connect with the crew, much to his chagrin. In Season 5 Episode 4, "Face the Strange," Rayner and Burnham are thrown into a time bubble, forcing them to work together if they ever want to get back to the correct timeline and prevent the universe from being destroyed.

Ahead of the episode, I sat down with Rennie to dig into Rayner's backstory, what we can expect from him in the rest of the season, and what it will take for Rayner to truly connect with the crew of Discovery . During our conversation, we also discussed Rennie's history with sci-fi, what it was like joining Discovery for the show's final season, and what he's taking away from the whole experience.

Star Trek: Discovery

*Availability in US

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Taking place almost a decade before Captain Kirk's Enterprise, the USS Discovery charts a course to uncover new worlds and life forms.

Rennie is no stranger to science fiction, having had roles in such series as The Umbrella Academy , Jessica Jones, and Battlestar Galactica. As Battlestar Galactica was the series that turned me into a sci-fi fan, and perhaps Rennie's most recognizable role, I had to ask him about being a part of such massive and beloved franchises within the genre. "It's amazing," he said. For Rennie, even though Battlestar was also a reboot of a classic series , the show's success was a lot less predictable than the mainstay that is Star Trek . He explained, "Like, say Battlestar , when I started on that I had no idea where that one was gonna go. Discovery was already very established , but I actually didn't let any of that into my [head], because I went, “That's not gonna help.” So, I didn’t. Now, I'm feeling the world of it. Now, I'm sensing what the world of Discovery is and how many people love it, and how it fits. "

Discovery also isn't his first experience with Star Trek , "I watched the original. That was my thing, and that was it," Rennie told me. While he may have missed some of the series' in between, saying, "There's big chunks of time where I just didn't watch a lot of TV, so I missed all of the other stuff," he'll always make time for The Original Series when he comes across it, "even if the old Star Trek comes on, I'll still watch it because that was my Star Trek . Jim Kirk, and all of that. "

While we've gotten a pretty good sense of who Rayner is in these first four episodes, most of his backstory remains a mystery. Rennie revealed that "some backstory comes up in a few episodes." Part of his gruff exterior will be explained as we'll "get a sense of why he's maybe got a chip on his shoulder and has some unprocessed resentments about a bunch of things that maybe have played out in his work in a negative way."

Rennie Calls 'Star Trek: Discovery's Latest Episode "Amazing"

"Face the Strange," is such a classic Star Trek episode, employing the ever-entertaining sci-fi trope of sticking our main characters in a time loop, both to put an obstacle in their path as well as to bring them face to face with some of their own demons. For Rennie, the episode really put the science in science fiction. "It was like, 'Whoa! What's happening? I don't get it.' There's just so much science stuff and talk, so much jumping about to places and history and stuff." But he had high praise for his fellow castmates as well as the crew behind the camera." Lee [Rose] being the director, you're in great hands. Being in scenes with Sonequa, you know that you're gonna be in it , and it was great. I watched it again last night, and there’s just an amazing amount of stuff in there. It was just an amazing episode. "

In this episode, Burnham and Rayner are tossed back in time to the first season of Discovery , bringing them both face to face with the version of Burnham who's fresh off her own demotion in Starfleet . Throughout the episode, it becomes quite clear that Burnham and Rayner have a lot more in common than either of them might have realized. When asked if this experience might put them more on equal footing, Rennie confirmed that "he's learned an understanding of the crew." He went on to point out that we haven't seen the relationship that Rayner had with his own crew.

He explained: "We're not on the Antares talking about his crew, which I think is an important part that we missed, where you go, 'How did I see my people on my particular ship? And how well did I know them?' No one's asking me how well I knew everybody because I did, but if I've only been there a brief time, you're only gonna have facts." He admits that it is important for Rayner to connect past the surface level. "Through that particular episode, you learn and go, 'Yes, it is good to know what people are up to and where they're from,' because in that particular instance, it saved us. So, I learned a thing, and I give a, 'Yes. Got it. Thank you.'"

Rayner Will Have to Shorten the Distance Between Himself and the Discovery Crew

While it doesn't sound like we'll be getting any flashbacks to Rayner's time on the Antares Rennie believes that he'd spent a similar amount of time with that crew as Michael has with hers. "We didn't get to inhabit that, I get to make it up in my own mind," he said. "But for me, it was more like a pirate ship that I had. " While Rayner comes off as the more stubborn, stick-to-the-mission Captain between him and Burnham, Rennie doesn't think he was quite so strict on his own ship. He said:

"That's the way I perceived it. It wasn't some rigid, completely stoic, boss fest, but a little bit of a wild card ship. We're gonna go into things that nobody else wants to go into, or knows how to deal with, but we would. "

While the walls around Rayner are still pretty high, Rennie explained that we will see him "shorten the distance" he's put between himself and the crew of the Discovery. "There's a great bit, there's an episode where Burnham leaves me again to take control of the ship. There's an interaction with everybody in a certain way because they don't like me yet. [Laughs] And I need some help a little bit, but I've created a distance, and I have to shorten that distance between everybody." He went on to say there are plenty of "fun dynamics" to look forward to and Rayner's insistence on keeping everyone at arm's length will likely come back to bite him.

Star Trek has quite a long list of original alien species created for the franchise, and Rayner just happens to be a Kellerun, a race that hasn't been seen since Deep Space Nine . In classic Trek fashion, Kelleruns appear mostly human with the most visible difference being the shape of the ears. As he follows in the footsteps of the likes of Leonard Nimoy and any actor who has ever played a Vulcan or a Romulan, I asked Rennie about getting into prosthetics for the role. "Those guys are great. Rocky [Faulkner] was great, Nicola [Bendrey] was great." While it was certainly an extra step the process was brief enough that it didn't bother him to come to set a bit earlier than usual. "That was probably an hour, and I really didn't think about that enough to go, 'Oh, that's right. I have to get up earlier.' But I think we got it down to an hour and a bit for just the ears because there’s a lot of stuff on them."

Despite the agonizing wait of sitting in front of a mirror for an hour, Rennie noted that Faulkner and Bendrey made the make-up experience as fun as it could possibly have been. He said: "I don't love just sitting there looking at myself for an hour, but there's music and great company and coffee, and it became a really sweet part of the day, and then another sweet part of the day where I download. " It wasn't his first time getting into prosthetics, but his previous experience had been brief. After playing Rayner across an entire season, Rennie admitted by the end, removing the glue actually started to feel like you'd expect pulling costume glue off your ears to feel. "There was a point near the end where the glue-on, glue-off became quite painful for a while."

The Support of the Cast and the Fans Are Highlights of Rennie's 'Star Trek' Experience

While this is Rennie's first season on the show, it's the final bow for Star Trek: Discovery . When asked what he'd be taking away from this experience, he had nothing but high praise for the cast and crew. As a newcomer on a well-established show, jumping into the fifth season had a bit of a learning curve. "I found that coming into the show was difficult for me because it was unlike a show that I'd been on before. It was already very well established." He went on to say:

"I pat myself on the back because I made it through, and there was this wonderful group energy that helped me do that. The good naturedness of the show was something that I maybe haven't worked on. There was a wholehearted goodness about it, which was quite nice, which overlapped into how people treated each other and mutual respect. Also, I kind of blocked out all Star Treks in my mind, so I'm there not thinking of Star Trek history. I'm just doing scene-to-scene and working on this stuff, and then it finishes, and then I forget that there's an incredible vast following of the show that somehow you are now part of it like that. All of that, this is all relatively new to me."

As a new addition to an already established group, I pointed out that it seemed as though Rennie's experience mirrored that of his characters, and he agreed. "I'm excited for people to see the season. And then, coming into it playing, “I don't want to be liked. It doesn't matter if I'm liked. I'm there to do my job, like Rayner, and I'm doing it. And then there's the after-effect of an incredible fan base that seems to be very supportive ."

You can watch our full conversation in the player above, and catch the latest episode of Star Trek: Discovery now on Paramount+.

'Star Trek: Discovery' Season 5 Review: One Hell of a Final Ride

Watch on Paramount+

Destruction of Vulcan

• View history

The destruction of Vulcan took place on stardate 2258 .42 after the Romulan Nero drilled to the planet's core where he detonated red matter , causing the planet to implode. A Starfleet task force attempted to stop the attack, but were no match for Nero's starship the Narada .

• 2 The battle
• 3 Aftermath
• 4.1 Appearances
• 4.2 References
• 5 External link

Prelude [ ]

129 years in the future, a supernova had completely destroyed the Romulan homeworld, Romulus , despite the best efforts of Federation ambassador Spock to prevent it. A full-scale Federation rescue effort had been planned but was politically controversial even before the rescue armada was lost in the Attack on Mars , at which point the effort was abandoned. ( PIC : " Remembrance ", " Maps and Legends ") Spock was able to collapse the supernova into a singularity using a red matter device, before any other worlds could fall victim, but an enraged Romulan captain named Nero intercepted Spock's ship and threatened to destroy him.

Before he could do so, however, the singularity's gravity well dragged both ships inside, with Nero's vessel, the Narada being thrown back to the year 2233 , while Spock's craft, the Jellyfish was pulled in a few seconds later and arrived in the year 2258. The Narada had again intercepted the Jellyfish however, having waited twenty-five years to do so. Nero then captured Spock and marooned him on the nearby planet Delta Vega , so that he would be forced to witness Nero's revenge for the destruction of his homeworld. ( Star Trek )

The battle [ ]

Afterward, the Narada arrived at Vulcan and deployed a high-powered plasma drill in Vulcan's upper atmosphere to drill a huge shaft to the core of Vulcan. The Vulcan High Command sent out a distress call which led to a Federation task force to pursue and the assess the situation. With much of Starfleet's resources occupied in the Laurentian system , many ships were partially-manned by Starfleet Academy cadets. The Narada initially detected seven starships approaching, though it is known that ten Federation ships were launched.

When they arrived, however, the ships proved no match for the advanced weaponry of the Romulan ship, and the fleet was destroyed in short order. One starship, the newly-launched USS Enterprise , had arrived later than the others (owing to a minor mistake by its rookie helmsman ) and nearly collided with the debris field made up of wreckage from the other starships.

The aftermath of the rout

Nero witnessed the arrival of the new starship and was prepared to destroy the Enterprise , when he realized just which ship it was, and that this reality's Spock would be on the vessel. He ordered the captain of the Enterprise , Christopher Pike , to surrender himself and come on board the Narada , which he agreed to do. Before he went to the Narada however, Pike dropped an assault team comprised of James T. Kirk , Sulu and Chief Engineer Olson onto the Narada's drill platform . Interference from the drill made beaming impossible, so Pike had his assault team use space suits and parachutes to reach the platform.

The Enterprise and the Narada face off over Vulcan

In an effort to achieve total surprise over the Romulans, Olson delayed in deploying his parachute until the last possible instant. Unfortunately, Olson badly miscalculated his descent and he crashed into the platform, fell off the side and was incinerated by the drill's energy discharge. Kirk and Sulu were suddenly left at a disadvantage since Olson had been carrying the explosive charges with which they intended to destroy the platform.

Two Romulan crewmembers emerged from the drill and hand-to-hand combat began between them and the Starfleet officers. The fight ended when one of them was burned to death by flames from an exhaust outlet, while the other was impaled and thrown off the side of the platform. Using captured disruptor rifles, Kirk and Sulu shot at the mining platform's machinery until it ceased functioning.

Starfleet officers land on Nero's drill

Unfortunately, their efforts came too late; the Narada had already reached the planet core. Nero then ordered a bomb made up of red matter from the Jellyfish to be fired into the planet's core. When it detonated it created an artificial singularity within the planet. Upon hearing of this, and that the entire planet would be obliterated within a matter of minutes, acting captain Spock sent a largely futile evacuation order to the planet and beamed himself down to retrieve the Vulcan elders (including his parents) who were tasked with preserving Vulcan's cultural heritage and wisdom. Since the elders convened inside the katric ark , direct communication and transporter functions were impossible.

Not all of the elders escaped as the surface began to collapse and among the casualties was Spock's mother, Amanda Grayson . Seconds later the planet completely imploded into the singularity, leaving no trace of its existence or that of its six billion inhabitants. ( Star Trek )

Aftermath [ ]

Nero interrogates and tortures Captain Pike

The battle concluded with the destruction of the planet and the death of its six billion Vulcan inhabitants. The Narada had suffered only minor damage and the loss of two crewmen. Nero was also able to detain Captain Pike as a prisoner and information source. Through the use of a Centaurian slug , Nero gained pertinent knowledge of Federation defenses from Pike that would later be utilized in his follow-up attack against Earth .

The deep emotional effects Spock suffered as a result of the destruction of Vulcan were later used to justify relinquishing his command of the Enterprise to its temporarily promoted first officer , Jim Kirk.

The elder Spock on New Vulcan

In the wake of the devastation, Ambassador Spock was able to locate a suitable planet to establish a colony and assist the estimated 10,000 remaining Vulcans in restoring their way of life. The colony was simply named New Vulcan . ( Star Trek ; Star Trek Into Darkness )

The destruction of Vulcan resulted in Section 31 taking a much more active role in defending the Federation. They began to aggressively explore uncharted regions of the galaxy. Along the way, they recovered the SS Botany Bay carrying 85 genetically augmented humans in cryosleep. Admiral Alexander Marcus then awakened their leader, Khan Noonien Singh believing his superior intelligence would aid them. Marcus threatened to kill Khan's 72 surviving crew members, blackmailing him into helping Section 31 design advanced weapons and warships, among them the Dreadnought -class USS Vengeance . ( Star Trek Into Darkness )

Appendices [ ]

Appearances [ ].

• Star Trek (First appearance)

References [ ]

• Star Trek Into Darkness
• Star Trek Beyond

External link [ ]

• Destruction of Vulcan at Memory Beta , the wiki for licensed Star Trek works