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Megan thee stallion & roc nation sued over unpaid wages & alleged backseat sex action by ‘mean girls’ actress & another woman, the top 10 music tours of 2023.

By Robert Lang , Tom Tapp

As in most other areas, Taylor Swift dominated the touring landscape in 2023. Her The Eras Tour grossed more than $1 billion , the biggest haul for any tour ever.

But there were other notable acts making big bucks on the road this year, including Beyoncé , Harry Styles and Drake .

Scroll through the gallery below to see who came out where on the list.

1. Taylor Swift: The Eras Tour

2. Beyoncé: Renaissance World Tour

$579 million

3. Bruce Springsteen And The E Street Band 2023 World Tour

$379 million

4. Coldplay: Music Of The Spheres Tour

$325 million

5. Harry Styles: Love On Tour

$290 million

6. Morgan Wallen: Dangerous Tour

$284 million

7. Ed Sheeran: + – = ÷ x Tour

$268 million

8. P!NK: Summer Carnival Tour

$231 million

9. The Weeknd: After Hours ‘Til Dawn Tour

$220 million

10. Drake: It’s All A Blur Tour

$184 million

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How to watch and livestream the 2023 Billboard Music Awards for free

The 2023 Billboard Music Awards are taking place in a few days.

The chart-topping acts in music will be celebrated on Sunday, Nov. 19, with Taylor Swift, Morgan Wallen, SZA, The Weeknd, Drake, and Zach Bryan all up for major awards.

The annual awards show honors the year’s biggest names in music with the winners determined by year-end performance metrics on the Billboard charts.

This year's show has a reimagined look, with performances and award celebrations taking place in global locations, amid sold-out tours and in custom venues.

Check out how you can tune into the 2023 Billboard Music Awards, below.

When are the 2023 Billboard Music Awards?

This year's BBMAs are taking place on Sunday, Nov. 19. They will start at 8 p.m. ET/5 p.m. PT.

Where can I watch and livestream the 2023 Billboard Music Awards?

You can watch the Billboard Music Awards on the show's official social media platforms: Facebook , X ,  Instagram , TikTok , Threads and  YouTube .

You can also follow along on Billboard's social channels like Instagram and X.

Additionally, viewers can watch the show on BBMAs.watch .

Who is nominated for a 2023 Billboard Music Award?

Taylor Swift leads the list and is a finalist in 20 categories, the most of any artist this year. Her hit “Anti-Hero” is up for five awards, including Top Hot 100 Song.

The singer is the most decorated female BBMAs artist of all time with 29 wins. After this year's ceremony, Swift could surpass Drake for most wins of all-time if she wins at least five.

Morgan Wallen   is the leading male finalist this year, nominated for 16 awards, including Top Artist, Top Male Artist, Top Billboard 200 Artist and Top Hot 100 Artist.

SZA   is up for 16 awards, Drake is up for 14 awards and The Weeknd is up for 13. First-time BBMA finalists include: Bailey Zimmerman, Coi Leray, Fifty Fifty, Fuerza Regida, Grupo Frontera, Jelly Roll, Ice Spice, Metro Boomin, NewJeans, Peso Pluma and Oliver Anthony Music.

This year, nine new awards were introduced: Top Hot 100 Songwriter, Top Hot 100 Producer, Top Rock Duo/Group, Top Global K-Pop Artist, Top K-Pop Tour, Top K-Pop Album, Top Global K-Pop Song, Top Afrobeats Artist and Top Afrobeats Song.

See the full list here.

Who is performing at the 2023 Billboard Music Awards?

This year’s lineup of performers is a star-studded one. Tate McRae will make her 2023 Billboard Music Awards debut and perform her song “Greedy.” Others taking the stage include David Guetta and Bebe Rexha, Karol G, NewJeans, Morgan Wallen, Peso Pluma and Stray Kids.

Additionally, Mariah Carey will treat fans to a festive “Aspen-inspired performance” of “All I Want For Christmas Is You,” marking the first time in history the single has ever been performed on an awards show.

Liz Calvario is a Los Angeles-based reporter and editor for TODAY.com who covers entertainment, pop culture and trending news.

From Taylor Swift to Bad Bunny, top 10 highest-grossing live concert tours of 2023 so far

The first half of 2023 has seen the continuation of 'the stadium era' as stars such as beyonce, bruce springsteen, and coldplay are playing to packed venues despite the global economic slowdown.

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Rucha Sharma writes about entertainment, pop culture, and sports. She also assists with events and edits for the web team. She has an MBA in Finance from Pune University and worked with DNA India and Fork Media Group as a features writer for more than six years. She loves comparing comic book storylines with their silver screen incarnations and wears the nerd badge with pride. When not planning her next hike with her dogs, she can be found obsessively improving her doodling skills.

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Top 10 highest-grossing concerts of 2023 (so far), 1) taylor swift—eras tour*.

• Gross: $300,804,808
• Average Ticket Price: $253.56
• Average Tickets Sold Per Show: 53,923
• Total Tickets: 1,186,314
• Average Gross: $13,627,946

2) Bruce Springsteen & The E Street Band—2023 Tour*

• Gross: $142,605,835
• Average Ticket Price: $211.80
• Average Tickets Sold Per Show: 18,702
• Total Tickets: 673,277
• Average Gross: $3,961,273

3) Harry Styles—Love On Tour

• Gross: $124,000,392
• Average Ticket Price: $115.07
• Average Tickets Sold Per Show: 31,694
• Total Tickets: 1,077,622
• Average Gross: $3,647,070

4) Elton John—Goodbye Yellow Brick Road Tour

• Gross: $110,328,403
• Average Ticket Price: $163.95
• Average Tickets Sold Per Show: 20,392
• Total Tickets: 672,950
• Average Gross: $3,343,284

5) Ed Sheeran—+–=÷× Tour

• Gross: $105,309,873
• Average Ticket Price: $104.20
• Average Tickets Sold Per Show: 40,424
• Total Tickets: 1,010,616
• Average Gross: $4,212,394

6) Red Hot Chili Peppers—2023 Global Stadium Tour

• Gross: $91,488,134
• Average Ticket Price: $123.87
• Average Tickets Sold Per Show: 38,873
• Total Tickets: 738,601
• Average Gross: $4,815,164

7) Coldplay—Music Of The Spheres Tour

• Gross: $65,436,386
• Average Ticket Price: $88.86
• Average Tickets Sold Per Show: 66,949
• Total Tickets:  736,439
• Average Gross: $5,948,762

8) Daddy Yankee—La Última Vuelta World Tour

• Gross:  $60,461,483
• Average Ticket Price: $96.62
• Average Tickets Sold Per Show: 27,206
• Total Tickets: 625,748
• Average Gross: $2,628,760 

9) Kevin Hart—The Reality Check Tour

• Gross: $50,041,814
• Average Ticket Price: $107.00
• Average Tickets Sold Per Show:  8,503
• Total Tickets: 467,686
• Average Gross: $909,851

10) Bad Bunny—World’s Hottest Tour

• Gross: $49,112,859
• Average Ticket Price: $102.81
• Average Tickets Sold Per Show: 39,807
• Total Tickets: 477,688
• Average Gross: $4,092,738

Worldwide top 100 tours

• Average Gross: $1,473,145
• Average Ticket Price: $116.41
• Average Tickets Sold Per Show: 12,655
• Total Gross: $2.83 billion
• Total Tickets Sold: 24.3 million
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2023 Billboard Music Awards: Biggest wins and all the performances

Taylor Swift earned 10 awards.

The 2023 Billboard Music Awards ceremony was packed with big wins and performances from top artists in the industry on Sunday night.

Taylor Swift won 10 awards, including the highly coveted top artist award.

"The fact that you guys have given me 10 Billboard Awards… I'm talking to the fans specifically, none of this happens without you," she said during her acceptance speech.

MORE: Latin Grammy Awards 2023: All the highlights and biggest performances

"Billboard base(s) everything off of what you are listening to and what you are passionate about, and I am so honored that this year you made the Eras Tour so magical," she continued. "You went and saw the movie, you cared about my re-recordings… I love you so much, I feel like the luckiest person in the world to have you in my corner and caring about the music that I make, so thank you, thank you, thank you, 10 million times."

Country singer Morgan Wallen was the artist with the most wins of the night, taking home 11 awards, while Drake followed him with five wins.

Mariah Carey was honored during the awards show with the Billboard Chart Achievement Award for her holiday classic "All I Want For Christmas Is You."

She also performed the hit during the show.

Other performances of the night included Karol G's medley of "OJOS FERRARI," Bebe Rexha's performance of "I'm Good (Blue)" and "One in a Million," Wallen's performances of "'98 Braves," the Stray Kids' performance of "S-Class" and "LALALALA," and more.

Check out the winners list below.

ARTIST AWARDS

• Taylor Swift

Top New Artist

Top Male Artist

• Morgan Wallen

Top Female Artist

Top Duo/Group

• Fuerza Regida

Top Billboard 200 Artist

Top Hot 100 Artist

Top Hot 100 Songwriter

Top Hot 100 Producer

Top Streaming Songs Artist

Top Radio Songs Artist

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Top Song Sales Artist

Top Billboard Global 200 Artist

Top Billboard Global (Excl. U.S.) Artist

Top R &B Artist

Top R &B Male Artist

Top R &B Female Artist

Top R &B Touring Artist

Top Rap Artist

Top Rap Male Artist

Top Rap Female Artist

• Nicki Minaj

Top Rap Touring Artist

Top Country Artist

Top Country Male Artist

Top Country Female Artist

Top Country Duo/Group

• Zac Brown Band

Top Country Touring Artist

Top Rock Artist

Top Rock Duo/Group

• Arctic Monkeys

Top Rock Touring Artist

Top Latin Artist

Top Latin Male Artist

Top Latin Female Artist

Top Latin Duo/Group

Top Latin Touring Artist

Top Global K-Pop Artist

Top K-Pop Touring Artist

Top Afrobeats Artist

Top Dance/Electronic Artist

Top Christian Artist

• Lauren Daigle

Top Gospel Artist

To see the full list, check out billboard.com.

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Billboard Live TOKYO @Midtown,Roppongi,Tokyo

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miwa Billboard Live Tour 2023 “miwa CLASSIC Ⅲ”

シンガーソングライターのmiwaがビルボードライブ・ツアー“miwa CLASSIC”第三弾を開催。15歳の頃、シェリル・クロウやキャロル・キングなどの影響を受けてオリジナル曲を作り始め、2010年、大学一年の3月にシングル「don't cry anymore」でデビューを果たす。翌年にリリースされたファースト・アルバム『guitarissimo』で大きな話題を集め、その後も精力的な活動で幅広い層のリスナーを魅了し続ける彼女。今年2月にEP『バレンタインが今年もやってくる』、そして5月にTVアニメ『MIX MEISEI STORY　～二度目の夏、空の向こうへ～』のエンディングテーマである「ハルノオト」を立て続けに発表したほか、今秋にはニューEPのリリースも発表された。凛とした伸びやかな歌声と、豪華バンドメンバーによる至高の演奏が会場を包み込む、プレミアムなステージとなるだろう。 -------------------------- ※本公演はClub BBL会員、および一般販売をWEB受付のみ実施いたします。 ※法人会員は電話にてご予約承ります。 ※本公演の2ndステージは配信ライブ用の映像収録が行われます。お客様が映像に映り込む場合もございますが予めご了承ください。

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BBL会員・法人会員: 受付は終了しました ゲストメンバー: 受付は終了しました

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The 13 Best Concerts of 2023 (That Weren’t Taylor Swift or Beyoncé)

By Pitchfork

Let’s get this out of the way first: You will not find Taylor Swift or Beyoncé on this list. Yes, many members of the Pitchfork staff attended the Eras Tour and the Renaissance Tour and had incredible, even life-changing, experiences there. But we covered those world-conquering phenomena extensively enough already this year. So for our final staff list of 2023, we thought we’d turn our attention to some other favorite concerts. Here, you’ll find everything from Sweeping Promises in a tiny venue in Minneapolis to SZA at Madison Square Garden, Water From Your Eyes on a boat to Floating Points and Shabaka Hutchings at the Hollywood Bowl. Let the FOMO begin…

Check out all of Pitchfork’s 2023 wrap-up coverage here .

Charlotte Adigéry & Bolis Pupul

“Let’s just ignore the rain! It’s just water, fuck it!” With the sun setting in Chicago, the precipitation sparkled like icicles each time the lights strobed out through Union Park. But Charlotte Adigéry, Bolis Pupul, and the crowd watching them at this year’s Pitchfork Music Festival merely shrugged off getting rained on. We were all too tuned into every lyric, scream, and laugh to care. Equipped with two microphones, a couple of synthesizers, a bass, and some percussion, the Belgian duo performed a set composed of tracks from their breakout album Topical Dancer , including a particularly wild version of “It Hit Me” and a polished, funky “Ceci n’est pas un cliché.” I lost my shit on the final drop of “Mantra,” and all too poetically removed my makeshift poncho, taking the bridge’s words to heart: “What’s left is a clean slate so what’s next/Thank yourself, praise your body/celebrate and dance.” –Jaeden Pinder

Feist started her Multitudes show with a reassuring smile as she filmed the audience while walking among them; she ended it with her eyes closed, caught in a reverie, her silhouette repeated to dreamy infinity on a curtain behind her. In between, she reminded us why she remains one of the most arresting performers of the 2000s indie boom. It was part solo high-wire act, as she stood alone on a stage in the middle of the crowd, mixing her bittersweet acoustic songs with charming banter that made you feel like you were catching up with an old friend. It was part clattering rock show, as she led a full band and the audience through communal catharsis. It was part DIY multimedia experiment, adorned with abstract visuals that were created in-the-moment. There was some sleight-of-hand in the form of a mysterious journal filled with casually profound poetry. There were yelps for songs that soundtracked past lives. There were tears at this Mother’s Day show, too, when Feist talked about her young daughter and the ever-upward branches of family. The whole thing allowed onlookers to live in a limbo between raw emotion and premeditated performance for a couple of hours, a magical suspension of belief. –Ryan Dombal

Floating Points, Shabaka Hutchings, and Friends

A confluence of jazz heads, electronic heads, jam band heads, philharmonic heads, and crickets descended upon the Hollywood Bowl this September for a performance of Promises , the 2021 cosmic jazz concerto by Floating Points and the late Pharoah Sanders. Some called the event an hour-long prayer, or a communion with a higher power, and all I have to say is yeah that makes sense . On Instagram, Sam Shepherd (aka Floating Points) said that they probably wouldn’t do this show again, and that there would never be an official recording of it. Does that make this performance more special? I can’t lie and say that I wasn’t thinking about the one-night-only angle as I sat in my seat and watched Miguel Atwood-Ferguson conduct the final sounds Sanders put on record before he met his creator the following year. Shabaka Hutchings, in what he said was his final performance as a saxophonist, channeled the spirit of Pharoah without attempting to replicate the unreplicable. On stage alongside Shepherd pawing at various vintage keyboards, analog synths, and tape echo machines were Dan Snaith (aka Caribou), Kieran Hebden (aka Four Tet), Kara-Lis Coverdale, Hinako Omori, and more, offering a final eulogy to the saxophone colossus. I held my breath for long portions of the performance. I didn’t hear a single word the entire show—a nearly sold-out Bowl, around 15,000 people, let all the silence in Promises hang over the amphitheater in the September breeze. In that silence all you could hear were the crickets, and all you could feel was Pharoah. –Jeremy D. Larson

Lana Del Rey

In support of her self-mythologizing album Did You Know That There’s a Tunnel Under Ocean Blvd , Lana Del Rey went on a tour eschewing the coastal cities she’s often sung about for less ogled-over corners of America. That included Charlotte, where I took five types of transportation from New York City to stand under a full moon in a sea of fans with ribbons in their hair, gathered to see Elizabeth Grant perform. When she did, floating in a collared white gown on a stage set that felt part dusky jazz lounge and part Puccini opera, she rode on a series of swells: of her backup singers’ crashing outros, of her dancers’ circling movements, of the crowd wailing along to the Born to Die classics. A hush held for every crisp, stuttered “t” of “Bartender”—which Lana sang seated solo at a vanity mirror—as well as during that manifesto of wayward spirits, the opening “Ride” speech. The whole show felt choreographed to overwhelm even its star, and when Lana left the stage for the final time, she was carried off, swaddled in a white sheet. In the Uber after, I regretted not hanging around the venue parking lot, smoking and gazing at the highway. When the root of the urge dawned on me, it made me laugh: it was so Lana-coded. –Hattie Lindert

Rauw Alejandro

Rauw Alejandro’s 2022 LP Saturno was a high-concept tour de force built on galactic aesthetics, touches of Miami bass, and addictive ’90s freestyle samples. I had high expectations for the show, which I hoped would match the album’s retrofuturist visual world. At the Brooklyn stop in March, Alejandro didn’t disappoint, pulling out all the production flourishes. El Zorro has always been an athletic dancer, but this time the choreography was even more intricate (tellingly, the moves on this tour left him with temporary groin and shoulder injuries). As Alejandro and his crew of backup dancers popped and locked, an LED screen, which doubled as the stage, radiated color-changing neon lights beneath them. During “Lejos del Cielo,” a wire harness lifted him into the air; suspended and spotlit, he sang caramel falsettos. Mid-concert, Alejandro brought out the Jabbawockeez for a nostalgic dance number that warmed every cold millennial heart in the room. It was an impressive display of showmanship that confirmed the Puerto Rican pretty boy’s status as one of the most prescient creative minds in pop-reggaeton. –Isabelia Herrera

In late March, I joined an army of “shluts” to bask in the glow of our provocative princess: Shygirl. The UK singer transformed the historic Wiltern theater into a pounding West Hollywood nightclub with her twinkly pop confections. Stunning visuals bounced off the tilted mirror hanging above Shygirl, immersing her in a psychedelic world that paired perfectly with her glitchy sound. Early on in the show, she brought out Tinashe for the “Heaven” remix to mass queer euphoria–a brief glimpse of the tour that could’ve been . But the show didn’t lose steam after Tinashe’s swift departure. Two dancers joined onstage, flipping and spinning down free standing poles as Shygirl let out playful moans and gasps. It was a night of unabashed horniness, especially for my friend, who made several Grindr matches throughout the night. As for me, “anytime that coochie calls, I'll be on my way.” –Maria Eberhart

Sudan Archives

Violinist, singer, songwriter, and producer Brittney Parks came through town once before, in 2021, so her ridiculously high-energy set as Sudan Archives wasn’t a surprise. But this summer she arrived with the extra firepower of Natural Brown Prom Queen , her tour de force of house, R&B, hip-hop, and pop released in 2022. Alone on stage, in a mini-skirt and heels, Parks shimmied, belted, and sawed away virtuosically at her violin, winning over an early-evening audience awaiting guitar-heavy headliners the War on Drugs. For celebratory finale “Selfish Soul,” Parks was joined by what she called her first-ever backup dancers, students of a free ballet and dance program for Black and brown youth offered through a local nonprofit. Embedded in the movements of both Parks and the dancers was a feeling of spontaneity and promise that stood as a counterargument to so much of the top-down, blockbuster-dominated pop culture of 2023: If she can do it, so can they, so can you. –Marc Hogan

Sweeping Promises

After a stellar and bittersweet last-ever set from local punks Green/Blue, Sweeping Promises’ show at 7th St Entry, the tiny venue attached to the historic First Avenue club, began inconspicuously. Lira Mondal quietly sang the opening lines of “Eraser,” the first track of their latest album, Good Living Is Coming for You , before belting at full volume. Good Living is an album with built-in lo-fi muffle, but with no distance at all between audience and band, everything became infinitely more powerful: the bass grooves, Caulfield Schnug’s guitar solos, and more than anything, Mondal’s extremely powerful voice. The show happened days after the mass shooting at the Minneapolis DIY venue Nudieland , and the band, which came up through a similar network of DIY scenes and punk house shows, paid a solemn tribute between songs. It was a great performance for a community that needed to experience loud, excellent music together in a small room. –Evan Minsker

When SZA took the stage at Madison Square Garden, it was the rare opportunity to watch an artist ascend to arena goddess status in real time. SOS had been firmly ensconced at No. 1 on the Billboard 200 for several weeks, its songs equally inescapable in the grocery store and in your TikTok feed; in order to maintain that momentum, SZA needed to prove herself as a can’t-miss live performer at one of music’s most storied venues. She pulled out all the stops, musically and visually: There was a jaw-dropping stage set featuring a giant boat, an even bigger anchor, and an airborne life raft that flew the singer around the arena as she tossed flower petals down to the crowd. There was a staggering display of range, from the in-your-face raps of “Smoking on My Ex Pack” to the lovesick balladeering of “Nobody Gets Me” to the pure pop of “Kiss Me More.” There were even guest appearances by Phoebe Bridgers and Cardi B. The show both started and ended with SZA perched on a diving board, mirroring the SOS cover . At the beginning, it was an image of loneliness and introspection, a woman surrounded by nothing more than her thoughts and the waves below. By the end, it was an image of triumph, as she looked out upon her vast and powerful kingdom. –Amy Phillips

The Bowery Ballroom turned into a 2008 middle school dance when TisaKorean came to town for his Silly Tour. In the crowd you could spot baggy outfits that would have had mid-aughts Atlanta on smash and snap dances that haven’t been done in New York since the last Yankees World Series win. On stage, TisaKorean was the human Energizer Bunny, as he churned through joints from 2017 to this year’s Let Me Update My Status . Along with his hypeman Mighty Bay, both dressed like NBA Street Vol. 2 characters, they passed out props like Solo cups to make it feel like one big house party and t-shirts so people could spin them in the air for “HeLiCoPtEr sWaG Pt4.Mp3,” naturally. At one point, Tisa and Mighty Bay changed into hot dog and taco costumes, and the crowd reacted like they had been waiting all their lives for that moment. –Alphonse Pierre

Unwound reuniting felt like a dream , even when their physical presence onstage at Chicago’s Thalia Hall proved otherwise. Red and purple lights brought a backdrop of arching tree silhouettes to life while the post-hardcore band dove through its catalog like 21 years had never passed. Unwound structured the set much like their albums, with some sections focused on quiet reflections and others on abrasive, emotional breakdowns designed to lure you into a place of introspection and then snap you out of it. Reunion shows aren’t obligated to be good; plenty of bands have made that obvious by now. But the care with which singer-guitarist Justin Trosper and drummer Sara Lund approached the project following bassist Vern Rumsey’s death was the most affecting part of it all. Watching Karp’s Jared Warren up there in Rumsey’s place, tearing through those unmistakable basslines with a taut aggressiveness that honored, but never outshined, Rumsey’s originals, was deeply entrancing. In a year of countless memorable shows, Unwound was the one that’s impossible to forget, just like the best dreams are. –Nina Corcoran

Water From Your Eyes

The boat looked like a 1940s barbershop had been reincarnated as a middlebrow maritime entertainment vessel. Old-timey and white, with tacky curlicue adornments and two peppermint poles in the front, the four-story Liberty Belle carried concertgoers along a scenic route from Manhattan’s Pier 36 around the Statue of Liberty. (A gaggle of drunken girls admired Lady Liberty like she was a gay-famous diva, shrieking “you’re so cunt!!!”) This was the Water From Your Eyes Everyone’s Crushed record release boat show, a four-hour choose-your-own-adventure as bonkers and funny as the experimental rock duo themselves. On board, you could load up a paper plate of baked ziti and empanadas in a carpeted area that screamed “bar mitzvah,” have an awkward run-in with a Tinder date who ghosted you a year ago (I survived), and thrash around as cool-kid bands of New York City, including Frost Children, blasted through hits in a dank purple chamber. Rachel Brown looked effortlessly cool, as they always do, singing “Barley” in a leather jacket and sunglasses. At some point, my friend’s weed fell out of their joint right as they were about to smoke it, which was just perfect. –Cat Zhang

Leave it to Yaeji to find new possibilities in the humble rolling office chair. Backed by dancers Madison Wada and Iliana Penichet-Ramírez, she spun and wheeled her way through the With a Hammer tour, with a scene-stealing appearance by the big hammer itself. The clever choreography (by Monica Mirabile) brilliantly visualized the album’s playful, start-where-you-are creative ethos, and a rapturous reception from the crowd in Los Angeles went a long way toward warming up a corporate-feeling downtown venue. In Yaeji’s house, it’s all about recognizing everything we can do with the tools we’ve already got. –Anna Gaca

By Madison Bloom

By Matthew Strauss

森 恵 Billboard Live Tour 2023 "Special Song Time" 横浜・大阪

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Billboard Live - Tokyo – Tokyo

1 upcoming concert

Tokyo Midtown Garden Terrace 4F, 7-4 Akasaka 9-chome, Minato-ku / 都港区赤坂9-7-4 東京ミッドタウンガーデンテラス4F 107-0052 Tokyo, Japan www.billboard-live.com/club/t_index_e.html

Upcoming concerts

• Monday 27 May 2024

Billboard Live - Tokyo , Tokyo, Japan Tokyo Midtown Garden Terrace 4F, 7-4 Akasaka 9-chome, Minato-ku / 都港区赤坂9-7-4 東京ミッドタウンガーデンテラス4F

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All the events happening at Billboard Live - Tokyo 2024-2025

Discover all 1 upcoming concerts scheduled in 2024-2025 at Billboard Live - Tokyo.

Billboard Live - Tokyo hosts concerts for a wide range of genres from artists such as JP Saxe , having previously welcomed the likes of Hermeto Pascoal , Sam Wilkes , and Jacob Mann .

Browse the list of upcoming concerts, and if you can’t find your favourite artist, track them and let Songkick tell you when they are next in your area.

Posters (4)

Past concerts See all

• Wednesday 01 November 2023

Hermeto Pascoal

• Wednesday 25 October 2023

Sam Wilkes and Jacob Mann

• Saturday 21 October 2023

Blicher Hemmer Gadd, Steve Gadd, Michael Blicher, and Dan Hemmer

See all past concerts (460)

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