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Steven Patrick Morrissey is an English singer/songwriter from Lancashire, England who is famed for fronting the iconic alternative rock band The Smiths.

Morrisey's first links to music can be found in the late 70's, when he discovered an adoration for post punk and fronted a band called The Nosebleeds. After moving between bands and line ups whilst writing early tracks including 'Peppermint Heaven' and 'I Get Nervous', he took a short break from music to pursue writing on popular culture and published three books. In 1982, Morrisey met guitarist Johnny Marr and described their relationship incredibly positively: "We got on absolutely famously. We were very similar in drive."

The band soon signed to independent label Rough Trade Records and released an early single that was pushed heavily by John Peel. Thanks to constant support from the radio DJ and moderate chart success, The Smiths found themselves a loyal fan base from the offset. The successes simply snowballed, the band worked together as a concise artistic unit and Morrisey was praised for his poetic, relatable lyrical abilities which went on to inspire guitar bands such as Oasis and The Stone Roses. Many consider them to be "the most influential British guitar group of the decade", they spearheaded the Brit pop movement and rejuvenated the guitar music scene of Manchester inspiring bands such as Blur to form after seeing the band perform on the South Bank Show.

However in 1987, the band parted due to a strained relationship between Marr & Morrisey. The latter continued to record as a solo artist and achieved commercial success, three of his albums including his debut topped the UK charts with a whole host of hit singles including 'Suedehead', 'Irish Blood, English Heart' and 'Interesting Drug'. Morrisey is known for his radical views on politics and the British monarchy. He fiercely opposes the latter stating that he doesn't believe that "the royal family speak for England now and I don't think England needs them". He is also a serious animal rights activist and a supporter of PETA, claiming in 2014 that there's"no difference between eating animals and paedophilia. They are both rape, violence, murder." The songwriter has left a huge legacy to both pop and rock music and in 2014, The Smiths were revealed as a nominee to be inducted into the Rock & Roll Hall Of Fame.

Live reviews

Morrissey at the Royal Albert Hall, 7th March 2018

This was my seventh time seeing the Mozfather live and, having needed a telescope to see him last time I went (at the O2), this time I had splashed out on a good seat. I treated myself, in other words, and I'm glad I did, because being up close really made the evening. And not just for the photos and videos I took, but for the details ... the looks on his face, the hand gestures. All of that. You don't get it from the back of an enormodome, even with Jumbotrons to help. But anyway. After a quick perusal of the merchandise stall (offering scarves, fans, badges and pillowcases as well as the obligatory t-shirts, none of which featured contemporary photographs of Moz), I took my seat early and, if I'm honest, with a little trepidation. Reviews of earlier shows on the tour had been mixed, with The Guardian very much determined not to enjoy themselves. Also, I'm often a little unsure how gigs in all-seater venues will play out - often, the atmosphere is different, I think. Less of a spark. And I was concerned that, although my ticket clearly said "Morrissey plus special guests", I had read that the support act was a film show, not a band... At precisely 8.15pm the pre-show back-drop picture of the late Peter Wyngarde as Jason King disappeared, and the film show started.

To be honest, "film show" is over stating it a bit. YouTube clips spliced together is more accurate. But it was an eclectic selection - with links to the clips used where possible, the montage included: early Ramones; Something Here In My Heart by 60s girl group The Paper Dolls; Tatu covering How Soon Is Now? on a German retread of TOTP; The Sound Of The Crowd by The Human League; Say It Loud, I'm Black And I'm Proud by James Brown; a spoken word Candy Darling clip (I think); Dionne Warwick singing Don't Make Me Over; a drag artist joking about nationality; The Sex Pistols singing God Save The Queen; a 60s-looking civil rights speech for racial equality that I couldn't ID; Sally's Song by Amy Lee; a Germaine Greer talking head spot; a clip from L'Insoumis of Alain Delon reclining into his Queen Is Dead sleeve art pose (which got a big cheer); It's The Same Old Song by The Four Tops; Jet Boy by The New York Dolls ... and probably more besides. Throughout this, the bloke sitting next to me kept looking up the songs on Shazam - when he couldn't get a match for the James Brown track, I had to lean over and help him out. He even Shazam'ed the Sex Pistols track, surely one of the least ambiguous tracks of the last fifty years. But I digress.

At precisely 8.50pm the screen that all this had been projected on was whipped down, and out strode Morrissey and his band. He cuts a substantial figure these days, does Moz - not fat but no longer the skinny, callow figure of yesteryear. Middle-aged spread comes to us all if you we eat too many pies, even vegetarian pies. And the fabled quiff is largely a thing of the past, a victim of a receding hairline. But he is still magnetic on stage, owning the space. Dressed top to toe in dark clothes, a string of beads and a dangling key fob completed Morrissey's look. The band, by contrast, were all in white shirts. The stage was lit with neon prefect badge shapes, a nod to the Low In High School theme.

After opening strongly with The Last Of The Famous International Playboys and I Wish You Lonely, the audience was treated to the first of many asides from a pleasantly chatty Moz: "So amazingly, I'm still alive. The question is, are you?" This was followed by Jacky's Only Happy When She's Up On The Stage, which slowed things down a bit, before a stomping Suedehead, which sped them back up again. The crowd, predictably, went wild for this, even though many of them weren't alive when it was released.

After this, there was a bit of a pause whilst Moz dispensed with the line of security at the front of the stage who were spoiling the devoted's view, and complained to unseen crew member Max about a spotlight giving him a headache. When it was turned off, he remarked, "Now you can't see me, which is pretty perfect." This was followed by recent album track When You Open Your Legs, before another aside between tracks: a propos of nothing, Moz appeared to say something like, "Please believe me, I'm not. People are extremely ignorant. They can't be controlled, so don't control them." Was this a reference to Der Spiegel's recent portrayal of him? We may never know.

Slightly unexpectedly, for me at least, Munich Air Disaster 1958 was next, complete with archive footage of Busby's Babes projected on the back screen. "We miss them," Moz concluded. This was swiftly followed by Home Is A Question Mark, for which Jesse Tobias unleashed an electric 12-string and I got a sudden bout of guitarist's envy. After My Love, I'd Do Anything For You, the stage lighting switched to red and yellow as a clue for what was coming next. "This song is delightful," said Moz. "About slavery and servitude in Espana." After which the band launched into The Bullfighter Dies, accompanied by fairly explicit video footage of bulls being stabbed by matadors (during the verses) and matadors being gored (during the "hooray, hooray" chorus). The point was well, if graphically, made.

The only real lull in the show followed, with a slightly flat run-through of If You Don't Like Me, Don't Look At Me. Quite a lot of people went for drinks. Not me though. So I was there to see the cover of Pretenders' track Back On The Chain Gang that followed (backdropped with Chrissie Hynde's yearbook photo), and Moz introducing World Peace Is None Of Your Business by saying, "We invented democracy. We invented free speech. I think it's time we got it back."

The next track was a personal favourite, Hold On To Your Friends, at the end of which (slightly bizarrely) Moz signed some vinyl for people in the front row, whilst the crowd chanted his name. Then pianist Gustavo Manzur teased an elongated version of the piano intro to In Your Lap before the band launched into Everyday Is Like Sunday and the crowd combusted. This was the first in a run of five blistering tracks: Jack The Ripper was next, with the stage bathed in red light and smoke; then came recent single Spent The Day In Bed, quite a singalong for the crowd; this was followed by live favourite Speedway, which has lost none of its power; and then, the only Smiths track of the night, How Soon Is Now?, ending with drummer Matthew Ira Walker letting loose on the gong and timpani.

This might have been the obvious point at which to end the main set, but no. Who Will Protect Us From The Police? and I'm Not Sorry followed, before the band lined up to take a bow. Then they slipped off-stage, only to return minutes later, for Morrissey to say goodnight with "As always, be good to yourself, be kind to animals and look after each other. And that's it really." Moz had changed his shirt, donning a plain white number that, predictably enough, was thrown into the crowd at the end of the sole encore track, a thumping Irish Blood, English heart. As the band scooted off-stage, Jesse launched a plectrum into the crowd too, but not many noticed - they were too busy forming a polite but determined scrum around the shirt.

And then the house lights came up and it was all over. I have to tell you, I felt ecstatic. As I've already said, sitting so close to the action made a real difference and changed, for me, what might have just been Morrissey singing into Morrissey performing. And although I'd taken my proper camera, rather than rely on my phone, I came away feeling I wanted an actual souvenir, a keepsake more substantial than digital photographs ... so I bought a set of Moz lapel badges from the merch stall on the way out. As I trudged through a dark Hyde Park to Lancaster Gate tube, I reflected that this was, if not the best I had seen Moz, certainly in the top three.

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Wow. Morrissey has been my favourite artist for a long time. But last night just exceeded my expectations by far. He played two of songs by The Smiths, firstly I Started Something I Couldn’t Finish. The vocals he has are just amazing, truly truly brillaint. He did How Soon Is Now and the atmosphere was incredible. He did some brilliant songs from his new album Low In High School my favourite being I Wish You Lonely. He also did Suedehead, Everyday Is Like Sunday and Jack The Ripper which were all absolutely fantastic. At one song there was a digereedoo being played and the rest of his band were very active with the crowd. Morrissey himself was lovely and charming and spoke to the crowd a lot. But the moment for me was Speedway. He played it before he came on for his encore, I was so so sure that he wasn’t going to play it and then I heard the Speedway noise. I lit up and just could not believe I was hearing my favourite song. He left some parts of the first verse blank and that was so amazing to hear the crowd sing. I cried throughout and cried after. He was so beautiful and it was the best experience of my life so far.

The venue itself was really good and where Morrissey was positioned was brilliant because we were stood on the side and still had perfect view. And I’m quite small.

Morrissey is one-of-a-kind. I have been listening and admiring his work since The Smiths days and have followed his solo career with equal enthusiasm. His lyrics are amazing and awe-inspiring and his voice melodic and haunting.

I attended a fantastic concert by Morrissey quite by accident. I was driving through Wichita Falls, Texas with a friend and saw a giant LED sign from the highway advertising his concert that very evening. What an unusual twist of circumstances! Well, I immediately said (perhaps shouted) to my friend driving - pull over! I pointed out the sign and demanded that we stop, get a hotel room, and attend the concert if possible. My friend absolutely agreed. The show did not disappoint. Despite being an international music icon, Morissey seems to be not one bit deterred from small theaters in small cities and puts on a fantastic show. Whether you are familiar with Morrissey or not, you will enjoy his concerts thoroughly. He has one of the most enchanting voices that you will ever hear, coupled with astounding and thought-provoking lyrics that come to life in person. Plus, Morissey appeals to a wide range of fans of all ages and backgrounds, so the audience is a fun mix of people.

While critical adoration for Stephen Patrick Morrissey has fluctuated throughout his career – from adulation to vilification and back again – the adoration of his fan base has been a constant. Droves of Moz devotees (fan being too measly a word for the borderline worshipping that goes on at his shows) still flock to see the former Smiths frontman play not only songs from the Morrissey / Marr heyday, but from his growing back catalogue of solo material that contains more than its own share of indie classics ("Everyday Is Like Sunday," "Suedehead" and "Irish Blood, English Heart") generate cheers at the very least on the level of "Still Ill" - that is, if he feels like playing it. Another thing undiminished by the passage of time is Morrissey’s inimitable voice, which remains as expressive and on the money as ever, along with the prowess of his backing band. Led by long time collaborator Boz Boorer, it’s only when witnessing them live that you discover the true reason he’s so reluctant to reform The Smiths, no matter how much money he’s thrown at them – frankly (Mr. Shankly), with a band so attuned to his idiosyncrasies as this one, there just isn’t any need.

When I first learned that Morrissey would be coming to Visalia, I couldn't believe it. I was over the moon excited as I've been a fan for a very long time.

Given the length of his career, it was hard to pinpoint what exactly he'd include in his set list. But as the band hit the stage and the lights came on, it was pure magic.

The energy of the crowd was amazing and that was just intensified by the vivid imagery of the visuals used and beautifully sad voice of Morrissey. I didn't know what to expect live as I've never seen him before but I was absolutely enthralled the whole time.

Despite several stage jumpers, Morrissey was completely focused on delivering a magnificent performance. I had heard horror story about sets being insanely short or last minute cancellations but the two hours he played will forever stay with me. I don't know how else to say it--everyone NEEDS to see this man at least once. I was deeply moved.

I purchased these tickets as soon as I knew of their upcoming existence. I had very high hopes and I was teeming with excitement to see this artist. I was severely let down. We arrive at the venue on NYE for the show which was supposed to begin at 8:00 pm. No supporting acts, so we waited staring at a projector screen showing random stuff for over an hour. He begins with Suedehead at around 9:10 and I think to myself ok, this is worth the wait. It was all downhill from there.

A bunch of newer songs and another guy singing in Spanish. I have nothing against the Spanish language, I am of South American descent but I paid to see Morrissey. I know he's a big activist and speaks out against animals as food but I wasn't looking to be depressed on NYE. He performed 'Meat is Murder' with slaughterhouse footage in the background. That was the last straw for me, evening ruined. Happy New Year!!

I will not go see him live again.

I thought the "artist" request of not providing any sort of meat at the concert JUST because he is vegan, plus the video showing how animals are being slaughtered for human consumption was absolutely disgusting. Everyone is entitled to be carnivore, vegetarian, vegan WITHOUT being judged by others.

Then, as if it wasn't enough, he started going all "political" about it in the middle of the concert. WELL, I DID NOT PAY TO HEAR HIS POLITICAL VIEWS, I PAID TO LISTEN TO HIM SINGING!

He has clearly shown a total lack of respect for his public, only catering for his own self!

And ALL THAT SHIT to just hear 3 songs I relate to!!!!!

My first AND last time watching Morrissey! a tick in my blacklist.

The rest was fine, organisation, venue etc

2 out of 10 for me

Well I had pretty awesome seats so I got an up and close experience and after waiting 30 plus years to see him then months after a cancelled show I wasn't disappointed.. Of course I wish he played more of my absolute favorites he did give me a real satisfying fix of in my opinion some of his best shit... Although I wish I could hear clearer the banter he exchanged with the crowd or maybe it's cause he was mumbling for he looked like he was semi inebriated well a bit more then semi.. I wasn't disappointed.. Maybe cause I was also more then past semi...and yes I'm referring to my lady boner and party lubricants combo .. Worth the money.. The wait... The exhaustion felt next day after the hype wore off and life resumed

As the drums from The Queen is Dead sounded, I knew this was going to be a fantastic night! 'Hello Manchester!' And the night kicked off with Suedehead. Morrissey was on fine form, his vocals were perfect and of course the Mozza charm you expect to hear! There was a large array of Morrisseys solo work including 2 Smiths tracks, one of them was the harrowingly brilliant Meat is Murder sending chills down the spine as Moz bellowed out the powerful lyrics.' 'I can see you are all tired.....so we will stay!! Until you wake up.' From Suedehead to Irish Blood, English heart it was a brilliant night and I wish I could do it all again!

With the health problems and age of Morrisse,y I have to confess I wasn't expecting much. But a legend is a legend and to have a chance to see him I wasn't going to turn down. What happened was far far more than I ever hoped, as Morrissey controlled the stage and crowd like a ringmaster. His voice was strong and group very solid with a great sound. The songs were a mix of old and new with only one that didn't please the crowd was meat is murder which was more about the images shown than the music. Morrissey made predictable references to bullfighting which went down well. IMO this was an excellent show and pleasure to be at.

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Morrissey Announces “40 Years Of Morrissey” Fall Tour 

Morrissey celebrates his established musical career with “40 Years Of Morrissey” tour which will have 11 stops in stateside in October. The newly planned tour includes shows in South America ahead of the North American leg. Tickets for Morrissey’s 2023 North American Fall Tour dates go on general sale this Friday, June 23 at 10 a.m. local time. South American tickets will be available over the week that follows.

Kicking off the trek on September 10 in Mexico City, the acclaimed artist is then set to head for Peru, Colombia, Chile, Argentina, and Brazil throughout September. The 11-date North American portion begins from Dr. Phillips Center Orlando in Florida on October 7, and continues with shows in Hollywood, Atlanta, Washington DC, and more until concluding with a four-night residency at United Palace Theatre in New York on October 21, 22, 24 and 25.

The English star is expected to sing popular tracks from his former band The Smiths which he formed with Johnny Marr in 1982 and took part as a frontman and a lyricist, in addition to those from his 13 solo albums. The iconic singer-songwriter’s 40 years in career dates back to the release of The Smiths’ debut single Hand in Glove in 1983 and a debut album The Smiths the following year. After the band’s breakup in 1987, Morrissey launched his solo career with Viva Hate album, delivered in 1988. Since then he has released 13 solo studio albums. His upcoming fourteenth solo record, Without Music the World Dies , is due to be released in late 2023.

Morrissey will also have headlining concerts overseas, including shows in Israel, Ireland, and the UK in July.

Check out the ticket links and show dates below:

Ticket Links

Morrissey tickets at MEGASeats | 10% off Morrissey tickets at ScoreBig Morrissey tickets at SeatGeek Morrissey tickets at StubHub Morrissey tickets at Ticket Club | Free Membership Morrissey tickets at Vivid Seats

Morrissey North and South American Tour Dates

SEP 10, Palacio De Los Deportes Ciudad de México, CDMX, Mexico SEP 14, Amphitheater Exposition Park Peru SEP 17, Teatro Municipal Jorge Eliécer Gaitán Cundinamarca, Bogota, Colombia SEP 21, Movistar Arena (Argentina) Humboldt, CABA, Argentina SEP 23, Movistar Arena (Argentina) Humboldt, CABA, Argentina SEP 27, Espaço Unimed São Paulo, SP, Brazil SEP 30, Opera Hall Brasilia Brasília, DF, Brazil OCT 7, Dr. Phillips Center Orlando, FL OCT 8, Seminole Hard Rock Hollywood, FL OCT 10, Mahaffey Theater Saint Petersburg, FL OCT 12, Fox Theatre – Atlanta Atlanta, GA OCT 14, Graceland Memphis, TN OCT 15, The Fisher Center – TN Nashville, TN OCT 18, The Anthem Washington DC OCT 21, United Palace Theatre New York, NY OCT 22, United Palace Theatre New York, NY OCT 24, United Palace Theatre New York, NY OCT 25, United Palace Theatre New York, NY

Morrissey Headlining Show Dates Overseas

JUL 2, Zappa Amphi Shuni Binyamina-Giv’at Ada, Haifa District, Israel JUL 4, Tel Aviv Israel JUL 8, Portsmouth Guildhall Portsmouth, England, United Kingdom JUL 9, Nottingham Royal Concert Hall Nottingham, England, United Kingdom JUL 12, The Slow Readers Club, and Lottery Winners at Millennium Square Leeds, Leeds, United Kingdom JUL 15, Vicar Street Dublin, Ireland JUL 16, Vicar Street Dublin, Ireland JUL 18, Liverpool Empire Theatre Liverpool, England, United Kingdom JUL 19, Liverpool Empire Theatre Liverpool, England, United Kingdom JUL 22, Troxy London, England, United Kingdom JUL 23, The Waterside Theatre, Aylesbury Buckinghamshire, England, United Kingdom JUL 25, Leas Cliff Hall Folkestone, England, United Kingdom

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Live updates, morrissey announces 40th anniversary tour: get tickets today.

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The Pope of Mope is celebrating for once.

From Oct. 7-25, Morrissey is swooping into North America for eleven concerts as part of his international ’40th Anniversary Tour’ commemorating four decades in music.

He’ll close the run of concerts with four back-to-back-to-back-to-back gigs at New York City’s United Palace Theatre on Saturday, Oct. 21 , Sunday, Oct. 22 , Tuesday, Oct. 24 and Wednesday, Oct. 25 .

And if you want to hear the former Smiths frontman belt “How Soon Is Now,” “There Is A Light That Never Goes Out,” “William, It WAs Really Nothing” and more live, we’re here to lend a hand .

Although inventory isn’t available on Ticketmaster until Friday, June 23, fans who want to ensure they have tickets ahead of time can purchase on sites like Vivid Seats before tickets are officially on sale.

Vivid Seats is a secondary market ticketing platform, and prices may be higher or lower than face value, depending on demand.

They have a 100% buyer guarantee that states your transaction will be safe and secure and will be delivered before the event.

Morrissey 2023 tour schedule

A complete calendar including all Morrissey ’40th Anniversary Tour’ dates, venues and links to buy tickets can be found below.

Morrissey discography

Want to brush up on Moz’s back catalog before seeing him live?

You can find The Smiths’ complete discography here and all Morrissey solo albums, singles, remixes and oddities here .

As of now, he has yet to release his two rumored albums “Bonfire of Teenagers” and “Without Music The World Dies.”

’80s stars on tour in 2023

Many of the biggest stars from the MTV era are still chuggin’ along on the road this year.

Here are just five of our favorite icons from yesteryear you won’t want to miss live these next few months.

•  Duran Duran

• Peter Gabriel

• A Flock of Seagulls

•  Rick Springfield

Who else is on the road from the shoulder pad heyday? Check out our list of the 107 biggest stars from the ’80s on tour in 2023 here to find out.

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Morrissey Announces “40 Years of Morrissey” Anniversary Tour

Coming to North and South America this fall

Morrissey is celebrating the 40th anniversary of his music career with a new run of tour dates.

The “40 Years of Morrissey” tour will see the artist perform songs by The Smiths — who released their first single, “Hand in Glove,” in May 1983 — and tracks from his solo career, which began with 1988’s  Viva Hate. The trek begins September 10th in Mexico City before hitting Peru, Colombia, Chile, Argentina, and Brazil. From there, the singer heads to North America, performing several shows in Florida, Georgia, Tennessee, Washington, D.C., and New York. He concludes the tour with a four-night stand at New York City’s United Palace, which ends on October 25th.

A pre-sale for Morrissey’s 40th anniversary tour begins Thursday, June 22nd at 10:00 a.m. local time (use code DISCO ), while tickets open to the general public on Friday, June 23rd. Grab seats via Ticketmaster , or find deals over at StubHub , where orders are 100% guaranteed via StubHub’s FanProtect Program.

Morrissey has said he has a new album called Without Music the World Dies   in the works, but he was supposed to share a different record, Bonfire of Teenagers,  last year — only for Capitol Records to put its release on hold . As of now, his last released LP was 2020’s I Am Not a Dog on a Chain. 

Morrissey 2023 Tour Dates: 09/10 — Mexico City, MX @ Palacio de los Deportes 09/14 — Lima, PE @ Anfiteatro del Parque 09/17 — Bogotá, CO @ Teatro Municipal Jorge Eliécer Gaitán 09/21 — Santiago, CL @ Movistar Arena 09/23 — Buenos Aires, AR @ Movistar Arena 09/27 — Sāo Paolo, BR @ Espaço Unimed 09/30 — Brasília, BR @ Opera Hall 10/07 — Orlando, FL @ Dr. Phillips Center for the Performing Arts 10/08 — Hollywood, FL @ Hard Rock Live 10/10 — St. Petersburg, FL @ Duke Energy Center for the Arts – Mahaffey Theater 10/12 — Atlanta, GA @ Fox Theatre 10/14 — Memphis, TN @ Graceland Soundstage 10/15 — Nashville, TN @ The Fisher Center at Belmont University 10/18 — Washington, DC @ The Anthem 10/21 — New York, NY @ United Palace 10/22 — New York, NY @ United Palace 10/24 — New York, NY @ United Palace 10/25 — New York, NY @ United Palace

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Morrissey Announces 2023 World Tour Dates

It has come to light that Morrissey has announced new 2023 tour dates in Asia and Australia via NME .

The former Smiths frontman has just finished a UK and Ireland headline tour, and will head back out on the road in November. The gigs will begin on November 9 in Singapore, with gigs then taking place in Thailand, Japan and more. Morrissey will then hit Australia and New Zealand for seven gigs, ending up in Auckland in mid-December.

See the full list of gigs below.  Ticket details can be found here .

NOVEMBER 2023 9 – Singapore, Star Theater 16 – Chek Lap Kok, Asia World Expo 18 – Bangkok, Samyan Hall 22 – Jakarta, Istora Senayan 28 – Tokyo, Toyosu Pit

DECEMBER 2023 1 – Perth, Concert Hall 4 – Melbourne, Palais Theater 5 – Melbourne, Palais Theater 8 – Fortitude Valley, Fortitude Music Hall 10 – Sydney, State Theater 11 – Sydney, State Theater 14 – Auckland, The Civic

Last month, Morrissey cancelled his scheduled sold-out gig in Nottingham at the last minute.

“Due to unforeseen circumstances, Morrissey’s show at Nottingham Royal Concert Hall will not be going ahead tonight,” read a tweet from  Gigs And Tours , the official website of promoters SJM Concerts. “Ticket holders are asked to hold onto their tickets and a further announcement will be made in due course.”

Meanwhile, he singer also wrote a scathing critique of the music industry’s response to the death of Sinead O’Connor. In  a blog post  titled ‘You Know I Couldn’t Last’, Morrissey criticised the wider industry’s response to her death, arguing that it was hypocritical when they “hadn’t the guts to support her when she was alive and she was looking for you”.

“She had only so much ‘self’ to give,” he began. “She was dropped by her label after selling 7 million albums for them. She became crazed, yes, but uninteresting, never. She had done nothing wrong. She had proud vulnerability … and there is a certain music industry hatred for singers who don’t ‘fit in’ (this I know only too well), and they are never praised until death – when, finally, they can’t answer back.

Bishal Roy covers rock music, pop music, MMA, wrestling, and boxing all across the internet, and is known for his diligent work ethic.

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The Comprehensive Guide to Moscow Nightlife

• Posted on April 14, 2018 July 26, 2018
• by Kings of Russia
• 8 minute read

Moscow’s nightlife scene is thriving, and arguably one of the best the world has to offer – top-notch Russian women, coupled with a never-ending list of venues, Moscow has a little bit of something for everyone’s taste. Moscow nightlife is not for the faint of heart – and if you’re coming, you better be ready to go Friday and Saturday night into the early morning.

This comprehensive guide to Moscow nightlife will run you through the nuts and bolts of all you need to know about Moscow’s nightclubs and give you a solid blueprint to operate with during your time in Moscow.

What you need to know before hitting Moscow nightclubs

Prices in moscow nightlife.

Before you head out and start gaming all the sexy Moscow girls , we have to talk money first. Bring plenty because in Moscow you can never bring a big enough bankroll. Remember, you’re the man so making a fuzz of not paying a drink here or there will not go down well.

Luckily most Moscow clubs don’t do cover fees. Some electro clubs will charge 15-20$, depending on their lineup. There’s the odd club with a minimum spend of 20-30$, which you’ll drop on drinks easily. By and large, you can scope out the venues for free, which is a big plus.

Bottle service is a great deal in Moscow. At top-tier clubs, it starts at 1,000$. That’ll go a long way with premium vodka at 250$, especially if you have three or four guys chipping in. Not to mention that it’s a massive status boost for getting girls, especially at high-end clubs.

Without bottle service, you should estimate a budget of 100-150$ per night. That is if you drink a lot and hit the top clubs with the hottest girls. Scale down for less alcohol and more basic places.

Dress code & Face control

Door policy in Moscow is called “face control” and it’s always the guy behind the two gorillas that gives the green light if you’re in or out.

In Moscow nightlife there’s only one rule when it comes to dress codes:

You can never be underdressed.

People dress A LOT sharper than, say, in the US and that goes for both sexes. For high-end clubs, you definitely want to roll with a sharp blazer and a pocket square, not to mention dress shoes in tip-top condition. Those are the minimum requirements to level the playing field vis a vis with other sharply dressed guys that have a lot more money than you do. Unless you plan to hit explicit electro or underground clubs, which have their own dress code, you are always on the money with that style.

Getting in a Moscow club isn’t as hard as it seems: dress sharp, speak English at the door and look like you’re in the mood to spend all that money that you supposedly have (even if you don’t). That will open almost any door in Moscow’s nightlife for you.

Types of Moscow Nightclubs

In Moscow there are four types of clubs with the accompanying female clientele:

High-end clubs:

These are often crossovers between restaurants and clubs with lots of tables and very little space to dance. Heavy accent on bottle service most of the time but you can work the room from the bar as well. The hottest and most expensive girls in Moscow go there. Bring deep pockets and lots of self-confidence and you have a shot at swooping them.

Regular Mid-level clubs:

They probably resemble more what you’re used to in a nightclub: big dancefloors, stages and more space to roam around. Bottle service will make you stand out more but you can also do well without. You can find all types of girls but most will be in the 6-8 range. Your targets should always be the girls drinking and ideally in pairs. It’s impossible not to swoop if your game is at least half-decent.

Basic clubs/dive bars:

Usually spots with very cheap booze and lax face control. If you’re dressed too sharp and speak no Russian, you might attract the wrong type of attention so be vigilant. If you know the local scene you can swoop 6s and 7s almost at will. Usually students and girls from the suburbs.

Electro/underground clubs:

Home of the hipsters and creatives. Parties there don’t mean meeting girls and getting drunk but doing pills and spacing out to the music. Lots of attractive hipster girls if that is your niche. That is its own scene with a different dress code as well.

What time to go out in Moscow

Moscow nightlife starts late. Don’t show up at bars and preparty spots before 11pm because you’ll feel fairly alone. Peak time is between 1am and 3am. That is also the time of Moscow nightlife’s biggest nuisance: concerts by artists you won’t know and who only distract your girls from drinking and being gamed. From 4am to 6am the regular clubs are emptying out but plenty of people, women included, still hit up one of the many afterparty clubs. Those last till well past 10am.

As far as days go: Fridays and Saturdays are peak days. Thursday is an OK day, all other days are fairly weak and you have to know the right venues.

The Ultimate Moscow Nightclub List

Short disclaimer: I didn’t add basic and electro clubs since you’re coming for the girls, not for the music. This list will give you more options than you’ll be able to handle on a weekend.

Preparty – start here at 11PM

Classic restaurant club with lots of tables and a smallish bar and dancefloor. Come here between 11pm and 12am when the concert is over and they start with the actual party. Even early in the night tons of sexy women here, who lean slightly older (25 and up).

The second floor of the Ugolek restaurant is an extra bar with dim lights and house music tunes. Very small and cozy with a slight hipster vibe but generally draws plenty of attractive women too. A bit slower vibe than Valenok.

Very cool, spread-out venue that has a modern library theme. Not always full with people but when it is, it’s brimming with top-tier women. Slow vibe here and better for grabbing contacts and moving on.

High-end: err on the side of being too early rather than too late because of face control.

Secret Room

Probably the top venue at the moment in Moscow . Very small but wildly popular club, which is crammed with tables but always packed. They do parties on Thursdays and Sundays as well. This club has a hip-hop/high-end theme, meaning most girls are gold diggers, IG models, and tattooed hip hop chicks. Very unfavorable logistics because there is almost no room no move inside the club but the party vibe makes it worth it. Strict face control.

Close to Secret Room and with a much more favorable and spacious three-part layout. This place attracts very hot women but also lots of ball busters and fakes that will leave you blue-balled. Come early because after 4am it starts getting empty fast. Electronic music.

A slightly kitsch restaurant club that plays Russian pop and is full of gold diggers, semi-pros, and men from the Caucasus republics. Thursday is the strongest night but that dynamic might be changing since Secret Room opened its doors. You can swoop here but it will be a struggle.

Mid-level: your sweet spot in terms of ease and attractiveness of girls for an average budget.

Started going downwards in 2018 due to lax face control and this might get even worse with the World Cup. In terms of layout one of the best Moscow nightclubs because it’s very big and bottle service gives you a good edge here. Still attracts lots of cute girls with loose morals but plenty of provincial girls (and guys) as well. Swooping is fairly easy here.

I haven’t been at this place in over a year, ever since it started becoming ground zero for drunken teenagers. Similar clientele to Icon but less chic, younger and drunker. Decent mainstream music that attracts plenty of tourists. Girls are easy here as well.

Sort of a Coyote Ugly (the real one in Moscow sucks) with party music and lots of drunken people licking each others’ faces. Very entertaining with the right amount of alcohol and very easy to pull in there. Don’t think about staying sober in here, you’ll hate it.

Artel Bessonitsa/Shakti Terrace

Electronic music club that is sort of a high-end place with an underground clientele and located between the teenager clubs Icon and Gipsy. Very good music but a bit all over the place with their vibe and their branding. You can swoop almost any type of girl here from high-heeled beauty to coked-up hipsters, provided they’re not too sober.

Afterparty: if by 5AM  you haven’t pulled, it’s time to move here.

Best afterparty spot in terms of trying to get girls. Pretty much no one is sober in there and savage gorilla game goes a long way. Lots of very hot and slutty-looking girls but it can be hard to tell apart who is looking for dick and who is just on drugs but not interested. If by 9-10am you haven’t pulled, it is probably better to surrender.

The hipster alternative for afterparties, where even more drugs are in play. Plenty of attractive girls there but you have to know how to work this type of club. A nicer atmosphere and better music but if you’re desperate to pull, you’ll probably go to Miks.

Weekday jokers: if you’re on the hunt for some sexy Russian girls during the week, here are two tips to make your life easier.

Chesterfield

Ladies night on Wednesdays means this place gets pretty packed with smashed teenagers and 6s and 7s. Don’t pull out the three-piece suit in here because it’s a “simpler” crowd. Definitely your best shot on Wednesdays.

If you haven’t pulled at Chesterfield, you can throw a Hail Mary and hit up Garage’s Black Music Wednesdays. Fills up really late but there are some cute Black Music groupies in here. Very small club. Thursday through Saturday they do afterparties and you have an excellent shot and swooping girls that are probably high.

Shishas Sferum

This is pretty much your only shot on Mondays and Tuesdays because they offer free or almost free drinks for women. A fairly low-class club where you should watch your drinks. As always the case in Moscow, there will be cute girls here on any day of the week but it’s nowhere near as good as on the weekend.

In a nutshell, that is all you need to know about where to meet Moscow girls in nightlife. There are tons of options, and it all depends on what best fits your style, based on the type of girls that you’re looking for.

Related Topics

• moscow girls
• moscow nightlife

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Theatres in Moscow

Cultural life of Moscow city is various and rich! Operas, ballets, symphonic concerts... Russian composers have created some of the most beautiful classical music. Russian classical music is very popular in Moscow. It is performed in many beautiful historical venues. Do not forget to include a visit to a concert hall in your itinerary when you are planning your stay in Moscow! And do it in advance.

There are almost no restrictions on dress code in Russian theatres. Visitors may wear jeans and sports shoes, they may have a backpack with them. Only shorts are not allowed.

A typical feature of Russian theatre – visitors are bringing a lot of flowers which they present to their favorite performers after the show.

Here are some practical advices where to go and how to buy tickets.

The Bolshoi Theatre

The Bolshoi Theatre is the oldest, the most famous and popular opera and ballet theatre in Russia. The word “Bolshoi” means “big” in Russian. You can buy a ticket online in advance, 2-3 months before the date of performance on the official website . Prices for famous ballets are high: 6-8 thousand rubles for a seat in stalls. Tickets to operas are cheaper: you can get a good seat for 4-5 thousand rubles. Tickets are cheaper for daytime performances and performances on the New Stage. The New Stage is situated in the light-green building to the left of the Bolshoi's main building. The quality of operas and ballets shown on the New Stage is excellent too. However, you should pay attention that many seats of the Bolshoi’s Old and New Stages have limited visibility . If you want to see the Bolshoi’s Old Stage but all tickets are sold out, you can order a tour of the theatre. You can book such a tour on the official website.

If you want, following Russian tradition, to give flowers to the performers at the end of the show, in the Bolshoi flowers should be presented via special staff who collects these flowers in advance.

In August the Bolshoi is closed.

The Stanislavsky and Nemirovich-Danchenko Music Theatre

This theatre is noteworthy. On one hand, it offers brilliant classical opera and ballet performances. On the other hand, it is an experimental venue for modern artists. You can check the program and buy tickets online here http://stanmus.com/ . If you are opera lover, get a ticket to see superstar Hibla Gerzmava . The theatre has a very beautiful historic building and a stage with a good view from every seat. Tickets are twice cheaper than in the Bolshoi.

The Novaya Opera

“Novaya” means “New” in Russian. This opera house was founded in 1991 by a famous conductor Eugene Kolobov. Its repertoire has several directions: Russian and Western classics, original shows and divertissements, and operas of the 20th and 21st centuries. It is very popular with Muscovites for excellent quality of performances, a comfortable hall, a beautiful Art Nouveau building and a historic park Hermitage, which is situated right next to it. You can buy tickets online here http://www.novayaopera.ru/en .

Galina Vishnevskaya Opera Center

The Opera Center has become one of the best theatrical venues in Moscow. It was founded in 2002 by great diva Galina Vishnevskaya. Nowadays its artistic director is Olga Rostropovich, daughter of Galina Vishnevskaya and her husband Mstislav Rostropovich, great cellist and conductor. Not only best young opera singers perform here, but also world music stars do; chamber and symphonic concerts, theatrical productions and musical festivals take place here. You can see what is on the program here http://opera-centre.ru/theatre . Unfortunately “booking tickets online” is available in Russian only. If you need help, you can contact us at and we can book a ticket for you. 

Tchaikovsky Concert Hall and The Great Hall of Moscow Conservatory

These are two major concert halls for symphonic music in Moscow. Both feature excellent acoustics, impressive interior, various repertoire and best performers. You can check the program here http://meloman.ru/calendar/ . You need just to switch to English. Booking tickets online is available only for owners of Russian, Ukrainian and Belorussian phone numbers. If you need help, you can contact us and we can book a ticket for you. 

Moscow International Performing Arts Center (MIPAC)

This modern and elegant concert hall houses performances of national and foreign symphony orchestras, chamber ensembles, solo instrumentalists, opera singers, ballet dancers, theatre companies, jazz bands, variety and traditional ensembles. Actually, it has three concert halls placed on three different levels and having separate entrances. The President of MIPAC is People’s Artist of the USSR Vladimir Spivakov, conductor of “Virtuosy Moskvy” orchestra. You can see pictures of the concert halls here http://www.mmdm.ru/en/content/halls . The program is impressive in its variety but is not translated into English. You can contact us at and we can find a performance for you.