peter gabriel tour 1994

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Secret world live.

Originally released on VHS in September 1994, and re-released on DVD and Bluray in 2012, Secret World Live captures the extraordinary live tour, conceived by Peter Gabriel and Robert Lepage, that accompanied the release of Peter’s sixth solo album, US .

The concert is also available on CD, LP and digital.

Martha Ladly spoke to Robert Lepage about his role in helping create the Secret World Tour with Peter in an article that first appeared in issue 3 of Box Magazine in 1993, an extract from which is reproduced below.

Robert Lepage is a French Canadian writer, actor, director and multi-disciplinary creator. From his background in 80s experimental punk drama to his position in the 90s mainstream, his work has always been highly visual and thematically wide-ranging. He works with traditional theatrical conventions and, using language and image as equal purveyors of his vision, radically transforms them. Recently Robert worked closely with designer Rolf Engel of Atelier Markgraph and with Peter Gabriel on the set design and staging of the Secret World Tour. I met Robert at the production rehearsals for the show. An animated but soft-spoken man, energy teems below the surface of his carefully chosen words and his intense, spectacularly eyebrow-less gaze.

The Secret World Tour production design presented Robert with the challenge of integrating the intimacy and very personal nature of the music on US into the impersonal environment of the large arena settings that the tour will be playing. “The emotions on US are very complex, going from the solitary notion of oneself, to the relationship of the couple and out into the wider context of the world, US, everyone.” Robert wished to explore all of these relationships, and to use the design of the stage to personify the male and female, the singular and plural nature of US. He also wanted to provide a space where these interpersonal relations could be clearly acted out. So the stage production shows US and becomes US at the same time. Robert plays with the themes of collision, clashing, meeting and overlapping and resulting separation – the sexual and personal aspects of meeting and then pulling away again.

“The square stage represents the male and the round domed stage the female, the walkway between them providing communication and the link between the sexes. The link also becomes a road or a river, a place of travel and transformation, from one stage literally to another.” In other senses, the round stage symbolises the organic, hope and the world. The square stage is the urban environment and it contains the projection screen. There is much about water and about fire in the music and these images are also projected on-screen. The lighting design has been used to effect fire and water. The result is one of the most moving and emotional platforms for a popular music concert ever conceived.

Bonus features include: – Making of Peter Gabriel’s Secret World Live  film which includes exclusive video interviews and behind the scenes footage. – A timelapse film of the stage set up from the show in Berlin, Germany. – Remixed Quiet version of Steam with photo gallery montage from the tour. – Performance of The Rhythm of the Heat with the New Blood Orchestra, filmed at the Hammersmith Apollo, London 2011.

Secret World Tour

1993–94 concert tour by peter gabriel / from wikipedia, the free encyclopedia.

Secret World Tour was a 1993–94 concert tour mounted by British singer-songwriter Peter Gabriel to promote his 1992 album Us . The stage show was designed by French-Canadian Robert Lepage , expressing the themes of tension and union between male and female forces, as represented by two stages linked by moving walkway . [1] Three tour legs with elaborate staging were interspersed with two legs of much simpler WOMAD festival dates. Many of the same songs were performed by Gabriel, [2] and he felt that all of his large-scale performances during these two years were part of the same tour. [3] Secret World was Gabriel's first major solo outing since his tour of 1986–87 to support the album So . Afterward, he waited for almost a decade before embarking on the next tour, Growing Up, in 2002. [4]

Musically, Gabriel used his most recent songs as well as a few earlier compositions for the set list of Secret World, taking songs primarily from Us , but also from So and other works. A handful of songs called for female vocals, especially " Blood of Eden " with its theme of sexual union. For these roles, Gabriel began the tour with British musician Joy Askew as second keyboardist and vocal duet partner, then he brought Irish singer-songwriter Sinéad O'Connor onto the tour as guest vocalist, covering Askew's keyboard parts with Jean-Claude Naimro of Kassav' . [2] O'Connor left suddenly in October, and American singer-songwriter Paula Cole was quickly recruited to fill her position, earning high praise for her performance. [5] The core of Gabriel's touring band was composed of long-time collaborators: bassist Tony Levin , guitarist David Rhodes , drummer Manu Katché and violinist L. Shankar . This was the first time that Gabriel used in-ear monitors on tour. [6]

A few days after Cole joined the tour, the show was filmed and recorded in Modena, Italy , to produce the concert video Secret World Live . The video was honoured at the 38th Annual Grammy Awards , winning in the category Best Music Video, Long Form . [7] An associated live album was released with the same name— Secret World Live —it rose to number 10 on the United Kingdom charts, [8] was certified 2× Platinum in Italy, and was certified Gold in the United States. [9]

Secret World Live

By Susan Richardson

Susan Richardson

It’s a rare moment when an artist takes his established, even iconic work and makes it still stronger, but Peter Gabriel ‘s live two-CD set Secret World Live is just such a moment. Recorded in Modena, Italy, during a January 1994 performance on his Secret World tour, the album and the concurrent video release bring songs threaded together by the images of earth and water into a cycle that explores relationships between men and women. The result is tantamount to a religious rite, merging grandeur with the intimacy of feeling, the public with the secret.

Gabriel draws most heavily from the songs on his most recent studio album, Us (1992), assuming the emotionally ambitious task of reaching the places found deep within intimate relationships. “Come Talk to Me,” a plea to bridge a widening gap of misunderstanding, establishes the urgent passion of Secret World. The ethereal introduction of “Steam” gives way to the song’s sinuous, powerful energy. Peter Gabriel’s veteran band — including bassist Tony Levin, drummer Manu Katche and guitarist David Rhodes — lays relentless grooves for “Shaking the Tree,” “Red Rain” and “Solsbury Hill,” the originals slowed and deepened into an emphatic swing that is exuberant as well as majestic. Yet bitter despair runs through “Blood of Eden”: “I can hear the distant thunder/Of a million unheard souls/Watch each one reach for creature comfort/For the filling of their holes.”

The prayerful “Washing of the Water” seeks to purge the taint of broken love: “In the washing of the water, will you take it all away/Bring me something to take this pain away.” “Digging in the Dirt” captures the in-your-face fury and the wounded vulnerability of an argument and suggests the eroticism of such passion as it bursts into the sexual fire of “Sledgehammer.” Transcending the heat of “Dirt” and “Sledgehammer,” Secret World arrives at sober grief, posing the wrenching, solitary question “In all the places we were hiding love/What was it we were thinking of?” and finds no answer but only the response: “With no guilt and no shame, no sorrow or blame/ Whatever it is, we are all the same.”

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“Don’t Give Up” contrasts Gabriel’s male persona — bearing the unbearable weight of identity and success — with a feminine voice, which offers a reminder that help is present and offsets that consuming tension. And “In Your Eyes” is a jubilant paean that takes abandon to an epic level. In the wake of questions, pleas, anger and sexuality, the song affirms a love that is innocent but not naive, substantial but not heavy.

More than Gabriel’s Plays Live (1983), this album maintains a powerful continuity that loses neither pace nor momentum; more than the studio originals, these versions elaborate on the dramatic potential inherent in them — the heat and magnitude of rhythm, the human/animal ambiguity of an otherworldly cry. Secret World enters an inner realm that is knowable only through the range of emotion it gives rise to, joining ecstasy and agony into music that avoids being larger than life and instead is as large as life itself.

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Peter Gabriel's Secret World

Featuring singer Peter Gabriel live in concert in Modena in Italy. Featuring singer Peter Gabriel live in concert in Modena in Italy. Featuring singer Peter Gabriel live in concert in Modena in Italy.

• François Girard
• Peter Gabriel
• Robert Lepage
• Manu Katché
• 15 User reviews
• 4 Critic reviews
• 3 wins & 1 nomination

• Self - Lead vocals …
• Self - Drums
• Self - Bass
• Self - Guitar
• Self - Violin
• (as Shankar (I)
• Self - Keyboards

• Self - Vocals
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• Self - Backing vocals
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Did you know

• Trivia A number of songs performed during the two concerts filmed for this release were cut: Games Without Frontiers, Family Snapshot, Red Rain, Shock The Monkey, Biko and Here Comes The Flood. Red Rain was added as a bonus track on the 2012 Blu-ray re-release but the other songs are still unavailable.
• Connections Featured in Peter Gabriel: Play (2004)
• Soundtracks Come Talk To Me Written by Peter Gabriel Performed by Peter Gabriel Published by Real World Music Ltd.

User reviews 15

• Jan 27, 2001
• Peter Gabriel: Secret World Live
• Palasport, Modena, Emilia-Romagna, Italy
• Picture Music International (PMI)
• Real World Records
• See more company credits at IMDbPro

Technical specs

• Runtime 1 hour 42 minutes

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Peter Gabriel Plays Full Concert in Modena, Italy (1994)

in Music | December 21st, 2012 Leave a Comment

“It’s a rare moment when an artist takes his estab­lished, even icon­ic work and makes it still stronger,” wrote Rolling Stone ’s Susan Richard­son in 1994, “but Peter Gabriel’s Secret World Live  is just such a moment. Record­ed in Mod­e­na, Italy, dur­ing a Jan­u­ary 1994 per­for­mance on his  Secret World  tour, the album and the con­cur­rent video release bring songs thread­ed togeth­er by the images of earth and water into a cycle that explores rela­tion­ships between men and women. The result is tan­ta­mount to a reli­gious rite, merg­ing grandeur with the inti­ma­cy of feel­ing, the pub­lic with the secret.” Bold words, but then music crit­ics have always enjoyed using them, and Gabriel him­self has spent a career grow­ing known for using bold sounds. If you rec­og­nize him only as the man who sung the song waft­ing from John Cusack­’s held-aloft boom box , watch his entire Secret World Live Mod­e­na con­cert and get a sense of his true cre­ative range.

A hybrid of pop star and musi­cal mag­pie, Gabriel has gone from Gen­e­sis front­man to eight­ies hit­mak­er to world music impre­sario. Today he brings all the influ­ences col­lect­ed along the way to a peri­od of aggres­sive­ly enthu­si­as­tic col­lab­o­ra­tion with a host of play­ers from the leg­endary to the obscure. This 1994 per­for­mance finds him in mid-career, or at least what now looks like the mid­dle-ish por­tion of a very long and very pro­duc­tive run indeed. The set, as Richard­son went on to assess it, “main­tains a pow­er­ful con­ti­nu­ity that los­es nei­ther pace nor momen­tum; more than the stu­dio orig­i­nals, these ver­sions elab­o­rate on the dra­mat­ic poten­tial inher­ent in them — the heat and mag­ni­tude of rhythm, the human/animal ambi­gu­i­ty of an oth­er­world­ly cry.  Secret World  enters an inner realm that is know­able only through the range of emo­tion it gives rise to, join­ing ecsta­sy and agony into music that avoids being larg­er than life and instead is as large as life itself.” Does the show still mer­it that lofty descrip­tion today? Watch and per­form some music crit­i­cism of your own.

Relat­ed con­tent:

Peter Gabriel and His Big Orches­tra Play Live at the Ed Sul­li­van The­ater

Col­in Mar­shall hosts and pro­duces  Note­book on Cities and Cul­ture   and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics . Fol­low him on Twit­ter at  @colinmarshall .

by Colin Marshall | Permalink | Comments (0) |

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• Gabriel, Peter
• June 23, 1994 Setlist

Peter Gabriel Setlist at ŠKP Dúbravka, Bratislava, Slovakia

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Tour: Secret World Tour Tour statistics Add setlist

• Come Talk to Me Play Video
• Quiet Steam Play Video
• Steam Play Video
• Games Without Frontiers Play Video
• Across the River Play Video
• Shakin' the Tree ( Youssou N’Dour  cover) Play Video
• Blood of Eden Play Video
• San Jacinto Play Video
• Lovetown Play Video
• Red Rain Play Video
• Solsbury Hill Play Video
• Digging in the Dirt Play Video
• Sledgehammer Play Video
• Secret World Play Video
• In Your Eyes Play Video
• Biko Play Video

Edits and Comments

5 activities (last edit by saby , 28 Oct 2020, 17:57 Etc/UTC )

Songs on Albums

• Blood of Eden
• Come Talk to Me
• Digging in the Dirt
• Secret World
• In Your Eyes
• Sledgehammer
• Games Without Frontiers
• Across the River
• Quiet Steam
• San Jacinto
• Solsbury Hill
• Shakin' the Tree by Youssou N’Dour

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Peter Gabriel

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Peter gabriel gig timeline.

• Jun 19 1994 Park HaYarkon Tel Aviv, Israel Add time Add time
• Jun 21 1994 Fête de la Musique 1994 Paris, France Add time Add time
• Jun 23 1994 ŠKP Dúbravka This Setlist Bratislava, Slovakia Add time Add time
• Jun 24 1994 Messegelände Wels, Austria Add time Add time
• Jun 26 1994 Glastonbury Festival 1994 Pilton, England Add time Add time

6 people were there

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