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While the band is deeply rooted in metal, Deftones draws on a constantly-changing blend of influences. It draws on genres like alternative metal, post-punk, post-hardcore, alternative rock, stoner rock, hard rock, art rock, experimental rock, funk metal, and nu-metal to create a one-of-a-kind musical style.

Frontman and founding member Chino Moreno's specific and unique lyrical style is often described as ambiguous and indirect. The band's legacy is frequently compared to alternative rock group Radiohead, with some in the media dubbing Deftones "The Radiohead of metal.” Depeche Mode, Faith No More, Afrika Bambaataa, The Cure, Orchestral Manoeuvres in the Dark, Duran Duran, Thompson Twins, and Hum are just a few of Moreno’s well-known influences.

Over the last 30 years, Deftones have released seven studio albums, including three platinums, and one gold certificate for its bestselling self-titled album. From humble beginnings, it’s incredible to see the journey that the band has made.

Stephen Carpenter, guitarist of the band, taught himself the instrument while confined to a wheelchair at the age of 15 after he was hit by a car while skateboarding. When his childhood friends, vocalist Chino Moreno and drummer Abe Cunningham, learned he could play, the three began jamming together, and soon formed a group.

The group featured a rotating cast of instrumentalists in the late ‘80s and early ‘90s, as Cunningham temporarily departed and bassist Chi Cheng joined. With Cunningham’s return in 1993, the band finalized its lineup. Deftones signed a recording contract with Maverick Records and released the first album, Adrenaline, a few years later, in 1995.

The group’s sophomore effort, Around the Fur, dropped in 1997 and soared up the charts. The singles from the album became the band's first songs to be certified by the Recording Industry Association of America (RIAA).

The band found continued success with the third album, White Pony, in 2000. White Pony marked a transition away from the band’s earlier, more traditional metal sound to a progressive, experimental style. The band enjoyed the most prominent commercial success with the lead single, "Change (In the House of Flies)."

Deftones released a self-titled album in 2003, marking the band’s fourth studio effort. Deftones was a darling of critics, but it failed to generate the same commercial success the band saw with White Pony.

Deftones' released its fifth album, Saturday Night Wrist, was released in 2006. Again, the album garnered much critical acclaim, but personal tensions and creative differences among band members impacted the production. Some of these issues inspired the songs included on the album.

In 2008, Deftones was at work on the next album, "Eros, tragedy struck. A severe traffic accident in Santa Clara, CA, left bassist Cheng comatose, leading to Cheng's eventual death in 2013. Sergio Vega replaced the bassist in 2009.

Deftones released its sixth album, Diamond Eyes, in 2010. In promotion of the new album, Deftones embarked on a triple-headline tour. Alice in Chains and Mastodon were the other headliners, and the tour encompassed many major North American cities.

Koi No Yokan, the band's seventh album, dropped in 2012, followed by Gore in 2016. Both albums highlighted the band's increasingly experimental shift in style and received high critical praise.

Deftones released its ninth album, Ohms, in September 2020. The album received significant critical acclaim for the return to the band's original sound. At the same time, the band was scheduled to begin a joint tour with Gojira, which was ultimately postponed twice due to the COVID-19 pandemic.

In October 2020, the band announced a 20th-anniversary reissue of White Pony, scheduled for release in December of that same year. The special reissue edition was initially packaged along with Black Stallion, a companion remix album featuring guest performances by artists DJ Shadow, Mike Shinoda, and Robert Smith.

In March 2022, an official announcement was made that bassist Sergio Vega had left the band in early 2021.

As well as producing several critically acclaimed albums, the band has a Grammy Award under its belt for Best Metal Performance in 2001 for its song “Elite.” Additionally, Deftones also received Album of the Year at the Revolver Golden Gods Awards for Koi No Yokan.

Deftones has spent a large proportion of its career touring locally, internationally, and worldwide.

Live reviews

What a night! The band opened with "Headup" from their sophomore album, Around the Fur, then dove straight into "My Own Summer". These two tracks made me super happy because they were some of my absolute favorites when I was an angry teenager. LOL. (I guess I still kind of am today.)

Just after those two older songs, they floored the crowd with the opening track from Koi No Yokan - "Swerve City," followed by two more from White Pony - "Digital Bath," and "Elite." The former being a sonic landscape of pure magic and the latter being an absolute bone-crushing performance. (Although I will say the vocoder part on that track got on my nerves a bit since it sounded like it was overpowering the rest of the instruments.)

To my surprise, they only played one track from the new album, Gore, which was "The Phantom Bride," though it was hauntingly beautiful. (I was really hoping for Prayers/Triangles - but it was still great!)

This was followed by another slower song, "You've Seen the Butcher" - which is just a brutally heavy (almost jazzy) tune from the album Diamond Eyes.

Another Diamond Eyes track was next - "Rocket Skates" - which was arguably the most fun and energetic of the entire set in my opinion. The chorus, "GUNS! RAZORS! KNIVES! FUCK WITH ME!" showed on little LED panels behind the band - it was so cool to watch and sing along.

Another slow burner from Koi No Yokan, "Rosemary," followed. I love this song with its plodding intensity, soaring chorus, and absolutely devastating breakdown at the end.

A crowd favorite from White Pony (probably their most popular album) followed, which was extremely intense with the screams in the middle of the track. Man, HOW DOES CHINO DO THAT?!?! I know it was a woman on the album, but I swear I we witnessed him throw an absolutely blood-curdling shriek right toward the end of the song. WOW.

The band did something sneaky next. The played the first verse of "Rivière" from Saturday Night Wrist before stomping through the heavier part of the end of that song. Again, I was a little disappointed (Why not "Hole in the Earth"? Darn. Next time.) Still, very cool.

Two more Deftones classics followed from White Pony - "Change (In the House of Flies)" and "Back to School (Mini Maggit)". These aren't my favorites - I got really tired of "Change" when the band blew up in the early 2000s, but the still jammed hard, so nothing to complain about their performance.

The last two songs were "Be Quiet and Drive (Far Away)" - which is one of my ALL TIME FAVORITE SONGS - and "Minerva," - from the self-titled album - which is my best friend's favorite song. Both were absolutely wonderful; the crowd was absolutely insane during the last song.

Then Chino dropped his guitar. The stage went dark and they walked off stage... the air was so thick and you could just feel something very special was about to happen.

Then we saw the bassist sneak back to his spot... it was an encore! The evening closed with "Teething" from the Crow 2 Soundtrack. Folks, let me tell you THEY. KILLED. THIS. SONG. It was amazing. I have long loved this track and it was the absolute perfect way to end the night.

Overall, I wish we'd heard more stuff from the new album, Gore, and my wife REAAAAALLLLY wanted them to play the title track "Diamond Eyes" from their sixth album.

But all-in-all I'm a huge fan and that will never change! I absolutely loved the concert. Chino, Abe, Stef and the rest of the band were all incredible and I can't wait to see them again!

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Amazing performance by Deftones. Three trapped tigers and thrice sounded great as well. Rise Against had their hands full closing out the show after deftones just killed it. I am suprised they didnt just let deftones close every night. No offense to rise against but coming after a band thats been around as long as deftones would be tough for anybody. They sounded okay, Mid Florida Ampitheatre is a tough one because its built almost in a dome atmosphere essentially making it a big as subwoofer. So bass and drums kinda carry abit over guitars and vocals. Set wise Deftones felt a little short, almost rushed mainly due to Tampa curfew. But I am a Deftones fan since the beginning so ofcourse I want to here 30 songs from their catalog everytime. Thrice really blew me away. They really havent lost any steps since being away for abit. Every song was crisp and clear. You could tell they were really enjoying themselves and trying like hell to take in all the time they were given. Three trapped tigers were also a nice treat. It makes me wonder what these guys could do if they were to add a vocalist in the mix. Being strictly instrumental is tough to do especially opening for bands like Rise Against and Deftones. But that being said those guys were juggernauts on their respective instruments so that has to be acknowledged and appreciated by fans of any genre. Overall solid show and interesting tour pairing. Both deftones and rise against probably gained some new ears for their music so it was a win win for both bands.

Seeing the one-of-a-kind band Deftones in action was an amazing sight indeed. This five-piece put on a mostly flawless show, except for having pretty bad sound quality on the first song which was fixed by the second. Their unique sound known as 'dream-metal' to some was a mixture of dream pop melodies and atmospheric vocals with heavier riffs that ranged from the soft and surreal sounds of White Pony to the nu-metal influenced aggression of their first two albums, which has since matured into the intelligent stylings of Diamond Eyes. Anyways, due to being in the seats (even though they were good seats) I couldn't get a good look at how they were playing, though at least it sounded pretty spot-on. The only thing I didn't care for was the MC who only did some live playing but used a lot of background tracks as well. Besides that, the show was perfect, especially in terms of the setlist as its been a long time I've known as much of a band's set as here. They opened with "Rocket Skates" before playing "Diamond Eyes", "Be Quiet and Drive", "Digital Bath", and "You've Seen the Butcher" all in a row, making the most perfect run of my favorite tracks. Then for the second half they covered all their older material with "Engine No. 9", "Change", "Root", and finally closing with my first favorite song "7 Words". Unfortunately they didn't play "Passenger", their cover of "Simple Man", or their song "Mein" which features Serj (perfect guest appearence opportunity) but I won't complain about their excellent show.

Deftones have been around for longer than most realise, yet one look at their mammoth crowd gathered beneath Reading's main stage would be a good indication to the reputation this alt-metal band have achieved. Masters of a difficult genre known as dream metal, the quintet kick off proceedings with a note perfect rendition of 'Diamond Eyes' and the crowd instantly begin to thrash and move along to the surrealistic rock vibes.

Lead vocalist Chino Merino is clearly enjoying himself up onstage as he dances around to the opening beats of 'My Own Summer' as his tight band play the instrumentals at blistering pace. He conducts the masses in a singalong, and it did not matter if you knew the music or not, there was a wonderful feeling of unison.

A number of the cult hits were included such as 'Be Quiet and Drive' and 'Hexagram' yet it was a sublime rendition of their very first single '7 Words' that really brought the house down. The band gave everything to this performance and for a moment Merino and co stood to soak up the Reading atmosphere and appreciate how far they had come since the first single had been released in 1997.

Deftones are a drop of much needed relief in a sea of Californian music. The band are metal heads: they specialise in alternative heavy metal, unusual for Californians. They are an incredibly talented bunch, who are unique in that they have achieved great crossovers with Rock and Metal, and even the occasional Pop. Their sound has been described as ‘Dream Metal’ by some, due to its mix of dream pop melodies with more aggressive metal and rock chords. Deftones mix atmospheric vocals with pumping, hard core instrumentals to great success. They are a force to be reckoned with on stage: the crowd was crazy for the surrealist rock vibes the band was giving off. The venue was packed and a mosh pit had soon formed, with various thrashing and jumping going on at full force. The lead vocalist was powerful and loved the audience, often getting them revved up and shouting out to us. Classics such as ‘Diamond Eyes’, ‘My Own Summer’, ‘Passenger’ and ‘Change’ were all performed and all received great crowd reactions, real highlights of the show.

I went for AFI - had seen some bad reviews of their live stuff in the past so was a little worried but they totally killed it, hope they tour UK soon.

The deftones however were a different story; my parents were there for them, however we ended up leaving early because it was 1) so obnoxiously loud that I had to wear my headphones to dull it even slightly 2) the crowd was aggressive and throwing beer everywhere 3) the songs weren't really my parents favourites and the sound wasn't great.

I can tell they're good performers, I just think a mixture of the acoustics of the room and the sheer volume ruined it a bit. The crowd also. But I guess if you like a bit of danger in a crowd then its right up your street

They skipped out on the only other show I was supposed to see them back in 2003 (Summer Sanitarium in Minneapolis). I attended this show with certain expectations and the show went pretty much exactly as I thought it might. They played a good number of hits and bunch of stuff no one but a hardcore Deftones fan would recognize. I was a little bummed they didn't play Lotion but since they played Around the Fur and My Own Summer, I was happy (my favorite album obviously being Around the Fur). One aspect that exceeded expectations was the light show...constant lights during almost all of the show. It made the mundane middle of the show interesting and decently fun to watch.

Deftones always rocks. A lot of energy and the crowd going wild.

Chino is really good front man.

On the other arena Anhembi is the worst place that I watched a concert.

The organization fail as usual in concerts at this place. I took 45,minutes in the line to check my ticket.

They implement a process to validate if the tickets are original, where every single people must present a document end a credit card. Total fail. The lines are huge and took more than 20 minutes just to check the ticket.

The sound was very low and apparently the PAs in the middle of the crowd seems to be turned off.

The concert was really great.

The show was a long journey through the band's discography except themes from their most recent album: Gore.

The set was really powerful, even though the stage sound experienced some technical issues on the first two songs.

The Full set list included.

Be Quiet and Drive (Far Away)

My Own Summer (Shove It)

Around the Fur

Swerve City

Digital Bath

What Happened to You?

Hole in the Earth

Change (In the House of Flies)

Diamond Eyes

You've Seen the Butcher

Rocket Skates

Deftones were MAD! Chino owned the stage and was a really good presence up there. They sounded better live than on their albums in my opinion. The only gripe i have is that it was a SHIT venue at Metro City Perth, people were struggling to see because its a multiple story building there are pillars and columns everywhere, the staff were just plain rude and lacked any sort of personality! Would love to see Deftones again, maybe with Max Cavalera with them.

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Deftones Announce Summer North American Tour With Gojira + Poppy

The upcoming tour will be the group’s first in three years

On Tuesday (Feb. 11), GRAMMY-winning metal band Deftones announced that they will embark on a 28-date North American summer tour this year.

The tour will mark Deftones ’ first shows on the road since 2017. In 2018, the group launched their own San Diego-based festival, Dia De Los Deftones, which has featured acts like Chvrches , GRAMMY-winning rapper Future , Doja Cat and JPEGMAFIA on its lineups.

Kicking off on July 27 at The Moda Center in Portland, the Deftones’ run of shows will continue through Sept. 5, when the tour will wrap with a Denver stop at The Pepsi Center. 

With stops in Las Vegas, Toronto and Washington D.C., the tour will also feature special guests, GRAMMY-nominated French heavy metal band Gojira and singer-songwriter Poppy.

In an interview with NBC San Diego last year, Deftones confirmed that they are in progress finishing up their next studio album which is expected to release this year. The new record will be the band’s first studio album since 2016’s Gore .

Tickets for the upcoming tour will be available on Friday (2/14) at 1 p.m. local time on Deftones.com .

Photo: Burak Cingi/Redferns

10 Can't-Miss Acts At Primavera Sound Barcelona 2024: Amaarae, Ethel Cain, Troye Sivan & More

Barcelona's Primavera Sound shines as a star-studded spectacle every year, but the famed international festival's 2024 lineup is especially lively. Get to know 10 acts you won't want to miss at Parc del Fòrum from May 29 to June 2.

Since 2001, Primavera Sound has served as Barcelona's kickoff to summer. And with a stacked lineup chock full of effervescent acts for its 2024 iteration, this year's fest will certainly get the feel-good, warm-weather vibes rolling.

Phoenix starts the party with pop rock and new wave on May 29, setting the stage for fellow headliners Pulp, Vampire Weekend , and Justice on May 30. Lana Del Rey , The National , and Disclosure will make everyone's Friday night on May 31. Then, SZA , PJ Harvey , Mitski , and Charli XCX will ring in June on Saturday, before house/electronic acts ANOTR, The Blessed Madonna, Chloé Caillet, and Mochakk close things out on June 2.

But the headliners are just the beginning of what makes this year's Primavera Sound Barcelona exciting. Peggy Gou , L'Imperatrice , or Omar Apollo will likely tease new tunes, as they all gear up for June album releases. And just a month ago, Faye Webster, The Last Dinner Party , and Eartheater all had their respective Coachella debuts, proving they're more than ready to tackle the Primavera stage.

In the festival's jam-packed five-day lineup, hundreds of acts are primed to kick-start summer with a bang. Below, GRAMMY.com highlights 10 sets you won't want to miss in Barcelona — from Deftones ' alt-metal bash to Amaarae 's soulful hip-hop.

Performing: May 30, Plenitude Stage

Singaporean musician yeule is pioneering the ambient and glitch pop genres one song at a time. Born Nat Ćmiel, their stage name is based on a video game character, Paddra Nsu-Yeul, which speaks to their artistic steps in and out of reality. yeule's musical (and fashion) aesthetic is defined by the cyberworld, marked by futuristic, alternative styles that bewitchingly break norms.

Though they started out as a bedroom producer, yeule's more recent creative endeavors — like their invigorating 2022 album, softscars — have been more collaborative, adding a new layer of inspiration and beauty to their work. With influences ranging from Avril Lavigne to Radiohead , yeule's Primavera set will be ideal for living out all of your emo nostalgic fantasies.

Performing: May 30, Amazon Music Stage

Get ready to scream with Deftones at Primavera. Winning their first GRAMMY back in 2001, the alternative metal band is still rocking out 20-plus years later — and making waves in this festival lineup. While Primavera tends to be led by various electronic and pop acts, Deftones is uniquely ushering punk to the festival's frontlines.

Banding together in 1988 in Sacramento, Deftones is known for their progressive experimentation within metal and rock, often dipping into psychedelia, post-punk, trip hop. Headed by lead vocalist Chino Moreno , the band's hardcore sound is unabashedly raw, original and heavy, continuing to evolve expansively with the metal genre.

Paving the way for contemporary heavy metal over the years, Deftones is a defiant act you won't want to miss at a major stage at Primavera Sound.

Troye Sivan

Performing: may 31, santander stage.

Ready to feel the rush? Troye Sivan certainly is.

The Australian pop star is making Primavera an early stop in his tour for Something To Give Each Other , his latest album featuring jubilant singles like "Rush" and "Got Me Started." Once his European tour wraps in Birmingham, England at the tail end of June, he'll be headlining the Sweat Tour with fellow headliner Charli XCX — who coincidentally will be performing at Primavera the next day on June 1.

From the electropop seedlings on his 2015 debut, Blue Neighborhood , to the full-fledged forlorn beauty of his 2020 EP, In A Dream , Sivan's artistry has evolved significantly in the last decade. Today, his music is its most freeing yet, and there's no doubt it'll be glorious (and sweaty) on the Primavera stage.

Performing: May 31, Plentitude Stage

UK-based Nigerian artist Obongjayar 's musical style is nearly indescribable. Interlacing Afrobeat, spoken word, and EDM, all of his songs are distinctly tinged with a signature, soulful vibrance, and it'll be sensational to see how Obongjayar takes his pensive profundity to fill the Primavera stage.

Though he might be best known for the Fred again.. collaboration "adore u" (which samples his track "I Wish It Was Me"), Obongjayar's special sound effortlessly meshes with everyone he works with. From "If You Say" with Sarz, to "Point and Kill" with Little Simz , to "Protein" with Jeshi, it would be fair to call Obongjayar a chameleon — except instead of blending in, he's standing out.

There's no better word to describe Ethel Cain 's music than transcendent.

A master of gothic indie rock, Cain stitches together uncanny Americana and lovelorn nostalgia into a radiant, sensory experience. Her debut album, 2022's Preacher's Daughter , is divine and sometimes disturbing, but its ambience live sends audiences into an impossibly satisfying trance.

Whether you're listening to the enchanting slow burn of "A House In Nebraska" or the eerie roar of "American Teenager," both Cain's storytelling and live performance are infallibly spine-chilling — do yourself a favor and don't miss Cain's hauntingly beautiful set at Primavera.

BADBADNOTGOOD

Performing: may 31, cupra stage.

Looking for a band that combines jazz styles with hip-hop production? Look no further than BADBADNOTGOOD , an innovative Canadian instrumental band.

After meeting at a Toronto jazz program in 2010, the three-piece band bonded over their hip-hop music appreciation, and the rest is history. Since then, BADBADNOTGOOD (which now features Leland Whitty in place of original member Matthew Tavares) has released five studio albums — fittingly, including covers of hip-hop songs with jazz interpretations. The group has also worked with Kendrick Lamar , Tyler, The Creator , Thundercat , and many more notable artists.

The band's collaborative production and remixing has earned them two GRAMMY wins and five total nominations , and there's no question BADBADNOTGOOD's set will put a spell on Barcelona.

Performing: May 31, Amazon Music Stage

Electronica is Arca 's playground, and the pioneering producer's set at Primavera is sure to craft a whole new world. Dynamism defines the Venezuelan musician's shape-shifting art; through its avant-garde fusion of reggaeton, ambient techno, and dark electronica, her music is bursting with vigor.

Arca's music often discusses themes of gender identity and sexuality, and her views of queerness center around harmony and inclusion, which reflect in her pristine tracks "Nonbinary" and "Machote" on her GRAMMY-nominated album KiCk i . Having released 10 albums since 2006; worked with artists like Rosalía , Björk , and the late SOPHIE ; and even opened for Beyoncé 's Renaissance World Tour , Arca brings immeasurable experience to Barcelona.

The producer's music naturally begs to be heard live — it's meant to sweat to and be danced to, and Arca's Primavera set will embody true electronic extravagance.

ATARASHII GAKKO!

Performing: june 1, cupra stage.

This rising Japanese girl group's powerful sound easily warrants a stage name in all caps and with an exclamation point.

Fresh off their U.S. television debut on "Jimmy Kimmel Live!," ATARASHII GAKKO! is ready to tackle the Primavera Sound stage with their engaging J-pop that integrates elements of hip-hop, rock, and jazz. Intrepid and commanding, their live performance features synchronized dancing, matching sailor school uniforms, and occasionally a marching band.

The quartet's upcoming world tour has a handful of sold-out dates. They've already conquered crowds at Coachella and Head in the Clouds — and there's no doubt that ATARASHII GAKKO! will bring their best to Barcelona.

Performing: June 1, Amazon Music Stage

Ama Serwah Genfi — better known as Amaarae — is an alté trailblazer. Raised between Atlanta and Accra, Ghana, the singer crafts mercurial music that is both introspective and stylish, and destined to be performed for vast audiences.

From her 2017 EP, Passionfruit Summers , to her 2023 album, Fountain Baby , it's easy to be mesmerized by her distinct, eccentric soprano and overflowing confidence. Her critically acclaimed "Sad Girlz Luv Money" (featuring Molly and Kali Uchis ) charted globally in 2021, and just last year, she became the first Ghanaian American to perform an NPR Tiny Desk Concert. Amaarae's live performances bring her blend of R&B, pop, and afrobeats to a new level, and she's ready to introduce her infectious global beats to Primavera.

Bikini Kill

Performing: june 1, pull&bear stage.

Famed pioneers of the riot grrrl movement in the '90s, Bikini Kill is bringing punk fun (and rage) to the Primavera stage.

Influencing alternative stars like Sleater-Kinney , Pussy Riot , and The Linda Lindas , it's no question that the iconic American band has inspired the next generation, whether that be through their music or activism. From "Rebel Girl" to "Feels Blind" to "I Like F—ing," Bikini Kill's beautifully irate music calls for female solidarity and empowerment still resonate with listeners today.

Though the band broke up in 1997, they reunited in 2019 and have since been touring together — and now, Primavera offers a special chance to see another inspiring moment from the revolutionary rockers.

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Photo: Jeff Kravitz/FilmMagic

GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly . Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly .

"Hip-hop. Ice Cube . This is for hip-hop," he said. "This is for Snoop Dogg , Doggystyle . This is for Illmatic , this is for Nas . We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal , Anna Wise and Thundercat ). He also won Best Music Video for the remix of Taylor Swift 's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN ., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers .

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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A Guide To Modern Funk For The Dance Floor: L'Imperatrice, Shiro Schwarz, Franc Moody, Say She She & Moniquea

James Brown changed the sound of popular music when he found the power of the one and unleashed the funk with "Papa's Got a Brand New Bag." Today, funk lives on in many forms, including these exciting bands from across the world.

It's rare that a genre can be traced back to a single artist or group, but for funk, that was James Brown . The Godfather of Soul coined the phrase and style of playing known as "on the one," where the first downbeat is emphasized, instead of the typical second and fourth beats in pop, soul and other styles. As David Cheal eloquently explains, playing on the one "left space for phrases and riffs, often syncopated around the beat, creating an intricate, interlocking grid which could go on and on." You know a funky bassline when you hear it; its fat chords beg your body to get up and groove.

Brown's 1965 classic, "Papa's Got a Brand New Bag," became one of the first funk hits, and has been endlessly sampled and covered over the years, along with his other groovy tracks. Of course, many other funk acts followed in the '60s, and the genre thrived in the '70s and '80s as the disco craze came and went, and the originators of hip-hop and house music created new music from funk and disco's strong, flexible bones built for dancing.

Legendary funk bassist Bootsy Collins learned the power of the one from playing in Brown's band, and brought it to George Clinton , who created P-funk, an expansive, Afrofuturistic , psychedelic exploration of funk with his various bands and projects, including Parliament-Funkadelic . Both Collins and Clinton remain active and funkin', and have offered their timeless grooves to collabs with younger artists, including Kali Uchis , Silk Sonic , and Omar Apollo; and Kendrick Lamar , Flying Lotus , and Thundercat , respectively.

In the 1980s, electro-funk was born when artists like Afrika Bambaataa, Man Parrish, and Egyptian Lover began making futuristic beats with the Roland TR-808 drum machine — often with robotic vocals distorted through a talk box. A key distinguishing factor of electro-funk is a de-emphasis on vocals, with more phrases than choruses and verses. The sound influenced contemporaneous hip-hop, funk and electronica, along with acts around the globe, while current acts like Chromeo, DJ Stingray, and even Egyptian Lover himself keep electro-funk alive and well.

Today, funk lives in many places, with its heavy bass and syncopated grooves finding way into many nooks and crannies of music. There's nu-disco and boogie funk, nodding back to disco bands with soaring vocals and dance floor-designed instrumentation. G-funk continues to influence Los Angeles hip-hop, with innovative artists like Dam-Funk and Channel Tres bringing the funk and G-funk, into electro territory. Funk and disco-centered '70s revival is definitely having a moment, with acts like Ghost Funk Orchestra and Parcels , while its sparkly sprinklings can be heard in pop from Dua Lipa , Doja Cat , and, in full "Soul Train" character, Silk Sonic . There are also acts making dreamy, atmospheric music with a solid dose of funk, such as Khruangbin ’s global sonic collage.

There are many bands that play heavily with funk, creating lush grooves designed to get you moving. Read on for a taste of five current modern funk and nu-disco artists making band-led uptempo funk built for the dance floor. Be sure to press play on the Spotify playlist above, and check out GRAMMY.com's playlist on Apple Music , Amazon Music and Pandora .

Say She She

Aptly self-described as "discodelic soul," Brooklyn-based seven-piece Say She She make dreamy, operatic funk, led by singer-songwriters Nya Gazelle Brown, Piya Malik and Sabrina Mileo Cunningham. Their '70s girl group-inspired vocal harmonies echo, sooth and enchant as they cover poignant topics with feminist flair.

While they’ve been active in the New York scene for a few years, they’ve gained wider acclaim for the irresistible music they began releasing this year, including their debut album, Prism . Their 2022 debut single "Forget Me Not" is an ode to ground-breaking New York art collective Guerilla Girls, and " Norma " is their protest anthem in response to the news that Roe vs. Wade could be (and was) overturned. The band name is a nod to funk legend Nile Rodgers , from the "Le freak, c'est chi" exclamation in Chic's legendary tune "Le Freak."

Moniquea 's unique voice oozes confidence, yet invites you in to dance with her to the super funky boogie rhythms. The Pasadena, California artist was raised on funk music; her mom was in a cover band that would play classics like Aretha Franklin’ s "Get It Right" and Gladys Knight ’s "Love Overboard." Moniquea released her first boogie funk track at 20 and, in 2011, met local producer XL Middelton — a bonafide purveyor of funk. She's been a star artist on his MoFunk Records ever since, and they've collabed on countless tracks, channeling West Coast energy with a heavy dose of G-funk, sunny lyrics and upbeat, roller disco-ready rhythms.

Her latest release is an upbeat nod to classic West Coast funk, produced by Middleton, and follows her February 2022 groovy, collab-filled album, On Repeat .

Shiro Schwarz

Shiro Schwarz is a Mexico City-based duo, consisting of Pammela Rojas and Rafael Marfil, who helped establish a modern funk scene in the richly creative Mexican metropolis. On "Electrify" — originally released in 2016 on Fat Beats Records and reissued in 2021 by MoFunk — Shiro Schwarz's vocals playfully contrast each other, floating over an insistent, upbeat bassline and an '80s throwback electro-funk rhythm with synth flourishes.

Their music manages to be both nostalgic and futuristic — and impossible to sit still to. 2021 single "Be Kind" is sweet, mellow and groovy, perfect chic lounge funk. Shiro Schwarz’s latest track, the joyfully nostalgic "Hey DJ," is a collab with funkstress Saucy Lady and U-Key.

L'Impératrice

L'Impératrice (the empress in French) are a six-piece Parisian group serving an infectiously joyful blend of French pop, nu-disco, funk and psychedelia. Flore Benguigui's vocals are light and dreamy, yet commanding of your attention, while lyrics have a feminist touch.

During their energetic live sets, L'Impératrice members Charles de Boisseguin and Hagni Gwon (keys), David Gaugué (bass), Achille Trocellier (guitar), and Tom Daveau (drums) deliver extended instrumental jam sessions to expand and connect their music. Gaugué emphasizes the thick funky bass, and Benguigui jumps around the stage while sounding like an angel. L’Impératrice’s latest album, 2021’s Tako Tsubo , is a sunny, playful French disco journey.

Franc Moody

Franc Moody 's bio fittingly describes their music as "a soul funk and cosmic disco sound." The London outfit was birthed by friends Ned Franc and Jon Moody in the early 2010s, when they were living together and throwing parties in North London's warehouse scene. In 2017, the group grew to six members, including singer and multi-instrumentalist Amber-Simone.

Their music feels at home with other electro-pop bands like fellow Londoners Jungle and Aussie act Parcels. While much of it is upbeat and euphoric, Franc Moody also dips into the more chilled, dreamy realm, such as the vibey, sultry title track from their recently released Into the Ether .

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Photo: Steven Sebring

Living Legends: Billy Idol On Survival, Revival & Breaking Out Of The Cage

"One foot in the past and one foot into the future," Billy Idol says, describing his decade-spanning career in rock. "We’ve got the best of all possible worlds because that has been the modus operandi of Billy Idol."

Living Legends is a series that spotlights icons in music still going strong today. This week, GRAMMY.com spoke with Billy Idol about his latest EP,   Cage , and continuing to rock through decades of changing tastes.

Billy Idol is a true rock 'n' roll survivor who has persevered through cultural shifts and personal struggles. While some may think of Idol solely for "Rebel Yell" and "White Wedding," the singer's musical influences span genres and many of his tunes are less turbo-charged than his '80s hits would belie.  

Idol first made a splash in the latter half of the '70s with the British punk band Generation X. In the '80s, he went on to a solo career combining rock, pop, and punk into a distinct sound that transformed him and his musical partner, guitarist Steve Stevens, into icons. They have racked up multiple GRAMMY nominations, in addition to one gold, one double platinum, and four platinum albums thanks to hits like "Cradle Of Love," "Flesh For Fantasy," and "Eyes Without A Face." 

But, unlike many legacy artists, Idol is anything but a relic. Billy continues to produce vital Idol music by collaborating with producers and songwriters — including Miley Cyrus — who share his forward-thinking vision. He will play a five-show Vegas residency in November, and filmmaker Jonas Akerlund is working on a documentary about Idol’s life. 

His latest release is Cage , the second in a trilogy of annual four-song EPs. The title track is a classic Billy Idol banger expressing the desire to free himself from personal constraints and live a better life. Other tracks on Cage incorporate metallic riffing and funky R&B grooves. 

Idol continues to reckon with his demons — they both grappled with addiction during the '80s — and the singer is open about those struggles on the record and the page. (Idol's 2014 memoir Dancing With Myself , details a 1990 motorcycle accident that nearly claimed a leg, and how becoming a father steered him to reject hard drugs. "Bitter Taste," from his last EP, The Roadside , reflects on surviving the accident.)

Although Idol and Stevens split in the late '80s — the skilled guitarist fronted Steve Stevens & The Atomic Playboys, and collaborated with Michael Jackson, Rick Ocasek, Vince Neil, and Harold Faltermeyer (on the GRAMMY-winning "Top Gun Anthem") —  their common history and shared musical bond has been undeniable. The duo reunited in 2001 for an episode of " VH1 Storytellers " and have been back in the saddle for two decades. Their union remains one of the strongest collaborations in rock 'n roll history.

While there is recognizable personnel and a distinguishable sound throughout a lot of his work, Billy Idol has always pushed himself to try different things. Idol discusses his musical journey, his desire to constantly move forward, and the strong connection that he shares with Stevens. 

Steve has said that you like to mix up a variety of styles, yet everyone assumes you're the "Rebel Yell"/"White Wedding" guy. But if they really listen to your catalog, it's vastly different.

Yeah, that's right. With someone like Steve Stevens, and then back in the day Keith Forsey producing... [Before that] Generation X actually did move around inside punk rock. We didn't stay doing just the Ramones two-minute music. We actually did a seven-minute song. [ Laughs ]. We did always mix things up. 

Then when I got into my solo career, that was the fun of it. With someone like Steve, I knew what he could do. I could see whatever we needed to do, we could nail it. The world was my oyster musically. 

"Cage" is a classic-sounding Billy Idol rocker, then "Running From The Ghost" is almost metal, like what the Devil's Playground album was like back in the mid-2000s. "Miss Nobody" comes out of nowhere with this pop/R&B flavor. What inspired that?

We really hadn't done anything like that since something like "Flesh For Fantasy" [which] had a bit of an R&B thing about it. Back in the early days of Billy Idol, "Hot In The City" and "Mony Mony" had girls [singing] on the backgrounds. 

We always had a bit of R&B really, so it was actually fun to revisit that. We just hadn't done anything really quite like that for a long time. That was one of the reasons to work with someone like Sam Hollander [for the song "Rita Hayworth"] on The Roadside . We knew we could go [with him] into an R&B world, and he's a great songwriter and producer. That's the fun of music really, trying out these things and seeing if you can make them stick. 

I listen to new music by veteran artists and debate that with some people. I'm sure you have those fans that want their nostalgia, and then there are some people who will embrace the newer stuff. Do you find it’s a challenge to reach people with new songs?

Obviously, what we're looking for is, how do we somehow have one foot in the past and one foot into the future? We’ve got the best of all possible worlds because that has been the modus operandi of Billy Idol. 

You want to do things that are true to you, and you don't just want to try and do things that you're seeing there in the charts today. I think that we're achieving it with things like "Running From The Ghost" and "Cage" on this new EP. I think we’re managing to do both in a way. 

** Obviously, "Running From The Ghost" is about addiction, all the stuff that you went through, and in "Cage" you’re talking about  freeing yourself from a lot of personal shackles. Was there any one moment in your life that made you really thought I have to not let this weigh me down anymore ? **

I mean, things like the motorcycle accident I had, that was a bit of a wake up call way back. It was 32 years ago. But there were things like that, years ago, that gradually made me think about what I was doing with my life. I didn't want to ruin it, really. I didn't want to throw it away, and it made [me] be less cavalier. 

I had to say to myself, about the drugs and stuff, that I've been there and I've done it. There’s no point in carrying on doing it. You couldn't get any higher. You didn't want to throw your life away casually, and I was close to doing that. It took me a bit of time, but then gradually I was able to get control of myself to a certain extent [with] drugs and everything. And I think Steve's done the same thing. We're on a similar path really, which has been great because we're in the same boat in terms of lyrics and stuff. 

So a lot of things like that were wake up calls. Even having grandchildren and just watching my daughter enlarging her family and everything; it just makes you really positive about things and want to show a positive side to how you're feeling, about where you're going. We've lived with the demons so long, we've found a way to live with them. We found a way to be at peace with our demons, in a way. Maybe not completely, but certainly to where we’re enjoying what we do and excited about it.

[When writing] "Running From The Ghost" it was easy to go, what was the ghost for us? At one point, we were very drug addicted in the '80s. And Steve in particular is super sober [now]. I mean, I still vape pot and stuff. I don’t know how he’s doing it, but it’s incredible. All I want to be able to do is have a couple of glasses of wine at a restaurant or something. I can do that now.

I think working with people that are super talented, you just feel confident. That is a big reason why you open up and express yourself more because you feel comfortable with what's around you.

Did you watch Danny Boyle's recent Sex Pistols mini-series?

I did, yes.

You had a couple of cameos; well, an actor who portrayed you did. How did you react to it? How accurate do you think it was in portraying that particular time period?

I love Jonesy’s book, I thought his book was incredible. It's probably one of the best bio books really. It was incredible and so open. I was looking forward to that a lot.

It was as if [the show] kind of stayed with Steve [Jones’ memoir] about halfway through, and then departed from it. [John] Lydon, for instance, was never someone I ever saw acting out; he's more like that today. I never saw him do something like jump up in the room and run around going crazy. The only time I saw him ever do that was when they signed the recording deal with Virgin in front of Buckingham Palace. Whereas Sid Vicious was always acting out; he was always doing something in a horrible way or shouting at someone. I don't remember John being like that. I remember him being much more introverted.

But then I watched interviews with some of the actors about coming to grips with the parts they were playing. And they were saying, we knew punk rock happened but just didn't know any of the details. So I thought well, there you go . If ["Pistol" is]  informing a lot of people who wouldn't know anything about punk rock, maybe that's what's good about it.

Maybe down the road John Lydon will get the chance to do John's version of the Pistols story. Maybe someone will go a lot deeper into it and it won't be so surface. But maybe you needed this just to get people back in the flow.

We had punk and metal over here in the States, but it feels like England it was legitimately more dangerous. British society was much more rigid.

It never went [as] mega in America. It went big in England. It exploded when the Pistols did that interview with [TV host Bill] Grundy, that lorry truck driver put his boot through his own TV, and all the national papers had "the filth and the fury" [headlines].

We went from being unknown to being known overnight. We waited a year, Generation X. We even told them [record labels] no for nine months to a year. Every record company wanted their own punk rock group. So it went really mega in England, and it affected the whole country – the style, the fashions, everything. I mean, the Ramones were massive in England. Devo had a No. 1 song [in England] with "Satisfaction" in '77. Actually, Devo was as big as or bigger than the Pistols.

You were ahead of the pop-punk thing that happened in the late '90s, and a lot of it became tongue-in-cheek by then. It didn't have the same sense of rebelliousness as the original movement. It was more pop.

It had become a style. There was a famous book in England called Revolt Into Style — and that's what had happened, a revolt that turned into style which then they were able to duplicate in their own way. Even recently, Billie Joe [Armstrong] did his own version of "Gimme Some Truth," the Lennon song we covered way back in 1977.

When we initially were making [punk] music, it hadn't become accepted yet. It was still dangerous and turned into a style that people were used to. We were still breaking barriers.

You have a band called Generation Sex with Steve Jones and Paul Cook. I assume you all have an easier time playing Pistols and Gen X songs together now and not worrying about getting spit on like back in the '70s?

Yeah, definitely. When I got to America I told the group I was putting it together, "No one spits at the audience."

We had five years of being spat on [in the UK], and it was revolting. And they spat at you if they liked you. If they didn't like it they smashed your gear up. One night, I remember I saw blood on my T-shirt, and I think Joe Strummer got meningitis when spit went in his mouth.

You had to go through a lot to become successful, it wasn't like you just kind of got up there and did a couple of gigs. I don't think some young rock bands really get that today.

With punk going so mega in England, we definitely got a leg up. We still had a lot of work to get where we got to, and rightly so because you find out that you need to do that. A lot of groups in the old days would be together three to five years before they ever made a record, and that time is really important. In a way, what was great about punk rock for me was it was very much a learning period. I really learned a lot [about] recording music and being in a group and even writing songs.

Then when I came to America, it was a flow, really. I also really started to know what I wanted Billy Idol to be. It took me a little bit, but I kind of knew what I wanted Billy Idol to be. And even that took a while to let it marinate.

You and Miley Cyrus have developed a good working relationship in the last several years. How do you think her fans have responded to you, and your fans have responded to her?

I think they're into it. It's more the record company that she had didn't really get "Night Crawling"— it was one of the best songs on Plastic Hearts , and I don't think they understood that. They wanted to go with Dua Lipa, they wanted to go with the modern, young acts, and I don't think they realized that that song was resonating with her fans. Which is a shame really because, with Andrew Watt producing, it's a hit song.

But at the same time, I enjoyed doing it. It came out really good and it's very Billy Idol. In fact, I think it’s more Billy Idol than Miley Cyrus. I think it shows you where Andrew Watt was. He was excited about doing a Billy Idol track. She's fun to work with. She’s a really great person and she works at her singing — I watched her rehearsing for the Super Bowl performance she gave. She rehearsed all Saturday morning, all Saturday afternoon, and Sunday morning and it was that afternoon. I have to admire her fortitude. She really cares.

I remember when you went on " Viva La Bam "  back in 2005 and decided to give Bam Margera’s Lamborghini a new sunroof by taking a power saw to it. Did he own that car? Was that a rental?

I think it was his car.

Did he get over it later on?

He loved it. [ Laughs ] He’s got a wacky sense of humor. He’s fantastic, actually. I’m really sorry to see what he's been going through just lately. He's going through a lot, and I wish him the best. He's a fantastic person, and it's a shame that he's struggling so much with his addictions. I know what it's like. It's not easy.

Musically, what is the synergy like with you guys during the past 10 years, doing Kings and Queens of the Underground and this new stuff? What is your working relationship like now in this more sober, older, mature version of you two as opposed to what it was like back in the '80s?

In lots of ways it’s not so different because we always wrote the songs together, we always talked about what we're going to do together. It was just that we were getting high at the same time.We're just not getting [that way now] but we're doing all the same things.

We're still talking about things, still [planning] things:What are we going to do next? How are we going to find new people to work with? We want to find new producers. Let's be a little bit more timely about putting stuff out.That part of our relationship is the same, you know what I mean? That never got affected. We just happened to be overloading in the '80s.

The relationship’s… matured and it's carrying on being fruitful, and I think that's pretty amazing. Really, most people don't get to this place. Usually, they hate each other by now. [ Laughs ] We also give each other space. We're not stopping each other doing things outside of what we’re working on together. All of that enables us to carry on working together. I love and admire him. I respect him. He's been fantastic. I mean, just standing there on stage with him is always a treat. And he’s got an immensely great sense of humor. I think that's another reason why we can hang together after all this time because we've got the sense of humor to enable us to go forward.

There's a lot of fan reaction videos online, and I noticed a lot of younger women like "Rebel Yell" because, unlike a lot of other '80s alpha male rock tunes, you're talking about satisfying your lover.

It was about my girlfriend at the time, Perri Lister. It was about how great I thought she was, how much I was in love with her, and how great women are, how powerful they are.

It was a bit of a feminist anthem in a weird way. It was all about how relationships can free you and add a lot to your life. It was a cry of love, nothing to do with the Civil War or anything like that. Perri was a big part of my life, a big part of being Billy Idol. I wanted to write about it. I'm glad that's the effect.

Is there something you hope people get out of the songs you've been doing over the last 10 years? Do you find yourself putting out a message that keeps repeating?

Well, I suppose, if anything, is that you can come to terms with your life, you can keep a hold of it. You can work your dreams into reality in a way and, look, a million years later, still be enjoying it.

The only reason I'm singing about getting out of the cage is because I kicked out of the cage years ago. I joined Generation X when I said to my parents, "I'm leaving university, and I'm joining a punk rock group." And they didn't even know what a punk rock group was. Years ago, I’d write things for myself that put me on this path, so that maybe in 2022 I could sing something like "Cage" and be owning this territory and really having a good time. This is the life I wanted.

The original UK punk movement challenged societal norms. Despite all the craziness going on throughout the world, it seems like a lot of modern rock bands are afraid to do what you guys were doing. Do you think we'll see a shift in that?

Yeah.  Art usually reacts to things, so I would think eventually there will be a massive reaction to the pop music that’s taken over — the middle of the road music, and then this kind of right wing politics. There will be a massive reaction if there's not already one. I don’t know where it will come from exactly. You never know who's gonna do [it].

Living Legends: Nancy Sinatra Reflects On Creating "Power And Magic" In Studio, Developing A Legacy Beyond "Boots" & The Pop Stars She Wants To Work With

• 1 Deftones Announce Summer North American Tour With Gojira + Poppy
• 2 10 Can't-Miss Acts At Primavera Sound Barcelona 2024: Amaarae, Ethel Cain, Troye Sivan & More
• 3 GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016
• 4 A Guide To Modern Funk For The Dance Floor: L'Imperatrice, Shiro Schwarz, Franc Moody, Say She She & Moniquea
• 5 Living Legends: Billy Idol On Survival, Revival & Breaking Out Of The Cage

Deftones debut new line-up on first night of long-awaited tour with Gojira

The band have officially added former Marilyn Manson bassist Fred Sablan to their touring line-up

Deftones have officially unveiled their new touring line-up, with bassist Fred Sablan making his debut on the first night of the band’s long-awaited North American tour with Gojira .

• READ MORE: Deftones: “Even in our worst moments, we persevere”

Sablan, who is best known as the former bassist for Marilyn Manson , kicked off his tenure with Chino Moreno and co. at the band’s Portland show at the Moda Center on Thursday night (April 14).

It comes after Vega announced last month that he had officially left Deftones . The bassist had played with the iconic metal band since replacing former bassist Chi Cheng in 2009, but after rumours began to circle of Vega’s departure following a new band photo without him emerged, he confirmed the news in a video message.

Deftones’ spring North American tour with Gojira runs until the end of May, with stops scheduled in Los Angeles, Atlanta, Boston, New York, Toronto, Chicago and more. Check out the full dates here .

“What a welcome back, Portland. Thank you. Seattle tomorrow night,” the band wrote on Instagram yesterday (April 15), sharing an image from their opening Portland show.

View this post on Instagram A post shared by Deftones (@deftones)

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Check out footage from Sablan’s debut below:

Detones live, April 14th, Moda Center, Portland, OR. Great damn show… intense. #deftones #deftonesband #portland #oregon #modacenter #rosequater @deftones pic.twitter.com/VyDsgkfULm — Miguel Lugo (@luguash) April 15, 2022

Detones live, April 14th, Moda Center, Portland, OR. Great damn show… intense Deftones Setlist at Moda Center, Portland, OR, USA. @deftones #deftones #portland #oregon #chinomoreno #modacenter pic.twitter.com/M0YO1H6xKa — Miguel Lugo (@luguash) April 15, 2022

The band gave live debut’s to a number of tracks including ‘Genesis’, ‘Ohms’ and ‘Lovers’. You can check out the setlist below.

Deftones played:

‘Genesis’ ‘Rocket Skates’ ‘Prayers/Triangles’ ‘Royal’ ‘Be Quiet and Drive (Far Away)’ ‘My Own Summer (Shove It)’ ‘Tempest’ ‘Swerve City’ ‘Digital Bath’ ‘Knife Prty’ ‘Beware’ ‘Sextape’ ‘Diamond Eyes’ ‘Rosemary’ ‘Bloody Cape’ ‘Ohms’ ‘Engine No. 9’

Encore: ‘Lovers’ ‘Change (In the House of Flies)’

Deftones released their most recent album, ‘Ohms’, back in 2020. In a five-star review , NME ‘s James McMahon called the band’s reunion with producer Terry Date “an album that’s as thrilling – and as emotional – as they have ever sounded”.

Meanwhile, Sergio Vega recently confirmed he has new projects in the works .

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Deftones Announce Summer 2021 Tour, Share New “Ceremony” Video: Watch

Deftones have announced a tour that’s scheduled to begin this summer. Gojira will support Deftones at various stops on the U.S. trek. Check out the band’s itinerary, which includes a number of festival dates, below.

Along with the tour announcement, Deftones have shared the music video for their Ohms song “Ceremony.” The clip is helmed by Leigh Whannell, who directed last year’s The Invisible Man . The new visual stars Cleopatra Coleman. Watch “Ceremony” below.

Deftones frontmann Chino Moreno said in a press release:

When Leigh tweeted that he was a fan, we immediately thought it would be cool to collaborate with him given the chance. We’re fans of his as well, so it made sense that we should reach out. One moment we’re DM’ing each other on Twitter, and the next we’re on set making “Ceremony.’ This has always been the best way for us to collaborate: organically, collaboratively and in this case, expeditiously. We hope everyone enjoys it as much as we had making it.

Leigh Whannelll added:

I’ve been a huge Deftones fan for over 20 years and have always admired the devotion they have dedicated to every aspect of their art—from music videos to album covers to their cryptic and intriguing lyrics. To get a chance to be a part of that art was a dream come true.

Read Pitchfork’s Sunday Review of Deftones’ 2000 record White Pony .

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06-03 Viveiro, Spain - Campo de Fútbol Celeiro (Resurrection Fest 2021) 06-11 Zürich, Switzerland - X-TRA 06-21-23 Zagreb, Croatia - Lake Jarun (INmusic Festival 2021) 06-22 Bologna, Italy - Sequoie Music Park 2021 06-25 Budapest, Hungary - Budapest Park 06-26 Katowice, Poland - Spodek (Metal Hammer Festival 2021) 06-28 Hamburg, Germany - Grosse Freiheit 36 06-29 Berlin, Germany - Columbiahalle 06-30 Roskilde, Denmark - Roskilde Festival 2021 07-06 Barcelona, Spain - Razzmatazz 07-08 Madrid, Spain - IFEMA Feria de Madrid (Mad Cool Festival 2021) 07-10 Moscow, Russia - Luzhniki (Park Live Festival 2021) 07-13 Kiev, Ukraine - Sky Family Park (U Park Festival 2021) 07-14-18 Cluj-Napoca, Romania - Bonţida Bánffy Castle (Electric Castle Festival 2021) 08-12 Minneapolis, MN - The Armory ^ 08-14 Milwaukee, WI - Eagles Ballroom ^ 08-15 Sterling Heights, MI - Michigan Lottery Amphitheatre at Freedom Hill ^ 08-17 Chicago, IL - Huntington Bank Pavilion ^ 08-19 Toronto, Ontario - RBC Echo Beach ^ 08-20 Laval, Quebec - Place Bell ^ 08-21 Uncasville, CT - Mohegan Sun Arena ^ 08-23 Boston, MA - Agganis Arena ^ 08-24 New York, Ny - The Rooftop at Pier 17 ^ 08-27 Philadelphia, PA - The Met Philadelphia ^ 08-28 Asbury Park, NJ - Stone Pony Summerstage ^ 08-29 Washington, D.C. - The Anthem ^ 08-31 Pittsburgh, PA - Petersen Events Center, University of Pittsburgh ^ 09-02 Indianapolis, IN - Amphitheater at White River State Park ^ 09-03 Manchester, TN - Bonnaroo Farms (Bonnaroo Music & Arts Festival 2021) 09-04 Atlanta, GA - Cadence Bank Amphitheatre at Chastain Park ^ 09-06 Irving, TX - The Pavilion at Toyota Music Factory ^ 09-07 Houston, TX - White Oak Music Hall ^ 09-08 San Antonio, TX - AT&T Center ^ 09-10 Denver, CO - Ball Arena ^ 09-11 Albuquerque, NM - Isleta Amphitheatre ^ 09-14 Phoenix, AZ - Arizona Federal Theatre ^ 09-17 Los Angeles, CA - Greek Theatre ^ 09-18 San Francisco, CA - Bill Graham Civic Auditorium ^ 09-21 Seattle, WA - WAMU Theater ^ 09-22 Portland OR - Theatre of the Clouds at Moda Center ^ 09-30 Porto, Portugal - Alfândega do Porto (North Music Festival 2021)

^ with Gojira

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Deftones + Gojira Announce Rescheduled Tour Dates for 2022

Deftones on Friday (July 9) announced rescheduled 2022 tour dates for their anticipated North American campaign alongside fellow metal act Gojira . The joint trek initially was plotted for 2020 before being postponed to 2021 because of the COVID-19 pandemic . It's now been pushed back yet another year.

The singer Poppy , advertised as a supporting act for what would have been the 2020 or 2021 tour, will not appear at the newly rescheduled shows.

See all the new dates near the bottom of this post.

"As everyone knows, difficult decisions are a part of life, and we faced one recently," Deftones said in a statement . "After much contemplation, we've made the decision to postpone our summer tour with Gojira one more time. As passionate as you are about seeing us, we are even more so to be back on stage together."

The message continued, "With the imminence of the tour, and the pandemic lasting much longer than we anticipated, we came to the realization that uncertainty still remains in different markets throughout the country. We do not want to be in a situation where shows have to be adjusted or cancelled … while we are on the road."

The Chino Moreno -led band added that those with tickets for the 2021 shows who can't attend a new date would be able to obtain a refund. Further, three additional shows in Las Vegas, Cincinnati, and Nashville, Tenn., have been added to the tour. Get more info  here .

Deftones + Gojira Spring 2022 North American Tour Dates

April 14 – Portland, Ore. @ Moda Center April 16 – Seattle, Wa. @ WAMU Theater April 18 – San Francisco, Calif. @ Bill Graham Aud. April 20 – Los Angeles, Calif. @ The Greek Theatre April 22 – Las Vegas, Nev. @ The Cosmopolitan * April 23 – Phoenix, Ariz. @ Arizona Federal Theater April 25 – Denver, Colo. @ Ball Arena April 28 – Albuquerque, N.M. @ Isleta Amphitheater April 30 – Houston, Texas @ White Oak Music Hall May 2 – Irving, Texas @ Toyota Music Factory May 3 – San Antonio, Texas @ AT&T Center May 6 – Atlanta, Ga. @ Cadence Bank Amphitheatre May 7 – Nashville, Tenn. @ Municipal Auditorium * May 8 – Cincinnati, Ohio @ Icon Music Center * May 10 – Indianapolis, Ind. @ TCU Amphitheater May 11 – Pittsburgh, Pa. @ Peterson Events Center May 13 – Boston, Mass. @ Agganis Arena May 14 – Asbury Park, N.J. @ Stone Pony May 15 – New York, N.Y. @ Pier 17 May 17 – Washington, D.C. @ The Anthem May 18 – Philadelphia. Pa. @ The Met May 19 – Uncasville, Ct. @ Mohegan Sun Arena May 21 – Quebec, Canada @ Place Bell May 22 – Toronto, Canada @ RBC Echo Beach May 24 – Detroit, Mich. @ Michigan Lottery Amp. May 26 – Milwaukee, Wis. @ The Rave May 27 – Chicago, Ill. @ Huntington Bank Pavilion May 28 – Minneapolis, Minn. @ The Armory

* Newly added show

These Are the Rock + Metal Bands Touring in 2021

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Deftones Announce First U.S. Tour in Three Years

By Patrick Doyle

Patrick Doyle

In the last few years, Deftones have stopped touring the U.S. in favor of throwing their own festivals: Dia de los Deftones, held at San Diego’s Petco Park, has included Future, CHVRCHES, Linkin Park’s Mike Shinoda and more.

But Tuesday, the band announced their first full U.S. summer tour since 2017. The tour, with guests Gojira and Poppy, kicks off on July 27th in Portland, Oregon, and continues all summer until wrapping up in Denver on September 5th. Tickets go on sale to the general public on Friday.

“We’re super excited to have Gojira spending the summer with us, and Poppy will be a really fun addition as well,” frontman Chino Moreno said in a statement .  “We’re looking forward to seeing everyone this summer. It’s been a minute.”

It’s unclear if the tour will include new music. Last year, Moreno said they had been working on their first album since 2016’s Gore . “We are kind of enjoying our time making it,” Moreno told NBC San Diego. “It’s been a cool process. We get together, we work for a couple of weeks, whether that’s just making noise and coming up with ideas and then everybody just goes home and comes back to work on ’em a little bit more.”

Deftones Tour Dates

July 27 – Portland, OR @ Theatre of the Clouds at Moda Center July 28 – Seattle, WA @ WaMu Theater July 30 – San Francisco, CA @ Bill Graham Civic Auditorium August 1 – Las Vegas, NV @ The Pearl Concert Theater at Palms Casino Resort August 2 – Los Angeles, CA @ The Greek Theatre August 4 – Phoenix, AZ @ Arizona Federal Theatre August 5 – Albuquerque, NM @ Isleta Amphitheater August 7 – Bonner Springs, KS @ Providence Medical Center Amphitheater August 8 – Milwaukee, WI @ The Eagles Ballroom August 9 – Minneapolis, MN @ The Armory August 11 – Chicago, IL @ Huntington Bank Pavilion at Northerly Island August 12 – Sterling Heights, MI @ Michigan Lottery Amphitheater at Freedom Hill August 14 – Boston, MA @ Agganis Arena August 15 – Laval, QC @ Place Bell August 17 – Toronto, ON @ RBC Echo Beach August 19 – New York NY @ The Rooftop at Pier 17 August 20 – Asbury Park, NJ @ Stone Pony Summer Stage August 22 – Philadelphia, PA @ The Met Philadelphia August 23 – Washington, DC @ The Anthem August 24 – Bridgeport, CT @ Harbor Yard Amphitheater August 26 – Pittsburgh, PA @ Petersen Events Center August 27 – Indianapolis, IN @ The Amphitheater at White River State Park August 29 – Nashville, TN @ Nashville Municipal Auditorium August 30 – Atlanta, GA @ Cadence Bank Amphitheater at Chastain Park September 1 – San Antonio, TX @ AT&T Center September 2 – Houston, TX @ White Oak Music Hall September 3 – Irving, TX @ The Pavilion at Toyoto Music Factory September 5 – Denver CO @ Pepsi Center

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Deftones Debut New Lineup as They Kick Off Long-Awaited Tour with Gojira: Recap + Photos

The post Deftones Debut New Lineup as They Kick Off Long-Awaited Tour with Gojira: Recap + Photos appeared first on Consequence .

Setting the Stage: For as long as Deftones and Gojira had to wait before they could finally tread the boards at Portland, Oregon’s Moda Center to kick off their North American tour on Thursday night (April 14th), neither band wasted any precious moments of their stage time commenting on the pandemic, the postponements, or anything concerning the strangeness of the past two years.

Despite the tour being twice-postponed (it was originally slated for summer 2020), a lot has happened for both bands leading up to this night. In addition to releasing their most recent album Ohms in 2020 and a 20th anniversary edition of White Pony , Deftones earned a couple of Grammy nominations for the songs “Ohms” and “Genesis.” There was also an air of mystery going into the show, as it was recently revealed that the band parted ways with bassist Sergio Vega, and a replacement hadn’t yet been announced.

Gojira, meanwhile, have had an eventful year since they released their seventh studio album, Fortitude . That LP scored the French metal act its highest debut on the Billboard 200 chart and netted the band a Grammy nomination. And they’ve already played headlining tours of the United States and Europe in support of the album.

Even this particular tour ( tickets available here ) has undergone some changes as planned opener Poppy dropped off after the two postponements. (She was replaced on these dates by Australian industrial duo VOWWS.) Yet outside of some stray remarks from Deftones frontman Chino Moreno and Gojira leader Joe Duplantier laughing about how fans were going to see his band shaking off some nonexistent rust, both groups wasted little time last night, opting to get right down to business of mercilessly tearing through their career-spanning sets.

Taking the Stage: For an arena rock show marked, as it should be, by its large scale and massive volume, Deftones’ headlining set was defined by its small gestures.

There were the nods to their patient fans by way of a setlist that touched on every one of the band’s nine studio albums and included three live debuts: “Genesis” and the title track from their 2020 album Ohms , and “Lovers,” a 2003 B-side from their “Hexagram” single. That last song was an especially welcome treat as proven by the wave of excitement that rippled through the crowd from the first wowing synth note and the number of folks shouting along with Moreno whenever he returned to the lyrical phrase, “I wish she’d come.”

Then there were the little moments where the members of Deftones, especially Moreno and guitarist Stephen Carpenter, made sure that everyone in the room and on the stage were staying connected for the duration of the 75-minute performance. They were often tiny things like when Moreno wandered over to the far edge of stage left to give a quick wave to someone in the crowd (probably the tiny pre-teen sitting on her father’s shoulders) while the band barreled through the Diamond Eyes cut “Rocket Skates.” Or the devil horns Carpenter flashed to a fan between songs at the set’s midpoint.

From a practical standpoint, the show confirmed the rumor that bassist Fred Sablan (known for his work with Marilyn Manson and Chelsea Wolfe) is Deftones’ new touring bassist. The band was also joined by an as-yet-unidentified second guitarist on select tracks.

Throughout the night, the band members shared knowing looks, smiles, and nods with one another. They were expressions both of support and of sheer delight at finally being onstage together after a long break. And it felt like a gesture of solidarity for Sablan on his first night stepping into the fray of a long tour with a new band.

Catching those various gestures wasn’t easy as Deftones left little time for stage banter or goofing around. The first half of the set roared ahead with only quick pauses between songs for a quick “Thank you!” from Moreno. It wasn’t until after “Knife Prty” that the singer finally opened up a bit, noting how wild it was for the tour to finally be happening and that a packed house was there to see it. “You people stuck with us,” he said. “That shit is ill.”

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Gojira took the stage prior to Deftones, and whatever rust Joe Duplantier was speaking of regarding his band’s set was relegated only to some apparent technical issues. Early on, the singer-guitarist made a couple of stops on the side of the stage, looking like he was having some trouble with either his stage monitors or the one tucked into his ears.

While the band was tight as ever, there was an audible muddiness that plagued the set, partially obscuring Joe Duplantier’s pointed lyrics and muffling the impact of his and Andreu’s guitar work. It did, however, favor the drumming, with Mario’s double kick work dominating the sound field on their especially heated performances of Magma’s “Silvera,” and the title track from L’enfant sauvage.

Even without their full array of visuals and pyrotechnics, Gojira played with explosive heat, particularly on the material from their most recent album. “Grind” had a demolition derby energy thanks to drummer Mario Duplantier’s punk-ish assault and the insistent squeal of the guitars, and on set closer “Amazonia,” the group was given a nice jolt by an appearance from Car Bomb guitarist Greg Kubacki, who borrowed one of Christian Andreu’s axes to play the song’s steely hook.

Gojira’s set also inadvertently provided a litmus test for the mood of the Portland audience. The energy in the Moda Center noticeably shifted when the band took on two of the slower, more textured tracks from Fortitude, “The Chant” and “Hold On.” Try as Joe Duplantier did to get folks to sing along with the wordless vocal hook of the former, few joined in. This was a crowd hungry for a cleansing assault of volume and energy from two of the best heavy rock bands in the business. Anything less than that made them visibly restless, but also made the release that followed when Gojira slammed into another brutal and technical fan favorite that much sweeter.

See our photos of Deftones, Gojira, and Vowws in the gallery below, followed by fan-filmed video and the setlists. The tour runs through a May 28th shows in Minneapolis. Pick up tickets via Ticketmaster .

Photo Gallery – Deftones, Gojira, and Vowws at the Moda Center in Portland, Oregon (click to enlarge and scroll through):

All photos by Kevin Pettigrew .

Deftones Setlist: Genesis Rocket Skates Prayers/Triangles Royal Be Quiet and Drive (Far Away) My Own Summer (Shove It) Tempest Swerve City Digital Bath Knife Prty Beware Sextape Diamond Eyes Rosemary Bloody Cape Ohms Engine No. 9 Encore: Lovers Change (In The House of Flies)

Gojira Setlist: Born For One Thing Backbone Stranded Flying Whales The Cell Hold On Grind Silvera Another World L’enfant sauvage The Chant Amazonia

Deftones Debut New Lineup as They Kick Off Long-Awaited Tour with Gojira: Recap + Photos Robert Ham

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