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Tom Joyner Cruise

Tom joyner's fantastic voyage cruise 2024.

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If You Want A Fun And Lively Party Cruise, Tom Joyner's Cruise Is The One For You

Some parties are too big to contain in a single day — or even a single country. Iconic radio show host Tom Joyner's Fantastic Voyage, which brands itself as "the ultimate party with a purpose," is a prime example, as per its  Facebook  page. The cruise has been around for years and has become one of the most popular sailings for Black Americans and people of color, with its incredible line-up of soul, hip-hop, and R&B acts. In 2024, guests can catch performances by music legends Earth, Wind & Fire, Chaka Khan, Bobby Brown, Ashanti, and Method Man and Redman, among others. When not busy dancing, sailers can also participate in a comedy showdown between Myra J., George Wallace, and J. Anthony Brown.

The cruise departs from Miami, Florida, on April 27, and over the following seven days, passengers can visit Haiti's Labadee Beach, Puerto Plata in the Dominican Republic , and San Juan in Puerto Rico. Between stops and live music, passengers can also partake in nightly parades, dips in the pool and jacuzzis, daily workout classes, and seminars on topics such as health and business.

From the water to the ports of call, the fun never stops, so don't expect a calm and quiet getaway when you book a spot on the Fantastic Voyage.

The festivities are all for a good cause

View this post on Instagram A post shared by Chris Jey (@chrisjeyofficial)

Booking a cruise can be an act of self-care, especially when you're in desperate need of a vacation, but joining the Fantastic Voyage also means giving back to others. The annual trip is in partnership with the Tom Joyner Foundation, an organization that aims to support historically black colleges and universities (HBCUs) and the students and communities they serve. The cruise was started as a way to fundraise money for these institutions, and people who sail on the voyage in 2024 can feel good knowing that a portion of their fare goes toward scholarships for HBCU students (part of the purchase may even be tax deductible, according to the cruise).

Tom Joyner discussed the impact of the Fantastic Voyage during an interview with BlackAmericaWeb : "It's a party with a purpose, and the purpose is helping kids stay in school at HBCUs. And we've raised more than $71 million for HBCUs since 1998." He added that over 29,000 scholarships have been awarded to young people throughout the years, largely thanks to the partygoers who board the Fantastic Voyage.

What to know before booking your cabin

Cabin fare for Tom Joyner's Fantastic Voyage is all-inclusive and covers a room, standard meals and beverages (alcohol and soda are extra), taxes and gratuities, on-board entertainment, and port charges. It also includes a complimentary shuttle from Miami International Airport and Fort Lauderdale Airport, for passengers who will be flying into the area. Some additional amenities, such as phone calls and Wi-Fi, massages, and casino fees, are sold separately.

Fares vary depending on the suite and the number of people who will be bunking together — and gathering a few of your closest friends to accompany you during the week-long celebration typically results in lower prices. For a group of four, staterooms can range from $2,470 to $5,865 per person.

Note that Fantastic Voyage might not be the right cruise for you if you're looking for a family-centric trip. From the grown-up comedy shows to the bars and nightclubs, the party mostly caters to a mature audience. Fittingly, as of 2024, Fantastic Voyage requires passengers to be at least 21 years old.

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Tom Joyner Foundation

Is the Economy Back? Tom Joyner Foundation Fantastic Voyage Cruise Presented by Ford SELLS OUT

March 20, 2012 by nfoote

FOR IMMEDIATE RELEASE

CONTACT: Marty Raab 972.371.5810 •  [email protected]

Over the past several months, consumers raced to grab cabins between $4,000 – $18,000, but in recent weeks were turned away for the party with a purpose to support students attending Historically Black Colleges and Universities

 ( DALLAS – March 20, 2012 ) Tom Joyner’s “The Ultimate Party with a Purpose” , which has been sailing since 1999, is a case study in customer loyalty.

Many passengers have saved for years and have shared four-person cabins.  Black college alumni rally to find a way to support the cruise and captains of industry and celebrities line up to board what’s described as a once in a lifetime experience. The cruise has managed to thrive in this bad economy since 2008 despite competing against a current cruise industry that discounts the cabins for a week at less than $699 per person. Tom Joyner, with a loyal and responsive audience, has not only kept it afloat, but in 2012 with a great deal of competition and cruise discounting, maintained the price, making sure that students continued to receive the longtime support.

How Does Joyner Do It?

• TRUST. Developed a trust of bringing to the African-American consumer value and something they can’t get anywhere else.
• CRUISE EVENT MANAGEMENT. 100% management of the cruise daily schedule. In 1999, long before the cruise industry was chartering ships, Joyner created a cruise that feature R&B music, comedy, seminars and theme nights that complemented the African-American traveler interest and lifestyle.
• Interaction with Celebrities : The development of Fantastic Fantasy Packages, where guests are going to dinners hosted by the performers and celebrities on the ship, attending special receptions with the celebrities, and even getting serenades before they go in for spa session.
• Value for passengers: More than 69 performers will be on the six day cruise, they’re usually up to 6 to 8 performances a day from the pool deck at noon to a 2:00 AM hip-hop show, followed by an after party, followed by a breakfast club DJ that goes until 7:00 AM
• Theme Nights :  Each of the theme nights go from 7:00 PM to a 1:00 AM parade.  They’re a combination of Las Vegas and New Orleans’ Mardi Gras to create a festive atmosphere.
• Seminars for everyone: Relationships, art, networking, pole dancing, financial planning…and more.
• Sponsor Value : Sponsors like Ford ,  actually place two cars on the top of the ship, doing a giveaway; Southwest Airlines bring seminars generally related to business and personal wealth management.
• Tax Deductible:  A portion of every passengers’ fee will be made to the of The Tom Joyner Foundation, a 501(c)3 charity, and the satisfaction of helping students that will be part of our future.
• Social Media Interest : Last year, the photo gallery/video gallery from the cruise had almost 4 million views. People are sharing more pictures with friends and family, posting them on their Facebook pages, Twitter, blogs, Flickr pages and YouTube.

For seven days, Tom Joyner takes his passengers to a place, where no other theme cruise can compete the Fantastic Voyage, a 24/7, nonstop event packed with entertainment and high value for passengers and sponsors. The most telling response about the cruise is a statement that’s been echoed by passengers year after year as they’re debarking the ship on the last day…”Well, Back to Reality.”

About the Tom Joyner Morning Show and BlackAmericaWeb.com The nation’s #1 syndicated urban morning show, which airs in more than 105 markets reaching nearly 8 million listeners, has distinguished itself over the years as continuously giving back to its audience with quality programming, highly popular promotions, special events and philanthropy.  Since 2004, Joyner has awarded millions in cash and prizes to contest winners and his Foundation has raised more than $60 million to help keep students in historically black colleges and universities.  The Morning Show with co-hosts Sybil Wilkes, J. Anthony Brown and senior news analyst Roland Martin, also features “Inside Her Story” with Jacque Reid; political commentary from Stephanie Robinson and Jeff Johnson; entertainment reports from Kevin Frazier, as well as comedic observations from D.L. Hughley and the Celebrity Snitch Huggy Lowdown.  Joyner’s website, BlackAmericaWeb.com, has more than 1.5 million registered users.

About the Tom Joyner Foundation

Founded in 1998, the Tom Joyner Foundation has focused on its primary mission of helping to keep students enrolled in Historically Black Colleges & Universities (HBCUs). The Foundation has assisted more than 20,000 students and worked with more than 100 HBCUs, raising more than $60 million.  Throughout the week, the Foundation announces scholarship winners on the nationally syndicated radio show hosted by its founder, Tom Joyner. Each week, separate financial awards are focused on students who are single parents, high achievers, and distinguished male students at the ‘School of the Month’ .

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Janet Jackson

Photo: Ander Gillenea/AFP/Getty Images

Janet Jackson To Headline Tom Joyner Foundation's 20th Fantastic Voyage

More GRAMMY winners cruising on the "party with a purpose" include Shirley Caesar, Maxwell and Smokie Norful

On April 7–14, the 20th cruise of the Tom Joyner Foundation's Fantastic Voyage will ship off from Miami and tour the Caribbean with wide-ranging activities and an incredible array of musical performances planned. Headlined by Janet Jackson , the "party with a purpose" also includes  Shirley Caesar , Fantasia , Maxwell , Chrisette Michele , Smokie Norful , and Fatman Scoop .

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In addition to concerts, enriching activities and fun, as well as Fantastic Voyage's fundraising for historically black colleges and universities (HBCUs), this year a Filmmaker's Scholarship Program in partnership with Denny's will spotlight the work of a half dozen HBCU creatives who've made movies on the reality of hunger at the community level. Through the years, the Tom Joyner Foundation has awarded more than a half million dollars in scholarships, also including support for K-12 students.

"I'm proud of a lot of things we've accomplished on the Tom Joyner Morning Show ," said Joyner, "but I think I'm most proud of all the students we've helped stay in school for the last 20 years, and our biggest fundraiser for HBCUs is the Fantastic Voyage cruise."

With 13 GRAMMY nominations, R&B/Gospel singer Charlie Wilson stands out among the previous nominees in the announcement. Others include  Kem , Mase , MC Lyte , Sheila E. , War , and Brian Courtney Wilson .

Check out the full list , which includes emerging DJs and many more memorable artists such as Biz Markie, Midnight Star and the S.O.S. Band.

Janet Jackson's 'Rhythm Nation 1814': For The Record

Photo: Kevin Mazur/Getty Images for The Recording Academy

Living Legends: Sheila E. On Prince, Playing Salsa And Marching To The Beat Of Her Own Drum

"I was a percussion player leading my band, playing timbales, which no one really understood," Sheila E. says of her debut record. Forty years later, the GRAMMY-nominated multi-hyphenate is still forging her own path on the energetic new record, 'Bailar.'

GRAMMY-nominated singer/songwriter, producer and percussionist Sheila E . has certainly had a glamorous life — and has done a lot with it. 

The child of percussionist Pete Escovedo and goddaughter of legendary timbalero Tito Puente , Sheila Escovedo has been energizing stages for most of her life. First performing as a child, Sheila was one of few female percussionists in the 1970s and '80s, and rose to the upper echelons of the music industry — performing alongside Marvin Gaye , Michael Jackson , Lionel Richie , Herbie Hancock and Diana Ross . Whether in session or onstage, her dynamism and inventiveness continually made Sheila the star of the show. 

"I think outside the box," Sheila E. tells GRAMMY.com. "You just come up with ideas and it doesn't have to be traditional. It just has to be from your heart, a feeling that makes sense, that compliments whatever song it may be." 

Sheila's energy and unique approach to playing drums, timbale, and percussion caught the attention of Prince , a unique artist in his own right. The two spent decades as creative partners – Sheila acting as the Purple One's drummer, producer, musical director and, for a time, romantic partner; Prince shepherded her 1984 solo debut, A Glamorous Life , into being — and worked together until his death. Among her lasting contributions to their musical legacy, Sheila performed on the Purple Rain sessions and toured the album, and her vocals appear on "Erotic City." The two duetted on Sheila's 1986 single "A Love Bizarre" and, fittingly, got engaged in the middle of a performance .

In addition to her list of impressive accomplishments (which include co-founding the educational nonprofit Elevate Oakland ), Sheila E has released eight albums as a solo artist. Her ninth, Bailar , finds the one avenue Sheila had yet to pursue: salsa. 

Recorded in Miami with a cast of local musicians, the 10-track record features originals and covers in both Spanish and English, and its lead single — an energetic cover of Celia Cruz 's "Bemba Colorá featuring Gloria Estefan & Mimy Succar — fittingly has Sheila playing percussion, timbale and singing. 

"This is the best record I've ever done. I feel that good about it," she says. Ahead of Bailar 's April 5 release, Sheila E. spoke with GRAMMY.com about creating music in a new idiom, the importance of collaboration, and finding space in music. 

This interview has been edited for clarity.

You've been working in the funk, R&B and pop space for years. What brought you to salsa now?

I've wanted to do a salsa record for a long time. My bucket list is extensive, and then I met [GRAMMY-winning producer and timbale player] Tony Succar in 2015… he did a project and took Michael Jackson songs and flipped them into salsa. I said, "Man, if I ever do my salsa record, we have to do it together because you understand."

I'm bringing that Oakland vibe to salsa. My dad was a Latin jazz artist — that's the foundation of who I am —  however, he also played salsa music in the house. I grew up listening to Tito Puente, Mongo Santamaria , Ray Barretto , Eddie Palmieri , Celia Cruz and Tito Rodriguez, and the Fania All-Stars .  Our whole family loves salsa dancing.

There was music that I had written for an R&B album that I didn't release, and I said we can take some of this and flip it into salsa. This is another side of me that I'm excited about sharing with the people. 

Bailar sounds like something you would hear in New York or Miami, but there's something slightly different about it. What are you bringing to this record that might be different from another salsa band?

Salsa is very demanding. It's specific and traditional; there are things that are supposed to be played in specific sections of a song — whether it's a conga rhythm, a timbal rhythm, a cowbell rhythm. The element of the Bay Area and the Latin jazz with a little bit of funk, that was me [adding something new]. 

I always wanted to do "Bemba Colorá." I did a rumba in front of it and took a conga solo, and when I got to the half-time of that song, I said, "I want to take a drum solo." I don't think anyone has taken a drum solo or have even played drums on this song…especially a woman. Just adding different elements like that, as well as the way that I mix: where I place the horns and where I place the percussion and where the bells are and where the drums are. 

Tony Succar and I produced this record together. I did a couple of arrangements [and] co-wrote seven of the 10 songs. The songs that I had already written were arranged, but then we wanted to flip them into salsa. 

Are there any other songs on this record that you're particularly proud of?

All of them. Every one is a different story. The only woman that I could think of to call [for "Bemba Colorá"] was Gloria Estefan ; she's like my sister. Mimi Succar is a new and upcoming artist, so we had her to sing as well, and the three of us just had a blast. 

[Also] playing "Anacaona," which is a song I used to hear [by] Fania All-Stars and Cheo Feliciano. My dream was to have Rubén Blades sing on my record; he sang that song and I started crying. I was just overwhelmed. 

["El Rey del Timbal"] was one song that I had played with Tito [Puente] and my dad many times. When Tony sent me the demo, I listened to it and was like, "We got to go way faster than that. If Tito was playing it, he would've played it this way, and I know because I've played it with him."  So I started taking a solo, banging my legs while I was listening to it through the phone, and I just kept going faster, and then Tony's like, "Are you serious? This is 200-something BPMs." 

It was perfect for me taking the timbale solo, but when I had to then overdub and play all the parts on the bells and everything, it was so fast, I was like, What was I thinking? The horn section had it worse. A trumpet player yelled on the track  — "Ahh!" —  and I boosted him yelling [on the final mix], because that's real stuff.  It took everything for them. 

I'd love to hear a little bit about your relationship with Tito Puente and any important musical lessons he taught you, especially now that you're coming out with an album that's very much influenced by his work.

He was such an influence. He was amazing. He did so much for us as a family, musically, as well as being our friend and growing up listening to him. He and my dad met when they were 18, and having him around the house when I was growing up, I didn't even know he was.  

The biggest thing was we would go to New York, my dad and I, and we would sit in with Tito at the Palladium and the Corso. And back then, you'd have four bands playing in one night until 6 in the morning. And they would jump from one club to the other. It was the most stressful time because, as jazz artists, we didn't hardly sit in with salsa bands. I was like, "But papa, I don't know the clave, I don't understand what bell pattern or what conga pattern to play." He goes, "Don't worry about it. You don't listen to those guys. You just go play you."

So he kept encouraging [me]: it doesn't matter, you have the heart to go ahead. And my pops would say the same thing: We might not understand it technically, but we play it from our heart. [Tito] always encouraged me, and I got to play with Celia, Tito and [bassist] Cachao [Lopez] at the same time.

What a dream come true. Tito introduced me to all of these musicians as well, but really just telling everybody, "You be quiet and just let Sheila play."

Read more: Celebrating Tito Puente's Centennial: 10 Essential Songs By The Mambo King

Bailar is a bit more celebratory than your last album, 2017's Iconic: Message 4 America , which was heavily political. Obviously we continue to live in increasingly fraught times; why was it important for you to put more positive messages out into the world? One of your tracks is even called "Possibilities."

We are living in hard times, and it's challenging. Things are changing every single day. And everyone is going through something every single day.  One of the things that has been such a blessing to me is the gift of music. I don't take it for granted. To be able to share music and at least make people happy for the five minutes that you listen to this song or the entire record…is healing.

Many times in my shows, people end up crying. It's emotional, and music brings joy. It lifts you up. It brings you to a place of happiness and love, and we just want you to have a good time. But the joy that I get to be able to do this, it heals me too. And I just thought it was important.

Your work and relationship with Prince is so extensive and deep. What would you consider the peak of your creative partnership?

I don't think there ever was. We continued to grow and just kept experimenting on different sounds, and recording and jamming. We first jammed together in 1977 when he came to my house. We either recorded or played together [on] so many songs. There's still tons of stuff in the vault…I counted at least 200 songs I played on that I haven't even heard yet.

We were always jamming, coming up with something, or recording. A lot of times I would engineer for him as well; it's just he and I [in the room] most of the time. I taught myself some engineering when I was growing up; I saved all my money and started buying recording gear so I could learn how to write and produce myself when I was in my teens. 

So when I started to record with [Prince], I had already recorded songs on tape before. Being in the studio with him, we would see who could stay up the longest, who's going to fall asleep first. We would catch each other [falling asleep] almost at the same time. 

* You also worked with Prince on your debut album, 1984's The Glamorous Life . You'd been working so much as a musician up to that point already that it's interesting to think of it as your debut. How did you work on that project together? *

We had already been jamming and playing together before we did all that. And I had been out on tour with so many artists beforehand; when we first met, I was already touring with George Duke in the mid-'70s. [Prince was] like, "I've been watching you and I'm following your career, and maybe one day we could do something together." 

He started doing all these albums, and then he becomes the Prince that we all know. He changed every record, which was amazing musically. At the time [we recorded Glamorous Life ], he was at Sunset Sound [recording studio and] he had all the rooms going at the same time. We just went in and started recording.

Prince was very involved in getting me the deal with Warner Brothers. He just one day said, "You want to do the record now?" And I was like, "Yeah, I think I'm ready. Let's do it." It was that simple. We went into the studio and we were pretty much done with my record, from top to bottom, in a week.

We just stayed in there, literally no sleep. We were so excited. We had so much fun.

Back then, I wasn't really playing drums a lot. I wanted to make sure that my percussion was in the forefront, and he knew that too. That's how Glamorous Life came about, to showcase me in a light that I wasn't really a singer. I was a percussion player leading my band, playing timbales, which no one really understood because, in pop culture, no one had done that. 

So it took even a minute for [Warner Brothers] to understand releasing the record. They wanted to release "Belle of St. Mark" first as the single and not "Glamorous Life"; I had to fight them on it because I said, "'Glamorous Life' is a song that is important to me, and it showcases me as a percussionist and a singer. If I do 'Belle of St. Mark,' it's only me singing. I'm not even playing percussion."

I would love to hear about other musical collaborators who are a big part of your story.

I've been able to play with so many people: George Duke and my dad, and [drummer] Billy Cobham, [bassist] Alfonso Johnson, and it went on. Then [jazz guitarist] Lee Ritenour and [jazz pianist] Patrice Rushen and all of these other artists; Herbie Hancock…. Then you go switch over to Marvin Gaye, and then you go to Brooks & Dunn . I just hopped all over the place with Con Funk Shun and sitting in with so many people and recording. When we do these events, you get to sit and play with Phil Collins and Elton John ; I'll just play percussion, I'll be the backup. I don't need to be in the front. Part of what I love is I get to be on both sides.

I can be a team player and play with a group, which is so exciting. Or if you want to feature me, that's fine. That's kind of what had happened throughout my life; anyone that I performed with would just say, "Sheila, you just go out in the front." They would push me out there. Marvin Gaye is like, "Sheila, you take over. I'm going to go back and change." He made it a part of his show. And then same thing with Lionel Richie. Everyone would just feature me, it became that thing. Everyone has influenced me in some sort of way.

You're out there being featured and just putting so much into your performances. You have this incredible amount of energy. What powers you?

God's given me the gift and point-blank. I am forever grateful to be able to do what I get to do because of that gift. I don't take it for granted. 

You have musical directed the Obama's Festival Latina, the Recording Academy's Tribute to Prince, and of course, you were his musical director for many years. Does that work require a special set of musical muscles?

When it comes to music and just being an artist, whatever you put into it is what you get out. I would always do the homework that was needed to play with an artist — learn all the music — so when I walked into a situation, I would walk in with confidence. I wasn't a great reader at all; it was really all by ear. That preparation is everything. 

Putting together my first ever band during that time in the early '80s, I knew what I wanted. [Today] I'm able to put together projects and put the right people together. For some people, it's just a gig and for me, it's more than that. It's a lifestyle and it's family and it's trust and it's respect. 

How did you choose the music for "Let's Go Crazy: The GRAMMY Tribute To Prince "?

Some of the songs they already had, some of the other songs I suggested. Almost everything that they were going to play, I knew and I had a lot of the original music. I had a lot of the samples; I had Prince's vocals. There were things that I had that could help in some of the arrangements, and a lot of the arrangements I used from my show. 

You try to adjust to make sure that [the artists] shine and that they feel comfortable, because everyone was really nervous. I had many conversations with people making sure, "Is this a good key for you?" Making sure that "You don't have to sing it like Prince. This is your representation of who you are and you happen to be doing a Prince song and no one's going to judge you for it." 

Speaking of collaborative efforts, The Greatest Night in Pop music doc came out recently. What do you remember from recording "We Are the World"?  

I kind of didn't want to do it because, initially, we were on the Purple Rain tour [and] we were exhausted. At some point I thought,  Do I even belong in that caliber of people?  

[At the "We Are The World" session,] everyone was hanging out, everybody was really cool. No one had a huge entourage. I was excited to meet people I hadn't met before. One of the people I was excited about meeting was Cyndi Lauper . I loved her. I wanted to meet Bruce Springsteen , the boss. 

In that moment of being in that room with everyone, and it was just amazing to [think], Wow, we're going to do something incredible to be able to raise money for people who are starving.  Then you just take a breath and you do what you do, and then things happen.

Do you think that you have changed or contributed to the sound of percussion in R&B and pop music?

My style is my style. Different artists from the Bay — Sly and the Family Stone, Carlos Santana , my dad's band [Azteca], Grateful Dead , Tower Of Power, of course, Pointer Sisters — listening to all those bands and being able to watch their rehearsals when I was a teenager influenced me. 

The key was being adaptable to what needed to be for that specific song. You have to make up your own beats, because being a percussion player is like [working on] a beautiful painting that's already painted and they're asking you to put one color in there or you see a space — what would you put in that space? 

It's not about playing all over the place and playing something that doesn't belong. You have to figure out those spaces and, to me, the most important part of music is space. That space is what allows a song to breathe.

I would use different things even in the studios; I didn't use all of the right mics all the time. I would bite on an apple and sample it and put that sound on top of the snare. I just experimented. I started on pots and pans, and I used keys, and I used a spray bottle can that blows out air to clean your computer as a high hat. Everything can be musical. 

One of the biggest things is Michael Jackson's "Don't Stop 'Till You Get Enough." Quincy [Jones] had called me and said, "Michael wants this kind of sound, I don't know what it is, bring all your toys." I brought everything. I ended up getting two bottles and I poured water in it, and I used the holder to play the triangle on the sides of the bottle. So "Don't Stop 'Till You Get Enough" has those bottles.  

You just come up with ideas and it doesn't have to be traditional. It just has to be from your heart, a feeling that makes sense, that compliments whatever song it may be.

Are there any other female percussionists out there right now that you see carrying the torch that you lit?

Oh my God. There are so many drummers right now. I go on social media frequently throughout the week, and I try to find at least someone new and DM them and say, "You're amazing. God bless you. Thank you for your gift. Keep doing what you're doing," and people freak out. 

That's part of my job, to continue to encourage the young people to keep playing. 

You've mentioned in previous interviews that you've dealt with a lot of harassment throughout your career as a woman playing an instrument that women don't traditionally play. I'd like to know how you continued to move forward and own your vision in an industry, and in an era, where women are often belittled or posited as like sex objects.

When I first started, I didn't know it was a big deal that I was one of few — or one of one — that was doing what I was doing. In the Bay Area, you see a lot of women playing percussion. In Berkeley, we all go and hang out at the park and everyone plays and it's like 20 or 30 of us and whoever brings their instrument, they just jam with us.

Coming to L.A. and recording with other artists, when I walked into a room, the drummer would say, "Can you get me a cup of coffee?" And I'm like, "I'll get it for you but I'm not the receptionist or anything. I'm the percussion player." They would freak out. 

When that first started happening and things were being said that were really rude and bad, I would go back to my parents. They would just say, "You just keep doing what you're doing. They're jealous or they're mad because you're there, or they've never seen anyone like you. You have a gift and you just go ahead. You learn the music, know what you have to do, so when you walk in with confidence, it's not an issue." A lot of the time, those musicians were not prepared, and I was, and they hated me even more because I knew everything. 

I got so much joy out of performing. And even with all the nos and the nastiness and the stuff that was being said [like], "Hey, if you sleep with me," all of these other things. It just made me stronger. You keep pushing through; you just keep playing. 

When you find your passion and that's your purpose, no one can stop you.  I stand on that word.

Living Legends: Cuban Pianist & Composer Chucho Valdés On Developing "The Creation," Growing Up On The Island & Loving Dizzy Gillespie

Photo: Robert Gauthier / Los Angeles Times via Getty Images

GRAMMY.com’s 50th Anniversary Of Hip-Hop Coverage: A Recap

The Recording Academy’s celebration of hip-hop’s 50th anniversary included televised events and captivating interviews. Check out the wide range of articles and features produced by GRAMMY.com commemorating this musical milestone.

When we look back at the Recording Academy’s 2023, the 50th anniversary of hip-hop will loom exceptionally large.

The ongoing celebration permeated every facet of the world’s leading society of music professionals this year, from the 65th Annual Awards Ceremony in February to the special airing of "A GRAMMY Salute To Hip-Hop" in December — a dense, thrillingly kaleidoscopic televised tribute to the breadth of this genre.

One major accompaniment to this was coverage of the genre’s legacy via GRAMMY.com, the editorial site run by the Recording Academy. If you haven’t been keeping up, we’ve got you covered. Here’s a highlight reel of the work GRAMMY.com published in honor of the 50th anniversary of hip-hop.

We Profiled Rising Stars

From Lola Brooke to Tkay Maidza , GRAMMY.com engaged in comprehensive in-depth interviews with artists who are at the forefront of shaping the future of hip-hop, and held a roundtable discussion about exactly what the next 50 years might look like. 

We Published Conversations With Legends

DJ Kool Herc and Questlove , who have played unquestionable roles in hip-hop’s continuing evolution, spoke to GRAMMY.com about their profound and abiding connections to the idiom.

The Contributions Of Women Were Highlighted

Without the inspired vision of countless women, hip-hop would not be what it is today. The "Ladies First" segment, which kicked off "A GRAMMY Salute To Hip-Hop" featuring Queen Latifah , Monie Love , and MC Lyte , among other lady greats with Spinderella as DJ, was an ode to this. 

In acknowledgment of female trailblazers in a world dominated by men, GRAMMY.com wrote about teen girl pioneers , women behind the scenes , a revealing Netflix doc , and women artists pushing the genre forward in 2023, from Ice Spice to Lil Simz .

We Revisted Hip-Hop’s Biggest Releases

From Enter The Wu-Tang (36 Chambers ) to Jay-Z’ s The Black Album to Cardi B ’s Invasion of Privacy , GRAMMY.com dove deep into the core hip-hop canon. We also broke down the genre’s development decade by decade through the 70s , 80s , 90s , 00s , 10s , and 20s , with a focus on classic albums from each era.

Listen To GRAMMY.com's 50th Anniversary Of Hip-Hop Playlist: 50 Songs That Show The Genre's Evolution

We Criss-Crossed The Country

GRAMMY.com’s series of regional guides — from the Bay Area and SoCal , to Texas and the Dirty South , to D.C. and NYC — highlight hip-hop’s diversity of culture and sound.

We Went International

Although hip-hop is a quintessentially American phenomenon, its impact, appeal, and influence has spread worldwide. The international appetite for hip-hop was showcased in coverage of Latinx and Argentinian rappers to know, as well as five international hip-hop scenes to know : France, Nigeria, Brazil, South Africa, and England.

We Explored Hip-Hop’s Larger Impact

Hip-hop is more than a sound. It’s a culture that permeates almost every sector of life. Showcasing this effervescence, GRAMMY.com ran pieces about the evolution of hip-hop’s influence on educational curriculum worldwide, as well as its biggest fashion and style moments .

We Covered On Stage Celebrations

"A GRAMMY Salute To 50 Years Of Hip-Hop," the two-hour special that aired in December on CBS and is available on demand on Paramount+ represented a culmination of the Recording Academy’s 50th year anniversary celebration.

Revisit the 2023 GRAMMYs’ hip-hop revue , and check out a recap of "A GRAMMY Salute" with photos, a rundown of all the performers and songs and coverage of the Black Music Collective’s Recording Academy honors in February.

It Didn’t Stop There…

Notable coverage also included the evolution of the mixtape , 11 Hip-Hop Subgenres to Know and 10 Binge-worthy Hip-Hop Podcasts , as well as a breakdown of Jay-Z ’s Songbook and Snoop Dogg ’s discography .

For everything GRAMMY.com and all things hip-hop — including our rap-focused run in the GRAMMY Rewind series — visit here .

2023 In Review: 5 Trends That Defined Hip-Hop

Photo: Tommaso Boddi/Getty Images for The Recording Academy

Inside Resonance: Celebrating 50 Years Of Hip-Hop At The GRAMMY Museum

"Nothing resonates more in our everyday lives than hip-hop," Jimmy Jam said during the celebratory event Resonance, which honored the legacy of hip-hop at the GRAMMY Museum.

The Recording Academy is continuing to honor the legacy of hip-hop, to one of the most popular genres of music in America. Held on Dec. 4 at the GRAMMY Museum in downtown Los Angeles, Resonance: Celebrating 50 Years of Hip-Hop was presented by the Academy's Black Music Collective and sponsored by City National Bank.

The Resonance event took over the Museum's fourth floor, which is home to the recently unveiled " Hip Hop America: The Mixtape Exhibit ." There, members and leadership from the Academy and BMC, along with musicians and industry professionals, celebrated 50 years of music that has transcended boundaries, inspired advocacy and fostered impactful social change. 

Guests were welcomed into the space by an unparalleled collection of artifacts — an ode to the genre through memorabilia and interactive displays showcasing the evolution of hip-hop music and culture. Tupac ’s all-white suit — worn in the last video he made — is displayed next to Notorious B.I.G. 's red leather pea jacket worn in the music video for Junior M.A.F.I.A.’s "Players Anthem." The impact of the museum’s intentionally curated collection evokes the extended struggle of the Black experience in America, while celebrating its culture, creativity, and endurance against all odds.

The power of connection and representation was emphasized by five-time GRAMMY winner Jimmy Jam , an R&B songwriter, music producer, and illustrious GRAMMY Museum Board Member. "The idea of 'resonance' struck a chord in me because the mission is unification, amplification and to celebrate Black music. Nothing resonates more in our everyday lives than hip-hop." 

View this post on Instagram A post shared by Black Music Collective (@blackmusiccollective)

A legendary figure who made his mark in the '80s by producing artists such as Janet Jackson, Jimmy Jam and producing partner Terry Lewis , were inducted into the Rock and Roll Hall of Fame in 2022. 

"I'm proud to have known my partner Terry Lewis for 50 years. We were raised on hip-hop," he told the crowd. "Hip-hop inspires, it embodies transcendence. Hip-hop advocates and fosters social change, and the cultural significance is astounding."

Jimmy Jam highlighted the integral role of partnerships between the Black Music Collective and sponsor/supporters such as City National Bank and Amazon Music. Such relationships have enabled the third year of the Amazon Music-sponsored Your Future Is Now , a scholarship program.

"We have the opportunity to pour knowledge, resources and many opportunities into the young talent and the young creatives of the future. And that's what we're here to do," he continued.

GRAMMY Museum Board Member and Executive Vice President of City National Bank, Linda Duncombe, who was introduced by Jimmy Jam as "music’s best friend" spoke to the critical work of support. 

"We protect and celebrate those who have shared their gift as well as ensure their artistic contributions are accessible for people of all walks of life around the world and for future generations," she said, adding that as a Museum board member, "educating the next generation of artists and teachers is always top of mind. The 'Mixtape Exhibit' really will inspire students to pursue hip hop and the music industry."

Host Lady London , a rapper and songwriter from The Bronx summed up the power of hip-hop and its ability to transcend music. A hyped crowd enthusiastically received her words.

"It's beautiful to see what we have been able to cultivate in such a short amount of time. We are the culture, we have the power to shift the culture and we continue to move mountains," she said. "We are influences in fashion and design and the Black family education, economic empowerment, the arts. We're limitless.

"We have balanced everything and there is nothing that is quite parallel to that," Lady London continued. "I'm so proud to be a part of the culture."

As guests mingled among the exhibits many displays and highlights like original lyric sketches, mixtapes, and an interactive "sonic playground" where guests could interact with recording devices, make 808 beats and record tracks. Academy CEO Harvey Mason Jr. reflected on the culmination of a year celebrating the 50th anniversary of hip-hop. 

"Hip hop has been a defining force in our culture and it is so important to be able to honor it in this way" he said. "This is the end of a year that started with us celebrating at our GRAMMY Awards show last season."

Los Angeles' DJ Jadaboo — who has performed for Tommy Hilfiger at New York Fashion Week and a slew of celebrity parties and high profile events — set the vibe all night. Her mix spanned all five decades of the genre and beyond, from R&B to hip hop classics by Jay-Z and Drake , stacking much-sampled songs like Curtis Mayfield ’s "Pusher Man" into the set. 

As the event carried on, Jimmy Jam’s earlier remarks echoed between the museum’s walls. "Look at what's been done in the last 50 years. You see it all around here," he said. "Now take a look at each other and know all that is happening right now… is because we are the people that are gonna continue to carry this on for another 50 years."

The GRAMMY Museum’s " Hip Hop America: The Mixtape Exhibit " runs through Sept. 4, 2024. "A GRAMMY Salute To 50 Years Of Hip-Hop" will air Sunday, Dec. 10 , from 8:30 to 10:30 p.m. ET and 8 to 10 p.m. PT on the CBS Television Network, and stream live and on demand on Paramount+.

How To Watch "A GRAMMY Salute To 50 Years Of Hip-Hop": Air Date, Performers Lineup, Streaming Channel & More

Image courtesy of the Recording Academy

Additional Performers Added To "A GRAMMY Salute to 50 Years of Hip-Hop" Live Concert Special: 2 Chainz, T.I., Gunna, Too $hort, Latto, E-40, Big Daddy Kane, GloRilla, Three 6 Mafia & More Confirmed

The star-studded tribute will take place Wednesday, Nov. 8, at YouTube Theater at Hollywood Park in Inglewood, California. Tickets are on sale now. "A GRAMMY Salute to 50 Years of Hip-Hop" will air on Sunday, Dec. 10, on CBS and Paramount+.

This article was updated Sunday, Dec. 10, to add the full performer lineup .

The massive lineup for the "A GRAMMY Salute to 50 Years of Hip-Hop" live concert special just got bigger and more legendary with the addition of rap icons and next-gen hip-hop superstars: 2 Chainz , T.I. , Gunna , Too $hort , Latto , E-40, Big Daddy Kane , GloRilla , Juvenile , Three 6 Mafia , Cypress Hill , Jeezy , DJ Quik , MC Lyte , Roxanne Shanté , Warren G , YG , Digable Planets , Arrested Development , Spinderella , Black Sheep , and Luniz have all been added to the lineup.

They join previously announced performers Black Thought , Bun B , Common , De La Soul , Jermaine Dupri , J.J. Fad , Talib Kweli, The Lady Of Rage, LL COOL J , MC Sha-Rock , Monie Love , The Pharcyde, Queen Latifah , Questlove , Rakim, Remy Ma , Uncle Luke, and Yo-Yo , who will perform at a once-in-a-lifetime live concert special celebrating the 50th anniversary of hip-hop , which the Recording Academy is honoring all year long across 2023. See the full performer lineup .

Read More: 50 Artists Who Changed Rap: Jay-Z, The Notorious B.I.G., Dr. Dre, Nicki Minaj, Kendrick Lamar, Eminem & More

Airing Sunday, Dec. 10, at 8:30 p.m. ET/8 p.m. PT on the CBS Television Network and streaming live and on demand on Paramount+, "A GRAMMY Salute to 50 Years of Hip-Hop" is a two-hour live concert special that will showcase the profound history of hip-hop and celebrate the genre's monumental cultural impact around the world. The special will feature exclusive performances from hip-hop legends and GRAMMY-winning artists and much more.

The live concert comprising the "A GRAMMY Salute To 50 Years Of Hip-Hop" special, which is open to the public, will take place on Wednesday, Nov. 8, at YouTube Theater at Hollywood Park in Inglewood, California . Footage from the concert will then air on Sunday, Dec. 10 , as a live concert TV special.

Tickets for the "A GRAMMY Salute To 50 Years Of Hip-Hop" live concert are available to the public now.

Explore More Of "A GRAMMY Salute to 50 Years of Hip-Hop"

Full concert details are below:

Concert: Wednesday, Nov. 8, 2023 (tonight) Doors: 6 p.m. PT Concert: 7 p.m. PT          

Venue: YouTube Theater 1011 Stadium Dr. Inglewood, CA 90305

Full List Of Confirmed Performers For "A GRAMMY Salute To 50 Years Of Hip-Hop":  

Arrested Development

Big Daddy Kane

Black Sheep

Black Thought

Boosie Badazz

Chance The Rapper

Cypress Hill

Digable Planets

DJ Diamond Kuts

DJ Greg Street

DJ Jazzy Jeff and the Fresh Prince

Doug E. Fresh

Jermaine Dupri

Kool DJ Red Alert

The Lady of Rage

MC Sha-Rock

The Pharcyde

Public Enemy

Queen Latifah

Roddy Ricch

Roxanne Shanté

Spinderella

Talib Kweli

Three 6 Mafia

^Names in bold indicate newly added artists.

Purchase tickets here.

Stay tuned to GRAMMY.com for more news and updates about "A GRAMMY Salute to 50 Years of Hip-Hop."

A GRAMMY Salute to 50 Years of Hip-Hop is produced by Jesse Collins Entertainment. Jesse Collins, Shawn Gee, Dionne Harmon, Claudine Joseph, LL COOL J, Fatima Robinson, Jeannae Rouzan-Clay, and Ahmir "Questlove" Thompson for Two One Five Entertainment serve as executive producers and Marcelo Gama as director of the special.

Hip-Hop Just Rang In 50 Years As A Genre. What Will Its Next 50 Years Look Like?

• 1 Janet Jackson To Headline Tom Joyner Foundation's 20th Fantastic Voyage
• 2 Living Legends: Sheila E. On Prince, Playing Salsa And Marching To The Beat Of Her Own Drum
• 3 GRAMMY.com’s 50th Anniversary Of Hip-Hop Coverage: A Recap
• 4 Inside Resonance: Celebrating 50 Years Of Hip-Hop At The GRAMMY Museum
• 5 Additional Performers Added To "A GRAMMY Salute to 50 Years of Hip-Hop" Live Concert Special: 2 Chainz, T.I., Gunna, Too $hort, Latto, E-40, Big Daddy Kane, GloRilla, Three 6 Mafia & More Confirmed

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Lauryn Hill Set To Perform On Tom Joyner's 2023 Fantastic Voyage Cruise

(Photo by Erika Goldring/WireImage)

Singer Lauryn Hill is set to perform on the Tom Joyner Foundation’s Fantastic Voyage Cruise in 2023.

The popular radio show veteran shared the news on Instagram on November 23.

Related Story: Lauryn Hill Teases 2023 Tour, Gets Onstage Surprise From Her Oldest Child During ONE Musicfest

“The rapper, singer, songwriter, actress and producer Ms. Lauryn Hill is doing her part by joining the 2023 Tom Joyner Fantastic Voyage to help Tom raise money to keep kids in school at Historically Black Colleges and Universities. If you want to party with a purpose in May 2023, get your cabin today by calling (214) 495-1963 or go to FantasticVoyage2023.com! Don’t get left behind!”

The Royal Caribbean cruise will take place from May 20-27 and will depart from Fort Lauderdale and head to Mexico, Grand Cayman Islands and Jamaica.

The 2023 cruise, which raises funds for scholarships for students at HBCUs, varies in price. Fans' and supporters’ fare range from $3,174 to almost $9,000. A $500 deposit is required for each individual occupying the chosen cabin.

Legendary acts like Charlie Wilson and Stevie Wonder are also set to perform on the Fantastic Voyage cruise.

According to the Tom Joyner Foundation’s official Facebook page, the charity cruise is 85% sold out.

“The Tom Joyner Foundation Fantastic Voyage 2023 is over 85% sold! It’s time for YOU to experience this true ICONIC PARTY with a PURPOSE!  Enjoy theme nights, the parade on the Promenade, or enjoy Fun In the Sun in Cozumel, Grand Cayman and Jamaica.  If you want to party with a purpose in May 2023, get your cabin today by calling (214) 495-1963 or go to FantasticVoyage2023.com !”

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FYI “Kevsum” equals Kev’s Summary. This past week, I took a MUCH needed vacation. Actually, the first REAL vacation in 20 years of running my own business and an incredible 20th Anniversary gift.

This was the very first time I have ever attended the Tom Joyner Fantastic Voyage cruise and while I  have never been on a cruise, I could not resist the invite.

I took a flight from LA to Miami, then got on the ship in Miami and we went to the Cayman Islands, Montego Bay, Jamaica and Honduras.  

That’s a LONG way to go by air and sea to take a vacation, I know but as they say, time flies when you are having fun and that’s exactly what happened.

My goal was to cover the event while attending but I left the plug to my Mac laptop at home, which meant I could not use my camera and the internet connection was not that great in various parts of the cruise so I realized it was in the cards for me to take a real vacation, get drunk, eat like a pig and gamble my life savings away on the ship’s casino.

Of course I have more self control than that so I didn’t  gamble ALL my money away. All of these pics are courtesy of my iPhone 6.

I found it odd that I had never met Tom Joyner in 30 years of being in the broadcast industry. I remember being in high school and college and reading about “The Fly Radio DJ” in Jet Magazine while standing in line at the grocery store and thinking how hard it must be to fly from Chicago to Dallas 5 days a week for years (I believe he said it was 14) and there are very few Radio DJs even in syndication who have been around as long as Tom.  

He told me, “You’ve been in radio a long time haven’t you?” I said “Yep, so have you…” he then said “No, I just started.” (lol).

The initial impression I got was how great it was to be around so many positive and happy black people and culture. Everything in LA is so spread out and you have to literally drive for miles to find black culture unless you live in the few areas that it exists.

If I was to use one word to describe my trip, I would say it was inspirational, productive, educational and energizing. Oh that’s four words.  I met a LOT of GREAT people, new contacts and gained an incredible amount of perspective in just one week.

The most memorable was the Art Auction where I met a man named Jonathon Romain who is around my age who was selling his paintings.

He had a very interesting background (look for a full interview in the June Issue of TheIndustry.biz ) and as some of you know, I am also an artist, painting and sketching but I have not been working on it for a while because a “friend” who’s wife is a painter told me artists never make money so it’s a labor of love with no return but after talking to Jonathon and a couple of other artists on the ship, I was told that’s what people say when they don’t sell their own art (lol).

I was greatly inspired to continue to do my work after that conversation considering I HAVE sold a couple of pieces of my art.  

During the art show Reach Media hosted a Meet and Greet where I got to meet and catch up with industry people that I hadn’t seen in years or met for the first time, Celebrities and Sponsors.

CL Smooth (Pete Rock and CL Smooth) was telling me how he is still touring especially overseas and how he feels about today’s industry and I met Avery Sunshine and talked about her music and her performance on the cruise.

I also met DJ Nabs who did an incredible set on the cruise and many other industry people I have written about in TheIndustry.biz but never met.

There was absolutely no shortage of comedians that told some of the most hilarious jokes and J. Anthony Brown was a smash hit. He completely let loose and was very X-rated but he repeatedly won the crowd over whenever he was on stage.

Sybil Wilkes did an art auction and she too was hilarious. Of course whenever Tom appeared the crowd went nuts showing their love and appreciation for him and the TJMS.

Every night had a theme and I was not prepared. There was the all red night, the all white night, throwback night, favorite Celebrity Night and even a Pajama night which was the MOST interesting.

Coming from the Pacific Time zone and going through so many other  time zones, my sleep was off and I would get 3 or 4 hours here and there because I didn’t want to miss anything MISTAKE…

One must get one’s rest and it was easy to do so because the cabins were quiet and the ship felt like we were floating on air for the most part.

There were also MANY great seminars where I learned a lot of valuable information from.

The writer Zane was present and I was going to congratulate her on her success during one of her seminars and low and behold she was selling her new line of vibrators and dildos.

I was wondering why the whole room was full of women. Is that market REALLY that hot? I know Khandi Burress sell a line too.

While we have a GREAT time. The cruise was to help The Tom Joyner Foundation. (Founded in 1998, the Tom Joyner Foundation has raised more than $65 million to help keep students enrolled in black colleges. It has assisted more than 29,000 students and worked with more than 100 HBCUs.

You can learn more at https://tomjoynerfoundation.org ) This is a great effort considering I myself went back to school to get a degree (graduated this year) and I was incredibly disappointed to see how black students had to compete for grants and funding with foreign students and had to wait in line to get classes over them.

 In addition , I try to tell many older Radio DJs to consider going back to school as well. I had to set an example instead of telling others to do it.

Tom broadcasted the morning show live from the event and every element of the morning show was used in some capacity during the cruise. I honestly didn’t know so many people were involved in the show.

The food was great, the entertainment was also amazing. That was the fastest 8 days I’ve ever seen and the staff was outrageously hospitable. They called me by name and spoke everyday.

Carnival deserves KUDOS for their well trained staffs. Everyone from Jennifer Hudson to Earth Wind & Fire  performed and Fantasia was probably the best performance hands down closely followed by Eric Benet.

She really put on an amazing show that left the CROWD exhausted and Eric sang like I never knew he could sing, Kenny Latimore was also great along with Chrisette Michelle who seems incredibly shy off stage. 

I kept hearing people say, make sure take a couple of days off when you get back home to catch up and I now know what they meant. I am fighting a cold because I came back in full swing and made a stop in Atlanta after the cruise.

Provided I am invited next year, I’ll be more prepared.  Finally, I along with a few other exclusive media folks enjoyed a great private breakfast with Tom where he informed us of all the things that Reach Media is working on, the company’s goal and mission.

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That time mase shocked diddy on the air at v-103 with a contact to release him from bad boy (video), first hbcu film fest kicks off at howard u. march 23, morgan state’s first documentary on philanthropy, morgan state awards social justice honorary degrees, pinky cole’s surprise gift to every cau graduate in atlanta, hbcu college day expo at texas southern, 20 years of “on air with ryan seacrest” morning show bash, keys to sunshine: avery*sunshine’s bright soul, cbs renews “the equalizer” for 2024-25 broadcast season, benny blanco to receive bmi president’s award at 2024 pop awards, living legends foundation 2024 awards gala, oct 4 hollywood, theindustry.biz.

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  There’s NO other cruise like the Fantastic Voyage! From a tax-deductible contribution to concerts you won’t see anywhere else, WHAT YOU GET for the purchase of a cabin is unmatched and invaluable.

  “Once in a Lifetime” Happens Every Day!

• The excitement never stops…this unique experience is filled with events, activities and more EXCLUSIVELY created with YOU in mind.
• More than 60 LIVE performers, your chance to meet and party with your favorite celebs all on board a luxury cruise ship.
• Dress up for theme nights, find daily inspiration, and join a very special community of like-minded new friends and extended family.

Tax Deductible Fun

• A portion of your cabin purchase may qualify as a charitable contribution. While having an unforgettable time, you’re helping keep kids at schools at HBCUs.
• More than 50K total passengers have cruised, raising $ 65 million and supporting more than 29,000 students nationwide.
• All Inclusive – One price that includes taxes, port fees and gratuities. No worries about hidden costs popping up later.

Accommodations on a Luxury Liner (Carnival Freedom)

• This ship has everything – casino, spa and comfortable staterooms equipped with TV, safe, individual climate control, full bathroom and turndown service.
• Also more than a dozen dining options, lounges and nightclubs, a fitness center, pool deck fun, water slide, mini golf, a ropes course, 24-hour hot tub, basketball court and serenity deck for relaxation

Shuttle Service & Transportation

• We’ve got you covered with transportation between the pier and both major Miami-area airports: Miami International Airport (MIA) and Fort Lauderdale – Hollywood International Airport (FLL)
• If staying at the host hotel (to be announced), we’ll also shuttle you to the Port of Miami on the sail date.

Unforgettable Entertainment

• Numerous lounges and venues with non-stop entertainment…from funk, soul and inspiration to R&B, hip hop and comedy. More artists and live performances in one week than many will see in a lifetime!
• Even more : autograph sessions, celeb-hosted seminars and activities, casino lessons and chef demos
• Not just LIVE acts – movies viewings and in-room TV programming of the content you want to see
• Themed Day Parties with music, celebrity guests and nationally known DJs. Past parties have celebrated veterans, Greeks and HBCUs.

Delicious Meals & Beverages

• Mouth-watering breakfast, brunch, lunch, dinner and late-night nosh in a variety of restaurants from the Main Dining Room to the Lido Restaurant
• Specialty Dining Spots like Guy Fieri’s Burger Joint and Pig & Anchor Bar-B-Que Smokehouse, Sea Dogs, Blue Iguana Cantina, Steakhouse and more are also part of the experience.
• NEVER pay extra for non-bottled water, lemonade, unsweetened iced tea, hot chocolate and non-specialty coffee and tea.
• 24-hour options always available – pizzeria, soft serve ice cream & frozen yogurt and most room service items  

Activities and Seminars Galore

• Our theme nights let you show a different side of yourself – or your alter ego – every night! Every year our guests bring more luggage for their theme night outfits, costumes and accessories than any other!
• Weekday Morning Inspiration offers an early and encouraging start to each day
• Black Art Auction – guiding guests on the value of art by Black artists; specifically benefiting the Tom Joyner Foundation
• Additional exclusive activities to satisfy ALL interests – LIVE demonstrations, autograph sessions, dance lessons, basketball tournament, shopping, and island excursions
• Countless seminars and classes with a focus on inspiration, health/fitness, wealth, beauty and more.
• Party from sunup to sundown with day parties, after parties, parades and more.

“*All itineraries, dates and times, ports, artists, performers, appearances, locations, etc. are subject to change without notice.”

**consult with your accountant or preparer regarding the tax-deductible donation

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By grinner , June 13, 2008 in Royal Caribbean International

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It was a fantastic voyage indeed. This was my first cruise ever and it was a fine way to do it.

http://ModdinArt.com/voyage.wmv

this was a life-changing trip for me.

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Share on other sites, pepsicruiser.

That was a "FANTASTIC" video Tom. It was like reliving my Freedom cruise all over again. BTW when/where on the radio can I hear you in NYC area?

1CRUISINGMAMA

Grinner, Looks like a great time was had by all for a good cause. Thanks for sharing!

Well I Want To Know Since It Is Soo Expensive If It Was In Deed Worth It?

I Am A Cruisaholic And I Love Tom Joyner And The Gang!

Wow, Grinner, I found your post by accident, but I did find your video and shared it with other people on this message board. You should check out the post from the Mariner of the Seas under Tom Joyner Goes Hollywood. There you will find a lot of people who post about this cruise and pictures and other videos.

Was it worth it, yes, every penny, plus you must remember it is a tax deduction, a hugh part is a tax deduction. If you go TPCruiser2, you will be hooked and want to go again. Again, look under the post, Royal Carribbean Meet and Mingle and Mariner of the Seas and the post is entitled" Tom Joyner Goes Hollywood". You will get all your answers. Hope to see you guys over other, and Grinner your video was great enjoyed every bit of it. The guy your video who your refer to is George Daniels from Chicago, who is a legend in this town, he goes every year with his wife, and hangs out all night and all day long.

worth it cannot begin to describe.

First, because it's a party with a purpose, there is just a feeling of unconditional love in the air. This last the entire cruise. People in the elevator looking you in the eye, asking how ya doin and then actually listening for a response. It's a virtual city for a week and this particular party cannot be had anywhere else.

I say woot, man.

• 3 years later...

It was a fantastic voyage indeed. This was my first cruise ever and it was a fine way to do it. http://ModdinArt.com/voyage.wmv   this was a life-changing trip for me.

Man, wonderful video, by far the best video from the cruise i have seen so far!!

Did you create a video for Tom Joyner? where is that located.

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