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Beach House  

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Beach House (formed in 2004) is the American dream pop and ethereal indie-rock duo of Victoria Legrand and Alex Scally, hailing from Baltimore, Maryland, U.S.

French-born vocalist and organist Victoria Legrand and guitarist Alex Scally met amidst the buzz of Baltimore’s indie rock community in 2004. The pair soon formed Beach House and began crafting their combinations of drone-like organ sounds, electronic drums, tremolo-induced guitar, and soaring, dreamy vocals. Beach House issued their debut single “Apple Orchard” in August 2006, earning a feature from reputable music critic Pitchfork. The band’s self-titled full-length arrived in October that year, receiving critical acclaim from a host of sources and making a number of year-end best-of lists.

The duo’s sophomore album “Devotion”, issued by Carpark Records, was released in February 2008. Led by the single “Gila”, the album once again generated a stream of positive reviews, and charted at No. 195 on the Billboard 200. Following the release and subsequent worldwide tour, Beach House recorded a version of Queen’s “Play the Game” in aid of the Red Hot Organisation’s “Dark Was The Night” compilation. Legrand went on to provide backing vocals on fellow indie-rockers Grizzly Bear’s hit single “Two Weeks”, before contributing the song “Slow Life” to the “Twilight: New Moon” soundtrack.

Often dubbed as their breakthrough album, the band’s third full-length “Teen Dream” took the indie blogosphere by storm upon release. The record represents a sound honed in on, crafted, and long considered, melancholic melodies floating alongside half-speed percussion and clean guitars notes. Produced by the esteemed Chris Coady, the album exposed Beach House to a huge audience, aided by the singles “Zebra”, “Used to Be” and “Take Care”.

Ahead of their fourth studio album the duo released the single “Myth” on their new label Sub Pop Records in March 2012. A second single “Lazuli” followed in April, before the full-length “Bloom” was issued in May. The album debuted at No. 7 on the Billboard 200, a remarkable feat for an independent band, and was greeted with critical acclaim. Without divagating too far away from their ethereal sway, the record builds upon their earlier releases, adding weight and an experimental edge to their distinguished and polished sound.

Live reviews

Sometimes it’s nice to be on the receiving end of a surprise, to have your expectations confounded. I had gone along to Beach House at the Riviera expecting a pleasant, if somewhat melancholy, show. I’ve been a fan of their music for a few years now, and I put the albums on during all the contexts in which I listen to music: walking around town, in the metro, peeling the spuds, having dinner, at night on the sofa along with a few bevvies. And while the music is good and often excellent — an aural treat, mesmerising, otherworldly — and Victoria Legrand’s voice is wonderful and uniquely deep and smoky, at certain times and in certain doses it lacks the required energy, gusto and vim to truly grab hold of me. My big surprise last Sunday was that Beach House live are better than on record. The washed-out drear that sometimes leaves me cold when I listen to their records is replaced by a dynamism and aggression that for me lifts Beach House into the realm of the great live acts I’ve seen.

Last Sunday wasn’t just about Beach House being louder* than on record. Loud does not mean good. You can be loud and appalling — Donald Trump is proof of this. Beach House were loud, but they were also a whole panoply of stuff which, as an old goth and shoegazer, tickled me as pink as the sleeve of Loveless. They were brooding, they were menacing, they were aggressive, creepy, disturbing, distorted. When you read any review of Beach House or go to their entry on Wikipedia a you cannot escape the D-word: dream pop. But live, my friends, Beach House are anything but dreamy. “Enter Sandman” eat your heart out, because Beach House are taking over your nightmare.

Road House blues!

Beach House’s sound rests on three pillars (to co-opt that contemptible and ubiquitous business-speak term): Victoria Legrand’s voice; Alex Scally’s guitar; and Victoria Legrand’s keyboards. On Sunday last, all three were not just standing tall, but had grown in stature compared to the restricted dimensions afforded to them in the recording studio. Sometimes compared to Dusty Springfield, Victoria Legrand is the lucky owner of a voice that is both unmistakable and so amazing that the word “gift” is almost always invoked. The voice’s standard setting is low and husky, but it does do high and sweet. Victoria Legrand uses her voice masterfully: it has the clout to knock listeners over the head with its sheer power, like one of those wannabe divas on The X Factor whose winning strategy is to scream the house down, but she uses it as a painter would her brush, dotting splashes of colour and emotion where needed and wanted. Live, the voice is spine tingling. Unlike on record, she let loose a few times and nearly blew a path, Gandalf-like, through the crowd. As a keyboard play, she’s no dunce either. Most songs are driven by her chords and arpeggios. Her rhythmic style and the pads and synth sounds she uses put much of the dream (or otherwise) in Beach House’s pop. She proves that a frontwoman who stands behind a keyboard isn’t necessarily a yawn-factor. She somehow manages to combine being static with dramatic dynamism — her headbanging as she plays and gesturing with whatever hand happens to be free draws the interested eye every bit as much as a hyperactive, twerking Ke$ha/Mylie/Taylor.

Another reason why Beach House should never work live (at least visually) is that Alex Scally sits down for many of the songs. Every bit as anti-rock ‘n’ roll as having your lead singer stuck behind a keyboard, his sit-down style is as distinctive as his bandmate’s voice. He rarely strums or bashes out power chords, but picks out notes to intertwine with voice and keyboard. Many of the songs (“Myth” and “Zebra” for example) hang on Alex Scally’s hooks and melodies, which range from the deceptively simple to the baroque. His sound is somewhere in between Robin Guthrie and David Roback, less spacey than the Cocteaus but less blue than Mazzy Star. It is remarkable that more than three decades have passed since the post-punk explosion but someone like him can still pull a unique and recognisable combination of style of play and choice of effects out of the air — because it is true that he really does sound like no one else. On the night, just like his partner in chime (!), Alex Scally’s sound was more robust than on record. Songs were driven with more urgency and aggression and there was even something of the tormented guitar hero in the way he bashed and twisted and turned the neck of his instrument. As you would expect, there were no five-minute solos, but a degree of improvisation added plenty of new twists to some of the familiar songs.

I read somewhere that Victoria Legrand is a fan of David Lynch. Indeed, Beach House have a song (“Silver Soul”) for which the chorus goes “it is happening again” — a well known catchphrase from Twin Peaks. There is something distinctly lynchian about the atmosphere the band create in a live context. More than once I looked towards the stage and felt I was in the Road House watching the house band, or even in the Red Room hearing secrets I could never understand. It’s the weird sweetness of their sound, their 1950s structures with a nightmare twist that transports one to the Bookhouse or the Black Lodge. I can easily see them soundtracking the new Twin Peaks, if it ever appears.

From a distance!

The icing on the cake of a great concert was Victoria Legrand’s humour and warmth. In between songs she built up a rap about the cheesiness of the venue (it has a fake oasis as its central bar) and then got on to the serious topic of what happened in Paris the week before (she was born in France). She thanked us for venturing out to see the band with all that was going on. We cannot thank them enough for keeping the flag flying for challenging and arresting live music.

*Being a loud live act in Spain has the advantage of drowning out the chatter of those that come to a gig to catch up with their buddies and generally chew the fat.

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Ever since 'Apple Orchard' way back in 2006 I have followed and revelled in the music of Beach House and watching them live just compounds what an amazing band they are.

This was my fourth time of seeing Victoria and Alex perform live, my first time at the Troxy and I was not disappointed, these guys deliver in spades and the ninety minute set is gone before you have time to catch your breath.

They covered a great back catalogue of tracks and obviously show-pieced many songs from their latest offering; 7.

Right from the opening of 'Leviathan' it was pretty apparent the Baltimore duo were on form and raring to give the audience what they had come for.

My only regret, purely personal, was they did not play the finely anthemic 'Irene' however, it did not detract from what was a real spectacle.

Having seen them perform before to muted monochrome sets or fairly simple lighting displays, the Troxy performance was backed by a stunning exhibition of light, colour, smoke, silhouettes and back-screen images.

A stunning amalgam of dazzling stage display and the finest dream-pop you'll ever hear delivered with utter professionalism and with just a dash of ad-lib which Beach House only serve to bring their audience even closer.

Never seen them live? Do yourself a favour and lose yourself in the presence and music of one of the best contemporary rock/pop/ambient bands around.

Oh, and by the way, their support band whose name I irritatingly missed but will endeavour to find out, were absolutely superb too, a really exciting drum and synth duo also from Baltimore who delivered a blistering set of high-octane electronica performed by two exceptionally accomplished musicians.

Thank you Beach House, 'til the next time, play on.

Phil Jarvis, aged fifty five and a quarter.

There are few bands that can match the surreal beauty of Beach House and seeing them live was something I had to do. I wanted to experience this dream pop duo as they were meant to be heard and not just how they were recorded on the album.

I went to see them at a smaller venue, holding only a couple hundred people. As soon as I arrived, there was a line to go in. Beach House was more popular then I thought. It took me a few minutes to get in, but I still had a good spot by the time the opening bands had played. When Victoria Legrand and Alex Scally took the stage the crowd went still. I don’t think anyone was sure what to expect. The recordings are so soft but strong, would the live performance be the same?

Just then the band started playing “Myth” one of their most popular songs. Everyone got into it. Most had their hands in the air, swaying, dancing, and feeling the music.

Victoria’s vocals were spot on the whole set, both moody and powerful. Alex was great as well playing a simple and overwhelming sound from his guitar. The show closed with the song “Zebra” a true crowd favorite. The song seemed to rock the crowd to sleep. Sadly, as it ended the band left the stage. I think we all could have listened to that set forever.

This was the first proper concert I'd ever been to, and it was spectacular. They really, really don't disappoint in their performance. Victoria is stunning and her voice is magic. The lights and everything were great too - props to their team.

When they started playing 'Walk in the Park', it made me so inexplicably happy I almost cried haha - and that was just their second song in! They played pretty much all the songs I was hoping they'd play: Levitation, Walk in the Park, 10 Mile Stereo, Silver Soul, Beyond Love, Space Song, All Your Yeahs, Elegy to the Void - god, they almost didn't play 'Sparks' and that would have left me so so disappointed.

Thankfully, they came on for an encore and that was their last song of the night. The performance felt way too short, and when Victoria came back on stage, she said something like "thank you for coming before we leave Melbourne forever". Ahhh forever?!

The only issue I had was with the crowd which seemed pretty dead (or at least the people around me), and they were more consumed with filming the performance than really getting into the music - which was unfortunate. The girl next to me was frigid and kept checking her phone like she couldn't wait for it to end.

Despite only forming in 2004, dream pop duo Beach House have already received great critical acclaim and are beginning to be recognised worldwide. Hailing from Baltimore, Maryland, USA, the dreamy duo have been praised for their ethereal sound and indie rock talent. Hearing them perform live is a million times more magical than hearing them recorded: they are simply one of those bands that demand to be seen live, in their natural form. Victoria Legrand and Alex Scally are a beautiful pair: Victoria’s phenomenal vocals, beautiful and soft yet strong, harmonise perfectly with Alex’s skillful guitar strumming. They have great chemistry on stage and really are a wonder to watch. One of the nicest things about their gig was the intimate atmosphere, mostly created by the rather small venue, that really suited the band’s style and sound. The room captured their sounds without losing any to muffled echoes. The crowd swayed, clapped and waved their hands along to such hits like ‘Zebra’ and ‘Myth’ but in large part, remained silent so as not to disturb a single moment of the magic going on on stage.

This is the third time I see Beach House, and frankly, it will be the last if they don't reinvent their live act. The first two times were at festivals where they played late, and people where drunk and chatty, so I was hoping that a designated act on a Tuesday evening would present a different experience, but unfortunately it didn't. The show is quite stale, and certainly not fitting for a standing crowd. I think it could be an enjoyable experience if it was at a concert hall with seating and impeccable sound, but when the stage performance consists of light and not much else--as per usual the three band members barely moved, and seeing their silhouettes was about as personal as it got--and the rest of the setting is essentially a rock-'n'-roll gig, there's just something that doesn't add up. On a positive note a few of the songs did have an extra layer of dynamism in their live form--Space Song and Lazuli come to mind.

Overall, though, I was hoping that third time would be a charm, but I left disappointed.

Dream pop duo Beach House have achieved a universal critical acclaim and global notoriety in their short spanning career. Thanks to the near perfection of the first three studio albums and proficiently designed live show, fans sell out the group's fleeting appearances as soon as tickets are available.

They were offered the honour of headlining the Big Top stage at Latitude Festival 2013 which is a known celebration of all things indie and performed with a surreal expertise. The glowing colours, impactful synth and droning bass tones came together in a truly indescribable way as Victoria Legrand and Alex Scally carefully led their audience through a detailed and well thought out setlist. 'Bloom' has been there most successful release thus far so therefore a large majority of the setlist was comprised of these tracks including immaculate versions of 'New Year' and 'Wild' whilst older fans were rewarded for their dedication with an airing of 'Zebra' and 'Silver Soul'.

One of my favourite band to listen to whenever because they chase the anxiety so efficiently and never fails to put me on a rocketship, directly to space. You feel the same calmness as when the night has fallen and all is asleep and silent.

Their live show perfectly recreates that. The atmosphere you feel in their music is recreated with the darkness of the room and the really amazing light show they put on. Often, on my favourite songs, the show hold my emotions very tightly. It was very magical and ethereal. But i am this enthusiastic about this because their songs already please me so much. It's deffo a chill concert, that can transport you to another universe. And even though it was my first time at the back of the room, i still enjoyed it very v much. so glad i was them and really hope i can see them again live!

What a great concert! They're surely great musicians and I had great expectations for this one! They covered more musics from the last 2 albuns, mostly from Depression Cherry (Levitation, Beyond Love, Sparks, PPP) as expected but they also played musics from the previous (and not only the most popular ones). Heartbreaker, the first music that Alex and Vitoria composed together, Wishes and Walk in the Park were an example <3 They managed to create the appropriate atmosphere, dazing and introspective, and the stars from the Bloom album cover projected behind them were just magical. Finishing with Irene was the cherry on top of the cake for me. I'm eager to see them again as soon as I can and thankfull to my lucky stars for being there <3

This is the third city I've had the pleasure of seeing Beach House in. Outside beneath the stars or indoors, this band always has the power to penetrate your very being and make you feel all the regret or nostalgia that the singer, Victoria Legrand is trying to convey with her deep, echo-ed voice. Older tracks had me singing along, almost clutching my chest to hold in all the emotion and unknown tracks had me excited at the prospect of a new album. Although the rest of the band, Alex Scally included were on the quiet side, Legrand's brief interactions with the crowd in between songs kept the show light-hearted and feeling more intimate. Definitely a band I will see live, again and again.

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Beach House announces 2022 tour: Where to buy tickets, schedule, dates, new album

• Updated: Nov. 10, 2021, 2:08 p.m. |
• Published: Nov. 10, 2021, 10:50 a.m.

Victoria Legrand of Beach House will take the band's new album 'Once Twice Melody' on the road in 2022. Barry Brecheisen/Invision/AP

• Matt Levy | NJ Advance Media for NJ.com

Some bands have a sound so recognizable that you can hear a single chord and instantly know it’s them.

Beach House is one of those bands.

The indie darlings behind critically-acclaimed albums “Teen Dream,” “Bloom” and “7″ employ dreamy synths and vocals to each track and will continue to bring their unmistakable melodies to venues all across North America and Europe on their 2022 tour.

The tour announcement follows the news that the band will be releasing the album “Once Twice Melody” in four parts over the next few months.

To learn more about Beach House’s “Once Twice Melody” tour, its stops in New York as well as Philadelphia and their unconventional album release, here’s everything you’ll need to know.

Where can I buy tickets to see Beach House?

The duo founded by Victoria Legrand and Alex Scally will see tickets for their tour officially go on sale on Ticketmaster on Friday, Nov. 19 at 10 a.m. EST. However, if you want to snatch up seats ahead of time, you can on Vivid Seats , StubHub , TicketNetwork , SeatGeek and TicketCity .

It’s common for speculative tickets to show up on the secondary market first, but be aware that prices may be more expensive than when they go on sale to the general public.

Where will Beach House be on their “Once Twice Melody” tour?

Beach House will bring their unique pop to 40+ venues on their tour . They start things off in Pittsburgh on Feb. 18 and close out the run on July 24 in Washington DC. In between, the group will tour locales as varied as Portland, Ireland and Montana.

The “Once Twice Melody” tour will see the group making two stops at Kings Theatre in Brooklyn, NY on July 19 and 20. The cheapest tickets we found were for the July 19 show going for $115 before fees .

July 20 tickets aren’t that much more expensive though starting at $117 .

Three days later, the band will perform at The Met Philadelphia in Philadelphia. Tickets can be purchased for as low as $93 .

All prices were found at the time of publication and are subject to fluctuation.

The official schedule, with dates and times to see the musicians behind “Teen Dream” live, is here .

What do we know about Beach House’s new album “Once Twice Melody?”

Beach House is doing things a little differently for this album.

“Once Twice Melody” will reportedly be teased out over the next few months with songs being released in four separate chapters.

The first four tracks on the new album dropped on Nov. 10. Subsequent “chapter” releases will take place on Dec. 8, Jan. 19 and then Feb. 19.

You can hear the first four songs here .

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Beach House Announce New Album Once Twice Melody and 2022 Tour

By Evan Minsker

Beach House have announced their new album and a 2022 tour. Once Twice Melody is being released in four distinct “chapters.” The first four songs of the 18-track album arrive on November 10, followed by drops on December 8, January 19, and, finally, the full album release on February 18. The album’s opening title track debuts today on SiriusXMU; listen to Chapter One here .

The follow-up to 2018’s 7 is the first album to be produced entirely by Beach House. It was recorded with a live string ensemble, too, and David Campbell provided the arrangements. The album was largely mixed by Alan Moulder with additional mixing work from Caesar Edmunds, Trevor Spencer, and Dave Fridmann.

Once Twice Melody :

01 Once Twice Melody 02 Superstar 03 Pink Funeral 04 Through Me 05 Runaway 06 ESP 07 New Romance 08 Over and Over 09 Sunset 10 Only You Know 11 Another Go Around 12 Masquerade 13 Illusions of Forever 14 Finale 15 The Bells 16 Hurts to Love 17 Many Nights 18 Modern Love Stories

All products featured on Pitchfork are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.

Beach House:

02-18 Pittsburgh, PA - Stage AE 02-19 Royal Oak, MI - Royal Oak Music Theatre 02-20 Grand Rapids, MI - GLC Live at 20 Monroe 02-22 Kansas City, MO - Arvest Bank Theatre at the Midland 02-23 Des Moines, IA - Val Air Ballroom 02-25 Madison, WI - The Sylvee 02-26 St. Paul, MN - The Palace Theatre 02-27 Milwaukee, WI - Riverside Theatre 03-01 Indianapolis, IN - Egyptian Room at Old National Centre 03-02 Cincinnati, OH - PromoWest Pavilion at Ovation 03-22 Raleigh, NC - The Ritz 03-23 Atlanta, GA - The Eastern 03-25 Austin, TX - Moody Amphitheatre at Waterloo Park 03-27 Dallas, TX - The Factory in Deep Ellum 03-29 Santa Fe, NM - Lensic Performing Arts Center 03-30 Denver, CO - Mission Ballroom 04-01 Missoula, MT - The Wilma 04-02 Spokane, WA - Knitting Factory 04-03 Seattle, WA - Paramount Theatre 04-05 Vancouver, British Columbia - Queen Elizabeth Theatre 04-06 Portland, OR - The Keller Auditorium 04-08 Berkeley, CA - Greek Theatre at UC Berkeley 04-09 Los Angeles, CA - Greek Theatre 05-21 Dublin, Ireland - The National Stadium 05-23 Glasgow, Scotland - Barrowland Ballroom 05-24 Manchester, England - Manchester Academy 05-26 London, England - O2 Academy Brixton 05-28 Antwerp, Belgium - De Roma 05-30 Brussels, Belgium - Ancienne Belgique 05-31 Paris, France - L’Olympia 06-02 Nimes, France - Paloma 06-04 Barcelona, Spain - Primavera Sound Festival 06-07 Cologne, Germany - Carlswerk Victoria 06-08 Berlin, Germany - Columbiahalle 06-09 Copenhagen, Denmark - Falkoner Centre 07-08 Richmond, VA - The National 07-09 Asheville, NC - Rabbit Rabbit 07-10 Louisville, KY - Old Forester’s Paristown Hall 07-12 Cleveland, OH - Agora Theatre 07-13 Chicago, IL - Radius 07-15 Toronto, Ontario - Massey Hall 07-16 Montreal, Quebec - M Telus 07-18 New Haven, CT - College Street Music Hall 07-19 Brooklyn, NY - Kings Theatre 07-20 Brooklyn, NY - Kings Theatre 07-22 Boston, MA - Roadrunner 07-23 Philadelphia, PA - The Met 07-24 Washington, D.C. - The Anthem

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Beach House announce new album Once Twice Melody , reveal 2022 tour dates

The project will be released in four chapters, with the first four songs out tonight at midnight..

Beach House , one of the most acclaimed and beloved dream-pop acts of the century, have announced their eighth studio album Once Twice Melody . The project will be released over the next few months in four separate chapters, with the first out this evening (November 9) at midnight.

The songs that will be released tonight are titled "Once Twice Melody," "Superstar," "Pink Funeral," and "Through Me." The second batch of songs will be released on December 8, the third on January 19, and the fourth and final on February 18. In total, 18 songs will span Once Twice Melody 's tracklist. The album is the first produced entirely by Beach House.

Read Next: New Music Friday: Stream projects from Tony Shhnow, Avalon Emerson & the Charm, and more

In 2022, Beach House will embark on an extensive world tour. Tickets go on sale Friday, November 19th, 2021 at 10 a.m. local time, and you can register for an artist presale here .

Beach House 2022 tour dates

2/18 - Pittsburgh, PA - Stage AE 2/19 - Royal Oak, MI - Royal Oak Music Theatre 2/20 - Grand Rapids, MI - GLC Live at 20 Monroe 2/22 - Kansas City, MO - Arvest Bank Theatre at the Midland 2/23 - Des Moines, IA - Val Air Ballroom 2/25 - Madison, WI - The Sylvee 2/26 - St. Paul, MN - The Palace Theatre 2/27 - Milwaukee, WI - Riverside Theatre 3/1 - Indianapolis, IN - Egyptian Room at Old National Centre 3/2 - Cincinnati, OH - PromoWest Pavilion at Ovation 3/22 - Raleigh, NC - The Ritz 3/23 - Atlanta, GA - The Eastern 3/25 - Austin, TX - Moody Amphitheatre at Waterloo Park 3/26 - Houston, TX - House of Blues 3/27 - Dallas, TX - The Factory in Deep Ellum 3/29 - Santa Fe, NM - Lensic Performing Arts Center 3/30 - Denver, CO - Mission Ballroom 4/1 - Missoula, MT - The Wilma 4/2 - Spokane, WA - Knitting Factory 4/3 - Seattle, WA - Paramount Theatre 4/5 - Vancouver, British Columbia - Queen Elizabeth Theatre 4/6 - Portland, OR - The Keller Auditorium 4/8 - Berkeley, CA - Greek Theatre at UC Berkeley 4/9 - Los Angeles, CA - Greek Theatre 5/21 - Dublin, Ireland - The National Stadium 5/23 - Glasgow, Scotland - Barrowland Ballroom 5/24 - Manchester, England - Manchester Academy 5/26 - London, England - O2 Academy Brixton 5/28 - Antwerp, Belgium - De Roma 5/30 - Brussels, Belgium - Ancienne Belgique 5/31 - Paris, France - L’Olympia 6/2 - Nimes, France - Paloma 6/4- Barcelona, Spain - Primavera Sound Festival 6/7 - Cologne, Germany - Carlswerk Victoria 6/8 - Berlin, Germany - Columbiahalle 6/9 - Copenhagen, Denmark - Falkoner Centre 7/8 - Richmond, VA - The National 7/9 - Asheville, NC - Rabbit Rabbit 7/10 - Louisville, KY - Old Forester’s Paristown Hall 7/12 - Cleveland, OH - Agora Theatre 7/13 - Chicago, IL - Radius 7/15 - Toronto, Ontario - Massey Hall 7/16 - Montreal, Quebec - M Telus 7/18 - New Haven, CT - College Street Music Hall 7/19 - Brooklyn, NY - Kings Theatre 7/20 - Brooklyn, NY - Kings Theatre 7/22 - Boston, MA - Roadrunner 7/23 - Philadelphia, PA - The Met 7/24 - Washington, D.C. - The Anthem

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Beach House to bring 2022 tour to Agora

• Published: Nov. 09, 2021, 10:48 a.m.

The tour will support Beach House's upcoming album "Once Twice Melody." (Photo by David Belisle)

• Annie Nickoloff, cleveland.com

CLEVELAND, Ohio -- Following the release of its eighth album “Once Twice Melody,” dream-pop band Beach House will head on tour. That tour is set to arrive at the Agora on July 12.

Tickets to the concert will cost $32.50-$59.50, and will go on sale on Friday, Nov. 19 through AXS .

“Once Twice Melody,” the band’s first entirely self-produced album, will be out on Feb. 18, according to a press release. The 18-track album has a unique rollout, arriving in four chapters paired with song animations that will trickle out ahead of the Feb. 18 release date. The first chapter of four songs will arrive on Nov. 10 at midnight.

“Once Twice Melody” builds on the Baltimore band’s other acclaimed releases, including 2015′s “Depression Cherry,” 2012′s “Bloom” and 2018′s “7.” Beach House -- singer-keyboardist Victoria Legrand and singer-guitarist Alex Scally -- has been together since 2004.

Check out the track list and release schedule for the album below, and find more information at beachhousebaltimore.com .

Chapter 1, releasing on Nov. 10:

1. “Once Twice Melody”

2. “Superstar”

3. “Pink Funeral”

4. “Through Me”

Chapter 2, releasing on Dec. 8:

5. “Runaway”

7. “New Romance”

8. “Over and Over”

Chapter 3, releasing on Jan. 19, 2022:

9. “Sunset”

10. “Only You Know”

11. “Another Go Around”

12. “Masquerade”

13. “Illusion of Forever”

Chapter 4, releasing on Feb. 18, 2022 (full album release):

14. “Finale”

15. “The Bells”

16. “Hurts to Love”

17. “Many Nights”

18. “Modern Love Stories”

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Artist Spotlight: Beach House puts the ‘dreamy’ in dream pop

Beach House, consisting of Victoria Legrand and Alex Scally, is known for its distinct musical style, which is characterized by the hypnotic interplay between Legrand's melodic voice and keyboards and Scally's guitar. Its music often incorporates dream pop and indie rock elements, creating a lush and dreamy sound.

Beach House was formed in 2004 when Legrand and Scally met in Baltimore. The pair quickly started working on music together, combining their talent and similar passions for music.

The duo has gained a large following for their ability to craft a captivating and unique sound. Beach House's discography includes albums such as "Teen Dream," "Bloom," "Depression Cherry" and "7," among others. With every release, Beach House revealed new possibilities within the dream pop genre.

Beach House’s self-titled debut album, “Beach House,” was released in 2006. The album showcased its dream pop sound and garnered positive reviews, drawing attention to its unique blend of atmospheric melodies and Legrand's captivating voice.

In 2008, Beach House released its second album, "Devotion." The album featured tracks like, “Gila” and “Heart of Chambers.”

Beach House's breakthrough moment came with the release of "Teen Dream" in 2010. This album earned extensive praise and was widely acclaimed. The popular track, “Silver Soul,” came from this album and was sampled by Kendrick Lamar in “Money Trees .”

Beach House’s music has been sampled by other prominent artists. In 2011, The Weeknd sampled “ Master of None ” and “ Gila ” in his songs “ The Party & The After Party ” and “ Loft Music .”

“Bloom” was released in 2012 and continued the duo's success. The album maintained Beach House’s dreamy sound, and songs such as "Myth" and "Lazuli" set the tone for the album.

In a surprising move, Beach House released two albums in 2015, "Depression Cherry" and " Thank Your Lucky Stars ." Both albums showcased its commitment to artistic exploration and experimentation.

The fan-favorite song “Space Song,” from their album "Depression Cherry,” is approaching one billion listens on Spotify. The song can even be heard in the popular Netflix series, “ Wednesday .”

In 2017, Beach House released “B-Sides and Rarities.” This album brought together 14 tracks that included the previously unreleased “ Chariot ” and “ Baseball Diamond .”

In 2018, “7," was released and marked a departure from Beach House’s previous sound. It featured a darker and more experimental tone. The album included tracks like "Black Car" and "Lemon Glow."

Beach House has continued to release music and tour, maintaining a consistent presence in the indie music scene. Its albums, including "Once Twice Melody," released in 2022, have showcased the band’s evolution while staying true to its dream pop roots.

An EP of unreleased songs from "Once Twice Melody” was released in April 2023. “Become” was first released as a limited-edition Record Store Day release and became available on streaming services later that month.

Beach House emerged as one of the most influential 2000s indie bands and is still going strong. Each album holds its own sound, lyrical composure and weight. The albums all come together to write the legacy and story that Beach House fans and listeners have come to treasure.

Legrand, in an interview with Glamcult Magazine said, “In feeling our music, I feel many things that are not ‘dream’ or ‘pop’. Some of it is so physical; there’s much more than just two words.”

Despite Beach House being placed in the “dream pop” category, anyone who has listened to and felt their music knows it cannot be placed into one box.

Beach House's history is marked by a consistent commitment to its unique identity and dreamy atmosphere. It has carved out a unique niche in the indie music scene, and its sound continues to evolve while maintaining the atmospheric and captivating qualities that define its music.

@jillianbullockk

[email protected]

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The Battle Over Classic Rock Band the Guess Who Just Went Nuclear

By Ethan Millman

Ethan Millman

For the past six months, Burton Cummings, founding singer and songwriter of classic rock group the Guess Who , has been in a bitter legal dispute to wrest control of his old band’s legacy. Now he’s adopting an aggressive and relatively unheard of approach to make that happen: giving up on certain royalties so the band can’t play his songs.

As Rolling Stone previously reported , Cummings and original Guess Who guitarist Randy Bachman sued the current iteration of the Guess Who (as well as the band’s original drummer and bass player Garry Peterson and Jim Kale) last October, alleging that the group that currently holds the Guess Who trademark is “a cover band” using the original group’s recording in ads “in an effort to boost the Cover Band’s ticket sales for live performances and to give the false impression that Plaintiffs are performing.”

“I’m willing to do anything to stop the fake band; they’re taking [Bachman and my] life story and pretending it’s theirs,” Cummings tells Rolling Stone. “They’re not the people who made these records, and they shouldn’t act like they did. This doesn’t stop this cover band from playing their shows, it just stops them from playing the songs I wrote. If the songs are performed by the fake Guess Who, they will be sued for every occurrence.”

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“Not a lot of artists are both the writer and the publisher on their songs, and Burton Cummings fortunately is, so this is a very rare case where the artist can take this action,” Yu says. “And I think this situation shows the direct nexus between their false advertising and who they say they are.”

The move is focused on agreements set through groups called performing rights organizations (PROs). The termination targets all the venues the band would play. Almost every concert venue in the country has blanket agreements with various PROs such as BMI and ASCAP, who collect royalties on behalf of songwriters for the public performances of their works. If a venue has licensing agreements in place, the venues’ artists are free to cover any song from the PROs’ repertory. 

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By Thursday morning, the Florida Theatre in Jacksonville, the Saenger Theatre in Mobile, Alabama, and the Peabody Auditorium in Daytona Beach, Florida — who would’ve hosted the Guess Who’s next three shows — announced cancellations as well. Tickets for shows beyond those dates remain on sale as of this article’s publication.

An attorney for the Guess Who didn’t respond to Rolling Stone’s request for comment regarding the shows. In December, the band took to social media calling Cummings’ and Bachman’s suit “meritless.” In a memorandum, the band argued that “there is no dispute that Defendants lawfully own ‘The Guess Who’ trademark,” and that Consumers who see an ad for a concert by the Guess Who would not reasonably assume that Bachman and Cummings are performing merely because they were in the band many years ago.”

Assuming the group does play the classic-era songs at their upcoming shows, both the band and the venue they played at could be on the hook for legal recourse, Cummings and his team tell Rolling Stone . 

But like most nuclear options, Cummings’ strategy doesn’t come without the risk of some mutually assured destruction. While terminating the rights complicates the current Guess Who’s performances, it may also significantly hit Cummings’ own earnings. Aside from working with concert venues, PROs also collect royalties from when songs are played on the radio, on TV shows, or even when they’re played in the background at restaurants or shopping malls. With the license terminated, Cummings will likely lose out on seeing those royalty payments. And that’s not just on the versions he recorded, but on covers such as Lenny Kravitz’s Grammy-winning “American Woman” cover.

The termination is the latest development in a decadeslong dispute that bubbled over with last year’s lawsuit . The fight began when the band’s original bassist, Jim Kale, obtained the trademark to the Guess Who name in 1986, as the band hadn’t secured the trademark before then . From then on, Kale had organized several tours using the Guess Who name featuring a heavily rotating lineup. 

By the late 1980s, the Guess Who’s original drummer, Garry Peterson, joined the band as well. Kale retired in 2016, leaving Peterson as the only original member left. But he doesn’t play every show, Bachman and Cummings alleged, meaning some shows feature no original members of their band. 

Since Cummings filed the suit, he says that the band had removed his access to the Guess Who’s Spotify for Artists page. (When the suit filed last fall, the band’s Spotify page showed a picture of the current Guess Who lineup, but as of publication, it’s now a picture of the old band.)

Cummings also tells Rolling Stone that within the past month, the band’s lawyers said they’d “sue me if I ever even say I was ever in the Guess Who.” “You know how ridiculous this is? What next, can I not say I was born and raised in Winnipeg? That I’m Canadian?”

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“How much is my life’s work worth? You can’t put it in dollars and cents,” he says. “It’s wrong what they’ve done and for years, nobody did anything about it. But we’re doing something now, and this may set some precedents because there are other acts out there that aren’t real either.

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• Preplanned tours
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• St. Petersburg

Moscow Metro

The Moscow Metro Tour is included in most guided tours’ itineraries. Opened in 1935, under Stalin’s regime, the metro was not only meant to solve transport problems, but also was hailed as “a people’s palace”. Every station you will see during your Moscow metro tour looks like a palace room. There are bright paintings, mosaics, stained glass, bronze statues… Our Moscow metro tour includes the most impressive stations best architects and designers worked at - Ploshchad Revolutsii, Mayakovskaya, Komsomolskaya, Kievskaya, Novoslobodskaya and some others.

What is the kremlin in russia?

The guide will not only help you navigate the metro, but will also provide you with fascinating background tales for the images you see and a history of each station.

And there some stories to be told during the Moscow metro tour! The deepest station - Park Pobedy - is 84 metres under the ground with the world longest escalator of 140 meters. Parts of the so-called Metro-2, a secret strategic system of underground tunnels, was used for its construction.

During the Second World War the metro itself became a strategic asset: it was turned into the city's biggest bomb-shelter and one of the stations even became a library. 217 children were born here in 1941-1942! The metro is the most effective means of transport in the capital.

There are almost 200 stations 196 at the moment and trains run every 90 seconds! The guide of your Moscow metro tour can explain to you how to buy tickets and find your way if you plan to get around by yourself.

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$1.8 Million Homes in California

A three-bedroom house in Calistoga, a Cape Cod-style home in Long Beach and a 1927 cottage in Mill Valley.

By Angela Serratore

• Joseph Schell Photography for Sotheby's International Realty

Calistoga | $1.75 Million

A 1952 house with three bedrooms and two bathrooms, along with a barn, a detached office and a gazebo, on a 2.1-acre lot.

In the late 1860s, Calistoga became a popular vacation destination for residents of San Francisco drawn by the fresh air and natural hot springs. Those hot springs and the surrounding resorts are still a draw, along with the area’s wineries and the hiking trails in Robert Louis Stevenson State Park, which ascend to the top of Mount Saint Helena, about 40 minutes from this property.

Downtown Santa Rosa or Napa are about half an hour away by car. Driving to San Francisco takes about 90 minutes. Sacramento is two hours away.

Size: 1,618 square feet

Price per square foot: $1,082

Indoors: A long driveway leads from the street to the house. The front door opens into a foyer with hardwood floors.

Straight ahead is an open living-and-dining area with a gas fireplace that has a stone mantel; large windows looking out at the mountains; and French doors that open to the deck next to the pool.

This space connects to a kitchen with Saltillo-tile floors, stainless steel appliances, including a Viking gas range, and a door to the pool area. Off the kitchen is a laundry room with a side-by-side washer and dryer. A bedroom and a full bathroom with a walk-in shower are also in this part of the house.

Two bedrooms are off a hallway extending from the foyer. The primary bedroom is sunny and big enough to hold a king-size bed; the bedroom across the hall has a wall of built-in cabinetry. They share a bathroom with a windowed tub and shower and a white porcelain pedestal sink.

The detached office has floor-to-ceiling windows with a view of mature trees.

Outdoor space: The infinity swimming pool behind the house is surrounded by a deck with plenty of space for lounge chairs. A walking path leads to a gazebo with a fireplace, a dedicated table tennis pavilion and room for a cooking-and-dining setup. The carport has space to park two cars.

Taxes: $21,876 (estimated)

Contact: Wendy Storch, Sotheby’s International Realty, San Francisco Brokerage, 415-519-6091; sothebysrealty.com

• Courtesy of Karen Miller

Long Beach | $1.799 Million

A 1941 cape cod-style house with four bedrooms, two bathrooms and a guest apartment with a full bathroom, on a 0.2-acre lot.

This house, which was recently updated with a new electrical system, a new deck and new gutters, is near a well-rated public elementary school and a few blocks from Los Cerritos Park, which has tennis courts and a playground. Virginia Country Club, established in 1909, is about half a mile away. A Trader Joe’s and a Target are five minutes away by car.

Driving to Alamitos Beach or Cal State University, Long Beach takes about 15 minutes. Huntington Beach, Newport Beach and Los Angeles International Airport are about half an hour away.

Size: 3,090 square feet

Price per square foot: $582

Indoors: A white picket fence sets off the front lawn, separating it from the sidewalk, and a brick path steps up to the front door.

The foyer inside has hardwood floors and a staircase to the second level. To the right is a living room with a fireplace that has a brick surround and a white mantel. Across the foyer is a dining room with wainscoting and built-in china cabinets.

This space connects to a den currently used as a playroom and to an updated kitchen with original checkerboard tile floors, new counters made of butcher block and new stainless steel appliances. At one end is a breakfast area with more built-in cabinets.

One bedroom and a full bathroom are on the first floor, near a den/playroom off the dining room with French doors opening to a deck.

The other three bedrooms are upstairs. The primary suite includes a bedroom big enough to hold a king-size bed; a long closet with built-in storage and a large window; and a bathroom with a deep soaking tub and a walk-in shower. One guest room is tucked beneath the sloping lines of the roof; the other has windows overlooking the neighborhood’s mature trees.

The guest apartment over the garage has hardwood floors and a bathroom with a combined tub and shower.

Outdoor space: The deck behind the house is big enough to hold lounge furniture, a grill and a dining table. Between the house and the detached three-car garage is new turf landscaping.

Taxes: $22,488 (estimated)

Contact: Karen Miller, First Team Real Estate, 562-756-4144; firstteam.com

• Courtesy of Kathee Shatter

Mill Valley | $1.8 Million

A 1927 cottage with three bedrooms and two bathrooms, on a 0.1-acre lot.

This house is a few blocks from the center of the city, putting it within walking distance of restaurants, galleries, a small grocery store, a French bakery and Mill Valley Lumber Yard, a shopping-and-dining center with outdoor seating and fire pits. It is less than a 10-minute walk from Park Elementary School and the tennis courts at Boyle Park.

Driving to Muir Woods Visitor Center takes about 15 minutes. San Francisco and the dark-sand beaches of Golden Gate National Recreation Area are about half an hour away.

Size: 1,361 square feet

Price per square foot: $1,323

Indoors: A white picket fence separates this property from the street, and a brick path leads to the covered entry.

Inside is a foyer with hardwood floors. To the left is a living room with large, street-facing windows and a fireplace with a white mantel. This space connects to a windowed dining area with a built-in cabinet.

Through a doorway is an updated kitchen with new hardwood floors, new stainless steel appliances and white cabinetry with goldtone hardware. At the back of this space, through a wide doorway, is a windowed breakfast area with a door that opens to a deck behind the house.

All three bedrooms are off a hallway running alongside the living room and kitchen. The primary bedroom, at the far end, has enough space for a queen-size bed. Next door is a full bathroom. The other two bedrooms are each big enough to hold a full-size bed and a desk; they have the use of another full bathroom.

Outdoor space: The wood deck behind the house is framed by a fence covered with flowering vines. It steps down to a garden with a stone path leading to a detached one-car garage that could be converted into a home office or studio.

Taxes: $22,500 (estimated)

Contact: Kathee Shatter, Compass, 415-497-4189; compass.com

For weekly email updates on residential real estate news, sign up here .

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Moscow Metro Underground Small-Group Tour - With Reviews & Ratings

Moscow metro underground small-group tour.

• See more images

Tour Information

Key Details

• Mobile Voucher Accepted
• Free Cancellation
• Duration: 3 Hrs
• Language: English
• Departure Time : 10:00 AM
• Departure Details : Karl Marks Monument on Revolution Square, metro stop: Square of Revolution
• Return Details : Metro Smolenskaya
• If you cancel at least 4 day(s) in advance of the scheduled departure, there is no cancellation fee.
• If you cancel within 3 day(s) of the scheduled departure, there is a 100 percent cancellation fee.
• Tours booked using discount coupon codes will be non refundable.

Go beneath the streets on this tour of the spectacular, mind-bending Moscow Metro! Be awed by architecture and spot the Propaganda , then hear soviet stories from a local in the know. Finish it all up above ground, looking up to Stalins skyscrapers, and get the inside scoop on whats gone on behind those walls.

Know More about this tour

We begin our Moscow tour beneath the city, exploring the underground palace of the Moscow Metro. From the Square of Revolution station, famous for its huge statues of soviet people (an armed soldier, a farmer with a rooster, a warrior, and more), we’ll move onto some of the most significant stations, where impressive mosaics, columns, and chandeliers will boggle your eyes! Moreover, these stations reveal a big part of soviet reality — the walls depict plenty of Propaganda , with party leaders looking down from images on the walls. Your local guide will share personal stories of his/her family from USSR times, giving you insight into Russia’s complicated past and present. Then we’re coming back up to street level, where we’ll take a break and refuel with some Russian fast food: traditional pancakes, called bliny. And then, stomachs satiated, we are ready to move forward! We’ll take the eco-friendly electric trolleybus, with a route along the Moscow Garden Ring. Used mainly by Russian babushkas(grannies) during the day, the trolleybus hits peak hours in the mornings and evenings, when many locals use it going to and from their days. Our first stop will be the Aviator’s House, one of Stalin’s Seven Sisters, followed by the Ministry of Foreign Affairs — and you’ll hear the legends of what has gone on inside the walls. Throughout your Moscow tour, you’ll learn curious facts from soviet history while seeing how Russia exists now, 25 years after the USSR.

Local English-speaking guide

Pancake snack and drink

Additional food and drinks

Tickets for public transport

Souvenirs and items of a personal nature

Tips and gratuities for the guide

Additional Info

Confirmation will be received at time of booking

Dress standard: Please wear comfortable shoes for walking. For your Urban Adventure you will be in a small group of a maximum of 12 people

Traveler Reviews

This tour exceeded our expectations. Nikolai (Nick), our tour guide, was very knowledgeable, thorough, and has a great personality. He didn't take shortcuts and really covered everything that was on the agenda in great detail. We saw beautiful metro stations and learned the history behind them, including many of the murals and designs.

We did the tour with Anna her knowledge and understanding of the History surrounding the metro brought the tour alive. Well done Anna!

This tour was amazing!

Anna was a great tour guide. She gave us heaps of interesting information, was very friendly, and very kindly showed us how to get to our next tour.

Amazing beauty and history.

An excellent tour helped by an absolutely amazing guide. Anna gave a great insight into the history of the metro helped by additional material she had prepared.

great tour and guide - thanks again

great will do it again, Miriam ke was very good as a guide she has lived here all here life so knew every interesting detail.a good day

Animal rescue icon Lee Asher, of Asher House, returns to Florida. See locations of his tour

The appearances are of lee asher's "unlock your super power" tour. his talks will take place right after the memorial day weekend..

Animal rescue icon Lee Asher will return to Florida in May for three speaking engagements.

Asher, who was born in New York but raised in South Florida, will speak in Jacksonville, Orlando and Clearwater. The appearances are of Asher's "Unlock your super power" tour. Asher's talks will take place right after the Memorial Day weekend.

"Through compelling stories of overcoming adversity, heartfelt anecdotes about embracing the growth that comes out of tragedy, and a wealth of knowledge about the world of animal rescue , Lee captivates audiences and encourages them to join the movement to be their best self," read a description of the tour on the Asher House Facebook page.

Asher spoke in Boca Raton at Lynn University in November.

Profile story on Lee Asher: How animal rescue star lives his best pack life, and why he eyes Florida sanctuary

Where will Lee Asher be speaking in Florida in May?

The three events are:

• Wednesday, May 29, at 8 p.m.: Florida Theater at 128 E. Forsyth St., Jacksonville. Ticket prices range from $36 to $101.
• Thursday, May 30 at 8 p.m.: Hard Rock Live Orlando at 650 Universal Blvd. at CityWalk. Tickets range from $42 to $186.
• Friday, May 31 at 8 p.m.: Ruth Eckerd Hall at 1111 N. McMullen Booth Road, Clearwater. Tickets are $49 and $69.

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Asher, 35, starred in a 2022 reality TV series called "My Pack Life."

Today, Asher cares for an estimated 200 dogs, cats, horses, llamas and other animals at three privately run Asher House sanctuaries in Oregon.

He shares the stories of the animals he rescues in emotion-packed videos accessed by 6.3 million people on Facebook and 1.6 million followers each on Instagram and TikTok plus 593,000 subscribers on YouTube.

A Florida sanctuary? Animal rescue icon Lee Asher plans to expand his sanctuary concept across the U.S.

How did Lee Asher get into the animal rescue business?

Asher struggled with severe attention deficit disorder as a youth growing up in South Florida.

During a recent appearance at Lynn University in Boca Raton, Asher spoke of desperation "to fit in" and feeling "very different" from his peers whom he watched succeed and thrive. The struggles worsened, and after a serious bullying incident, Asher was forced to change schools.

At about the age of 12, he said, he began visiting a Broward County animal shelter where he found consolation, and kinship, with the dogs and cats in the kennels.

"When I was able to be with the dogs, and they would go from being scared in a corner to tail-wagging and me petting them through the kennel and I could see them happy; seeing them happy just completely took all my pain away," Asher recalled.

Antonio Fins is a politics and business editor at  The Palm Beach Post , part of the USA TODAY Florida Network. You can reach him at  [email protected] .  Help support our journalism. Subscribe today .