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Isaac Gracie

Latest setlist, isaac gracie on february 28, 2023.

Hare and Hounds, Birmingham, United Kingdom

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• 2023  ( 19 )
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Average setlist for year: 2023

Note: only considered 4 of 19 setlists (ignored empty and strikingly short setlists)

• All in My Mind Play Video
• Burn My Clothes, Bury My Crown Play Video
• Terrified Play Video
• The Man Who Flew Into Space Play Video
• Last Words Play Video
• Back To Back Play Video
• Back to Back Play Video
• Love (Ain't Always So Good) Play Video
• Silhouettes of You Play Video
• Hollow Crown Play Video
• Reverie Play Video

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How to Use precede in a Sentence

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• The chairman preceded the meeting with a brief welcoming speech.
• The meeting was preceded by a brief welcoming speech.
• The new mayor is very different from the person who preceded her in office.
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Gracie Abrams Has a Lot to Be Happy About, Actually

The sad-girl singer on the brighter outlook of her new album and the summer with Taylor Swift that changed everything.

Gracie Abrams, a standout of the sad-girl genre, is feeling lighter these days. It’s been more than a year since the 24-year-old singer-songwriter released Good Riddance , her vulnerable, self-lacerating debut album. The whirlwind months that followed included a 37-city headline tour that sold out in under an hour, a series of acoustic shows with producer and collaborator Aaron Dessner, and a Grammy nomination for Best New Artist. In between, the Los Angeles native retreated to Dessner’s Long Pond Studio to work on new music that, she says, feels more joyful and intended to be performed live. Her single, “Risk,” is out today ahead of the full album, The Secret of Us , dropping June 21. “I’m so glad Good Riddance is what it is, and it feels like the foundation for me,” she says. “But I am looking forward to playing this new stuff, because I find myself singing it in the shower mindlessly. And I am not really a singing-in-the-shower person, but I like that that’s how it feels in my body.”

Abrams, who was an opening act for Taylor Swift on select dates of The Eras Tour in 2023, will rejoin the tour when it returns to North America this fall. It’s a surreal development for a fan who has “every single one of her songs liked in my Spotify,” she says—along with influences that range from Sharon Van Etten, Sade, and Billie Holiday to Olivia Dean, Lady Gaga, and Wet Leg. “I feel like women are kind of running it right now, and I’m obsessed with that being true,” she says. “There’s so much flexibility for artists to tap into whatever they’re feeling and then, as a result, find people who are aligned with that sound or that emotion. That just comes from the women who were brave enough to do it first.”

What was your Grammy experience like?

I genuinely had such a great night there with my mom, sitting with the other nominees in my category. It felt like a rare experience to be around so many writers and artists, who were equally in awe and shock at the fact that we were all in that room. And meeting Joni Mitchell is maybe the best thing that’s ever happened to me. I had tears in my eyes and kept internalizing, “Don’t cry in front of this woman. She doesn’t need that.” I said thank you for everything. I was just like, “Your work has paved every single way through for me, for everyone else.” I blacked out, but hopefully it cut through. I have “River” in her handwriting style tattooed on my arm. That song means so much to me, because it was my mom’s favorite holiday song growing up. I learned how to play it on piano, and I’d play it every Christmas.

There’s that other element to “River”: “I’m selfish and I’m sad.” Those kinds of intrusive thoughts are a theme in your work, too. Why do you think you’re so hard on yourself?

I think that until recently, that’s also the way that I’ve felt about myself. We’re in this time when there’s so much exposure to everything, and we’re seeing the very glorified lives of other people. For people in general, but maybe young people especially, you’re constantly able to compare yourself and judge your actions and your choices. A lot of that showed up in Good Riddance , because that’s totally how my brain was working at the time. It’s been a nice relief, I suppose, to have more grace with myself and with others. Historically, my mind has gone to judgment quickly. I don’t know why that is, but I definitely let go of that mode of thinking a lot in the past two years, and everything has felt better. So writing has been a nice place for me to also track my personal growth.

You have a great lyric from your song “The Bottom”: “Gonna regret being too honest.” Do you ever have those regrets?

I don’t regret putting things out there because of the community that I’ve seen form around the music. I always feel like that’s the bigger purpose. However, I regret putting things out without having personal conversations first—doing the right, hard thing in situations like that when you have any kind of public-facing identity. How do you be sensitive to the full picture? I’m like everyone else, just learning as I go.

What can we expect from the next album?

The energy of the music that I’ve been making this year has felt like when you run home to tell your best friend every detail of your night. There’s almost a satirical, dramatic element to the music this time around—not that I wasn’t obscenely, obscenely dramatic in the past, but I was laughing while writing these songs. I hope that energy is felt when they belong to everyone else.

What’s your working relationship with Aaron Dessner like?

It’s actually a joke, what I feel like I have added to his plate on a daily basis. I lean on Aaron as a mentor, not just in our songwriting and producing, but in life in general. He’s built a life outside of his touring and producing career. You can’t survive on a roller-coaster forever. You can’t eat the cotton candy for every meal. It feels hard to come by in the music industry the way that Aaron has done it, where you don’t need to live in the white-hot center of the noise to do this for a living. For me, longevity is the goal. Only recently have I started to figure out what I really love about doing this and how to do it in a way that feels like I’m doing it for myself, and not through the lens of what other people might expect.

Did being on The Eras Tour shows teach you anything about what you want from your own career?

Being in Taylor’s orbit for the summer completely altered every single thing for me. It informed so much about how I went about writing this next album. She makes everyone feel seen and heard, and she also at different points in the shows makes it feel like an intimate venue despite the fact that there are 80,000 or 100,000 people sharing the space. That’s what I want so badly, because the joy is infectious. It taught me so much, being able to watch the way that she shows up for everyone that she loves and has a beautiful life and is as generous and giving as she is and kills it every single time. She was building community not only in the crowd but also backstage. It felt like a full city of people every weekend at these stadiums behind the scenes, making it all come to life. And obviously that all comes from the top, and Taylor is the most excellent person and the most excellent boss.

There’s a community with the audience that’s evident at your shows. They know you, but it also seems like you know them. Is that a two-way relationship for you?

They are so generously committed to leaning into the shows and being as vulnerable with me as I have been with them—[by] releasing these songs and saying things that I haven’t necessarily even said out loud before. It’s like we’re dueting everything. Sometimes they’re far louder than we are, and that in and of itself is a pretty rad thing. I also do know a bunch of them, because I’ve seen their faces dozens of times. One of the few reasons I appreciate social media is the ability to connect when we’re not in the same place. And this weird thing that they’ve given me, on top of all the other support, is to be in a new city, or away from home for a long time, and anytime I see one of them, they create this space that does feel like a home away from home.

Does it ever feel like a lot to have these big emotions coming at you from your fans?

I care so much about them, and all I want is for them to be safe and happy and healthy. There have definitely been times when there’s a lot of heavy personal information shared, and all I can hope to do in those moments is show up for them the best way that I can, which I think is giving them the best show I possibly can. I know the importance of a live show. There have been a handful of shows that I think about frequently that were real touchstones in my life. I hope to give them everything I have when I’m lucky enough to be on an elevated surface.

Hair by E Williams for Kérastase; makeup by Alexandra French for Maybelline; manicure by Karen Jimenez for Chanel Le Vernis; set design by Carlos Lopez; produced by The Production Partners.

A version of this story appears in the May 2024 issue of ELLE.

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Thursday 15 June 2023

Isaac Gracie

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37 Guthrie St EH1 1JG Edinburgh, UK

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The Moscow Metro Tour is included in most guided tours’ itineraries. Opened in 1935, under Stalin’s regime, the metro was not only meant to solve transport problems, but also was hailed as “a people’s palace”. Every station you will see during your Moscow metro tour looks like a palace room. There are bright paintings, mosaics, stained glass, bronze statues… Our Moscow metro tour includes the most impressive stations best architects and designers worked at - Ploshchad Revolutsii, Mayakovskaya, Komsomolskaya, Kievskaya, Novoslobodskaya and some others.

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The guide will not only help you navigate the metro, but will also provide you with fascinating background tales for the images you see and a history of each station.

And there some stories to be told during the Moscow metro tour! The deepest station - Park Pobedy - is 84 metres under the ground with the world longest escalator of 140 meters. Parts of the so-called Metro-2, a secret strategic system of underground tunnels, was used for its construction.

During the Second World War the metro itself became a strategic asset: it was turned into the city's biggest bomb-shelter and one of the stations even became a library. 217 children were born here in 1941-1942! The metro is the most effective means of transport in the capital.

There are almost 200 stations 196 at the moment and trains run every 90 seconds! The guide of your Moscow metro tour can explain to you how to buy tickets and find your way if you plan to get around by yourself.

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On this tour you take in some of Moscow's most important and highly decorated stations. Carrying up to 7 million passengers a day and covering almost the entire city, the Moscow Metro is one of the most extensive mass transit systems in the world. It's famous for the fine examples of social-realism which decorate many of its stations.

Visit some of the most important stations and get the chance to admire spectacular baroque-style ceilings, marble statues, busts of Communist heroes, stained glass windows, and ceiling mosaics depicting the bright Soviet future. Visit the most remarkable stations like Komsomolskaya, Kurskaya, Kievskaya and others, with the experienced guide who will bring you a full insight into their fascinating history.

• Tour of Moscow's Metro system visiting beautifully decorated key stations on the network.
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If you wonder why the Moscow metro is considered one the most beautiful in the world, this tour is made for you!

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For the first time Rosatom Fuel Division supplied fresh nuclear fuel to the world’s only floating nuclear cogeneration plant in the Arctic

The fuel was supplied to the northernmost town of Russia along the Northern Sea Route.

The first in the history of the power plant refueling, that is, the replacement of spent nuclear fuel with fresh one, is planned to begin before 2024. The manufacturer of nuclear fuel for all Russian nuclear icebreakers, as well as the Akademik Lomonosov FNPP, is Machinery Manufacturing Plant, Joint-Stock Company (MSZ JSC), a company of Rosatom Fuel Company TVEL that is based in Elektrostal, Moscow Region.

The FNPP includes two KLT-40S reactors of the icebreaking type. Unlike convenient ground-based large reactors (that require partial replacement of fuel rods once every 12-18 months), in the case of these reactors, the refueling takes place once every few years and includes unloading of the entire reactor core and loading of fresh fuel into the reactor.

The cores of KLT-40 reactors of the Akademik Lomonosov floating power unit have a number of advantages compared to the reference ones: a cassette core was used for the first time in the history of the unit, which made it possible to increase the fuel energy resource to 3-3.5 years between refuelings, and also reduce the fuel component of the electricity cost by one and a half times. The FNPP operating experience formed the basis for the designs of reactors for nuclear icebreakers of the newest series 22220. Three such icebreakers have been launched by now.

For the first time the power units of the Akademik Lomonosov floating nuclear power plant were connected to the grid in December 2019, and put into commercial operation in May 2020. The supply of nuclear fuel from Elektrostal to Pevek and its loading into the second reactor is planned for 2024. The total power of the Akademik Lomonosov FNPP, supplied to the coastal grid of Pevek without thermal energy consumption on shore, is about 76 MW, being about 44 MW in the maximum thermal power supply mode. The FNPP generated 194 million kWh according to the results of 2023. The population of Pevek is just a little more than 4 thousand, while the FNPP has a potential for supplying electricity to a city with a population of up to 100 thousand people. After the FNPP commissioning two goals were achieved. These include first of all the replacement of the retiring capacities of the Bilibino NPP, which has been operating since 1974, as well as the Chaunskaya TPP, which has already been operating for more than 70 years. Secondly, energy is supplied to the main mining companies in western Chukotka in the Chaun-Bilibino energy hub a large ore and metal cluster, including gold mining companies and projects related to the development of the Baimsk ore zone. In September 2023, a 110 kilovolt power transmission line with a length of 490 kilometers was put into operation, connecting the towns of Pevek and Bilibino. The line increased the reliability of energy supply from the FNPP to both Bilibino consumers and mining companies, the largest of which is the Baimsky GOK. The comprehensive development of the Russian Arctic is a national strategic priority. To increase the NSR traffic is of paramount importance for accomplishment of the tasks set in the field of cargo shipping. This logistics corridor is being developed due regular freight voyages, construction of new nuclear-powered icebreakers and modernization of the relevant infrastructure. Rosatom companies are actively involved in this work. Rosatom Fuel Company TVEL (Rosatom Fuel Division) includes companies fabricating nuclear fuel, converting and enriching uranium, manufacturing gas centrifuges, conducting researches and producing designs. As the only nuclear fuel supplier to Russian NPPs, TVEL supplies fuel for a total of 75 power reactors in 15 countries, for research reactors in nine countries, as well as for propulsion reactors of the Russian nuclear fleet. Every sixth power reactor in the world runs on TVEL fuel. Rosatom Fuel Division is the world’s largest producer of enriched uranium and the leader on the global stable isotope market. The Fuel Division is actively developing new businesses in chemistry, metallurgy, energy storage technologies, 3D printing, digital products, and decommissioning of nuclear facilities. TVEL also includes Rosatom integrators for additive technologies and electricity storage systems. Rosenergoatom, Joint-Stock Company is part of Rosatom Electric Power Division and one of the largest companies in the industry acting as an operator of nuclear power plants. It includes, as its branches, 11 operating NPPs, including the FNPP, the Scientific and Technical Center for Emergency Operations at NPPs, Design and Engineering as well as Technological companies. In total, 37 power units with a total installed capacity of over 29.5 GW are in operation at 11 nuclear power plants in Russia. Machinery Manufacturing Plant, Joint-Stock Company (MSZ JSC, Elektrostal) is one of the world’s largest manufacturers of fuel for nuclear power plants. The company produces fuel assemblies for VVER-440, VVER-1000, RBMK-1000, BN-600,800, VK-50, EGP-6; powders and fuel pellets intended for supply to foreign customers. It also produces nuclear fuel for research reactors. The plant belongs to the TVEL Fuel Company of Rosatom.

Rosatom obtained a license for the first land-based SMR in Russia

On April 21, Rosenergoatom obtained a license issued by Rostekhnadzor to construct the Yakutsk land-based SMR in the Ust-Yansky District of the Republic of Sakha (Yakutia).

ROSATOM and FEDC agree to cooperate in the construction of Russia's first onshore SNPP

ROSATOM and FEDC have signed a cooperation agreement to build Russia's first onshore SNPP in Yakutia.

Rosatom develops nuclear fuel for modernized floating power units

Rosatom has completed the development of nuclear fuel for the RITM-200S small modular reactor designed for the upgraded floating power units.

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Ethan hawke on his flannery o’connor biopic ‘wildcat’: “i don’t know who cares about literature anymore … but i know i do”, ‘taylor swift: the eras tour’ writes her name as no. 7 in deadline’s 2023 most valuable blockbuster tournament.

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Taylor Swift : The Eras Tour AMC Entertainment

After Covid shut down AMC and the rest of the globe’s multiplexes and the actors strike ratcheted down the box office, you could say that the No. 1 exhibitor was taking its fate into its own hands with Taylor Swift: The Era’s Tour . However, it has Scott Swift, Taylor Swift’s father, to thank. He reportedly made the call to AMC CEO Adam Aron to sidestep studios and gain more cash in taking his daughter’s movie from her $1 billion-plus-selling, sold-out concert tour directly to AMC. Why have a studio walk away with a ton of cash and spend tens of millions in marketing when Swift with a then-near-400 million social media followers is the best form of advertisement? She tweeted a few times to promote the movie, and showed up at her boyfriend Travis Kelce’s Kansas City Chiefs games to drum up her $15M Taylor Swift: The Eras Tour concert film as a must-see. The movie also received a SAG-AFTRA waiver, which allowed the pop star to show up at her own Los Angeles world premiere and do publicity. The result: $100M in global advance ticket sales. AMC, to avoid antitrust issues, hired Gotham-based distributor Variance Films to book cinemas across the nation, and Trafalgar to handle the overseas release. Much to the chagrin of the studios, who had their thing to say about Aron’s entry into the distribution business, they all started moving their movies away (i.e., Universal’s The Exorcist reboot, Lionsgate’s Ordinary Angels ) from Eras Tour and its arrival on the calendar October 13. Swift cleverly tailored her marketing to fans, releasing the movie on a date that reps her lucky number, with tickets priced at $13.13 for children and seniors. Initially she wasn’t going to preview the movie, looking to open hard on 10/13. At the last minute, during the week of release, Swift changed her mind and opted for last-minute Thursday previews (they only yielded $2.8M).

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