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The 20 Australian Artists to Watch in 2023

From tulmur to margeret river, covering everything from punk to electronic to folk, we’ve rounded up twenty aussie artists we think are set for a huge 2023.

Our annual ones to watch article ( here's last years ) is back to uncover some emerging gems in Australian music, who we think are on the right track to have a triumphant year ahead. With an incredibly large and talented pool to choose from, the decision was not easy… however based on their great sounds, accomplishments so far, and for some their plans that have already been announced for 2023, the Pilerats team have narrowed it down to the 20 artists that we think you should listen to right now and keep your eye on over the next 12 months.

So without further ado, feast your eyes (and ears) on The 20 Australian Artists to Watch in 2023.

Agung Mango

Bubbling up from Australia’s underground rap scene is the gritty experimental punk, jazz and alt R&B influenced sounds of rapper Agung Mango . Already appearing at Laneway Festival, Spilt Milk and Golden Plains in addition to supporting Wiki, Milan Ring, DJ Pee. Wee (Anderson .Paak), and Genesis Owusu on his national tour, 2022 saw Agung showcase at Bigsound, and release his EP Man On The Go ( read more ) - which was treated to a national tour. Kicking off 2023 strong already, supporting Freddie Gibbs on an AU wide tour, we're excited to see what’s next for this Naarm/Melbourne based rapper.

Asha Jefferies

Hailing from the Northern Rivers and raised in Meanjin/Brisbane, Asha Jefferies combines the patience of folk with the urgency of youthful pop to create meaningful, catchy, and at times melancholic songs that tell a story. Previously supporting Julia Jacklin, Thelma Plum, Babe Rainbow, in addition to her own headline nationwide tours, 2022 saw Asha entering a new phase - not only by showcasing at Bigsound ‘22 and taking out the Best Folk Award at the Queensland Music Awards 2022, but by finding her queer identity and embracing the love and expression that has come along with it. The result is the single Tank Tops ( read more ), which has sparked suspicion of more great releases in 2023 - in addition to an upcoming tour with Hope D.

Follow Asha Jefferies: INSTAGRAM / FACEBOOK

Banjo Lucia 

We met the sweet indie bedroom pop sounds of Walyalup/Fremantle based songstress Banjo Lucia just shy of a year ago ( read more ), making her debut in 2021 with the single That’s Not Loving , which led to a debut EP titled Peccadilloes last year ( read more ). Surrounding the EP she supported Sharon Von Etten, toured nationally alongside San Cisco, toured nationally and throughout the UK and Europe with Stella Donnely, in addition to her own West Australian headline shows, performing at Wave Rock Weekender, and showcasing at Bigsound 2022. Already accomplishing so much in such a short amount of time with her potent melodies, we can’t wait to see what lies in the year ahead for Banjo as she continues to grow her career.

Beckah Amani 

From Yugambeh land on the Gold Coast comes the soulful pop sounds of Beckah Amani , an artist we had the honour of getting to know a little better last year with the release of her single Lebeka Lek ( read more ) which featured on her impressive 8-track debut EP April . Winning the triple J presented QMA award for Emerging Artist of the Year in 2021, she’s performed headline shows all along the east coast, played the Great Escape (UK), showcased at Bigsound 2022, and took out the 2022 APRA Professional Development Award for Popular Contemporary. Still revelling in the success of April, Bekah is set to kick off the year strong appearing at WOMADelaide this March.

Naarm/Melbourne-based Noongar woman Bumpy sports her own style of soul-filled pop that is incredibly warm and smooth. Debuting in 2020 with Falling , she's performed across Strawberry Fields, Melbourne Fashion Week, Melbourne Music Week (where she also curated a First Nations showcase Wominjeka), St Kilda Festival, and at Astral People’s Birthday Party last year at the Sydney Opera House. Awarded the Archie Roach Foundation Award for Emerging Talent at the Music Victoria Awards, and releasing a string of singles in 2022 - including the spine tingling Return Home ( read more ), 2023 is already off to a strong start for Bumpy, dropping her debut EP Morning Sun last week ( read more ) alongside this goose-bump evoking live clip for Leave It All Behind.

Follow Bumpy: INSTAGRAM / FACEBOOK

Chanel Loren

Eora/Sydney based, british-born singer-songwriter Chanel Loren is an artist whose style falls at an intersection of modern alt-r&b, indie and UK garage. Releasing her debut single Playlist in early 2022 ( read more ), she’s been featured across a stack of Spotify playlists, making the cover of R&B Connect in addition to a showcasing at Bigsound, and winning FBi Radio’s Song of the Year award. Already starting 2023 off strong supporting IDK for Sydney and Melbourne tour dates, we can’t wait to see what’s next for this rising star.

Club Angel is a producer and DJ out of Eora/Sydney, who despite only releasing his first track Control Dem last year - is far from debuting, previously working with the likes of Colin Haye, ASTA, Boy Soda, Hey Astro!, remixing Fred again.., and even having his music licensed to Netflix and Love Island Australia. Teasing an EP with the release of Pop Them Threat! 6 months ago ( read more ), 2022 saw countless live shows including a showcase at Bigsound, and supporting Willaris K in Eora/Sydney and Naarm/Melbourne, rounding out the year with 6AM EPs release in September. Already kicking off 2023 with a show alongside TSHA and Barry Can’t Swim, Club Angel is set to delight audiences at Pitch Culture & Arts and DIGI Culture & Music this March.

DJ, producer, radio host and Yuggera woman dameeeela has steadily amassed a devoted following, and reputation as an in-demand selector, warming up stages for the likes of Skepta, Tyler The Creator, Charlie XCX, Anderson .Paak, and Genesis Owusu - to name a few. Already appearing at festivals such as Splendour In The Grass, Listen out, Laneway, Groovin The Moo, and Bigsound, this Tulmur/Ipswich raised, now Meanjin/Brisbane based artist released her debut single in 2022 The Shake Up ft. Tjaka , and has already kicked off 2023 with a performance at Falls Festival.

From Boorloo/Perth comes the indie-rock-pop sounds of four-piece band DICE . Spending a lot of time in the studio with Sam Ford at Tone City Recording Studio (Psychedelic Porn Crumpets, POND & Abbe May) 2022 saw the release of their debut EP Adolescent Arcade in addition to a nationwide tour with Great Gable, in addition to their own headline one. Already releasing a single this year; Eyes Ahead - which has received spins on both triple j and unearthed, the group are set to tour WA next month, followed by a huge Australia wide tour this May.

Elsy Wameyo

Elsy Wameyo is a Tarntanya/Adelaide based artist who has been releasing music since 2018, drawing on influences from jazz, EDM and r&b, while also touching on modern trap stylings with a twist. Last year saw her take out the triple J Unearthed Artist of The Year award, support Hilltop Hoods on their Australian tour, play Lost Paradise and Falls festivals, in addition to releasing her debut self-produced EP Nilotic ( read more ) which was treated to its own nationwide tour. With all that under her belt, we can’t wait to see what 2023 has in store for this incredible singer, rapper, and producer.

When it comes to raw post-punk that combines electronic production with grunge and shoegaze flavours, Naarm/Melbourne’s ENOLA has you covered, detailing vulnerable, hard-hitting narratives into infectious tracks that leave a lasting effect. Releasing their debut single Strange Comfort , followed by Metal Body in 2022, they’ve spent the last six months supporting the likes of RVG, Rolling Blackouts Coastal Fever and Divide and Dissolve, in addition to showcasing at Bigsound. Already kicking off 2023 with a performance at Goom Fest in late January, ENOLA is primed on a trajectory for a lot more impressive milestones and releases ahead.

From a beautiful beachside town in WA’s south comes the delightful indie melodies of Kiera Jas , an artist who’s been drip feeding singles since their debut release Shadows in 2018. Receiving a lot of love for her collaboration with ASKYA for a Above Water across acoustic playlists on Spotify and YouTube, and with a nomination at the West Australian Music Song of The Year, last year saw this emerging solo-artist support Mama Kin on a state-wide tour, in addition to releasing her most recent single Bicycle ( read more ) being featured as a triple J unearthed highlight. Armed with her thoughtful songwriting and feel-good folk sounds, Kiera has already kicked off 2023 with some local shows in Margaret River, building up to her Nannup Music festival appearance next month.

Falling somewhere between funk, pop, and R&B is the groove-ladened sounds of Boorloo/Perth band LUCI . Releasing their debut single Hands in 2021 - a track which received a nomination at the West Australian Music (WAM) awards last year, the outfit have continued to go from strength to strength, 2022 seeing singles Sunrise , See You Tomorrow , and Alibi receive community radio and nation wide editorial support, whilst they performed support slots with Katy Steele, Death By Denim, and Butter along the way. With a refined sound and a fast growing crowd at local shows, we can’t wait to see what’s next for LUCI in 2023.

Self-taught DJ and beat maker Memphis LK brings her DIY approach alongside pop and underground dance influences to create distinct, forward-thinking tunes that have seen her garner a huge social media presence and perform Splendour In The Grass, Listen Out, Bigsound, and national support slots for Tove Lo and Hayden James in 2022, as well as sets in New Zealand, and at Wild Lands, and Beyond The Valley festivals over the summer. Starting out 2023 with the release of her latest EP Too Much Fun ( read more ) a couple weeks ago, she’s got more fun times, and big things ahead as she joins Carly Rae Jepson on her Australian tour next month.

Having already supported the likes of Stella Donnelly, Sly Withers, Noah Dillon, Jack Davies, Supathick, plus a slot at 2021’s Hyperfest before releasing her debut single Fish In A Bowl ( read more ) last year - a track which took out the Schools 15-18 category at the 2022 WAM Song of the Year awards, indie-folk rocker Mia June sure is a force to be reckoned with. Spending the last 12-months moving audiences with a stack of headline shows, as well as support slots for Great Gable, Old Mervs, Dulcie, and Teenage Dads, she released her second single Try To Cry in the second half of the year, garnering support from the likes of local institution RTRFM to national coverage on triple J. With her latest single Hungry out next Friday (Feb 10), 2023 is already looking promising for Mia as departs on a nation-wide tour supporting Stella Donnely shortly after the tracks release, squeezing in a performance at Nannup Music Festival in between.

We first met the R&B-rap-soul sounds of PRICIE with the release of her debut single too dang good in 2021 ( read more ), which has since been followed with a handful of singles featuring collaborations with the likes of Genesis Owusu, Tsebu, Palms Trax, and Dear Silas. Unveiling her impressive EP titled; IT’S PRICIE last year, in addition to performing festivals such as Splendour In The Grass, and Here Comes The Sun, and supporting the likes of Winston Surfshirt and Crooked Colours, she continues to impress an ever-growing national audience with her incredible style and sound. With 2023 well under way, PRICIE has already been nominated for the Converse Allstars campaign, and will be appearing at the Naarm/Melbourne Laneway Festival next weekend.

From Eora/Sydney comes the indie-pop-rock sounds of Salarymen, a duo who since their inception in 2019 have been winning over crowds with well crafted songwriting and compelling performances from sold-out headliner shows, to support slots with the likes of The Lazy Eyes, The Vanns, Hayley Mary (The Jezabels), The Delta Riggs and Sloan Peterson. Releasing their self-produced EP Head In The Sand last year ( read more ), a collection of songs dripping with relatable stories and irresistible sonic textures celebrated with shows in Japan and in Eora, the pair gear up for a busy year ahead with more local gigs in addition to heading over to Texas to play SXSW 2023.

Siobhan Cotchin

Alt-country sweetheart Siobhan Cotchin made her debut in 2020 with Tear Myself Apart , and has since blossomed into an award winning, national touring artists who’s shared stages with the likes of Leon Bridges, Bob Evans, Spacey Jane, Stella Donelly, The Whitlams, Thelma Plum, The Teskey Brothers. Last year saw her showcase at Bigsound, and absolutely clean up at the West Australian Music awards, taking out best Country Act, Vocalist, and Best EP for her Highways and Heartbreaks release ( read more ). Fresh off a nationwide tour, 2023 is already off to an exciting start for Siobhan - being nominated for Female Artist of the Year, Single of the year ( for Tucson), Album/EP of the year, Video Clip of the Year ( for Tucson), and Emerging Artist of the Year at the Boyup Brook Country Music Awards, in addition to a performance next weekend at the Boorloo/Perth leg of Laneway, and an upcoming support set for Boy & Bear in March.

Sunny Reyne

Emerging from Naarm/Melbourne is the jazz influenced neo-soul come alt-pop sounds of Sunny Reyne , an artist who officially debuted with her single Used To This in 2020, but made a huge splash in 2022 with what came to follow. Treating us to releases Carefully , and Insanity last year in the lead up to her warm and vibrant debut EP Right Now ( read more ), Sunny has been receiving love locally from triple J and performing at the Melbourne Int’l Jazz Festival, to receiving airplay and interview slots at JazzFM in London. Launching her EP in December, and kicking off 2023 supporting Audrey Powne, we can’t see what’s next for this talented singer-songwriter.

Wildfire Manwurrk

Family group of Arnhem Land rockers Wildfire Manwurrk burst onto the scene last year with their traditional songlines from ancient times, told through the stories they face as men in a world of culture, chaos, and change. Spreading like wildfire through catchy, hard hitting tunes, making it as a triple J featured artist in November, and appearing at Meadow festival following the release of their debut EP The Next Future ( read more ), the group gear up for a busy year ahead including a slot at Nannup Music Festival 2023 this March.

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OneRepublic announces 2023 Australian tour with Masked Wolf – here’s how to get tickets

It has been quite some time since their last national tour, so we’re excited to announce GRAMMY-nominated band OneRepublic are heading to Australia and New Zealand in March 2023.

Last on our shores in 2019 to headline the NRL Grand Final, this tour will see the band take in more of our side of the world, with huge shows including stops in Brisbane, Auckland, and Wellington locked in.

Joining OneRepublic across the tour is Sydney’s Masked Wolf who, in large part thanks to his huge single ‘Astronaut In The Ocean’, has cemented himself as an absolute force on the international hip hop stage.

OneRepublic 2023 Australia & New Zealand Tour Dates

• March 14, 2023, – Fortitude Music Hall, Brisbane QLD
• March 16, 2023, – Spark Arena, Auckland NZ
• March 18, 2023, – TSB Arena, Wellington NZ

General Public Tickets on sale from Friday 29 July @ 12pm (local)

Find tickets

With chart-topping hits like ‘Apologize’, ‘Stop and Stare’, ‘Rescue Me’, ‘Counting Stars’, and their recent smash hit ‘I Ain’t Worried’, OneRepublic have provided countless memorable singalong moments – so we can’t wait to hear what the band are going to bring to our stages.

They are currently riding high following the release of their fifth studio album Human , which includes tracks ‘Run’, ‘Somebody To Love’, ‘Wanted’ and ‘Rescue Me’.

Since turning heads in 2018, when he dropped his independent debut Speed Racer , Masked Wolf hasn’t stopped. From viral TikTok moments to Superbowl champ quarterback shout outs, his music has been unescapable. Now he’ll return from conquering stages around the globe to bring his music to fans around Australia and New Zealand.

When do tickets for OneRepublic w/ Masked Wolf in Australia and New Zealand go on sale?

OneRepublic Fan Club Presale: Wednesday 27 July @ 11am (local) until Friday 29 July @ 11am (local) MyTicketmaster Members Presale: Thursday 28 July @ 11am (local) until Friday 29 July @ 11am (local) Live Nation Members Presale: Thursday 28 July @ 11am (local) until Friday 29 July @ 11am (local) General Public Onsale: Friday 29 July @ 12pm (local)

How do I purchase tickets in one of the OneRepublic presales?

Onerepublic fan club presale.

If you are a member of OneRepublic’s artist fan club you can access this presale.

You must access the presale via the direct link and enter the code provided by the OneRepublic Fan Club to access tickets. If you have not received the direct link or code you will need to contact the Rocket Club directly.

You must have a valid Ticketmaster account to complete your purchase. If you have not done so already, please ensure your account details including payment details are up to date.

Please take your time and ensure you double check your ticket selection on every screen. After moving from the queue to the purchase page you will be required to enter your unique code and then reselect your preferred ticket choice, please ensure you double check which tickets you have selected before proceeding. Your order details will appear four times prior to confirming your purchase.

MyTicketmaster Members Presale

To access the My Ticketmaster presale, please ensure you have a Ticketmaster account and that all the important information (email, phone number, payment, password) are up to date.

On presale day, all you’ll need to do is make sure you are logged into your Ticketmaster account to access the presale links.

Live Nation Members Presale

To access the Live Nation presale, please ensure you are a Live Nation Member. When you are logged in, the top right-hand corner will say ‘My Live Nation’. 

On presale day, you will need to log into your Live Nation account to access the presale links. When you are logged in, the top right-hand corner will say ‘My Live Nation’. 

Once logged in, head to the home page, click the banner for OneRepublic’s tour, and follow the links on their website to get back to the Ticketmaster site.

Are VIP Packages available for OneRepublic’s 2023 tour?

Early entry.

• One (1) General Admission standing ticket
• Early entry onto the floor before the general public
• One (1) drink voucher to redeem for a beer, wine or soft drink
• Commemorative VIP Tour Laminate 
• Early access to merchandise stands *
• Priority Entry into the venue *
• Designated VIP check-in and onsite host

* Venue dependent

• One (1) Premium Reserved Seat ticket in a prime location
• Dedicated lane(s) at merchandise stands *
• Dedicated lane(s) at select bars *

Want a memento? Grab a collector ticket!

Want a memento to remember your night? When selecting your tickets make sure you choose the Collector Ticket option to receive your OneRepublic specific souvenir.

A collector ticket is a souvenir ticket which not only gets you into the event, it also serves as a treasured keepsake to be kept well after the concert is over.

Collector tickets are only made available for selected events and can be purchased through the normal purchase processes – be sure to select a “Collector Ticket” when choosing your ticket type.

Collector tickets can only be delivered to fans via mail, and cannot be sent as Print-at-Home or E-Tickets, or collected from outlets or the venue. Collector Tickets are not available to those without a valid Australian address.  You must provide an Australian postal address to receive Collector Tickets.

Collector tickets will be dispatched approximately one month prior to the event.

OneRepublic with Masked Wolf 2023 Australia Tour Ticket Tips

When are OneRepublic touring Australia?

OneRepublic and Masked Wolf will take over stages around Australia and New Zealand in March 2023. Tickets are on sale via Ticketmaster.com.au.

• BRISBANE QLD – Tuesday 14 March 2023 @ Fortitude Music Hall
• AUCKLAND NZ –  Thursday 16 March 2023 @ Spark Arena
• WELLINGTON NZ – Saturday 18 March 2023 @ TSB Arena

When do tickets to OneRepublic’s Australian tour go on sale?

Tickets to OneRepublic and Masked Wolf in Australia and New Zealand will go on sale to the general public on Friday 29 July 2022. Tickets are on sale via Ticketmaster.com.au.

My Ticketmaster Members can access an exclusive presale from Thursday 28 July @ 11am (local time).

Log into your Ticketmaster account and update your password if needed!

Get in early and ensure all your MyTicketmaster account details are up to date – from your password to your card details and your phone number.

Ticketmaster will regularly ask you to update your password to ensure the security of your account – you don’t want to get stuck having to change your password while the ticket timer is counting down during onsale as you can risk losing the incredible tickets you have secured.

Instead, now that you know you want to purchase tickets, log into your account and update your password today to ensure you are ready to nab those tickets.

Get to know Ticketmaster’s Smart Queue

If you aren’t familiar with  Smart Queue , it is Ticketmaster’s way of creating a clear and fair process for thousands of fans to buy tickets in a short space of time. Fans enter the virtual  Waiting Room  prior to onsale time before joining the  Smart Queue  – which acts as a ‘virtual line’, helping us protect you and your tickets in a more effective way.

The time you join the Waiting Room does not determine your place in the Smart Queue, so we recommend joining at least 10 minutes prior to the event going on sale.

When the sale begins, the Smart Queue will open and everyone in the Waiting Room is given a place in line. Those who did not join the Waiting Room will be placed at the end of the line.

• Sign in to your Ticketmaster account at least 10 minutes before joining the Waiting Room. This will speed up your purchase later.
• Confirm you have a valid form of payment in your account with current email and billing information. This will make checkout a breeze.
• Resist the urge to refresh. Your page will automatically refresh when you enter the Smart Queue.
• Keep an eye on the time! When it’s your turn, your spot will be held for 10 minutes to begin shopping.
• Just like before, tickets are always based on availability, demand, and are not guaranteed.

Find out more about Ticketmaster’s Waiting Room and Smart Queue here

What are In Demand Tickets?

In Demand Tickets are tickets in some of the most sought after areas in the venue. Please Note – Ticket prices may fluctuate based on demand.

In Demand tickets are made available by artists and event organisers through Ticketmaster. They give fans fair and safe access to the most sought-after areas in the venue at market-driven prices (adjusting prices according to supply and demand). In Demand tickets are ticket-only purchases, and prices are subject to change at any time.

Get to know Mobile Tickets!

All tickets*** purchased to OneRepublic’s 2023 Australian and New Zealand tour via Ticketmaster are digital, meaning you can easily access your tickets on your phone via the Ticketmaster app or the web browser on your mobile phone, add them straight to your phone’s ticket wallet, and share them with your friends and family.

No PDFs, no printing, and no paper mean that you’ve always got your ticket with you.

Download the Ticketmaster App, and find more information about Mobile Tickets, here.

Top tip:  To make entry on event day as quick as possible, we recommend adding your tickets to your phone’s wallet before arriving at the venue!

**All tickets can only be accessed via mobile web browser or the Ticketmaster app, except Collector Tickets, which will be sent via mail prior to the event.

How do I purchase Accessible Seating tickets?

Fans who require accessible tickets can purchase these through the General Public page. Please select the number of wheelchair, accessible, and/or companion card tickets you would like to purchase to view the ‘Best Available’ seating currently available.

Accessible seats (including Companion Cards) can be purchased during the presales via Customer Service if you can quote a relevant password.

Accessible seating, both during presales and the general public sale period, can also be requested via our  Accessible Booking form . Please be sure to include your relevant presale code with your request if wanting to make a booking during the presale period.

If you need to talk to a Customer Service Representative, please call  1300 446 925.  Please note, this phone number is reserved for patrons with accessibility requirements and companion cardholders and can not process any other ticketing requests.

Why can’t I access my OneRepublic tickets right away?

All tickets** purchased for OneRepublic’s 2023 tour are digital and will be accessible on a digital mobile/smartphone via Ticketmaster’s mobile app or web browser closer to the event date. Therefore, no physical tickets will be posted or emailed in advance.

Once the tickets have been purchased, you will receive a confirmation email as proof of purchase. This is NOT your ticket or ticket(s). You will receive instructions on how to access their ticket(s) much nearer to the shows if relevant.

**All tickets are digital except Collector Tickets

OneRepublic and Masked Wolf will tour Australia and New Zealand in March 2023. Tickets are on sale via Ticketmaster.com.au.

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You will receive a welcome email shortly, upcoming concerts in australia 2023/2024.

Get ready, folks - ‘cause 2023/24 is going to be massive in terms of concerts and music festivals in Australia.

In February alone, we had the likes of Sting, Harry Styles and Snoop Dogg bringing their shows Down Under. There are also loads of local artist gigs popping up throughout the year.

Next year we'll have Taylor Swift, P!NK, Blink 182, plus, loads more international artists touring Oz.

So, without further ado – here are some of the biggest gigs in Australia in 2023/24:

(Details were correct at the time of writing. Please be aware that ticket pricing and availability and concert dates are subject to change).

In this article:

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• Adelaide: Wednesday, 23 August 2023 – Adelaide Entertainment Centre Theatre, SA
• Perth: Saturday, 26 August 2023 – RAC Arena, Perth WA – SOLD OUT

You can purchase Luke Combs tickets via Ticketek .

• Brisbane: Thursday, 24 August 2023 – Brisbane Riverstage, Brisbane, QLD – SOLD OUT
• Sydney: Saturday 26 August 2023 – Qudos Bank Arena, Sydney Olympic Park, NSW
• Adelaide: Monday 28 August 2023 – Adelaide Entertainment Centre Theatre, Hindmarsh, SA – SOLD OUT
• Melbourne: Wednesday, 30 August 2023 – Rod Laver Arena, Melbourne, VIC
• Perth: Saturday 2 September 2023 – Red Hill Auditorium, Perth, WA

You can buy Evanescence tickets via Ticketek .

September 2023:

• Melbourne: Saturday 9 September 2023 – Rod Laver Arena, Melbourne, VIC
• Adelaide: Monday 11 September 2023 – Adelaide Entertainment Centre Arena, Adelaide, SA
• Brisbane: Thursday, 14 September 2023 – Brisbane Entertainment Centre, Brisbane, QLD
• Sydney: Friday 8 September 2023 – Aware Super Theatre, Sydney, NSW
• Perth: Tuesday, 5 September 2023 – RAC Arena, Perth, WA

You can purchase Culture Club tickets via Ticketek .

• Melbourne: Thursday 28 September 2023 – Hamer Hall Melbourne, VIC
• Melbourne: Friday 29 September 2023 – Hamer Hall Melbourne, VIC
• Adelaide: Sunday 1 October 2023 – Adelaide Festival Centre, SA
• Perth: Saturday 7 October 2023 – Riverside Theatre Perth, WA

You can buy Delta Goodrem tickets via Ticketek for the above venues.

Delta Goodrem - Sydney shows:

• Sydney: Monday 23 September 2023 – Sydney Coliseum Theatre, West HQ, Rooty Hill, NSW
• Sydney: Monday 25 September 2023 – Sydney Opera House, NSW
• Sydney: Tuesday 26 September 2023 – Sydney Opera House, NSW

If you’re in Sydney, here’s where you can buy Delta Goodrem tickets for her Sydney Opera House shows.

• Sydney: Friday 15 September 2023 – Enmore Theatre, Newtown, NSW
• Melbourne: Thursday 5 October 2023 – Forum Melbourne, Melbourne, VIC
• Melbourne: Friday 6 October 2023 – Forum Melbourne, Melbourne, VIC – SOLD OUT

You can buy The Cat Empire tickets via Ticketek .

• Melbourne: Wednesday, 27 September, 2023 – Forum Melbourne, Melbourne, VIC
• Melbourne: Thursday, 28 September 2023 – Forum Melbourne, Melbourne, VIC – SOLD OUT
• Sydney: Saturday, 14 October 2023 – Enmore Theatre, Newtown, NSW – SOLD OUT
• Sydney: Sunday, 15 October 2023 – Enmore Theatre, Newtown, NSW

You can buy DMA’s tickets via Ticketek .

October 2023:

• Adelaide: Wednesday 18 October 2023 – Adelaide Entertainment Centre Arena, Adelaide, SA - SOLD OUT
• Sydney: Friday, 27 October 2023 – Allianz Stadium, Moore Park, NSW
• Sydney: Saturday, 28 October 2023 – Allianz Stadium, Moore Park, NSW
• Gold Coast: Wednesday, 1 November 2023 – Suncorp Stadium, Milton, QLD
• Gold Coast: Saturday, 4 November 2023 – Heritage Bank Stadium, Carrara, QLD

You can purchase Paul McCartney tickets via Ticketek .

• Sydney: Tuesday 10 October 2023 – Enmore Theatre, Newtown, NSW

You can buy Chet Faker tickets via Ticketek .

• Sydney: Saturday 21 October 2023 – Hordern Pavilion, Moore Park, NSW
• Melbourne: Wednesday, 25 October 2023 – Forum Melbourne, Melbourne, VIC – SOLD OUT
• Melbourne: Thursday, 26 October 2023 – Forum Melbourne, Melbourne, VIC – SOLD OUT

You can purchase The Amity Affliction tickets via Ticketek .

• Adelaide: Saturday 28 October 2023 – Adelaide Entertainment Centre Arena, SA
• Melbourne: Tuesday 31 October 2023 – Rod Laver Arena, Melbourne, VIC – SOLD OUT
• Melbourne: Wednesday 1 November 2023 – Rod Laver Arena, Melbourne, VIC
• Sydney: Friday 3 November 2023 – Qudos Bank Arena, Sydney, NSW
• Sydney: Saturday 4 November 2023 – Qudos Bank Arena, Sydney, NSW
• Brisbane: Wednesday 8 November 2023 – Brisbane Entertainment Centre, QLD

You can buy Sam Smith tickets via Ticketek .

• Melbourne: Sunday, 29 October 2023 – Margaret Court Arena, Melbourne, VIC – SOLD OUT
• Melbourne: Monday, 30 October 2023 – Margaret Court Arena, Melbourne, VIC
• Sydney: Wednesday 1 November 2023 – Aware Super Theatre, Sydney, NSW

You can buy Charlie Puth tickets via Ticketek .

• Adelaide: Thursday 12 October 2023 – Adelaide Entertainment Centre Arena, Adelaide, SA
• Melbourne: Monday, 16 October 2023 – Rod Laver Arena, Melbourne, VIC – SOLD OUT
• Sydney: Thursday, 19 October 2023 – Qudos Bank Arena, Sydney Olympic Park, NSW
• Brisbane: Tuesday, 24 October 2023 – Brisbane Entertainment Centre, Brisbane, QLD – SOLD OUT
• Brisbane: Wednesday, 25 October 2023 – Brisbane Entertainment Centre, Brisbane, QLD

You can buy The Chicks tickets via Ticketek .

• Perth: Wednesday 25 October 2023 – RAC Arena, Perth, WA
• Sydney: Sunday 29 October 2023 – Qudos Bank Arena, Sydney Olympic Park, NSW
• Sydney: Tuesday 31 October 2023 – Newcastle Entertainment Centre, Broadmeadow, NSW
• Adelaide: Thursday 2 November 2023 – Adelaide Entertainment Centre Arena, Adelaide, SA
• Melbourne: Monday, 6 November 2023 – Rod Laver Arena, Melbourne, VIC

You can buy The Corrs tickets via Ticketek .

November 2023:

The Weeknd Concert Dates:

• Brisbane: Monday 20 November 2023 – Suncorp Stadium, Milton, QLD
• Sydney: Friday 24 November 2023 – Accor Stadium, Sydney Olympic Park, NSW

PRESALE TICKETS:

The Weeknd tickets aren’t currently available yet, however, there’ll be several opportunities to buy presale tickets. Here are the details:

Vodafone Presale:

• Brisbane: Friday, 25 August, 11am – Tuesday, 29 August, 10pm* (AEST)
• Sydney: Friday, 25 August, 12pm – Tuesday, 29 August, 10pm* (AEST)

Live Nation Presale:

• Brisbane: Thursday, 31 August, 11am – Friday, 1 September, 10am* (AEST)
• Sydney: Thursday, 31 August, 12pm – Friday, 1 September, 11am* (AEST)

Binance/My Ticketek Presale:

• Brisbane: Thursday, 31 August, 11am –  Friday, 1 September, 10am* (AEST)

OFFICIAL GENERAL PUBLIC RELEASE TICKETS:

Here’s when The Weeknd tickets officially go on sale to the general public:

• Brisbane: Friday 1 September, 11am (AEST)
• Sydney: Friday 1 September, 12pm (AEST)

You can buy The Weeknd tickets via Ticketek .

• Adelaide: Friday 3 November 2023 – Adelaide Entertainment Centre Theatre, Hindmarsh, SA
• Sydney: Wednesday, 8 November 2023 – Hordern Pavilion, Moore Park, NSW
• Melbourne: Saturday, 4 November 2023 – Margaret Court Arena, Melbourne, VIC

You can purchase All Time Low tickets via Ticketek . 

• Brisbane: Wednesday, 22 November 2023 – Brisbane Entertainment Centre, Brisbane, QLD – SOLD OUT
• Brisbane: Thursday, 23 November 2023 – Brisbane Entertainment Centre, Brisbane, QLD – SOLD OUT
• Melbourne: Monday, 27 November 2023 – Rod Laver Arena, Melbourne, VIC – SOLD OUT
• Melbourne: Tuesday, 28 November 2023 – Rod Laver Arena, Melbourne, VIC – SOLD OUT

You can buy Paramore tickets via Ticketek (if still available).

• Sydney: Friday 24 November 2023 – Enmore Theatre, Sydney, NSW
• Sydney: Saturday 25 November 2023 – Enmore Theatre, Sydney, NSW
• Newcastle, NSW: Wednesday 29 November 2023 – Newcastle Civic Theatre, Newcastle, NSW

You can buy Belinda Carlisle tickets via Ticketek .

Post Malone is bringing his ‘If Y'all Weren't Here, I'd Be Crying’ tour to Australia in 2023. He’ll also be headlining at Spilt Milk music festival if you’d rather see him there. Here are the deets:

‘If Y'all Weren't Here, I'd Be Crying’ tour dates:

• Brisbane: Thursday, 23 November 2023 – Brisbane Showgrounds, Bowen Hills, QLD
• Canberra: Saturday, 25 November 2023 – At Spilt Milk music festival in Canberra Exhibition Park in Canberra, ACT
• Gold Coast: Sunday, 26 November 2023 – At Spilt Milk music festival at Gold Coast Sports Precinct, QLD
• Sydney: Wednesday, 29 November 2023 – The Domain, Sydney, NSW
• Melbourne: Thursday, 30 November 2023 – Melbourne Showgrounds, Ascot Vale, VIC

Spilt Milk show:

• Ballarat: Saturday, 2 December 2023 – At Spilt Milk music festival at Victoria Park, VIC
• Perth: Sunday, 3 December 2023 – At Spilt Milk music festival at Claremont Showground, Perth, WA

You can buy Post Malone concert tickets via Ticketmaster . Alternatively, you can buy tickets to see Post Malone headline at Spilt Milk music festival via Moshtix .

• Adelaide: Saturday 25 November 2023 – Adelaide Entertainment Centre Theatre, Hindmarsh, SA – SOLD OUT
• Brisbane: Monday 20 November 2023 – Brisbane Convention & Exhibition Centre, Southbank, QLD – SOLD OUT
• Sydney: Wednesday, 22 November 2023 – Hordern Pavilion, Moore Park, NSW – SOLD OUT
• Melbourne: Thursday 23 November 2023 – Margaret Court Arena, Melbourne, VIC – SOLD OUT

Please note: Måneskin concert tickets are currently sold out in all cities . However, you might want to try your luck on Ticketek Marketplace to see if people are selling tickets.

December 2023:

• Perth: Saturday, 2 December 2023 – RAC Arena, Perth, WA
• Adelaide: Monday, 4 December 2023 – Adelaide Entertainment Centre Arena, Adelaide, SA
• Melbourne: Tuesday 5 December 2023 – Rod Laver Arena, Melbourne, VIC
• Melbourne: Wednesday 6 December 2023 – Rod Laver Arena, Melbourne, VIC
• Sydney: Friday 8 December 2023 – Qudos Bank Arena, Sydney Olympic Park, NSW
• Sydney: Saturday 9 December 2023 – Qudos Bank Arena, Sydney Olympic Park, NSW
• Brisbane: Sunday 10 December 2023 – Brisbane Entertainment Centre, Brisbane QLD
• Brisbane: Monday 11 December 2023 – Brisbane Entertainment Centre, Brisbane QLD

You can purchase 50 Cent tickets via Ticketek .

• Adelaide: Saturday 2 December 2023 – Coopers Stadium, Hindmarsh, SA – SOLD OUT
• Melbourne: Monday, 4 December 2023 – AAMI Park, Melbourne, VIC
• Melbourne: Wednesday, 6 December 2023 – AAMI Park, Melbourne, VIC
• Sydney: Saturday 9 December 2023 – Accor Stadium, Sydney Olympic Park, NSW
• Brisbane: Tuesday, 12 December 2023 – Suncorp Stadium, Milton QLD – SOLD OUT

You can buy Foo Fighters tickets via Ticketek .

• Sydney: Friday 15 December 2023 – Hordern Pavilion, Moore Park, NSW

You can buy Genesis Owusu tickets via Ticketek .

February 2024:

Tour dates:

• Melbourne MCG: Friday, 16 February 2024
• Melbourne MCG: Saturday, 17 February 2024
• Sydney Accor Arena: Friday, 23 February 2024
• Sydney Accor Arena: Saturday, 24 February 2024
• Sydney Accor Arena: Sunday, 25 February 2023

Members-only presale tickets:

• AMEX pre-sale : For American Express credit card holders, Taylor Swift AMEX presale ticket sales start on Monday, the 26th of June 2023, at 10am AEST Sydney time and 2pm in Melbourne (available for 48 hours or until allocation is exhausted).
• Frontier Touring pre-sale : For Frontier Touring members, the Taylor Swift Frontier pre-sale tickets go on sale on Wednesday, the 28th of June 2023, at 10am in Sydney and 2pm in Melbourne (available for 24 hours). You’ll need to register as a Frontier member to access the pre-sale code.

General release tickets:

• Ticketek General public tickets : General public tickets go on sale via Ticketek on Friday the 30th of June, at 10am AEST in Sydney and 2pm in Melbourne.

• Sydney: Friday, 9 February 2024 – Allianz Stadium, Sydney, NSW
• Sydney: Saturday, 10 February 2024 – Allianz Stadium, Sydney, NSW
• Newcastle, NSW: Tuesday, 13 February 2024 – McDonald Jones Stadium, Newcastle, NSW
• Brisbane: Friday 16 February 2024 – Suncorp Stadium, Brisbane, QLD
• Brisbane: Saturday 17 February 2024 – Suncorp Stadium, Brisbane, QLD
• Gold Coast: Tuesday, 20 February 2024 – Carrara/Metricon Stadium, Carrara, QLD
• Melbourne: Friday, 23 February 2024 – Marvel Stadium, Docklands, VIC
• Adelaide: Tuesday, 27 February 2024 – Adelaide Oval, Adelaide
• Burswood, WA: Friday, 1 March 2024 – Optus Stadium, Burswood, WA

You can buy P!NK tickets via Ticketmaster and Live Nation .

• Melbourne: Friday 28 January 2024 – Sidney Myer Music Bowl, Melbourne, VIC
• Sydney: Friday, 2 February 2024 – Qudos Bank Arena, Sydney Olympic Park, NSW

You can buy Louis Tomlinson tickets via Ticketek .

• Perth: Thursday 8 February 2024 – RAC Arena, WA
• Perth: Friday 9 February 2024 – RAC Arena, WA
• Adelaide: Sunday 11 February 2024 – Adelaide Entertainment Centre Arena, SA – SOLD OUT
• Melbourne: Tuesday 13 February 2024 – Rod Laver Arena, Melbourne, VIC – SOLD OUT
• Melbourne: Wednesday 14 February 2024 – Rod Laver Arena, Melbourne, VIC – SOLD OUT
• Sydney: Friday 16 February 2024 – Qudos Bank Arena, Sydney, NSW – SOLD OUT
• Sydney: Saturday 17 February 2024 – Qudos Bank Arena, Sydney, NSW – SOLD OUT
• Brisbane: Monday 19 February 2024 – Brisbane Entertainment Centre, QLD – SOLD OUT
• Brisbane: Tuesday 20 February 2024 – Brisbane Entertainment Centre, QLD – SOLD OUT
• Brisbane: Wednesday 21 February 2024 – Brisbane Entertainment Centre, QLD – SOLD OUT  
• Sydney: Friday 23 February 2024 – Qudos Bank Arena, Sydney, NSW – SOLD OUT
• Sydney: Saturday 24 February 2024 – Qudos Bank Arena, Sydney, NSW
• Melbourne: Monday 26 February 2024 – Rod Laver Arena, Melbourne, VIC – SOLD OUT
• Melbourne: Tuesday 27 February 2024 – Rod Laver Arena, Melbourne, VIC

You can buy Blink-182 tickets via Ticketek .

• Shop around:  Whether you’re taking out a home loan or buying concert tickets – if you want a better deal, then you should a lways shop around and compare prices .
• Only buy from reputable sites:  Nowadays, it’s super easy to get tricked into buying tickets from phony sites and scalpers that pose as legit ticket sellers (they’re not). Trust us, they’re super convincing – and often come up as some of the first search results in Google. To avoid getting scammed or overspending, triple-check that you’re shopping with a reputable seller (like Ticketek , Ticketmaster , or Moshtix ) and do a quick price comparison to ensure you’re getting the best deal
• Exlcusive deals: Credit card companies often offer better deals or presale tickets to their customers, so do your research before going to the checkout.

For more events and shopping news, head to our online shopping sales and events hub .

Past events

(past event) michael bublé tickets.

• Newcastle NSW: Thursday 1 June 2023 – Newcastle Entertainment Centre, Newcastle NSW
• Perth: Monday 5 June 2023 – RAC Arena, Perth WA
• Melbourne: Friday 16 June 2023 – Rod Laver Arena, Melbourne VIC
• Melbourne: Saturday 17 June 2023 – Rod Laver Arena, Melbourne VIC
• Adelaide: Tuesday 13 June 2023 – Adelaide Entertainment Centre Arena, Adelaide SA
• Adelaide: Wednesday 14 June 2023 – Adelaide Entertainment Centre Arena, Adelaide SA
• Sydney: Friday 9 June 2023 – Qudos Bank Arena, Sydney NSW
• Sydney: Saturday 10 June 2023 – Qudos Bank Arena, Sydney NSW
• Brisbane: Tuesday 20 June 2023 – Brisbane Entertainment Centre, Brisbane QLD
• Brisbane: Wednesday 21 June 2023 – Brisbane Entertainment Centre, Brisbane QLD

You can buy Michael Bublé tickets via Ticketek .

(PAST EVENT) BlackPink, Born Pink World Tour tickets

• Melbourne: Saturday 10 June 2023 – Rod Laver Arena, Melbourne, VIC – SOLD OUT
• Melbourne: Sunday 11 June 2023 – Rod Laver Arena, Melbourne, VIC – SOLD OUT
• Sydney: Friday 16 June 2023 – Qudos Bank Arena, Sydney, NSW – SOLD OUT
• Sydney: Saturday 17 June 2023 – Qudos Bank Arena, Sydney, NSW – SOLD OUT

You can buy BLACKPINK tickets via Ticketek .

(PAST EVENT) Billy Ocean tickets

• Gold Coast: Friday 16 June 2023 – The Star Gold Coast, QLD  Sydney: Thursday 22 June 2023 – Darling Harbour Theatre at ICC, Sydney, NSW
• Canberra: Sunday 25 June 2023 – Royal Theatre, Canberra, ACT

You can buy Billy Ocean via Ticketek .

(PAST EVENT) Backstreet Boys – DNA World Tour 2022 (rescheduled to Feb & March 2023) tickets

• Perth: Saturday, 25 February 2023 – RAC Arena, WA
• Melbourne: Tuesday, 28 February 2023 – Rod Laver Arena, Melbourne, VIC
• Melbourne: Wednesday 1 March 2023 – Rod Laver Arena, Melbourne, VIC
• Sydney: Saturday 4 March 2023 – Qudos Bank Arena, Sydney, NSW
• Sydney: Sunday 5 March 2023 – Qudos Bank Arena, Sydney, NSW
• Brisbane: Wednesday 8 March 2023 – Brisbane Entertainment Centre, QLD

You can buy Backstreet Boys tickets via Ticketek .

(PAST EVENT) Snoop Dogg – I Wanna Thank Me Tour tickets

• Perth: Monday, 27 February 2023 – RAC Arena, WA
• Sydney: Wednesday 1 March 2023 – Qudos Bank Arena, Sydney, NSW
• Sydney: Thursday 2 March 2023 – Qudos Bank Arena, Sydney, NSW
• Melbourne: Saturday 4 March 2023 – Rod Laver Arena, Melbourne, VIC
• Melbourne: Sunday 5 March 2023 – Rod Laver Arena, Melbourne, VIC
• Brisbane: Tuesday 7 March 2023 – Brisbane Entertainment Centre, QLD
• Adelaide: Wednesday 8 March 2023 – Adelaide Entertainment Centre, SA

You can buy Snoop Dogg tickets at Ticketek .

(PAST EVENT) Florence & the Machine tickets

• Perth: Saturday 4 March 2023 – RAC Arena, Perth WA
• Melbourne: Wednesday 8 March 2023 - Rod Laver Arena, Melbourne VIC
• Melbourne: Thursday 9 March 2023 – Rod Laver Arena, Melbourne VIC
• Sydney: Monday 13 March 2023 – Qudos Bank Arena, Sydney NSW
• Brisbane: Friday 17 March 2023 - Brisbane Entertainment Centre, QLD

You can buy Florence & the Machine tickets via Ticketek .

(PAST EVENT) OneRepublic tickets

• Melbourne: Friday 10 March 2023 – Margaret Court Arena, Melbourne, VIC
• Sydney: Saturday 11 March 2023 – Aware Super Theatre, Sydney, NSW

You can buy OneRepublic tickets via Ticketek .

(PAST EVENT) Lorde, Solar Power Tour tickets:

• Brisbane: Wednesday, 8 March 2023 – Riverstage, Brisbane, QLD
• Melbourne:  Friday, 10 March 2023 – Sidney Myer Music Bowl, Melbourne VIC
• Melbourne: Saturday, 11 March 2023 – Sidney Myer Music Bowl, Melbourne VIC – SOLD OUT
• Sydney: Monday 13 March 2023 – Aware Super Theatre at ICC, Sydney, NSW
• Sydney: Tuesday 14 March 2023 – Aware Super Theatre at ICC, Sydney, NSW
• Perth: ​​ Saturday 18 March 2023 – Belvoir Amphitheatre, Perth (18+) – SOLD OUT

Depending on which venue you choose, you’ll be able to buy Lorde tickets via Ticketek or Moshtix .

(PAST EVENT) Carly Rae Jepsen, The So Nice Tour tickets

• Sydney: Tuesday 7 March 2023 – Enmore Theatre, Sydney, NSW
• Sydney: Wednesday 8 March 2023 – Enmore Theatre, Sydney, NSW
• Melbourne: Monday 13 March 2023 – Forum Melbourne, VIC
• Melbourne: Tuesday 14 March 2023 – Forum Melbourne, VIC

You can buy Carly Rae Jepsen tickets via Ticketek .

(PAST EVENT) My Chemical Romance tickets

• Brisbane: Monday 13 March 2023 – Brisbane Entertainment Centre, QLD
• Brisbane: Tuesday 14 March 2023 – Brisbane Entertainment Centre, QLD
• Melbourne: Thursday 16 March 2023 – Rod Laver Arena, Melbourne, VIC
• Melbourne: Friday 17 March 2023 – Rod Laver Arena, Melbourne, VIC
• Sydney: Sunday 19 March 2023 – Qudos Bank Arena, Sydney, NSW – SOLD OUT
• Sydney: Monday 20 March 2023 – Qudos Bank Arena, Sydney, NSW

You can buy My Chemical Romance tickets via Ticketek .

(PAST EVENT) Ice Cube, Cypress Hill & The Game tickets

• Melbourne: Wednesday, 22 March 2023 – Rod Laver Arena, Melbourne, VIC
• Melbourne: Thursday, 23 March 2023 – Rod Laver Arena, Melbourne, VIC
• Adelaide: Saturday, 25 March 2023 – Adelaide Entertainment Centre Arena, SA
• Sydney: Sunday 26 March 2023 – Qudos Bank Arena, Sydney, NSW
• Brisbane: Tuesday 28 March 2023 – Brisbane Entertainment Centre, QLD

You can buy Ice Cube, Cypress Hill & The Game tickets at Ticketek .

April 2023:

(past event) the 1975 tickets.

• Adelaide: Monday 10 April 2023 – Adelaide Entertainment Centre Arena, SA
• Melbourne: Tuesday 11 April 2023 – Rod Laver Arena, Melbourne, VIC
• Melbourne: Wednesday 12 April 2023 – Rod Laver Arena, Melbourne, VIC
• Sydney: Friday 14 April 2023 – Aware Super Theatre, Sydney, NSW – SOLD OUT
• Sydney: Sunday 16 April 2023 – Qudos Bank Arena, Sydney, NSW

You can buy The 1975 tickets via Ticketek .

February 2023

(past event) sting, my songs tour (special guest joe summer) tickets.

• Sydney: Wednesday 15 February 2023 – Aware Super Theatre, Sydney, NSW
• Sydney: Thursday 16 February 2023 – Aware Super Theatre, Sydney, NSW
• Adelaide: Tuesday 21 Feb 2023 – Adelaide Entertainment Centre Arena, SA
• Melbourne: Thursday 23 February 2023 – Rod Laver Arena, Melbourne, VIC

You can buy Sting tickets at Ticketek .

Regional tour dates: Sting will also be having a bunch of ‘A day on the green’ concert dates this month at various regional locations and wineries:

• Pokolbin, NSW: Saturday, 18 February 2023 – Bimbadgen, Pokolbin, NSW
• Mount Cotton, QLD: Sunday, 19 February 2023 – Sirromet Wines, Mount Cotton, QLD
• Waurn Ponds, VIC: Saturday, 25 February 2023 – Mt Duneed Estate, Waurn Ponds, VIC
• Bowral, NSW: Sunday, 26 February 2023 – Centennial Vineyards, Bowral, NSW

You can buy regional Sting concert tickets at Ticketmaster .

(PAST EVENT) Harry Styles, Love On Tour tickets

• Perth: Monday 20 February 2023 – HBF Park, Perth, WA
• Melbourne: Friday 24 February 2023 – Marvel Stadium, Docklands, VIC
• Melbourne: Saturday, 25 February 2023 – Marvel Stadium, Docklands, VIC
• Gold Coast: Tuesday 28 February 2023 – Metricon Stadium, Carrara, QLD – SOLD OUT
• Sydney: Friday 3 March 2023 – Accor Stadium, Sydney Olympic Park, NSW
• Sydney: Saturday 4 March 2023 – Accor Stadium, Sydney Olympic Park, NSW

You can purchase Harry Styles tickets via Ticketmaster .

(PAST EVENT) Ed Sheeran, + - = ÷ x Tour (pronounced "The Mathematics Tour") tickets

• Brisbane: Friday 17 February 2023 – Suncorp Stadium, Brisbane, QLD
• Brisbane: Saturday 18 February 2023 – Suncorp Stadium, Brisbane, QLD
• Brisbane: Sunday 19 February 2023 – Suncorp Stadium, Brisbane, QLD
• Sydney: Friday 24 February 2023 – Accor Stadium, Sydney, NSW
• Sydney: Saturday 25 February 2023 – Accor Stadium, Sydney, NSW – SOLD OUT
• Melbourne: Thursday 2 March 2023 – Melbourne Cricket Ground, VIC
• Melbourne: Friday 3 March 2023 – Melbourne Cricket Ground, VIC
• Adelaide: Tuesday 7 March 2023 – Adelaide Oval, SA

You can buy Ed Sheeran tickets via Ticketek .

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Josiah queen, luke hemmings, top artists by genre.

Know what you like? Discover artists in your preferred genre, and check out their upcoming tour dates.

Red Hot Chili Peppers

Imagine dragons, kendrick lamar, indie & alt, lana del rey, mumford & sons, arctic monkeys, justin timberlake, jason derulo, alicia keys, top rated artists.

Dive into some of the best reviewed artists on Songkick, and find out what makes their performances so awesome.

Julia Jacklin

Julia’s assertive charm comes across in both her music and her on stage presence, the only difference being she is funnier in between her songs in which she contemplates what it means to be a woman viewed through her own lens, that of the men she’s loved, and of a perspective that shift as time goes on. Her voice is powerful and note perfect and especially enjoyable when she closed the show with an April Lavigne cover.

Moses Sumney

Moses was amazing. Very enigmatic but still approachable, and he had a lot of fun with the crowd. The performance was incredible, his voice is truly something to behold. I've listened to "Worth It" a million times but still got chills when he hit the high note. Would highly recommend seeing Moses live, especially before he gets really famous and expensive to see.

Absolutely the best concert I was ever at, honestly I don't think any other artist could top this. She had such an incredible presence on stage, every eye was on her and her wonderful team. Dua and her dancers moved gracefully and fluidly, with bursts of power and energy. Her vocals were insanely beautiful, every word was sung with such passion and love. Her grand finale of IDGAF and New Rules was simply amazing, with breathtaking choreography and stunning visuals behind her. The band sounded great and the backup vocalists and dancers were on point for every minute. Without a doubt in my mind it was the very best live performance I have ever seen, and I don't think anything in the future will ever compare to it. Dua Lipa, Olympia Theatre, Dublin. Monday 9th April 2018.

Arcade Fire

They say perfection doesn't exist, well that's wrong when it comes to Arcade Fire. The show was perfect, almost surreal- definitely the concert of the year by far. The set list on the Wednesday show was as of it was made for me, playing songs I never thought I would hear live, it was an emotional experience. The lighting, costumes, music transitions, props was amazing, and the boxing type ring stage was incredibly clever, allowing them to be closer to the fans and yet providing a different show on every side. Words can't explain what I felt during and after the concert, it was playful, clever, emotional, energetic- Such an amazing band, I'm so glad I found them- I don't know how I was alive before finding them. They have such an incredible stage presence, I really truly recommend seeing them if you have the chance- they unite all ages and create magic and unity.

Tyler, The Creator

I have been a fan of Tyler for a long time, as well as the whole group of OFWGKTA, and seeing him live was something I had on my bucket list. I went in with high expectations for his show, already knowing of how much energy and enthusiasm he puts into his live performances. What I got at The Forum went above and beyond anything I could have hoped for. The crowd was amazing, knowing every song and shouting and yelling along with unrivaled amounts of energy. Tyler was just as, or even more, energetic and knew how to work the crowd perfectly by interaction, be it between moments talking about random things or talking about his music and singing. I was blown away by the fact that at least twice he called to stop the song just to start it again because he loved how into it the crowd was and wanted to see it again. Of course we, the crowd, loved it and drained our lungs out with every lyric. I've seen the Arctic Monkeys, Sleigh Bells, Banks, Pendulum, Wolf Alice and others and can honestly say Tyler was the best overall. Everyone exited the venue with shirts soaked in sweat and with cracking voices, with grins on their face from having experienced something they'd never forget. If you like Tyler, or by extension OFWGKTA, you have to see him live if you get the opportunity, you can never anticipate how godly his live performances will be. I will definitely be waiting for his next visit to see him again.

King Gizzard & The Lizard Wizard

I saw these guys at the Subterranean in Chicago-- what an insane show. They electrified the crowd with non stop moshing, shoving, and stage diving, it was absolute madness. By the end of the gig I was utterly soaked with other peoples beer (theres always someone with a sloshing cup in a pit; why? just drink it!) and dripping with sweat. this show was epic, if you ever have the opportunity to see these guys you have to seize it-- they put on one hell of a show.

Music artists

For new users looking to follow their favorite bands and performers, our Artists pages are often the best place to start.

Whether you're on our site, or using our free app for iPhone and Android, the Songkick artists search engine is the fastest and simplest way to keep track of who's doing what right now. Be the first to learn which acts are touring, when they might be playing a venue near you, and how to get tickets for any future shows you like the sound of.

Looking to discover someone new? Hey, you’re our kind of music fan. That's why we've also included upcoming Live Stream Concerts alongside our artist searches, meaning you can easily schedule a more casual drop-in from the comfort of your couch.

Since launching our first app back in 2007, you guys - the fans, the concert-goers, the musical explorers - have been at the very heart of everything we do here. Our dream and our drive was always to bring Songkick members closer than ever before to the sounds they love, and the people who create them. Simply put, we pride ourselves on being your direct link to the greatest music artists on the planet.

Who are they, exactly? Well, according to our members, that changes almost by the hour...so let's talk about how Songkick keeps you in the loop.

Best live artists

A quick glance at our Most Popular Artists chart might tell you a few key things about the sorts of music fans we vibe with. For starters, it shows just how varied our members' tastes are. Pop, rock, dance, hip-hop, indie/alt and R&B all feature heavily, alongside a whole bunch of underground genres and rising scenes.

No two of you are quite the same - and frankly, we love to see it! Any time you check in, our 'most popular artists worldwide' and 'trending artists this week' leaderboards always read like a line-up for the greatest, most diverse live festival on Earth.

Among the top searches and best-selling music artists on our global roster, you might find anyone from Rhianna, Coldplay, Eminem and Ed Sheeran, through to Drake, U2, Kanye West,

Maroon 5, Beyoncé, The Midnight, Red Hot Chili Peppers, Taylor Swift, Calvin Harris, Imagine Dragons, Justin Bieber - and that's barely looking outside the top 20.

After all, if the weekly race for a spot on our most popular charts tells us anything, it's that the whole concept of 'best live bands' is a tricky one to pin down. Everybody's looking for a completely different type of experience, every night of the year.

That's another thing we love about our users: you're incredible at keeping us on our toes. In return, we’ve made it our mission to help keep you on yours.

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5 Aussie Artists To Watch In 2023

Our final Cover Story of 2022 focuses on five Australian artists we think you need to watch in 2023. Read on to find out who they are!

The Music has published over 45 Cover Stories in 2022, sharing stories told by your favourite artists, including Missy Higgins , Hatchie , Sampa The Great , Flume , Ball Park Music , Spacey Jane , Tasman Keith , Parkway Drive , Thelma Plum , King Stingray , Pania , Cub Sport , Mia Wray , Jimmy Barnes and many more. 

When we were thinking about the final Cover Artist of the year, we thought, why stop at one artist? Why not share a take on Most Anticipated lists and introduce our readers to Five Artists To Watch In 2023? And so, this Cover Story was born. Find Q&A's with each artist below.

Beckah Amani

Beckah Amani waltzed gracefully onto the scene in 2018 with her single, Breathe, but really caught people's attention with her 2020 single STANDARD , which was a sort of reclamation of self relating to the Black Lives Matter movement and her own experience with micro-aggressions and outright racism. Her music could be compared to SZA or Arlo Parks, with a bit more of an upbeat swing.

Born in Tanzania before emigrating to Australia when she was eight, Amani embodies her West African heritage, creating a warm and joyful sound with rich vocals and funky beats. Recently winning the triple j Unearthed x SPRINGTIME Festival competition, the 2022 APRA Professional Development Award for Popular Contemporary Album, and the coveted QMA Award for Emerging Artist of the Year in 2021, Amani is clearly sought after, making her an artist to watch next year.

Q: You released your debut EP, April, this year - what behind-the-scenes stories can you share with our audience?

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A: Feels so good to finally have my debut EP, April,  out in the world! In the track April,  you can hear a voice memo at the beginning of the verses and the outro. Those voice memo clips were actually taken from a real voice memo my dad sent to me a few weeks after moving to London. 

In my native language of Kirundi, dad basically asks me how I’m really going, if I am ok, and to call back when I get a moment. My response to his voice note is what forms the body of the song. It was special to have my dad (unknowingly) a part of this track. 

Q: What inspired your creative process for what’s coming next in 2023?

A: All things lead back to storytelling for me. I’ve spent a lot of time in transit this year, and that gave me a lot of time to read and watch lots of movies. I’ve been inspired to create a cohesive world in my next project in 2023 that ties these things and music together. 

Q: We’ve gone from two years of uncertainty surrounding the music industry to playing live shows again; what have the past couple of years taught you?

A: It has been such a rollercoaster, hasn’t it? The past couple of years has taught me that life isn’t linear. It’s bound to change, explode, expand and shrink. The only thing I’m in control of is how I respond to the circumstances and ride the waves. I’ve learned not to take people and the freedom to be with others physically for granted. It has also made me appreciate going and playing live music so much more. 

Q: How did you find hope to continue throughout the last few years?

A: Family and loved ones. Not letting my output of work (music) define my worth. Seeing people show up for each other. Finding beauty in the ordinary. Being present with people, place and self. Accepting that I am on my own journey, not competing with time, relevancy and other artists.  

Q: What music did you release this year or to be released next year are you proudest of?

A: I’m really proud of my debut EP. I am particularly proud of the track Smoke And Mirrors . Working with Matt Corby was really special and a dream come true for me. I hope highlighting the issue of climate change in a delicate and thought-provoking way invites audiences to take this issue seriously. 

Q: Every now and then, we hear people say that the album format is dead and that singles are the way to go. How do you feel about albums in general or on a personal level?

A: I personally love albums. I grew up listening to a whole body of work and appreciate singles as a small appetiser preparing you for a complete and nuanced meal. I personally don’t think the album format is dead at all. However, I believe that how people consume and interact with music has changed. In saying that, ultimately, I do also think albums still hold a lot of weight and that fans eagerly wait to hear a full body of work. 

Q: What do you want audiences to learn about as an artist and your music coming into 2023?

A: Writing is my favourite part of the creative process. I spend a lot of time working on lyrics and carving storylines. In 2023 audiences can expect a cohesive second body of work that leans into my passion for reading and films. 

Q: What were your favourite musical moments of the year? They can be your own, a gig you saw, a song on tv, or something totally unexpected. What moments profoundly moved you?

A: Damn, there's just so many! I’ve spent the majority of my time in London this year, so I’ve collected most of these moments from London. Here are a few; seeing Tems live at the KOKO was inspiring. Ed Sheeran at Wembley was electrifying and emotional for me. I was greatly moved by Sampa The Great, and her track Never Forget  featuring Chef 187, Tio Nason & Mwanje. Absolutely world-class! 

Folk Bitch Trio

Folk Bitch Trio made up of Melbourne singer-songwriters Heide Peverelle, Gracie Sinclair  and Jeanie Pilkington,  formed their group in 2020. Their raw, melancholy guitar melodies and harmonies have received comparisons with Julia Jacklin, boygenius and Swedish favourites First Aid Kit. 

After watching the group at BIGSOUND this year, Double J's Dan Condon said, "I'd put money on the word 'sublime' being used to describe Melbourne's Folk Bitch Trio plenty in the wake of their BIGSOUND performances too, and for good reason. Their flawless three-part harmonies are stunning throughout their entire set, their songwriting is already accomplished but will only get better, and they have a quiet self-assurance that makes them even more magnetic." That's high praise, and it's well deserved. 

Q: You released Lost/Shivers and more singles this year - what behind-the-scenes stories do you remember the most?

A: We recorded these two singles in very different environments… 

Lost , we recorded in Audrey Studios with producer Anna Laverty and engineer Craig Pilkington in December 2021. We had just recently come out of what felt like an eternity of lockdowns and were feeling quite strange diving into our first actual studio project. We were there for five days and recorded a few songs we wrote a few years ago. It was extremely satisfying to get them out of our heads and have Anna and Craig facilitate and kindle our raw songs and turn them into something more fully formed. Shivers was recorded live this last winter in a cold warehouse, which felt fitting to the song written by Roland S. Howard. We teamed up with friends Pat Telfer who recorded the track, and Celeste De’clario, who captured a live video and our latest press shots while we tried to do the cover justice! 

Q: What inspired you in 2022, and what's coming next year?

A: We’ve been inspired by watching and playing live music! Having the opportunity to see such refined and beautiful national and international acts has felt very special this last year. In the past, we’ve individually written a song and brought it to the group, but recently the three of us have been sitting down and collaborating more in our songwriting. It’s been scary but wonderful and has inspired us further. We’re looking forward to this next year of writing and recording new music!

Q: The uncertainty of the last few years has affected everyone differently. What have you learned in that time? How did you cope with Melbourne's lockdowns?

A: Despite the mess of the last couple of years, we’ve felt quite lucky and grateful for the opportunities we’ve had. It’s been interesting to enter the music scene at the beginning of the lockdown. In some ways, it was lucky because we didn’t really know what we were missing out on. Though we could recognise the devastating effects it had on the musicians and punters around us. 

We didn’t put too much pressure on ourselves to create anything remarkable; we kept writing songs but only when it felt right to. We mostly prioritised getting together as mates rather than to make music until things opened up again. 

Q: What music did you release this year or to be released next year are you proudest of? 

A: Our collaboration with Bones and Jones, a band of dear friends from the  Naarm/Geelong area, was a special project to both release and record. We released a double 7” inch early on in the year, and it led us to some pretty memorable things, like our first festival sets and interstate tour. We played some beautiful sets up north in the Northern Rivers and Coolum Beach that wouldn’t have necessarily happened if we didn’t release the singles, so we’re pretty proud of where that project has taken us. 

Q: We keep hearing that the album format is dead and that singles are the way to go. How do you feel about albums in general or on a personal level?

A: As a band and as individuals, we love and appreciate the artistry that goes into making a record and listening to one. Singles are great, but we are collectively very excited to make a whole body of work that shows more than a single can, and we feel like this art is very much alive. 

Q: What do you want audiences to learn about your band in 2023? 

A: Coming into 2023, we’re mostly just very grateful to be playing shows and having people listening to our music. People knowing who we are is exciting enough. We’re playing Auckland Folk Festival in January, which is super surreal to be starting the year overseas, and we are keen to keep the ball rolling on forwards from there. We have our sights set on continuing to play, write and record together in the new year. 

Q: What were your favourite musical moments of the year? They can be your own, a gig you saw, a song on tv, or something totally unexpected. What moments deeply moved you?

A: The gigs that have moved us as artists in 2022 were a Phoebe Bridgers’ set in Munich, RVG’s set at Queenscliff Music Festival, our collective deep dive into Wilco’s discography, a surprise midnight Marlon Williams set at BIGSOUND (to name a few). A big one for us was supporting Julia Jacklin in April, who we are all huge admirers of. That felt pretty unreal. 

Forest Claudette

Forest Claudette balances a heavenly falsetto with multiple genres of music, going from smooth R&B, deep beats and rap music to something edgier and more surprising. He has released three stellar singles to date, including his debut and second tracks, Creaming Soda and Gone Without A Trace, which have collectively received praise from the likes of   triple j, Teen Vogue, Tone Deaf, Sniffers, MTV, Attwood Magazine and more. Hologram followed in early September and arrived with the announcement of Claudette's debut EP, The Year Of February, at the end of that month. His talent and buzz surrounding him definitely make Claudette one to watch.

Q: You released your new EP, The Year Of February, this year. What can you tell us about your experience making it?

A: One of my favourite stories from the making of the EP is Goodbye . I wrote that song with my friend and producer, Alex Laska. It was one of my first co-writing sessions, and we’d planned on meeting at a cafe first, so when one hour passed and then two, and I couldn’t get a hold of him on his phone, I figured the session was likely cancelled, and I’d been stood up. Eventually, he arrived and had the courage to ask me if I’d eaten yet. I love Alex. 

Q: What inspired your creative process this year?

A: I’ve spent a lot of time in LA this year (2022), so I’d say that dynamic of being away from home and missing loved ones, contrasted by the experiences I’ve had out here (in LA writing this), which have been for the most part really wonderful and forced me to learn more about myself. 

A: These past two years definitely taught me patience, which I’m very grateful for. I also got to spend a lot of time with my parents, which I wouldn’t have otherwise. I feel like I’m at that age where you start to see your parents more and more as their own people, which in turn, allows me to understand myself better. 

Q: How did you find hope to carry on throughout the last few years?

A: That time, for me, was very much centred around Blackness. I bought a bunch of Black literature from diaspora and Black American writers and just took in everything I could. I needed more context for what was unfolding before the world’s eyes, and I’d always intended to dedicate time like that to reading. That’s actually how I found my name. I read an article that had a brief summary of Claudette Colvin’s ( Before Rosa Parks, There Was Claudette Colvin: NPR ) role in overturning the segregation laws in Montgomery and Alabama.

Q: What music did you release this year that you're proudest of? 

A: Finally releasing The Year Of February this year has been everything to me. In the end, I spent about four years writing that EP, and I think it did just about everything I wanted it to do. The most important part for me was making sure it captured some of the genre-bending that I wanted to establish early so as not to be boxed in while also finding a throughline when it came to the narrative. Moments from the beginning until now, all folded neatly into a 6-track EP - not bad if I do say so myself. 

Q: Now and then, we hear people say that the album format is dead and that singles are the way to go. How do you feel about albums in general or on a personal level?

A: I love this because I’m absolutely an album listener. That’s how I consume music, and that’s how I feel close to the artists I look up to. I usually go through fazes of one or two albums at a time where that’s all I listen to - Little Simz just announced a new one, and I’m freaking the F**k out. 

Q: What do you want audiences to learn about you as an artist coming into 2023?

A: I’m not sure if I’m too phased if people learn more about me or not. I’m really interested in how people connect with my experiences through their own though. I had a friend listen to some demos a year or two ago, and he got something out of the track that I had never intended, but it was so special to hear how he interpreted it. So now, with music coming out, those interactions with fans are what I look forward to most. 

A: Playing my first live shows this year has been amazing, especially doing so with my band. They’ve been so patient and understanding when it’s come to this process, so to be able to finally share the stage and experience the energy from the crowd all together has been so special. 

Besides that, this year was Omar Apollo’s year, as far as I’m concerned. That album [ Ivory ] slaps. 

We first discovered LOSER  from their 2018 EP Restless Noise and instantly recognised the immense talent and well-crafted rock anthems that were brewing under this first release. Since then, the band have continuously hit milestones and honed their alt-rock craft. Dubbed as a cross between Foo Fighters and Smashing Pumpkins, it wouldn’t be going too far to add Queensland's Violent Soho into that mix. Their latest release, All The Rage , introduces some more thoughtfulness to their sound and has proved that their ability to blend soft melody with heavy drums and grating guitars is unmatched.

The Melbourne natives have also dominated the touring circuit in the last few years, opening for Canadian legends PUP and Aussie favourites Luca Brasi.

Q: You released Heaven Can Wait and All The Rage and experienced huge career highlights this year - what behind-the-scenes stories can you share with our audience?

A: This year, we were finally able to tour again, and we completed an awesome national run supporting BUGS. Because flights were so expensive, we drove interstate for many of the shows; however, as we’re a two-piece and Tim doesn’t drive, the steering was left to me (Craig). For some, this would be a harrowing experience, but I’d like to take this opportunity to point out that Tim is the greatest co-pilot in the world. To make the drives easier, he curated them [playlists] beforehand - including specialised playlists for each section of the drive, pre-selected podcasts that we would both dig, trivia games and a devout commitment to never fall asleep as the passenger, so I always had someone to talk to. What a legend!

Q: What inspired your creative process for what’s to come in 2023?

A: In our band, we never stop writing. At any one point, we always have at least 100 unfinished songs we’re working on, and sometimes that can take us in all kinds of directions. What really helped focus our laser beam this year was an awesome weekend we spent with Anton Hagop (producer/mixer/engineer for artists like Silverchair, Powderfinger….and Loser ha). We hung out at Anton’s house and played him some demos, and Anton helped us to see the connecting thread that we couldn’t always spot ourselves. From this experience, our ears were opened, and we floated back to Melbourne with a new sense of self. From this, Stadium Dreams On A Bedroom Budget and the new era of Loser was born.

Q: We’ve gone from two years of uncertainty surrounding the music industry to playing live shows again. What did you learn during that period?

A: We’ve been a band for four years, two of which were spent inside. Throughout that, we still managed to release two full-length albums and the experience of doing all that taught us to stop looking over the fence. There’s too much focus on social media and comparisons, and it’s not until you eliminate these distractions that real personal growth can occur.

A: Sometimes, the cheesiest explanations are the most truthful, and with all sincerity, we found hope in each other. We had band members leave, tour cancellations, anxiety attacks, family losses and music industry friends pass away - but throughout it all, we had each other to keep grounded and inspired and to share the heaviness. This gave us both a newfound strength to get through it and be newly inspired on the other side.

A: This year, we released the first two songs from our EP, Stadium Dreams On A Bedroom Budget - Heaven Can Wait  and Hold On You . This EP will roll out one song at a time until May 2023. It’s the first Loser release we’ve recorded, engineered, produced and mixed ourselves in our own backyard studio,  Restless Noise . This isn’t a collection of singles; it's more like a Netflix series, where it’s an entire body of work designed to flow as a whole but presented piece by piece.

Q: People like insisting that albums are irrelevant and the format is dead. How do you feel about albums in general or on a personal level?

A: We love albums and still feel they are the ultimate way for artists to present their work. But clearly, we also see the value in staggering releases as this can help build momentum and give a release a longer life span. The beauty of current times is that an artist has the freedom to release music however they want. The best releases are always ones that tell their own story, so having the option to release a full album, singles, or both, is a great way to present the theme of a release and whatever is the most relevant format for that particular art should be the only deciding factor in whether it’s a full album or not.

Q: What do you want audiences to learn about you as a band and your music coming into 2023?

A: That we do this for no other reason than that we love it and that we shred guitar like motherfuckers.

A: My favourite musical moment of the year was having a front-row seat to the final Violent Soho shows. We were lucky enough to open the shows, and the feeling in the room of gratitude towards the band was palpable. Soho have given so much guidance to us and hundreds of others along their journey, and to be there as they hung up the boots on their victory lap was beyond special.

Rachael Fahim

Rachael Fahim started competing in talent quests at roughly ten years of age. She released her debut single, Say It, in 2015 and the follow-up, Rope,  in 2016, before winning Toyota Star Maker in 2017. Her prize pack included the recording of three singles and three video clips, a brand-new Toyota RAV4 with   an unlimited fuel card for 12 months, and guaranteed performances at major festivals throughout Australia.   She released her self-titled EP later that same year.

For the past three years, she’s been the second-highest streamed female country artist in Australian history after Kasey Chambers . She’s seen over 11 million audio streams since the release of her Iconic EP in 2019, which features the singles Brake Lights , Even If I Wanted To featuring Brad Cox and What I Don’t Know .

Last year, she released her smash hit single, Middle Ground , which spent a massive five weeks at #1 on the official Australian Country singles airplay chart. Fahim's latest solo single, Darts In The Dark, sat at #26 on the   Countrytown Hot 50 Country Airplay Chart upon release.

Q: You released City Girls In The Country this year - how did that release go down for you?

A: Yee haww, I did! Honestly, I don’t have a wild BTS story to go along with the making of City Girls, but what feels very BTS is how much fun the band and I had playing this live. The guys have agreed to wear wigs and get dolled up for a gig at some stage, so watch this space. It’s just such a fun song to perform live.

A: Lately, life has felt so hectic, as I’m sure many people can relate - I’m getting to the stage where I’m feeling like I’m spreading myself too thin. My creative process recently looks a lot like hanging at home in my comfies and relaxing. The ideas seem to flow way more when my mind is jam-packed! Next year is really just about releasing the songs that make me happy.

Q: We’ve gone from two years of uncertainty surrounding the music industry due to the pandemic to playing live shows again; what have the past couple of years taught you?

A: For me, the past couple of years have cemented the fact that there’s no rush. I already felt this way before we were all thrown into the deep end, but I do feel content and happy to take my time. To say no to things I don’t want to do and simply be happy about what I’m doing now.

Q: How did you get through the last couple of years?

A: In the beginning, I found it really hard - mainly because I am so used to doing everything at superduperhighspeed (thanks, ADHD), but I found hope in my relationships, my new activewear collection, and Zoom. What would we have done without Zoom!! It was actually really nice not to feel so much pressure to “get out there”, ya know.

A: Ahhhh, I can’t choose! Talk about pressure! 

This is a tough question because I have so many faves, but if it comes down to being proud of the song, I have to say City Girls takes the crown (and I swear I’m not just saying this one because it’s my latest release!). This is the first song where I’ve spoken my mind and put my thoughts about something other than “love” into a song. As I’ve said - CGITC is a really fun song, but it’s also sassy and filled with my thoughts and feelings on how people have treated me during my time in the industry. Based on my background, based on where I live, based on assumptions. So yeah, I’m really proud of myself and this song.

Q: People say that the album format is dead and that singles are the way to go. How do you feel about albums in general or on a personal level?

A: I personally lean more toward releasing singles because that’s how I consume the music I listen to. However, I do love a good album. I’m not sure how I feel about releasing an album of my own, but I’m sure I will someday! I’ve got some ideas on how I’d do it in my own “RF way”, though!

A: I would love people to keep spreading the word about how awesome country music is, specifically - Australian country music/artists. I’d love for Australia to be as inclusive as America when it comes to country music being played everywhere and anywhere! 

Q: What were your favourite musical moments of the year? They can be your own, a gig you attended, a song on tv, or something totally unexpected. What moments profoundly moved you?

A: Earlier this year, I performed at a festival, and after my set, I had a 45-minute-long line of people waiting for me to sign things. That just blew my mind and made me SO HAPPY. I just can’t get over it.

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Thrice to Perform ‘The Artist In The Ambulance’ in Full on 2023 Australian Tour

By Emmy Mack

Post hardcore fans are getting a belated Christmas present in the form of an Australian tour from American rockers Thrice . The Californian band will be heading to Australia this September to celebrate the 20th anniversary of their beloved third album,  The Artist In The Ambulance.

UPDATE 21/02/2023: New shows added in Melbourne and Perth after the first shows sell out.

Thrice to celebrate The Artist in the Ambulance

“Some of our favourite memories of touring in Australia are from the first time we toured The Artist In The Ambulance there,” vocalist and guitarist Dustin Kensrue said in a statement. “There was such a great energy to those shows and we can’t wait to do it again.”

Thrice 2023 Australian Tour Dates

• Thursday, 31st August – Northcote Theatre, Melbourne VIC – NEW SHOW
• Friday, 1st September – Northcote Theatre, Melbourne VIC – SOLD OUT
• Saturday, 2nd September – Metro Theatre, Sydney NSW
• Sunday, 3rd September – Princess Theatre, Brisbane QLD
• Tuesday, 5th September – Lion Arts Factory, Adelaide SA
• Wednesday, 6th September – Badlands, Perth, WA – SOLD OUT
• Thursday, 7th September – Badlands, Perth, WA –  NEW SHOW

Tickets are available now here . 

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National Gallery announces 2023 Program

Sylvia Ken, Pitjantjatjara people , Seven Sisters , 2022, image courtesy and © Sylvia Ken and Tjala Arts

Key information

MEDIA RELEASE 1 FEB 2023

Two major First Nations exhibitions and ground-breaking works by prominent international and Australian contemporary artists, will headline the National Gallery of Australia’s artistic program in 2023.

National Gallery Director Dr Nick Mitzevich said this year’s program reinforces the Gallery's commitment to highlighting First Nations artists and collecting and exhibiting the pre-eminent works and artists of our times.

‘The National Gallery is celebrating the vitality and importance of First Nations art with two major exhibitions – Ngura Pulka – Epic Country and Emily Kam Kngwarray ,’ Mitzevich said.

‘As well as being one of Australia’s most-celebrated artists, Emily Kam Kngwarray is acknowledged as among the world’s most significant contemporary painters to have emerged in the 20th century.’

This extensive survey of Anmatyerre artist Kngwarreye’s work brings together the most important works of the artist’s oeuvre, from early vibrant batiks to her later monumental paintings on canvas.

Ngura Pulka – a landmark exhibition of major new works by artists from the Aṉangu Pitjantjatjara Yankunytjatjara (APY) Lands – is curated by Barbara Jean Humphreys Assistant Director, First Nations and Head Curator, First Nations Art Bruce Johnson McLean.

‘ Ngura Pulka is one of the largest and most significant First Nations, community-driven art projects to have ever been developed,’ Johnson McLean said.

‘The exhibition will present 30 major works by three generations of First Nations artists, including 27 large-scale three-by-three-metre paintings by individual artists, two astonishing three-by-five-metre collaborative paintings and an extraordinary installation of 2500 spears, the pinnacle of the decade-long Kulata Tjuta (Many Spears) project,’ he said.

The Mulka Project – a collective of Yolŋu digital artists from Northeast Arnhem Land – has been commissioned to illuminate the building’s façade in March as part of the 2023 Enlighten Festival. Thanks to the generous support of the Gallery’s Indigenous Arts Partner Wesfarmers Arts, the National Gallery will also display the newly commissioned and acquired untitled ( walam-wunga.galang ), a major installation of nine large grindstone forms by renowned Wiradjuri/Kamilaroi artist, Jonathan Jones, which has been touring the country and internationally as part of the exhibition Ever Present: First Peoples Art of Australia .

In December the Gallery will host the world premiere of Body Sculpture , the highly anticipated new animatronic sculpture by international artist Jordan Wolfson.

‘Brave and bold collecting has been at the heart of the National Gallery’s acquisition strategy since our foundation. This major new acquisition builds on this legacy, embracing new and emerging global paradigms outside of traditional collecting areas,’ Mitzevich said.

This is the first solo presentation of Wolfson’s work in Australia and will be shown alongside a selection of earlier works, offering Australian audiences a full expression of Wolfson’s innovative vision.

The Gallery’s Know My Name gender equity initiative continues with two solo exhibitions by leading women artists: Changing From From to From , a presentation of recent works by leading Seoul and Berlin-based artist Haegue Yang, and an exhibition of the American photographer Nan Goldin’s most renowned series, The Ballad of Sexual Dependency .

From July, the Gallery will share more of its collection with regional and suburban galleries as part of the Sharing the National Collection initiative, funded under the Australian Government’s new National Cultural Policy.

‘This support will allow us to share more of the National Collection with more Australians and local communities – making it a truly national collection,’ Mitzevich said.

See below for the full 2023 program.

UPDATE, 7 JUN 2023: The Council of the National Gallery of Australia has decided to formally postpone the Ngura Pulka – Epic Country exhibition. More info here.

IMAGES available here .

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Cressida Campbell installation view, National Gallery of Australia, Canberra/Kamberri, 2022 © Cressida Campbell

CRESSIDA CAMPBELL

Until 19 Feb 23 | Ticketed Cressida Campbell is among Australia’s most significant contemporary artists working with painting and printmaking. With over 140 works spanning her four-decade career, this survey exhibition presents the depth and virtuosity of Campbell's work, extending from intimate interior views through to panoramic coastal landscapes.

The Mulka Project,  Djarraṯawun (still), 2023, commissioned for the Enlighten Festival, National Gallery of Australia, Kamberri/Canberra

THE MULKA PROJECT: DJARRAṮAWUN

3 – 13 Mar 23 | Free For the 2023 Enlighten Festival, the National Gallery has commissioned a new projection and sound-based work by The Mulka Project to illuminate the building’s 60m façade. Working across video, animation and new media, The Mulka Project sustains and protects Yolŋu cultural knowledge in Northeast Arnhem Land. Under the leadership of community Elders, they present Djarraṯawun .

Jonathan Jones, Wiradjuri/Kamilaroi peoples, Dr Uncle Stan Grant Snr AM, Wiradjuri people, collaborator, Beatrice Murray, Wiradjuri people, collaborator, untitled (walam-wunga.galang) (detail), 2020–21, National Gallery of Australia, Kamberri/Canberra, gift of Wesfarmers © Jonathan Jones

JONATHAN JONES

4 Mar – 23 Jul 23 | Free untitled ( walam-wunga.galang , 2020-21) by renowned Wiradjuri/Kamilaroi artist, Jonathan Jones is a collaborative project with Uncle Stan Grant Senior and Beatrice Murray. Using large-scale sandstone grindstones and a soundscape in Wiradjuri language, the artwork emphasises the sophistication of Aboriginal agricultural economy, which was erased by colonial narratives of Aboriginal people as hunters-gatherers.

Haegue Yang featuring Angular Evergreen Climber Habitat, 2022, courtesy of the artist and Galerie Chantal Crousel, Paris © photographer: Pauline Assathiany

HAEGUE YANG: CHANGING FROM FROM TO FROM

27 May – 24 Sep 23 | Free

Haegue Yang’s immersive multimedia environments combine diverse materials and cultural traditions with references ranging from science and art history to political events. This exhibition features recent works that explore interconnectivity and movement, including Sonic Intermediates – Three Differential Equations (2020), a trio of sculptures that are activated regularly, filling the space with a ritualistic rattling of bells.

Nan Goldin, Mark tattooing Mark, Boston, 1978, National Gallery of Australia, Kamberri/Canberra, purchased in celebration of the National Gallery of Australia's 40th anniversary, 2022 © Nan Goldin

8 Jul 23 – 28 Jan 24 | Free Nan Goldin presents a sequence of 126 Cibachrome photographs by American photographer Nan Goldin. The Ballad of Sexual Dependency (1973-86) is Goldin’s most famous work, and one of the cornerstones of contemporary art. Decades long in the making, it is amongst the most affecting extended study of a particular set of people and their social and cultural context. This unique set of Cibachromes has come from Goldin’s personal collection and is a rare acquisition for the Gallery.

Artist Janet Fieldhouse, Kalaw Lagaw Ya/Meriam Mir peoples, sculpts multiple works at UAP as she develops her commission for the National Gallery of Australia, image courtesy Janet Fieldhouse, National Gallery of Australia, UAP | Urban Art Project, Art Makers © UAP | Urban Art Project, Art Makers, photographer: Rachel See

JANET FIELDHOUSE

Sep 23 – Sep 24 | Free The second commission in the National Gallery x Art Makers series will be presented by Kalaw Lagaw Ya/Meriam Mir artist Janet Fieldhouse. Inspired by her matrilineal connections to the Torres Strait Islander communities, Fieldhouse is known for her usually intricate and small-scale sculptures which depict the elasticity in nature. This large-scale work for the National Gallery’s Sculpture Garden will be her most ambitious work to date.

Emily Kam Kngwarray, Untitled (awelye), 1994, National Gallery of Australia, Kamberri/Canberra, purchased 2022 in celebration of the National Gallery of Australia's 40th anniversary, with the assistance of the Foundation Gala Dinner Fund 2021 © Emily Kam Kngwarray/Copyright Agency, 2022

EMILY KAM KNGWARRAY

2 Dec 23 – 28 Apr 24 | Ticketed Renowned for her unique depictions of Country and energetic interpretations of ancient traditions, Anmatyerre artist Emily Kam Kngwarray was one of the most significant contemporary painters in the later part of the 20th century. This major survey exhibition brings together the most important works from her oeuvre, from her early, vibrant batiks to her later monumental paintings on canvas.

Sean Sprague, Jordan Wolfson 2020, image courtesy and © Sean Sprague

JORDAN WOLFSON: BODY SCULPTURE

9 Dec 23 – 28 Apr 24 | Free Jordan Wolfson is an artist whose work reflects the socio-political currents of the United States today. Acting as a witness to the shadow forces within the human condition, Wolfson positions the viewer in a physical and moral confrontation with issues confronting society. This is the first solo presentation of Wolfson’s work in Australia and will feature the world premiere of Body Sculpture – a major acquisition for the Gallery – alongside a selection of earlier works, offering Australian audiences a full expression of Wolfson’s innovative vision.

The National Gallery acknowledges the First Peoples of this land and recognises their continuous connection to culture, community and Country

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Advertise with us, employment opportunities, about metropixie, terms & conditions, a look at australia’s top indigenous artists of 2023.

Aug 10, 2023

Australian music wouldn’t be what it is today without the artistic brilliance of its Indigenous musical artists. 2023 has been a bright year for indigenous artists who draw from their cultural heritage and personal experiences to create captivating melodies and rich lyrics that are driving the music industry in new directions. 

Thelma Plum

Award-winning artist Thelma Plum’s music continues to influence Australian music even a year after the release of her EP, Meanjin. Her exploration of her Gamilaraay heritage and personal journey captivates her listeners. Plum brings her fans in close, through her soulful vocals and heartfelt lyrics, often addressing themes of identity, relationships, and Indigenous Australian experiences. In 2023, Thelma Plum continues to tour the world 2023 as fans brace for her to release new music soon. 

Ziggy Ramo’s socially conscious lyrics and genre-blending style have taken Australian music by storm. The award-winning artist’s music is a potent blend of hip-hop, R&B, and spoken word, with lyrics that touch on Indigenous rights, mental health, and the societal inequalities that affect Australia’s youth. In January 2023, Ziggy Ramo released his second album, which addresses the dark legacy of Australia’s colonial past. Earlier this year, Ramo told Rolling Stone Australia, “Black Thoughts (2020 album) was explicit and unmissable, whereas Sugar Coated Lies is insidious and hidden; Australian South Sea Islanders are the forgotten people.”

With his energetic performances and infectious music, Baker Boy has become a rising star in Australia’s music landscape. Mixing hip-hop with traditional Yolŋu languages and dances, he brings a unique and captivating energy to his performances. In 2023, Baker Boy’s music continues to celebrate cultural pride and promote positivity, showcasing the vibrant spirit of Indigenous youth.

Emma Donovan

AIR Award-winning Emma Donovan’s soulful voice weaves elements of gospel, blues, and Indigenous storytelling. Her music dives deep into themes of resilience, family, and connection to your roots. In 2023, Donovan released the powerful and emotional single, “Take no More” with Yalanji, Jirrbal, and Badu Islander artist Kee’ahn. Fans are hopeful for a new album to drop soon. 2023 has already shaped up to be one of the artist’s busiest years yet, following a wave of international tours and festival performances like the Storyland Festival and Perth Festival. 

Electric Fields

It’s hard not to recognize the multi-award-winning duo Electric Fields as one of Australia’s leading musical acts. The duo blends electronic beats with traditional Indigenous languages, creating what music fans call epic. The result is a sound that is contemporary and powerful and deeply rooted in cultural heritage. Their 2023 single “We the People” was chosen as the official anthem of the World Pride Organization. 

Tia Gostelow

This year, the Australian indie-pop sensation Tia Gostelow is about to drop her third album Head Noise. Gostelow’s music has earned the artist adoring fans worldwide for her powerful message of self-discovery, and identity. Drawing from her Wiradjuri heritage, her music explores the challenges faced by Indigenous youth and modern life. After her award-winning debut album “Thick Skin” and popular follow-up “Chrysalis,” fans are eagerly awaiting the artist’s third release. Regarding her upcoming album, Gostelow told NME in April, “I hope in some way this album can bring a little bit of comfort to the Head Noise that might keep you awake in the early hours.”

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Tautumeitas

• December 28, 2023 Setlist

Tautumeitas Setlist at St Kilda Town Hall, Melbourne, Australia

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• Dziedat, meitas!
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• Dai citas meitas
• Dzied papriekšu
• Karpatskij rep + Zoļa
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• Voi Vacuokis Buolelini
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• Raganu nakts

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Holy Holy announce bumper 2024 national tour

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Beloved Aussie duo Holy Holy are headed out on a pretty dang extensive Australian tour next year, taking in dates all over the country right across April.

They'll be hitting nine shows over the course of the month, kicking off in Kaurna Land/Adelaide on April 5 and wrapping it all up in Wadawurrung Land/Torquay on April 27.

Update 3.4.24 : Unfortunately Gumbaynggir rapper  Tasman Keith  is no longer able to join Holy Holy on the tour, after breaking his leg playing comp rugby league.

The band released a message to fans on Tuesday (April 2), confirming that the "best NRL player in the music biz" is under strict no-travel instructions while he heals.

New supports for the tour - which kicks off on April 5 in Tarndanya/Adelaide - will be announced soon, we'll let you know as soon as they're locked in.

Update 5.4.24 : It's two for the price of one with replacement supports on this tour as Eliza & The Delusionals  and  Sumner  join Holy Holy at select dates on their national whip.

It all kicks off tonight in Adelaide with Eliza & The Delusionals cracking open the stage at Hindley Street Music Hall.

The whole tour's happening to celebrate Holy Holy's fifth studio album, Cellophane , and their gorgeous new era.

"We're looking forward to building a wild and expansive set for this tour, playing some of the brand new works off Cellophane with special guests and digging into the back catalogue to find some gems to get lost in again," Timothy Carroll — one half of the group – said.

"Wear something special, and we'll make a night of it. When music is at its best, it's a holy thing."

Tickets for the tour are on sale from 10am AEDT on Friday 13 October, and you can find out more over on the tour's website.

Check out all the dates and details below.

Holy Holy Cellophane Australian 2024 tour

• Friday 5 April – Hindley Steet Music Hall, Kaurna Land, Adelaide SA
• Saturday 6 April – Astor Theatre, Whadjuk Noongar Land, Perth WA
• Thursday 11 April – Du Cane, Palawa Land, Launceston Tas
• Friday 12 April – Odeon Theatre, muwinina Land, Hobart Tas
• Friday 19 April – The Tivoli, Turrbal Land, Brisbane Qld
• Saturday 20 April – Kingscliff Beach Hotel, Bundjalung Land, Kingscliff NSW
• Friday 26 April – Forum, Naarm, Melbourne Vic
• Saturday 27 April – Torquay Hotel, Wadawurrung Land, Torquay Vic

Holy Holy covers Joy Division 'Love Will Tear Us Apart' for Like A Version [2014]

Holy Holy cover Post Malone & Swae Lee 'Sunflower' for Like A Version [2022]

First Listen: Mali Jo$e and Tasman Keith PRICE UP!

The 25 best Australian albums of 2023

Pop euphoria, folk revelation and world-building electronic records and so much more

T his year was a rush, wasn’t it?

Twelve months have gone by and it felt like a whirlwind. Our list of the best Australian music reflects the eclecticism of 2023, from the massive pop comebacks to revelatory folk songwriting to boundary-pushing hip-hop artistry.

There’s much more to come – and more that isn’t on this list – but here are NME ’s 25 best Australian albums and EPs of 2023.

Karen Gwee, Regional Editor (APAC)

Words by: Greta Brereton, Mikey Cahill, Tom Disalvo, Sosefina Fuamoli, Jackson Langford, Chris Lewis, Ben Madden, Jared Richards, Angela Skujins, Caleb Triscari, Doug Wallen, Cyclone Wehner and David James Young

25. Peach PRC, ‘Manic Dream Pixie’

A sugar rush of spacey bubblegum, pristine production, and earworm hooks, Peach PRC ’s ‘Manic Pixie Dream’ is an ecstatic pop confection. Whether she’s revelling in celebrity crushes on ‘Kinda Famous’ or ridding herself of toxicity on the Robyn -indebted ‘F U Goodbye’, the TikTok star-turned-pop princess colours new shades into her candy-coated persona.

• READ MORE: Peach PRC is the Australian star making pop pretty again

The 2000s influences of glittery Auto-Tune and heavily digitised vocals never outshine Peach’s vulnerability, as she muses on heartbreak and mental health in these brisk tracks that never overstay their welcome. ‘Manic Pixie Dream’ is pure pop high without the comedown. TD

Key track: ‘Kinda Famous’

Like this? Try this: Leah Kate, Chappell Roan

24. Forest Claudette, ‘Everything Was Green’

Hailing from The Patch outside Melbourne, Forest Claudette has steadily gained momentum with their abundant synth’n’B. Following their 2022 debut EP ‘The Year Of February’, which was widely compared to Frank Ocean , the resonant vocalist has arrived with ‘Everything Was Green’ – scoring an ARIA Award (Best Soul/R&B Release) for the cruisy lead single, ‘Mess Around’, featuring Atlanta’s EarthGang .

Claudette ponders Black queer identity while navigating their surrounds and life’s flux in intimate lyrics prompted by a transformative trip to California. But, if ‘Mess Around’ and ‘Motor In The Sand’ are respectively decadent and archly self-destructive, then ‘Violence’ is haunting, a lament of police brutality over quiet acoustics. Revelatory. CW

Key track: ‘Mess Around’ (featuring EarthGang)

Like this? Try this: Stevan , KYE

23. G Flip, ‘Drummer’

G Flip ’s sophomore album ‘ Drummer ’ is inextricable from the instrument that started it all. While percussion is the muse that energises the entire tracklist – from the subtle snares of ‘7 Days’ to the thunderous solos and shimmering cymbals of ‘Made For You’ – ‘Drummer’ is also a showcase of G Flip’s versatility.

• READ MORE: G Flip on their new album ‘Drummer’, their six ARIA nominations and becoming the queer non-binary role model they always wanted

Guitar often pulls focus, like with the warm acoustics of ‘Australia’ or ‘Love Hurts’’s country twangs, while G Flip’s vocals are their best yet, flitting between pop punk sneers (‘Worst Person Alive’) to breezy drawl (‘Baked’). Through it all, G Flip bluntly lays bare their reflections on exes, gender roles, and simply being “ done with all your bullshit .” TD

Key track: ‘Rough’

Like this? Try this: Lauren Sanderson, FLETCHER

22. The Kid LAROI, ‘The First Time’

The Kid LAROI became a Gen Z pop-rap phenom by universalising his teen angst. And the themes remain similar on the First Nations prodigy’s ambitious debut, ‘ The First Time ’ – he remains conflicted about romantic commitments and fame.

But LAROI reveals a new sonic, and curatorial, flair, transcending algorithmic emo-trap ( jazz pianist Robert Glasper even guests). Ironically, the vintage soul samples on ‘Sorry’ and ‘Where Do You Sleep?’ belie the recriminatory lyrics.

However, LAROI still delivers massive bangers: ‘Too Much’ with K-pop superstar Jungkook and UK rap frontrunner Central Cee a particularly smooth triumph. Most auspicious? The closer ‘Kids Are Growing Up’, on which the 20-year-old looks to the future. CW

Key track: ‘Love Again’

Like this? Try this: Sahxl, d4vd

21. Daine, ‘Shapeless’

“ And the portal’s open ,” Daine purrs on ‘Portal’, the fourth track from their mixtape ‘ Shapeless ’. The emo-pop artist’s sophomore project is amorphous and striking in its composition and otherworldliness. Replete with flashes of hyperpop and hardcore , the eight tracks writhe with maximalist flavours and breakdowns, making it perfect listening for rotting in a dank basement or living large at a house party.

• READ MORE: Daine: future emo phenom fighting for fiery artistic vision

Incorporating songwriting from some of Australia’s most unique musicians – Sione Teumohenga aka Lonelyspeck and Maurice Santiago aka Hearteyes , to name a few – ‘Shapeless’ establishes Daine as a tastemaker. AS

Key track: ‘Doom’

Like this? Try this: Ninajirachi , 100 Gecs

20. Skeleten, ‘Under Utopia’

As one of Sydney’s unsung musical heroes, Russell Fitzgibbon played in various bands over 15 years – from quirky indie-pop to alt-country to glitch-electronica – before launching solo project Skeleten . That history weaves its way into the tapestry of ‘ Under Utopia ’, a far more fully realised debut than your average.

Its shapeshifting grooves are accentuated by pristine production, with lush electronic soundscapes revelling in warmth and texture. It’s Fitzgibbon’s vocals, however, that are the biggest revelation. Rarely a singer in previous projects, his understated lilt provides ‘Utopia’ a key human touch. Before he’s dust and bones, Skeleten deserves his flowers. DJY

Key track: ‘Heart Full of Tenderness’

Like this? Try this: Harvey Sutherland , Toro Y Moi

19. Babitha, ‘Brighter Side Of Blue’

Imogen Grist has discussed the role Dolly Parton ’s ‘Jolene’ played in the genesis of the Babitha project, and the influence of that song – with its folksy flair and narrative weight – is felt all throughout her kaleidoscopic album, ‘Brighter Side Of Blue’. Like Parton, Babitha weaves intricate tales of optimism with the leisurely cadence of an afternoon stroll through rural suburbia.

• READ MORE: Babitha: rising alt-country artist looking to the ‘Brighter Side Of Blue’

Babitha stretches folk’s boundaries with classic Americana and ’70s pop rock flourishes, punctuating tracks with a lush mix of spaghetti-western riffs, heady melodies and irresistible vocal twangs. “ Everyone was singing ,” Babitha croons, almost prophetically, on the title track “ my ears, they are still ringing .” With a debut as stellar as this, ours are too – in a good way. TD

Key track: ‘In My Own Time’

Like this? Try this: Caitlin Harnett & The Pony Boys

18. Cable Ties, ‘All Her Plans’

Sidelined by the pandemic just as they were releasing 2020’s ‘Far Enough’, Cable Ties make up for lost time on this layered third album. The Melbourne trio’s churning punk still arrives frontloaded with singer/guitarist Jenny McKechnie’s defiant roar, but this time her lyrics detail the failures of Australia’s healthcare system, especially regarding mental health.

• READ MORE: Cable Ties – ‘All Her Plans’ review: amid the righteous anger, a new kind of intimacy

Meanwhile, ‘Time For You’ directs the band’s focused fervour into an anthem of personal devotion and ‘Mum’s Caravan’ is a striking autobiography flecked with acoustic guitar and piano from guest Michael Beach . McKechnie’s singing is more delicate than ever on the latter, finding a new way to cut to the bone. DW

Key track: ‘Time For You’

Like this? Try this: Porpoise Spit, Blonde Revolver

17. Cash Savage and the Last Drinks, ‘So This Is Love’

It’s a hard pill to swallow, but heartbreak suits Cash Savage ’s music. She’s been through a rough divorce, six lockdowns and a crisis of confidence in whether her other big love (The Last Drinks) would continue.

• READ MORE: Cash Savage and the Last Drinks – ‘So This Is Love’ review: potent and tumultuous

Lucky for us, she stayed the course and recorded a nine-song album about this exceptionally difficult period. Savage’s distinct mix of brooding twang, barely disguised vitriol and pounding rock’n’roll are on full display here. “ My mama told me crying doesn’t suit my face ,” she snarls on ‘Push’, then throws it back at her: “ what about this neediness mama ?” Catharsis hits different when Savage is behind the mic. MC

Key track: ‘$600 Short On The Rent’

Like this? Try this: Angie McMahon , Lucinda Williams

16. JK-47, ‘Revision For Regrowth’

On his second album ‘Revision For Regrowth’, JK-47 is older, wiser, and ready to reach the next generation. Rapping with a sense of confidence and clarity that only comes from true introspection, the Tweed Heads MC lays out his mission statement on tracks like swirling opener ‘Introspect’ and the purposeful ‘Victory Speech’: “ I take my time when I speak, really tryna teach truth to these kids ”.

Teaming up with producer Jay Orient for the entirety of the album, JK-47 touches on the importance of family and faith, while also acknowledging that in order to grow, we must first accept our mistakes. His 2020 debut album, ‘Made For This’, showed that he could be one of the most important voices in Australian hip-hop. ‘Revision For Regrowth’ proves it. BM

Key track: ‘Rain’

Like this? Try this: MAMMOTH., BARKAA

15. a.s.o., ‘a.s.o.’

The ’90s revival continues with this deeply satisfying nod to the trip hop era (think Massive Attack , Sneaker Pimps and so much ‘erb). a.s.o consists of respected Australian DJ/producer Tornado Wallace and the singer-songwriter and DJ Alias Error.

Wallace showed his downtempo range with Sui Zhen a few years back, and now he’s gone full widescreen cinema, soundtracking mellow kick-ons rather than delivering his usual four to the floor fare. The bruised vocals excel at capturing young, tumultuous affairs, the inevitable broken hearts and the questions that follow. The a.s.o. project feels evergreen, at home, on café playlists as well as in dingy after-hours Berlin clubs. MC

Key track: ‘My Baby’s Got It Out For Me’

Like this? Try this: Portishead , Goldfrapp

14. Kylie Minogue, ‘Tension’

How does she do it? Over more than three decades, Kylie Minogue has reinvented herself time and time again. On ‘ Tension ’, she’s embraced the tried-and-true formula of classic EDM beats, piano house backings and unforgettable pop hooks. Her messages of love and desire are crystal clear, universally felt and destined to be played on a dancefloor.

‘Tension’ was something of a renaissance for Kylie, with ‘Padam Padam’’s prolific rise becoming the track that launched a thousand TikToks. That one word lured in a new generation of fans, and who can blame them? With Kylie, you hear it and you know. CT

Key track: ‘Padam Padam’

Like this? Try this: Carly Rae Jepsen , Jessie Ware

13. Teether & Kuya Neil, ‘Stressor’

Following on from debut mixtape ‘Glyph’, future-rap duo Teether and Kuya Neil turned more heads with this year’s dynamic and hard-hitting record, ‘Stressor’. Together, these producers and songwriters represent the exciting nature of Melbourne’s underground hip hop and electronic scenes; their chemistry is undeniable, their influences diverse, as they lean into furious rap and production that feels punk.

‘Stressor’ shifts between pace and vibe relentlessly, not giving the listener much space for their attention to wander. It is commanding and musically, fiercely intelligent. The record brims with a frustrated, chaotic energy. Undeniably charismatic. SF

Key track: ‘Purgatory’

Like This? Try This: Young Fathers , Death Grips

12. Polaris, ‘Fatalism’

The triumph of Polaris ’ third studio album, heartbreakingly, cannot be discussed without acknowledging the tragedy of the late, great Ryan Siew – who passed away just weeks out from its release. This context adds further weight to an already-heavy LP of the band’s hardest-hitting material yet.

With churning guitars and walloping drums, Polaris can build up empires just as quickly as they can tear them down. At a time when most heritage heavy Australian bands are resting on their laurels, they continue to evolve with distinct, determined defiance. Death shall have no dominion. DJY

Key track: ‘Nightmare’

Like this? Try this: Northlane , Underoath

11. Collarbones, ‘Filth’

Formed across state lines after Marcus Whale and Travis Cook met on the now-quaint space of 2000s post-rock message boards, Collarbones have genre-hopped over the past decade but always traded in ideas of queer longing and distance.

‘Filth’, their fifth and final album , dives deepest via a coalescing of their many sounds: glitchy, skittering electronica, nu-metal -tinged intensity, and transcendent post-rock ballads. Whale sings of absolution through not love but consumption, of swallowing and being swallowed whole. Sensual, explicit (see the lyrics of ‘Lack’) and playfully dramatic, ‘Filth’ is a bittersweet swansong. JR

Key track: ‘Edging’

Like this? Try this: Banoffee , HTRK

10. Cub Sport, ‘Jesus At The Gay Bar’

Beautifully riding the wave of a changing Australian pop landscape, Cub Sport have never felt more authentically themselves or empowered than on their fifth studio record, ‘ Jesus At The Gay Bar ’.

The record brings together threads of euphoria, melancholy and wistful yearning with a comfort in self that Cub Sport’s Tim Nelson’s songwriting has relished in recent years. Singles like ‘Always Got The Love’ and ‘Keep Me Safe’ exhibit nuanced songwriting and intimate arrangements. A celebration of love and identity, this record is a clever collection of music that is forward-looking yet unafraid to reflect.

Club-ready music begging to be danced to, this album confirms Cub Sport as one of Australia’s best pop outfits. SF

Key track: ‘Always Got The Love’

Like this? Try this: George Alice , Hayden James

9. Body Type, ‘Expired Candy’

Vocal harmonies straight out of the ’60s? Check. Angular guitar riffs that Nick Zinner would be jealous of? Check. Some of the sharpest songwriting in Australia right now? Yep. It’s ‘ Expired Candy ’ by Body Type , an album that straddles the line between post-punk and pop while exorcising a few demons along the way.

The Sydney quartet sound as confident and raw as they were on their 2022 debut, but this time everything feels looser, even downright fun – from the smouldering singalong ‘Summer Forever’ to the caustic takedown of ‘Creation of Man’. And when guitarist Sophie McComish exclaims on the ode to pandemic loneliness “ Miss the world but mostly I miss B-O-D-Y-T-Y-P-E ” – it’s enough to make you want to start a band of your own. CL

Key track: ‘Weekend’

Like this? Try this: Scott & Charlene’s Wedding , The Coathangers

8. Tkay Maidza, ‘Sweet Justice’

Tkay Maidza ’s ‘Sweet Justice’ is the soundtrack – or slaytrack – to her own superhero movie. The exuberant rapper/singer released a pop-coded debut album, ‘Tkay’, back in 2016, but later expressed dismay about industry pressure. Unimpeded, Maidza then explored her multifaceted artistry on the celebrated ‘Last Year Was Weird’ EP trilogy.

‘ Sweet Justice ’ represents the culmination of an idiosyncratic character arc as an empowered Maidza finally frees herself of foes, heartbreakers and past setbacks. (Hear the drill&B track, ‘Won One’, a takedown of misogynists.)

Now Los Angeles-based, Maidza proves her new stature, connecting with high-calibre producers like Flume (the explosive single ‘Silent Assassin’ ) and Kaytranada . And, again, she advances her stylistic aspirations – as on the dreamy R&B of ‘Love Again’. This record, indeed, does justice to Maidza’s talent. CW

Key track: ‘Silent Assassin’

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7. Maple Glider, ‘I Get Into Trouble’

Subtlety is often in short supply on a Maple Glider record. Tori Zietsch has made this clear on ‘I Get Into Trouble’, her second LP in just over two years and a graceful evolution from her debut.

While several of the first album’s themes appear on the second – sexism, agency, personal relationships with religion and family – ‘I Get Into Trouble’ is more textured, without sacrificing any cohesiveness. Take ‘Dinah’ with its playful, folk-pop quality, and an equally as cheeky music video, that sucker-punches you with its stark lyrics about the church and sexual assault.

Elsewhere, ‘Scream’ and ‘Surprises’ recall the lightly strummed guitar and dreamy vocals that Zietsch excels in. Her development as an artist is abundantly clear on this record, which is equal parts serenading and serious. CT

Key track: ‘Dinah’

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6. Floodlights, ‘Painting Of My Time’

The melodrama of The Bad Seeds , the melodies of The Smiths , the expansive sonic canvases of The Church : Floodlights are a guitar band from a time when that label wasn’t a pejorative.

Lead singer Louis Parsons sings with urgency and the conviction of a man whose entire world hangs on the note that’s being played. All the better to convey the seriousness of this record’s subject matter: ‘ Painting Of My Time ’ offers poetic reflections on life, death and what it all means. It’s an album that demands your attention and pays dividends for it. CL

Key track: ‘Moment of Distraction’

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5. Jen Cloher, ‘I Am The River, The River Is Me’

“ Being human is listening ,” sings Jen Cloher on their fifth album. Self-realisation and continuous learning are central themes of this persistently powerful album, on which the Melbourne artist connects with their Māori heritage and queer identity in a multiplicity of ways. But Cloher doesn’t stop there, calling out our imperilled planet on the title track and stolen land on ‘Being Human’ and even questioning the nature of truth itself on ‘Protest Song’.

• READ MORE: Jen Cloher: “My heart is opening up to my culture. With that comes grief and unpacking trauma, joy and connection”

After the startling intimacy of their 2017 self-titled album, here Cloher strikes out to penetrating new places with an unmatched boldness of spirit. Among some of the more sombre themes here, ‘My Witch’ swaps out indie rock and folk methodology for simmering electronics and knowingly lusty R&B. DW

Key track: ‘Being Human’

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4. RVG, ‘Brain Worms’

RVG have been responsible for some of the most tender, heart-wrenching moments in Australian rock over the last half-decade. There’s plenty more on the Australian Music Prize-winning ‘Brain Worms’, from washed-out opener ‘Common Ground’ to the stark slow-burn of ‘You’re The Reason’. But perhaps the album’s defining trait is its pitch-black, wry humour. “ I’m too old for this shit ,” Romy Vager yelps on the title track against a clatter of drums. “ I used to be a journalist! ”

• READ MORE: Romy Vager faces our modern hellscape on RVG’s ‘Brain Worms’

Elsewhere, on the tragic ‘Tambourine’, she sneaks in digs at both Train and Google Chrome into gut-punch pandemic-era balladry. They say if you don’t laugh you’ll cry, but ‘Brain Worms’ makes time and space for both – and is honestly all the better for it. DJY

Key track: ‘Squid’

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3. Angie McMahon, ‘Light, Dark, Light Again’

On her second album, Angie McMahon captures all the confusing, heavy, and hopeful parts of the twenty-something experience and spins them into lyrical gold.

She explores the collision of her internal self and the external world poignantly – pondering her place in the vastness of it all, as a complex human in a humming universe. The stories she tells on ‘Light, Dark, Light Again’ are her own, but they’re relatable ones, from spending days in a depression hole to drunken exchanges with a lover.

This album is a warm embrace – a salve for anxiety, a soothing balm for when the world feels too big. It’s a reminder to breathe, to come home to yourself, to push on through the darkness. Because after the dark, comes the light again. GB

Key track: ‘Making It Through’

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2. Genesis Owusu, ‘Struggler’

Genesis Owusu ’s first album ‘Smiling With No Teeth’ was a monumental point in Australian hip-hop and music in general. Brash and ambitious, it marked the introduction of a star. ‘Struggler’ cements that this supernova isn’t burning out anytime soon.

• READ MORE: Genesis Owusu: the show-stealing hero banging the drum for musical outsiders

Refined and focused, Owusu’s second album is firm in its conviction that to struggle doesn’t mean to crumble, but to persist. ‘Struggler’ is a multi-terrain expedition through the psyche, from the frantic strums and claustrophobic gasps of ‘Leaving The Light’, to the all-consuming, ominous warps of ‘The Old Man’, and woozy, genre-hopping acceptance of ‘What Comes Will Come’.

The vision Genesis Owusu paints is clear – this is a story of a roach on the run, and there’s no time to slow down. JL

Key track: ‘Stay Blessed’

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1. Troye Sivan, ‘Something To Give Each Other’

Troye Sivan ’s third album pulls through on the glimpses of greatness of 2018’s ‘Bloom’, where the pop star embraced not merely his queer identity but the sensuality of it.

But where that album traded in sly innuendo, ‘Something to Give Each Other’ is assured, bold and direct, speaking to a transformation that comes when a queer person liberates themselves into unbridled fun without the hangover of shame.

• READ MORE: Troye Sivan has entered his party boi era

Lead single ‘Rush’, a house throb of pure hedonism, sets the mood: Sivan against a sweaty four-to-the-floor, the thrill of making eyes (and making out) on a dancefloor propelling the track forward.

The ecstasy of endless parties, flings and a sheer enjoyment at being alive pulse through ‘Something’, whether with the shimmering ‘Got Me Started’ or mid-tempo moments, like the sultry ‘In Your Room’ or the sweet ‘What’s The Time Where You Are?’. And at just 33 minutes, Sivan sneaks out of the bedroom before the bliss bursts. JR

Key track: ‘Rush’

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