tour guide from the underworld

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Tour Guide From the Underworld

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TCG Status: Unlimited

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When this card is Normal Summoned: You can Special Summon 1 Level 3 Fiend monster from your hand or Deck, but negate its effects, also it cannot be used as Synchro Material.

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Tour Guide From the Underworld

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Tour Guide From the Underworld, Fiend effect monster, designed by Konami first released in Jun, 2022 in the set Astral Pack Six . It's currently being selled by the minimum price of $ 1.38.

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• This card can be searched by " Scarm, Malebranche of the Burning Abyss ", " Soul Resonator ", " Resonator Command ", " Sky Scourge Cidhels ", " Ariane the Labrynth Servant ", " Frightfur Meister ", " Lucent, Netherlord of Dark World ", " Dharc the Dark Charmer, Gloomy ", " Mystic Potato ", " Mystic Tomato ", " Chaos Zone ", " Sphere of Chaos ", " Serpentine Princess ", " Battle Royal Mode - Joining ", " Vampire Dragon ", " Rescue Ferret ", " Umbramirage the Elemental Lord ", " Sangan ", " Witch of the Black Forest ", another copy of "Tour Guide From the Underworld", and other generic searchers .
• The effect of " Genex Ally Birdman " can be used to return this card to the hand, in order to reset its effect for a later turn.
• By Special Summoning " Fiendish Rhino Warrior " with this card's effect, it can send any other Fiend monster from the Deck to the GY, which can then be Special Summoned with "Muckraker", bringing to the field to almost any Fiend monster from the Deck.
• In "Burning Abyss" Decks, this can be used to Special Summon a "Burning Abyss" monster or " Sangan ", and they can both be used to Link Summon " Cherubini, Black Angel of the Burning Abyss ", triggering the searched monster's effect.
• This card can be used to search out a Tuner monster, providing easy access into " Crystron Halqifibrax ".
• This card can also provide easy access to " Beyond the Pendulum ", by summoning " Archfiend Eccentrick ".

Traditional Format [ edit ]

• This card can be searched by " Last Will ".
• This card can be used in a Ritual-oriented Deck to Special Summon " Djinn Releaser of Rituals " and allow an immediate Ritual Summon of a Level 6 monster, locking the opponent from Special Summoning.

List [ edit ]

• Level 3 Fiend monsters that can be Special Summoned from the hand or Main Deck :
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Tour Guide From the Underworld - Duelist Saga (DUSA)

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• Number: DUSA-EN091
• Rarity: Ultra Rare
• Attribute Monster Type/Card Type: DARK Fiend/Effect Monster
• A / D: 1000 / 600

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• 4/25/24 LP 1st Edition Lightly Played 1st Edition 1 $1.35
• 4/17/24 NM 1st Edition Near Mint 1st Edition 2 $1.48
• 4/17/24 NM 1st Edition Near Mint 1st Edition 1 $1.60

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Tour Guide From the Underworld [Ultimate Rare] RA01-EN005 YuGiOh 25th Anniversary Rarity Collection

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Tour Guide From the Underworld [Ultimate Rare] RA01-EN005 (YuGiOh 25th Anniversary Rarity Collection) Details

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Underworld – the British duo Karl Hyde and Rick Smith – have been one of the most pioneering and influential electronic acts in the world for more than twenty years.

In that time, their music has transcended club dancefloors and provided soundtracks to everything from iconic movies (Trainspotting) to the opening ceremony of the London 2012 Olympic Games (for which they were handpicked as musical directors).

Rick and Karl met in Cardiff in the early ’80s and spent the following decade working together in a succession of bands with varying levels of success (highlights included a stint in the studio with Krautrock godfather Conny Plank and a Top 10 single in Italy as Freur). After splitting up an earlier version of Underworld (usually referred to as Mk 1), Rick relocated to Romford, Essex where he built a studio in his spare bedroom. A new version of Underworld began after Smith met a local up-and-coming DJ, Darren Emerson. Emerson’s sets in London clubs proved influential on Rick who began making music inspired by the sounds of UK’s nascent dance scene.

After a brace of singles released under the name Lemon Interrupt, the reinvigorated Underworld released Mmm Skyscraper… I Love You - a thirteen-minute blueprint for their future. Sounding unlike any other electronic record of that era (or since), the 1992 single fitted Karl’s hallucinogenic monologue to a rolling, relentless rhythm track. The dynamic may have been that of a band; the execution was something far more otherworldly. The album that followed – 1994’s hugely acclaimed dubnobasswithmyheadman – seamlessly blended man and machine to create ‘dance music utterly unlike any other dance music’ (Mojo).

In the months that followed the release of dubnobasswithmyheadman, Underworld built a formidable live reputation. Gigs became communions where songs were pulled in new directions and rearranged to suit the mood nightly. The band’s freeform shows set them apart from the more structured approach of their contemporaries.

Released early in 1996, Underworld’s second album – Second Toughest In The Infants – saw the band push further into the unknown to create what is unarguably one of the UK’s greatest electronic records – an utterly unique eight track sonic journey through techno, drum’n’bass, minimalist composition and ambient music. Upon release, the media elevated the band to something close to national treasure status (“A British band to rank alongside Pet Shop Boys, New Order… hell, Pink Floyd. If all acid house had ever left us was this, it would surely be justification enough” The Face).

Second Toughest…’s release coincided with that of Danny Boyle’s massively successful adaptation of Irvine Welsh’s Trainspotting - the closing sequence of which was cut to an Underworld B-side from 1995 (Born Slippy: NUXX). By the time the track was reissued in the summer of ’96 after the success of the film, Born Slippy: NUXX had attained anthem status. The single would reach No 2 in the charts and go on to sell over one million copies in the UK.

Underworld’s third album - 1999’s Beaucoup Fish – was another critically lauded release (“There are rare moments when even the longest albums feel like they should go on forever: this, emphatically, is one of them” NME) and remains the band’s biggest selling to date. The record’s crossover success soon saw the band booked for main stage slots at festivals the world over, in turn becoming one of the most recognizable electronic acts around. Many of those performances were captured on film and audio for Everything, Everything – a live project that saw the band experimenting with fledgling DVD technology.

Soon after the Beaucoup Fish tour finished, Darren Emerson left Underworld to pursue solo projects. Continuing as a duo, Rick and Karl subsequently released an album - A Hundred Days Off (2002, “A very fine Underworld album – they don’t make any other kind… a beautiful and baffling enigma” Uncut, 4 out of 5) - that was preceded by the massive radio and club hit Two Months Off.

In 2006, Underworld began to explore the emerging possibilities of the Internet and direct selling when they released the Riverrun series. Ever the innovators, the band were one of the first major acts to release music solely in the digital market. The Riverrun releases (Lovely Broken Thing, Pizza for Eggs and I’m A Big Sister and I’m a Girl, and I’m a Princess, and This Is My Horse) presented new music mixed into freeform, single-track compilations and pointed towards the more experimental nature of 2007’s Oblivion With Bells (“Less the comedown than the sound of the party still going 10 years on.” NME, 8 out of 10).

Following a period soundtracking both Danny Boyle’s Sunshine and Anthony Minghella’s Breaking and Entering, Rick and Karl released Barking in 2010 (“a harmonious marriage of the classic, propulsive Underworld sound and the kind of techniques and textures that postdate most of their career” Resident Advisor). The album saw the duo working with a handpicked selection of contemporary producers (including Mark Knight, High Contrast, Dubfire and Paul Van Dyk), many of who had been heavily influenced by the band when starting out.

Shortly after Barking’s release, Underworld were confirmed as musical directors for the London 2012 Olympic Opening Ceremony. Directed by Danny Boyle and titled Isles of Wonder, the opening ceremony was viewed by 900 million people worldwide, including 27 million in the UK alone. Later that year, the band received Q magazine’s Innovation in Sound award.

In the autumn of 2014, Underworld reissued dubnobasswithmyheadman in deluxe form for its twentieth anniversary. The album was universally hailed as a classic (“Acclaimed at the time as the most important album since the Stone Roses’ debut, dubnobasswithmyheadman is no less singular and compelling 20 years later… the album sounds like a city talking to itself after dark.” The Guardian, "A revolutionary record." The Quietus), a one-off show playing the album in its entirely at London’s iconic Royal Festival Hall sold out in seconds.

The dubnobass… reissue (followed in 2015 by a deluxe edition of Second Toughest In The Infants) and subsequent tour dates around the world.

Live reviews

Karl Hyde, Rick Smith and Darren Price better known by their stage name of Underworld are an electro group formed in Cardiff in the 80's. Since then the band has enjoyed critical and commercial acclaim whilst incorporating a sense of underground within their music. It was always noted that Underworld suited the dusky basements of the circuit that their music was crafted on as opposed to the glitz and glamour of arena stages.

The trio has manahed to maintain this sense of organic, basement like quality to their electro and despite the stages becoming increasingly large, the sense of intimacy is still ever present. Many consider 'dubnobasswithmyheadman' to be their greatest album and their recent tours have focused around the music lifted from this release.

A band with a cult following, the venue is packed with patrons ready to bounce along to classics such as 'Dark & Long' and 'River of Bass'. By the encore of their biggest hit 'Born Slippy .NUXX' Underworld has proven that you can achieve commercial success without having to altar your sound, demeanour or show.

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Underworld is literally the absolute best underground electric band! Me and my friends saw them in Chicago, and it was just as much about the lights as the music. They put on a great musical performance, and an absolutely stunning light show. The use of multiple colors, fog and strobe lights was visually entrancing.

I have not partied so hard as I did that night. We were dancing and meeting new people all night. By the time we left we were completely exhausted in a good way. They really know how to please the crowd and keep the energy high and the party going. When they use vocals it is insanely good, their words enter your ears and seem to flow through your veins. My heart was pumping it seemed to the beat of the music, it was truly a whole body experience. Your ears are listening, your body is dancing, your eyes are watching the lights dart around and the crowd go crazy!

Hands down my favorite show I've ever been to. Just solid performance. My friends and I still talk about it! If you can see them, grab some friends and glow sticks and get ready to party!

Underworld played a great set most of the hits all though it wasn't continuous there was barely a let up , even my favourite , Kittens was played. The sound was spot on which makes a huge difference as some major venues have appalling sound and Karl was in top form interacting with the crowd who responded likewise and all seemed to have a great time , can't wait to see them again.

I have loved Underworld for years now and seeing them live was literally a dream come true. I always feel as if I have been born 13 years too late because I believe that the 90s electronic/ rave scene in the UK was supposed to be my home, my element.

Last night, Hyde & Smith took me to my element.

Wow! I'd not seen them in years. What a great , energetic show. In great voice, excellent sound, crowd went nuts. 2 plus hours and I wanted more. And ended exactly as you would like. You know the song! One of the best shows I've seen and I see a lot. I'm looking for their return already. Thanks lads!

Underworld played the entire album dubnobasswithmyheadman to commemorate 20 years since its release. Unfortunately Rick smith wasn't on stage due to illness. After the album they played some great crowd pleasing hits to get everyone jumping. Great gig. Would definitely see them again!

Warm and old dancing expérience, so nice !

I felt on the moon with "cowgirls" and all the other lancinant rythms. Just closing the eyes...

Public knew what to expect and was totally in the mood. Impossible to stay straight with such kind of dancing pearls !

Set was amazing as usual the venue was particularly amazing with a great atmosphere

And the light show was best I jss as be ever seen

Sound was perfect got the volume and bass

Can’t wait for next gig

Great show at Ally Pally - Lighting great, venue great, sound great and of course band.....Amazing! Loads of my favourite tunes and such a happy, positive vibe in the crowd - best gig I've been to for a long time.

Best gig I've been to. Karl Hyde's uber cool voice, the amazing tracks, the nostalgia, the fantastic venue and the awesome awesome crowd. Underworld's energy is totally worth seeing live, I had a blast.

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Underworld tour dates and tickets 2024-2025 near you

Want to see Underworld in concert? Find information on all of Underworld’s upcoming concerts, tour dates and ticket information for 2024-2025.

Underworld is not due to play near your location currently - but they are scheduled to play 5 concerts across 3 countries in 2024-2025. View all concerts.

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• Sydney, NSW, Australia
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• Halifax, UK

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Card Rulings : Tour Guide From the Underworld

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OCG Rulings [ ]

• This effect doesn't target . [1]
• The "Its effects are negated, and it cannot be used as a Synchro Material Monster " occur as part of the effect of this card that Special Summons a monster. [1]
• If a Fiend - Type monster Special Summoned by the effect of " Tour Guide From the Underworld " is flipped face-down by the effect of " Book of Moon " and then flipped face-up , or if it's banished by " Interdimensional Matter Transporter " and then returns to the field, the effects of that Fiend - Type monster are no longer negated. Also, that Fiend - Type monster can be used as a Synchro Material Monster . [2]
• The effects of a Fiend - Type monster Special Summoned by the effect of " Tour Guide From the Underworld " that are negated are the effects that activate on the field or that are applied as long as that Fiend - Type monster is on the field, but effects like " Sangan " that activate when the monster is sent from the field to the Graveyard are not negated. [3]

References [ ]

• ↑ 1.0 1.1 Konami OCG Card Database : Tour Guide From the Underworld
• ↑ Konami OCG Card Database : If a Fiend-Type monster Special Summoned by the effect of "Tour Guide From the Underworld" is flipped face-down by the effect of "Book of Moon" and then flipped face-up, or if it's banished by "Interdimensional Matter Transporter" and then returns to the field, what happens with the negation of its effects? Also, can it be used as a Synchro Material Monster?
• ↑ Konami OCG Card Database : A "Sangan" that was Special Summoned by the effect of "Tour Guide From the Underworld" has its effects negated, but once it's sent from the field to the Graveyard and its effect activates, is this effect negated?
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