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Star Trek movies in order: Chronological and release

Untangle the different timelines and get the popcorn: Here are the Star Trek movies in order — both chronological and release.

• Chronological order
• Prime Timeline

The Original Series movies

The next generation movies.

• Kelvin Timeline
• Release order

Upcoming Star Trek movies

We've got a guide to watching the Star Trek movies in order, decloaking off our starboard side!

So long as movies stick numbers on the ends of their titles, it’s easy to watch them in order. Once they start branching out, however, things can get a little muddled, especially when reboots come along and start the whole process over from scratch. 

You may have heard that the even-numbered ones are good and the odd-numbered ones are not. That’s spot on for the films starring the cast of The Original Series (aka Kirk and friends) falls apart once you reach the tenth entry in the series. It would probably be worth your while to have this list of the Star Trek movies, ranked worst to best around to steer clear of the clunkers. Look, we’re not going to pretend everything here is worth two hours of your day, we’re just letting you know which came out after which.

Should your Trek appetite remain unsatiated after your movie watchathon, feel free to pull from either our list of the best Star Trek: The Original series episode s or best Star Trek: The Next Generation episodes . Either one will set you up for a weekend jam-packed with great Trek moments. Consult our Star Trek streaming guide for all the details on where to watch the movies and shows online 

Star Trek movies: Chronological order

Below is the quick version of our list if you just need to check something to win an argument, but it comes with a lot of in-universe time travel-related caveats that we'll explain below.

• Star Trek: The Motion Picture
• Star Trek II: The Wrath of Khan
• Star Trek III: The Search for Spock
• Star Trek IV: The Voyage Home
• Star Trek V: The Final Frontier
• Star Trek VI: The Undiscovered Country
• Star Trek: Generations
• Star Trek: First Contact
• Star Trek: Insurrection
• Star Trek: Nemesis
• Star Trek Into Darkness
• Star Trek Beyond

Star Trek: Prime Timeline

The first thing you need to know about the Star Trek films is that while they travel back and forth in time, they also diverge into two (for now) different timelines. The films of the original crew (well, the first iteration of them, anyway – more on that later) are all in what is known as the Prime Timeline. 

Within the Prime Timeline, the movies are then split between The Original Series movies and The Next Generation movies.

1. Star Trek: The Motion Picture

• Release date: December 8, 1979
• Cast: William Shatner, Leonard Nimoy, DeForest Kelley

This is the film that brought the voyages of the U.S.S. Enterprise to the big screen. An energy cloud is making its way toward Earth, destroying everything in its path. Kirk and crew intercept it and discover an ancient NASA probe at the heart of the cloud. Voyager – known as V’ger now – encountered a planet of living machines, learned all it could, and returned home to report its findings, only to find no one who knew how to answer. It’s a slow-paced film, and the costumes are about as 70s as they come, but there’s classic Star Trek at the heart of this film.

2. Star Trek II: The Wrath of Khan

• Release date: June 4, 1982
• Cast: William Shatner, Leonard Nimoy, Ricardo Montalban

Ask a Star Trek fan what the best Star Trek movie is and more often than not, you’ll get Khan as your answer. A sequel to the events of the “Space Seed” episode of The Original Series, Khan is a retelling of Moby Dick with Khan throwing reason to the wind as he hunts his nemesis, James T. Kirk. Montalban delivers a pitch-perfect performance, giving us a Khan with charisma and obsession in equal parts.

3. Star Trek III: The Search for Spock

• Release date: June 1, 1984

Spock might have died in The Wrath of Khan, but this third entry set up the premise for his return, with the creation of the Genesis planet. Essentially a heist movie in reverse, Search for Spock has the crew defying orders from Starfleet in an attempt to reunite Spock’s consciousness with his newly-rejuvenated body. It’s not a great movie, but it does include two very important events: the rebirth of Spock and the death of Kirk’s son at the hands of the Klingons. That’ll be important a few flicks from now.   

4. Star Trek IV: The Voyage Home

• Release date: November 26, 1986
• Cast: William Shatner, Leonard Nimoy, Catherine Hicks

If Star Trek fans don’t say Khan is the best Star Trek movie, odds are very high they say Voyage Home is. It’s a funny film where the mission isn’t destruction, but creation – or more accurately, repairing the devastating effects of humankind’s ecological short-sightedness. 

A probe arrives at Earth, knocking out the power of everything in its path as it looks for someone to respond to its message (yeah, it happens a lot). This time, however, the intended recipient is the long-extinct blue whale. To save Earth, Kirk and co. go back in time to 1980s San Francisco to snag some blue whales. The eco-messaging isn’t exactly subtle, but it doesn’t get in the way of a highly enjoyable movie.

5. Star Trek V: The Final Frontier

• Release date: June 9, 1989

A writers’ strike and Shatner’s directorial skills (or lack thereof) doomed this film before a single scene was shot. The core plot is actually pretty good: Spock’s half-brother hijacks the Enterprise so that he can meet God, which he believes to be… himself. Some Star Trek fans have an odd fondness for this movie, as it showcases the camaraderie of Kirk, Spock, and McCoy when they’re off-duty.

6. Star Trek VI: The Undiscovered Country

• Release date: December 6, 1991
• Cast: William Shatner, Leonard Nimoy, Christopher Plummer

Right, so if that Star Trek fan you’ve been talking to doesn’t choose either Khan or Voyage Home as the best Star Trek movie ever, they almost certainly name Undiscovered Country (and if they don’t, they have highly questionable taste, frankly). The Klingon moon of Praxis explodes, putting the entire Klingon race at risk. The Enterprise hosts a diplomatic entourage of Klingons, much to Kirk’s discomfort. 

Remember how Klingons murdered Kirk’s son? Well, he certainly hasn’t forgotten. Kirk’s lingering rage makes him the perfect patsy for the murder of the Klingon Chancellor, sending him and McCoy to a prison planet and setting the stage for war. Christopher Plummer is perfection as a Shakespeare-quoting Klingon general with no taste for peace.

7. Star Trek: Generations

• Release date: November 18, 1994
• Cast: Patrick Stewart, Jonathan Frakes, Brent Spiner

And thus the torch is passed from the crew of The Original Series to that of The Next Generation. It’s a bit of a fumble, to be honest, but they all did their best to get Kirk and Picard into the same film and have it make sense. Malcolm McDowell plays Soran, a scientist who will stop at nothing to control the Nexus, a giant space rainbow that exists outside of space-time. 

Soran lost his family when his home world was destroyed and he wants to re-join them (or at least an illusion of them) in the Nexus. He’s not so much a villain as a tragic figure, but the Nexus makes a meeting between Kirk and Picard possible. Not all that sensible, but possible.

8. Star Trek: First Contact

• Release date: November 22, 1996
• Cast: Patrick Stewart, Brent Spiner, Alice Krige

Okay, no, for real, if your Star Trek pal didn’t pick Khan or Voyage Home or… oh, nevermind. Cueing off the iconic two-part episode “Best of Both Worlds,” in which Picard is assimilated by the Borg, First Contact sees the collective traveling back in time in order to disrupt First Contact, the day Earth’s first foray into space attracted the attention of the Vulcans, kicking off the events that would eventually lead to Starfleet’s victory over the Borg. The Borg Queen torments Picard with visions of the past and tempts Data with humanity, going so far as to give him some human skin. 

The fight with the Borg aboard the Enterprise is thrilling, and the work on the surface to get first contact back on track is fun. Plus, there’s just nothing like Patrick Stewart turning it up to 11 as he lashes out at the enemy that haunts his dreams.

9. Star Trek: Insurrection

• Release date: December 11, 1998
• Cast: Patrick Stewart, Jonathan Frakes, F. Murray Abraham

Essentially an episode inflated for the big screen, Insurrection is about the Federation conspiring to displace a planet’s population in order to harvest the planet’s unique resource – super healing metaphasic particles. In addition to the rejuvenating natural resource, the Ba’ku also have access to exceptional technology, which they shun in favor of a more simple lifestyle. 

Data malfunctions, the villains are Federation allies (and former Ba’ku!), Picard gets to knock boots with a local – Insurrection is the very definition of “fine.” Chronologically, Insurrection is relevant for rekindling the romance between Riker and Troi, but not much else.

10. Star Trek: Nemesis

• Release date: December 13, 2002
• Cast: Patrick Stewart, Brent Spiner, Tom Hardy

Before he mumbled his way into our hearts as Bane, Tom Hardy was Shinzon, a clone of Picard the Romulans created in an eventually abandoned attempt to infiltrate Starfleet. Shinzon is dying, and all that will save him is a transfusion of Picard’s blood. Unfortunately, Shinzon also happens to be a megalomaniac who happens to want to destroy all life on Earth and maybe a few other planets, too, if he’s feeling saucy. 

Nemesis is notable mostly for killing Data with a noble sacrifice, only to resurrect him moments later in a duplicate body found earlier by the Enterprise crew.

Star Trek: Kelvin Timeline

The last of the Prime Timeline movies failed to impress at the box office, so it was a few years before anyone tried to bring the Enterprise back to the big screen. Rather than lean on any of the TV crews, this new slate of movies would serve as a reboot, welcoming new audiences while honoring long-time fans. Welcome to the Kelvin Timeline. (For all the ins and outs, check out our Star Trek: Kelvin Timeline explained article).

11. Star Trek

• Release date: May 8, 2009
• Cast: Chris Pine, Zachary Quinto, Karl Urban

Back to the beginning! Star Trek introduces us to James T. Kirk, Spock, and “Bones” McCoy as they meet and join the crew of the U.S.S. Enterprise. Though the plot is a relatively straightforward affair of a Romulan named Nero trying to destroy the Earth. His anger borne out of grief, what matters most is how it all came to be. In the future, Spock – the Prime Timeline version – tries to save Romulus from being destroyed by a supernova, but fails. Both his ship and Nero’s are kicked back in time, setting off a chain of events that diverge from the original, “true” timeline. 

The name “Kelvin” refers to the U.S.S. Kelvin, the ship heroically captained by Kirk’s father, which is destroyed in the opening moments of the movie.

12. Star Trek Into Darkness

• Release date: May 16, 2013
• Cast: Chris Pine, Zachary Quinto, Benedict Cumberbatch

The benefit of the Kelvin Timeline is that it not only allows Star Trek to explore canon material – such as Khan (he of the Wrath) – but to do something completely new with it. Khan features heavily in Into Darkness, but he has no beef with Kirk. Instead, a Starfleet Admiral is threatening the lives of Khan’s crew, forcing them to craft weapons of mass destruction. 

Khan inevitably eludes captivity and strikes out against Starfleet, killing Captain Pike (and a bunch of others) in the process. Kirk and company eventually take Khan down, but not before Kirk sacrifices himself to save his crew. Don’t worry, these things don’t last in either Star Trek timeline, as Kirk gets better moments later thanks to *checks notes* Khan's super blood.

13. Star Trek Beyond

• Release date: July 22, 2016
• Cast: Chris Pine, Zachary Quinto, Idris Elba

Beyond leans into the camaraderie of Kirk, Spock, and McCoy now that they’ve had some time together, much to the movie’s benefit. The Enterprise is lured to Altamid under false pretenses, leading to much of the crew being marooned on the planet. The architect of the deception was Krall, who wants an opportunity to return to a galaxy where war is the order of the day. 

Beyond is a significant point in the timeline for two reasons. First, it sadly marked the death of Spock Prime due to the passing of Leonard Nimoy. Second, it culminates in the Enterprise embarking on the five-year-mission that started everything back in 1966.

Star Trek movies: Release order

If you can't be bothered remembering two different orders for the Star Trek movies then we've got good news for you — the release order is identical to the chronological order that we've shown above (accounting for the Kelvin timeline as it's own entity anyway).

The full run of Star Trek films currently tops out at 13 entries; the fate of the 14th was hidden within a nebula of conflicting information. “Star Trek 4” was slated for December 22, 2023, but given that filming had yet to begin as of July 2022, it seems inevitable that date will change. Back in February 2022, Paramount that the principal cast would be returning for the fourth installment of the Kelvin timeline, a claim quickly disputed by the agents of those selfsame actors. Awkward.

Soon after, however, Chris Pine eventually signed on the dotted line, and his shipmates reached their own agreements. As of right now, Kirk (Pine), Spock (Zachary Quinto), McCoy (Karl Urban, assuming he can make it work around filming of The Boys), Scotty (Simon Pegg), Uhura (Zoe Saldaña), and Sulu (John Cho) are all ready to beam up and get filming. Sadly, this will be the first of the Kelvin films to not feature Anton Yelchin as Pavel Chekov. Yelchin died in an accident at his home in 2016. It’s currently unclear if Chekov will be recast or if a different character will take his place on the bridge of the Enterprise.

Though the Kelvin timeline is often referred to as “J.J. Abrams Trek,” he won’t be directing Star Trek 4; Matt Shakman will take on that responsibility, leaving Abrams to produce. As for what it will be about, that’s anyone’s guess, but Chris Pine told Deadline he hopes this one tells a smaller story that appeals to the core Trek audience. “Let’s make the movie for the people that love this group of people, that love this story, that love Star Trek,” he said. “Let’s make it for them and then, if people want to come to the party, great.” It’s a strategy that makes sense; the disappointment with recent Trek films hasn’t been their content so much as their box office. A Trek film with a smaller scope (and budget) would almost certainly have a very healthy profit margin while also resonating with the fanbase.   

With no new announcements coming from San Diego Comic-Con 2022, it seems that we’ll have to wait for any more insight into the next Star Trek film. Sill, recent comments from Paramount CEO Brian Robbins have us cautiously optimistic: “We’re deep into [Star Trek 4] with J.J. Abrams, and it feels like we’re getting close to the starting line and excited about where we’re going creatively,” he told Variety . 

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Susan Arendt is a freelance writer, editor, and consultant living in Burleson, TX. She's a huge sci-fi TV and movie buff, and will talk your Vulcan ears off about Star Trek. You can find more of her work at Wired, IGN, Polygon, or look for her on Twitter: @SusanArendt. Be prepared to see too many pictures of her dogs.

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Star Trek: Unleashed! (April Fool's)

By Ambassador Kael | Mon 01 Apr 2024 09:00:00 AM PDT

REDWOOD CITY, CALIFORNIA – Cryptic Studios is proud to announce a brand new project this morning. For years, the STO team has had its finger on the pulse of what Star Trek fans really want, including and especially our previous release of “Date My Starship.” Now, we’re taking the next step, by releasing the newest Star Trek video game: Star Trek: Unleashed .

Over years of careful study, we’ve determined that everyone’s favorite parts of the Star Trek mythos are not the ships, the characters, or the drama, but the hand to hand combat! Whether it’s a double axe handle from Kirk, a double axe handle from Kira, or a double axe handle from Riker, Trek fans can’t get enough of the fistcuffs. And that’s why we’re taking the Final Frontier into the format it was always meant for, a 2D fighting game.

Using the most popular characters (and the assets we don’t have to pay for) from Star Trek Online , Star Trek Unleashed will allow players to fight out the dream matches they’ve always wanted to see. And, we put Madran in, so you can beat him up as much as you want. Now, these screen shots are from a very early build, and don’t represent the final product of Star Trek Unleashed , but we wanted you to get a taste as we move into the future. First, take a look at the character select screen – we’re revealing the full launch roster today!

In this screenshot, Madran has attempted to use his “Run Away!” super move, but Kuumaarke was just too fast. Gotta learn those frame perfect counters!

And here, two of our more interesting characters, Gein and Dr. Eric Cooper, demonstrate their unique abilities. We knew Dr. Cooper, especially, was deeply beloved by the community and had to be included.

Of course, it wouldn’t be Star Trek without some ships, we guess, so we’ve added a special “Ship Summon” ability to all of the characters. And I hear you out there: “Can we use our own personal ship or Captain from Star Trek Online?” No. No you can’t. Why would you ask that?

We look forward to showing you more of Star Trek Unleashed in the future, Captains! Get your fight sticks ready!

You do have fight sticks, right? The focus groups said you did.

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You’ve witnessed the astonishing ascent of Vegamovies, and it’s truly been a game-changer! From a fledgling site to a streaming titan, Vegamovies has been climbing the ranks, capturing the attention of viewers worldwide. Its rapid growth can be linked to a perfect blend of diverse content, user-friendly experience, and accessibility that resonates with an audience eager for fresh and exciting cinematic adventures. This rise is shaking up the industry, compelling both viewers and competitors to take note.

Vegamovies Content Library

Dive into Vegamovies’ treasure trove of entertainment, where you’ll find a  vibrant array  of movies and TV shows. Boasting both blockbuster hits and niche indie flicks, the platform serves up a smorgasbord of genres from around the globe. You can traverse the world’s stories from the comfort of your home with  international cinema  at your fingertips. This breadth of content caters to your eclectic taste, ensuring there’s always something new to discover and stream to your heart’s delight.

Diverse Range of Movies and Shows

Discover a world of entertainment on Vegamovies, where the selection is as vast as your love for movies and TV shows. From gripping thrillers to heartwarming rom-coms, you’re spoilt for choice regardless of your mood. Whether you’re yearning for blockbuster action or indie gems, Vegamovies delivers. So, sit back, pick your favorite treat, and prepare to be whisked away on an adventure through stories and cultures with just a click!

Access to International Cinema and TV Series

Dive into a treasure trove of world cinema right at your fingertips with Vegamovies. Experience the richness of diverse cultures and storytelling styles as you explore films and TV series from across the globe. Whether you’re in the mood for a Bollywood musical, a Korean drama, or an Italian classic, you’ll find it all here. Spark your curiosity and expand your horizons without ever having to leave your couch. There’s a whole universe of entertainment waiting for you to press play.

User Experience on Vegamovies

Navigating Vegamovies is refreshingly straightforward – finding your next binge-watching obsession is just a click away. Enjoy crystal-clear streaming quality that ensures you catch every detail.  User satisfaction  is the name of the game here; with a user-friendly interface and an extensive content library, you’re in for a seamless viewing experience. Whether you’re on your laptop or smartphone, kick back and savor the world of entertainment Vegamovies brings right to your screen.

Navigating the Vegamovies Interface

Embarking on your Vegamovies adventure is a breeze. The site greets you with a clean layout, making it super easy to search or browse for your favorite flicks and TV shows. With intuitive categories and a handy search bar, you’ll swiftly find the entertainment you crave, without any hassle. It’s like they’ve read your mind, offering a streamlined interface that puts you in control, ensuring a frustration-free experience that gets you to the good stuff – fast! Enjoy your streaming journey!

Streaming Quality and User Satisfaction

You’re in for a treat with Vegamovies’ streaming quality, where you’ll find crystal-clear visuals and smooth playback. Your satisfaction is paramount, and it shows in the tailor-made viewing experiences on offer. Dive into a sea of high-definition movies and shows that look and sound fantastic on any device. With such attention to detail, it’s no wonder that users keep coming back for their entertainment fix. Whether it’s a blockbuster movie or a binge-worthy series, Vegamovies makes sure you enjoy every pixel.

The Business Model of Vegamovies

Dive into the financial backbone of Vegamovies! This streaming hotspot relies on a mix of ad revenue and subscription fees to keep its digital wheels turning. They’ve struck a balance that keeps content flowing and viewers hooked. But beware, copyright issues might lurk behind those enthralling flicks and series. Ensure you’re up to speed with the legal side of your streaming indulgence to enjoy guilt-free binge-watching.

Monetization Strategies Employed by Vegamovies

You might be wondering how Vegamovies keeps its virtual doors open. It’s all about the money-making game. Think ads peppering your viewing experience—that’s one revenue stream keeping things ticking. But it doesn’t stop there; premium memberships are part of the mix, luring you with the promise of an ad-free binge. Together, these strategies fuel Vegamovies’ growth. Keep in mind, the specifics might be shrouded in mystery, as Vegamovies isn’t exactly an open book when it comes to their financials.

Legal Considerations and Copyright Issues

Diving into Vegamovies’ legal landscape, you’re treading in murky waters. Copyright infringement is a real risk when streaming content without proper licensing – and that’s a common critique against platforms like Vegamovies. Be aware, watching or downloading pirated material isn’t just unethical; it can also lead to legal repercussions. Always make sure to consume media through legitimate channels – it’s the safest way to enjoy your favorite shows while respecting the creators’ rights. Remember, a fair entertainment industry benefits us all.

The Impact of Vegamovies on the Entertainment Industry

Vegamovies is reshaping how you enjoy media, driving a shift in viewer habits with its expansive content hub. As you savor the ease of access to a myriad of international films and TV shows, traditional media consumption patterns are being upended. Factual Data underscores this change, highlighting a preference for streaming on-demand over scheduled broadcasts. Despite legal gray areas, Vegamovies and its ilk are influencing the industry, compelling competitors to adapt and innovate to meet your evolving demands for instant, diverse entertainment options.

Changing Consumption Patterns Prompted by Vegamovies

You’ve seen the shift first-hand – your cozy movie nights now start with a click on Vegamovies over traditional TV. Factual data supports this, showing a clear trend towards on-demand streaming. Say goodbye to waiting for scheduled broadcasts; your favorite series and unseen global masterpieces are just a browse away. It’s a personalized viewing revolution, all thanks to platforms like Vegamovies that know just how to sync with your spontaneous watch-list desires.

Vegamovies and Its Competitors: Shaping Viewer Habits

You’re witnessing a dynamic shift in how you enjoy films and series; Vegamovies and similar platforms are at the helm of this change. They’re not just simplifying access to entertainment, but also silently reshaping your viewing habits. Where once cable ruled supreme, you now have a buffet of choices at your fingertips. It’s a direct outcome of competition in the streaming arena, where Vegamovies and its rivals strive to cater to your binge-watching appetites, providing personalized, on-the-go viewing that aligns perfectly with today’s fast-paced lifestyles.

Conclusion and Future Outlook

As you’ve journeyed through the world of Vegamovies, it’s clear that this streaming giant has carved a significant niche in the entertainment landscape. The sustainability of such platforms hinges on constant innovation and addressing legal concerns. For you, the future promises an even richer array of content, tailored to your preferences and consumption habits. Keep an eye on Vegamovies and its ilk, as they are bound to not just follow but shape the evolving trends of the streaming sector.

The Sustainability of Vegamovies’ Business Model

Vegamovies has made waves with its unique business approach, blending innovation with user-centric features. But you might wonder, is it sustainable? Absolutely, if it pivots adeptly with evolving technologies and audience preferences. As long as Vegamovies keeps offering what you love – diverse content, seamless streaming, and a finger on the pulse of the latest trends – it stands a solid chance of thriving in the competitive streaming playground. Keeping legalities in check will be key to ensuring its longevity and continued success.

Predictions for Vegamovies and the Streaming Sector

You can expect Vegamovies to keep serving up the hottest movies and binge-worthy series, staying right on the industry’s cutting edge. With streaming dominating entertainment, future trends could see Vegamovies pioneering new tech, perhaps diving into virtual reality realms or even offering interactive content. The sector itself might evolve, with personalized streaming experiences and AI-generated recommendations becoming the norm. So, keep an eye on Vegamovies – they may just shape how you’ll enjoy tomorrow’s entertainment.

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The Future of ‘Star Trek’: From ‘Starfleet Academy’ to New Movies and Michelle Yeoh, How the 58-Year-Old Franchise Is Planning for the Next Generation of Fans

“I can’t believe I get to play the captain of the Enterprise.”

“Strange New Worlds” is the 12th “Star Trek” TV show since the original series debuted on NBC in 1966, introducing Gene Roddenberry’s vision of a hopeful future for humanity. In the 58 years since, the “Star Trek” galaxy has logged 900 television episodes and 13 feature films, amounting to 668 hours — nearly 28 days — of content to date. Even compared with “Star Wars” and the Marvel Cinematic Universe, “Star Trek” stands as the only storytelling venture to deliver a single narrative experience for this long across TV and film.

In other words, “Star Trek” is not just a franchise. As Alex Kurtzman , who oversees all “Star Trek” TV production, puts it, “‘Star Trek’ is an institution.”

Without a steady infusion of new blood, though, institutions have a way of fading into oblivion (see soap operas, MySpace, Blockbuster Video). To keep “Star Trek” thriving has meant charting a precarious course to satisfy the fans who have fueled it for decades while also discovering innovative ways to get new audiences on board.

“Doing ‘Star Trek’ means that you have to deliver something that’s entirely familiar and entirely fresh at the same time,” Kurtzman says.

The franchise has certainly weathered its share of fallow periods, most recently after “Nemesis” bombed in theaters in 2002 and UPN canceled “Enterprise” in 2005. It took 12 years for “Star Trek” to return to television with the premiere of “Discovery” in 2017; since then, however, there has been more “Star Trek” on TV than ever: The adventure series “Strange New Worlds,” the animated comedy “Lower Decks” and the kids series “Prodigy” are all in various stages of production, and the serialized thriller “Picard” concluded last year, when it ranked, along with “Strange New Worlds,” among Nielsen’s 10 most-watched streaming original series for multiple weeks. Nearly one in five Paramount+ subscribers in the U.S. is watching at least one “Star Trek” series, according to the company, and more than 50% of fans watching one of the new “Trek” shows also watch at least two others. The new shows air in 200 international markets and are dubbed into 35 languages. As “Discovery” launches its fifth and final season in April, “Star Trek” is in many ways stronger than it’s ever been.

“’Star Trek’s fans have kept it alive more times than seems possible,” says Eugene Roddenberry, Jr., who executive produces the TV series through Roddenberry Entertainment. “While many shows rightfully thank their fans for supporting them, we literally wouldn’t be here without them.”

But the depth of fan devotion to “Star Trek” also belies a curious paradox about its enduring success: “It’s not the largest fan base,” says Akiva Goldsman, “Strange New Worlds” executive producer and co-showrunner. “It’s not ‘Star Wars.’ It’s certainly not Marvel.”

When J.J. Abrams rebooted “Star Trek” in 2009 — with Chris Pine, Zachary Quinto and Zoe Saldaña playing Kirk, Spock and Uhura — the movie grossed more than any previous “Star Trek” film by a comfortable margin. But neither that film nor its two sequels broke $500 million in global grosses, a hurdle every other top-tier franchise can clear without breaking a sweat.

There’s also the fact that “Star Trek” fans are aging. I ask “The Next Generation” star Jonathan Frakes, who’s acted in or directed more versions of “Star Trek” than any other person alive, how often he meets fans for whom the new “Star Trek” shows are their first. “Of the fans who come to talk to me, I would say very, very few,” he says. “‘Star Trek’ fans, as we know, are very, very, very loyal — and not very young.”

As Stapf puts it: “There’s a tried and true ‘Trek’ fan that is probably going to come to every ‘Star Trek,’ no matter what it is — and we want to expand the universe.”

Every single person I spoke to for this story talked about “Star Trek” with a joyful earnestness as rare in the industry as (nerd alert) a Klingon pacifist.

“When I’m meeting fans, sometimes they’re coming to be confirmed, like I’m kind of a priest,” Ethan Peck says during a break in filming on the “Strange New Worlds” set. He’s in full Spock regalia — pointy ears, severe eyebrows, bowl haircut — and when asked about his earliest memories of “Star Trek,” he stares off into space in what looks like Vulcan contemplation. “I remember being on the playground in second or third grade and doing the Vulcan salute, not really knowing where it came from,” he says. “When I thought of ‘Star Trek,’ I thought of Spock. And now I’m him. It’s crazy.”

To love “Star Trek” is to love abstruse science and cowboy diplomacy, complex moral dilemmas and questions about the meaning of existence. “It’s ultimately a show with the most amazing vision of optimism, I think, ever put on-screen in science fiction,” says Kurtzman, who is 50. “All you need is two minutes on the news to feel hopeless now. ‘Star Trek’ is honestly the best balm you could ever hope for.”

I’m getting a tour of the USS Enterprise from Scotty — or, rather, “Strange New World” production designer Jonathan Lee, who is gushing in his native Scottish burr as we step into the starship’s transporter room. “I got such a buzzer from doing this, I can’t tell you,” he says. “I actually designed four versions of it.”

Lee is especially proud of the walkway he created to run behind the transporter pads — an innovation that allows the production to shoot the characters from a brand-new set of angles as they beam up from a far-flung planet. It’s one of the countless ways that this show has been engineered to be as cinematic as possible, part of Kurtzman’s overall vision to make “Star Trek” on TV feel like “a movie every week.”

Kurtzman’s tenure with “Star Trek” began with co-writing the screenplay for Abrams’ 2009 movie, which was suffused with a fast-paced visual style that was new to the franchise. When CBS Studios approached Kurtzman in the mid-2010s about bringing “Star Trek” back to TV, he knew instinctively that it needed to be just as exciting as that film.

“The scope was so much different than anything we had ever done on ‘Next Gen,’” says Frakes, who’s helmed two feature films with the “Next Generation” cast and directed episodes of almost every live-action “Trek” TV series, including “Discovery” and “Strange New Worlds.” “Every department has the resources to create.”

A new science lab set for Season 3, for example, boasts a transparent floor atop a four-foot pool of water that swirls underneath the central workbench, and the surrounding walls sport a half dozen viewscreens with live schematics custom designed by a six-person team. “I like being able to paint on a really big canvas,” Kurtzman says. “The biggest challenge is always making sure that no matter how big something gets, you’re never losing focus on that tiny little emotional story.”

At this point, is there a genre that “Strange New Worlds” can’t do? “As long as we’re in storytelling that is cogent and sure handed, I’m not sure there is,” Goldsman says with an impish smile. “Could it do Muppets? Sure. Could it do black and white, silent, slapstick? Maybe!”

This approach is also meant to appeal to people who might want to watch “Star Trek” but regard those 668 hours of backstory as an insurmountable burden. “You shouldn’t have to watch a ‘previously on’ to follow our show,” Myers says.

To achieve so many hairpin shifts in tone and setting while maintaining Kurtzman’s cinematic mandate, “Strange New Worlds” has embraced one of the newest innovations in visual effects: virtual production. First popularized on the “Star Wars” series “The Mandalorian,” the technology — called the AR wall — involves a towering circular partition of LED screens projecting a highly detailed, computer-generated backdrop. Rather than act against a greenscreen, the actors can see whatever fantastical surroundings their characters are inhabiting, lending a richer level of verisimilitude to the show.

But there is a catch. While the technology is calibrated to maintain a proper sense of three-dimensional perspective through the camera lens, it can be a bit dizzying for anyone standing on the set. “The images on the walls start to move in a way that makes no sense,” says Mount. “You end up having to focus on something that’s right in front of you so you don’t fall down.”

And yet, even as he’s talking about it, Mount can’t help but break into a boyish grin. “Sometimes we call it the holodeck,” he says. In fact, the pathway to the AR wall on the set is dotted with posters of the virtual reality room from “The Next Generation” and the words “Enter Holodeck” in a classic “Trek” font.

“I want to take one of those home with me,” Peck says. Does the AR wall also affect him? “I don’t really get disoriented by it. Spock would not get ill, so I’m Method acting.”

I’m on the set of the “Star Trek” TV movie “Section 31,” seated in an opulent nightclub with a view of a brilliant, swirling nebula, watching Yeoh rehearse with director Olatunde Osunsanmi and her castmates. Originally, the project was announced as a TV series centered on Philippa Georgiou, the semi-reformed tyrant Yeoh originated on “Discovery.” But between COVID delays and the phenomenon of “Everything Everywhere All at Once,” there wasn’t room in the veteran actress’s schedule to fit a season of television. Yeoh was undaunted.

“We’d never let go of her,” she says of her character. “I was just blown away by all the different things I could do with her. Honestly, it was like, ‘Let’s just get it done, because I believe in this.’”

If that means nothing to you, don’t worry: The enormity of the revelation that Garrett is being brought back is meant only for fans. If you don’t know who the character is, you’re not missing anything.

“It was always my goal to deliver an entertaining experience that is true to the universe but appeals to newcomers,” says screenwriter Craig Sweeny. “I wanted a low barrier of entry so that anybody could enjoy it.”

Nevertheless, including Garrett on the show is exactly the kind of gasp-worthy detail meant to flood “Star Trek” fans with geeky good feeling.

“You cannot create new fans to the exclusion of old fans,” Kurtzman says. “You must serve your primary fan base first and you must keep them happy. That is one of the most important steps to building new fans.”

On its face, that maxim would make “Section 31” a genuine risk. The titular black-ops organization has been controversial with “Star Trek” fans since it was introduced in the 1990s. “The concept is almost antagonistic to some of the values of ‘Star Trek,’” Sweeny says. But he still saw “Section 31” as an opportunity to broaden what a “Star Trek” project could be while embracing the radical inclusivity at the heart of the franchise’s appeal.

“Famously, there’s a spot for everybody in Roddenberry’s utopia, so I was like, ‘Well, who would be the people who don’t quite fit in?’” he says. “I didn’t want to make the John le Carré version, where you’re in the headquarters and it’s backbiting and shades of gray. I wanted to do the people who were at the edges, out in the field. These are not people who necessarily work together the way you would see on a ‘Star Trek’ bridge.”

For Osunsanmi, who grew up watching “The Next Generation” with his father, it boils down to a simple question: “Is it putting good into the world?” he asks. “Are these characters ultimately putting good into the world? And, taking a step back, are we putting good into the world? Are we inspiring humans watching this to be good? That’s for me what I’ve always admired about ‘Star Trek.’”

Should “Section 31” prove successful, Yeoh says she’s game for a sequel. And Kurtzman is already eyeing more opportunities for TV movies, including a possible follow-up to “Picard.” The franchise’s gung-ho sojourn into streaming movies, however, stands in awkward contrast to the persistent difficulty Paramount Pictures and Abrams’ production company Bad Robot have had making a feature film following 2016’s “Star Trek Beyond” — the longest theaters have gone without a “Star Trek” movie since Paramount started making them.

First, a movie reuniting Pine’s Capt. Kirk with his late father — played in the 2009 “Star Trek” by Chris Hemsworth — fell apart in 2018. Around the same time, Quentin Tarantino publicly flirted with, then walked away from, directing a “Star Trek” movie with a 1930s gangster backdrop. Noah Hawley was well into preproduction on a “Star Trek” movie with a brand-new cast, until then-studio chief Emma Watts abruptly shelved it in 2020. And four months after Abrams announced at Paramount’s 2022 shareholders meeting that his 2009 cast would return for a movie directed by Matt Shakman (“WandaVision”), Shakman left the project to make “The Fantastic Four” for Marvel. (It probably didn’t help that none of the cast had been approached before Abrams made his announcement.)

The studio still intends to make what it’s dubbed the “final chapter” for the Pine-Quinto-Saldaña cast, and Steve Yockey (“The Flight Attendant”) is writing a new draft of the script. Even further along is another prospective “Star Trek” film written by Seth Grahame-Smith (“Abraham Lincoln: Vampire Hunter”) and to be directed by Toby Haynes (“Andor,” “Black Mirror: USS Callister”) that studio insiders say is on track to start preproduction by the end of the year. That project will serve as an origin story of sorts for the main timeline of the entire franchise. In both cases, the studio is said to be focused on rightsizing the budgets to fit within the clear box office ceiling for “Star Trek” feature films.

Far from complaining, everyone seems to relish the challenge. Visual effects supervisor Jason Zimmerman says that “working with Alex, the references are always at least $100 million movies, if not more, so we just kind of reverse engineer how do we do that without having to spend the same amount of money and time.”

The workload doesn’t seem to faze him either. “Visual effects people are a big, big ‘Star Trek’ fandom,” he says. “You naturally just get all these people who go a little bit above and beyond, and you can’t trade that for anything.”

In one of Kurtzman’s several production offices in Toronto, he and production designer Matthew Davies are scrutinizing a series of concept drawings for the newest “Star Trek” show, “Starfleet Academy.” A bit earlier, they showed me their plans for the series’ central academic atrium, a sprawling, two-story structure that will include a mess hall, amphitheater, trees, catwalks, multiple classrooms and a striking view of the Golden Gate Bridge in a single, contiguous space. To fit it all, they plan to use every inch of Pinewood Toronto’s 45,900 square foot soundstage, the largest in Canada.

But this is a “Star Trek” show, so there do need to be starships, and Kurtzman is discussing with Davies about how one of them should look. The issue is that “Starfleet Academy” is set in the 32nd century, an era so far into the future Kurtzman and his team need to invent much of its design language.

“For me, this design is almost too Klingon,” Kurtzman says. “I want to see the outline and instinctively, on a blink, recognize it as a Federation ship.”

The time period was first introduced on Season 3 of “Discovery,” when the lead character, Michael Burnham (Sonequa Martin-Green), transported the namesake starship and its crew there from the 23rd century. “It was exciting, because every time we would make a decision, we would say, ‘And now that’s canon,’” says Martin-Green.

“We listened to a lot of it,” Kurtzman says. “I think I’ve been able to separate the toxic fandom from really true fans who love ‘Star Trek’ and want you to hear what they have to say about what they would like to see.”

By Season 2, the “Discovery” writers pivoted from its dour, war-torn first season and sent the show on its trajectory 900-plus years into the future. “We had to be very aware of making sure that Spock was in the right place and that Burnham’s existence was explained properly, because she was never mentioned in the original series,” says executive producer and showrunner Michelle Paradise. “What was fun about jumping into the future is that it was very much fresh snow.”

That freedom affords “Starfleet Academy” far more creative latitude while also dramatically reducing how much the show’s target audience of tweens and teens needs to know about “Star Trek” before watching — which puts them on the same footing as the students depicted in the show. “These are kids who’ve never had a red alert before,” Noga Landau, executive producer and co-showrunner, says. “They never had to operate a transporter or be in a phaser fight.”

In the “Starfleet Academy” writers’ room in Secret Hideout’s Santa Monica offices, Kurtzman tells the staff — a mix of “Star Trek” die-hards, part-time fans and total newbies — that he wants to take a 30,000-foot view for a moment. “I think we need to ground in science more throughout the show,” he says, a giant framed photograph of Spock ears just over his shoulder. “The kids need to use science more to solve problems.”

Immediately, one of the writers brightens. “Are you saying we can amp up the techno-babble?” she says. “I’m just excited I get to use my computer science degree.”

After they break for lunch, Kurtzman is asked how much longer he plans to keep making “Star Trek.” 

“The minute I fall out of love with it is the minute that it’s not for me anymore. I’m not there yet,” he says. “To be able to build in this universe to tell stories that are fundamentally about optimism and a better future at a time when the world seems to be falling apart — it’s a really powerful place to live every day.”

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Star Trek legend calls his Strange New Worlds season 3 murder-mystery “the best episode of television I’ve ever done"

Season 3 is expected to drop in 2025

Star Trek actor and director Jonathan Frakes has some high praise for Strange New Worlds season 3.

"[It's] the best episode of television I’ve ever done," Frakes told Variety , referring to a Hollywood murder-mystery episode he directed. The actor-director starred as Captain William Riker in Star Trek: The Next Generation and began directing episodes during the show's third season. He went on to helm Star Trek: First Contact, Star Trek: Insurrection, and episodes of almost every subsequent live-action Star Trek TV show including Voyager, Discovery, Picard, and Strange New Worlds.

Strange New Worlds follows Captain Christopher Pike and the crew of the starship Enterprise as they embark on intergalactic adventures that take place in the 23rd century. Oscar-nominated screenwriter Akiva Goldsman and Ugly Betty writer Henry Alonso Myers serve as showrunners. The cast includes Anson Mount, Ethan Peck, Jess Bush, Christina Chong, Celia Rose Gooding, Melissa Navia, Babs Olusanmokun, and Rebecca Romijn.

The series premiered in on Paramount Plus, the home for all things Star Trek, in 2022 and became the most-watched original Star Trek series on the network. Season 2 was greenlit in January 2022 and aired in June 2023. Season 3 was announced in March of last year, but production was delayed due to the WGA and SAG-AFTRA strikes.

Star Trek: Strange New Worlds season 3 does not yet have a release date, but is expected to hit Paramount Plus sometime in 2025. For more, check out our list of the best new TV shows coming your way in 2024 and beyond.

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Lauren Milici is a Senior Entertainment Writer for GamesRadar+ currently based in the Midwest. She previously reported on breaking news for The Independent's Indy100 and created TV and film listicles for Ranker. Her work has been published in Fandom, Nerdist, Paste Magazine, Vulture, PopSugar, Fangoria, and more.

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• Entertainment

The Vega Movies Experience: From Classics to New Releases

Vega Movies is more than just another streaming service; it’s a doorway to an unforgettable cinematic experience that skillfully connects the most recent blockbusters with timeless masterpieces . This platform is a favorite among movie buffs of all stripes since it provides an experience that suits a wide range of tastes and inclinations.

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The well-known digital entertainment company Vegamovie has become a favorite stop for fans of internet streaming. This platform accommodates a wide range of viewer tastes and preferences by providing a vast assortment of content. With everything from indie films to the newest blockbusters, Vegamovie has something to offer everyone. With the ability to watch a vast array of films and TV series on demand, it has completely changed the way that people consume media.

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Star Trek has 3 films in pre-production it seems

T he era of Star Trek shows seems to be coming to an end. With episodic content on streaming services like Paramount+ becoming more and more expensive to make, the focus is now shifting to the film side of things. Star Trek is a film that has already finished filming and now just needs to be edited. That film is of course Star Trek: Section 31, which will debut on Paramount+ whenever it's finished.

Then we have the two films in active development, and so we're not confusing you, these are the first two films we're alluding to in the headline. There's Star Trek 4, which will continue the Chris Pine era of Trek films, set of course in the Kelvin Timeline. Then we have the Origins films, not their proper name, which will apparently be set in the main timeline, but before or after the show Enterprise.

Those two films are in different stages of pre-production, and apparently, there's a third film also in that stage as well. According to Variety, a third film remains in production that was first announced in 2021;

" A project with screenwriter Kalinda Vazquez (“Fear the Walking Dead”) first announced in 2021 also remains in development."

To be very clear, the article is very distinct when it says this is a project in development alongside both of the other two films. That's three films, probably all getting made or released in relatively short time frames.

It's very likely that this third project, and the Origins project, are both intended for Paramount+. There is a focus for Paramount to create cheaper content that isn't going to kill their bottom line like other properties, including Star Trek, have done.

It's not yet hinted at or rumored what this third project is, only that Kalinda Vazquez from Fear the Walking Dead's writing team is the one who came up with the project.

This article was originally published on redshirtsalwaysdie.com as Star Trek has 3 films in pre-production it seems .

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• 2024 Spring Entertainment Preview

Star Trek: Discovery is finally free to do whatever it wants

Imagining the future of the future

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It’s a truth universally acknowledged that even among the greatest television shows in Star Trek history, most of them take two seasons to stop being kind of bad. Never has that been more true or more excruciating than in the case of Star Trek: Discovery .

Polygon is looking ahead to the movies, shows, and books coming soon in our Spring 2024 entertainment preview package, a weeklong special issue.

Often it felt like what Discovery was really doing in its early seasons was discovering what didn’t work. Strong performances from a great cast? That works. A Klingon design that absolutely nobody liked ? Definitely not. But despite the stumbles, Discovery season 1 had still averaged C’s and B’s with reviewers, and had built an audience and a subscriber base for Paramount Plus. On the strength of Disco ’s first season, Paramount greenlit Star Treks Picard , Lower Decks , and Prodigy , three new shows covering a huge range of ages and nostalgic tastes. And spinning out of Disco ’s second season, which introduced familiar , nostalgic characters and a brighter, more Star Trek-y tone, Paramount produced Star Trek: Strange New Worlds , inarguably the best new addition to the franchise since 1996.

Star Trek: Discovery crawled so that the rest of modern Trek could run... and then it started to walk. The show’s third season saw the USS Discovery and crew in the place that should have been their starting blocks: the bleeding future edge of Star Trek’s timeline. Thanks to season 3’s groundwork, season 4 became the first time that Discovery had a status quo worth returning to. In its fifth and final season, Star Trek: Discovery is finally free — free in a way that a Star Trek TV series hasn’t been in 23 years.

Star Trek: The Next Generation is such an elder statesman of the television elite that it’s easy to forget that it was daring. The show’s triumph wasn’t just that it featured a new cast of characters, but also its audaciousness in imagining the future of the future — and making that future unmistakably different . The Original Series showed a racial and national cooperation that seemed fantastical in its time, with an alien crewmember to denote the next frontier of embracing the other . Next Generation saw that bet and raised it, installing a member of the Klingon species, the Federation’s once-feared imperialist rival state, as a respected officer on the bridge of Starfleet’s flagship.

Next Generation ’s time period — one century after Kirk’s Enterprise — wasn’t a nominal choice, but a commitment to moving the story of Star Trek forward. From the show’s foundations, Gene Roddenberry and his collaborators, new and old, set a precedent that the Federation would evolve. Therefore, in accordance with the utopian themes of the franchise, old enemies would in time become friends. Next Generation embraced The Original Series ’ nemeses and the rest of ’90s Trek saw that bet and raised it again, pulling many of Next Gen ’s villains into the heroic fold. Voyager welcomed a Borg crewmember and disincorporated the Borg empire; Deep Space Nine gave the franchise the first Ferengi Starfleet cadet, and brokered a Federation-Klingon-Romulan alliance in the face of an existential threat.

But Discovery — at least until it made its Olympic long-jump leap 900 years into the future — couldn’t move Star Trek forward. So long as it was set “immediately before Kirk’s Enterprise,” hemmed in by the constraints of a previously established era of Star Trek history, it could graft on new elements (like Spock’s secret human foster sister) but it couldn’t create from whole cloth (like a galaxy-wide shortage of starship fuel that nearly destroyed the Federation). Like its predecessor, the ill-fated Star Trek: Enterprise of the ’00s, it was doomed to hang like a remora on the side of the events of The Original Series , or, if you’ll pardon another fish metaphor, doomed like a goldfish that can only grow as large as its half-gallon fishbowl will allow.

Discovery ’s later, free seasons in the 32nd century have shown the Federation at its most vulnerable, a subtler echo of Picard ’s own season 1 swing at fallen institutions . (Fans of Voyager and Deep Space Nine know that this is an extremely rich vein of Trek storytelling.) In its third season, Discovery solved a galaxy-wide fuel crisis that had shattered the community of the Federation. In its fourth it fought for a fragile new Federation alliance and its millennia-old ideals.

And those seasons have also boldly committed to the idea of imagining the future’s future — 900 years of it. The centuries-old rift between Vulcans and Romulans is long healed, Ferengi serve as captains in Starfleet, the work of Doctor Noonien Soong has brought new medical technologies to the fore.

Even still, Discovery hasn’t been truly free in its third and fourth seasons. Star Trek: Picard was out there, forming new past elements of a post- Next Gen / Voy / DS9 era that Discovery had to abide by. And, after all, the show still had to make sure there was something for its own next season to come back to.

But now — with Prodigy and Picard finished, and Strange New Worlds and Lower Decks locked into their settings of Star Trek’s established past, and Starfleet Academy and Section 31 not yet in production at the time that its final season would have been written — Discovery has reached the final final frontier for a Star Trek show. If you’re a Star Trek fan, that should excite you.

Not since Deep Space Nine in 1999 and Voyager in 2001 has a Star Trek series had the freedom to wrap up its run with the Federation in any state it wants to. With franchise flagship Next Generation at an end, and Voyager restricted to the Delta Quadrant only, Deep Space Nine used its last seasons to throw the Federation into all-out war, making sweeping changes to the established ficto-political norms of ’90s Trek. Voyager used its finale to do what Captain Picard never could: defang the Borg (mostly).

We don’t know exactly what Discovery will do with that freedom. Season 4 directors have talked about reaching “ into the past to get further into the future ,” and likened it to Indiana Jones. Official news releases have said the crew will “uncover a mystery that sends them on an epic adventure across the galaxy to find an ancient power whose very existence has been deliberately hidden for centuries.” But speculating on what that means would be beside the point.

Discovery , the show about an intergalactically teleporting starship, can finally, actually, go anywhere. It’s been almost a quarter of a century since a beloved Star Trek series was so free to boldly go. Let’s hope they’re very bold indeed.

Star Trek: Discovery season 5 premieres with two episodes on April 4 on Paramount Plus.

Spring 2024 entertainment preview

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Vegan-Friendly Movies

• Movies with vegan, animal-friendly, non-anthropocentric or non-speciesist themes
• For plant-eaters and animal lovers
• No documentaries
• See also www.vegmovies.com
• Movies or TV
• IMDb Rating
• In Theaters
• Release Year

1. Okja (2017)

TV-MA | 120 min | Action, Adventure, Drama

A young girl risks everything to prevent a powerful, multinational company from kidnapping her best friend - a fascinating beast named Okja.

Director: Bong Joon Ho | Stars: Tilda Swinton , Paul Dano , Ahn Seo-hyun , Jake Gyllenhaal

Votes: 131,842

Girl tries to save her best friend from a factory farm.

2. Free Birds (2013)

PG | 91 min | Animation, Action, Adventure

Two turkeys from opposite sides of the tracks must put aside their differences and team up to travel back in time to change the course of history, and get Turkeys off the Thanksgiving menu for good.

Director: Jimmy Hayward | Stars: Woody Harrelson , Owen Wilson , Dan Fogler , Amy Poehler

Votes: 25,936 | Gross: $55.75M

Two turkeys time-travel back to the first Thanksgiving to get their species off the menu.

3. Swimming to Sea (2012)

TV-MA | 78 min | Animation, Drama, Horror

A mackerel from the ocean attempts to escape from a restaurant aquarium tank before getting eaten.

Director: Dae-hee Lee | Stars: Hyeon-ji Kim , Hyun Kyung-soo , Ho-san Lee , Si Yeong-Joon

A mackerel plots to escape from the water tank of a sushi restaurant.

4. The Farm (I) (2018)

Not Rated | 80 min | Horror

A young couple gets kidnapped and treated like farm animals after stopping at a roadside diner to eat meat.

Director: Hans Stjernswärd | Stars: Nora Yessayan , Alec Gaylord , Ken Volok , Rob Tisdale

Votes: 4,269

Old MacDonald had a farm, E-I-E-I-O! And on his farm he had organic, grass-fed, free-range humans, E-I-E-I-O! With a blood-curdling scream here and cry for help there, Here a scream, there a scream, Everywhere they're screaming, Old MacDonald had a farm, E-I-E-I-O!

5. Hoot (2006)

PG | 91 min | Adventure, Comedy, Family

A young man (Lerman) moves from Montana to Florida with his family, where he's compelled to engage in a fight to protect a population of endangered owls.

Director: Wil Shriner | Stars: Logan Lerman , Luke Wilson , Brie Larson , Tim Blake Nelson

Votes: 8,781 | Gross: $8.08M

Some teens try to save some owls.

6. The Plague Dogs (1982)

PG-13 | 103 min | Animation, Adventure, Drama

Two dogs escape from a laboratory and are hunted as possible carriers of the bubonic plague.

Director: Martin Rosen | Stars: John Hurt , Christopher Benjamin , James Bolam , Nigel Hawthorne

Votes: 8,774

Two dogs, Rowlf and Snitter, escape from an animal research facility.

7. Year of the Dog (I) (2007)

PG-13 | 97 min | Comedy, Drama

A secretary's life changes in unexpected ways after her dog dies.

Director: Mike White | Stars: Molly Shannon , John C. Reilly , Peter Sarsgaard , Laura Dern

Votes: 6,595 | Gross: $1.54M

A pet lover becomes an animal lover.

8. The One and Only Ivan (2020)

PG | 95 min | Adventure, Comedy, Drama

A gorilla named Ivan tries to piece together his past with the help of an elephant named Ruby as they hatch a plan to escape from captivity.

Director: Thea Sharrock | Stars: Sam Rockwell , Bryan Cranston , Phillipa Soo , Chaka Khan

Votes: 13,404

A silverback gorilla tries to escape after being kidnapped from his natural habitat.

9. Chicken Run (2000)

G | 84 min | Animation, Adventure, Comedy

When a cockerel apparently flies into a chicken farm, the chickens see him as an opportunity to escape their evil owners.

Directors: Peter Lord , Nick Park | Stars: Mel Gibson , Julia Sawalha , Phil Daniels , Lynn Ferguson

Votes: 211,857 | Gross: $106.83M

Hens attempt to escape a chicken pot pie manufacturing facility.

10. Star Trek: The Next Generation (1987–1994)

TV-PG | 45 min | Action, Adventure, Drama

Set almost 100 years after Captain Kirk's 5-year mission, a new generation of Starfleet officers sets off in the U.S.S. Enterprise-D on its own mission to go where no one has gone before.

Stars: Patrick Stewart , Brent Spiner , Jonathan Frakes , LeVar Burton

Votes: 135,365

“We no longer enslave animals for food purposes. You’ve seen something as fresh and tasty as meat, but it’s been inorganically materialized out of patterns used by our transporters.” --Riker

11. White God (2014)

R | 121 min | Adventure, Drama, Thriller

Thirteen-year-old Lili fights to protect her dog Hagen. She is devastated when her father eventually sets Hagen free on the streets. Still innocently believing love can conquer any difficulty, Lili sets out to find her dog and save him.

Director: Kornél Mundruczó | Stars: Zsófia Psotta , Sándor Zsótér , Lili Horvát , Szabolcs Thuróczy

Votes: 17,044 | Gross: $0.28M

Fable about dogs seeking revenge for human violence.

12. The Day of the Triffids (2009)

186 min | Action, Horror, Sci-Fi

With most of the world blinded and the dangerous carnivorous Triffids set loose, it falls upon a band of scattered survivors to fight this plant invasion and the madness following.

Stars: Dougray Scott , Joely Richardson , Eddie Izzard , Brian Cox

Votes: 4,714

Plants hunting and eating humans.

13. The Day of the Triffids (1981)

50 min | Horror, Sci-Fi, Thriller

When a comet blinds nearly everyone in the world, a genetically-engineered species of plant takes over.

Stars: John Duttine , Emma Relph , Maurice Colbourne , Jonathan Newth

Votes: 2,425

14. Carnage (2017)

68 min | Comedy

It's 2067, the U.K. is vegan, but older generations are suffering the guilt of their carnivorous past. Writer and Director Simon Amstell asks us to forgive them for the horrors of what they swallowed.

Director: Simon Amstell | Stars: Racheal Ofori , Myles Sembi , Robert Wilde , Alex Lawther

Votes: 1,560

15. Delicatessen (1991)

R | 99 min | Comedy, Crime

Post-apocalyptic surrealist black comedy about the landlord of an apartment building who occasionally prepares a delicacy for his odd tenants.

Directors: Marc Caro , Jean-Pierre Jeunet | Stars: Marie-Laure Dougnac , Dominique Pinon , Pascal Benezech , Jean-Claude Dreyfus

Votes: 89,869 | Gross: $1.79M

In post-apocalyptic France, food is in short supply and humans are seen as a cheap source of meat. The Troglodistes, a group of vegetarian rebels, live underground.

16. Kiki's Delivery Service (1989)

G | 103 min | Animation, Family, Fantasy

A young witch, on her mandatory year of independent life, finds fitting into a new community difficult while she supports herself by running an air courier service.

Director: Hayao Miyazaki | Stars: Kirsten Dunst , Minami Takayama , Rei Sakuma , Kappei Yamaguchi

Votes: 164,588

17. Ferdinand (2017)

PG | 108 min | Animation, Adventure, Comedy

After Ferdinand, a bull with a big heart, is mistaken for a dangerous beast, he is captured and torn from his home. Determined to return to his family, he rallies a misfit team on the ultimate adventure.

Director: Carlos Saldanha | Stars: John Cena , Kate McKinnon , Bobby Cannavale , Jack Gore

Votes: 63,377 | Gross: $84.41M

18. Babe (1995)

G | 91 min | Comedy, Drama, Family

Gentle farmer Arthur Hoggett wins a piglet Babe at a county fair. Narrowly escaping his fate as Christmas dinner, Babe bonds with motherly border collie Fly and discovers that he too can herd sheep. But will the other animals accept him?

Director: Chris Noonan | Stars: James Cromwell , Magda Szubanski , Christine Cavanaugh , Miriam Margolyes

Votes: 133,800 | Gross: $66.60M

19. Zoo (2015–2017)

TV-14 | 42 min | Drama, Mystery, Sci-Fi

A team comes together and searches to find out what's causing a rash of violent animal attacks.

Stars: James Wolk , Kristen Connolly , Nonso Anozie , Billy Burke

Votes: 26,003

20. Noah (2014)

PG-13 | 138 min | Action, Adventure, Drama

Noah is chosen by God to undertake a momentous mission before an apocalyptic flood cleanses the world.

Director: Darren Aronofsky | Stars: Russell Crowe , Jennifer Connelly , Anthony Hopkins , Emma Watson

Votes: 266,629 | Gross: $101.20M

21. Raw (2016)

R | 99 min | Drama, Horror

A young woman, studying to be a vet, develops a craving for human flesh.

Director: Julia Ducournau | Stars: Garance Marillier , Ella Rumpf , Rabah Nait Oufella , Laurent Lucas

Votes: 88,826 | Gross: $0.51M

22. Charlotte's Web (2006)

G | 97 min | Adventure, Comedy, Family

Wilbur the pig is scared of the end of the season, because he knows that come that time, he will end up on the dinner table. He hatches a plan with Charlotte, a spider that lives in his pen, to ensure that this will never happen.

Director: Gary Winick | Stars: Dakota Fanning , Julia Roberts , Oprah Winfrey , Steve Buscemi

Votes: 46,392 | Gross: $82.99M

23. Charlotte's Web (1973)

G | 94 min | Animation, Adventure, Drama

Wilbur is a farm pig who's terrified that he'll end up on the dinner table. His friend Charlotte, a charming spider, comes to his rescue. She weaves words into her web, convincing the farmer that Wilbur is too special a pig to kill.

Directors: Charles Nichols , Iwao Takamoto | Stars: Debbie Reynolds , Henry Gibson , Paul Lynde , Rex Allen

Votes: 22,665 | Gross: $5.23M

24. The Herd (2014)

21 min | Short, Horror, Thriller

Paula is imprisoned in inhuman squalor with other women; her captors abuse as resources her existence and human function. Escape on any level is hopeless as the women are condemned to lives... See full summary  »

Director: Melanie Light | Stars: Pollyanna McIntosh , Victoria Broom , Charlotte Hunter , Jon Campling

25. Shark Tale (2004)

PG | 90 min | Animation, Adventure, Comedy

When a son of a gangster shark boss is accidentally killed while on the hunt, his would-be prey and his vegetarian brother decide to use the incident to their own advantage.

Directors: Bibo Bergeron , Vicky Jenson , Rob Letterman | Stars: Will Smith , Robert De Niro , Renée Zellweger , Angelina Jolie

Votes: 198,323 | Gross: $160.86M

26. Immi the Vegan (2020)

Immi the Vegan dreams of finding a good vegan man and gaining the confidence to perform her songs in front of a live audience. But lately her dates have mistaken her for a vegetarian or tried to send her photos of their meat and two veg.

Stars: Harley Neville , Immi Paterson , Rory Nolan , Liesha Ward Knox

27. Ace Ventura: Pet Detective (1994)

PG-13 | 86 min | Comedy

A goofy detective specializing in animals goes in search of the missing mascot of the Miami Dolphins.

Director: Tom Shadyac | Stars: Jim Carrey , Courteney Cox , Sean Young , Tone Loc

Votes: 324,196 | Gross: $72.22M

28. A.L.F. (2012)

96 min | Drama

What happened, that 24th of December? This is what officer Chartier wants to find out. To understand, he will have to go back 48 hours earlier to Franck's Christmas eve. Franck is an ... See full summary  »

Director: Jérôme Lescure | Stars: Alexandre Laigner , Alice Pehlivanyan , Jean-Pierre Loustau , Stéphane Rouabah

29. Watership Down (2018)

TV-PG | 204 min | Animation, Action, Adventure

Fleeing their doomed warren, a colony of rabbits struggle to find and defend a new home.

Stars: James McAvoy , Nicholas Hoult , John Boyega , Ben Kingsley

Votes: 6,947

30. Watership Down (1978)

PG | 91 min | Animation, Adventure, Drama

Hoping to escape destruction by human developers and save their community, a colony of rabbits, led by Hazel and Fiver, seek out a safe place to set up a new warren.

Directors: Martin Rosen , John Hubley | Stars: John Hurt , Richard Briers , Ralph Richardson , Michael Graham Cox

Votes: 39,302

31. Zootopia (2016)

PG | 108 min | Animation, Action, Comedy

In a city of anthropomorphic animals, a rookie bunny cop and a cynical con artist fox must work together to uncover a conspiracy.

Directors: Byron Howard , Rich Moore , Jared Bush | Stars: Ginnifer Goodwin , Jason Bateman , Idris Elba , Jenny Slate

Votes: 544,263 | Gross: $341.27M

32. Doctor Dolittle (1967)

Approved | 152 min | Adventure, Comedy, Family

After the animal communicating veterinarian goes too far for his clientele, he and his friends escape their hometown to the sea in search of the Great Pink Sea Snail.

Director: Richard Fleischer | Stars: Rex Harrison , Samantha Eggar , Anthony Newley , Richard Attenborough

Votes: 10,238 | Gross: $13.52M

33. The Texas Chain Saw Massacre (1974)

R | 83 min | Horror

Five friends head out to rural Texas to visit the grave of a grandfather. On the way they stumble across what appears to be a deserted house, only to discover something sinister within. Something armed with a chainsaw.

Director: Tobe Hooper | Stars: Marilyn Burns , Edwin Neal , Allen Danziger , Paul A. Partain

Votes: 182,884 | Gross: $30.86M

34. The Texas Chainsaw Massacre (2003)

R | 98 min | Horror

After picking up a traumatized young hitchhiker, five friends find themselves stalked and hunted by a deformed chainsaw-wielding loon and his family of equally psychopathic killers.

Director: Marcus Nispel | Stars: Jessica Biel , Jonathan Tucker , Andrew Bryniarski , Erica Leerhsen

Votes: 152,088 | Gross: $80.57M

35. The Secret Life of Pets (2016)

PG | 86 min | Animation, Adventure, Comedy

The quiet life of a terrier named Max is upended when his owner takes in Duke, a stray whom Max instantly dislikes.

Director: Chris Renaud | Stars: Louis C.K. , Eric Stonestreet , Kevin Hart , Lake Bell

Votes: 216,762 | Gross: $368.38M

36. Spoor (2017)

Not Rated | 128 min | Crime, Drama, Mystery

Janina Duszejko, an elderly woman, lives alone in the Klodzko Valley where a series of mysterious crimes are committed. Duszejko is convinced that she knows who or what is the murderer, but nobody believes her.

Directors: Agnieszka Holland , Kasia Adamik | Stars: Agnieszka Mandat , Wiktor Zborowski , Jakub Gierszal , Patricia Volny

Votes: 6,024

Based on the novel 'Drive Your Plough Over the Bones of the Dead'

37. Fantastic Mr. Fox (2009)

PG | 87 min | Animation, Adventure, Comedy

An urbane fox cannot resist returning to his farm raiding ways and then must help his community survive the farmers' retaliation.

Director: Wes Anderson | Stars: George Clooney , Meryl Streep , Bill Murray , Jason Schwartzman

Votes: 269,125 | Gross: $21.00M

38. Mad Max: Fury Road (2015)

R | 120 min | Action, Adventure, Sci-Fi

In a post-apocalyptic wasteland, a woman rebels against a tyrannical ruler in search for her homeland with the aid of a group of female prisoners, a psychotic worshiper and a drifter named Max.

Director: George Miller | Stars: Tom Hardy , Charlize Theron , Nicholas Hoult , Zoë Kravitz

Votes: 1,081,981 | Gross: $154.06M

39. Bold Native (2010)

R | 105 min | Action, Adventure, Comedy

Charlie Cranehill, an animal liberator wanted for domestic terrorism, emerges from the underground to coordinate a nationwide action as his estranged CEO father tries to find him before the FBI does.

Director: Denis Henry Hennelly | Stars: Joaquin Pastor , Randolph Mantooth , Sheila Vand , Matt Shea

40. Beatriz at Dinner (2017)

R | 82 min | Comedy, Drama

A holistic medicine practitioner attends a wealthy client's dinner party after her car breaks down.

Director: Miguel Arteta | Stars: Salma Hayek , John Lithgow , Connie Britton , Jay Duplass

Votes: 10,824 | Gross: $7.12M

41. Cloud Atlas (2012)

R | 172 min | Drama, Mystery, Sci-Fi

An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.

Directors: Tom Tykwer , Lana Wachowski , Lilly Wachowski | Stars: Tom Hanks , Halle Berry , Hugh Grant , Hugo Weaving

Votes: 373,860 | Gross: $27.11M

42. Anonymous Animals (2020)

64 min | Fantasy, Thriller

The balance of power between man and animal has changed. In a remote countryside, any encounter with the dominant can become hostile.

Director: Baptiste Rouveure | Stars: Thierry Marcos , Pauline Guilpain , Aurélien Chilarski , Emilien Lavaut

43. Powder (1995)

PG-13 | 111 min | Drama, Fantasy, Mystery

An off-the-charts genius who is home schooled and shunned after his last relative dies shows the unconscious residents of his town about connection awareness and the generosity of the spirit.

Director: Victor Salva | Stars: Mary Steenburgen , Sean Patrick Flanery , Lance Henriksen , Jeff Goldblum

Votes: 32,529 | Gross: $30.86M

44. Orca (1977)

PG | 92 min | Adventure, Drama, Horror

A hunter squares off against a killer whale seeking vengeance for the death of its mate.

Director: Michael Anderson | Stars: Richard Harris , Charlotte Rampling , Will Sampson , Bo Derek

Votes: 13,250 | Gross: $14.72M

45. Logan's Run (1976)

PG | 119 min | Action, Adventure, Sci-Fi

A police officer in the future uncovers the deadly secret behind a society that worships youth.

Director: Michael Anderson | Stars: Michael York , Jenny Agutter , Richard Jordan , Roscoe Lee Browne

Votes: 60,873 | Gross: $25.00M

46. Cinderella (I) (2015)

PG | 105 min | Adventure, Drama, Family

When her father unexpectedly dies, young Ella finds herself at the mercy of her cruel stepmother and her scheming stepsisters. Never one to give up hope, Ella's fortunes begin to change after meeting a dashing stranger.

Director: Kenneth Branagh | Stars: Lily James , Cate Blanchett , Richard Madden , Helena Bonham Carter

Votes: 190,174 | Gross: $201.15M

47. Finding Nemo (2003)

G | 100 min | Animation, Adventure, Comedy

After his son is captured in the Great Barrier Reef and taken to Sydney, a timid clownfish sets out on a journey to bring him home.

Directors: Andrew Stanton , Lee Unkrich | Stars: Albert Brooks , Ellen DeGeneres , Alexander Gould , Willem Dafoe

Votes: 1,110,108 | Gross: $380.84M

"Fish are our friends, not food."

48. Daisy, a Hen Into the Wild (2011)

Not Rated | 93 min | Animation, Adventure, Drama

Leafie is a hen who manages to escape the horrible conditions of an egg production line. After surviving a harrowing encounter with a one-eyed weasel and being rejected by the barnyard ... See full summary  »

Director: Seong-yun Oh | Stars: Moon So-ri , Yoo Seung-ho , Choi Min-sik , Park Chul-min

Votes: 1,048

49. Open Season (2006)

Boog, a domesticated 900lb. Grizzly bear, finds himself stranded in the woods 3 days before Open Season. Forced to rely on Elliot, a fast-talking mule deer, the two form an unlikely friendship and must quickly rally other forest animals if they are to form a rag-tag army against the hunters.

Directors: Roger Allers , Jill Culton , Anthony Stacchi | Stars: Ashton Kutcher , Martin Lawrence , Debra Messing , Gary Sinise

Votes: 105,420 | Gross: $85.11M

50. The Book of Life (2014)

PG | 95 min | Animation, Adventure, Comedy

Manolo, a young man who is torn between fulfilling the expectations of his family and following his heart, embarks on an adventure that spans three fantastic worlds where he must face his greatest fears.

Director: Jorge R. Gutiérrez | Stars: Diego Luna , Zoe Saldana , Channing Tatum , Ron Perlman

Votes: 77,789 | Gross: $50.15M

51. Avatar (2009)

PG-13 | 162 min | Action, Adventure, Fantasy

A paraplegic Marine dispatched to the moon Pandora on a unique mission becomes torn between following his orders and protecting the world he feels is his home.

Director: James Cameron | Stars: Sam Worthington , Zoe Saldana , Sigourney Weaver , Michelle Rodriguez

Votes: 1,383,417 | Gross: $760.51M

52. Rise of the Planet of the Apes (2011)

PG-13 | 105 min | Action, Drama, Sci-Fi

A substance designed to help the brain repair itself gives advanced intelligence to a chimpanzee who leads an ape uprising.

Director: Rupert Wyatt | Stars: James Franco , Andy Serkis , Freida Pinto , Karin Konoval

Votes: 556,502 | Gross: $176.76M

53. The Simpsons (1989– ) Episode: Lisa the Vegetarian (1995)

TV-14 | 30 min | Animation, Comedy

A trip to a local petting zoo convinces Lisa to give up meat, despite excessive pressure to convince her not to do so.

Director: Mark Kirkland | Stars: Dan Castellaneta , Julie Kavner , Nancy Cartwright , Yeardley Smith

Votes: 3,834

54. BoJack Horseman (2014–2020) Episode: Chickens (2015)

TV-MA | 26 min | Animation, Comedy, Drama

Todd tries to save a chicken from the slaughter house while Bojack and Kelsey are allowed some bonding time.

Director: Mike Roberts | Stars: Will Arnett , Amy Sedaris , Alison Brie , Paul F. Tompkins

Votes: 4,474

55. Save Ralph (2021)

TV-PG | 4 min | Animation, Short, Horror

Ralph, a bunny being interviewed for a documentary, goes through his daily routine as a "tester" in a lab.

Director: Spencer Susser | Stars: Zac Efron , Ricky Gervais , Tricia Helfer , Pom Klementieff

Votes: 6,077

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Star trek: strange new worlds musical songwriters were told: “we want people to cry”.

Star Trek: Strange New Worlds songwriters Kay Hanley and Tom Polce reveal their marching orders to make the musical as emotional as possible.

• Kay Hanley and Tom Polce were challenged to create emotional songs for Star Trek's first musical episode, leading Hanley to cry while writing "Keep Us Connected."
• The writers aimed for a narrative that exposed the characters emotionally, with a directive to make viewers cry during the musical episode.
• The episode, "Subspace Rhapsody," was screened at WonderCon in a singalong event, showcasing the emotional depth of the songs.

Star Trek: Strange New Worlds songwriters Kay Hanley and Tom Polce reveal they were instructed to make people cry watching Star Trek 's first-ever musical episode, "Subspace Rhapsody." Hanley and Polce, from the band Letters to Cleo, wrote and composed all of the songs for "Subspace Rhapsody" in just five weeks. It was a rewarding but emotional experience that led Hanley to cry for the first time ever while writing a song .

At WonderCon, Star Trek: Strange New Worlds ' musical episode was screened in a singalong event, followed by a panel with Kay Hanley and Tom Polce moderated by Scott Mantz. Hanley revealed she had never cried writing a song before "Keep Us Connected," which was sung by Ensign Nyota Uhura (Celia Rose Gooding), and Tom Polce says writers Bill Wolkoff, Dana Horgan, and Strange New Worlds ' showrunners encouraged the songs to be emotional . Check out their quotes below:

Kay Hanley: I’ve been writing songs, we both have, for 30 years, and I’ve never cried while writing a song until “Keep Us Connected.”

Tom Polce: One of the great directives they gave us - from the very beginning of this when we were trying to figure out ‘what is this about? What are these songs going to be about?’, it was clear to all of us that this wasn’t going to be an hour of jazz hands set to superfluous music. What was important was that lyrically, it was a narrative, and it was an exposition of these characters emotionally. And when they said to us, I swear, it was like, ‘We want people to cry’... That’s what they said!

Kay Hanley: So I took that to heart. Meaning, you want me to cry. And I did. I cried, and I still cry. I sobbed writing the Uhura song.

Check out the full performance of "Keep Us Connected" from Star Trek: Strange New Worlds ' musical, "Subspace Rhapsody", below:

Star Trek: Strange New Worlds Season 3 - Everything We Know

Why star trek: strange new worlds' musical was so emotional, the crew of the starship enterprise bared their innermost feelings.

Star Trek: Strange New Worlds ' musical worked wonders not just because it was wildly entertaining, but there was genuine depth and heartfelt emotion behind the characters' songs. While the threat of the subspace rift affecting the entire galaxy satisfied Star Trek' s sci-fi requirements, the crux of the episode was the crew of the Starship Enterprise laying their innermost feelings bare. Characters like Uhura, Nurse Christine Chapel (Jess Bush), Lt. La'an Noonien-Singh (Christina Chong), and Captain Christopher Pike (Anson Mount) sang out loud their hopes and deepest fears since Strange New Worlds began.

"Keep Us Connected" gave Uhura the fortitude to save the Enterprise.

Nurse Chapel came to a fateful decision to put herself first in "I'm Ready," breaking the heart of Lt. Spock (Ethan Peck) in the process. La'an's heartwrenching performance of "How Would That Feel?" gave her the strength to open herself up to others, especially Lt. James T. Kirk (Paul Wesley). And the powerhouse "Keep Us Connected" made Ensign Uhura face the loss of her family and Lt. Hemmer (Bruce Horak), but affirmed Uhura's true purpose as the heart of the Starship Enterprise. "Keep Us Connected" gave Uhura the fortitude to save the Enterprise in Star Trek: Strange New Worlds while bringing Kay Hanley and audiences to tears.

Source: WonderCon

Star Trek: Strange New Worlds is streaming on Paramount+

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