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6 Best Songs for Real Estate Videos (Free to Use)

Jun 9, 2023

Most Popular Songs for Open Houses

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Background music may be the perfect finishing touch to a showing. “Choosing the right soundtrack for your open house can make your property instantly more appealing to prospective buyers by creating the right atmosphere,” according to a new analysis from Living Cozy, a home and furniture brand retailer, of the top songs for real estate. The company analyzed around 100 property-selling playlists on Spotify to uncover the most popular songs and genres when selling a home.

While some mellow and softer tunes top the overall list, the survey found that pop and rock music were the most popular genres for selling a home.

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17 Best House Songs of All Time: Essential House Tracks

Hey there, fellow music lovers and DJs! It’s your favorite DJ, TBone, coming at you with a brand new, handpicked list of the 17 best house songs of all time.

As the owner of Level Tunes, I’ve had the privilege of spinning the decks at countless events, and over the years, I’ve come to appreciate the sheer genius of the house music genre. With its funky basslines, soulful vocals, and infectious beats, house music has a special place in my heart and I know it does for many of you too.

I’ve been getting tons of requests to share my favorite house tracks, and I thought it was high time I put together a list that showcases the timeless classics that have kept dancefloors packed and audiences grooving.

Whether you’re a DJ looking for some inspiration, or just a music fan searching for the ultimate house playlist, this is the list for you. I hope these tracks bring you as much joy as they’ve brought me, and keep the party going all night long!

Here are the best house songs of all time that you can check out:

List Of Best House Songs of All Time

Best House songs of all time in a list format:

1. Frankie Knuckles – “Your Love”

Album: Ultimate Production Year: 1987 Label: Trax Records

The legendary Frankie Knuckles, often regarded as the ‘Godfather of House Music’, gifted us “Your Love.” This tune, which is both soulful and hauntingly beautiful, has an unmissable synth line and captivating vocals by Jamie Principle. It’s a track that screams nostalgia, from the days when warehouse parties were a sanctum for house lovers. Choosing this song is a no-brainer because it has laid the foundation for so many house tracks that followed. It’s as relevant today as it was back in ’87.

2. Robin S – “Show Me Love”

Album: Show Me Love Year: 1990 Label: Champion Records

When you think of house anthems, “Show Me Love” instantly springs to mind. Robin S’s powerful vocals, combined with that iconic keyboard riff, create a timeless track that never fails to ignite the dancefloor. It’s a song about desire, passion, and the search for a genuine connection. This track has seen countless remixes, but the original remains an undisputed champion.

3. Inner City – “Good Life”

Album: Paradise Year: 1988 Label: 10 Records

Crafted by the genius of Kevin Saunderson and Paris Grey, “Good Life” is a house masterpiece. With its uplifting lyrics and mesmerizing beats, it transports you directly to a space of euphoria. This song represents everything house stands for: celebration, unity, and a good time.

4. Marshall Jefferson – “Move Your Body”

Album: Move Your Body: The Evolution of Chicago House Year: 1986 Label: Trax Records

Often labeled the “House Music Anthem,” Jefferson’s “Move Your Body” with its rhythmic piano chords and enthralling beats is a call to the dance floor. Every time it plays, you’re compelled to move, and that’s the essence of a great house track.

5. CeCe Peniston – “Finally”

Album: Finally Year: 1991 Label: A&M Records

“Finally” is a jubilant anthem, celebrating the thrill of finding love. Peniston’s vocals are a tour de force, backed by a beat that guarantees a rush of nostalgia. The song remains a staple in clubs worldwide, a testament to its timeless appeal.

6. Daft Punk – “Around The World”

Album: Homework Year: 1997 Label: Virgin Records

French duo Daft Punk redefined house music with their innovative approach. “Around The World” is repetitive in its lyrics but incredibly hypnotic, with a groovy bassline and playful melody.

7. Crystal Waters – “Gypsy Woman (She’s Homeless)”

Album: Surprise Year: 1991 Label: Mercury Records

Waters’ “Gypsy Woman” is a perfect blend of deep house with soulful vocals. Its iconic “la da dee, la da da” remains unforgettable. This song not only makes you dance but makes you feel, diving deep into the narrative of a woman’s life.

8. Moloko – “Sing It Back”

Album: I Am Not a Doctor Year: 1998 Label: The Echo Label

Moloko’s “Sing It Back” is a delightful blend of electronica and house. Roisin Murphy’s sultry vocals combined with a catchy tune make it a must-have in every house playlist.

9. Stardust – “Music Sounds Better with You”

Album: Music Sounds Better with You (Single) Year: 1998 Label: Roule

An evergreen classic, Stardust created a track that embodies the spirit of French house. The recurring guitar riff and infectious vocals make it a timeless hit.

10. Larry Heard – “Can You Feel It”

Album: Trax Records: The 20th Anniversary Collection Year: 1986 Label: Trax Records

Larry Heard, under his moniker Mr. Fingers, created a track so powerful and raw, it sends shivers down your spine. “Can You Feel It” is minimalistic, yet deeply emotional.

11. Alison Limerick – “Where Love Lives”

Album: And Still I Rise Year: 1990 Label: Arista

Limerick’s soulful voice in “Where Love Lives” captures the essence of pure 90s house. The song, rich in its melody, is an anthem of love and hope.

12. Black Box – “Ride on Time”

Album: Dreamland Year: 1989 Label: Groove Groove Melody

This Italian group made waves with “Ride on Time,” a dance-heavy track with infectious energy. It’s an ode to the 90s dance music era.

13. Kerri Chandler – “Bar A Thym”

Album: Bar A Thym (Single) Year: 2005 Label: Nite Grooves

Kerri Chandler’s deep house marvel, “Bar A Thym,” is a testimony to house music’s power to be both upbeat and soulful. The track’s infectious rhythm makes it a DJ favorite.

14. Ten City – “That’s the Way Love Is”

Album: Foundation Year: 1989 Label: Atlantic

Ten City brought the essence of Chicago house with this gem. It’s a melodic journey that narrates the highs and lows of love.

15. Basement Jaxx – “Red Alert”

Album: Remedy Year: 1999 Label: XL Recordings

“Red Alert” is an explosion of funky beats and quirky vocals. Basement Jaxx’s unique blend of house and electronica creates an unforgettable dance experience.

16. Armand Van Helden – “You Don’t Know Me”

Album: 2 Future 4 U Year: 1998 Label: FFRR

Van Helden’s classic is a testament to house’s ability to capture raw emotion. With sampled vocals from Duane Harden, it’s a track that resonates with many, even today.

17. Masters At Work ft. India – “To Be In Love”

Album: MAW Records: The Compilation Vol. 1 Year: 1997 Label: MAW Records

Masters At Work and India’s collaboration resulted in a soulful house track that tugs at the heartstrings. Its rich vocals and harmonious beats epitomize the deep emotions house music can evoke.

Don’t forget to check:

17 Underrated Rap Songs 17 Underrated Christmas Songs 17 Underrated Love Songs

Fun Facts: Top House Tracks of All Time

“your love” by frankie knuckles.

• Sample Inspiration: “Your Love” was inspired by a mashup of two tracks: First Choice’s “Let No Man Put Asunder” and “You Saved My Day” by Cheryl Lynn. Frankie Knuckles played this mashup at his DJ sets and decided to recreate the magic in the studio.
• Godfather’s Legacy: The title of ‘Godfather of House Music’ was given to Frankie Knuckles by his fans due to his pioneering work in the genre. “Your Love” is one of the defining tracks that earned him this title.

“Show Me Love” by Robin S

• Chart-Topper: This song was a massive success in the US and UK, reaching number five on the US Billboard Hot 100 and number six on the UK Singles Chart.
• Enduring Classic: “Show Me Love” has been covered and remixed by various artists, including Sam Feldt, whose 2015 version became a hit once again.

“Move Your Body” by Marshall Jefferson

• House Anthem: Jefferson actually wrote “Move Your Body” with the intention of it being an anthem for the house music genre. He succeeded, as it remains one of the most iconic tracks in house music history.
• Piano Power: The distinctive piano line in “Move Your Body” is credited with popularizing the use of piano in house music.

“Finally” by CeCe Peniston

• Debut Success: “Finally” was CeCe Peniston’s debut single, and it became an instant success. It peaked at number five on the Billboard Hot 100 chart and was certified Gold by the RIAA.
• Early Beginnings: Peniston wrote the lyrics to “Finally” during a college poetry class. The lyrics were inspired by her experience of finally finding the perfect man.

“Around The World” by Daft Punk

• Visual Feast: The music video for “Around The World,” directed by Michel Gondry, features various groups of characters (including skeletons, robots, and mummies) dancing on a multi-level platform. It’s been praised for its choreography and creativity.
• Repetitive Genius: The lyrics of “Around The World” consist solely of the phrase “around the world” repeated 144 times. Despite its repetitiveness, the song became a hit due to its catchy melody and production.

“Gypsy Woman (She’s Homeless)” by Crystal Waters

• Social Commentary: Crystal Waters wrote “Gypsy Woman” after observing a well-dressed woman sifting through a garbage can. The song’s lyrics highlight the plight of homeless people who often go unnoticed.
• Last-Minute Addition: The catchy “la da dee, la da da” refrain was added to the song at the last minute. It became the song’s signature and helped propel it to international success.

“Ride on Time” by Black Box

• Sampling Controversy: “Ride on Time” heavily samples Loleatta Holloway’s 1980 disco hit “Love Sensation.” However, Black Box initially failed to credit Holloway, leading to a lawsuit and subsequent settlement.
• Chart Domination: Despite the controversy, “Ride on Time” became the UK’s best-selling single of 1989 and topped the UK Singles Chart for six consecutive weeks.

“Bar A Thym” by Kerri Chandler

• In the Family: Kerri Chandler comes from a lineage of jazz musicians. His influences are evident in “Bar A Thym,” where he combines jazz elements with house music.
• The Art of Sampling: “Bar A Thym” samples the percussion from Earth, Wind & Fire’s “Brazilian Rhyme.” Chandler masterfully incorporates this into the track, creating a unique and infectious rhythm.

Thanks for reading.

Hi, I’m TBone, a DJ with over 20 years of experience spinning tunes in clubs, on cruises, and at weddings. With a massive collection of vinyl and CDs, I always know the perfect tracks for any occasion and love sharing my passion for music through my website, Level Tunes.

Other playlists:

• 17 Songs About a DJ: Must-Hear Tracks
• 11 Songs About Kurt Cobain: A Musical Tribute
• 11 Songs About Matter: Exploring Existence
• 11 Love Songs by Bad Bunny: Feel the Love

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The 20 best house tracks ever

Time Out writers and Rinse FM DJs pick the four-to-the-floor house tracks that defined dance music in the '80s and '90s

After evolving on the Chicago club scene in the early ‘80s, house music exploded at the end of the decade to become the world’s most exciting and innovative dance genre. By the early ’90s, massive pop stars like Madonna, Janet Jackson and Kylie Minogue were all incorporating elements of house music into their sound – a sure sign that it had infiltrated the mainstream. Thanks to globally renowned DJs like Honey Dijon and The Blessed Madonna, house music is still filling dance floors today, and has spawned no end of sub-genres including acid house, witch house, electro house, handbag house and, most recently, tropical house – come on, you know you’re partial to a few Kygo tunes.

But these 20 house music anthems picked by Time Out Music writers and DJs from iconic London radio station Rinse FM are the OG four-to-the-floor bangers from the pioneers of the genre. Play ‘em loud and play ‘em proud! 

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Best house tracks, ranked

1.  ‘The Sun Can’t Compare’ – Larry Heard Presents Mr White

Released in 2006, when house was being drowned out by the sounds of amped-up electro, the totemic figure of Larry Heard quietly dropped this magisterial piece of vocal-acid treasure. It’s been a DJ favourite ever since (for everyone from Ellen Allien to Julio Bashmore ) thanks to its pulsing bleeps and plaintive vocal vibes.

2.  ‘House Nation’ – The House Master Boyz and The Rude Boy of House

Hinged on an explosive loop of stuttering, multi-tracked vocals, this 1986 classic brought the thrill of robotic machine-funk to a wider audience after its release on seminal Chicago label Dance Mania. Those hypnotic vocal surges still send shivers down spines today.

3.  ‘Pacific State’ – 808 State

Few, if any, UK acts managed to nail the sound of Chicago house like Manchester’s 808 State. Not only did they find the US city’s groove in ‘Pacific State’, they also stamped on their own inventive mark, via a hyperactive bassline and a wailing saxophone hook that shouldn’t work but absolutely does.

4.  ‘Acid Trax’ – Phuture

When they started mucking about with a Roland TB-303 synthesiser, Chicago trio Phuture (featuring DJ Pierre) probably didn’t realise they had stumbled across the squelchy, jagged sound of acid house – house music’s weirder, cooler, wide-eyed sibling. But they had and it sounded amazing. Released in 1987, ‘Acid Trax’ was the first and fiercest of many early tunes that went on to shape the sound of rave.

5.  ‘Playing with Knives’ – Bizarre Inc

There are plenty of early ’90s tracks that mixed house and rave to great effect, but perhaps none more so than this impossibly energetic stomper. The manic piano stabs, rushing rhythm and commanding vocals provide a soundtrack for burning more calories than any exercise video ever did.

6.  ‘No UFO’s’ – Model 500

Techno master Juan Atkins also made some incredible, spacey proto-house under his electrified Model 500 moniker. ‘No UFO’s’ was decidedly, defiantly different to the abundance of smoother, Chicago-style tracks of the time (1985), making its weird, robotic grooves even more alluring.

7.  ‘It’s You’ – E.S.P.

This track from a little-known Chicago duo demonstrated that stripped-back, minimal house could still carry a killer groove. The percussive rhythms, wandering bass, occasional synth hits and whispery vocals are all beautifully simple, making for a laid-back, funky gem when mixed together.

8.  ‘Where Love Lives’ – Alison Limerick

One of the finest example of how dance music could do more than just borrow hooks and melodies from pop, ‘Where Love Lives’ went one step further. Britsh singer Alison Limerick’s rich vocal lines are layered over upfront house beats, creating the perfect crossover record, aimed right at the mainstream, but still retaining the dance music credentials of all involved.  Though it originally dropped in 1990, it wasn’t until 1996 that a remix package finally sent ‘Where Love Lives’ into the dizzy heights of the UK top ten, where it really belonged. The same year, it also climbed into the upper echelons of the US club charts, where it also deserved to live.

9.  ‘Love Can’t Turn Around’ – Farley ‘Jackmaster’ Funk

Originally a riff on a proto-house classic, Isaac Hayes’s 1975 disco foray ‘I Can’t Turn Around’, this collaboration between turbo-lunged singer Darryl Pandy and Farley Keith blew the roof off house music at the time. It still has the distinction of being a true crossover hit that’s maintained its dancefloor appeal decades on.

10.  ‘Rhythim is Rhythim’ – Strings of Life

Those springy piano chords, those kaleidoscopic synth stabs, those driving beats… They just always sound great. Detroit’s Derrick May (working under the name Strings of Life here) might be a techno pioneer, but he arrived there by feeding Chicago house through a futuristic, funky shredder, epitomised by this timeless track. Back in 1987, it heralded the era of rave, it accelerated house, it sounded sublime then and still does now.

11.  ‘Good Life’ – Inner City

One of Detroit techno don Kevin Saunderson’s housier, poppier moments – under his Inner City project with singer Paris Grey – also became his most well-known. With its unashamedly upbeat vocals and colourful ’80s synths all over the place, ‘Good Life’ showed that dance music wasn’t all about heads-down raving in a dark basement club – it could also be (whisper it) happy, for no damn reason at all. In recent years its joyous hooks have been sampled by modern house stalwarts Hercules and Love Affair and pop superstar Rihanna.

12.  ‘Your Love’ – Frankie Knuckles / Jamie Principle

First recorded by Jamie Principle (hailing from – you've guessed it – Chicago), the ‘Godfather of House’ Frankie Knuckles made the track famous with his slightly punchier version, still featuring Principle. The arpeggiated synth-line that introduces the track signals something special is about to happen, and over seven-and-a-half minutes it certainly does, marrying a heartfelt electronic love song with heady dancefloor bliss – something that so many house tracks strive for but so few achieve. It’s been covered and reworked by many different DJs and producers over the years, but Knuckles and Principle’s version is the one that has rightly gone down in dance music history.

13.  ‘Chime’ – Orbital

Based around a couple of simple but utterly hypnotic loops, ‘Chime’ rang out Orbital’s floaty take on house loud and clear. It also soundtracked countless chill-rooms across the land as the perfect example of ambient-leaning dance music which still had enough of a pulse to dance to, should you be able to drag yourself off the bean bag.  According to legend, it cost Orbital (a.k.a. Sevenoaks-born brothers Paul and Phil  Hartnoll) less than £1 to produce.

14.  ‘Voodoo Ray’ – A Guy Called Gerald

Helping pioneer the UK strain of Chicago-licked acid house with 808 State wasn’t enough for Gerald Simpson, who also recorded this seminal sizzler of a track on the side. Heavily influenced by the psychedelic side of house, ‘Voodoo Ray’ also utilised trippy, tribal rhythms, making for a multicoloured post-rave odyssey that still sounds deliciously heady today.

15.  ‘Percolator’ – Cajmere

Having your track remixed by every DJ and their dog doesn’t necessarily mean that the original is a classic. In Cajmere’s case, however, there’s no question. The bubbling, filtered blips are so beautifully weird when mixed in with a driving Chicago rhythm that it’s impossible to ignore it. If you’ve been to more than a handful of club nights, it’s almost guaranteed you’ll have heard a DJ drop this deviant dancefloor-filler.

16.  ‘Deep Inside’ – Hardrive

This energetic club anthem bore all the musical trademarks of its creators, Louie Vega and Kenny Dope, better-known under their Masters at Work moniker: chopped-up soulful vocals samples, jazzy chords and a pulsing, carnival-tinged beat that evolved from the funkier end of disco. Impossible to resist in a club. Or anywhere else, in fact.

17.  ‘Can You Feel It?’ – Mr Fingers

To those who regard electronic music as being devoid of emotion, we give you this staggering 1986 masterpiece from the saintly Larry Heard (under his Mr Fingers alias). The ultimate break-of-dawn anthem, the combination of butt-shaking low-end acid bass and bleary-eyed synths make this more vivid than an acid flashback.

18.  ‘French Kiss’ – Lil’ Louis

This number from Chicago’s Lil’ Louis was one of the first house tracks to enjoy both considerable commercial success and heavy club airplay on its release. Even one listen to its infectious, unrelenting groove and orgasmic tempo shifts is enough to understand exactly why it got everyone so excited.

19.  ‘Mystery of Love’ – Fingers Inc.

Chicago-based production/vocal outfit Fingers Inc. may only have been active for a few years in the mid-’80s, but they released some undisputed gold during that time. Easily at the top of the pile is ‘Mystery of Love’, an epic, atmospheric vocal house journey that seduces the listener but also demands some dancefloor action.

20.  ‘No Way Back’ – Adonis

The mechanical, acidic take on house that Adonis perfected on ‘No Way Back’ in 1986 mixed retro-futurism with the spirit and soul of classic Chicago house, retaining more than enough funk in its lifeblood to fill any dancefloor.

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How To Set Up a Successful House Concert Tour

This is an excerpt from the best-seller How To Make It in the New Music Business - Third Edition by Ari Herstand .

House concerts are not a new thing. There is a long tradition in the folk world that dates back to the ’60s. However, they seem to have had a massive resurgence over the past decade of singer-songwriters trading in club touring for house shows. Personally, I’ve played about 30 house concerts and these shows have been some of my favorite (and most profitable) shows of my career. Nothing beats the connection of a room full of supporters sitting merely feet from you, soaking up every note, every word, and every beat. A living room concert is one of the most memorable concert experiences a fan (and artist) will ever have. 

And house concerts aren’t just for tiny singer-songwriters. Artists like Vance Joy, David Bazan (of Pedro the Lion), Jeremy Messersmith, Julia Nunes, Califone, Mirah, Laura Gibson, Tim Kasher of Cursive, S. Carey, Richard Buckner, Alec Ounsworth of Clap Your Hands Say Yeah, and John Vanderslice have set up house concert tours over the past few years.  

With house shows you don’t have to deal with bad sound guys, drunk a**holes, empty clubs, or the headache of promotion. Shannon Curtis has a great book on how to book a house concert tour, called No Booker, No Bouncer, No Bartender: How I Made $25K on a 2-Month House Concert Tour (And How You Can Too) , which I highly recommend if you’re thinking of getting into the house concert game. You can also check out ConcertsInYourHome, which is a community of house concert hosts around the world. If you are accepted as an artist into the network, you can set up full tours to cities you’ve never visited in great homes of acoustic fans. Or, Side Door, a newer startup that similarly connects hosts and touring artists. More on Side Door in a moment. 

And when Covid shut down the entire live music industry, many DIYers got creative, putting on drive-in, driveway and backyard concerts. We at Ari’s Take put on a drive-in concert in the summer of 2020. This was one of the first concerts to take place since lockdown in Los Angeles County. The artist Annabel Lee headlined the event and celebrated the release of her song “Los Angeles.” We promoted it on Instagram and required fans to text her (SMS service) for more info (which auto- returned a link to buy tickets). We sold tickets (price per car—people packed their household into their cars) through Splash and hosted the concert at a friend of a friend of a friend’s big open lot (because the owner of the parking lot we had originally booked got Covid five days before the show!). Fortunately, we didn’t release the location, via text, until the day before the show. 

We handed out an instruction sheet to every car (via a grabber stick), which had instructions on how to tune in (via the car radio), how to buy merch, social, stream and download links (via QR code, of course). We had a dedicated merch person managing the Venmo account, running around to cars with their merch items.

The show went off without a hitch. Live music had been officially shut down for four months at this point, and this concert was desperately needed by Annabel, her band, her fans and everyone else involved.

After having his summer 2020 tour canceled, Toronto-based singer-songwriter John Muirhead reached out to his local community offering driveway concerts and booked 10 driveway concerts in the Toronto area. And then in early 2021, once he had started to build up his TikTok presence, he compiled some footage from the previous summer into a little advertisement-style video. It spread on TikTok extremely quickly (racking up nearly 30,000 views) and returned more requests for driveway concerts in Ontario than he could handle (hashtags worked wonders). John filled up his entire calendar with these throughout 2021. He charged hosts a guaranteed minimum around $200–300 CAD, and averaged around $7 CAD per head in merch sales. Win!

The Nova Scotia–based company Side Door, co-founded by singer-songwriter Dan Mangan and music industry professional Laura Simpson, connects artists with hosts and helps them facilitate private concerts—both in person and online. All payments are taken digitally, and the money is kept in escrow until the show happens. The host and artist negotiate a payment split on the platform. They have name-your-price ticketing, global transactions, and geotargeting. Artists can even facilitate tours by automatically selecting the locations they are looking to tour to, and the registered hosts in those areas get notifications and can decide whether to host the artist.

Side Door currently has 3,000 venues and hosts registered in North America (mostly in Canada), and more popping up in Europe and around the world. They’ve facilitated shows with Vance Joy, Broken Social Scene, Feist, Barenaked Ladies, Tom Odell, Said the Whale and thousands of others.

The quirk-rock band More Fatter set out on a 43-date backyard concert tour in the summer of 2021. Half the shows were ticketed ($30 through Eventbrite), and the other half were $30 suggested donation. Some shows had 50+ people packed into the backyard. And other shows where they didn’t have much of a base and the host didn’t promote it super well had 5–10. They sold T- shirts for $40 and burned CDs of new demos for $20. They completely sold out of all their merch after multiple reorders. They toured in a 2005 Toyota Sienna and crashed on couches to keep expenses down. In two months, they made $25,000. That’s the thing with house concerts. It’s such a magical experience that you can get away with selling your merch much higher than you would at a club. It’s much more personal. People aren’t simply buying your merch for the item, they’re buying it as a souvenir from the night. And to have a special connection with you when they make the transaction.

THE BOOKING

The beauty of house concerts is that you only need one superpassionate fan per city to set up a house concert. Put out feelers to your email list and on social sites. Set a guarantee plus a percentage of tickets, or you can play for tips. 

You’ll have to designate Fridays and Saturdays (or Sunday afternoons) for house concerts, since most hosts have 9-to-5 jobs and won’t want to organize it for a weekday. But some may. 

Plan your house concerts about two to three months in advance. Give your hosts plenty of time to invite guests and get excited. 

You’ll want to tour with an amp or PA (and all mics/stands/cords) to plug in your guitar, keyboard and vocal mic. The host will most likely know nothing about sound and have zero sound equipment. You should be able to set up anywhere and play. Don’t forget your extension cords and power strips. 

The email I send out to potential hosts usually looks something like this: (Feel free to copy whatever you want)

Ari Herstand Living Room Concert! 

What the . . .? 

I’d like to set up shows in people’s living rooms/backyards/dorm lounges/etc. and have a very intimate experience—something that isn’t necessarily possible in many clubs I play. I’m going to play many new, unreleased songs for these performances—many songs that translate very well to the living room, but maybe not so well to the club. 

Interested? 

If you’d like to host a living room concert, all you need to do is reply and fill in the information below and I’ll get back to you with possible dates for your area. I need you to bring at least 20 people to the concert—hey you have home turf advantage! 

What I charge. 

The concert costs $450 + 80% of admission after $450 is met. This means, if you charge $25 a head (what I recommend) and 30 people show up, that equals a total of $750. I end up with $690 (you end up with $60) at the end of the night. If 12 people show up, that equals a total of $300. I end up with $450 at the end of the night (you have to cover the remaining $150). If you’re confident you can bring 18 people at $25 a head, everyone who lives in the house basically gets a free concert because I don’t charge the hosts and hostesses. Just so you know, this is much lower than my normal “private concert” rate, but because I want people who really dig my music—dare I call them fans—to be able to afford this and not have to pay an exorbitant amount out of pocket, I’ve reduced my rate for these house concerts. I used to take 100% after $450, but I’ve added the 20% to the host idea to give you an incentive to provide simple snacks/drinks for your guests and so you don’t lose money. 

What to provide. 

All you need to provide is a big enough space to hold everyone. Also, make sure my performance space (corner) is well lit with upright bright lamps or something and then the rest of the room can be dim with candles or other lamps. People are most comfortable sitting on chairs, couches, benches, husbands, boyfriends, girlfriends, etc., so it would be great if you had enough seating for everyone. Maybe encourage people to bring a pillow, blanket, or lawn chair to sit on if you don’t have enough chairs. Make sure you have a key person who will collect money from everyone at some point. 

The concert will last about 2 hours. The first 45 minutes I’ll play an acoustic, mostly unplugged (chill) set. Then take a 15-minute intermission and the next hour will be a full looping show—plugged in. Make sure your neighbors are OK with this. Won’t get too loud, though. I’m looking to start at 7:30 for most places.

Notes for this experience: 

Please let your guests know that this is an intimate, private concert by a touring musician. 

This is not a party. Promote my music to all guests and get them excited about the music if they don’t already know my stuff. This is not a drinking party with your best bud providing the entertainment. While alcohol is absolutely okay (and encouraged if somehow a Guinness ends up in my hand), this is not a time to get wasted. 

Also, please inform your guests, maybe at the start (because I don’t want to look like the bad guy), that talking is very uncool during the performance. 

Anything else? 

I’ll most likely need a place to crash that night, so if you have a couch, that would be fantastic. If you provide dinner for me, as well, I’ll love you forever. 

Please fill in this info and I’ll get back to you with open dates: 

City, State: 

Are you in high school or college (please list where): 

If in high school list parent’s name:

and email: 

How many live with you (are they okay with this): 

Do you live in a house, dorm, apartment, etc. (elaborate): 

Expected number of attendees: 

Where will this be held (living room, backyard, dorm lounge, etc. please elaborate): 

Exact Address: 

Contact Phone Number: 

Hopefully I’ll see you soon!  ~Ari 

And once you confirm a date, make sure you send them a confirmation email. Here’s what I use :

Details: 

Saturday, March 17 

Contact: Mickey Mouse 

Phone Number: 612-555-5555 

1234 Beautiful Lane 

St. Paul, MN 55104 

7:30–9:30 (you can change this if need be) 

$25 a person (hosts excluded) 

$450 guarantee + 80% of cover after $450 

Make public (upon request) or keep private? 

Load in: 6:00 

Sound check: 6:30 

Provided equipment: lamps to light my performance area (corner), mood lighting for the rest of the room 

Sleeping accommodations? yes 

**CANCELLATION POLICY 

Because I am routing a tour around this show, once this is confirmed, we cannot cancel it. Please do not confirm this unless you are certain you can afford the concert and/or can get enough people to attend. If you have to cancel the show less than 3 weeks before the date, I will still need to receive 70% of payment. 

Please confirm these details and we’re set! 

Thanks!  ~Ari

Customize this for you

People have organized pot lucks, birthday, graduation and anniversary parties around these. You will have a lot of fun with house concerts, and even if you’re a full band, as long as you tour with a full PA system, you can set up backyard and basement concerts. 

You will build lifelong fans this way. Attendees get a very personal experience, get to hang out with you before and after the show, and typically buy tons of merch. 

Make sure you pass around the mailing list clipboard or iPad and get every single person’s email who comes. If 30 people show up, the next time through you can book a club and you can estimate that each of them will bring at least 1 more person and now you have a solid 60 for your club show. 

Shannon Curtis typically works solely on tips and merch sales for her living room concerts, and it has worked out very well for her. If you’re just starting out, you can go this route, as well. But make sure the host discusses the importance of the tip jar (she advises not to include a suggested donation because if you say the show is worth $10, no one will drop a twenty in). The tip jar (and merch) should be placed right near the front door so it absolutely cannot be missed. 

Companies like Sofar Sounds, Side Door and ConcertsInYourHome organize (or help artists and fans organize) house concerts. Sofar Sounds has set up intimate, living shows with oftentimes famous artists like Hozier and Karen O of Yeah Yeah Yeahs. 

House concerts are a beautiful, unforgettable experience for everyone involved. •

Ari Herstand is the CEO and founder of the music business education company Ari’s Take and its online school Ari’s Take Academy as well as the host of the Webby Award winning New Music Business podcast. He is the author of the book How To Make It in the New Music Business which is a No. 1 best seller in 3 categories on Amazon and is being taught in over 300 universities in the U.S. and has been translated into multiple languages. As a musician he has played over 1,000 shows all over the world and has released 4 albums. As a speaker he has spoken at SXSW, Music Biz, BBC One Introducing, NAMM, SF MusicTech, Berklee College of Music and UCLA. He fronts the 1970s original funk/soul immersive concert theatrical experience, Brassroots District.

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56 Catchy Songs About Home To Play on Repeat

Whether you live in a small town or big city, these songs will transport you home.

Home means something different to everyone, so it makes sense that songs about home span practically every genre of music. From country to R&B to pop to rock, songs about home have relatable lyrics that remind you of where you grew up and celebrate your hometown. There are plenty of songs about homes and hometowns that are nostalgic, especially country tunes. Even if you've never been to the South, when you listen to "Sweet Home Alabama" or "Take Me Home, Country Roads," it's hard to resist singing along while picturing blue skies and the highway that leads to your childhood home.

The best songs about home capture a myriad of emotions, from the excitement of finding your new dream apartment to coming to terms with your parents' selling your childhood home. Some songs even move us to tears by touting the importance of the physical home that we live or were raised in.

While plenty of home songs are sentimental, they can be about new beginnings too. Whether you're redecorating , remodeling, or finding a new home, you can blast songs that perfectly capture fresh starts like "Welcome to New York" by Taylor Swift . Songs about home can be about more than a physical place—they can also be about the people you love and surround yourself with. Take Leon Bridges's "Coming Home." However you feel about where you came from or where you live now, we've rounded up the best 56 songs about home you'll want to play on repeat.

"To Learn (Too Much Time in My House Alone)" by Leith Ross

"home" by cavetown.

ADD TO PLAYLIST

"To Build a Home" by The Cinematic Orchestra

"homesick" by dua lipa, "never grow up (taylor's version)" by taylor swift, "homesick" by noah kahan, "home" by one direction, "home by now" by bombay bicycle club, "home by now" by muna, "sweet home alabama" by lynyrd skynyrd, "i'll name the dogs" by blake shelton, "home" by michael bublé, "the house that built me" by miranda lambert, "my house" by flo rida, "christmas tree farm" by taylor swift, "almost home" by mariah carey, "lego house" by ed sheeran, "home" by phillip phillips, "honey, i'm home" by shania twain, "suburbia" by troye sivan.

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How To Put On A House Concert And Host Them Successfully (A Guide For Musicians)

Having hosted and played many house concerts, I’ve become familiar with the good and the bad of both hosting and performing. In fact, two years ago I went on a house concert “tour” organized by Home Routes – an organization that sets up tours of house concerts for all sorts of artists.

On this tour, we saw the gamut. There were some shows that were rewarding, special, and financially lucrative experiences. There were also others where we kind of felt like we were just a replacement for a TV.

I’ve also recently become involved with an organization called Sofar Sounds – they set up secret house concerts in strange places and film them. It’s a great community, and I love the concept behind it.

But first, if it's your aim to do music professionally, you'll want to check out our free ebook while it's still available:

Free eBook: Discover how real independent musicians like you are making $4,077 - $22,573+ monthly via Youtube, let me know where to send the details:

Why House Concerts?

Artists love house concerts, because they have the opportunity to make “forever fans”. These are the kinds of loyal fans that will donate to your PledgeMusic campaign and buy your merch. House concerts are also really intimate and fun. On top of that, they generally pay pretty well.

Audience members love going to house concerts because they are intimate and private, you can bring your own booze, and it’s usually a fun community of friends putting it on.

Hosts love putting on house concerts because it’s a very fun and artistic way to host a house party, everybody is guaranteed to be in a good mood, and they get to have amazing artists right in their house. When done right, house concerts are amazing for everyone involved.

So here is my guide to putting on a great house concert. This is a valuable skill, because as a musician, at some point, you’ll probably find yourself helping out a friend in need and putting on a house concert for them . Or, maybe you just think they’re fun to organize! Here’s what you need to know to make your next concert a success.

Setting A Ticket Price Is Recommended

While in certain scenes (such as the punk scene or EDM scene), a donation-based approach is the norm, in most situations, a set ticket price is a good idea. Here’s why:

Musicians Get Paid Fairly

Even though it’s “just a house show “, there is still a lot of energy that goes into performing and then chatting with the audience afterwards. Musicians deserve to get paid for their work, and having a set ticket price means they know what they’re getting into and whether it's worthwhile.

At house concerts, musicians are supposed to get paid fairly. They may even expect it, especially if they've played a few house concerts before.

A House Concert Is More Of A Concert Than A Party

If you’re in to hosting a true house concert , you need to do what you can to make it a truly concert-like experience. Having a ticket price encourages people to pay attention to the music and appreciate the fact that it’s so intimate and personal. People always value what they pay for more than what they don't pay for.

Keep in mind that your goal is to create a “listening room” environment where people are there to listen and pay attention to the artist instead of causing a lot of raucous. House concert etiquette dictates that the audience is there to listen and appreciate the artist.

Tickets Can Be Used As RSVPs

House concerts with seven people are pretty awkward for everyone involved. You want to know how many people are coming and so does the artist. You should also offer tickets at the door, but selling tickets in advance makes it easier to know how many people are coming, and enables you to give the artist something of a guarantee.

You can take cash, eTransfers, or checks, whatever you want. Most house concert hosts will also have a bucket or a hat at the door to encourage anyone who hasn’t paid to pay up then and there.

Generally, ticket prices should be set between $10 and $20. More high-caliber artists may require the ticket price to be $20. That was the ticket price when I went on the Home Routes tour.

Set Up Concert Seating

In order to make sure everyone feels comfortable and to set the right tone for the concert, you need to set up some concert seating. Figure out where the artist is going to be setting up, and line up some seats in front of that area. This gives people direction and lets them know they are at a concert.

Of course, you probably won’t have enough seats for everyone – that’s totally fine! You really don’t need to have a seat for all in attendance. The point of the seating is to offer those who might need seats (older or disabled folks) a place to sit, and to set the expectations for the night.

House concerts are as casual as they are formal. Audience members often stand, sit on the floor, find some space on a couch, or just find a comfortable place from which to enjoy the concert, which is why you don't need seating for everyone.

You may also want to set up some additional extras, like a makeshift stage, a good fog machine for atmosphere , some nice lights or other. These could all add to the mood, depending on what you want to achieve.

Say A Few Words Before The Show

It’s always nice for the host to say a few things before the concert starts. This way you can really set the tone for the occasion. Talk about the artist, talk about how lucky the audience is to get to experience their music this way, and mention the tickets and the artist’s merch. This will go a long way and help you build and maintain a strong relationship with the artist.

Introductions also have a way of lending more credibility to the artist.

Set Up A Place To Sell The Artist's Merch

House concerts are a great place to sell merch as well as tickets. Audiences are usually very engaged and they get excited. Then they end up wanting to buy merch. Merch is one of the pillars of any artist’s tour finances. Giving them an easy way to sell it will make them very happy.

You can set up a table, or set aside some space on a counter top, whatever is most convenient. Artists will appreciate it if it's somewhere visible and easy to get to.

Encourage A Pot Luck

Everyone loves food, especially when it’s free. However, it’s going to be hard for you to cook food for everyone – that takes time and money. Instead, encourage your friends or audience members to bring an item to share!

Most people won’t mind cooking something small to share with a group. It doesn’t have to be mandatory, just encouraged. The added benefit is if you take this step, you’ll set the tone for all future house concerts, that there should be food!

Provide A Meal For The Artist

Of course, this isn’t totally necessary, but boy do we appreciate it. You’re probably already making food for the concert, so making something to share with the band or artist performing shouldn't be too much work, and is a very nice gesture.

Just ask if they would like to eat with you (most will say yes) and then consider if they have any food allergies. Artists are generally happy to eat whatever you cook, but it can't hurt to double check with them.

Again, this can help create a great experience for the artist, who you should be building a relationship with, especially if you think you might want them back for an encore performance.

Provide Water & Coffee/Tea

Providing some basics will make people feel at home and welcome. They’ll appreciate the gesture. Having drinks gives people something to do with their hands and makes everyone feel more comfortable.

How To Get Booked For A House Concert

First, post on Facebook (from your personal or professional account) that you’re looking to play house concerts. House concert hosts are always looking for new acts to book, and you will almost certainly get a few bookings this way. You'd be surprised by who is in your immediate and extended network of friends.

The next best thing you can do is talk to other artists, especially if you don't seem to be getting any bites on Facebook. Most everyone has played house concerts, and they’ll almost certainly be able to put you in touch with people who host them. Sometimes, artists will even have their house concerts posted on tour posters and websites, which can give you an idea about where to go to get bookings.

Another place to check is house concert directories. These make it easy to find potential venues in any state or province to flesh out your touring schedule.

Some house concert hosts have Facebook pages and websites – these are usually the most organized and professional hosts. To see if there are any of these in your city, search for [Your City House Concerts] on Google. Something will pop up! Again, these are the best opportunities to go after.

Once you find an opportunity that's right for you, just send a nice email telling the hosts who you are and when you want to play. If you’ve played house concerts before, let them know. Better yet, if you have live, acoustic video content, send them that.

Preparing Your Press Kit

Here are a few pieces of press that will make your life easier when booking house concerts:

• Good press pictures.
• Live videos of you playing acoustically, or recordings that show how you would play acoustically.
• A working website and social media presence.

This is about all you need. The main thing to focus on is great music. People will book you if they like your music.

How To Make The Most Of Every House Concert You Play

If you’re a musician, here are a few things you can do to maximize the effect of any house concert you play:

• Prepare a mailing list signup form, and don’t be afraid to pass it around. The single most important thing you can collect from people is their email address – make sure you’re collecting them at house concerts so you can stay in touch with engaged audience members. Even people that don't buy anything from you on the spot might drop by your website later to pick up a few merch items. You won't know unless you have the opportunity to email them.
• Have a good merch setup – make sure your merch is well organized and visible. It’s not uncommon to sell $200 of merch at a house concert.
• Get good at talking to a crowd. Playing house concerts is inherently different from playing a bar. Learn some jokes and be ready to interact with a crowd that has the ability to shout things at you!

Most importantly, house concerts are relaxed, fun gigs – have fun and make sure your audience has fun too!

Playing a house concert is one thing. Hosting is another entirely. Your eyes will open to the practical realities of organizing a great show if you find yourself on the hosting end. This experience will teach you a lot, and will ultimately make you a better artist too. If you succeed in your hosting duties, people will also begin to see you as a bit of a tastemaker and influencer, at least on a local level.

It’s hard to hate an artist that’s doing something good for other artists. If you’ve never hosted a house concert before, you could be missing out on something amazing.

P.S. Remember though, none of what you've learned will matter if you don't know how to get your music out there and earn from it. Want to learn how to do that? Then get our free ‘5 Steps To Profitable Youtube Music Career' ebook emailed directly to you!

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Join the Watchhouse Mailing List

By the time 2019 came to its fitful end, Andrew Marlin knew he was tired of touring. He was grateful, of course, for the ascendancy of Mandolin Orange, the duo he’d cofounded in North Carolina with fiddler Emily Frantz exactly a decade earlier. With time, they had become new flagbearers of the contemporary folk world, sweetly singing soft songs about the hardest parts of our lives, both as people and as a people. Their rise—particularly crowds that grew first to fill small dives, then the Ryman, then amphitheaters the size of Red Rocks—humbled Emily and Andrew, who became parents to Ruby late in 2018. They’d made a life of this.

Still, every night, Andrew especially was paid to relive a lifetime of grievances and griefs onstage. After 2019’s Tides of a Teardrop, a tender accounting of his mother’s early death, the process became evermore arduous, even exhausting. What’s more, those tunes—and the band’s entire catalogue, really—conflicted with the name Mandolin Orange, an early-20s holdover that never quite comported with the music they made. Nightly soundchecks, at least, provided temporary relief, as the band worked through a batch of guarded but hopeful songs written just after Ruby’s birth. They offered a new way to think about an established act.

Those tunes are now Watchhouse, which would have been Mandolin Orange’s sixth album but is instead their first also under the name Watchhouse, a moniker inspired by Marlin’s place of childhood solace. The name, like the new record itself, represents their reinvention as a band at the regenerative edges of subtly experimental folk-rock. Challenging as they are charming, and an inspired search for personal and political goodness, these nine songs offer welcome lessons about what any of us might become when the night begins to break.

“We’re different people than when we started this band,” Marlin says, reflecting on all these shifts. “We’re setting new intentions, taking control of this thing again.”

For full bio and promotional material please click here .

MANAGEMENT Jimmy Rhine [email protected]

BOOKING / EU & UK Stuart Kennedy [email protected] Colin Keenan [email protected]

BOOKING / NORTH AMERICA Josh Brinkman [email protected]

PRESS James Rainis [email protected] Jerome Ware [email protected] Matt Hanks [email protected]

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Pete Townshend Suggests Another Who-Related Project Could Be Turned into a Musical

A fter reteaming with acclaimed theater director Des McAnuff for the Broadway revival of the musical based on The Who’s famous 1969 concept album, Tommy , Pete Townshend has his eye on another album project by his band that could be brought to the stage.

In a new interview with Billboard focusing on The Who’s Tommy musical, Townshend and McAnuff were asked if another musical piece from the guitarist/songwriter’s catalog could be ripe for a theatrical interpretation.

[Buy Tickets to The Who’s Tommy Musical]

“Well for me, it’s Life House ,” Townshend answered, referring to the complex 1971 multimedia project he’d conceptualized but was unable to bring to fruition at the time, leading to the creation of the Who’s Next album.

“Songs like ‘Baba O’Riley,’ ‘Won’t Get Fooled Again,’ ‘Pure and Easy,’ ‘Behind Blue Eyes,’ those songs all emanated from a sci-fi piece that I wrote called Life House ,” Townshend explained. “[It] had a strong spiritual backbone and a lot of ethical issues are brought up in it. This was meant to be the follow-up to Tommy , and it began at the Young Vic theater [in London] in 1971, but was really a bit too ambitious, I think, to survive.”

[RELATED: The Who’s Pete Townshend Sets the Record Straight on His Past Comments About a Farewell Tour]

He continued, “I would love to do something theatrical or some kind of modern production based on that—that would be my dream, I think, right now. It feels like it has potential. I’ve recently shared some of the collateral of that with Des.”

About Life House

In brief, Life House is a sci-fiction tale set in a dystopian future where people are unable to go outside because of pollution. Instead, they wear special suits that offer them simulated life experiences. The story also involves a guru-like character who seeks to bring people together at a giant rock concert that will use music to help bring them to spiritual enlightenment.

When the project fell apart, The Who selected nine songs from Life House to make a single album, which is how Who’s Next was born.

Over the years, Townshend presented elements from the Life House project in various ways. In 2023, The Who released a massive box set gathering together the music from the Life House and Who’s Next sessions. It also included a graphic novel that told an updated version of the Life House story.

McAnuff Also Is Interested in a Life House Musical

In the Billboard interview, McAnuff shared, “I’m digging into the box set, Who’s Next/Life House, and I’m incredibly excited because I think that the music in Who’s Next, as with Tommy, is obviously masterful, brilliant songs that continue to bounce around in my brain all these years later.”

He also noted, “I also love [The Who’s 1973 rock opera] Quadrophenia —an extraordinary score. But for me it’s Life House next.”

Townshend added, “Give us another five years.”

About The Who’s Tommy Musical

The Broadway revival of The Who’s Tommy musical officially opened on March 28 at the Nederlander Theatre. The original production premiered on Broadway in 1993, and went on to win several Tony Awards.

Asked what the differences might be between the original musical and the new production, Townshend said to Billboard , “A number of people who saw the original show in ’93 have told me they think the storytelling is more solid and clearer somehow this time around.”

He added, “I don’t think it’s because there’s less distraction, because the stage is still a sleigh ride, a visual feast, an onslaught of image and light and color.”

The show currently is scheduled to run through November 24, 2024.

Tickets for The Who’s Tommy are available now via various outlets, including StubHub .

When you purchase through links on our site, we may earn an affiliate commission.

The post Pete Townshend Suggests Another Who-Related Project Could Be Turned into a Musical appeared first on American Songwriter .

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Ranking Every Diss Song in the 2024 Rap War

There have already been half a dozen diss songs in the rap war between Drake, Kendrick Lamar, and more. We ranked them all.

Drake is in the middle of an all-out war against Kendrick Lamar (and half the rap game ) right now, and diss songs are getting lobbed back and forth.

Since Kendrick’s explosive verse on “Like That” acted as a signal flare for anybody who has problems with Drake to step forward and get at him. Rappers like Rick Ross and Ye have answered the call, while Drake has been fighting back with his own responses (and AI?) to even the score. As we wait for more shots to land in the near future, here is a ranking of all of the direct diss tracks (not counting some of the more subliminal verses on We Still Don’t Like You ) that have come out of this rap war so far.

6. Future & Metro Boomin f/ Ye, “Like That” Remix

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Somehow, Ye figured out a way to wedge himself into this rap war by dropping a remix to Future, Metro Boomin, and Kendrick Lamar’s “Like That.” After answering Future’s call to jump on the remix, Ye enthusiastically explained that “everybody is very, very excited about the elimination of Drake,” but this track won’t be what gets that done. He transforms the original Metro-produced beat by adding a choir of Inter Milan hooligans, in the same way that he did on his No. 1 song “Carnival,” which makes it feel like it could have soundtracked a blockbuster movie trailer. But sadly, it’s less like Tarantino’s The Hateful Eight and more like Marvel’s Ant-Man 3 . And the lyrics are worse, as Ye spends the first half of the verse rapping about himself before firing off a few half-baked shots about Lucian Grainge, J. Cole, how he “can’t even think of a Drake line” (which is a lie). This remix falls in line with many of the lackluster verses that Ye has dropped recently, and it’s clear that he didn’t have much to add to this rap war, besides reigniting his long-running feud with Drake. He could have sat this one out. 

5. Drake f/ AI Tupac & AI Snoop Dogg, “Taylor Made Freestyle”

Taylor Made Freestyle pic.twitter.com/OrcdsIb8Wf — Drizzy (@Drake) April 20, 2024

4. J. Cole, “7 Minute Drill”

Yes, J. Cole loses points for apologizing for his diss at Kendrick Lamar and taking “7 Minute Drill” off of streaming. But even though Cole’s heart was never in the fight in the first place, his response to Kendrick’s “Like That” verse still out-paces some of the AI raps and self-indulging remixes that have followed it. The bars themselves are mild, and Cole says that he was “hesitant” to diss Kendrick on the track because he still “loves [his] brother.” It’s clear that he acted out of character by dropping “7 Minute Drill,” and while it’s not terrible, its lack of conviction is evident.

3. Rick Ross, “Champagne Moments”

Rick Ross gets points in this rap war just for pulling an extremely Rick Ross kind of a move and responding to Drake’s “Push Ups” within a few hours of the track “leaking” online. On “Champagne Moments,” Ross plays the ghost of Christmas past, present, and future by bringing up old rumors of ghostwriting, making the internet question whether or not Drake got a nose job, and everything in between. Then he finishes with an explosive outro where he accuses Drake of sending a cease-and-desist to French Montana, claims that he had work done to his body, and emphatically calls him “white boy” with enough passion to make even the most mature listener snicker. And then of course, there’s the cover artwork, which looks like a photoshopped photo of Drake as a white man, but is, in fact, a real photograph. Good old-fashioned shit-talking is the foundation of any good diss track, and Rick Ross is a hall-of-famer when it comes to that. 

2. Drake, “Push Ups”

Drake is such an indomitable force in rap that it takes a whole army of foes to join forces and make a coordinated effort just to attack him, and even then, he still finds a way to fire back against them all. “Push Ups” is a masterclass in multitasking, a song where he efficiently takes shots at Kendrick Lamar, Future, Metro Boomin, Rick Ross, The Weeknd, and even Ja Morant (?) with four minutes of straight bars on a beat that sounds like it could have soundtracked the OG Halloween franchise. Taking on half the rap game in one song is a daunting task, but Drake makes it look easy as he dedicates a few bars to everybody, shooting back at Future, making the internet try to figure out Kendrick’s shoe size, and delivering the funniest one-liner in rap this year with, “Metro, shut yo hoe ass up and make some drums, nigga.” “Push Ups” surfaced in a fumbled rollout that caused everyone to question the validity of a low-quality leak that sounded like it could have been AI, but the song itself is very strong and it deserves high placement on this list.  

1. Future & Metro Boomin f/ Kendrick Lamar, “Like That”

Kendrick rang the bell for the whole battle with his appearance on “Like That” and there still hasn’t been a moment that’s topped it (yet). With one explosive verse that shook up the entire rap landscape, Kendrick finally put an end to all of the pump-faking he and Drake had been engaging in since he last pushed the red button on “Control” a decade ago. What’s most impressive about “Like That,” though, beyond its sheer impact, is how effective Kendrick is in so few bars. He wastes no time to refute the Big 3 label, shit on Drake’s affinity for Michael Jackson with a clever bar about Prince, and make it clear that he wants all the smoke. Metro Boomin finding a way to say “fuck you” to Drake through the club-friendly production also helps make the case for “Like That,” a song that’s been sitting at No. 1 on the Billboard Hot 100 chart for three weeks. Drake has long been praised for his ability to diss rivals on hit songs that they have to hear in the club, so you know he’s seething now that someone did it to him. Kendrick managed to trigger an entire rap war off his first hand, so there’s no telling what else has up his sleeve. 

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Northeast Party House are kicking up a huge national tour

• X (formerly Twitter)

Northeast Party House are chucking the decks on the kitchen bench and unlocking the front door for a bunch of shows over August and September.

The high energy alt-electronic outfit are gearing up to release their fourth studio album  Enhancer  on May 17 and what better way to celebrate than by blasting out these new tracks live in a heap of rooms around the country?

They'll be officially launching the album with a couple of cheeky DJ sets at launch parties in Eora/Sydney, Meanjin/Brisbane and Naarm/Melbourne in mid-May. 

Then they'll be returning to smash out their hot new record at a string of dates around the country over August and September, with NZ's SACHI  along for the ride.

Northeast Party House will be bringing the energy to the Torquay Hotel on August 10 before working their way around the country and finishing up at Forum in Naarm on September 13.

That's a whole month of transforming venues into heaving house parties where you don't have to ask mum for permission first.

Tickets for the Enhancer tour are on sale from midday AEST on Wednesday 24 May, get more info over on the band's website .

Check out all the dates and details below, and get ready to kick into spring with a hell of a party.

Northeast Party House Enhancer Australian tour

with SACHI (NZ)

• Saturday 10 August - Torquay Hotel, Wadawurrung Country, Torquay Vic
• Saturday 17 August - Hobart Uni Bar, muwinina Country, Hobart Tas
• Thursday 22 August - UC Refectory, Ngunnawal Country, Canberra ACT
• Friday 23 August - Liberty Hall, Gadigal Land, Sydney NSW
• Saturday 24 August - King Street Bandroom, Awabakal Country, Newcastle NSW
• Friday 30 August - Beach Hotel, Bundjalung Country, Byron Bay NSW
• Saturday 31 August - The Tivoli, Turrbal Land, Brisbane Qld
• Saturday 7 September - Rosemount Hotel, Whadjuk Noongar Country, Perth WA
• Friday 13 August - Forum, Naarm, Melbourne Vic

Northeast Party House covers Violent Soho 'Covered In Chrome' for Like A Version [2014]

Northeast Party House's 'Brain Freeze' is the type we want in our heads

Northeast Party House covers Childish Gambino 'Redbone' for Like A Version [2017]

triple j, Untitled Group, Select Music and Six Boroughs Management presents

Northeast party house: enhancer tour 2024 with sachi, buy tickets.

Simply log in or sign up for a Moshtix account using the same email used for that purchase to unlock access to these tickets, subject to availability.

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Event details.

Untitled Group and triple j are pleased to present Northeast Party House’s Enhancer Tour 2024.

Renowned for their unapologetic celebration of life's wild moments, Northeast Party House is more than just a party band. Behind their hedonistic lyrics and raucous live shows lies a depth of musicality and substance that sets them apart in the Australian music scene. Entirely self-produced, the band's attention to detail and craftsmanship shine through in their intricate melodies, sugary hooks, and exhilarating beats, creating a sound that is as dynamic as it is infectious.

Enhancer - the band's fourth studio album - promises to be their most ebullient and expansive release yet. The title reflects the band's commitment and enthusiasm to creating music that uplifts and stimulates listeners. Throughout the album, Northeast Party House explores hybridisation, blending dance music with an indie spirit to create a sound that is uniquely their own.

The electrifying Naarm/Melbourne dance outfit is set to embark on their highly anticipated Enhancer tour this August. The band invites fans old and new to join them as they ignite dancefloors across Australia with their signature high-energy performance.

Don’t miss this opportunity to experience one of Australia’s most exciting electronic bands!

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Top house music artists to perform during NASCAR Chicago Street Race Weekend

Powerhouse showcase is part of a weekend of music events planned for grant park’s festival field great lawn, which also features previously announced sets by keith urban, the chainsmokers, the black keys and lauren alaina..

House Music 40 founder Vince Lawrence (far left) is joined by Wayne Williams, Curtis McClain, Byron Stingily, Chip E. and Marshall Jefferson, who are scheduled to perform as part of the Chicago House Music Showcase at this summer’s NASCAR weekend in Chicago.

Tara Lawrence

Some of the biggest names in house music will be celebrating the 40th anniversary of the genre in Grant Park as part of this summer’s NASCAR Chicago Street Race Weekend (July 6-7), it was announced Thursday.

The Chicago House Music Showcase — in partnership with House Music 40 — will feature a stellar lineup that includes Bad Boy Bill, Byron Stingily (Ten City), Chip E., Chuck “The Voice” Roberts, Curtis McClain, Dajae, The Good Girls (DJ Lady D, Lori Branch & Vitigrrl), Lidell Townsell, Marshall Jefferson, Maurice Joshua, The Outhere Brothers, Ralphi Rosario, Wayne Williams of the Chosen Few, and White Knight, according to Thursday’s announcement.

• Keith Urban, the Black Keys among headliners for NASCAR Chicago Weekend 2024

The showcase, celebrating the music and dance genre born in Chicago, takes place from 5 to 7:15 p.m. on July 6 at the festival’s main concert stage during the practice and qualifying sessions for Sunday’s NASCAR Cup Series race .

It’s all part of a weekend of entertainment planned at Grant Park’s Festival Field great lawn, which also features previously announced headliners Keith Urban, the Chainsmokers, the Black Keys and Lauren Alaina.

“We’ve never had a lineup of house artists like this on the same stage together, and we are excited to partner with a group like NASCAR who is committed to putting Chicago front and center of everything they do,” said Vince Lawrence, House Music 40 founder and the event’s curator.

Racing event ticket options, $150-$465, and VIP/hospitality suites (prices vary) are currently available for purchase at NASCARChicago.com . In addition, children 12 and under are free on July 6 and Youth general admission is $45 for the July 7 NASCAR Cup Series race, with paid adult admission. All tickets include access to the concerts.

• Chicago’s 2024 House Music Festival and Conference to celebrate genre’s 40th anniversary

StarTribune

Icehouse owner hopes to avoid eviction as music scene rallies around eat street venue.

Everything seemed in perfect order Wednesday night at Icehouse in Minneapolis. The tables, bar tops and standing-room-only areas were filled with patrons savoring food and drinks as they listened attentively to a cult-loved Twin Cities musician who'd been playing there for years, twangy songwriter Erik Koskinen.

Toward the end of the show, though, one of Koskinen's lyrics sounded extra haunting: "It's the end of the innocent / the end of the line."

Talking with patrons at the bar after the gig, Icehouse owner Brian Liebeck said he remains hopeful a lawsuit threatening to evict him over unpaid rent is not the end of the line for his supper club-style music venue. The club is going ahead with its busy roster of shows this weekend.

"We hope to work something out," said Liebeck, who claims he was blindsided by the lawsuit filed Monday by his landlords in Hennepin County District Court.

"We read about it in the news with everyone else."

Icehouse is near the corner of Nicollet Avenue and 26th Street. The addition of the supper club/music venue in 2012 helped bolster the area's trendy name, Eat Street. Icehouse owes more than $85,000 in unpaid rent, according to the lawsuit filed by Northpond Partners. A hearing is scheduled May 7.

A real estate developer based in Chicago, Northpond bought the multi-tenant historic building known as Icehouse Plaza for $7.7 million in 2017 with a local partner, Paster Properties. Two years later, Northpond also bought the Uptown neighborhood's anchoring mall, Calhoun Square, which it renamed and redeveloped into the struggling Seven Points.

Liebeck did not camouflage the struggles in his own business. In 2021, Icehouse received $637,357 from the U.S. Congress' Shuttered Venue Operator Grant program (aka SVOG, aka Save Our Stages ). That helped make up for lost revenue during the COVID-19 shutdown, but it did not cover more recent challenges.

"The last two years have been very tough on the local music scene," Liebeck said. "Pandemic support money ran out, and the club community has taken awhile to rebuild, both in terms of event bookings and getting big crowd turnout."

He also cited "rising labor costs and a big monthly rent increase that started several months ago."

Still, Liebeck brought in new partners and remained confident enough about Icehouse's longevity last year to add a new L-Acoustics sound system and renovate its balcony and bar areas. He also said he had "a positive working relationship" with the property owners and had been trying to negotiate new lease terms and even a possible buyout up until very recently.

"Just a few weeks ago, we made a proposal to try to figure out a long-term solution, including offering a significant upfront cash payment, but they never replied," he said. As of Thursday, he was still trying to set up a meeting with them.

A representative for Northpond Partners said the company has already given Liebeck ample time to resolve these issues and would still be open to a solution, but a satisfactory settlement has not yet been presented. Requests for further comment were declined.

Icehouse patrons and a wide cross section of the Twin Cities music community swiftly responded to the evection threat this week by voicing and pledging support for the club and eatery.

"It's just a great venue where musicians can get their fingers wet, and audiences can enjoy themselves comfortably," said Jack Torrey, co-leader of the Cactus Blossoms, who showed up to Wednesday's concert. "It'd be a shame to lose it."

Mike Michel, guitarist for the Orange Goodness, called Icehouse "a lightning rod for many" and said Liebeck "championed underground music in every genre.

"He gave musicians and people a home."

Watching from a table on the floor in front of the stage, Caitlin Abrams and Carl Anfinson of St. Paul said they go to Icehouse a few times a year to see Minnesota musicians perform.

"Concerts have gotten so expensive — with all the ticket fees and everything else — it's nice to come here to see some of the great local bands at an affordable price," Anfinson said.

Among the celebrated Twin Cities artists scheduled to perform at Icehouse in the coming days are neo-soul star PaviElle on Friday night, 97-year-old piano groover Cornbread Harris for Saturday brunch, acoustic guitar master Phil Heywood for Sunday brunch and an all-star cast in the Monday night jazz/improv series with Suburbs guitarist Jeremy Ylvisaker. For now, all shows are going on as planned, and new concerts are being booked at the venue.

"The outpouring of support by our supporters and the regular bands that perform here has been really heartwarming," Liebeck said, underlining his determination to stay open.

"We love this neighborhood and we are devoted to supporting local artists by given them a hip, safe space to perform."

Chris Riemenschneider has been covering the Twin Cities music scene since 2001, long enough for Prince to shout him out during "Play That Funky Music (White Boy)." The St. Paul native authored the book "First Avenue: Minnesota's Mainroom" and previously worked as a music critic at the Austin American-Statesman in Texas.

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