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Alexandre Tharaud

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Alexandre Tharaud

In a career spanning 25 years, Alexandre Tharaud has become a unique figure in the classical music world and a key exponent of French pianism. His extraordinary discography of over 25 solo albums, most of which received major awards from the music press, features repertoire ranging from Couperin,

In a career spanning 25 years, Alexandre Tharaud has become a unique figure in the classical music world and a key exponent of French pianism. His extraordinary discography of over 25 solo albums, most of which received major awards from the music press, features repertoire ranging from Couperin, Bach and Scarlatti, through Mozart, Beethoven, Schubert, Chopin, Brahms, and Rachmaninov to the major 20th century French composers. The breadth of his artistic endeavours is also reflected in collaborations with theatre makers, dancers, choreographers, writers and film makers, as well as with singer-songwriters and musicians outside the realm of classical music.

Alexandre is a sought-after soloist, appearing with many of the world’s leading orchestras: upcoming highlights include concerto performances with the Symphonieorchester des Bayerischen Rundfunks, Orchestre de Paris, Orchestre National de France, Nederlands Philharmonisch Orkest, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tokyo Metropolitan Symphony, São Paulo State Symphony Orchestra and the Cincinnati Symphony. Recent concerto engagements include the Royal Concertgebouworkest, Cleveland and Philadelphia Orchestras, London Philharmonic, and hr-Sinfonieorchester Frankfurt.

As a recitalist, Alexandre Tharaud is a regular guest at the world’s most prestigious venues. This and next season’s highlights include recitals at the Philharmonie de Paris, Wigmore Hall, Muziekgebouw Amsterdam, Frankfurt Alte Oper, Teatro Colon Buenos Aires, Sala Sao Paulo and extensive touring in Japan, China and Korea.

Alexandre is an exclusive recording artist of Erato Records. In November 2019, he will release his latest album, Versailles, which pays tribute to composers associated with the courts of the French kings Louis XIV, XV and XVI. Prior to this, in October 2018, he released an album featuring Beethoven’s three final sonatas. His discography reflects an eclectic affinity to many musical styles, with recent recordings including a tribute to singer-songwriter Barbara, a Brahms duo album with Jean-Guihen Queyras (a regular chamber music partner for 20 years), and Rachmaninov’s Piano Concerto No. 2. Over the course of his career he has made critically acclaimed recordings of Rameau, Scarlatti, Bach’s Goldberg Variations and Italian Concerto, Chopin’s 24 Preludes, and Ravel’s complete piano works.

In 2017, Alexandre published Montrez-moi vos mains , an introspective and engaging account of daily life as a pianist. He had previously co-authored Piano Intime , with journalist Nicolas Southon. He is the subject of a film directed by Swiss film maker Raphaëlle Aellig-Régnier: Alexandre Tharaud, Le Temps Dérobé , and appeared in the role of the pianist “Alexandre” in Michael Hanneke’s celebrated 2012 film Amour .

Alexander Tharaud & Friends - Four Hands

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Le Poète du Piano

Contemporary Concertos

Clair de Lune

Brahms: Cello Sonatas, Hungarian Dances

Tharaud plays Rachmaninov

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Alexandre Tharaud

About this artist.

His extraordinary discography of over 25 solo albums—most of which have received major awards from the music press—features repertoire ranging from Couperin, Bach, and Scarlatti through Mozart, Beethoven, Schubert, Chopin, Brahms, and Rachmaninoff to the major 20th-century French composers. The breadth of his artistic endeavors is also reflected in collaborations with theater makers, dancers, choreographers, writers, and film makers, as well as with singer-songwriters and musicians outside the realm of classical music.

Alexandre is a sought-after soloist, appearing with many of the world’s leading orchestras. Highlights include concerto performances with Orchestra dell’Accademia Nazionale di Santa Cecilia; National Symphony Orchestra, Taiwan; Orchestre National du Capitole de Toulouse; and Hong Kong Sinfonietta. Recent concerto engagements include Aurora Orchestra, Orchestre de Paris, Les Violons du Roy, São Paulo State Symphony, BBC National Orchestra of Wales, the Symphonieorchester des Bayerischen Rundfunks, Royal Concertgebouworkest, Cleveland and Philadelphia orchestras, Cincinnati Symphony, London Philharmonic, and hr-Sinfonieorchester Frankfurt.

As a recitalist, Tharaud is a regular guest at the world’s most prestigious venues, including the Paris Philharmonie, Wigmore Hall, Frankfurt Alte Oper, Bayreuth, Concertgebouw Amsterdam, Casa da Música Porto, Carnegie Hall’s Zankel Hall, and on extensive tours of Japan, China, and Korea. Alexandre continues his long collaboration with the cellist Jean-Guihen Queyras for an extensive European tour.

Following the critically acclaimed debut of Unstill Life , a collaboration with the choreographer Benjamin Millepied performed in Paris, Lyon, and Spoleto, Alexandre brings this production to Walt Disney Hall in Los Angeles. He also continues his collaboration with the singer Angélique Kidjo. This season, Alexandre is Artist in Residence at Muziekgebouw Amsterdam where, alongside recitals and chamber music, he brings a range of projects including an electronic project with the artist Para One, accompanying a silent film and a meditation on sleep entitled Dodo Tharaud .

Alexandre is an exclusive recording artist of Warner Classics. This season, the release of his highly anticipated recording of the two Ravel concertos with the Orchestre National de France and Louis Langree is timed to celebrate the composer’s birthday anniversary. October 2020 saw the release of Le Poète du Piano , gathering together some of Alexandre’s best-known recordings in one album. His discography reflects an eclectic affinity to many musical styles, with such recordings as Versailles , which pays tribute to composers associated with the courts of the French kings Louis XIV, XV and XVI; a tribute to singer-songwriter Barbara; a Brahms duo album with Jean-Guihen Queyras (a regular chamber music partner for some 20 years); and Rachmaninov’s Piano Concerto No. 2. Over the course of his career, he has made critically acclaimed recordings of Rameau, Scarlatti, Bach’s Goldberg Variations and Italian Concerto , Beethoven’s three final sonatas, Chopin’s 24 Preludes, and Ravel’s complete piano works.

In 2017, Alexandre published Montrez-moi vos mains , an introspective and engaging account of his daily life as a pianist. He had previously co-authored Piano Intime with journalist Nicolas Southon. He is the subject of a film directed by Swiss film maker Raphaëlle Aellig-Régnier: Alexandre Tharaud , Le Temps Dérobé , and he appeared in the role of the pianist “Alexandre” in Michael Hanneke’s celebrated 2012 film Amour .

In 2021, Alexandre won the Instrumental Soloist of the Year award at the Victoires de la Musique Classique.

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Esplanade Presents

• Alexandre Tharaud in Recital

28 Oct 2023, Sat, 7.30pm

(Intermission: 1 x 20mins)

Esplanade Concert Hall

This event is over.

RAMEAU  Suite en la (extraits) Allemande, Sarabande, Fanfarinette, Gavotte et six doubles 

DEBUSSY Prélude à l’après-midi d’un faune (transcription Alexandre Tharaud)  Six Préludes (Livre I) Danseuses de Delphes, Le Vent dans la plaine, Pas sur la neige, La Fille aux cheveux de lin, Ce qu’a vu le vent d’ouest, La Cathédrale engloutie, 

- intermission -

SATIE Gymnopédie n°1 Avant-dernières pensées La Diva de l’Empire  Gnossiennes n°1, 3 et 4 Je te veux (valse)

RAVEL À la manière de Chabrier Pavane pour une infante défunte La Valse (transcription Alexandre Tharaud)

In a career spanning 25 years, Alexandre Tharaud has become a unique figure in the classical music world and a key exponent of French Pianism.

His extraordinary discography of over 25 solo albums, most of which received major awards from the music press, features repertoire ranging from Couperin, Bach and Scarlatti, through Mozart, Beethoven, Schubert, Chopin, Brahms, and Rachmaninov to the major 20th century French composers. The breadth of his artistic endeavours is also reflected in collaborations with theatre makers, dancers, choreographers, writers and film makers, as well as with singer-songwriters and musicians outside the realm of classical music.

Alexandre is a sought-after soloist, appearing with many of the world’s leading orchestras: upcoming highlights include concerto performances with the Orchestre de Paris, Orchestre National de France, NAC Orchestra Ottawa, Les Violons du Roy, BBC Scottish Symphony, Beethoven Orchester Bonn, Zurich Kammerorchester, and the São Paulo State Symphony Orchestra. Recent concerto engagements include the Symphonieorchester des Bayerischen Rundfunks, Royal Concertgebouworkest, Cleveland and Philadelphia Orchestras, Cincinnati Symphony, London Philharmonic, hr-Sinfonieorchester Frankfurt, and Orchestra dell’Accademia Nazionale di Santa Cecilia.

As a recitalist, Alexandre Tharaud is a regular guest at the world’s most prestigious venues. This and next season’s highlights include recitals at the Philharmonie de Paris, King’s Place London, Frankfurt Alte Oper, Bayreuth, Concertgebouw Amsterdam, Casa da Música Porto, Zankel Hall and extensive touring in Japan, China and Korea.

Alexandre is an exclusive recording artist of Erato Records. His discography reflects an eclectic affinity to many musical styles, with recent recordings including  Versailles,  which pays tribute to composers associated with the courts of the French kings Louis XIV, XV and XVI, a tribute to singer-songwriter Barbara, a Brahms duo album with Jean-Guihen Queyras (a regular chamber music partner for 20 years), and Rachmaninov’s Piano Concerto No. 2. Over the course of his career he has made critically acclaimed recordings of Rameau, Scarlatti, Bach’s Goldberg Variations and Italian Concerto, Beethoven’s three final sonatas, Chopin’s 24 Preludes , and Ravel’s complete piano works.

In 2017, Alexandre published  Montrez-moi vos mains , an introspective and engaging account of daily life as a pianist. He had previously co-authored  Piano Intime , with journalist Nicolas Southon. He is the subject of a film directed by Swiss film maker Raphaëlle Aellig-Régnier:  Alexandre Tharaud, Le Temps Dérobé , and appeared in the role of the pianist Alexandre in Michael Hanneke’s celebrated 2012 film  Amour .

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28 Oct 2023, Sat

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Observe Alexandre Tharaud in this piano masterclass as he gives advice and instruction to 3 talented pianists.

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Friday 03 March 2023

Alexandre Tharaud

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90 York Way N1 9AG London, UK 020 7520 1490 www.kingsplace.co.uk/

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Doors open: 19:00

Alexandre Tharaud is a key exponent of French pianism and a unique figure in the classical music world. Here he makes his debut at Kings Place with a poetic sequence of Rameau, Ravel and Grieg.

French pianist Alexandre Tharaud is a highly sought-after soloist and collaborator, known for his eloquence, playfulness and sophistication. Over the course of his career he has made critically-acclaimed recordings of Rameau, Scarlatti, Bach, Chopin and, notably, Ravel’s complete piano works. In this programme he balances Rameau’s delightful Suite in F, with Ravel’s masterly Miroirs (Reflections) musical portraits of his fellow artists in ‘Les Apaches’ group, which includes the simmering ‘Alborado del gracioso’ and transcendent ‘La vallée des cloches’.

Tharaud also reveals his own creative gifts in this special evening with the UK premiere of his own dazzling work, Corpus volubilis.

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Review: Ravel – Piano Concertos – Alexandre Tharaud

Azusa ueno - october 26, 2023 april 23, 2024.

This new disc of the piano concertos brings Alexandre Tharaud’s Ravel journey full circle. Having recorded an album of the solo music for Harmonia Mundi 20 years ago, he now finds himself in the good company of others who have completed the cycle, including Jean-Efflam Bavouzet, Jean-Yves Thibaudet, and Louis Lortie.

Ravel – Piano Concertos de Falla – Noches en los jardines de España

Alexandre tharaud.

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A look at Tharaud’s discography shows a versatile and diversified artist: recent outputs reviewed by myself and my colleagues include Schubert Impromptus, French songs, and ‘theme’-type curations of French Baroque and cinema music. Across the board, I’ve noticed a signature suavity in his playing, a quality that would fit seamlessly in the dashing, jazzy, and universally loved G major concerto.

This G major concerto gives clear “off to the races” vibes (nearly 40 seconds shorter than the Zimerman/Boulez account) but this briskness aligns with the work’s naturally high energy. Serious kudos are in order for the trumpet’s fearless and perfectly articulated solo. The pianist’s stylishness is evident in sections like 0’41”: although he doesn’t have the bold swing that Thibaudet lends to his phrases in his performance with Charles Dutoit/Montréal, Tharaud brings out meaningful touches like unexpected secondary voicings. The quieter sections present a deliberate but interesting contrast between the slinky, jazzy orchestral material and the peppery staccatos from the piano. Though quirky, these provide rhythmic pushes forward. The high-octane moments are sure to excite: fitting brazenness and bite creates excitement, though I did think some of Tharaud’s accent placements were rather odd.

The long piano solo that opens the second movement (track 2) can be incredibly difficult to get right. Ravel doesn’t leave the pianist with a whole of textures to work with, so the performer must rely on phrasing, dynamics, and artistry to create something that, at its best, can be very moving. Tharaud contours the melodies beautifully, but again, some of the smaller rhythmic lilts feel unnatural and incongruous with the music. (I must say I prefer Zimerman’s version—while simple. elegant and smooth, it’s his tone quality that makes for a deeply personal account.) The return of the theme (6’15”) with the English horn is lovely. The wind player’s expressivity comes out through the sensitive changes in vibrato; Tharaud, too, shows excellent collaborative acumen as he matches his accompaniment seamlessly to melodic ebbs and flows.

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• Review: Ravel – Piano Concertos – Céderic Tiberghien, Les Siècles
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Ravel wrote the Concerto for the Left Hand as a commission from pianist Paul Witrengenstein, who lost his arm during WWI. The much darker undertones are apparent from the start in the lowest registers of the orchestra and austere contrabassoon solo. The performers indeed paint the picture of a barren, sinister landscape. Ravel’s mark as a master orchestrator comes through his vibrant use of instrumental colors with which the ensemble creates a dramatic and persuasive narrative.

By certain accounts, Wittengenstein mentions that Ravel himself used two hands to play certain portions of the concerti during a visit; such a necessity isn’t surprising given the technical ferocity of the work. Tharaud’s command is impressive throughout: a confident entrance shows a heady sound we hadn’t really heard in the G major. The more lyrical sections are just as good, with finely voiced chords that outline the jazz-influenced melody. Where the reference to the war is most programmatic is the Allegro (track 5): the martial horn blasts and marching rhythms are precise and unrelenting as are the pianist’s crisp chordal motifs.

Ravel does include some moments of respite, however; 1’46” is especially nice. Here, the pianist’s shimmering filigrees create a backdrop for the high winds, whose melodies wouldn’t be out of place in a ballet. The interchange of musical ideas between Tharaud and the Orchestre National de France under Louis Langrée is a constant delight in this reading (more than in the Concerto in G), helped by the detailed recording engineering.

Tempo I (track 6) has meteoric growth and a cinematic feel that fuels tension and anticipation. What’s ironic is that the arrival—an extended cadenza—is more quiet than anything. From the plethora of cascading arpeggios rises a finely-voiced melody. One should hardly complain given that the pianist is doing everything single-handed, but the only fault I perceived was that the dynamic levels are too consistent. Bavouzet’s performance really hits the mark in this regard with plenty of nuance and breathtaking shades of piano dynamics, all which evoke a welcome feeling of introspection.

Roger Nichols’ well-written liner notes highlight illuminating musical connections between the concerti and other compositions that inspired them. The sound engineering, however, could be better: on several occasions, I found either the soloist or orchestral overly favored.

While the G Major Concerto may not take the place of other reference points, I enjoyed the Left Hand very much for its dedicated and persuasive performance. With a refreshing addition of a vibrantly conceived version of de Falla’s ‘Noches en los jardines’, this is a solid showing from Tharaud, Langree, and the French National Orchestra. Gladly recommended.

Ravel – Piano Concertos de Falla – Noches en los jardines de España Alexandre Tharaud Orchestre National de France Louis Langrée – Conductor

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Editor's Choice, April 2024

Dodo Tharaud

Distribution.

A nocturnal music session enjoyed lying down in darkness, lending itself to relaxation and meditation. Alexandre Tharaud and his guests transport the audience to the brink of dreams. 

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Alexandre Tharaud

Alexandre Tharaud

An outstanding soloist and fine chamber musician who devotes much of his time to French music. His recordings have won him many awards and he has more...

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HKS Recital Series:

Alexandre tharaud piano recital.

In a career spanning 25 years, French pianist Alexandre Tharaud has become a unique figure in the classical music world and a key exponent of French pianism. As a recitalist, he is a regular guest at the world’s most prestigious venues. His extraordinary discography of over 25 solo albums, most of which received major awards from the music press, features repertoire ranging from Couperin, Bach and Scarlatti, through Mozart, Beethoven, Schubert, Chopin, Brahms and Rachmaninov, to the major 20 th -century French composers as well as film and pop music.

In this recital, Tharaud will be playing a beautiful all-French programme, opening with a sparkling suite by the monumental French Baroque composer Rameau, before plunging into a celebration of the heights of French Romanticism with the beloved works of Debussy, Satie and Ravel.

Alexandre Tharaud (Piano)

“Aristocrat of the keyboard. Cool, supple and elegant…a fine union of sense and sensibility.” Gramophone

“Tharaud brings the slightest nuances to light with a scintillating tone.” The Classic Review

“Supremely beautiful.” Bachtrack

“Tharaud’s combination of formidable technique with pianistic finesse helped make this a dynamic affair.” The Guardian

• Victoires de la Musique Classique “Soliste Instrumental” of Year 2021
• Has performed with Orchestre de Paris, Orchestre National de France, Bavarian Radio Symphony Orchestra, Royal Concertgebouw Orchestra, London Philharmonic, Cleveland and Philadelphia Orchestras, etc
• Winner of Diapason d’Or de l’Année and CHOC du Monde de la Musique

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2 November 2023 (Thursday) 8pm

HK City Hall Concert Hall

$420, $280, $160

Tickets NOW available at all URBTIX outlets and popticket.hk Credit Card Booking: 3166 1288 Ticketing Enquiries: 3166 1100 URBTIX Internet Ticketing Service: www.URBTIX.hk POPTICKET Online Bookings :  www.popticket.hk (No service charge, the best available seat will be assigned by the organiser)

Ticketing Information:

20% discount for purchasing standard tickets to this concert & “ Great Piano Concertos : Alexandre Tharaud Plays Ravel ” (4 Nov 2023) .

Half-price tickets available for full-time students, senior citizens, people with disabilities and the minder & Comprehensive Social Security Assistance recipients

10% discount for group booking of 4 or more standard tickets

Note: Discounts cannot be used in conjunction of other discounts

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About Our Series

The APPRECIATE  concerts are, mainly, classical concerts featuring guest artists and conductors of world renown.  Apart from performing orchestral masterpieces, Hong Kong Sinfonietta regularly commissions new works and introduces to audiences works that are rarely heard in Hong Kong.

Music is good for everyone! The LEARN  series takes audiences aged 0 to 88 into the world of classical music through specially designed concert series including Good Music for Babies, Good Music for Kids, Short-cut to Classical Music, Know Your Classical Music and HKS McDull Music Project.

In the light-hearted RELAX  concerts, Hong Kong Sinfonietta shares with audiences great music ranging from orchestral favourites to music from movies and musicals.

The ENCOUNTER series offers unique opportunities for audiences to get close to the music and the performers through chamber music concerts, talks, often at unconventional venues or time. These include Good Music This Lunch , Good Music @ The Fringe , Beyond Good Music @ The Fringe , HKS ArtisTree Residency and UpClose Encounters .

Often referred to as “one of the world’s great small orchestras”, Hong Kong Sinfonietta has been invited to go on many TOURS  in Europe, Asia, South and North Americas, sharing good music with audiences in over 30 cities.  In 2017/2018, the orchestra will make its début in Germany and perform at festivals in France, Portugal, as well as the Beethoven Easter Festival in Poland.

WHAT ELSE?  Apart from classical concerts, Hong Kong Sinfonietta regularly appears in staged productions by Hong Kong Ballet, Opera Hong Kong and visiting arts groups such as The Royal Ballet, American Ballet Theatre, Bolshoi Ballet and Tanztheater Wuppertal Pina Bausch. This season, Hong Kong Sinfonietta will also host the 1st International Conducting Competition.

“Maestra Yip and the HKS brought liveliness and precision in their performance.”  Bachtrack.com