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Count's 77

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77s & Michael Roe Tour Dates

77s unplugged featuring michael roe & jan eric.

Dear Friends,

We regret to report the 77s Unplugged tour has been indefinitely postponed due to recent events surrounding the Coronavirus. We explored every possibility in the hopes of finding a safe way to pull off this tour, but in the end the health and well-being of fans, promoters, and Michael and Jan outweigh any temporary disappointment we’ll all certainly be feeling from this news. Hopefully at some point in the near future when we’re all on the other end of this, we can try again.

For those that purchased advance tickets, if you haven't already received a refund, please visit the website of your point of purchase and/or contact your local promoter for instructions on how to receive your refunds.

As a thank you for all the love and support, Michael, Jan and their friend Steve Broderson put together a re-recording of “Caught In An Unguarded Moment” as a gift to each and every one of you. The recording is “pay what you want” and can be accessed at the link below. For those willing and able, please consider donating “above and beyond” as each donation will go towards recouping the significant losses from canceling this tour.

http://bit.ly/77sUnguardedMoment

Thanks again for your continued support - and please take care.

Michael, Jan & Lo-Fidelity Records

Friday - 3/20/2020 The 278 Room 278 Southland Dr, Lexington, KY 40503 Doors 6:30 - PM Showtime 7:00PM Advance Tickets - $20 - http://bit.ly/The278Tickets Contact Stiv McFaddon for more info; 859-539-3744

Sunday - 3/22/2020 Zimmerman’s Basement O’ Sound 7 Sussex Road East Brunswick, NJ 08816 Doors 7:00PM - Showtime 7:30PM Please contact Dean Zimmerman for seat reservations at [email protected]  

Tuesday - 3/24/2020 Jammin Java 227 Maple Ave. Vienna, VA 22180 Doors 7:00PM - Showtime 7:30PM Advance tickets - $15 to $25 - http://bit.ly/JamminJava77sTickets  

Wednesday - 3/25/2020 Rumba Café 2507 Summit St, Columbus, OH 43202 Doors 6:30PM - Showtime 7:00PM Advance Tickets - $20 - http://bit.ly/RumbaCafe77sTickets  

Thursday - 3/26/2020 The Albionoria (House Show) 510 Walnut St Lockport NY 14094-3112 Doors 7:00PM Showtime 7:30PM Tickets - $25 - http://bit.ly/77sAlbionoriaTickets *** Tickets MUST purchased in advance - only 40 seats available.*** 

Friday - 3/27/2020 Trinity House Theater 38840 Six Mile Rd, Livonia, MI 48152 Doors: 7:30pm - Showtime: 8:00pm Tickets - $20 - http://bit.ly/77sTrinityHouseTheater

Saturday -3/28/2020 The Warehouse 308 E Galena Blvd, Aurora, IL 60505 Doors 7:00PM - Showtime 7:30PM Tickets - Free to attend - a collection will be taken to pay the band.

Sunday - 3/29/2020 The Tudor House (House Show) 3015 Tudor Court Moline IL. 61201 Doors: 7:00p  - Showtime: 7:30pm Tickets - Seating is very limited, with a suggested donation of $25 per person. Please contact Jimmy Perry at District Drugs by calling 1-866-842-3351 to reserve your seat.

Tuesday - 3/31/2020 The Writers Room 624 S Rangeline Rd, Carmel, IN 46032 Doors - 7:00PM  -  Showtime - 7:30PM Tickets $20 advance / $25 at the door - http://bit.ly/77sWritersRoom

Wednesday - 4/1/2020 Story Forge 720 Rundle Avenue Nashville, TN 37210 Doors: 7:00pm - Showtime: 7:30pm Tickets - $20 to $35 - http://bit.ly/77sNashville VIP ticket holders will get preferred seating and can stick around for a special post show hang time with the guys that will include a LIVE TRUE TUNES PODCAST RECORDING hosted by John J. Thompson! This is a small venue - only 80 seats.

Booking for Michael Roe & the 77s: Jeffrey Kotthoff -  [email protected] Lo-Fidelity Records & Booking PO Box 7975 Aurora, IL. 60507 www.lo-fidelity.com

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Count’s 77 Concert

Saturday august 20th 2pm - 3:30pm flat lot in downtown flint free concert the ally challenge presented by mclaren presents.

Learn about the Band

Count’s 77, a hard rock band from Las Vegas, is fronted by lead singer Danny “Count” Koker, star of HISTORY’S hit series, “Counting Cars”.

LAS VEGAS, NV.  — With roots in 70’s hard rock, Count’s 77  is further powered by the twin guitar team of  Stoney Curtis  and  John Zito , the former of whom has an international following as a recording and touring blues guitarist. With musical roots as diverse as  Thin Lizzy ,  Foghat ,  The Allman Brothers  and  Led Zeppelin , Count’s 77 stands poised to be one of the leaders of the new classic rock revival. Soul Transfusion is the logical step forward in this stellar hard rock band’s recording career whose first record received critically acclaim internationally and established the band as one of the most promising new hard rock bands on the scene. The band recently completed their first video of their song  “Summer of 77”.

Danny “Count” Koker , is Count’s 77’s charismatic front man and was singing long before he came into international fame as the owner of  Count’s Kustoms , his Las Vegas-based hotrod and chopper shop which is the subject of  History’s  hit TV show  “Counting Cars”  where the band was featured performing live with  George Lynch .

  Stoney Curtis , lead guitarist for Count’s 77, has amassed an international following as a recording and touring blues guitarist, releasing a steady flow of product for the last ten plus years, with international airplay and CD’s which consistently have made Amazon.com’s blues charts.  Tommy Paris , is not only the band’s incredible keyboardist but he has been known internationally for nearly 25 years as the lead singer of platinum rockers  Britny Fox . Rhythm and slide guitarist  John Zito  forged a career on the LA rock scene before bonding with Koker and Curtis. Virtuoso rock bassist  Barry Barnes , having played bass in the critically acclaimed show  “Rock Of Ages”  and powerhouse drummer  Paul Disibio  form the rhythm section with strength and authority.

 A lot of great things have happened for the band since their self-titled release in 2014. The band has played a series of charity shows for war veterans, drawing 5,000 to 10,000 people per event. They also performed at the  Les Paul 100th Anniversary Party  at the  Hard Rock  in Times Square with acts such as  Steve Miller ,  Joe Bonamassa ,  Joe Satriani ,  Steve Vai  and a host of other guitar legends and they were also the house band for the all star jam that ensued post party at the  Iridium . The band headlined nine  Autorama  shows and also played numerous large bike rallies, including  Sturgis’ Full Throttle Saloon ,  The Roar On The Shore  in Erie PA and  Bike Fest  in Piqua Ohio playing for up to 25,000 people per show. They also headlined  The Big   E  in Eastern Massachusetts which events drew 5,000 to 15,000 and  Ally Bank  recently began their sponsorship of the band.

  Look for Count’s 77 to play a series of Autorama shows in 2017  and other venues in the USA and Canada .

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Led Zeppelin

• Discography
• London 12.10.07
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• Madison Square Garden - June 7, 1977

The Song Remains The Same, (The Rover intro) Sick Again, Nobody's Fault But Mine, In My Time of Dying, Since I've Been Loving You, No Quarter, Ten Years Gone, Battle of Evermore, Going to California, Black Country Woman, Bron-Y-Aur Stomp, White Summer ~ Black Mountain Side, Kashmir, (Out On the Tiles intro) Moby Dick, Jimmy Page solo, Achilles Last Stand, Stairway to Heaven, Whole Lotta Love ~ Rock and Roll.

Press Reviews : MADISON SQUARE GARDEN, NYC [6/7/77]- The cheers and fireworks were deafening as Led Zeppelin's sold-out six-concert engagement got off to an explosive start here.  Newer "heavy metal" rock bands have been racking up impressive attendances and grosses in recent years, but few in operation today can match the crowd impact of these nine-year veterans of the large scale concert tour. Zeppelin's main strength is still the skill of its individual musicians, notably lead guitarist and mentor Jimmy Page. His versatility was demonstrated by facile fingerpicking on the twelve-stringed electric for "The Song Remains The Same," as well as tasteful acoustic backing of Robert Plant's lead vocal on "Going To California," part of an acoustical set that included the very unusual "Battle of Evermore" from the band's [fourth] album.

John Paul Jones is a jack of all trades, playing a solid, reserved bass in addition to various keyboards, strings and bass pedals. His feature of the evening was the dreamy "No Quarter," for which he played synthesized piano in the midst of the effective dry-ice fog.

The concert's major energy contributor was drummer John Bonham, who specialized in imaginative embellishment and occasional telepathic explosions of rhythmic chaos with Page. 

Special lighting effects included a pyramid of green lasers surrounding 'a solitary Page, and directed spots which gave Plant the look of a blue elf with flaming I golden hair at the outset of the three-hour set's close, "Stairway To Heaven." The show was not without its weak points, however. The sound was completely unbalanced for the first twenty minutes, creating a very disturbing distortion at high volume. Once the mix was clear, there were additional slow spots, especially lengthy, self-indulgent solos by Page and Bonham.

The group sometimes seemed to be going through its paces rather than giving itself to the audience. Led Zeppelin is bent on becoming one of the world's longest-lived rock groups. However, they conspicuously avoided older material, in even leaving out the classic "Dazed And Confused." Sticking to the current albums will keep Zeppelin fresh with the younger crowd, even at the risk of losing the "grandparents," as Plant  humorously referred to us. [by p. dumauro, 6/77]

-------------------------------------------

Press Review : Some rock bands have fans, others have admirers and still others have followers. But Led Zeppelin is the last great rock band who’s minions can be considered true believers.

Believing in Led Zeppelin makes its audience a unified community, which is rare in rock these days. The decline of rock as a social phenomenon and its development as big business has made the likelihood   of such sentiment obsolete. Led Zeppelin is the only exception. The nearly 20,000 believers who filled Madison Square Garden light night (June 7 th ) for the first of six sold-out shows were part of rock’s largest fraternity. A passion for Led Zeppelin is enough to establish communications, if not necessarily friendship, among a large segment of today’s teenagers.

The audience displayed restraint that bordered on saintliness during the one-hour delay before the concert started. No announcement or explanation was offered. But a substantial number of people did show stupidity bordering on sadism in greeting the band with an assault of fireworks that made the Garden seem like Da Nang, The explosions faded after a few songs when singer Robert Plant exerted his moral authority by requesting that those offenders “cool the firecrackers – no more of those exploding things.”

After that, most of the explosions were from the stage, where Led Zeppelin proved that it was worthy of the adoration bestowed upon it. The 8-year old band virtually invented what has become known as heavy-metal rock, an English combination of blues structures and ear-splitting volume. But the band has grown with the times. Rather than relying on its earlier style of rock-to-break-your-kneecaps-with once represented by songs like Whole Lotta Love, Led Zeppelin performed a nearly three-hour set notable for its variety, sophistication and depth.

Each member of this quartet added something special to the band’s sound. Singer Robert Plant, a tall, muscular, golden-haired man whose unbutton shirt proudly revealed the best developed pectoral muscles in rock, sand with his usually effective rasp. He maintained pitch and melody well and exuded by a gregariousness and intensity. Lead guitarist Jimmy Page is one of rock’s legends. His playing was busy, wiry, sometimes scattershot. On In My Time of Dying, he continually shifted the emphasis of the dynamics until he built to an attention-riveting, machine gun-like finish.

No Quarter was the vehicle for versatile John Paul Jones. On that tune, he performed on keyboards, alternating between spacey abstraction and kinetic surges of energy. His performance blended the styles of Keith Jarrett, Huey Smith, Beethoven, and B. Bumble and the Stingers. Drummer John Bonham, meanwhile, played with deceptive subtlety. His cannonball approach made use of empty space on In My Time of Dying, that propelled the other musicians without overpowering them.

So while many in the audience enjoyed the show simply because being there conferred status on the high school ladder, Zeppelin pleased its older fans by playing with both complexity and poignance. (D. Marsh, Newsday- June 1977)

Press Review (2) : Some rock bands have fans, others have admirers and still others have followers. But Led Zeppelin is the last great rock band who’s minions can be considered true believers.

-----------------------------------

Press Review (3): New York Times : EVEN THOUGH millions of young people have managed to acquire it, Led Zeppelin remains an acquired taste. The British rock quartet, which opened a run of six long‐since‐sold‐out shows at Madison Square Garden last night. makes a monstrously loud, deliberately abrasive kind of music far removed not only from the sweet rustlings of classical music, jazz and Tin Pan Alley, but even from the tuneful, rhythmicaliy en?vening rock songs of the 1960's.

That said, last night's was the best Led Zeppelin show this observer has ever heard, and that includes the sound track from the group's recent concert film. It was certainly superior to the 1975 Garden shows, the last the ?and had given in New York. That time the guitarist, Jimmy Page, had an injured finger. Since then Led Zeppelin has been off the road, waiting for the singer, Robert Plant, to recover from first an auto accident and then a throat infection.

This tour amounts to a reassertion of the band's pre‐eminence in the fickle youth market of America, and on its own terms last night's show was certainly a triumphant reassertion. It lasted three hours and included some 18 songs, depending on how you count —a Led Zeppelin “song” is often an excuse for a meandering instrumental that sucks in all sorts of extraneous material as it goes along, and some‐ times segues subtly into something altogether different.

The repertory last night included much that was predictable, from “The Song Remains the Same” to “Stairway to Heaven” by way of “In My Time of Dying” (dedicated somewhat wickedly to Queen Elizabeth II and her Silver Jubilee; “The Battle of Evermore” was also dedicated to the British monarch), “No Quarter,” “Kashmir,” “Achilles Last Stand” and others. But there was also an acoustic set that lightened the heavy‐metal load.

The mood of last night's concert offstage and on seemed fresher and less hostile than some Led Zeppelin concerts and crowds of yore. The audience waited more or less docilely for 70 minutes past the scheduled starting time before the band appeared. When it did so, the mood of the musicians was good‐natured and almost puckish. And Mr. Plant laudably and earnestly attempted to discourage the hurling of firecrackers and cherry bombs.

Quite apart from its sheer massiveness and its mood, this was a first‐class Led Zeppelin performance on several objective criteria. Mr. Plant's voice sounded fresh throughout, but especially during the acoustic portion, in “Going to California.” And it was aided by a whole battery of echo and filter effects.

Similarly Mr. Page's guitar playing, always concerned with coloristic exploration, was positively kaleidoscopic in that respect last night. And his work along with everybody else's was projected forcefully and clearly by the sound system.

The other two held up their ends, too. John Paul Jones may not he the most riveting instrumentalist in rock, but he is a skillful, versatile bass player, keyboard player and guitarist. And while John Bonham's drumming was hardly subtle or clever, it had at least the virtues of powerhouse energy. His 20‐minute solo was certainly too long, but it had its moments, particularly in a flashy synthesized‐drum effect toward the end.

And there was a fair bit of flash in the visuals, too, although not as much as one might have expected or hoped for from a band of Led Zeppelin's reputation. There were two laser displays, the second in particular (a pyramid or tent‐like structure around Mr. Page as he sawed away on his guitar with a how) worth seeing. But neither erased memories of the best laser shows in rock, and the remaining assortment of movable drum stands, smoke and flash combs, mirror‐balls and the like were nothing special.

For all its excellences on its own terms, this was not an event that would have persuaded someone hostile to Led Zeppelin to think otherwise. There was much needless excess; there was surely too much reliance on superficial effects over solid musical substance; for all the quite extraordinary range of musical styles there was a curious, persistent sameness to the results. Despite the fervor of the fans, this is simply not one of the very greatest bands of rock‐and‐roll—at least not yet.

But finally it is by no means as simple as that, for it is Led, Zeppelin itself that confounds any easy judgment that it is a second‐rate ensemble. If it is only that, how do you explain the obvious first‐rate songs that crop up with steady regularity in the midst of the dross? Last night, “Kashmir” was especially powerful—this observer had to leave before “Stairway to Heaven,” which inevitably makes a strong impact. Any rock‐and‐roll band that can produce a song like “Kashmir,” with its hypnotic, “Bolero”‐like ostinato, its intimations of the exotic and its cumulative energy, can hardly be called second‐rate. [published 6/8/77]

Press Review excerpt (4) : ZEPPELIN LATE BUT GREAT

After too many years of lackluster concerts and spotty albums Led Zeppelin landed in Madison Square Garden last night for a concert that saw the band at its roaring, pounding best. The first of six New York performances, last night's show may very well stand as he finest concert the group has ever given in th city - at least until tonight.

In the first break from the music, lead vocalist Robert Plant made a brief speech about how it had been a long time since the last New York show, seemingly made longer by the possibility that the current show might never have been (an allusion to Plant's serious car crash in 1975). He ended on an  optimistic note: "We owe you a good one, don t we?" The crowd was more than happy to go along with that proposition.

What followed was a good one, to be sure. Guitarist Jimmy Page was nothing short of brilliant, his work showing a, sparkle and flash that has been almost completely missing in recent years. He moved from one guitar style to another with ease, and excelled in all. His stage movements, which are present even on bad nights, seemed much more natural and interesting, with Page playing like one possessed.

Drummer John Bonham played extremely well throughout, which is nothing unusual. He also played an excellent drum solo, which is nothing short of a miracle. Until last night, Bonham was always a good drummer for Led Zeppelin, but his solo spots were shoddy and, for the rnost part, quite boring. Last night changed it all. Whether Bonham has been practicing or was just inspired by tne overall quality of the show is not known. Whatever the reason, the result was good. The last 10 minutes (the solo lasted almost 25) were taken up with a drum-actuated synthesizer. Bonham provided the percussion the synthesizer provided appropriate whoops and swooshes, and the combination of the light show and a superb stereo sound system added the finishing touches.

Bassist John Paul Jones had his chance to shine in "Ten Years Gone," a song the band never has included before this tour. While Page handled lead gμitar chores, Jones added a solid background using a triple-neck guitar. While he lacked a real guitar solo, Jones's work was more than respectable.   One of the brightest moments came when the band opened an acoustic set with "The Battle of Evermore." In his introduction of the set, Plant mentioned that Led Zeppelin had not done an acoustic set in New York since playing at Fillmore East, and he added," which you grandparents in the audience may remember."

The one really shocking thing about last night's show was the total lack of anything that could be called security. After last Fridays riot in Tampa, Fla., it was announced that garden security forces would be strengthened. The security people were in the building, but they did nothing. Even normal tasks such as preventing people from less expensive seats from flooding the main floor were disregarded. At some times it felt as if the audience was in control of the hall instead of garden personnel.

Despite the uncomfortable moments, the fans were there for a good show, and they were not to be denied. They were also not to be disappointed. One departing fan summed it up very nicely when he turned to his companion and said, " When they play that well, it makes up for an awful lot of their past." [-R. Atkinson/June 1977]

The Song Remains The Same, (The Rover intro) Sick Again, Nobody's Fault But Mine, In My Time of Dying, Since I've Been Loving You, No Quarter, Ten Years Gone, Battle of Evermore, Going to California, Black Country Woman, Bron-Y-Aur Stomp, White Summer ~ Black Mountainside, Kashmir, (Out On the Tiles intro) Moby Dick, Jimmy Page solo, Achilles Last Stand, Stairway to Heaven, Whole Lotta Love ~ Rock and Roll.

Memorabilia:

Submit your personal review of a particular show you attended, updates, corrections, etc., which will be considered for addition to the official online archive.

You may also contact the webmaster at: [email protected].

Van Halen News Desk

The Latest News & Info about The Mighty Van Halen

Van Halen’s ’77 Pasadena Concert Ranks Among ‘Greatest Live Moments In Entire History Of The Guitar’ By Louder

November 10, 2021 —by VHND Leave a Comment

The rock website Louder has placed Van Halen’s 1977 concert at the Pasadena Convention Center among the 32 greatest live moments in the entire history of the guitar.

The list was compiled by the staff at Classic Rock magazine and aimed to “celebrate the pioneering, the spectacular and the unrepeatable” with their history of the guitar’s greatest onstage moments.

Here is what they had to say about Van Halen’s ’77 show at the Pasadena Convention Center a.k.a. “The Pasadena Civic” on October 15th, 1977:

Van Halen show us what they’re made of Pasadena Convention Center, 1977 If any concert marked the arrival of Van Halen, it was this (since widely bootlegged) performance in their home city just weeks after recording their game-changing debut album. Guitarist Eddie Van Halen, then only 22, was already very much the full package, from those perfectly overdriven tones to his whammy-bar stunts and, arguably the most groundbreaking of all, the two-handed licks covering great distance at high speed with natural finesse. Armed with a killer set of their earliest songs, the band were taking no prisoners, which is what makes the recordings such a wildly enticing listen all these years later — dazzling charisma and talent captured in its full, unadulterated glory. Guitar music would never be the same again. “Friends, it’s true, Van Halen is here,” singer David Lee Roth said with a grin as Eddie tuned his higher strings. “Do you know when we started out here, there weren’t too many people, but now it appears things have changed!”

Below is audio of the show along with the setlist from the 10/15/77 show from the Van Halen YouTube channel VANHALENARCHIVE :

• “On Fire”
• “Feel Your Love Tonight”
• “Runnin’ With The Devil”
• “Atomic Punk”
• “Little Dreamer”
• “Somebody Get Me A Doctor”
• “Ice Cream Man”
• “Ain’t Talkin”Bout Love”
• “Eruption”
• “D.O.A.”
• “You Really Got Me”

EDDIE!! EDDIE!!! Eddie Van Halen Makes Louder ‘s List Twice

Eddie Van Halen made yet another appearance on Louder ‘s list, this time as part of the 1988 Les Paul tribute concert:

Giving it their all for Les Paul Brooklyn Academy Of Music, 1988 On August 18, 1988, a now-hard-to-fathom collection of famous guitarists got together to celebrate the life and music of guitar great Les Paul, who was 73 at the time. The show, which was released on VHS (with an ridiculously long title), brought Paul on to the same stage with Eddie Van Halen , David Gilmour, Brian Setzer (who bellowed: “Hey, Eddie Van Halen, get your butt up here, man!”), BB King, Stanley Jordan, Steve Miller and even Waylon Jennings. This show has become even more poignant now that some of its biggest stars — Paul, Eddie and BB — have passed on. It’s a bit like that video of George Harrison, Eric Clapton and Ringo Starr performing While My Guitar Gently Weeps in 1987; it was cool then, but it’s priceless now.

Read the rest of Louder ‘s list of the 32 greatest live moments in the entire history of the guitar HERE .

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Moscow Metro

The Moscow Metro Tour is included in most guided tours’ itineraries. Opened in 1935, under Stalin’s regime, the metro was not only meant to solve transport problems, but also was hailed as “a people’s palace”. Every station you will see during your Moscow metro tour looks like a palace room. There are bright paintings, mosaics, stained glass, bronze statues… Our Moscow metro tour includes the most impressive stations best architects and designers worked at - Ploshchad Revolutsii, Mayakovskaya, Komsomolskaya, Kievskaya, Novoslobodskaya and some others.

What is the kremlin in russia?

The guide will not only help you navigate the metro, but will also provide you with fascinating background tales for the images you see and a history of each station.

And there some stories to be told during the Moscow metro tour! The deepest station - Park Pobedy - is 84 metres under the ground with the world longest escalator of 140 meters. Parts of the so-called Metro-2, a secret strategic system of underground tunnels, was used for its construction.

During the Second World War the metro itself became a strategic asset: it was turned into the city's biggest bomb-shelter and one of the stations even became a library. 217 children were born here in 1941-1942! The metro is the most effective means of transport in the capital.

There are almost 200 stations 196 at the moment and trains run every 90 seconds! The guide of your Moscow metro tour can explain to you how to buy tickets and find your way if you plan to get around by yourself.

Moscow Metro Tour

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Description

Moscow metro private tours.

• 2-hour tour $87:  10 Must-See Moscow Metro stations with hotel pick-up and drop-off
• 3-hour tour $137:  20 Must-See Moscow Metro stations with Russian lunch in beautifully-decorated Metro Diner + hotel pick-up and drop off. 
• Metro pass is included in the price of both tours.

Highlight of Metro Tour

• Visit 10 must-see stations of Moscow metro on 2-hr tour and 20 Metro stations on 3-hr tour, including grand Komsomolskaya station with its distinctive Baroque décor, aristocratic Mayakovskaya station with Soviet mosaics, legendary Revolution Square station with 72 bronze sculptures and more!
• Explore Museum of Moscow Metro and learn a ton of technical and historical facts;
• Listen to the secrets about the Metro-2, a secret line supposedly used by the government and KGB;
• Experience a selection of most striking features of Moscow Metro hidden from most tourists and even locals;
• Discover the underground treasure of Russian Soviet past – from mosaics to bronzes, paintings, marble arches, stained glass and even paleontological elements;
• Learn fun stories and myths about Coffee Ring, Zodiac signs of Moscow Metro and more;
• Admire Soviet-era architecture of pre- and post- World War II perious;
• Enjoy panoramic views of Sparrow Hills from Luzhniki Metro Bridge – MetroMost, the only station of Moscow Metro located over water and the highest station above ground level;
• If lucky, catch a unique «Aquarelle Train» – a wheeled picture gallery, brightly painted with images of peony, chrysanthemums, daisies, sunflowers and each car unit is unique;
• Become an expert at navigating the legendary Moscow Metro system;
• Have fun time with a very friendly local;
• + Atmospheric Metro lunch in Moscow’s the only Metro Diner (included in a 3-hr tour)

Hotel Pick-up

Metro stations:.

Komsomolskaya

Novoslobodskaya

Prospekt Mira

Belorusskaya

Mayakovskaya

Novokuznetskaya

Revolution Square

Sparrow Hills

+ for 3-hour tour

Victory Park

Slavic Boulevard

Vystavochnaya

Dostoevskaya

Elektrozavodskaya

Partizanskaya

Museum of Moscow Metro

• Drop-off  at your hotel, Novodevichy Convent, Sparrow Hills or any place you wish
• + Russian lunch  in Metro Diner with artistic metro-style interior for 3-hour tour

Fun facts from our Moscow Metro Tours:

From the very first days of its existence, the Moscow Metro was the object of civil defense, used as a bomb shelter, and designed as a defense for a possible attack on the Soviet Union.

At a depth of 50 to 120 meters lies the second, the coded system of Metro-2 of Moscow subway, which is equipped with everything you need, from food storage to the nuclear button.

According to some sources, the total length of Metro-2 reaches over 150 kilometers.

The Museum was opened on Sportivnaya metro station on November 6, 1967. It features the most interesting models of trains and stations.

Coffee Ring

The first scheme of Moscow Metro looked like a bunch of separate lines. Listen to a myth about Joseph Stalin and the main brown line of Moscow Metro.

Zodiac Metro

According to some astrologers, each of the 12 stops of the Moscow Ring Line corresponds to a particular sign of the zodiac and divides the city into astrological sector.

Astrologers believe that being in a particular zadiac sector of Moscow for a long time, you attract certain energy and events into your life.

Paleontological finds 

Red marble walls of some of the Metro stations hide in themselves petrified inhabitants of ancient seas. Try and find some!

• Every day each car in  Moscow metro passes  more than 600 km, which is the distance from Moscow to St. Petersburg.
• Moscow subway system is the  5th in the intensity  of use (after the subways of Beijing, Tokyo, Seoul and Shanghai).
• The interval in the movement of trains in rush hour is  90 seconds .

What you get:

• + A friend in Moscow.
• + Private & customized Moscow tour.
• + An exciting pastime, not just boring history lessons.
• + An authentic experience of local life.
• + Flexibility during the walking tour: changes can be made at any time to suit individual preferences.
• + Amazing deals for breakfast, lunch, and dinner in the very best cafes & restaurants. Discounts on weekdays (Mon-Fri).
• + A photo session amongst spectacular Moscow scenery that can be treasured for a lifetime.
• + Good value for souvenirs, taxis, and hotels.
• + Expert advice on what to do, where to go, and how to make the most of your time in Moscow.

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Parking alert issued for Journey concert, 'Price Is Right Live' in North Charleston

by Bryce Jacquot

NORTH CHARLESTON, S.C. (WCIV) — A parking alert has been issued at the North Charleston Coliseum and Performing Arts Center due to two events both happening Tuesday.

Diamond-selling rock band Journey will be performing at the coliseum and The Price Is Right Live game show will be at the North Charleston Performing Arts Center.

Both events are expected to reach capacity.

READ MORE: "JOURNEY to make tour stop in Charleston this spring"

Coliseum officials are encouraging attendees to carpool and arrive early as parking space will be limited.

Doors open for Journey at 6:30 p.m. with the band scheduled to play at 7:30 p.m.

The Price is Right Live will begin at 8 p.m. with doors opening an hour earlier at 7 p.m.

You can find tickets for both Journey and The Price is Right Live on Ticketmaster's website.

Legendary rock band Aerosmith schedules finale of 'PEACE OUT' farewell tour in Buffalo

The iconic rock band Aerosmith announced additional dates for their 'PEACE OUT' farewell tour — and Buffalo appears as the final stop.

The final tour has 40 stops across the United States from September through February, according to an announcement on the band's Facebook page .

Aerosmith has been a cornerstone of American rock music since the band formed in Boston in 1970. With one of the most recognizable lead vocalists in music, Steven Tyler, the band has left a significant impact on the industry, producing chart-toppers 'Dream On' (1973), 'Sweet Emotion' (1975) and 'Walk This Way' (1975) among many other notable songs.

Here's what we know about the show in Buffalo.

When and where is the Aerosmith show in Buffalo?

The announcement posted to the band's Facebook page shows the tour finale of Aerosmith's 'PEACE OUT' farewell tour on Feb. 26 at the KeyBank Center in Buffalo, rescheduling from the band's canceled show from earlier this year.

Why did Aerosmith reschedule its Buffalo show?

The band's Buffalo performance scheduled for Jan. 16 was postponed after Tyler damaged his vocal cords during the Sept. 9 show in Elmont. He was initially advised by doctors to rest his voice for 30 days, according to USA TODAY , but sustained additional damage, including a fractured larynx that led to subsequent bleeding.

Aerosmith Peace Out Tour: See the setlist for the iconic band's farewell tour

Tickets for the Aerosmith finale in Buffalo

Tickets go live on Friday at 10 a.m. and can be purchased online at Ticketmaster .