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‘Renaissance’ 2023 World Tour: Here’s Where to Get Last-Minute Beyoncé Tickets Online

• By John Lonsdale

John Lonsdale

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Please don’t be alarmed and try to remain calm — nearly six years since her last solo trek, Beyoncé is back and (hopefully) heading to a city near you before wrapping her tour this fall. The superstar announced her massive Renaissance world tour back in February, marking Beyoncé’s first global solo tour in support of her seventh album of the same name. With the tour winding down, there’s only a few weeks left to score Beyoncé tickets . Get Beyoncé Tickets on Vivid Seats

With the final month of the Renaissance tour approaching, Beyoncé shared a statement on Instagram that “Virgo Season is upon us.” She continued: “This tour has been such a joy and as we approach the last month, my birthday wish is to celebrate with you wearing your most fabulous silver fashions to the shows 8.23 – 9.22! We’ll surround ourselves in a shimmering human disco ball each night. Everybody mirroring each other’s joy. Virgo Season together in the house of chrome. See you there! Your B at RWT.”

Ticket registration and sales for Beyoncé’s tour were previously split into three different groups, and now Beyoncé tickets are on sale for all remaining dates, including on Ticketmaster and Vivid Seats .

Buy Beyoncé Tickets at Ticketmaster

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With just a few more weeks to go of Beyoncé’s tour, you can still find last-minute Beyoncé tickets online to sold-out shows. If you don’t find available seats on Ticketmaster , you can try checking ticket resellers like Vivid Seats . Rolling Stone readers can use the promo code RS2023 at checkout to save $20 on purchases $200 or more.

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Renaissance World Tour 2023 North America Dates

Wondering if Beyoncé is playing a show in your area? Below are the remaining cities the Grammy winner will visit for the 2023 North American leg of the Renaissance tour . Beyoncé previously also added an additional three shows to the tour, including Atlanta (8/14/23), Las Vegas, (8/27/23), and Inglewood, CA (9/4/23).

Not surprisingly, Ticketmaster said it saw a massive demand for the Renaissance tour in a blog on its website. “Fan demand already exceeds the number of tickets available by more than 800% based on the registration numbers in the Group A cities. It is expected that many interested fans may not be able to get tickets because demand drastically exceeds supply.”

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While we won’t give too much away about the Renaissance tour set list (though you’ve likely seen much of it on TikTok), you can hear more about the show in Rolling Stone Music Now ‘s podcast episode . It’s a deep-dive into what fans can expect during the concert. In short, you can likely plan to hear everything from deep cuts like opener “Dangerously in Love,” along with Renaissance tracks like “Alien Superstar,” “Cuff It,” and closer “Summer Renaissance.” Plus: “Love on Top,” “Crazy in Love,” “1+1,” and more.

When Are Beyoncé Renaissance World Tour Tickets On Sale?

According to Ticketmaster at the time, “Beyoncé is distributing tickets in three different Verified Fan sales: BeyHive Presale powered by Ticketmaster Verified Fan; Citi Presale powered by Verified Fan and the General Verified Fan Onsale. Additionally, there will be a Verizon Up Presale. Registration windows vary by city, so check the schedule below and be sure to note when the window closes for the show you’re interested in attending.”

In other words, if you tried to register for Verified Fan presale, you needed to see which group your city was a part of ahead of time. Group A registration was open until Feb. 2, with Group B registration previously scheduled until Feb. 9, and Group C until Feb. 16.

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European dates started in May, and Beyoncé embarked on the North American leg of the Renaissance tour over the summer, including stops in Toronto (read our Renaissance tour review ), Los Angeles, Houston, and New Orleans. Though Beyoncé headlined a show in Dubai — her first concert in four years at the time — she didn’t play any songs from Renaissance , Rolling Stone ‘s No. 1 album of 2022 (“the musical highlight of the year”) and a frontrunner at the 65th Grammys .

When Beyoncé dropped Renaissance last summer, Rolling Stone ‘s Mankaprr Conteh wrote that “Beyoncé flung open the doors to a nightclub of her own making, a place where anyone can be the hottest person in the galaxy … the album traverses eras of dance music to conjure the superhuman confidence and deeply human connection of a night out. The thematic triumph of the auteur’s seventh album is this union of the extraordinary and the earthly across it, a duality that lives on the dancefloors Renaissance was inspired by — and in all of us.”

How to Get Beyoncé Tickets With BeyHive Verified Fan Registration

BeyHive Verified Fan Presale started Feb. 6 for those who registered in Group A, followed by Groups B and C.

The first round of the BeyHive presale arrived just one day after Beyoncé made Grammys history on Feb. 5. With 32 wins under her belt, Beyoncé broke the record for the most Grammy Awards in music history, winning the Grammy for Best Dance/Electronic Album for Renaissance .

“I’d like to thank my beautiful husband, my beautiful three children who are at home watching,” Queen Bey said during her acceptance speech. “I’d like to thank the queer community, for your love, and for inventing this genre. God bless you. Thank you so much to the Grammys.”

While Renaissance didn’t win a trophy for Album of the Year , Beyoncé still took home a slew of other awards, including Best R&B Song for “Cuff It,” Best Dance/Electronic Record for “Break My Soul,” and Best Traditional R&B Performance for “Plastic Off the Sofa.”

“You changed my life,” Lizzo told Beyoncé during her Grammys acceptance speech for her Record of the Year win. “You sang that gospel medley, and the way you made me feel, I was like, ‘I want to make people feel this way with my music.’ So thank you so much. You clearly are the artist of our lives.”

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Beyoncé Kicks Off Her Renaissance World Tour In Stockholm, Sweden: Watch Performance And Stage Videos, See Photos, View The Setlist & More

Beyoncé returned to the stage with her hotly anticipated Renaissance World Tour, which saw the singer perform a three-hour set that included multiple live debuts of 'Renaissance' tracks and other classics.

BeyHive assemble: The moment has finally arrived. Beyoncé officially kicked off her 56-date Renaissance World Tour tonight in Stockholm, Sweden. Launching with a sold-out show at the Friends Arena in the Swedish capital, the tour marks Queen Bey's first tour in nearly five years and first solo tour in seven years. The world tour is in support of her GRAMMY-winning and history-making 2022 album , Renaissance , and also marks the first time she performed songs from the album on stage. 

Across a three-hour, 36-song set, which was split into seven acts, Beyoncé delivered an expansive, dazzling set spanning her broad and celebrated discography, including many live debuts of Renaissance tracks like "CUFF IT," "BREAK MY SOUL," "PLASTIC OFF THE SOFA," "VIRGO'S GROOVE," and many more. She also performed several Beyoncé classics like "Run the World (Girls)," her Megan Thee Stallion collab " Savage Remix ," "Crazy in Love," "Formation," and more.

*Beyoncé performs onstage during the opening night of her Renaissance World Tour at Friends Arena on May 10, 2023, in Stockholm, Sweden | Photo: Kevin Mazur/Getty Images for Parkwood*

Released last July, Renaissance is Beyoncé's seventh solo album, all of which have topped the U.S charts. Renaissance garnered Beyoncé eight of her nine GRAMMY nominations at the 2023 GRAMMYs ; she was also nominated for Best Song Written For Visual Media for her original song "Be Alive" from the film King Richard .

Read More: A Timeline Of Beyoncé's GRAMMY Moments, From Her First Win With Destiny's Child to Making History With 'Renaissance'

At the 2023 GRAMMYs, she took home four GRAMMY Awards — including Best Dance/Electronic Recording for "Break My Soul," Best Dance/Electronic Music Album for Renaissance , Best Traditional R&B Performance for "Plastic Off The Sofa," and Best R&B Song for "Cuff It" — setting the record as the artist with the most GRAMMY wins of all time . When nominations for the 2023 GRAMMYs were announced last November, she was the most nominated artist for that GRAMMY Award year; she is currently tied with her husband and occasional music partner, Jay-Z , for the most GRAMMY nominations ever, counting 88 nominations each.

Beyoncé's Renaissance World Tour continues across Europe through late June and then heads to North America in July.

Below, check out the full setlist , view photos, watch videos, and see fan reactions from the BeyHive from the first night of Beyonce's Renaissance World Tour.

*Beyoncé performs onstage during the opening night of her Renaissance World Tour at Friends Arena on May 10, 2023, in Stockholm, Sweden | Photo: Andrew White*

*Beyoncé performs onstage during the opening night of her Renaissance World Tour at Friends Arena on May 10, 2023, in Stockholm, Sweden | Photo: Mason Poole*

Opening Act

The Signboard (Video Introduction)

Dangerously in Love 2 (Live Debut - Shortened)

Flaws and All

I'm Goin' Down ( Mary J. Blige cover)

RENAISSANCE

RENAISSANCE (Video Introduction)  

I'M THAT GIRL (Live Debut - Extended spoken intro)

COZY (Live Debut)

ALIEN SUPERSTAR (Live Debut)

Lift Off (JAY Z & Kanye West cover)

7/11 (Dancers Interlude)

MOTHERBOARD

MOTHERBOARD (Video Interlude)

CUFF IT (Live Debut)

ENERGY(Live Debut)

BREAK MY SOUL (Live Debut)

OPULENCE (Video Interlude)

Formation (Shortened)

Diva (Shortened)

Run the World (Girls) (Shortened)

MY POWER (Live Debut - Shortened)

BLACK PARADE (Live Debut)

Savage (Remix) (Megan Thee Stallion cover) (Live Debut)

Partition (Shortened)

ANOINTED (Video Interlude )

CHURCH GIRL(Live Debut)

Get Me Bodied (Shortened)

Before I Let Go (Maze featuring Frankie Beverly cover)

Rather Die Young

Love on Top

Crazy in Love

Freedom(Band Jam. Interlude)

ANOINTED - PT. 2

Love Hangover ( Diana Ross song) (Sung by the choristers)

PLASTIC OFF THE SOFA (Live Debut)

VIRGO'S GROOVE (Live Debut)

Naughty Girl

MOVE (Live Debut)

HEATED (Live Debut)

THIQUE (Live Debut)

ALL UP IN YOUR MIND (Live Debut)

Drunk in Love

MIND CONTROL

MIND CONTROL (Video Interlude)

AMERICA HAS A PROBLEM (Live Debut)

PURE/HONEY (Live Debut)

SUMMER RENAISSANCE (Live Debut)

How Many GRAMMYs Has Beyoncé Won? 10 Questions About The 'Renaissance' Singer Answered

Photo: Perry Knotts/Getty Images

Post Malone's Country Roots: 8 Key Moments In Covers and Collaborations

Ahead of Posty's upcoming performance at the Stagecoach Festival, catch up on the many ways he's been dabbling in country music since the beginning of his career.

Since Post Malone burst onto the mainstream nearly a decade ago, he has continued to flaunt his genre-defying brand of musical brilliance. For his latest venture, it’s time for gold grills and cowboy hats: Posty’s going country.

Though his musical origins are in rap, Malone has seamlessly traversed pop, R&B, and blues, always hinting at his deep-seated country roots along the way. In the last year, his long-standing affinity for country music has moved to the forefront, with appearances at the CMA Awards, a country-tinged Super Bowl LVIII performance, and a feature on Beyoncé ’s COWBOY CARTER . Next up, he’ll make his debut at California's Stagecoach Festival alongside some of country music’s biggest names — and pay tribute to some of the genre greats.

While it’s unclear exactly what the Texas-raised hitmaker will be singing, his 45-minute set on Saturday, April 27 is labeled “Post Malone: Performs a special set of country covers.” After years of performing covers for and alongside country stars, the performance is arguably one of the most full-circle moments of his career thus far.

Ahead of his Stagecoach premiere, read on for some of Posty's biggest nods and contributions to the country music scene over the years — that could culminate in his own country album soon enough. 

A Slew Of Classic Country Music Covers

Malone has a history of channeling his musical heroes, often pulling on his boots to deliver heartfelt covers. He's paid tribute to country icons many times, including covers of Hank Williams Jr .'s classic, "There's A Tear In My Beer” in a 2018 fan-favorite video . 

During a 2022 Billy Strings tour stop at The Observatory in Los Angeles, Malone made a surprise appearance and used the moment to honor Johnny Cash alongside Strings. The pair delivered an acoustic duet of Cash's infamous murder ballad, "Cocaine Blues."

And just this year, Malone covered Hank Williams Sr. during a surprise performance at Nashville's Ryman Auditorium. On April 3, he closed out the annual Bobby Bones' Million Dollar Show with a rendition of Williams' "Honky Tonk Blues." 

A Longtime Kinship With Dwight Yoakam

Malone has long collaborated with Dwight Yoakam , marking a friendship and professional partnership that spans his career. Yoakam is a GRAMMY-winning trailblazer known for his pioneering blend of honky tonk, rock and punk that shook up the country scene in the 80's with his blend of "cowpunk." 

The pair frequently joined forces on Yoakam's SiriusXM Radio spot "Greater Bakersfield," where one standout 2018 appearance features Malone covering Yoakam's own “Thousand Miles From Nowhere” as the two laugh, strum and belt out the lyrics together in perfect harmony. 

On April Fool's Day in 2021, they playfully teased fans with the prospect of a double country album release — which may not seem so far-fetched three years later.

It's fitting that Malone would find such deep inspiration in folks like Yoakam, a man who first rode onto the country scene with a new take on a traditional sound. Much like Yoakam bridged generations with his music, Malone brings a new yet familiar energy to the country scene, embodying the spirit of a modern cowboy in both style and sound.

A Country Tribute To Elvis

Malone teamed up with Keith Urban for a duet rendition of "Baby, What You Want Me to Do" during the "Elvis All-Star Tribute Special," which aired on NBC in 2019. Originally written and performed by blues musician and songwriter Jimmy Reed , "Baby, What You Want Me to Do" was famously covered by Presley and commemorated through Urban and Malone's unique blend of modern guitar-slapping country-rock charisma. 

That wasn't Malone's only country collab that night, either. He also covered Presley's "Blue Suede Shoes" alongside Blake Shelton , Little Big Town and Mac Davis .

A Celebration Of Texas With Country Legends

In March 2021, Matthew McConaughey and his wife, Camila, hosted the "We’re Texas" virtual benefit concert, to help Texans coping with that year's disastrous winter storms during the Covid-19 pandemic. 

Following performances by George Strait , Kacey Musgraves , Willie Nelson , and Miranda Lambert , Malone — who moved to Dallas when he was 10 — served as the night's final entertainer. He performed Brad Paisley 's "I'm Gonna Miss Her" followed by Sturgill Simpson 's "You Can Have The Crown" backed by Dwight Yoakam.

A Rousing Tribute At The 2023 CMA Awards

At the 2023 CMA Awards, Malone joined country stars Morgan Wallen and HARDY on stage to cover late icon Joe Diffie ‘s “Pickup Man” and "John Deere Green." Malone's first-ever performance at the CMAs felt more like a reunion than a debut, with Malone right at home among his collaborators.

“I’ve manifested this for years," HARDY told Audacy's Katie Neal. "Slight flex here, but I started following [Post Malone] when he had like, 300k Instagram followers. I was on the 'White Iverson' terrain, like the first thing that he ever put out and I was like, ‘this is dope,’ and I've been with him ever since.” 

After the performance, Malone hinted to Access Hollywood that it might be the start of a new chapter. When asked if a forthcoming country album would be in the works, he answered, “I think so. Yes, ma'am.” (More on that later.)

A Countrified Appearance At Super Bowl LVIII

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Before Beyoncé announced COWBOY CARTER in a Verizon Super Bowl ad , Malone offered Super Bowl Sunday's first country-themed clue at the top of the night with his tender rendition of "America The Beautiful." Sporting a bolo tie and brown suede, Malone delivered his patriotic performance with a characteristically country drawl while strumming along on acoustic guitar before Reba McIntire 's star-spangled rendition of the national anthem. 

Malone's performance followed in the footsteps of a long line of country artists who have kicked off the national sporting event, which started with Charley Pride in 1974 and has included Shania Twain , Faith Hill and Garth Brooks . 

A Tip Of The Hat To Toby Keith

During a performance at the American Rodeo in Arlington, Texas, on March 9, Malone paid tribute to the late Toby Keith , who passed away in February . After pouring one out and taking a sip from a red solo cup (an homage to Keith's playful hit of the same name), Malone performed a cover of "As Good As I Once Was" for the Texas rodeo crowd.

His TikTok video of the performance quickly garnered over 4 million views, sparking enthusiasm among fans for more country music from him. "Sir. I'm now begging for a country album," wrote one user in a comment that has received over 11,000 hearts.

A (Potential) Full-On Country Album

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His much-teased country album may not be too yonder. After confirming that a country album was in the works during a live Twitch stream on his channel, Malone has spent much of this year teasing forthcoming new work. There is no scheduled album release date as of press time, but Malone has shared snippets of new songs including “ Missin’ You Like This” and dropped sneak peeks of collaborations with Morgan Wallen, HARDY, Ernest, and Luke Combs . 

In February, Malone posted a sample of a collaboration with Combs, "I Ain't Got A Guy For That," the first in a series of song snippets shared across his social channels. 

On March 20, Malone posted a reel to Instagram featuring a video of himself seated on a stool, smoking a cigarette and singing along to a track that opens with Wallen singing, “It takes two to break a heart in two,” as Malone comes in to deliver a blow with the line, “Baby you blame me, and baby I’ll blame you." The track, shared with the caption (and supposed song title) "I had some help," was first announced in a now-deleted social media post by Wallen at the end of 2023. 

No matter when the album may come, Post Malone’s Stagecoach set will only up the anticipation for some original country music from the star — and from the looks of it, fans and genre stars alike are more than ready for it.

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Photo: Kevin Winter/Getty Images for iHeartRadio

Beyond Country: All The Genres Beyoncé Explores On 'Cowboy Carter'

On 'COWBOY CARTER,' Beyoncé is free. Her eighth studio album is an unbridled exploration of musical genres — from country to opera and R&B — that celebrates the fluidity of music and her Texas roots.

"Genres are a funny little concept, aren't they? In theory, they have a simple definition that's easy to understand. But in practice, well, some may feel confined."

With those words, spoken on "SPAGHETTII" by Linda Martell — the first commercially successful Black female artist in country music and the first to play the Grand Ole Opry solo — Beyoncé provides a proxy response to her original call on Instagram 10 days before COWBOY CARTER was released: "This ain’t a Country album. This is a “Beyoncé” album." 

She delivered on that promise with intent. Through a mix of homage and innovation, Beyoncé's latest is a 27-track testament to her boundless musicality and draws  from a rich aural palette. In addition to its country leanings, COWBOY CARTER includes everything from the soulful depths of gospel to the intricate layers of opera. 

Beyoncé's stance is clear: she's not here to fit into a box. From the heartfelt tribute in "BLACKBIIRD" to the genre-blurring tracks like "YA YA," Beyoncé uses her platform to elevate the conversation around genre, culture, and history. She doesn't claim country music; she illuminates its roots and wings, celebrating the Black artists who've shaped its essence.

The collective album proves no genre was created or remains in isolation. It's a concept stoked in the words of the opening track, "AMERIICAN REQUIEM" when Beyonce reflects, "Nothing really ends / For things to stay the same they have to change again." For country, and all popular genres of music to exist they have to evolve. No sound ever stays the same.

COWBOY CARTER's narrative arc, from "AMERICAN REQUIEM" to "AMEN," is a journey through American music's heart and soul, paying tribute to its origins while charting a path forward. This album isn't just an exploration of musical heritage; it's an act of freedom and a declaration of the multifaceted influence of Black culture on American pop culture.

Here's a closer look at some of some of the musical genres touched on in act ii, the second release of an anticipated trilogy by Beyoncé, the most GRAMMY-winning artist of all-time: 

Before COWBOY CARTER was even released, Beyoncé sparked critical discussion over the role of herself and all Black artists in country music . Yet COWBOY CARTER doesn't stake a claim on country music. Rather, it spotlights the genre through collaborations with legends and modern icons , while championing the message that country music, like all popular American music and culture, has always been built on the labor and love of Black lives. 

It's a reckoning acknowledged not only by Beyoncé's personal connection to country music growing up in Texas, but the role Black artists have played in country music rooted in gospel, blues, and folk music. 

Enter The World Of Beyoncé

Country legends, Dolly Parton ("DOLLY P", "JOLENE," and "TYRANT"), Willie Nelson ("SMOKE HOUR" and "SMOKE HOUR II"), and Martell ("SPAGHETTII and "THE LINDA MARTELL SHOW") serve mainly as spoken-word collaborators, becoming MCs for Queen Bey. Some of the most prolific country music legends receiving her in a space where she has been made to feel unwelcome in music (most notably with the racism surrounding her 2016 CMA performance of "Daddy Lessons" with the Dixie Chicks ) provides a prolific release of industry levies. Martell, a woman who trod the dark country road before Bey, finally getting her much-deserved dues appears as an almost pre-ordained and poetic act of justice. 

"BLACKBIIRD," a version of the Beatles ' civil rights era song of encouragement and hope for the struggle of Black women is led softly by Beyoncé, backed by a quartet of Black female contemporary country songbirds: Tanner Adell, Brittney Spencer, Tiera Kennedy, and Reyna Roberts. 

Beyoncé holds space for others, using the power of her star to shine a light on those around her. These inclusions rebuke nay-sayers who quipped pre-release that she was stealing attention from other Black country artists. It also flies in the faces that shunned and discriminated against her, serving as an example of how to do better. The reality that Beyoncé wasn't stealing a spotlight, but building a stage for fellow artists, is a case study in how success for one begets success for others. 

Read more: 8 Country Crossover Artists You Should Know: Ray Charles, The Beastie Boys, Cyndi Lauper & More

Gospel, Blues, & Folk (American Roots)

As is Beyoncé's way, she mounts a case for country music with evidence to back up her testimony. She meanders a course through a sequence of styles that serve as the genre's foundation: gospel, blues, and folk music.

"AMERIICAN REQUIEM" and "AMEN" bookend the album with gospel-inspired lyrics and choir vocals. The opener sets up a reflective sermon buoyed by  the sounds of a reverberating church organ, while the closer, with its introspective lyrics, pleads for mercy and redemption. The main verse on "AMEN", "This house was built with blood and bone/ The statues they made were beautiful/ But they were lies of stone," is complemented by a blend of piano, and choral harmonies. 

Hymnal references are interlaced throughout the album, particularly in songs like "II HANDS II HEAVEN" and in the lyrical nuances on "JUST FOR FUN." In the later track, Beyoncé's voice soars with gratitude in a powerful delivery of the lines, "Time heals everything / I don't need anything / Hallelujah, I pray to her." 

The gospel-inspired, blues-based "16 CARRIAGES" reflects the rich history of country songs borrowing from the blues while simultaneously calling back to songs sung by field laborers in the colonial American South. "Sixteen dollars, workin' all day/ Ain't got time to waste, I got art to make" serves as the exhausted plea of an artist working tirelessly long hours in dedication to a better life. 

Rhiannon Giddens , a celebrated musician-scholar, two-time GRAMMY winner, and Pulitzer Prize recipient, infuses "TEXAS HOLD 'EM" with her profound understanding of American folk, country, and blues. She plays the viola and banjo, the latter tracing its origins to Sub-Saharan West Africa and the lutes of ancient Egypt. Through her skilled plucking and bending of the strings, Giddens bridges the rich musical heritage of Africa and the South with the soul of country, blues, and folk music.

Pop, Funk, Soul & Rock 'n' Roll  

All in, Beyoncé is a pop star who is wrestling with labels placed on her 27-year career in COWBOY CARTER . Fittingly, she brings in two other pop artists known for swimming in the brackish water between country and pop, Miley Cyrus and Post Malone . Her intentional inclusion of two artists who have blurred genres without much cross-examination begs the question, Why should Beyoncé's sound be segregated to a different realm? 

On "YA YA" Linda Martell returns as the listener's sonic sentinel, introducing the track like a lesson plan: "This particular tune stretches across a range of genres. And that’s what makes it a unique listening experience." The tune sinks into the strummed chords of Nancy Sinatra 's "These Boots Are Made for Walkin'" before leaping into a fiery dance track that features reimagined lyrics from the Beach Boys , with soulful vocal flourishes and breaks that show the throughline connection between '60s era rock, funk, and pop music.

Robert Randolph lends his hands on "16 CARRIAGES" with a funk-infused grapple on his pedal-steel guitar. It's a style he honed through his early years touring and recording with his family band and later in his career as an in-demand collaborator working with names including the Allman Brothers , and Norah Jones . 

The lesson is solidified as the album transitions into an interlude on "OH LOUISIANA," featuring a sped-up sample of a classic track by Chuck Berry. This moment emphasizes the pop superstar's nod to civil rights era music history, spotlighting a controversial artist celebrated for his pioneering contributions to rock 'n' roll. (It's a part of music history Beyoncé knows well, after starring as Etta James in the 2008 film Cadillac Records , a veiled biopic of the legendary Chicago label Chess Records.)

Classical & Opera

Opera was missing from many listeners' Beyoncé Bingo card, but didn't surprise those that know her background. Beyoncé was trained for over a decade starting at an early age by her voice teacher David Lee Brewer, a retired opera singer who once lived with the Knowles family. 

COWBOY CARTER gives sing-along fans a 101 opera class with "DAUGHTER." In Italian, Beyoncé sings passages from the 1783 Italian opera "Caro Mio Ben," composed by Giuseppe Tommaso Giovanni Giordani. The aria is a classic piece of vocal training that fittingly shows off her full range — taking us back to the earliest days of her vocal teachings.

Hip-Hop & R&B

Midway through the album on "SPAGHETTII" Beyoncé announces, "I ain't no regular singer, now come get everythin' you came for," landing right where expectations have confined her: in the throes of a romping beat, experimenting with sounds that blend hip-hop with R&B and soul. The track notably highlights the talent of Nigerian American singer/rapper Shaboozey, who also shows up to the rodeo on "SWEET HONEY BUCKIN'" brandishing his unique mix of hip-hop, folk-pop, and country music. 

Beyoncé worked with longtime collaborator Raphael Saadiq on this album, a career legend in the R&B industry, who lends his mark to several tracks on which he wrote, produced, and played multiple instruments. Beyoncé also utilizes the Louisiana songwriter Willie Jones on "JUST FOR FUN," an artist who draws on a contemporary blend of country, Southern rap, and R&B in the hymnal ballad. 

The violin-heavy "TYRANT" and "SPAGHETTII" both underscore hip-hop's long love affair with the classical string instrument (See: Common 's " Be ," and Wu Tang Clan 's " Reunited " as the tip of that particular iceberg) with a blend of soulful R&B lyrics paired with beat-based instrumentalization. 

In a world quick to draw lines and label sounds, Beyoncé's COWBOY CARTER stands as a vibrant mosaic of musical influence and innovation. Ultimately, Beyoncé's COWBOY CARTER isn't seeking anyone's acceptance. As a Texan once told she didn't belong, her critical response claps back at this exclusion.  It's also a reminder that in the hands of a true artist, music is limitless.

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Photo: Kevin Mazur/Getty Images for The Recording Academy

Beyoncé Is The Genre-Bending Queen On 'Cowboy Carter': 5 Takeaways From Her New Album

On 'act ii' of her three-part album trilogy, Beyoncé explores the world of country and beyond — and makes a statement with every track.

When Beyoncé released RENAISSANCE in July 2022, she revealed that the album would be part of a "three-act project." One year and eight months later, she delivered on her promise in a big, bold way with act ii: COWBOY CARTER .

The expansive 27-track project finds the star experimenting with country, folk and Americana, pushing the boundaries of genre in a way she never has before — and, in classic Bey fashion, serving up a poignant response to naysayers.

"It was born out of an experience that I had years ago where I did not feel welcomed…and it was very clear that I wasn't," she shared in an Instagram post the week before the album's release. "But, because of that experience, I did a deeper dive into the history of Country music and studied our rich musical archive."

From thoughtful cameos to old-school instrumentation, COWBOY CARTER is the culmination of everything that makes Beyoncé one of the most influential artists of her time, flexing her knack for statement pieces as well as her versatility. 

Here are five key takeaways from Beyoncé's long-awaited new album, COWBOY CARTER .

It's Not Country, It's KNTRY

Beyoncé revealed the COWBOY CARTER track listing in a rodeo-inspired concert flyer posted to Instagram on March 27. The artwork shared an important tag at the bottom: "Brought to you by KNTRY Radio Texas."

KNTRY Radio is a fantasy station with a wide open format created for COWBOY CARTER , and hosted by Willie Nelson in two short "SMOKE HOUR" interludes. Throughout the album, you'll hear samples of old songs by Chuck Berry and other classic artists. 

As Beyoncé stated in another pre-release Instagram post, COWBOY CARTER isn't a country album. Instead, popular styles are blended together in surprising ways to create a new sound that's purely Beyoncé. (There's even a moment, on "DAUGHTER," where she sings a verse from a famous Italian opera called "Caro Mio Ben.")

Whether through an intro, an interlude or a powerful verse, it's clear that Beyoncé and her guests are trying to open minds musically with these songs. " If there's one thing you can take away from our set today, let it be this," Nelson said in the second of his two "SMOKE HOUR" radio-style interludes on the album. "Sometimes you don't know what you like and someone you trust turns you on to some real good s—. And that, ladies and gentlemen, is why I'm here."

It's A Unique Continuation Of Her Mission

COWBOY CARTER begins the same way as it ends, with Beyoncé proclaiming, "Them big ideas are buried here, Amen," in the intro of opener "AMERICAN REQUIEM," and then "Them old ideas are buried here, Amen" in the last line of closer "AMEN."

Those statements reflect exactly what Beyoncé set out to do with COWBOY CARTER : celebrate the Black community's roots within the country space, while addressing the lack of cultural acceptance of it. The album celebrates Blackness in the way she's always done, but in a way that feels even more revolutionary.

This is perhaps best exhibited in the trap-infused track "SPAGHETTII." "Genres are a funny little concept, aren't they?" asks Linda Martell — who was the first Black woman soloist to appear at the Grand Ole Opry — on the song's intro. "In theory, they have a simple definition that's easy to understand/ But in practice, well, some may feel confined."

As Beyoncé adds in the first verse, "Now we on a mission, tried to turn me to the opposition/ I'm appalled 'bout the proposition/ Y'all been played by the plagiaristic, ain't gonna give no clout addiction my attention."

Beyoncé has long been at the forefront of honoring Black culture, and COWBOY CARTER is her most boundary-pushing addition to the conversation yet — and she hopes to change the "old ideas" into "big ideas."

It Takes Her Cinematic Love To The Next Level

It's no secret that Beyoncé loves her visuals. Though COWBOY CARTER isn't a visual album like some of her previous releases, a press release revealed that each of the songs on the album are inspired by Western films. In a statement, Beyoncé named five specific films as primary influences: The Harder They Fall , Killers of the Flower Moon , Urban Cowboy , The Hateful Eight , and Five Fingers For Marseilles . 

Several of the COWBOY CARTER visuals have elements of Western films, from the desert and mountainous landscapes of "AMERIICAN REQUIEM" and "OH LOUISIANA" to the rainy ashtray in "AMEN." And it's likely not a coincidence that a track called "SPAGHETTII" ended up on an album inspired by Westerns. 

Beyoncé even made a new catchphrase out of the most famous Western movie actor of all time on "BODYGUARD," where she declares she'll "John Wayne that ass."

It's Her Most Organic Sound Yet

Pivoting from the electronic landscape of RENAISSANCE , Beyoncé favors analog instruments over digital sounds on COWBOY CARTER . As "TEXAS HOLD 'EM" foreshadowed, there's plenty of banjo, boot-stomping beats and guitar plucks — and even Beyoncé's fingernails as percussion — across the album.

Raw instrumentation is also sprinkled throughout, particularly on "FLAMENCO" and her stunning cover of the Beatles' "Blackbird" (whose title is given an act ii twist as "BLACKBIIRD"). And if anything sounds a little unpolished, Beyoncé wants you to know it was completely intentional.

"With artificial intelligence and digital filters and programming, I wanted to go back to real instruments, and I used very old ones," Beyoncé explained in a press statement . "I didn't want some layers of instruments like strings, especially guitars, and organs perfectly in tune. I kept some songs raw and leaned into folk. All the sounds were so organic and human, everyday things like the wind, snaps and even the sound of birds and chickens, the sounds of nature."

It's Another Family Affair

Now that Beyoncé's first-born daughter, Blue Ivy Carter, has played a prominent role in her mom's career — winning a GRAMMY in 2021 for her part in "Brown Skin Girl" and famously dancing on the RENAISSANCE World Tour — it was time for her little sister to shine.

Six-year-old Rumi Carter contributes an intro on "PROTECTOR," by asking Bey if she can "hear the lullaby." Though Rumi isn't featured in the rest of the track, hearing her voice at the beginning makes the song's sweet sentiment all the more impactful: "And I will lead you down that road if you lose your way/ Born to be a protector," Beyoncé sings on the chorus.

With so much to uncover in COWBOY CARTER , Beyoncé already has the anticipation high for the final part of her album trilogy. Will act iii feature Rumi's twin brother, Sir Carter? Will the rumors of Beyoncé exploring her rock side be true? We'll hopefully find out soon enough, but for now, get lost in the world of COWBOY CARTER — a testament to Beyoncé's prowess as an ever-evolving trailblazer. 

A Brief History Of Black Country Music: 11 Important Tracks From DeFord Bailey, Kane Brown & More

Beyoncé's New Album 'Cowboy Carter' Is Here: Check Out The Featured Artists, Cover Songs, And Tracklist

Beyoncé's highly anticipated 'COWBOY CARTER' opens up a Pandora's box of American lore, and the deep connections between Blackness and country music. Here's the rundown of the album's featured artists, cover songs and tracklisting.

Beyoncé 's act ii is upon us — say hello to COWBOY CARTER .

On March 29, the 32-time GRAMMY winner unleashed the follow-up to her acclaimed 2022 album, RENAISSANCE . While COWBOY CARTER hints "Bey goes country," the LP is more of a psychedelic opus, with glimmers of country twang and style.

Across a sprawling 27-song tracklist of inspired originals flecked with covers and interpolations, Queen Bey takes us on a rodeo ride through so many musical universes, paying homage to the Beatles , Chuck Berry , Willie Nelson , Dolly Parton , Linda Martell, and more.

Clearly, there's a treasure trove here — more than enough to keep the Beyhive abuzz throughout 2024. GRAMMY.com is here to help you pore over every twangy lick, mega-guest star and lyrical implication. 

As you dive into Beyoncé's astonishing new album, read on for some of the fundamentals of COWBOY CARTER.

The Tracklisting

Two days prior to COWBOY CARTER 's release, Bey released the tracklist — fittingly, in the form of a rodeo poster. And much to the delight of the Beyhive, it's nearly double the length of its 16-track predecessor, RENAISSANCE .

Check out the rodeo poster, as well as the complete track listing, below.

AMERIICAN REQUIEM

16 CARRIAGES

SMOKE HOUR WILLIE NELSON

TEXAS HOLD 'EM

ALLIGATOR TEARS

SMOKE HOUR II

JUST FOR FUN

II MOST WANTED

LEVII'S JEANS

THE LINDA MARTELL SHOW

OH LOUISIANA

DESERT EAGLE

RIIVERDANCE

II HANDS II HEAVEN

SWEET HONEY BUCKIIN'

View this post on Instagram A post shared by Beyoncé (@beyonce)

The Cover Songs

Among two dozen dazzling Beyoncé originals,   COWBOY CARTER   features covers of the Beatles' "Blackbird," Dolly Parton's "Jolene" and Chuck Berry's "Oh Louisiana."

"BLACKBIIRD" (retitled from "Blackbird," with an   act ii   flavor) is a   Paul McCartney   song, credited to Lennon-McCartney and featured on 1968's   The Beatles , commonly known as   The White Album . The song's civil rights inspiration makes it more than a worthy selection: the use of McCartney's original guitar and foot-tapping track makes it especially ear-grabbing.

"JOLENE" is a Dolly Parton classic, similarly given symphonic heft by Bey; Parton offers a radio-like intro on the   COWBOY CARTER   rendition.

In Parton's pre-"JOLENE" intro, "DOLLY P," she connects "Jolene" to Bey's immortal line "Becky with the good hair" from the   Lemonade   track "Sorry": "You know that hussy with the good hair you sing about? Reminded me of someone I knew back when, except she has flamin' locks of auburn hair. Bless her heart. Just a hair of a different color, but it hurts just the same."

"OH LOUISIANA" is a Chuck Berry deep cut from 1971's undersung   San Francisco Dues ; a flicker of Berry's "Maybellene" appears in "SMOKE HOUR WILLIE NELSON," which also features interpolations of Roy Hamilton's "Don't Let Go" and Sister Rosetta Tharpe's "Down By The River Side."

Similarly, "YA YA" contains glimmers of Tommaso Giordani's "Caro Mio Ben,"   Lee Hazelwood 's "These Boots Are Made For Walkin'," and   the Beach Boys ' "Good Vibrations."

Beyoncé has always displayed razor-sharp intent with her collaborators, and   COWBOY CARTER   is no exception.

The featured guests highlight a slew of   rising Black stars   in the   country scene . "BLACKBIIRD" spotlights four budding female artists, Brittney Spencer, Renya Roberts, Tanner Addell and Tiera Kennedy; Willie Jones shows off his chops on "JUST FOR FUN"; and country-rap fusionist Shaboozey stars on two tracks, "SPAGHETTII" and "SWEET HONEY BUCKIIN.'"

She also welcomes two country-loving pop stars,   Miley Cyrus   and   Post Malone , who make appearances on "II MOST WANTED" and "LEVII'S JEANS," respectively. And along with Parton, Beyoncé honors two more country greats with two aptly titled homages: fellow Texan   Willie Nelson   appears on "SMOKE HOUR WILLIE NELSON" and "SMOKE HOUR II," and trailblazer Linda Martell "The Linda Martell Show"

Perhaps Beyoncé's cutest collaborator is her six-year-old daughter, Rumi Carter, who makes her adorable debut on "PROTECTOR."

With that, venture forth into   COWBOY CARTER   — another quintessentially Bey statement of purpose and prowess.

8 Country Crossover Artists You Should Know: Ray Charles, The Beastie Boys, Cyndi Lauper & More

• 1 Beyoncé Kicks Off Her Renaissance World Tour In Stockholm, Sweden: Watch Performance And Stage Videos, See Photos, View The Setlist & More
• 2 Post Malone's Country Roots: 8 Key Moments In Covers and Collaborations
• 3 Beyond Country: All The Genres Beyoncé Explores On 'Cowboy Carter'
• 4 Beyoncé Is The Genre-Bending Queen On 'Cowboy Carter': 5 Takeaways From Her New Album
• 5 Beyoncé's New Album 'Cowboy Carter' Is Here: Check Out The Featured Artists, Cover Songs, And Tracklist

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Beyoncé announces Renaissance world tour

Singer’s first tour in seven years names UK dates including Cardiff, Edinburgh and London, followed by shows in Europe and North America

Beyoncé has shared details of her first tour in seven years. The hugely anticipated Renaissance world tour will begin on 10 May at Stockholm’s Friends Arena before working its way through stadiums in Europe and the UK over the course of spring and summer. The tour’s North American leg starts on 7 July in Toronto, and continues through to the autumn, with a concluding date set for 27 September at New Orleans’ Caesars Superdome.

The Renaissance world tour includes an extensive run of UK dates: Beyoncé will perform on 29 and 30 May at Tottenham Hotspur Stadium, with Cardiff, Edinburgh and Sunderland set for 17 May, 20 May and 23 May respectively. Tickets for all dates will be available from Beyoncé’s website .

Beyoncé’s last tour was 2016’s Formation world tour . That show, in support of her sixth album Lemonade, saw her perform in Sunderland , Cardiff , London, Manchester and Glasgow, totalling over 300,000 tickets in the UK alone.

The Renaissance world tour supports Beyoncé’s 2022 album of the same name. Widely hailed as a career-best, the album was acclaimed for its pivot to club styles such as house and disco, as well as for a credits list that highlighted LGBTQ+ Black pioneers such as Honey Dijon, Kevin Aviance, Ts Madison and Big Freedia. Voted the best album of 2022 by Guardian music critics , it debuted at No 1 on the UK and US charts, and has been certified gold in the UK, indicating sales in excess of 100,000. Writing about the album in an end-of-year essay, Jenessa Williams said that Renaissance “sees Beyoncé at her most lyrically playful, political by destiny rather than design.”

Although Renaissance was lauded for its platforming of LGBTQ+ artists upon release, Beyoncé has faced criticism this year for choosing to perform at the private opening of luxury Dubai hotel Atlantis the Royal, given the United Arab Emirates’ criminalisation of homosexuality and allegations that migrant workers in the country face conditions amounting to indentured servitude.

Jason Okundaye wrote for the Guardian : “the issue of migrant labour adds an additional dimension to conversations on the ethics of concerts.”

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“It’s as much about where Beyoncé performs as who she’s performed for and who she’s accepted money from,” he wrote. “Renaissance’s lead single, Break My Soul, may have been billed as the pro-worker Great Resignation anthem of last summer, but it is muted when money talks.”

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Beyoncé announces Renaissance World Tour

Six months after dropping her “Renaissance” album last summer, Beyoncé has announced a world tour with stops in Europe and North America.

The megastar announced the news Feb. 1 on her website and in a post on Instagram .

"RENAISSANCE WORLD TOUR 2023," she captioned a photo on Instagram of her riding a silver horse — a picture that matches the art on her album cover .

The Renaissance World Tour is Beyoncé’s ninth tour as a solo artist. It kicks off in Stockholm, Sweden, on May 10, and remains in Europe for the following two months. Her first tour date in the U.S. is July 12 in Philadelphia.

Tickets go on sale Monday, Feb. 6., beginning with a presale for members of BeyHive ( register here ). Citi credit card holders can also take advantage of another presale here .

Fans eyeing North American tour dates can register for a Verified Fan code with Ticketmaster here .

All 53 of the tour stops are below and on Beyoncé's website .

What are Beyoncé's tour dates?

May 10, Stockholm, Sweden

May 14, Brussels, Belgium

May 17, Cardiff, United Kingdom

May 20, Edinburgh, United Kingdom

May 23, Sunderland, United Kingdom

May 26, Paris

May 29, London

May 30, London

June 2, London

June 6, Lyon, France

June 8, Barcelona, Spain

June 11, Marseille, France

June 15, Cologne, Germany

June 17, Amsterdam, Netherlands

June 18, Amsterdam, Netherlands

June 21, Hamburg, Germany

June 24, Frankfurt, Germany

June 27, Warsaw, Poland

July 8, Toronto

July 9, Toronto

July 12, Philadelphia

July 15, Nashville, Tennessee

July 17, Louisville, Kentucky

July 20, Minneapolis, Minnesota

July 22, Chicago

July 23, Chicago

July 26, Detroit, Michigan

July 29, New York City

July 30, New York City

Aug. 1., Boston

Aug. 3, Pittsburgh, Pennsylvania

Aug. 5, Washington, D.C.

Aug. 6, Washington, D.C.

Aug. 9, Charlotte, North Carolina

Aug. 11, Atlanta

Aug. 12, Atlanta

Aug. 16, Tampa, Florida

Aug. 18, Miami

Aug. 21, St. Louis, Missouri

Aug. 24, Phoenix, Arizona

Aug. 26, Las Vegas

Aug. 30, San Francisco

Sept. 2, Los Angeles

Sept. 3, Los Angeles

Sept. 11, Vancouver

Sept. 13, Seattle

Sept. 18, Kansas City, Missouri

Sept. 21, Dallas, Texas

Sept. 23, Houston, Texas

Sept. 24, Houston, Texas

Sept. 27, New Orleans, Louisiana

Randi Richardson is a reporter for NBC News' TODAY.com based in Brooklyn.

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Beyoncé Announces Renaissance World Tour

By Evan Minsker and Allison Hussey

Beyoncé has announced that she’s touring in support of her latest album, Renaissance . The tour begins with a European leg in May, followed by dates in Canada and the United States that extend from from early July through late September. It’s her first tour since her 2018 co-headlining On the Run II Tour with Jay-Z behind their collaborative album, Everything Is Love , and her first headlining tour since 2016’s Formation World Tour behind Lemonade . The Renaissance World Tour is produced by Parkwood Entertainment and promoted by Live Nation. See all of the dates below.

Renaissance arrived July 29, rising swiftly to No. 1 on the Billboard 200 and marking Beyoncé’s seventh album to summit the albums chart. It is the first act in what will be a three-part series, she has indicated.

Beyoncé hinted at her world tour in late October, during the fifth annual Wearable Art Gala, where the raffle included “ a UNIQUE experience ” to see her on the Renaissance tour. Purported images from the auction featured descriptions of the summer 2023 trek. Valued at $20,000, the package included first-class plane tickets, a three-night hotel stay, two concert tickets, and a guided backstage tour from Beyoncé’s mother, Tina Knowles aka Miss Tina. Beyoncé was reportedly in attendance at the gala. In January, she performed at the opening of a new luxury resort in Dubai, but did not play any Renaissance material at the private concert . It was her first live performance since 2020.

Since sharing Renaissance , Beyoncé has made a few adjustments to the album; she replaced ableist lyrics in “ Heated ,” and removed an interpolation of Kelis ’ “Milkshake” on “Energy” after Kelis said she was not informed by Beyoncé and her team that her music was going to be used on the new album. Beyoncé also dropped Honey Dijon and Madonna remixes of “ Break My Soul .” 

In 2019, Beyoncé released Homecoming: The Live Album . The next year, she shared Black Is King , a visual album based on her 2019 soundtrack for The Lion King: The Gift . (Beyoncé voiced adult Nala in the CGI remake film.) On Juneteenth of that year, she surprise-released “ Black Parade ,” which would go on to win the Grammy Award for Best R&B Performance . At the same ceremony, she also won Best Rap Performance and Best Rap Song (for her feature on the remix of Megan Thee Stallion ’s “ Savage ”), as well as Best Music Video (for The Gift ’s “ Brown Skin Girl ”). “ Be Alive ”—her contribution to the King Richard soundtrack—was nominated for an Oscar at last year’s ceremony.

Beyoncé is nominated for nine honors at the 2023 Grammy Awards : Record of the Year , Song of the Year , and Best Dance/Electronic Recording for “Break My Soul”; Album of the Year and Best Dance/Electronic Music Album for Renaissance ; Best R&B Performance for “Virgo’s Groove”; Best Traditional R&B Performance for “Plastic Off the Sofa”; Best R&B Song for “Cuff It”; and Best Song Written for Visual Media for “Be Alive.”

Read “ 5 Takeaways From Beyoncé’s New Album, Renaissance ” over on the Pitch.

All products featured on Pitchfork are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.

05-10 Stockholm, Sweden - Friends Arena 05-14 Brussels, Belgium - King Baudoin Stadium 05-17 Cardiff, Wales - Cardiff Principality Stadium 05-20 Edinburgh, Scotland - BT Murrayfield Stadium 05-23 Sunderland, England - Stadium of Light 05-26 Paris, France - Stade de France 05-29 London, England - Tottenham Hotspur Stadium 05-30 London, England - Tottenham Hotspur Stadium 06-08 Barcelona, Spain - Olympic Stadium 06-11 Marseille, France - Orange Velodrome 06-15 Cologne, Germany - RheinEnergieStadion 06-17 Amsterdam, Netherlands - Johan Cruijff Arena 06-21 Hamburg, Germany - Volksparkstadion 06-24 Frankfurt, Germany - Deutsche Bank Park 06-27 Warsaw, Poland - PGE Nardowy 07-08 Toronto, Ontario - Rogers Centre 07-09 Toronto, Ontario - Rogers Centre 07-12 Philadelphia, PA - Lincoln Financial Field 07-15 Nashville, TN - Nissan Stadium 07-17 Louisville, KY - L&N Federal Credit Union Stadium 07-20 Minneapolis, MN - Huntington Bank Stadium 07-22 Chicago, IL - Soldier Field 07-23 Chicago, IL - Soldier Field 07-26 Detroit, MI - Ford Field 07-29 East Rutherford, NJ - MetLife Stadium 07-30 East Rutherford, NJ - MetLife Stadium 08-01 Foxborough, MA - Gillette Stadium 08-03 Pittsburgh, PA - Acrisure Stadium 08-05 Washington, D.C. - FedEx Field 08-06 Washington, D.C. - FedEx Field 08-09 Charlotte, NC - Bank of America Stadium 08-11 Atlanta, GA - Mercedes-Benz Stadium 08-16 Tampa, FL - Raymond James Stadium 08-18 Miami Gardens, FL - Hard Rock Stadium 08-21 St. Louis, MO - Dome at America’s Center 08-24 Glendale, AZ - State Farm Stadium 08-26 Las Vegas, NV - Allegiant Stadium 08-30 Santa Clara, CA - Levi’s Stadium 09-02 Inglewood, CA - SoFi Stadium 09-03 Inglewood, CA - SoFi Stadium 09-11 Vancouver, British Columbia - BC Place 09-13 Seattle, WA - Lumen Field 09-18 Kansas City, MO - GEHA Field at Arrowhead Stadium 09-21 Dallas, TX - AT&T Stadium 09-23 Houston, TX - NRG Stadium 09-24 Houston, TX - NRG Stadium 09-27 New Orleans, LA - Caesars Superdome

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Beyoncé has announced her much anticipated Renaissance world tour. These charts illustrate her legacy

Music superstar Beyoncé has announced her first new tour in nearly seven years, in which she will take her latest album, Renaissance, on the road around Europe and North America.

In disappointing news for local fans, Australia isn't on the list  — yet.

The Renaissance World Tour will kick off in Stockholm on May 10, travelling across the continent until the end of June.

It will then resume in Toronto in July before wrapping in New Orleans in September.

Beyoncé's last studio tour was in 2016 in support of her album Lemonade .

She released the chart-topping and critically-acclaimed Renaissance , her seventh studio album, at the end of July.

The record — inspired by black and queer dance music culture and pioneers —  is in the running for the coveted album of the year prize at this year's Grammy Awards , which will take place on Monday.

In the charts below, see how Beyoncé has built a record-setting solo career across two decades. 

Beyoncé has most Grammys of all for a female artist

Beyonce leads the pack here, with 28 wins , followed closely by Alison Krauss , with 27 wins . 

That lead widens considerably when we look at Aretha Franklin , who is the third-most awarded Grammy winner with 18 wins . 

She's on track to secure most Grammys ever

Right now, the only person ahead of Beyoncé is the late conductor Georg Solti , who won 31 Grammys in his life.

Beyonce's 28 wins means she's currently tied with producer Quincy Jones.

However, she could very well shoot straight to the top come next week as her album Renaissance is leading the 2023 Grammy nominees with nine nods .

Speaking of Grammy nominations, that's another record she holds

When the Grammy nominations were announced last November, Beyoncé wrote herself into the history books by equalling the record of most nominations of all time . 

Her additional nine nominations brought her total to 88 — tied for the most-ever nominations with none other than husband Jay-Z .

The winners of this year's Grammy awards will be revealed at a ceremony in Los Angeles on February 6 .

As for when Queen Bey will announce if she's bringing her Renaissance tour down under, we'll have to wait and see.

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Beyonce announces 'Renaissance' world tour for 2023

Beyonce's seventh studio album contains hits like "Break My Soul" and "Cuff It."

Beyoncé has announced a 2023 world tour in support of her album " Renaissance ."

The singer took to Instagram on Wednesday to share the news.

"RENAISSANCE WORLD TOUR 2023," she captioned a post.

According to Beyoncé's website , the tour begins May 10 in Stockholm and continues throughout Europe, making its last stop there in Warsaw, Poland on June 27.

After Europe, she brings the fun to North America with dates in both Canada and the U.S. from July 8 in Toronto to the final date in New Orleans on Sept. 27.

Editor’s Picks

Beyonce performs in Dubai alongside daughter Blue Ivy

Grammy nominations 2023: See the list of highlights

Beyoncé to change lyric on 'Renaissance' after being accused of ableism

The singer's long-awaited seventh studio album, her first solo studio release since 2016's "Lemonade," dropped in July 2022 and featured hit singles like "Break My Soul" and "Cuff It," as well as fan favorites "Alien Superstar" and "Virgo's Groove" to name a few.

Beyoncé is up for nine Grammys this year thanks to "Renaissance," including song of the year, album of the year and record of the year. The 2023 Grammys will be held Feb. 5.

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Everything We Learned from Night One of Beyoncé’s Renaissance World Tour

I t’s the moment everyone’s been waiting for: Beyoncé finally kicked off her Renaissance World Tour in Stockholm, Sweden , Wednesday night. This comes close to a year after the release of her seventh album, RENAISSANCE , a period during which she has rarely acknowledged the album with interviews or public performances of the new music, nor put out any music videos to accompany the songs. Nonetheless, the BeyHive was still buzzing with excitement on social media as they shared clips of the stage, the merchandise, the view from different VIP sections, and, most importantly, the artist performing the songs live for the first time.

Beyoncé is gearing up for a second night at the Friends Arena in Stockholm. As she gets ready to hit the stage, let’s take a look at what was revealed in the first show that might offer an indication of what could happen on the rest of the highly anticipated tour. A lot has already happened—from Bey herself addressing the lack of visuals to her celebration of the LGBTQ+ community, in keeping with the themes of the album.

Here’s everything we learned from night one of the Renaissance World Tour.

Beyoncé said not to rush a queen for music videos

omg not beyoncé addressing the visuals i’m crying 😭 #RenaissanceWorldTour pic.twitter.com/xQ9AkBCp3p — rasmus (@rasmusbravado) May 10, 2023

If we haven’t learned by now, Beyoncé releases things when she is good and ready . This is her first solo album since 2016’s Lemonade , so we can’t act surprised that she told her fans to be patient and stop asking about the music videos. Her last solo albums, Lemonade , Beyoncé , and The Gift (a concept album for The Lion King ), all had visual components that included music videos for each song. This built up the expectation that RENAISSANCE would get the same treatment.

Beyoncé is online and knows her fans have been hounding her, and she has finally responded. During a break on the first night, a disembodied voice addressed the crowd as the words it spoke were displayed on stage: “Aww, you mad? Well, there’s no remedy for that, bitches… I know you’ve asked for the visuals. You’ve called for the Queen. But a Queen moves at her own pace, bitch. Decides when she wants to give you a f-cking taste. So get your fork and your spoon if you got one.”

She is cutting out some of her biggest hits to make room for the new album and deep cuts

Attendees at the concert in Stockholm filmed every moment for the world to see on social media, and many of Beyoncé’s fans were quite surprised by some of the songs she decided to perform. She opened the show with “Dangerously In Love” from her debut album of the same name and ran through a string of popular songs, both mainstream hits and fan favorites. At the opening night show, she also performed songs like “Rather Die Young,” “Flaws and All,” and “Black Parade,” which have not gotten much attention from Beyoncé in recent memory.

Beyonce - Rather Die Young 🎤 SINGGGGGG!!!! #RenaissanceWorldTour pic.twitter.com/MEZwAVYNWk — ram (@oyyram) May 10, 2023

Some of Beyoncé’s most popular songs, many of which she has made a point to perform on past tours, are notably missing from the set list. “Run The World” fans, do not worry: she still performs the song. But those who are fans of “If I Were a Boy,” “Single Ladies,” and “Halo,” a notorious closer for Beyoncé—as evidenced by the Homecoming concert film and her Formation World Tour— may be disappointed.

Beyoncé did NOT perform her hit songs “Single Ladies”, ”If I Were a Boy” and “Halo” at the opening night of her #RENAISSANCEtour show in Sweden. pic.twitter.com/ejXi5b7fXf — Buzzing Pop (@BuzzingPop) May 10, 2023

Beyoncé brought back the Les Twins, who have accompanied her on multiple tours and performances

The Les Twins, Laurent and Larry, were approached by Beyoncé years ago after a video of them dancing went viral and they appeared on The Ellen DeGeneres Show . They were invited to perform with Beyoncé at the Billboard Music Awards in 2011, and she took them on the road with her for the Mrs. Carter World Tour, her joint On The Run Tour with Jay-Z, and her Coachella performance in 2018 . Her fans were excited to see the Les Twins back on stage with her for this new tour.

It was gay as hell: An unabashed celebration of the LGBTQ+ community

In the lead-up to the album, Beyoncé dedicated the project to her Uncle Johnny, who battled HIV when she was young. He is referenced in the song “HEATED,” and in the outro of the song, Beyoncé takes on the role of MC at a ball (a queer dance party) where she starts “reading.” All of these influences took center stage at the Renaissance World Tour and will make a strong statement when it comes stateside in July, given the wave of anti-LGBTQ+ legislation being introduced across the country.

BEYONCÉ IS HEATED😭😭😭 #RENAISSANCEtour pic.twitter.com/ddL9s1ByUA — 𝗱𝗮𝗻𝗻𝘆🫧💚 (@beyoncegarden) May 10, 2023

One of the biggest displays of affection for her queer fans came even before the concert started. As concertgoers poured into the stadium, they were greeted with a fake TV error screen, but if you look closely, some of the colors are different. This error screen has the colors of the progress pride flag, which includes colors from the transgender pride flag, as well as brown and black to indicate the greater discrimination experienced by those members of the community. Twitter users joked, “Nashville is gonna be ready to arrest Beyoncé for this, lord Jesus,” referencing the state’s attempt to ban drag shows and broader attempts across the US to infringe on trans people’s rights.

Nashville is gonna be ready to arrest Beyoncé for this lord Jesus pic.twitter.com/jAz6ObNSEQ — 💫 (@heyjaeee) May 10, 2023

There is also a ball that happens in the show. Beyoncé makes space for her dancers to vogue and dance to her song, “PURE/HONEY.”

BEYONCÉ HOSTING A BALL IS SO WILD TO ME OMG pic.twitter.com/1JwnRMX8TR — pocket (@islandthembo) May 10, 2023

Some people might recognize Honey Balenciaga from The House of Balenciaga, which appeared in season two of HBO Max’s Legendary . She was seen voguing on stage with the rest of Beyoncé’s dancers.

@legendaryvoguex HONEY BALENCIAGA @Honey. YOU WILL ALWAYS BE THE IT GIRL #RENAISSANCE ♬ original sound - Legendary Vogue X

As we’ve seen with other tours from major artists like Harry Styles, Taylor Swift, and the 1975, their fervent fan base will keep everyone up to date on all the song changes, new outfits, and surprises that these artists pull out of their bag of tricks on the road. As we’ve seen with Swift’s notoriously sold-out Eras Tour, her fans made sure to give people who couldn’t get tickets a chance to see the tour play out online. Based on how night one played out, it seems like Beyoncé’s fans will be doing the same for those of us stuck at home.

Correction, May 11: The original version of this story misgendered Honey Balenciaga. She uses she/her pronouns.

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Every Look From Beyoncé’s Renaissance Tour, From Custom Catsuits to Disco-Inspired Couture

Beyoncé’s Renaissance tour began with a bang in Stockholm and it hasn't slowed down since. The highly-anticipated show has featured inventive set design, a decades-spanning setlist, and a plethora of standout style moments—from to archival pieces to custom looks and nearly everything in between. The star’s wardrobe has combined her signature style with the visual ethos of the album Renaissance ( think lots of sequins, silver, catsuits, and the occasional bee-inspired look). Beyoncé has also been wearing looks from brands specific to the city she’s performing in—for the UK leg of her tour she wore picks from the London-based Mary Katrantzou and Robert Wun while in Marseille, France she opted for a look by designer Simon Porte Jacquemus.

The singer has donned looks from both established brands—Valentino, Mugler, lots of Alexander McQueen, among others—as well as smaller labels like Anrealage and Brandon Blackwood. Balmain catsuits and mini dresses have been a constant throughout her tour wardrobe (in March, she partnered with creative director Olivier Rousteing to design a Renaissance couture line for the brand ) as well as imaginative pieces from Loewe. Beyoncé began the tour in Europe which has seen her in London, Paris, and other cities with the last being Warsaw, Poland on June 28th. She will then head to North America with her last date coming in New Orleans, Louisiana on September 27th. Needless to say, there will be countless more style moments to come—so, to make sure you don’t miss one look, keep checking back here as we keep track of everything Beyoncé has worn during the Renaissance world tour.

Beyoncé certainly made a splash for her final Renaissance show in Kansas City, Missouri. To open the concert, the star wore a custom Balenciaga gown, embroidered with over 8000 crystal rhinestones, and black opera gloves.

The star also brought out a black, latex version of a previous Ivy Park bodysuit and cropped jacket for her final show.

It’s fitting that perhaps the most memorable look from Beyoncé’s tour, a crystalized Loewe bodysuit, came in not one, not two, but three color ways.

At Beyoncé’s Houston show, Meghan Thee Stallion hit the stage to perform the “Savage” remix live for the first time. Naturally, then, the singer made sure to bring out a handful of major looks for such an occasion, including this dramatic black-and-white Balmain gown.

For another Houston ensemble, Beyoncé went with a black number by British maestro Gareth Pugh that was trimmed with reflective detailing.

Lingerie powerhouse Agent Provocateur designed this fringed, metallic piece for the singer’s Houston Renaissance stop.

American designer Rick Owens’ first custom look for Beyoncé’s tour came in the form of this plunging, sculptural bodysuit that she paired with silver cut-out boots and shield sunglasses.

The Carters have a song called “Boss,” but it was Beyoncé who looked in control wearing this full look from, yes, Boss. Silver was again the color of choice for the star—opting for slouchy boots, a form-fitting bodysuit, and cropped statement jacket.

Beyoncé donned her mermaid best while in Dallas, Texas with this custom Georges Hobeika couture look. The gown, which took over 300 hours to make, is embroidered with layers of Swarovski crystals and features a dramatic head veil.

This custom look from Milanese house Del Core featured pink garter boots and a sculptural bodysuit complete with statement shoulders. Plus, some very “Alien Superstar” sunglasses to match.

Despite saying her “Telfar bag imported,” it took Beyoncé until her tour’s Seattle stop to sport a look from the New York brand . The red, sequined cut-out bodysuit was certainly worth the wait, though (Blue Ivy also had a matching look from Telfar).

For her show in Seattle, Washington, Beyoncé donned lots of denim in the form of this Diesel bodysuit moment complete with a blue overcoat.

The star pulled out this crystallized, sheer Elie Saab couture look complete with a dramatic hood and feathered train.

This sequined Vera Wang bodysuit was taken to the next level with layers of blue chiffon that moved gracefully while the singer performed in Vancouver, Canada.

For her first Renaissance concert up North in Vancouver, Canada, Beyoncé pulled out a few new looks like this custom Ivy Park gear that featured intricate embroidery throughout. She added a matching top hat, overcoat, and silver above-the-knee boots to complete the ensemble.

Brazilian brand PatBO brought the sparkle (and fringe) with this eye-catching, hand-beaded number they designed for the singer’s Vancouver, Canada concert.

This is the second flame bodysuit that Roberto Cavalli has designed for the singer. This time, though, the look was even more fiery thanks to dozens of red and orange Swarovski crystals lining the piece.

Beyoncé made this barely-there lingerie look by Agent Provocateur stage-ready by adding fringed boots and a sparkly overcoat.

Like many a pop star, it’s no secret that Beyoncé loves a Mugler bodysuit. Here, the star wore a strappy silver version that she styled with metallic boots and shield sunglasses.

Beyoncé pulled out all types of looks for her Los Angeles show, which also happened to fall on her 42nd birthday. In one of many new looks during the night, she rocked this embroidered Givenchy bodysuit with a cropped black jacket and patent heels.

Beyoncé went big for her first Versace look during her Renaissance tour. She wore a skin-hugging mini dress and over-the knee boots designed in the Italian brand’s signature Medusa print.

The star opted for a lace Dolce & Gabbana look consisting of a corseted bodice and a dramatic off-the-shoulder train.

A vision in red, Beyoncé wore a ruched Balmain top that she paired with latex, cargo-style pants and opera-length gloves. To round out the look, she wore a Ruslan Baginskiy hat and Thierry Lasry sunglasses.

Pucci is known for their statement prints, so it’s no surprise this bodysuit was heavy on all sorts of colors. The look featured the Italian brand’s archival "Giardino” print as well as crystal embellishments and a sparkling body chain.

Loewe may have created the most memorable look from Beyoncé’s tour thus far with their “hands” bodysuit. For her Los Angeles show, the singer wore another anatomy-focused look from the Spanish brand, this one, in black and red.

This pink Gucci look consisted of pleated satin and a handful of pearl and crystal embellishments. The star added in velvet gloves, a wide-brimmed hat, and a pair of bedazzled binoculars for good measure.

For the opening portion of her Los Angeles show, Beyoncé donned this rose pink Tamara Ralph gown that featured ruching at the side and feathered sleeves.

While she may have been hidden underneath a sculptural headpiece, this ivory Danielle Frankel look certainly spoke for itself.

Australian designer Tamara Ralph created this velvet gown, complete with shimmering details at the bodice, for Beyoncé’s Los Angeles show. She paired the dramatic piece with a black top hat and Alaïa heels.

The singer looked in control with a custom A-Morir cane that she wore with a bedazzled bodysuit by Prada inspired by their spring/summer 2012 collection.

Instead of her usual over-the-knee stilettos, Beyoncé opted for a towering pair of Marc Jacobs “Kiki” boots. She also wore a custom iteration of a look from the American brand’s fall/winter 2023 collection that featured a glittering red scarf.

This custom Alexander McQeen number, which featured an embellished mini dress and sculptural headpiece, was inspired by the brand’s fall/winter 2013 couture collection.

Sarah Diouf, the designer behind African brand Tongoro, designed this black-and-white motif bodysuit, gloves, and boots for the singer’s Santa Clara, California show.

The star looked presidential in another Ralph Lauren look, this one, a tuxedo-style bodysuit that she paired with a feather boa, bedazzled cane, and black boots.

In an ensemble that would make her song “Telephone” proud, Beyoncé donned a custom bodysuit by Lou de Bètoly made from recycled phones, chargers, and crystals.

Yes, that is Beyoncé hidden under all of that silver fringe. During her Las Vegas show, she certainly made a statement in this silver Jacquemus look.

Even when hidden underneath a red top hat, Beyoncé looked Renaissance -ready in this silver mini dress by Ukrainian brand Frolov.

Beyoncé opted for another printed Marine Serre ensemble, this time, a silver bodysuit layered with a red cut-out dress.

Cult-favorite lingerie brand Agent Provocateur designed this metallic bodysuit, completed with cut-out detailing, for the singer’s Las Vegas show.

Leave it to Beyoncé to make newsboy caps look cool. Here, she paired the accessory with a latex and fishnet look from Dundas.

The star spiced things up with a sheer, crystalized bodysuit by Bronx and Banco that she wore with a white feather overcoat.

Beyoncé donned another Givenchy look during her Glendale, Arizona stop–this one a form-fitting suit dress complete with gold accents along the waist and arms.

British brand Gareth Pugh designed this sculptural metallic bodysuit for the singer, which she paired with over-the-knee boots and flashy opera gloves.

The star swapped out her Loewe “hands” bodysuit for an equally as flashy look from the Spanish brand in the form of a black long sleeve, high-low dress.

Beyoncé looked ravishing in red when she wore this Atelier Zuhra look composed of a glittering bodysuit and a statement-making, sculptural train.

This very “Alien Superstar” ensemble by Zigman featured a semi-sheer bodysuit, metallic knee-high boots, and antena-like wings that doubled as a train.

Georgian brand Situationist and Ukrainian label Yaspis came together to create this custom metallic look for Beyoncé’s Phoenix, Arizona show. The dress featured a criss-cross halter bodice and an asymmetrical draped skirt with a daring slit up to her waist. To finish things off, the star added in a pair of opera-length gloves and a crystal mesh bodysuit.

The superstar, who celebrates her birthday September 4, recently posted a request to her fans via Instagram. “Virgo season is upon us,” she wrote. “This tour has been such a joy and as we approach the last month, my birthday wish is to celebrate with you wearing your most fabulous silver fashions to the show 8.23 – 9.22.”

Beyoncé has long been a fan of Lebanese designer Nicolas Jebran, so it’s only fitting that he crafted one of her buzziest Renaissance World Tour ensembles yet. The custom yellow bodysuit, which took over 200 hour s to make, was paired with beaded opera gloves and knee-high boots. Of course, the star rounded things out with antenna-like shield glasses.

London-based Alessandra Rich designed this shimmering ensemble for Beyoncé’s St. Louis, Missouri stop. The look featured a semi-sheer crystal net bodysuit complete with patent detailing at the midsection and sleeves. Prior to showing off the form-fitting catsuit, she wore a vinyl trench coat and coordinating top hat.

Beyoncé celebrated the arrival of Virgo season with this custom Loewe look that she wore for her St. Louis, Missouri show. She paired the look, which consisted of a metallic sculptural top and black maxi skirt, with sparkly heels from The Attico. The singer also announced that she wants her fans to wear their “most fabulous silver fashions” for the remaining month of her Renaissance tour, which concludes on September 22nd. “We’ll surround ourselves in a shimmering human disco ball each night,” she said in a statement.

The singer previously wore a similar swirl motif mini dress from David Koma earlier on in her tour. This time, though, she paired the piece with an asymmetrical leather jacket, patent cowboy boots, and sleek silver sunglasses.

Beyoncé definitely brought the heat to Miami in this sparkling custom Gucci look. The Italian brand created a corseted bodysuit draped with strands of silver fabric for the singer, which she paired with over-the-knee fringe boots.

Though this custom Valdrin Sahiti bodysuit followed a similar silhouette to many of Beyoncé’s form-fitting looks, its dramatic tulle shoulders and flowing train certainly spiced things up a bit. The singer rounded out the look with a pair of cat eye sunglasses and PVC heels by Mach and Mach.

Unlike her Marni look which was heavy on mixed metals, this custom Missoni ensemble was pure silver. The Italian house designed a patterned form-fitting dress (complete with a leg-baring) slit that the singer unveiled during her Tampa, Florida show. She also wore a silver long sleeve top with built-in gloves underneath, Amina Muaddi heels, and custom Tiffany & Co. glasses.

Patchwork like never before. The singer donned this custom Marni look, composed of a cropped puffer jacket, bodysuit, and boots, for her Atlanta show. The silver and gold pieces were made of leather and fragmented crystals for some extra shine.

Rounding out a pair of Gaurav Gupta looks in Atlanta, Beyoncé chose this show-stopping hooded gown for her final show in the city. The sparkling number is from the brand’s fall/winter 2023 collection and featured a one-sleeve silhouette and a trio of cut-out details.

Beyoncé turned up the heat in this blue flame bodysuit by Roberto Cavalli. The brand’s creative director Fausto Puglisi created the trompe l’oeil ensemble with a slew of Swarovski crystals and even added in a dazzling cowboy hat and gloves to finish off the look.

Even Beyoncé got in on fashion’s sheer obsession with this statement-making Dolce & Gabbana look. She paired the bodysuit, which featured sprawling crystal embroidery, with a pair of fringe sunglasses.

If anyone can make a newsboy cap work, it’s certainly Beyoncé. She accessorized this fitted, embroidered bodysuit from Self-Portrait with a matching hat and strappy heels.

Alberta Ferretti has been a constant throughout Beyoncé’s Renaissance wardrobe. So, naturally, the singer chose a scarlet bodysuit, complete with a sculpted bodice and plenty of crystals, for her Atlanta show.

The star opted for another Gaurav Gupta look, this one, from the brand’s fall/winter 2023 collection. Like her previous ensemble from the brand, the green dress featured an array of smartly placed cut-outs and a thigh-high slit.

If this Carolina Herrera ensemble looks familiar, that’s because Beyoncé previously wore a red version earlier on in her tour. Like the last wear, this one was made complete with a dramatic headpiece and opera-style gloves. The star also tied in a pair of Alaïa cabaret sandals, a pari she’s taken a liking to throughout her time on the road.

The star chose a Barbie pink look from Lapointe during her show in Charlotte, North Carolina. The curve-hugging mini dress featured a one-side feather sleeve and a draped train at the side. Of course, she had to add in a pair of sequined knee-high boots and fringe sunglasses from A-Morir for good measure.

This Gaurav Gupta bodysuit may be Beyoncé’s most detailed one to date—the piece featured elaborate infinity draping that cascaded throughout the look. She then paired the top half with garter-inspired crystal leggings that transitioned into boots.

Beyoncé dazzled in this custom Ralph Lauren satin gown and feather shawl for her Washington, D.C. show (which drew heavyweight guests like Solange Knowles, the Obamas, and Kamala Harris).

Tinsel chic? Beyoncé’s latest custom Gucci look (a fringe bodysuit, sculptural hat, boots, and overcoat) turned heads for all the right reasons at her D.C. show.

Nina Ricci designer Harris Reed created this crystal and velvet bodysuit inspired by the brand’s archival couture gowns. Beyoncé accessorized the look with custom drop earrings and an Elsa Peretti diamond ring from Tiffany & Co.

Beyoncé went with this custom royal blue look from Off-White (she wore a similar red version earlier on in her tour) for her show in the nation’s capital.

Self-Portrait creative director Han Chong custom designed this glittering mesh bodysuit and matching skirt for the star’s Washington, D.C. show. The sequined piece featured a diamond cut-out at the midsection and dramatic feather cuffs.

For her Boston show, Beyoncé dazzled in this reflective silver ensemblefrom Peter Dundas’s namesake brand. The look featured a form-fitting mini dress, oversized trench coat, ankle boots, and a coordinating hat.

Beyoncé got in on the lingerie dressing fad with this sultry custom look from Spanish-born, Paris-based designer Arturo Obegero.

Israeli designer Alon Livné designed this sheer catsuit, complete with intricately placed cut-outs, and ruffled cape for the singer’s Boston show.

Beyoncé looked straight out of a sci-fi thriller in this custom Demobaza look which featured a color blocked bodysuit, harness, and white boots.

Jean Paul Gaultier is known for their trippy prints, so it’s no surprise then that the bending motif was the focal point of this custom bodysuit.

The debate is still out on whether this look should be classified as Barbie pink or Valentino pink. Regardless, Beyoncé nailed this custom look from the Italian brand. She paired the form-fitting bodysuit (which was layered under a cape) with knee-high boots and feathered shield sunglasses.

For her New York show, Beyoncé, fittingly, wore one of the city’s favorite designers. Her custom Marc Jacobs gown featured a dramatic slit, bending black and white stripes, and a slew of dazzling Swarovski crystals.

This Alexander McQueen may look familiar. The singer wore a similar version just a few stops ago in Minneapolis, Minnesota. This one, however, featured a slightly different color way in bronze and silver and was accented by a dramatic reflective cape.

The singer looked ethereal in this semi-sheer Georges Hobeika gown. The piece featured delicate embroidery throughout and a strappy neckline at the bodice. Her sheer headpiece was crafted with 3D embroidered flowers and her opera gloves were trimmed with train-like pieces of fabric.

Beyoncé donned another custom Ivy Park look for her New Jersey show. This one kept up the camouflage theme with another pair of slouchy knee-high boots. Instead of a form-fitting bodysuit like she’s worn in the past, her jersey-style long sleeve was decidedly more casual (yet still packed a punch with crystal embroidery). Blue Ivy had on a matching jersey, too.

Sparkles and (faux) fur took center stage in this Philosophy di Lorenzo Serafini look. Her long sleeve bodysuit was embellished with Swarovski crystals and layered perfectly beneath the apricot coat.

The singer packed on the sparkle in this Miu Miu look during her stop in East Rutherford, New Jersey. The tank and cut-off shorts were embroidered with rhinestones and crystals as were her fringed knee-high boots, naturally. She paired the set with a custom Tiffany & Co. silver peephole cowboy hat and HardWear drop earrings.

Louis Vuitton’s newly appointed creative director of menswear, Pharrell Williams, designed this glittering catsuit for Beyoncé’s Detroit, Michigan concert. The two have quite the history as long time friends and collaborators—Williams has produced songs for Beyoncé in the past and she recently attended his debut runway show for the French brand earlier this year. The custom bodysuit put a spin on the brand’s famed Damier check through glittering crystal embroidery. Williams also created custom ensembles for Blue Ivy and Beyoncé’s backup dancers.

Beyoncé looked like liquid gold in this hooded mesh gown from Ivy Park. The piece featured slight ruching at the waist and a dramatic side slit which showed off her daring footwear choice—a pair of Alaïa cabaret heels. The patent calfskin choice are from the brand’s spring/summer 2023 collection in which the heel is designed to mimick the shape of two legs.

This silver cut-out number may just be Beyoncé’s most disco-ready jumpsuit yet. Custom designed by Lanvin, the piece featured the brand’s signature gold hardware as well as ruching throughout. To round things out, Beyoncé accessorized the look with equally as flashy opera gloves and above-the-knee boots.

Beyoncé traded her tour wardrobe of silver and gold for some Tiffany blue while in Chicago, Illinois. The look was created in partnership with designer Giles Deacon and featured a sculptural bodice and sheer organza gloves. She paired the dress with, of course, a custom Tiffany & Co. Twister Collar Necklace.

Beyoncé’s Acne Studios ensemble may have nailed the Barbie pink look, but it certainly did not disappoint during her Minneapolis show. She paired her reflective mini shorts and bustier with an oversized jacket and sparkling thigh-high boots.

Beyoncé’s Renaissance wardrobe isn’t just limited to bodysuits—she’s also been incorporating dramatic ensembles like this custom Schiaparelli mini dress and shawl. The strapless piece featured white feathered detailing which she paired with simple Dolce & Gabbana heels.

Balmain has been a focal point of Beyoncé’s Renaissance wardrobe and things got taken up a notch during her stop in Minneapolis. The singer opted for a sculptural latex bodysuit that she accessorized with knee-high boots, shield sunglasses, and a brimmed top hat.

Beyoncé stunned in silver with this custom Marine Serre look. The star wore a fitted bodysuit, complete with the brand’s signature moon motif, as well as chain undergarments layered on top. She added in a brimmed hat and silver boots for good measure, too.

This custom Alexander McQueen bodysuit is a riff on a similar look from the brand’s fall/winter 2016 collection. The semi-sheer piece features sequin horse embroidery and a tulle base.

It’s no secret that Beyoncé has been all in on the bodysuit style throughout her tour. But this custom Diesel look for her Louisville, Kentucky show may just be one of her most unique styles thus far. The trompe l’oeil look featured a print mimicking denim and grey crystals throughout. And to round things out, the piece’s boots and gloves were connected to the main portion of the ensemble.

Pulling out the sequins in Louisville, Beyoncé dazzled in this custom mini dress by Raisa Vanessa. The dress took nearly six months to make and featured a plunging neckline and two slits on either side. The singer rounded out the look with glittering knee-high boots and goggle-style sunglasses.

Beyoncé donned this Dsquared2 bodysuit—complete with layers of dazzling embellishments and a plunging neckline—for the opening act of her Louisville concert.

Alexander McQueen was a staple throughout Beyoncé’s European performances, so it’s no surprise that she’s returned to the British brand when stateside. During her Nashville concert, the singer wore a custom bodysuit, gloves, and boots complete with crystal embroidery. She stopped it off with a UFO-shaped chapeau appropriate for an alien superstar. The outfit seemed to be a shorter version of a look she wore earlier on in the tour.

The singer opted for another dazzling custom look from David Koma. Unlike her previous printed mini dress from the British designer, this red number had plenty of sequins throughout as well as an asymmetrical train detail. She rounded things out with patent leather boots, a ruby belt, and pendant necklace.

The McQueen look wasn’t the only repurposed silhouette Beyoncé wore in Nashville. She opted for a pink Ivy Park jacket, halter top, and shorts that are, again, a shorter iteration of a similar bodysuit she previously wore in Europe. She also mixed in a pair of custom Tiffany & Co. sunglasses and Gedebe boots to make things even more Renaissance worthy.

Beyoncé certainly leaned into some drama (and disco) with this custom Valentino look in Philadelphia. The focal point was the seemingly never-ending sequined train that connected to the pouf bodice of the bodysuit. She paired the flashy piece with coordinating boots, and towards the end of the show, she flew above the crowd in this look while mounted on a horse.

The singer mixed in some more sequins in Philadelphia with this custom Givenchy mini dress. The piece featured intricately placed cut-outs as well as fringe throughout the dress. She rounded things out with strappy heels and sheer black opera gloves. She, of course, also had on diamonds from Tiffany & Co. in the form of a ring, drop earrings, and a tennis bracelet.

Beyoncé went with another camouflage look from her label Ivy Park, this one a two-piece set. The crop top had built in sleeve-gloves and the mini shorts also featured chaps-like detailing that extended into her boots.

Beyoncé has been wearing plenty of Tiffany & Co. jewelry throughout her tour, but she took it to another level for her first North American stop in Toronto, Canada. The singer donned a dazzling bespoke mini dress from the brand complete with layers of chains and stones. The mesh look of the piece was inspired by the designs of Elsa Peretti and took nearly 200 hours to make. Beyoncé paired the piece with custom Malone Souliers heels as well as vintage earrings and an anklet both from Tiffany & Co.

Also while in Toronto, the singer traded her layered mini dress for a dazzling custom Fendi gown. The piece is a riff on a similar look from the brand’s spring/summer 2021 couture collection and features a daring slit as well as crystal embroidery meant to imitate the appearance of honeycombs. She rounded out the look with another pair of clear heels and statement tassel earrings.

Leave it Beyoncé to make comouflage cool. During the Toronto stop of her tour, the singer wore a fully patterned ensemble from her brand Ivy Park. The look featured a cropped jacket, over-the-knee boots and a plunging bodysuit.

For the final stop of the European leg, Beyoncé went with a slew of sequined and silver ensembles while performing in Warsaw, Poland. This look, by Balmain’s Olivier Rousteing, featured a dramatic bodice that cascaded down her side as well as a daring slit at the skirt. The singer rounded out her look with velvet gloves and a pair of Manolo Blahnik heels.

While Beyoncé has had some pretty avant-garde outfits, this Richard Quinn number may be her most “Alien Superstar” yet. The look featured legging-style pants with large crystal embellishments as well as a peplum-inspired top finished with similar adornments. However, the focal point of the ensemble is certainly the UFO-like headpiece that obscured everything but the singer’s eyes.

Outfitting an entire crew and Beyoncé is certainly no small feat, but global brand Daily Paper seemed to be up for the task. During the "Opulence" section of her concert in Warsaw, Beyoncé donned an embellished black jumpsuit and reflective track jacket from the brand—which she paired with knee-high boots and one of her signature top hats. In addition to Beyoncé’s look, Daily Paper designed over 100 custom tracksuits for her crew and dancers, mostly in silver reflective nylon.

Just one night after sporting a similar hooded piece while in Paris, Beyoncé went with another veiled look, this time, for her concert in Hamburg, Germany. The ensemble is designed by Carolina Herrera creative director Wes Gordon and features a plunging bodysuit, sheer red tights, and a silk hood that connects at the head and arms. Of course, the singer also had on her signature opera gloves and glitzy earrings to round out the look.

Again in Hamburg, the singer chose a look from Ivy Park—one of a wider selection of pieces from an upcoming collection between her brand and Adidas. Naturally, backup dancer’s leotards matched her ruched mini dress and knee-high boots.

Ferragamo’s creative director Maximillian Davis designed this red glittering gown for the singer’s show in Amsterdam. In honor of Juneteenth, Davis was one of several Black designers that Beyoncé wore throughout the show.

This robo-couture custom Balmain look featured silver-plated detailing that paneled the singer’s bodysuit. She paired the piece, which drifted into gloves, with a pair of knee-high boots.

“In the industry where we have to all fight, I want to thank [Beyoncé’s] support last night [to] all the Black designers that had created their own space in this tough industry,” Balmain designer Olivier Rousteing said . “This was the celebration.”

This is the second all-red Off-White look worn by Beyoncé during her tour. Her second version, however, featured a shortened silhouette and an accompanying top hat that was designed by the brand’s art and image director Ibrahim Kamara.

For her second Balmain look in Amsterdam, Beyoncé went with another iteration of the bee-inspired catsuits we’ve seen repeatedly on her tour thus far. This time, she paired the ensemble with a coordinating top hat rather than her infamous insect-like antena.

New York designer LaQuan Smith crafted this silver, shattered glass bodysuit for the singer’s Amsterdam stop. She paired the plunging piece with an equally as disco-worthy cape and heels.

London-based brand Feben outfitted Beyoncé in a color-blocked catsuit. “Thank you for inviting me into your world,” the designer wrote on Instagram . “What an incredible moment to be a part of, and a pivotal one for myself, and my inner child. It means the world to be supported and seen as a Black female designer in the industry.”

This deep silver mini dress was the second look from Ferragamo the singer wore in Amsterdam. The look featured ruched detailing that drifted into a train and above-knee boots.

While Beyoncé has, seemingly, unlimited access to a never-ending roster of designers, she went with her own label Ivy Park for this pink look in Amsterdam—and rightly so. Designed by the star herself, the piece featured daring slits, opera-style gloves, and a halter neckline.

“I started designing this collection over a year ago,” she said on Instagram . “I was so engulfed in all things Renaissance and was inspired by Studio 54, Bob Mackie, and the disco era.”

In Amsterdam, the singer went with a custom Gucci corseted leotard. The glitzy piece featured sheer detailing and draped crystal fringe that fell across the bodice area.

Naturally, Dutch designer Iris van Herpen was a standout of Beyoncé’s wardrobe for her first night in Amsterdam. The custom look, which took over 700 hours to make, featured a flowing train paired with a sculptural mini dress.

Yes, you can always count on Beyoncé to wear a form-fitting catsuit. But this one by Lebanese designer had a handful of eye-catching details. The bodice was composed of various strands of rhinestones and crystals and the sheer portion wrapped entirely around her body (even down to her boots).

French designer Simon Porte Jacquemus is from Marseille, France so it’s fitting that he outfitted the singer for her tour stop there. Jacquemus, who attended the concert, designed a form-ftting mini dress, boots, and gloves that featured disco ball-esque paillettes.

“[Beyoncé] is the first singer I saw live in Marseille 15 years ago,” he wrote on Instagram . “I’m so happy and proud. What a night in Provence, means a lot.”

This custom gown by Alebrta Ferretti has an embroidered leotard and a gold draped train that cascades down the singer’s side. Beyoncé wore the eye-catching piece with matching knee-high boots and black opera gloves (which have been a running theme in many of her looks throughout the tour thus far).

Beyoncé went with a sparkling, disco-inspired Stella McCartney dress and stirrup leggings for her concert in Barcelona, Spain. The custom look was made of environmentally friendly materials such as silver lead-free crystals.

“It is a life moment to dress someone as iconic and inspiring as Beyoncé—a visionary pioneer, disruptor, and artist who has worked tirelessly to make the world a better place,” the British designer said. A pair of clear Amina Muaddi heels rounded out the ensemble.

The star wore a custom Fendi leather intarsia catsuit for her show in the Spanish city. It was paired with over-the-knee boots, matching gloves, and an upcycled fur cape inspired by illustrations by Antonio Lopez as seen in Fendi’s spring 2022 collection.

For her fifth and final show in London, Beyoncé wore a custom Mary Katrantzou surrealist mini dress with black and gold detailing. The look, meant to resemble a perfume bottle, also featured a custom Stephen Jones bottle top headpiece, latex boots, and gloves.

The 41-year-old singer opted for a dramatic “Black Blossom” Robert Wun look. The form-fitting ensemble featured a plunging blazer accented by ruffled sleeves and asymmetrical pleated detailing.

Beyoncé again went with another British label for her third London show, this time a custom Andreas Kronthaler for Vivienne Westwood look. The mini latex dress features corset-style detailing and sheer spiral sleeves.

Beyoncé wore a custom royal blue Roksanda number for her London show. The piece is a riff of a similar dress from the brand’s fall/winter 2023 collection.

Alexander McQueen has been a staple of Beyoncé’s Renaissance wardrobe thus far. Here, she wore a custom deep red embroidered dress with coordinating boots and opera gloves—an iteration of a similar look from their fall/winter 2023 collection.

The signature silver paillettes of Paco Rabanne fit perfectly into the visual aesthetic of Renaissance, so its no surprise the star opted for a piece from the brand. She wore a glitzy custom gown for her show in Paris.

The 41-year-old looked ethereal in a custom light blue gown by New York brand Brandon Blackwood. She paired the off-the-shoulder number with coordinating opera gloves and silver jewels.

Beyoncé chose a statement-making Off-White look for her London show. The red bodysuit features a bustier-style top and 40,000 red hotfix crystals throughout.

Ditching the catsuits that fill the latter half of her concert, Beyoncé has chosen a series of stunning gowns for the opening segment of her show. Here, she wore a white Valentino dress complete with a train and coordinating opera gloves.

The singer was worn several looks from London-based brand David Koma over the course of her tour—one of them being this asymmetrical mini dress that features glittering fringe and wide shoulders.

The star has worn a silver two piece set from Loewe for several of her tour stops. On top of the long sleeve, she layered a molded breastplate and rounded out the look will silver boots.

This custom Dolce & Gabbana bodysuit is one of many bee-themed looks that Beyoncé has worn (there’s a reason she’s referred to as the Queen B after all). The piece features black and yellow embroidery as well as coordinating opera gloves.

Beyoncé continued her longstanding relationship with Balmain’s Olivier Rousteing—here, she wore an silver asymmetrical mini dress, thigh high boots, and wraparound sunglasses.

Beyoncé kept the bee theme rolling at the opening night of her tour in Stockholm. She wore a custom Mugler catsuit complete with towering antennas and bug-like sunglasses.

This custom look from Alexander McQueen features bugle bead and crystal anatomical embroidery. Beyoncé wore the piece during the opening night in Stockholm.

This trompe l’oeil Loewe catsuit has become a fan favorite throughout the star’s tour. The piece was custom made by the brand’s creative director Jonathan Anderson and is a play on a similar dress that recently went down the runway.

Beyoncé has worn this silver cutout bodysuit from French brand Courrèges several times thus far.

Beyoncé and her dancers wore colorful David Koma looks for opening night. The ruched dress, which she wore with a reflective jacket, is inspired by the brand’s Spring/Summer 2023 collection.

Beyoncé wore another custom Balmain look, a catsuit complete with the brand’s signature silver embroidery.

Beyoncé donned a color changing robe by Japanese brand Anrealage in what was one of the more experimental looks of the tour. The piece changed colors when exposed to UV lights and revealed a stained glass-like pattern.

This article was originally published on May 31, 2023

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Break my soul, break these records: Beyoncé's Renaissance World Tour by the numbers

Meanwhile, it's been 15 months since Renaissance dropped and we're still listening to it. No skips.

Lester Fabian Brathwaite is a staff writer at Entertainment Weekly , where he covers breaking news, all things Real Housewives , and a rich cornucopia of popular culture. Formerly a senior editor at Out magazine, his work has appeared on NewNowNext , Queerty , Rolling Stone , and The New Yorker . He was also the first author signed to Phoebe Robinson's Tiny Reparations imprint. He met Oprah once.

The Renaissance World Tour has come to a close, leaving a trail of snatched wigs, discarded silver lamé, and depleted checkbooks in its wake.

All in all, Beyoncé 's ninth concert tour pulled in $579 million, making it the highest-grossing tour by a female artist in history, and the seventh-highest-grossing tour overall.

But if you look at it based on number of shows, Queen Bey maintains her crown. The Renaissance Tour had 56 shows that ran the course of the summer versus, say, the No. 6 highest-grossing tour, Guns N' Roses three-year, 158-show Never In This Lifetime... Tour.

And then there's the average gross per show: Bey made $10.3 million per show, compared to the highest-grossing tour of all-time, Elton John 's Farewell Yellow Brick Road, which averaged $2.8 million per show (it ran for five years and 330 shows, grossing $939.1 million).

The Renaissance Tour also broke Billboard's record for biggest one-month gross with $127.6 million.

All that money helped boost the American economy, with The New York Times estimating that the Bey bump generated about $4.5 billion, comparable to what the 2008 Olympics did for Beijing.

Across 10 countries and 39 cities, the Renaissance Tour machine employed 304 people, as Beyoncé gagged 2.7 million fans in 148 different looks from over 35 fashion houses, while singing 34 songs per night.

And for those who missed out on the live o-p-u-l-e-n-c-e, there's a Renaissance concert film coming to theaters Dec. 1, fulfilling the promise of those long-awaited visuals.

And we only had to wait 490 days. But who's counting?

Related content:

• Beyoncé flies out a fan after he was denied a flight because of the size of his wheelchair
• On Beyoncé's Renaissance : To be queer, gifted, and Black…oh what a lovely, precious dream
• Beyoncé pays tribute to fan fatally stabbed after voguing to her music: 'Rest in Power O'Shae Sibley'
• Hairspray actress Sarah Francis Jones goes into labor at Beyoncé's bday concert, avoids obvious name choice

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A concert film of Beyonce's Renaissance World Tour is coming to theaters

Ayana Archie

Beyoncé performs onstage during the "RENAISSANCE WORLD TOUR" at SoFi Stadium on September 01, 2023 in Inglewood, California. Kevin Mazur/Parkwood via Getty Images hide caption

Beyoncé performs onstage during the "RENAISSANCE WORLD TOUR" at SoFi Stadium on September 01, 2023 in Inglewood, California.

The Beyhive will be getting in formation once again, as a concert film of Beyoncé's Renaissance World Tour is coming to theaters.

Renaissance: A Film By Beyoncé will be in theaters on Dec. 1 in the U.S., Mexico and Canada. More international dates will be listed later, according to the film's distributor, AMC Theatres Distribution.

It "accentuates the journey of RENAISSANCE WORLD TOUR, from its inception to the opening show in Stockholm, Sweden, to the grand finale in Kansas City, Missouri," AMC said in a Monday release. "It is about Beyoncé's intention, hard work, involvement in every aspect of the production, her creative mind and purpose to create her legacy, and master her craft."

Pop Culture Happy Hour

Beyoncé's renaissance tour is a cozy, hypersonic, soul-healing experience.

The trailer shows moments from her performances, as well as documentary-style footage of the singer with her dancers, husband Jay-Z, and children — including her daughter, Blue Ivy Carter, who joined her onstage for a dance number during several dates of the tour.

Reaction to news of the movie was quick and enthusiastic, as fans have been asking for yet-to-be-released music videos to accompany the album, after Beyoncé released a teaser with her in different looks shortly after the album came out in July 2022.

She posted the trailer for the film to her Instagram with the caption, "Be careful what you ask for, 'cause I just might comply," a lyric from one of the album's songs, "ALL UP IN YOUR MIND."

"[Renaissance]: A Film by Beyoncé tickets have been acquired," one user said on X, formerly known as Twitter.

Renaissance: A Film By Beyoncé tickets have been acquired pic.twitter.com/qDks1L0osd — paul (@paulswhtn) October 2, 2023

"This Beyoncé movie about to be a concert if yall expect the audience to be quiet, wait until it hits a streaming service," another user said.

This Beyoncé movie about to be a concert 😆 if yall expect the audience to be quiet, wait until it hits a streaming service #RENAISSANCEFilm pic.twitter.com/jGJpTKTG7L — ɮɛռ’ɛ (@IAmBen_E) October 2, 2023

A Beyoncé fan couldn't fly to a show due to his wheelchair size, so he told TikTok

"IDC IF IT'S ACT I OR ACT II IM JUST HAPPY THAT WE ARE GETTING THIS RENAISSANCE CONCERT FILM AAAH SHE DID THIS FOR ME," another user said. (Promotion and merchandise for the Renaissance album and tour has been accompanied by the words "act i," leading many fans to believe there could be more music coming soon from the star.)

IDC IF IT'S ACT I OR ACT II IM JUST HAPPY THAT WE ARE GETTING THIS RENAISSANCE CONCERT FILM AAAH SHE DID THIS FOR ME pic.twitter.com/UE27Uxghn3 — drew⁷ (@freakumvirgos) October 2, 2023

Beyoncé performed 56 times in 39 cities for the tour, which sold more than 2.7 million tickets. In total, it earned $579 million , which has made history as the highest-grossing tour by a female artist and the seventh highest-grossing tour of all time.

Tickets start at $22 and have already gone on sale, AMC said. The movie will also show at Cinemark, Regal, Cinepolis and Cineplex locations across North America.

Back in August, AMC also announced a concert film of Taylor Swift's Eras tour . Presale revenues have surpassed $100 million for that movie, the company said.

It has not publicly released presale amounts for the Renaissance film, an AMC spokesperson told NPR.

• Renaissance World Tour

Another Tour?! Beyoncé Disrupts The Internet With ‘Cowboy Carter’ Truck Visuals

The BeyHive is clutching their wallets after Beyoncé posted visuals of a massive Japanese truck that had her album name, “Cowboy Carter,” adorned on one side. 

On April 22, Beyoncé took to her social media and  ate up her visuals. She wore a black fringed leather ensemble and cowboy hat alongside her shiny new truck. The “Texas Hold Em” star was seen in the caption-less clip imitating a gunfighter’s stance and other poses on and around her truck. Fans were not only stunned by the visuals but also by the thought of a world tour.

The Beyhive warned the “Cowboy Carter” star that they don’t have the funds for another tour this year.

Following the release of “ Act II: Cowboy Carter” to Beyoncé award-winning project Renaissance, the Beyhive are claiming they are not ready for another tour. It has been nearly eight months since the explosive  Renaissance starring the headliner’s daughter, Blue Ivy.

“You just look like you are about to ask for some money.  I ain’t got it!” one fan wrote in the comments section of the visuals.

“Bey, we’re not ready for the tour! Please wait until 2025! The economy is broken!” another fan demanded. 

“BEYONCÉ! Please! What are you up to? I AM BROKE!!!” a third supporter chimed in. 

“All this activity is giving me anxiety, cuz girl, what are you about to do?? I ain’t got the funds for it,” a supporter questioned.

In another post, Beyoncé shared a carousel of her in the same black getup with a focus on the truck’s features. The flashy black vehicle was adorned with red Japanese writing at the front, and a big banner of Bey’s “Cowboy Carter” album cover decked on one side. 

Other fans urged the hitmaker to hold her brakes because they’re still recovering from her last tour.

From May to September 2023, Beyoncé fans across the world witnessed an explosive Renaissance concert show featuring Blue Ivy.

“Girl, please do a tour next year. I’m still recovering from the Renaissance world tour,” one fan pleaded. 

Some fans wondered if Beywent as far as to obtain a CDL Truck License.

“Not you got your CDLs!?” one fan asked.

“She got her CDL. Congrats, Bey!” another supporter praised.

Although Bey has not officially announced a world tour, her celebration for making history continues.

MadameNoire reported on Beyoncé’s history-making moment when she became the first Black woman to top the Billboard’s Country Albums chart with her March release of “Act II: Cowboy Carter.” The news broke after the highly-anticipated album ranked number one in the United States with more than 300 million on-demand streams and around 168,000 in traditional album sales. 

“I have a few surprises on the album and have collaborated with some brilliant artists who I deeply respect,” Beyoncé wrote in an Instagram post on March 19. “I hope that you can hear my heart and soul and all the love and passion that I poured into every detail and every sound.”

Beginning April 26, a new documentary called Call Me Country: Beyonce & Nashville’s Renaissance will stream on Max in the U.S. It will explore how Beyoncé and her album “Cowboy Carter ” made an impact on the country music genre amid a revolutionary movement of Black country artists.

For the anxious BeyHive, the surprises keep on coming with these latest Instagram visuals, new truck showcase and documentary.

Do Y’all think Bey’s planning a tour or not?

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Tina Knowles Models 'Vintage' Destiny's Child's Tour Shirt She Swiped from Daughter Beyoncé's Closet

Knowles shared a photo of her posing in some merch from the group’s 2005 Destiny Fulfilled… and Lovin’ It tour

Frank Micelotta/Getty; Tina Knowles/Instagram

Beyoncé ’s fashion archives have got the one thing Tina Knowles wants — Destiny's Child merchandise. 

The Grammy winner most likely has tons of bespoke designer pieces in her wardrobe, but her mom only has eyes for her early aughts band tees. 

In an Instagram post shared on April 23, Knowles, 70, confessed that she had snagged a “vintage” Destiny’s Child shirt from her daughter’s closet for a day at the Cécred offices. 

The T-shirt features a photo of Beyoncé, Michelle Williams  and Kelly Rowland , as well as their signatures. It looks the memorabilia is from the R&B trio’s Destiny Fulfilled… and Lovin’ It world tour, which marked their last before the group disbanded in 2006. 

Knowles paired it with a long-sleeve shirt underneath, dark-wash jeans and black boots. 

“Stole this vintage T-shirt from @beyonce ,” Knowles wrote in the caption. “I gave it back though!” 

Fans had lots of compliments to throw around in the comment section, with one writing, “Keep it Mama, it looks great on you.” Another fan couldn’t wrap their head around shopping in the Beyoncé’s closet. “Imagine stealing from Beyonce and it being allowed,” someone joked. 

Tina Knowles/Instagram

With Knowles teasing the “very Cécred day” she had in the same post, it also has us wondering what Beyoncé’s haircare brand is up to. 

The company, of which Knowles is vice chairwoman, launched in February , but it has already been a huge hit within the Beyhive (and beyond).

Cécred debuted with the Foundation collection , an assortment of eight products — shampoo, scalp scrub, mask, conditioner, oil and treatments included — that cleanse, condition and strengthen hair of all textures and types. 

Never miss a story — sign up for  PEOPLE's free daily newsletter  to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories.

When creating her much-awaited haircare line, Beyoncé was inspired by hair rituals from around the world and, of course, her mom, who formerly ran Headliners salon in Houston. 

“So much of the fabric of who I am came from her salon,” Beyoncé told Essence . “That’s my foundation—and I think as an artist, so much of my bold experimentation with hair comes from being inspired by art and sculptures; getting creative with braids; figuring out new techniques; and exploring ways to maintain hair growth with protective styles and wigs, while still feeling fabulous. It all stems from my experiences growing up in my mother’s salon.”

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Taylor Swift and Beyoncé Avoided a Collision on the Charts. (Again.)

Pop’s two reigning queens are often cast as rivals, but they have continually supported each other — and spaced out their album releases.

By Craig Marks

In February, Taylor Swift took the stage at the Grammy Awards to accept the prize for best pop vocal album. After dutifully thanking the Recording Academy and her fans, she got down to business: “My brand-new album comes out April 19,” she said, in a surprise announcement revealing “The Tortured Poets Department.” It was a heads up for her loyal followers, as well as anyone else in the business with a spring release on the radar: If you want your new album to debut at No. 1, don’t release it on April 19. Or April 26. Or May 3, for that matter.

A week later, following a teaser during a Super Bowl commercial, Beyoncé also dropped news of a new album : “Cowboy Carter” would arrive earlier than “Poets,” with breathing room, on March 29. Another pop powerhouse in the Grammy audience made her own announcement in early April: Billie Eilish will unveil her forthcoming third album, “Hit Me Hard and Soft,” a month after Swift’s release, on May 17.

Beyoncé and Swift, the 21st century’s pre-eminent pop stars, have often been cast as competitors if not rivals, a story line partly rooted in misogyny and amplified by dueling fan armies filled with stans, or superfans.

For their part, the two artists have regularly dispelled the notion over the years. They were first linked, through no fault of their own, at the 2009 MTV Video Music Awards, when Kanye West interrupted a Swift acceptance speech to advocate for her fellow nominee Beyoncé; later that night, Beyoncé brought Swift onstage to finish her remarks. In 2021, Swift shared on Instagram that Beyoncé had sent her congratulatory flowers after Swift won the album of the year Grammy for “Folklore,” calling Beyoncé “the queen of grace & greatness.” And last year, following their blockbuster stadium tours, they appeared at each other’s concert film premieres, a pointed rebuke to message-board zealots looking to sow discord.

“Clearly, it’s very lucrative for the media and stan culture to pit two women against each other, even when the two artists in question refuse to participate in that discussion,” Swift told Time magazine. (Representatives for Swift and Beyoncé declined to comment.)

In fact, when it comes to album releases, whether by design or by chance, the two superstars have generally avoided one another altogether. The only other time they’ve released LPs in the same window was way back in November 2008, when Beyoncé’s “I Am … Sasha Fierce” supplanted Swift’s “Fearless” at No. 1. Absent Swift’s 2006 debut LP, every studio album from Beyoncé and Swift — 21 in all, including Swift’s rerecordings of her earlier catalog — has entered the Billboard 200 at No. 1. (Eilish’s previous albums both opened big at the top, as well.)

In the streaming era, where songs have superseded albums as music’s main currency, and chart placements are based on an opaque formula that blends streams with sales, a No. 1 album doesn’t have quite the same cultural or historical resonance it once did. Still, said Jonathan Daniel of Crush Management, which oversees the careers of Miley Cyrus, Green Day and Lorde, it remains “a great talking point,” perhaps most of all for the online superfans who take pride in hoisting their heroes to the top.

“Pop-stan Twitter is fierce,” Daniel said. Partisans treat the Spotify and Billboard charts like a zero-sum game. “It’s their version of sports.”

While top artists and their teams tend to avoid overlapping album releases in order to secure a No. 1 and the bragging rights that go along with it, that wasn’t always the case. “In the days when the only way to consume music was to go to your local record store or big-box retailer, labels would sometimes schedule a release so that it would come out on the same day as a similar but bigger release,” said Keith Caulfield, Billboard’s managing director of charts and data operations.

That way, someone who came to Best Buy to purchase, say, “the ‘Bodyguard’ soundtrack might also spot the new Anita Baker CD and say, ‘I’ll get that, too,’” he said. Before social media, where artists can post album updates to their followers with unrelenting frequency, casual fans might not even have known a new record existed unless they spotted it in the wild.

One of the most high-profile examples of convergent superstar releases came in September 2007, when the rappers Kanye West and 50 Cent colluded to issue their new albums on the same date. “We marketed it like a heavyweight boxing match,” said Dennis Dennehy, who led publicity for 50 Cent’s label, Interscope. “It was Ali vs. Frazier.”

West and 50 Cent, both signed to subsidiary labels of Universal Music Group, appeared together on the cover of Rolling Stone to hype the event and draw people to record stores. “It was like a get-out-the-vote campaign,” Dennehy said. The reward was increased first-week sales of both titles and a clarion call for hip-hop’s commercial clout; the risk, as 50 Cent found out, was finishing a distant second. Kelefa Sanneh, writing for The Times , called it “a low point” in 50 Cent’s career.

Nearly two decades later, competing film studios borrowed a page from that playbook and plotted the movie event known as “Barbenheimer” last summer. Both “Barbie” and “Oppenheimer” opened on July 21, and moviegoers flocked to theaters, some seeing both films in the same afternoon. “Barbie” grossed $162 million that weekend, “Oppenheimer” $82.4 million.

“Usually, movie release dates are this big game of chicken,” said Paul Dergarabedian, senior media analyst for box-office tracker Comscore. “Like, who’s going to blink first and move off their date.” In this case, the studios purposefully went head-to-head in the heat of the summer movie season. The result? “It turned into an absolute phenomenon,” Dergarabedian said. “Both movies were winners.”

For the likes of Swift and Beyoncé, pinpointing an album release date is both art and science, a calculation based on such disparate factors as proposed tour schedules, the availability of vinyl pressing plants and optimal timing for Grammy consideration. And sometimes, even the best laid plans can go awry.

Daniel recounted that last year, Cyrus’s “Endless Summer Vacation” and Lana Del Rey’s “Did You Know That There’s a Tunnel Under Ocean Blvd” were originally slated to be released on the same date, but Del Rey’s album ended up pushing back two weeks. “And then Morgan Wallen’s ‘One Thing at a Time’ came out the week before,” he said, “and knocked us all out of the water .”

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Beyonce's Renaissance World Tour: See all the epic photos and fashions

Beyoncé is currently making her way through the North American leg of her Renaissance World Tour and captivating concertgoers with her dazzling performances and fashion moments.

The Grammy-winning singer most recently performed at Gillette Stadium in Foxborough, Massachusetts, Tuesday night and will perform next at FedExField in Summerfield, Maryland, Aug. 5-6.

MORE: Beyonce's daughter Blue Ivy appears onstage during Paris show

Here are some of Beyoncé's most stunning looks from her shows so far:

Beyoncé first kicked off her world tour in Europe in May, wowing audiences with her vocals, theatrics and style choices in major cities including, Paris, London and Barcelona.

One standout look came during her first show in London, when she stepped out onstage in a red bespoke Off-White bodysuit, which was covered in 40,000 red hotfix crystals , according to the label.

She also wore a custom bee-inspired look from Mugler.

The singer's 11-year-old daughter Blue Ivy Carter has also appeared on the Renaissance World Tour stage. Blue Ivy made her tour debut during her mom's show in Paris . She also took the stage during Beyoncé's concert tour stop in East Rutherford, New Jersey, at MetLife Stadium.

See more of Beyoncé's showstopping looks below:

MORE: Beyonce announces 'Renaissance' world tour for 2023

Read on for everything you need to know about Beyoncé's world tour.

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When did Beyoncé announce the world tour?

Seven months after the release of her seventh studio album, "Renaissance," the "Cuff It" singer took to Instagram to announce her Renaissance World Tour .

The tour is her first solo tour in more than six years.

When did the Renaissance tour start?

The Renaissance World Tour kicked off Wednesday, May 10, at the Friends Arena in Stockholm, Sweden.

According to the Friends Arena website , the show was slated to run for three hours.

MORE: Beyonce teases new release 'Break My Soul,' dropping at midnight

When does the tour run until.

In addition to Stockholm, Paris, London and Barcelona, the European leg of her tour made stops in Belgium, the United Kingdom, and Denmark. Beyoncé's final European show was in Warsaw, Poland, on June 28.

The North American leg of the world kicked off in Toronto at Rogers Centre on July 8. Following her show at FedExField -- which is located just outside Washington, D.C. -- the singer will head to Charlotte, North Carolina; Atlanta; and Tampa, Florida.

Beyoncé's final scheduled performance of the tour will be held Oct. 1 at GEHA Field at Arrowhead Stadium in Kansas City, Missouri.

When was the last time Beyoncé toured?

Beyoncé's last solo tour was the Formation World Tour in 2016, which followed the release of her sixth studio album, "Lemonade."

In 2018, she toured with her husband Jay-Z, for the On The Run Tour.

What is the Renaissance World Tour setlist?

During her tour, Beyoncé has performed songs off her latest album, including "Cuff It," "Heated" and "Virgo's Groove."

At her first tour stop in Stockholm on May 10, she sang a number of fan favorites, including "1+1," "Run the World (Girls)," "Get Me Bodied," and "America Has a Problem," among others.

Beyoncé's "Renaissance" album was released on July 29, 2022, after it was leaked two days prior. The album is the first part of a three-act project and features a total of 16 tracks with collaborations from artists such as Drake, Tems and Pharrell Williams.

MORE: Beyonce officially drops 'Renaissance' album, thanks fans for 'unwavering support'

In an Instagram post, the singer said that "Renaissance" was recorded over three years during the COVID-19 pandemic.

"Creating this album allowed me a place to dream and to find escape during a scary time for the world," she said. "It allowed me to feel free and adventurous in a time when little else was moving. My intention was to create a safe place, a place without judgment. ... It was a beautiful journey of exploration."

How to get Beyonce 2023 tour tickets

While tickets to see the singer on tour sold out quickly in many cities around the world when sales began in February, fans can still purchase tickets on Ticketmaster.

This article was originally published on May 10, 2023.

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Looking for cheaper Eras Tour tickets? See Taylor Swift at these 10 international cities.

Swifties who want to snag tickets to Taylor Swift’s colossal Eras Tour know the experience won’t come cheap.  

This year, the billionaire will only visit three U.S. cities – Miami, New Orleans and Indianapolis – and prices for the in-demand shows are astronomical . For the Oct. 18 show in Miami, for example, cost of a single ticket ranged between $1,615 and $8,524 on StubHub.com as of Wednesday afternoon.

So, how else can fans see one of the world’s biggest singers? Go abroad .

In the past 30 days, searches for ‘Taylor Swift Europe tour 2024 tickets’ have increased by 300% in the U.S., indicating that some people are ready to take a long-haul flight to see the wildly popular artist live, according to travel website Islands.com .

Concert-goers who head to Europe for their Swift experience may actually save more money in the long-run . Not only are ticket prices across the pond cheaper, but many European cities, like Warsaw and Lisbon, are also budget-friendly, offering inexpensive food and lodging. 

Learn more: Best travel insurance

Was the travel worth it? Beyoncé and Taylor Swift's summer concerts drew fans from afar

To determine the most affordable Eras Tour stops, Islands.com researchers compared the cost of a two-night trip, including one cheap ticket on StubHub.com, two nights at a four-star hotel, six inexpensive meals, two five-mile taxi rides, and one domestic beer. However, researchers didn’t account for airline tickets or concert merchandise.

With safety at the top of travelers' minds, the researchers also factored in the city’s safety rating out of 100. 

10 cheapest destinations for the Eras Tour in 2024

10. Vienna, Austria - total average cost: $1,089, safety score: 69.72

9. Cardiff, U.K. - total average cost: $1,061, safety score: 61.83

8. Lyon, France - total average cost: $1,047, safety score: 44.3

7. Lisbon, Portugal - total average cost: $1,028, safety score: 70.15

6. Munich, Germany - total average cost: $1,000, safety score: 78.88

5. Paris, France - total average cost: $971, safety score: 41.83

4. Stockholm, Sweden - total average cost: $935, safety score: 53.86

3. Hamburg, Germany - total average cost: $903, safety score: 57.51

2. Gelsenkirchen, Germany - total average cost: $749, safety score: 51.33

1. Warsaw, Poland - total average cost: $712, safety score: 72.98

AMC Theatres Building Distribution Team With New VP Hire After ‘Eras Tour,’ ‘Renaissance’ Box Office Success

By Rebecca Rubin

Rebecca Rubin

Senior Film and Media Reporter

• AMC Theatres Building Distribution Team With New VP Hire After ‘Eras Tour,’ ‘Renaissance’ Box Office Success 14 hours ago
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AMC Theatres , the world’s largest cinema chain, is leaning into distribution.

The company is expanding its distribution team with a key hire and promotion, underscoring its commitment to releasing its own movies in addition to showcasing titles from traditional and independent studios. AMC Theatres launched its distribution team with the premieres of last year’s concert films, “Taylor Swift: The Eras Tour” and “Renaissance: A Film by Beyoncé.” 

Popular on Variety

AMC is bolstering the team by promoting Kevin Arnold to VP of programming promotions and partnerships, effective immediately. Arnold, who joined AMC in 2011, has risen through the ranks in the film programming department. Now, he will oversees promotional strategies that aim to drive moviegoer engagement and increase ticket sales.

“The remarkable success of AMC Theatres Distribution last fall opened an exciting new business for AMC, and we are thrilled to have Stephanie Terifay’s expertise and enthusiasm build upon the brilliant leadership of Nikkole Denson-Randolph,” said Elizabeth Frank, AMC’s chief content officer. “Through the addition of Stephanie and the much-deserved elevation of Kevin Arnold, AMC Theatres Distribution is well positioned to continue to deliver exciting and compelling content to moviegoers at AMC and across the industry domestically and internationally.”

AMC seems to be heeding the advice of its unofficial box office queen: “Shake it off.”

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Kid Cudi cancels tour: Ankle broken at Coachella is ‘much more serious,’ needs surgery

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Kid Cudi is canceling his upcoming Insano: Engage the Rage World Tour after finding out his broken ankle is “much more serious” than he thought.

“Guys, so, I have a broken calcaneus,” Cudi posted Wednesday on social media. “Im headed to surgery now and there’s gonna be a long recovery time. We have to cancel the tour so I can focus on getting better to be out there in top shape to rage with you all.”

Kid Cudi is ‘hoping’ his Coachella broken ankle will be healed in time for Insano tour

Kid Cudi offers an update on the ankle he broke jumping off the Sahara stage on the last day of Coachella 2024. He seems upbeat, albeit a little uncertain.

April 23, 2024

The calcaneus is more commonly known as the heel bone. While some ankle fractures can heal in weeks, a broken calcaneus has a longer recovery time. “This type of fracture commonly occurs during a high-energy event — such as a car crash or a fall from a ladder — when the heel is crushed under the weight of the body,” the American Academy of Orthopedic Surgeons says on its website . Surgery is often required to prevent heel deformity.

This, friends, is why you don’t jump off one of the tallest stages at Coachella.

“There’s just no way I can bounce back in time to give 100%,” Cudi said. “The injury is much more serious than I thought.”

The U.S. leg of the Insano tour was supposed to start June 28 in Austin, Texas, and conclude with a show in Los Angeles on Aug. 30. Kid Cudi planned to head to Europe in early 2025; it’s unclear whether that part of the tour is still on.

Drake removed from lawsuit over Astroworld crowd crush that left 10 fans dead

A judge removes Drake, who performed with Travis Scott at the 2021 Astroworld concert, from a suit filed by families of the 10 fans who died in a crowd crush.

April 12, 2024

The rapper said that ticket holders will be contacted by email and receive a full refund. Also, new tour dates will be announced as soon as possible.

In a video posted earlier this week and captured by TMZ , Kid Cudi said with a chuckle, “This is what happens when a 40-year-old man tries to prance around offstage like he’s 26, like he used to do back in the day.” He added that he was “hoping” to be healed up in time to hit the road.

So much for that idea.

“I’m so sorry fam and I love you all so much, thanks for the endless love and support. Im really disappointed as im sure you guys are too, but I will be back. Thats a promise,” the rapper wrote Wednesday.

“Im ok, just a lil soreness, but im in good spirits.”

View this post on Instagram A post shared by Willis (@kidcudi)

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Christie D’Zurilla is an assistant editor for entertainment news on the Fast Break team. A graduate of USC, she joined the Los Angeles Times in 2003 as a copy editor, started writing about celebrities in 2009 and has more than 34 years of journalism experience in Southern California.

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