noah reid tour dates 2022

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I saw Noah in Toronto. Loved every moment. Not only is he an incredible pianist and singer he is authentic, funny and engages with the audience. You will not be disappointed.

I also really appreciate his lyrics. They are so raw and honest it is refreshing and healing. If he keeps writing from this authentic powerful place we are in for something really special.

I am so proud that he is Canadian and represents what Canada is all about.

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• Concertful ranking: #5076
• Category: Pop Music / Soft Rock

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Noah Reid Tour Dates

ConcertFix is thrilled to spotlight the multi-talented Noah Reid. Known for his outstanding acting skills, particularly in the critically acclaimed series "Schitt's Creek," Reid has also proven himself as a remarkable musician. His unique blend of folk, pop, and soul resonates with a wide range of audiences, demonstrating his versatility as an artist. His debut album "Songs From A Broken Chair" and his sophomore album "Gemini" showcase his profound songwriting skills and his ability to create emotionally resonant music. Reid's performances are intimate and captivating, filled with heartfelt narratives that connect deeply with his listeners. Whether he's on the big screen or on the music stage, Noah Reid is a compelling storyteller, and ConcertFix is excited to bring you all the latest news, updates, and concert schedules for this phenomenal artist. Stay tuned to ConcertFix for more information on Noah Reid's upcoming performances.

Noah Reid Concert Schedule

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Noah Reid Tour Albums and Songs

Noah Reid: Simply the Best (From "Schitt's Creek")

• Simply the Best (Fro...

Noah Reid: Songs from a Broken Chair

• Angels & Demons
• Never Gonna Get My Love
• False Alarms
• Still Don't Know
• Mostly to Yourself

Noah Reid: Gemini

• Hate This Town
• American Roads
• Jacob's Dream
• Neverending December
• Heroes/Ghosts
• I Guess I'll Just Li...
• I Had a Dream Last N...
• I Miss Writing Songs

Noah Reid: A Case of You

Noah Reid: Adjustments

• Left Behind
• Rivers Underground
• Minneapolis
• Statue's in the Stone
• Another Fuckin Condo
• Everything's Fine

Noah Reid Concert Tour Questions & Comments

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Noah Reid may come to a city near you. View the Noah Reid schedule on this page and click the ticket button to see our big selection of tickets. Look through our selection of Noah Reid front row tickets, luxury boxes and VIP tickets. After you track down the Noah Reid tickets you want, you can buy your seats from our safe and secure checkout. Orders taken before 5pm are normally shipped within the same business day. To buy last minute Noah Reid tickets, check out the eTickets that can be downloaded instantly.

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Noah Reid Creates Comfort with his ‘Everything’s Fine’ Tour

In early 2020, Noah Reid’s sold-out North American tour was abruptly halted due to the widening COVID-19 pandemic. Almost four years later, the Canadian artist has returned triumphantly to the stage; this time with yet another album under his belt.

Kicking off his ‘Everything’s Fine’ Tour in Ireland in September, Reid has been traveling across the UK and Australia, finally returning to North America. His concert on Tuesday, October 10th, at The Belasco in Los Angeles marked the start of the North American leg of his tour.

I attended this momentous return to the venue for Noah Reid; his last time performing there was in late 2019 at the start of his previously mentioned tour. He even started the night off by saying that being on the mainstage was quite the upgrade from 4 years ago when he’d been “upstairs on a much smaller stage.”

Something new for Noah Reid this time around is his opening act, Clerel, who is an R&B/Soul artist currently based in Montreal. This artist has a way of hyping everyone up and bringing the best of what Soul music offers.

He knows he is the opening act, but the audience treated him as if he was the star — if only for a little while. Even if you can’t attend one of Noah Reid’s stops on the tour, you should check out Clerel’s music.

It is evident from the moment he addresses the crowd that the Canadian charm, which made him especially lovable as Patrick Brewer on the Emmy-winning show Schitt’s Creek , is 100% his go-to personality. He was eager to warm up the crowd and interact with them in a way that made everyone feel like they were at home just hanging out, jamming.

Noah Reid made it apparent that he is aware most of his fanbase comes to him because of his time on the show. His tongue-in-cheek humor about his signature song from Schitt’s Creek — ‘The Best’ by Tina Turner — saying things like “I sometimes wondered if I’d ever be the best or nothing,” kept the audience fired up and laughing.

Having just traveled back to North America from his stint in Australia, Noah and his band members joked they weren’t aware of where they were. This type of engagement with the audience kept the fun flowing during transition times.

Reid’s band is also something special about the artist, and it’s quite clear from his demeanor that he loves being able to travel around with all the guys — that they are somewhat of a family at this point. He takes the time to introduce them and allows them to play a few bars of music on their respective instruments, with some banter in between.

For those curious, Noah Reid’s band members are as follows: Adrian Gordon Cook – keyboard, Jamie Kronick – drums, Kurt Nielson – bass, and Jasper Smith – guitar. Adding a full band to back up Reid for the tour allows him to add layers to his songs that aren’t even heard on the studio recordings of his three albums.

As the night went on, Reid took the audience on a journey through his music based on a flow of his own making. There were stories to go along with a few of his songs — especially the ones from his new album  Adjustments .

Reid didn’t shy away from the emotions behind songs to inform us of why he wrote the songs that he has. After all, his third album responds to the unrest we all felt during those many months of quarantine in 2020.

Finding out that his song ‘Everyday’ is just a fun way of explaining how he dealt with the uncertainty of quarantine with his friends gives a deeper meaning to the lyrics. The fact that he can use words to make his very specific experiences that much more universal is a talent not many have.

That’s what makes a Noah Reid experience that much more special and homey; he takes the time to have a conversation with the room. His stories are relatable and make us all feel like we are hanging out with family and dear friends — some of us came in groups, so we are.

At one point he even said, “Since everything’s fine, here’s ‘Everything’s Fine’.” It was a nice lighthearted way of acknowledging that times are tough, but music will always be there to comfort us.

Before performing his song, ‘Minneapolis,’ Reid tells of the tour that the cast had gone on once upon a time and how a snowstorm made air travel extremely unnerving during one of their stops. It gives another layer to a song already charged with emotions and allows us all to feel what Reid felt that night.

His set also included numbers from  Gemini, such as fan favorites ‘Hold On’ and ‘Honesty.’ There was even time for the old road trip song, ‘I Miss Writing Songs,’ which for me — who drove from my mom’s place in Kansas to Los Angeles for this show — was a favorite of the night.

I also enjoyed that he did a section of his set dedicated to songs from his first album, Songs from a Broken Chair . Hearing a longtime favorite of mine live is an experience I will never be able to describe fully.

The evening was a mix of these stories and added emotions to familiar songs. It creates a vibe in the room that allows the chaos in the real world to slip away, at least for a few hours.

By the time he reached the end of his set, he was making jokes about how we all know an encore will happen despite artists always acting like it won’t.

“So, to make things more fun, why don’t you guys decide how long of a break I will have before I come back? Then you count me down. I think fifteen would be great so I can have a beer and relax.”

Once again, it shows off his charm and how at ease he is on the stage performing for people. Noah Reid might be an actor, but music is his first and truest love.

Overall, the experience is one I won’t soon forget and gave me a newfound appreciation for the musician side of an actor I’ve come to love.

See the remaining dates of Noah Reid’s ‘Everything’s Fine’ Tour:

View this post on Instagram A post shared by Noah Reid (@olreid)

*Featured Image Credit: Dane Clark

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Mads is a part-time entertainment journalist and full-time marketing content creator. They love reading the latest in Queer novels -- especially romance ones and watching the latest dramas, sci-fi/fantasy, Star Wars, and romcom films/TV shows. You can join the conversation by following them on Twitter: @dorothynyc89.

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Noah Reid brings The “Everything’s Fine” Tour to North America, Europe and Australia

NORTH AMERICA/EUROPE ON SALE FRIDAY, APRIL 28 @ 10 AM LOCAL TIME AUSTRALIA ON SALE MONDAY, MAY 1 @ 10 AM LOCAL TIME

Since   singer-songwriter and actor  Noah Reid ’s sold-out North American tour was disrupted due to COVID-19, he is excited to announce The “Everything’s Fine” Tour, the first batch of worldwide concert dates in Noah’s career. Reid will perform this fall, taking the stage in North America, Europe, and Australia from September through November. Tickets are on sale Friday, April 28, at 10 am local time in North America and Europe and on Monday, May 1, at 10 am local time in Australia. Tickets will be available at  noahreid.com .

Noah Reid has earned a permanent place in the music industry as a result of his powerful vocals and honest delivery. Evident on his debut album  Songs from a Broken Chair  (2016),  sophomore album  Gemini  (2020), and his highly-anticipated third album  Adjustments  (2022), which collectively have garnered over 180 million streams, two nominations at the 2022 Canadian Folk Music Awards in the   ‘Songwriter of the Year’ and ‘New/Emerging Artist of the Year’ categories and landed Noah on four Billboard charts. Reid’s songwriting style is reminiscent of singer-songwriters of the seventies but with a contemporary twist, resulting in a signature polished, albeit slightly rusted over, tone.

As an actor, Reid is best known for playing   ‘Patrick’ in the Emmy-winning comedy series  Schitt’s Creek , for which he won a Screen Actors Guild Award, along with the cast, for ‘Best Ensemble.’ In 2022 he was seen in Brian Watkins’ Amazon series  Outer Range  opposite Josh Brolin, Imogen Poots, and Lewis Pullman. He wrapped up his Broadway debut as the lead of Tracy Letts’ Tony-nominated play  The Minutes , which received rave reviews. 

Upcoming Tour Dates: 09.15.23 The Academy Dublin, IE 09.16.23 The Limelight Belfast, UK 09.18.23 The Caves Edinburgh, UK 09.19.23 Gorilla Manchester, UK 09.20.23 Islington Assembly Hall London, UK 09.22.23 Melkweg Amsterdam, NL 09.29.23 The Enmore Sydney, AUS 09.30.23 Eatons Hill Brisbane, AUS 10.02.23 Forum Melbourne, AUS 10.03.23 Astor Perth, AUS 10.10.23 The Belasco Theatre Los Angeles, CA 10.11.23 August Hall San Francisco, CA 10.12.23 Wonder Ballroom Portland, OR 10.14.23 McPherson Playhouse Victoria, BC 10.15.23 Commodore Ballroom Vancouver, BC 10.27.23 The Orange Peel Asheville, NC 10.28.23 The Underground Charlotte, NC 10.29.23 The Fillmore Washington, DC 10.30.23 Roxian Theatre Pittsburgh, PA 11.01.23 The Fillmore Philadelphia, PA 11.04.23 Adler Hall New York, NY 11.05.23 The Wilbur Boston, MA 11.24.23 Varsity Theater Minneapolis, MN 11.25.23 Park West Chicago, IL 11.26.23 Saint Andrew’s Hall Detroit, MI 11.30.23 Danforth Music Hall Toronto, ON

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Noah Reid has earned a permanent place in the music industry as a result of his powerful vocals and honest delivery. Evident on his debut album Songs from a Broken Chair (2016), sophomore album Gemini (2020) and his highly-anticipated third album Adjustments (2022), which collectively have garnered over 180 million streams, two nominations at the 2022 Canadian Folk Music Awards in the ‘Songwriter of the Year’ and ‘New/Emerging Artist of the Year’ categories and landed Noah on four Billboard charts. Reid’s songwriting style is reminiscent of singer-songwriters of the seventies but with a contemporary twist, resulting in a signature polished, albeit slightly rusted over, tone. As an actor, Reid is best known for playing ‘Patrick’ in the Emmy-winning comedy series Schitt’s Creek, for which he won a Screen Actors Guild Award, along with the cast, for ‘Best Ensemble.’ In 2022 he was seen in Brian Watkins’ Amazon series Outer Range opposite Josh Brolin, Imogen Poots and Lewis Pullman and wrapped up his Broadway debut as the lead of Tracy Letts’ Tony-nominated play The Minutes, which received rave reviews. On his third album Adjustments, singer-songwriter Noah Reid documents the kind of minor schisms and major upheavals that leave our lives forever altered. Endlessly revealing the nuance and character of his voice, the Toronto-bred artist imbues his incisive storytelling with a potent expression of unease and frustration and ineffable wonder—an emotional complexity perfectly echoed in the album’s elegantly orchestrated yet unpredictable form of alt-rock. At a time when turmoil feels strangely commonplace, Adjustments ultimately allows for a moment of quiet transcendence within the chaos, wholly transforming the very texture of our experience. “I wrote this album during a transitional period where a lot of tectonic shifts were taking place in my life,” says Reid, also an accomplished actor known for his role as Patrick on the award-winning series Schitt’s Creek. “I was getting married, Schitt’s Creek was coming to an end, the pandemic was beginning—some of the changes were more internal and others were more at the societal level, but they all involved a shift in my thinking about the world around me.” 

Recorded live at Toronto’s Union Sound Company and produced by Juno Award nominee Matthew Barber (who also helmed Reid’s 2016 debut album Songs from a Broken Chair and its 2020 follow-up Gemini), Adjustments came to life over a series of sessions with musicians like guitarist Christine Bougie (Bahamas, Amy Millan), drummer Joshua Van Tassel (Great Lake Swimmers, Amelia Curran), and trumpet player Bryden Baird (Feist, Ron Sexsmith). On the album-opening lead single “Everyday,” Reid offers a sublime introduction to the expansive sonic world of Adjustments, sharply contrasting the song’s heavy-hearted mood with bright guitar tones and effervescent melodies. “I wrote that song in the early days of the pandemic, when I’d look out the window at this park that’s usually full of kids and families but now was totally desolate,” says Reid. “It came from a feeling of being forced into a sort of loneliness, and not really knowing what to do about that.” With its ethereal textures and swooning steel guitar, the piano-driven “Left Behind” speaks to the bittersweet freedom of living life at your own unhurried pace. Meanwhile, on “Rivers Underground,” Reid presents a gorgeously tender meditation on love and luck and risk, amplifying the track’s intensity with a luminous string arrangement courtesy of Drew Jurecka (a Grammy-nominated composer who’s worked with Buffy Sainte-Marie and The Weather Station). “My wife Clare and I have talked at various points about how easy it would’ve been for us not to find our way to each other,” says Reid. “Writing that song, I was thinking about how Toronto’s built on all these underground creeks and rivers, and how that’s a good metaphor for the strangeness of human connection—these waters trying to find their way out to the lake, flowing together or ending up apart.” One of the most galvanizing moments on Adjustments, “Statue’s in the Stone” begins as a weary lament for the state of the human heart (“We treat it like it’s all infinite/And we throw it all away”), then unfolds into a soul-stirring anthem lit up in lush harmonies and incandescent horns. “We live in a very judgmental time, where social media really highlights this urge to tear each other down,” says Reid. “But I think if we looked inside ourselves with any kind of honesty, we’d realize that what we need is within us, and we’d be able to lead with a little more love and kindness.” Several songs later, Adjustments closes out with the thrilling catharsis of “Everything’s Fine”: an eight-minute epic that reaches an ecstatic frenzy at its gloriously sprawling, guitar-drenched bridge. “Over the past few years it seems like we’re simultaneously being told everything’s fine and absolutely nothing is fine, and it can be so hard to tell what’s real,” says Reid. “That song came from the confusion of that, and in the studio we decided to just to let the band rip and completely burn the house down.” A longtime musician who began composing melodies on piano as a child and later developed his songcraft while studying at the National Theatre School of Canada, Reid infuses all of Adjustments with the clarifying directness of a close conversation—yet unfailingly demonstrates a poet’s ability to draw immense meaning from the most granular details. As a result, the album abounds with warmly delivered wisdom—an element that’s illuminating for both audience and artist alike. “Sometimes a line will jump out of my mouth when I’m out on a walk or driving or alone in my house playing piano or guitar, and I’ll just to try to follow that line wherever it takes me,” says Reid in discussing his creative process. “I often don’t really understand what I’m saying as I’m saying it, but then I’ll listen back later on and go, ‘Oh, okay—that was useful.’ This record has definitely done that for me, and I hope it will keep on talking to me over time.” 

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Noah Reid Announces Worldwide “Everything’s Fine” Tour

Singer-songwriter and actor Noah Reid is excited to announce the “Everything’s Fine” tour, the first batch of worldwide concert dates in Noah’s career.

Since singer-songwriter and actor Noah Reid ’s sold-out North American tour was disrupted due to Covid-19, he is excited to announce the “Everything’s Fine” tour, the first batch of worldwide concert dates in Noah’s career. Reid will perform this fall, taking to stages in North America, Europe and Australia from September through November. Tickets will be available at noahreid.com .

Noah Reid has earned a permanent place in the music industry as a result of his powerful vocals and honest delivery. Evident on his debut album Songs from a Broken Chair (2016), sophomore album Gemini (2020) and his highly-anticipated third album Adjustments (2022), which collectively have garnered over 180 million streams, two nominations at the 2022 Canadian Folk Music Awards in the ‘Songwriter of the Year’ and ‘New/Emerging Artist of the Year,’ categories and landed Noah on four Billboard charts. Reid’s songwriting style is reminiscent of singer-songwriters of the seventies but with a contemporary twist, resulting in a signature polished, albeit slightly rusted over, tone.

As an actor, Reid is best known for playing ‘Patrick’ in the Emmy-winning comedy series Schitt’s Creek , for which he won a Screen Actors Guild Award, along with the cast, for ‘Best Ensemble.’ In 2022 he was seen in Brian Watkins ’ Amazon series Outer Range opposite Josh Brolin , Imogen Poots and Lewis Pullman and wrapped up his Broadway debut as the lead of Tracy Letts ’ Tony-nominated play The Minutes , which received rave reviews.

Noah Reid “Everything’s Fine Tour” poster

The “Everything’s Fine” Tour Dates:

09.15.23 – The Academy – Dublin, IE 09.16.23 – The Limelight – Belfast, IE 09.18.23 – The Caves – Edinburgh, UK 09.19.23 – Gorilla – Manchester, UK 09.20.23 – Islington Assembly Hall – London, UK 09.22.23 – Melkweg – Amsterdam, NL 09.29.23 – The Enmore – Sydney, AUS 09.30.23 – Eatons Hill – Brisbane, AUS 10.02.23 – Forum – Melbourne, AUS 10.03.23 – Astor – Perth, AUS 10.10.23 – The Belasco Theatre – Los Angeles, CA 10.11.23 – August Hall – San Francisco, CA 10.12.23 – Wonder Ballroom – Portland, OR 10.14.23 – McPherson Playhouse – Victoria, BC 10.15.23 – Commodore Ballroom – Vancouver, BC 10.27.23 – The Orange Peel – Asheville, NC 10.28.23 – The Underground – Charlotte, NC 10.29.23 – The Fillmore – Washington, DC 10.30.23 – Roxian Theatre – Pittsburgh, PA 11.01.23 – The Fillmore – Philadelphia, PA 11.04.23 – Adler Hall – New York, NY 11.05.23 – The Wilbur – Boston, MA 11.24.23 – Varsity Theater – Minneapolis, MN 11.25.23 – Park West – Chicago, IL 11.26.23 – Saint Andrew’s Hall – Detroit, MI 11.30.23 – Danforth Music Hall – Toronto, ON

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• November 18, 2022 Setlist

Noah Reid Setlist at Danforth Music Hall, Toronto, ON, Canada

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• Everyday Play Video
• Left Behind Play Video
• Rivers Underground Play Video
• Underwater Play Video
• Honesty Play Video
• False Alarms Play Video
• Statue's in the Stone Play Video
• Apollo ( interrupted due to illness of an audience member ) Play Video
• Jacob's Dream Play Video
• Michigan Play Video
• Got You Play Video
• American Roads Play Video
• Neverending December Play Video
• Another Fuckin Condo ( dedicated to Doug Ford ) Play Video
• Minneapolis ( with Freebird snippet intro ) Play Video
• Everything's Fine Play Video
• Runaway Play Video
• A Case of You ( Joni Mitchell  cover) Play Video
• The Best ( Bonnie Tyler  cover) Play Video

Edits and Comments

6 activities (last edit by saby , 3 Dec 2022, 07:53 Etc/UTC )

Songs on Albums

• Another Fuckin Condo
• Everything's Fine
• Left Behind
• Minneapolis
• Rivers Underground
• Statue's in the Stone
• American Roads
• Jacob's Dream
• Neverending December
• False Alarms
• A Case of You by Joni Mitchell
• The Best by Bonnie Tyler

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• Mar 10 2020 Park West Chicago, IL, USA Add time Add time
• Jul 18 2022 Private Venue Scarborough, ON, Canada Add time Add time
• Nov 18 2022 Danforth Music Hall This Setlist Toronto, ON, Canada Add time Add time
• Sep 08 2023 Meaford Hall Meaford, ON, Canada Add time Add time
• Sep 14 2023 Whelan's Dublin, Ireland Add time Add time

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‘Adjustments’: Noah Reid Opens Up About His Intimate, Epic, & Stirring Third Album

Schitt’s Creek star and singer/songwriter Noah Reid discusses the intimate emotions and intent behind his newly released third album ‘Adjustments’, a stunning record that moves with a quiet intensity, unbridled passion, and heart-on-sleeve sincerity.

Stream: ‘adjustments’ – noah reid.

H e is best known for his role portraying Patrick Brewer in the Emmy Award winning show, Schitt’s Creek , but it won’t take long until people come to know Noah Reid the singer/songwriter as well as they know Noah Reid the actor.

Hailing from Toronto, Reid has been a musician for as long as he’s been in acting – which dates back to the late ’90s, when he landed the role of voicing everyone’s favorite turtle, Franklin, at the age of 10. For a long time, songwriting was Reid’s private passion – an unconscious form of self-therapy he had all to himself, and one that helped him navigate the throes of a turbulent and fickle acting world. “I don’t know if I ever thought I would do music full-time,” he admits. “Like a lot of people in the entertainment industry, you’re not really sure what’s around the corner, and at some point, every actor, I think, has had the moment of, ‘ Am I gonna continue to do this? How much longer can I stay in here? ‘”

Fortunately for Reid, around every corner of doubt has been a great opportunity.

He was hired to join the cast of Schitt’s Creek  in 2016, shortly after which he independently released his debut album, Songs From a Broken Chair . He was regular on the series by late 2017, and continued with the show through to its finale in 2020 while also appearing in multiple independent films and stage productions around Toronto. By the time he released his sophomore album Gemini  in mid-2020, Reid knew he wanted to maintain a foot in both music and acting.

“For me, really it’s the two things at once,” he says. “That was a big motivator in the naming my second album, Gemini , that really doing two things at once has become a big part of my identity in my creative life force; that it’s not one or the other – it’s both. That is how this creative life has unveiled itself to me, and I’m grateful for that. I think that when one thing is not going, then the other thing has an opportunity to take over, and that ability to not be standing on one leg has been beneficial for me.”

Noah Reid’s third album solidifies him as a standout singer/songwriter with a captivating voice and an intimate, moving artistic perspective.

Independently released June 24, 2022, Adjustments   is a soul-stirring record of inner reckoning and reflection. Working with longtime collaborator and producer Matt Barber, Reid  takes listeners on a rousing eight-track journey deep into the heart of his inner sanctum: His songs range from heartfelt outpourings of love, to introspective moments of uncertainty and doubt, to ruminations on greater societal issues like inequality, racism, and privilege, to unpacking the disconnect, listlessness, and loss of purpose we all felt toward the beginning of the COVID-19 pandemic.

“I think music really helped me to process what was going on,” Reid shares. “A lot of the social and racial unrest and some of the protests in the streets, and the feeling of disconnected-ness and the horrible shit-show of American politics and racial injustice. It was quite a heavy time. I think that for me what that illustrated was that this time we’re living in is really, it’s a challenge, it’s a daily challenge to get through. And the bright spots are incredibly bright because of that, in contrast to the darkness – and the darkness is everywhere, it’s inescapable. It feels like some days it’s all that there’s gonna be. And then occasionally a cloud shifts and you just get an incredible beam of sunlight. I feel like that’s kind of what I hoped that the band would do to these songs, and each one of these musicians brought so much to it in our brief time in the studio that just allowed for that textural landscape to move through all of those psychological and emotional spaces that we’ve all been inhabiting within ourselves in our condensed communities.”

Adjustments came about during a period of considerable transition in Reid’s own life.

Schitt’s Creek was coming to an end, he was in the process of planning a wedding, and atop all that, the world had come to an eerie standstill. This manifests in a kind of musical darkness that is at times hard to shake. Adjustments moves with a quiet turmoil, a kind of tender turbulence that’s always threatening to spill over into something more volatile and explosive. All of this, as Reid honestly, candidly wonders, “ What’s a way forward? What’s an adjustment that I can make? How can I shift myself and my art form, and my community, my people, my family, my fans? Whatever it is, how do we move forward in a meaningful way? “

Highlights on Adjustments range from the candid, dreamy folk song “Everyday” and the brooding, deeply introspective “Michigan,” to the smoldering and cinematic finale “Everything’s Fine” (listen through to the end for an absolutely searing guitar solo, courtesy of Matt Bailey) and the epic and aching power-ballad, “Rivers Underground” – previously named one of Atwood Magazine ‘s Editor’s Picks . A heated, elegant and emotional song, “Rivers Underground” showcases the best of Reid’s talents as a vocalist and songwriter: He seems to hold everything back while giving it his all in an uncompromising expression of the intensity, the purity, and the fullness of his love for his wife:

If I don’t love you now Then I might never love you There’s rivers underground Goin’ nowhere Goin’ somewhere

And if i didn’t look around i might have never found you and this game of lost and found is goin’ somewhere or it’s goin’ nowhere.

“Rivers Underground” is seismic in scope and graceful in nature, with great string swells, emphatic piano chords, and gentle guitar licks ebbing and flowing with nuance and tremendous emotion as Reid expresses sheer wonder and amazement at the miracle of love, and the beauty of finding someone who loves you just as much as you love them in this frenzied, chaotic, and endlessly turbulent world. He sings his heart out, rising high and falling low with great care.

“Leading up to my wedding, I was really reflecting on my relationship with my wife, who is just totally my rock, my entire world, and how easy it would have been for us to miss each other and not be at the stage that we’re at. It just felt like this powerful pull that people find each other and flow together for a while,” Reid explains. “That felt like there’s a choice and there’s an inevitability to love, and that confluence just felt like it was incredibly meaningful during that time.”

So if I don’t love you now Then I’ll lose you forever I’m just workin’ my way down Just flowin’ over And fallin’ over

So let me take your hand and i won’t pull you under and one day you’ll understand so just let me take your hand i promise not to pull you under and one day you’ll understand how much i love you and is it any wonder is it any wonder….

Over six and a half minutes, Noah Reid treats listeners to a truly dazzling display of affection, devotion, and connection. “Rivers Underground” feels timeless in itself, and yet it is just one of Adjustments ‘ eight wondrous songs: A mere snapshot of the sheer intensity, bold sonics, and visceral, vulnerable feelings that went into the making of this album.

Atwood Magazine recently caught up with Noah Reid to discuss the inspirations, influences, and emotions behind Adjustments .

Dive into the deep, sometimes dark, and always stirring depths of this beautiful and breathtaking album in our interview below, and find out why we think Noah Reid the singer/songwriter deserves as much attention as Noah Reid the actor – and why ultimately, the two are one and the same.

:: stream/purchase Noah Reid here ::

A conversation with noah reid.

Noah Reid : Nice! [ laughs ] That’s pretty good. It’s a solid throwback.

Noah Reid : Thank you, it’s great. These songs, I’ve lived with these songs for many years now. Probably the earliest written song I probably wrote around the time or the end maybe in 2019, so I’ve been hanging around with these songs for a while and it’s nice, the prospect of sharing them is just very exciting. Of course, you make these songs about yourself from a reflection of your own experience, but the best thing to do with them is give them away and let people have their own experience with them. I’m really proud of this record; I think this is my favorite of the three that I’ve had the opportunity to make with Matt Barber, and just really, really proud of the band that we assembled. And some of the sounds and the songs themselves, I think they’re probably some of my favorite tunes that I’ve written, so it feels like a good collection.

Noah Reid : For a long time, music just found the time for me and found the cracks in my acting life and what I would have called my professional life – there was a long time where those cracks were a lot bigger, and I relied pretty heavily on music and writing songs to get me through some of that stuff. Certainly the acting world presents you with lots of challenges, and so music was a way for me to process that in a lot of cases, and now it’s interesting. As those gaps get a little tighter, it’s harder to find moments to sit down and write things, moments to have that reflective time. That’s the time that I love to write songs is when I’m like, “Okay, I have a few hours here, let me just… ” And I have the place to myself, let me just start playing and see what happens. I don’t know how that will change as my career moves forward, certainly, as my wife and I are expecting our first child, so that’ll definitely change…

Noah Reid : Thanks. That’ll change the landscape quite a bit, I would imagine. But music has always been such a huge part of my life, and it will always be in whatever way, it’s clear that it will find its way into my world.

Noah Reid : I don’t know if I ever thought I would do music full-time. I wasn’t sure, like a lot of people in the entertainment industry, you’re not really sure what’s around the corner, and at some point, every actor, I think, has had the moment of, “Am I gonna continue to do this? How much longer can I stay in here?” And for me, I’ve been lucky that right around every corner of doubt has been a great opportunity. But I think for me, really it’s the two things at once, and that was a big motivator in the naming my second album, Gemini , that really doing two things at once has become a big part of my identity in my creative life force, that it’s not one or the other, it’s both. And that is how this creative life has unveiled itself to me, and I’m grateful for that. I think that when one thing is not going, then the other thing has an opportunity to take over, and that ability to not be standing on one leg has been beneficial for me.

Noah Reid : No, I didn’t know until I read that episode. But in between season three and four, I released Songs from a Broken Chair , and I remember at my release show, Dan Levy came and I could see him with his spectacled silhouette standing at the back of the room at the Burdock in Toronto, and that meant a lot, having his support as a friend and as a colleague. And little did I know he was gonna use that against me or for me, in the form of this… [ laughter ]

I think he recognized the opportunity there and also chose a brilliant song that could be so meaningful in that relationship. And he’s a lover of music and a really brilliant creative mind and soul, and it’s not, probably not a song I would have covered on my own. And he also gave me the license to play around with it in my own way, which I really appreciated it. It takes an artist to let another artist do that sometimes and… Yeah, it was very, very meaningful and obviously created a bit of a pathway for me to introduce my music to a lot of people who wouldn’t have probably found it otherwise.

Noah Reid : Well, I think we’ve all probably changed a lot in the last couple of years, and sometimes in ways that we’re not super comfortable with. But the challenge of the last two years and the big turn that none of us knew we were heading for, being COVID, obviously, and then some of the reflections, that period of isolation and removal of all of our things that we took for granted, the togetherness… The life as we knew it just disappeared, so we all had to make a lot of adjustments. We recorded this album in the middle of that, at the end of 2020. I knew I was going to New Mexico to shoot a television show for seven months, and I felt like that was… I had eight songs and they felt like a group, and I just wanted to get into the studio before I left.

And the word adjustments just keeps coming up in the creative space. It’s all about when you’re in the studio, you’re tweaking things… There’s a hopefulness to the word. It’s not that everything needs to be thrown out and redone, it’s that it just needs some shifting, some sanding down, some owning. I fell in love with that notion and it felt like an undercurrent for all of the songs, no matter what they’re about in their own little container, they all feel like they fit into this container of adjustments. I think that’s probably true of the people who will be listening to these songs, too.

Noah Reid : Yeah, you’re hitting some big ones there. The pandemic was the space where my professional landscape was changing a lot with Schitt’s Creek coming to an end and not really knowing what was coming up after that. Going on my first tour as a musician and having that end abruptly eight shows in. And really heading home to what a lot of people did was like, “Who knows what’s happening and how long this is gonna go for?” But it was a definite adjustment, playing sold out shows and then being at home watching Netflix. It just was… That was a tough pill to swallow.

And then planning a wedding that we thought we were gonna have all of our favorite people at and then deciding we were gonna day by day going, “Are we still gonna do this and how, and what would it look like, and how can we be safe?” There were so many moments of this. I think music really helped me to process what was going on – a lot of the social and racial unrest and some of the protests in the streets, and the feeling of disconnected-ness and the horrible shit-show of American politics and racial injustice. It was quite a heavy time. I think that for me what that illustrated was that this time we’re living in is really, it’s a challenge, it’s a daily challenge to get through. And the bright spots are incredibly bright because of that in contrast to the darkness and the darkness is everywhere, it’s inescapable. [ chuckle ]

It feels like some days it’s all that there’s gonna be. And then occasionally a cloud shifts and you just get an incredible beam of sunlight. So I feel like that’s kind of what I hoped that the band would do to these songs, and each one of these musicians brought so much to it in our brief time in the studio that just allowed for that textural landscape to move through all of those psychological and emotional spaces that we’ve all been inhabiting within ourselves in our condensed communities.

There are songs, like “Michigan” to me is one that just is like the story of a day, and it was just a pivotal day in that time period where I was driving to my sister’s place in Michigan to help her pack up and move back to Canada. And some of the thoughts and the things that were happening in the world around us at that time and just really trying to honestly reflect on, “ What’s a way forward? What’s an adjustment that I can make? How can I shift myself and my art form, and my community, my people, my family, my fans? Whatever it is, how do we move forward in a meaningful way? “

Noah Reid : Well, Matt Barber’s been a friend for a long time, and we’ve now made three records together and I think every time that we approach a new record, we think about what element of the process do we want to expand, then how do we wanna approach it differently, sonically and I think that every time that we’ve gotten into the studio, things have just gotten a little stranger, a little more… The scope broadens in an interesting way, I think. Songs From a Broken Chair we did that record in two days, everything live off the floor, and it was pretty like… There was a kind of a… An of the moment… I don’t know how even to describe it, but it felt like it wasn’t mega produced by any stretch. And with Gemini I know we wanted to expand that, go for some lusher sounds, and we did 17 songs and pared it down to, I think, the 12 that are on the record.

And with Adjustments , there were eight songs. Some of them were longer, some of them felt bigger. I’m thinking of “Rivers Underground” and “Statue’s in the Stone” that I know we wanted to have these kind of… There’s a kind of a build and an epicness to the heights of the emotional landscape. And there’s some much sort of quieter, moodier, vibier stuff in the what we call the M songs, the “Michigan” and the “Minneapolis”. Those songs feel a little bit more quiet and intense and the instrumentation… In “Minneapolis”, there’s a reference to Bob Dylan and Tom Waits, which are two of my pillars of musical genius, and for Matt as well. We talk endlessly about Dylan and Time Out of Mind , which is a record that we both really love and that kind of… Some of the percussive stuff that happened there, the overdubbing some kind of drums that are way back in the distance is sort of a second pass of the kit for our drummer, Josh Van Tassel.

Bringing in some new sounds, bringing in Christine Bougie on the guitar and Josh Van Tassel and Devin Henderson as a rhythm unit, along with my longtime collaborators, Matthew Bailey and Adrian Cook, that felt like a band that really just had this really great blend of familiarity and newness that I think reflected the themes of the record really well. And having two guitars, having Christine and Matt Bailey playing off of each other was brilliant.

But to get back to Matt Barber, I think that he always, he just hears the song really clean in his first hear. In his first lesson of the iPhone demo that I send him of it, he just has an immediate sense of how to fill that out. And also, he’s got a light touch in the studio. He lets the band find it and then he’ll come in with a thought for the drums or a thought of like, “Maybe we take the seven off of that quarter or… ” And he’s a brilliant songwriter and vocalist himself, so he really understands the process of writing a song and delivering it. He’s been a great coach for me in terms of being in the booth and thinking… We joke because he’s so zen-like. He’ll just be like, “Yeah, that was great. I think maybe we do one more and then, who knows? Maybe then we take a break.” It’s just the softest touch, but you know that he’s not gonna let it go without it being right, and you know that when he thinks it’s right, you can trust that.

And up on stage we talked in circles Every night’s about the same But there’s nowhere else that I hear cheering When someone says my name

And we climbed into a private jet to take us out of town and i thought we might not make it as the snow was coming down, – “ minneapolis ,” noah reid.

Noah Reid : Well, I don’t know if Time Out of Mind is a good reference. There’s a song on that record called “Hearts in the Highlands” or maybe it’s just “Highlands,” I can’t remember, what it’s like 12 minutes. I don’t know, I think the way that we listen to music now is… We don’t rely on the radio quite as much as we used to and those sort of three and a half minute or two and a half minute songs just… I’ve always been one for a longer song. I feel like often when I start exploring a song, it will take me to exactly as you say, you let the song guide you and see you shepherded a little bit. You sand it down here and there, but it feels like the longer ones just had to be that way. I think particularly with “Rivers” and “Statue’s,” those songs just had a real beginning, middle, and end kind of three-act structure to ’em.

Noah Reid : Thanks man. Matt and I are both love listening to records, and putting a record on and listening to it and flipping it over. There’s a ritual to it, there’s a feeling to it, there’s a warmth to it, there’s a nostalgia to it. It’s how I most enjoy listening to music. And I probably think a little bit too much about the side A and the side B when I’m on the record. But that’s how I love to consume it. And there’s always gonna be playlists, there’s always gonna be singles. When it comes to singles, I’m an independent: I don’t have a label, so I just go, “Okay, well, maybe this song, I don’t know it felt…” I want people to listen to this song.

We didn’t release “Left Behind” as a single and probably we should have, but I wanted to put “Minneapolis” out there in a space that it wouldn’t probably usually get that single release run, and same with “Statue’s in the Stone” just based on the length. So I don’t know, everything’s fine. We did a radio edit of it and I have no time for the radio edit because to me, the whole record builds to this like, burn it down guitar solo that Matt Bailey just threw down on right before he left the studio. And hearing that then just kind of get cooking for about 5 minutes, I just sat in the booth and just watched it happen. It was just so incredible.

Noah Reid : I think this was probably the first song that I thought, “Okay, we’ve got… ” This is maybe the second song that I’d written on this group of songs. “Minneapolis” came first, but once I had “Everyday” too, I thought, “ Okay, well, this is the best I can explain the feeling of the early days of the pandemic .” And little did I know that would stretch.. We’re in year three now. It just felt to me, there was something kind of honest and cheeky about it, and a little bit empty and a little bit hopeful, that felt like the tone of the record that I wanted to set; it sounds different than the other songs on the record, I think. But it felt to me like kind of an Everly Brothers take on a Wilco song or something kind of shiny and dusty all at the same time. I wrote it in my basement at three in the morning and it was like, “Well, okay, I guess this is what I’m gonna do for this pandemic. I’m gonna make a record.”

Noah Reid : Yeah, I think that’s right. It’s the first sentence of the novel that you wanna set the table with a little bit. And yeah, I felt like it’s rare to me that I write a song that is as concise in a way as that tune is. It felt like radio to me. It felt like, the kind of the cleanest I could say it in the fewest possible words, and it’s still true, it’s still changing everyday we’re on… I’m on Broadway and it’s like, the rules are changing, we’re testing every 48 hours. It’s like, “Okay, well, I’m listening to the radio here and mask mandates are coming back, they’re not coming back, like it’s very hard to keep up with.” It’s hard to care about, but it’s important.

Noah Reid : Well, I wrote this one over a long period of time. Leading up to my wedding, I was really reflecting on my relationship with my wife, who is just totally my rock, my entire world, and how easy it would have been for us to miss each other and not be at the stage that we’re at. And Toronto, is a city that’s built on all of these rivers that have been buried, rivers and creeks that got buried because it was more convenient to put roads over top of them, and there are all these sort of underground creeks that are running underneath the city that we live in and that we met in and that we’re both from, and it just felt like this powerful pull that people find each other and flow together for a while that felt like there’s a choice and there’s an inevitability to love and that confluence just felt like it was incredibly meaningful during that time.

And if you don’t leave me now Then you might stay forever Oh I know it’s hard to figure out If you belong here If we belong here

But if you lay on the ground then i’ll lay down beside you and we don’t have to talk about we’re goin’ somewhere or goin’ nowhere.

Noah Reid : How does anybody? It’s a difficult thing to be alive, and I think part of how to filter experience and privilege is acknowledging it and trying to understand things from a different perspective, and I think that’s maybe easiest done, reflecting on your own experience saying, “ Okay, well, what are my set of given circumstances? “

When I’m playing a character, I have to understand what foundation that character is built on, and so in these songs, I’m the character and I probably have to do a little more work on understanding where I’m coming from and the questions that I have… In that “Michigan” song, listening to Kendrick Lamar while driving on the interstate on the way into Detroit and literally seeing just bodies of deer that have been there for, I don’t know how long.

Just feeling that that was this cultural metaphor for the way that we treat our natural world, the way that specifically white settler culture has cut a path with little regard for anything else, it’s hard to contend with, but I think it’s important: That was part of the lesson of that. Some of the unrest in the pandemic was looking in the mirror and going, “Okay, how do I contribute to this? What can I be doing differently? How can I at the very least acknowledge that I’m a part of it?”

Noah Reid : Well, one close to my heart that I really enjoyed, but I didn’t know that it was gonna make it to the record, but I love the recording of so much is “Another Fuckin Condo,” which is just a really Toronto tune. I imagine that the condos don’t just happen in Toronto, but boy, they really do seem to pop up overnight. I went home last weekend, I hadn’t been in Toronto several weeks, maybe a month, and on the streets that I had known very well, there were maybe three new condos on this one strip, I was like, “ Oh my God, it’s just insane in the way that we knock down buildings, in the way that we knock down natural world or cultures that stand in our way. For whatever reason, it’s easier to tear it down than it is to fix things ,” so I don’t know, that one has a little sort of a wink and a nod and a bit of a challenge to the City of Toronto to stand up and protect some of these beautiful old brick buildings that we’re so keen to get rid of for whatever reason.

I pledge allegiance to this city I was born in That’s the one that’s being torn down Twisted, mangled every morning By these pocket-padding assholes Who will never understand this place They’re dealing crooked hands and That’s the river that we stand in and

Another f-in bylaw just got passed another staple of community is headed for the blast and it’s another sign they don’t want us around i swear to god they’re trying to kill this town.

Noah Reid : I hope people listen to it front to back. That’s always the hope for me with a record, it’s like put it on, sit with it. Put it on for a long drive, or sing along to it, learn the words. Think about them; I think that’s how I love to listen to music. And people, I’ve been so, amazed and blessed with the people that have found my music, and it’s a lot of great feedback from people saying, “ This song has really helped me through this time .” That was part of the beauty of putting the record out during the early stages of the pandemic, when I put out Gemini , and now I hope that this one can reflect on that and move through to the next challenges ahead of us.

Noah Reid : I don’t know; I think my newborn will have something to say about that.

Noah Reid : We’ll see, I would love to get out. I’m itching to play some shows and to get back on stage with the band, I think would just feel pretty incredible. I don’t know in what format that will happen, but yeah, it’ll be fun when it does, and hopefully people have gotten to sit with this record a little bit and so they’re excited to hear these songs live.

Noah Reid : It’s not enough.

Noah Reid : Thank you, man. Thank you very much.

Noah Reid : Oh, it’s incredible. There’s no substitute for live theater, and this play, I think is just so meaningful for the time that we’re living in and Tracy Letts is a national treasure and has written, I think just an incredibly brilliant play that somehow through some cosmic lottery, I get to be a part of. So I’m thrilled about it and yeah, I can do it for a long time.

Noah Reid : Oh yeah! I’ll stick with my Canadians, I love Leif Vollebekk and always enjoy a Bahamas record, and The Weather Station is doing some incredible stuff and my friends Clever Hopes and Ian Lake, other Matt Barber, producorial offerings. And they’re all so great.

Noah Reid : No worries man. That’s great, thank you, Mitch. This has been really fun!

Connect to Noah Reid on Facebook , Twitter , Instagram

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Noah Reid has earned a permanent place in the music industry as a result of his powerful vocals and honest delivery. Evident on his debut album Songs from a Broken Chair (2016) and sophomore album Gemini (2020), which collectively have garnered nearly 145 million streams, two nominations at the 2022 Canadian Folk Music Awards in the ‘Songwriter of the Year’ and ‘New/Emerging Artist of the Year’ categories and landed Noah on four Billboard charts. Reid’s songwriting style is reminiscent of singer-songwriters of the seventies but with a contemporary twist, resulting in a signature polished, albeit slightly rusted over, tone. Reid’s highly-anticipated, third record Adjustments was released on June 24, 2022.

As an actor, Reid is best known for playing ‘Patrick’ in the Emmy-winning comedy series Schitt’s Creek, for which he won a Screen Actors Guild Award, along with the cast, for ‘Best Ensemble.’ He can currently be seen in Brian Watkins’ Amazon series Outer Range opposite Josh Brolin, Imogen Poots and Lewis Pullman and on Broadway as the lead of Tracy Letts’ Tony-nominated play The Minutes.

On his third album Adjustments, singer-songwriter Noah Reid documents the kind of minor schisms and major upheavals that leave our lives forever altered. Endlessly revealing the nuance and character of his voice, the Toronto-bred artist imbues his incisive storytelling with a potent expression of unease and frustration and ineffable wonder—an emotional complexity perfectly echoed in the album’s elegantly orchestrated yet unpredictable form of alt-rock. At a time when turmoil feels strangely commonplace, Adjustments ultimately allows for a moment of quiet transcendence within the chaos, wholly transforming the very texture of our experience.

“I wrote this album during a transitional period where a lot of tectonic shifts were taking place in my life," says Reid, also an accomplished actor known for his role as Patrick on the award-winning series Schitt’s Creek. “I was getting married, Schitt’s Creek was coming to an end, the pandemic was beginning—some of the changes were more internal and others were more at the societal level, but they all involved a shift in my thinking about the world around me.”

Just posted a photo @ The Danforth Music Hall https://t.co/4DSAWmld6I

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