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Road Trip is 15942 on the JustWatch Daily Streaming Charts today. The movie has moved up the charts by 11418 places since yesterday. In the United States, it is currently more popular than Finding ʻOhana but less popular than Eternal Damn Nation.

After an Ithaca College student films his one-night stand with a beautiful sorority girl, he discovers one of his friends has accidentally mailed the homemade sex tape to his girlfriend. In a frenzy, he must borrow a car and hit the road in a desperate bid to intercept the tape.

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A college student treks cross-country with his buds to retrieve a sex tape before it reaches his girlfriend in this raucous comedy. more

A college student treks cross-country with his buds to retrieve a ... More

Starring: Seann William Scott Breckin Meyer D.J. Qualls

Director: Todd Phillips

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A college student treks cross-country with his buds to retrieve a sex tape before it reaches his girlfriend in this raucous comedy.

Starring: Seann William Scott Breckin Meyer D.J. Qualls Fred Ward Andy Dick

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Watch Road Trip

• 1 hr 33 min
• 6.5   (177,070)

Road Trip is a U.S. comedy film that was written by Scot Armstrong and Todd Phillips, who also directed. The movie stars Breckin Meyer as Josh Parker, Amy Smart as Beth Wagner, Seann William Scott as E.L., Paulo Costanzo as Rubin Carver and DJ Qualls as Kyle Edwards. Josh and Tiffany are high school sweathearts who have been long-time friends. They have to deal with a long distance relationship once Josh is enrolled at Ithaca and Tiffany is to attend the University of Austin. However, they vow to remain true to each other.

Due to some miscommunication, Josh is unaware that Tiffany has had a death in her family so when she doesn’t call, he is worried that she is seeing someone else. He begins to make a daily video blog for her.

During a party, E.L. holds an auction for girls. Josh wins a bid for $26 and after he dances with Beth, they have sex. Beth records their sex with the same recorder that Josh has been using for his video blogs for Tiffany. Not realizing this, Josh asks Rubin to mail the blog tape to Tiffany prior to leaving for class.

Josh confesses to his friends that he and Beth had sex. His friends want proof. Josh tries to play the tape but then realizes that Rubin has sent the tape to Tiffany. Then Josh gets a voicemail from Tiffany telling him that she didn’t call because her grandfather died. In a panic, Josh plans a road trip to retrieve the tape since he doesn’t have the money for a plane ticket.

He and the guys are on the road for days, finally reaching Austin. When they get to Tiffany's dorm, Josh gets hold of the tape. After an altercation with Kyle, Josh and Tiffany wind up watching the tape, which only turns out to have one of his friends acting goofy on it.

However, Josh and Tiffany decide it is best to break up since they are so far from each other and it is impractical to have a relationship. After Josh passes his class, he and Beth hook up and make more videos together.

Road Trip is a 2000 comedy with a runtime of 1 hour and 33 minutes. It has received moderate reviews from critics and viewers, who have given it an IMDb score of 6.5 and a MetaScore of 55.

• Genres Comedy Adventure
• Cast Breckin Meyer Seann William Scott Amy Smart
• Release Date 2000
• MPAA Rating R
• Runtime 1 hr 33 min
• Language English
• IMDB Rating 6.5   (177,070)
• Metascore 55

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After an Ithaca College student films his one-night stand with a beautiful sorority girl, he discovers one of his friends has accidentally mailed the homemade sex tape to his girlfriend. In a frenzy, he must borrow a car and hit the road in a desperate bid to intercept the tape.

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Movie trailer, where can you watch road trip online, movie score.

May 19, 2000,

Todd Phillips

Film Series

Road Trip Movies

Breckin Meyer, Seann William Scott, Amy Smart, Tom Green, Paulo Costanzo, DJ Qualls

Adventure, Comedy

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Watch Road Trip with a subscription on Max, rent on Fandango at Home, Prime Video, Apple TV, or buy on Fandango at Home, Prime Video, Apple TV.

What to Know

Some humor is hit or miss, depending on the audience tastes, but the movie is funny overall. Mixed reviews for the cast, especially for MTV's Tom Green.

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Todd Phillips

Seann William Scott

Breckin Meyer

Josh Porter

Kyle Edwards

Earl Edwards

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Road Trip (Unrated Edition)

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Green/Scott/Meyer/Smart ~ Road Trip

The film's humor is more democratic than politically correct, as everyone--women and minority characters, not just the hipster white guys--have a hand in the high jinks. Green plays Barry Manilow (no, not that one), a professional student (eight years and counting)--he relates the film's story to skeptical prospective students while leading them on a tour of the college--and thrill-seeking dork extraordinaire. In particular, in an already justly famous sequence of scenes, he sadistically anticipates and endeavors to accelerate a mouse's demise at the jaws of a python. It's very much in the vein of American Pie , perhaps a smidgen tamer, but at least its characters don't really learn any dopey lessons in the end. Director and coscreenwriter Todd Phillips, who earlier made the much-questioned documentary Frat House , again proves he's more adept at staging fictional comic sequences than real ones. --David Kronke

Product details

• Aspect Ratio ‏ : ‎ 1.85:1
• Is Discontinued By Manufacturer ‏ : ‎ No
• MPAA rating ‏ : ‎ Unrated (Not Rated)
• Product Dimensions ‏ : ‎ 7.5 x 5.5 x 0.5 inches; 3.2 ounces
• Item model number ‏ : ‎ MCAD87111D
• Director ‏ : ‎ Todd Phillips
• Media Format ‏ : ‎ Color, NTSC, Closed-captioned, Multiple Formats, Dolby, DTS Surround Sound, Widescreen
• Run time ‏ : ‎ 1 hour and 33 minutes
• Release date ‏ : ‎ December 19, 2000
• Actors ‏ : ‎ Breckin Meyer, Tom Green, Amy Smart, Paulo Costanzo, DJ Qualls
• Producers ‏ : ‎ Daniel Goldberg, Ivan Reitman, Joe Medjuck, Sheldon Kahn, Tom Pollock
• Language ‏ : ‎ Unqualified
• Studio ‏ : ‎ Dreamworks Video
• ASIN ‏ : ‎ B00003CXIY
• Writers ‏ : ‎ Todd Phillips, Scot Armstrong
• Number of discs ‏ : ‎ 1
• #6,804 in Comedy (Movies & TV)

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• ReelViews James Berardinelli The movie is sloppily made, but there's almost a sly charm to the sloppiness, and the unevenness of the filmmaking doesn't detract from the picture's most obvious laughs.
• Common Sense Media Nell Minow Vulgar for some parents, but teens will love.
• Washington Post Desson Thomson Road Trip may not have the all-time-classic status of Animal House, but it's frequently as funny.
• San Francisco Chronicle Mick LaSalle Road Trip may not be an ambitious film, but it doesn't lack for imagination, and the nasty edge of its comedy makes it refreshing.
• New York Times Stephen Holden As we all know, bad taste is timeless. And sometimes it can be so funny that you can't help laughing.
• Chicago Sun-Times Roger Ebert Road Trip is mellow and dirty, which is the wrong combination.
• Dallas Morning News Tom Maurstad Road Trip is broadly amusing with a few bright spots. But those can't cover up the major gaps in storytelling, characterization and laughs.
• Orlando Sentinel Jay Boyar It's no masterpiece, you understand, but it doesn't count on the raging hormones of its audience to do all of its work.
• Film.com Sean P. Means As objectionable as its subject matter is, the most objectionable thing is that it's not funny.
• Houston Chronicle Bruce Westbrook Road Trip rides the wave of popularity for base, politically incorrect, outrageous humor.
• Salon.com Andrew O'Hehir Multiplexes should be thronged with howling, high-fiving young men deep into summer.
• San Francisco Examiner Wesley Morris Slightly more mature and better assembled, Road Trip goes one better on American Pie by teasing out the idiosyncrasies in four guys existing in a personality grab bag.
• New York Post Lou Lumenick Road Trip takes a well-traveled highway, but the drivers know exactly what they're doing.
• Associated Press Nekesa Mumbi Moody Still, although the subject matter is sophomoric it has enough of a plot and key performances to humor more sophisticated moviegoers too.
• Atlanta Journal-Constitution Bob Longino Road Trip is nothing more than a series of sight gags and put-downs. It's often funny, but it never has anything smart to say.
• Los Angeles Times Kevin Thomas On the whole it works because its over-the-top humor is supported by the filmmakers' ability to view life with a clear-eyed lack of sentimentality.
• Seattle Times Paul West Although lively at times, the proceedings are far too perfunctory to generate a 'can-you-top-this' quality. The result is a film that knows some of the words, but not the music.
• Chicago Tribune Mark Caro As the guys continue on their way to Texas, this Road Trip degenerates into a slow-moving game of connect-the-gross-outs.

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(Photo by Fox Searchlight. All rights reserved/Courtesy Everett Collection)

25 Essential Road Trip Movies of the Last 25 Years

We’re looking down the horizon and beyond for some of the best road trip movies that defined the genre over the last 25 years! To rev up this list, we selected American movies movies, journeys that begin in the States (where they actually finish is part of the fun). The movies celebrate the sights and sounds of the country, or at least will inspire you to pull out that camping gear, putting the convertible top down, and hitting the open road. These rides can be cross-county ( Harold and Kumar Go to White Castle ), on the freeway ( Dog , Sideways ), trekking across a few state lines ( Little Miss Sunshine , Fear and Loathing in Las Vegas ), hitting a new time zone ( Road Trip ), or even runnin’ coast-to-coast ( Rat Race , Transamerica ). Even the Academy has felt the need for reasonable speed, awarding Best Picture to both Green Book and Nomadland . Carpool lane? Of course: we’ve got an Oscar strapped in the passenger seat!

So whether you’re looking for a map to a long summer drive or fixing a flat in your life, turn to these essential 25 road trip movies of the last 25 years (in chronological order)!

Fear and Loathing in Las Vegas (1998) 50%

The Straight Story (1999) 94%

Tumbleweeds (1999) 82%

Almost Famous (2000) 91%

Road Trip (2000) 57%

Rat Race (2001) 45%

Harold & Kumar Go to White Castle (2004) 75%

Sideways (2004) 97%

Transamerica (2005) 77%

Little Miss Sunshine (2006) 91%

Cars (2006) 75%

Zombieland (2009) 89%

Away We Go (2009) 67%

Paul (2011) 70%

We're the Millers (2013) 48%

Chef (2014) 87%

Grandma (2015) 91%

Mississippi Grind (2015) 91%

Pee-wee's Big Holiday (2016) 83%

Green Book (2018) 77%

Nomadland (2020) 93%

The Mitchells vs. the Machines (2021) 97%

Bad Trip (2021) 79%

Dog (2022) 77%

Joy Ride (2023) 90%

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  R | comedy | 1 HR 34 MIN | 2000

A New York college student treks cross-country with his buds to retrieve a sex tape before it reaches his girlfriend!

Best Road Trip Movies, Ranked

Y earning for the open road? Look no further! Hollywood is no stranger to producing entertaining road trip movies that feature iconic cross-country adventures. While some audiences just can’t seem to get enough of this comedy staple, others flock to theaters for films that take a more heartfelt approach to the genre, utilizing the road trip as a way to express maturation, character development, and coming-of-age themes. Sometimes it's nice to live vicariously through the lives of these big-screen characters. With such an impressive list of beloved classics to choose from, determining the greatest among these films is difficult.

Updated May 18th, 2023: If you're a fan of the open road, you'll be glad to know this article was recently updated with new content by fellow travel enthusiast Amanda Minchin .

So whether you're yearning for some comedic relief from life's difficulties or are just wanting to see the world from a new perspective, these films, with their array of hijinks and chaos, will prove entertaining for audiences of all ages. Instead of needing to hop in the car, sit down, grab the remote, and explore the open road from the comfort of your home. Here is our deep dive into the best road trip movies throughout cinema history.

Dumb and Dumber

The iconic buddy-comedy Dumb and Dumber stars Jim Carrey and Jeff Daniels as two dimwitted yet well-meaning friends who set off on a cross-country road trip from Providence, Rhode Island, to Aspen, Colorado, in order to return a briefcase full of money.

Related: Why Dumb and Dumber Is a Perfect Road Trip Movie

The charm of this film lies in the delightful ignorance of Lloyd and Harry, whose personas simply don’t allow for a light bulb moment. They have absolutely no desire to either learn or grow during their hilariously harrowing journey and, as a result, they ultimately go off on many a zany adventure without learning all that much. Dumb and Dumber found great success at the box office upon its release, becoming one of the most iconic of 1994 .

Y Tu Mamá También

Y Tu Mamá También is the coming-of-age tale of two teenage boys who set out on a road trip with an older woman in her late twenties. This Alfonso Cuaron road movie features a talented cast, including Diego Luna, Gael García Bernal, and Maribel Verdú, who shine against the backdrop of Mexico’s economic and political realities in 1999.

This intimate and tender story is also an exploration of sexuality and maturity. The young men's journey leads to self-discovery and a loss of innocence amidst the stunning road trip setting. The film uses travel and journey as a metaphor. As a result, audiences are able to witness the transformation of the leads from adolescence to adulthood in a fresh and authentic way.

Easy Rider is arguably one of the most important road trip movies in cinema history. This film, which received critical praise upon its release, is credited with helping to spark the New Hollywood era of the 1970s. This 1969 independent road drama tells the story of two bikers who embark on a journey through the American South and Southwest, transporting the proceeds of a cocaine deal.

The film stars Peter Fonda and Dennis Hopper as the lead bikers, alongside the memorable performance of Jack Nicholson as the boozy lawyer they pick up along the way. This classic flick focuses heavily on the journey, not the destination, as the free-spirited bikers get a harsh dose of reality during their travels across the country.

It Happened One Night

It Happened One Night is an infamous screwball comedy , and with good reason. Widely considered the first, it soon became the roadmap for others to follow after its release in the early 30s. The movie also arguably launched the careers of stars Claudette Colbert and Clark Gable. In the film, Colbert played an heiress on the run back to her true love. Gable, meanwhile, played the intrepid reporter following shortly behind. They travel from Florida to New York in increasingly jerry-rigged modes of transportation and, of course, wind up falling in love in the process.

At the time, a movie about an unmarried couple traveling together was sure to ruffle a few feathers. Considered a Pre-Code film (though the Hays Code was in effect, it was not officially enforced for all pictures until shortly thereafter), this movie managed to skirt the censors by covering any sense of impropriety with snappy dialogue, cheeky humor, and endless innuendo... thus creating the screwball comedy in the process. For example, Frank Capra and crew got around the pair sharing a room together during their travels by dividing said room with a bedsheet that the characters literally nickname “The Walls of Jericho.” Any source of seduction was at most a suggestion, as demonstrated by Colbert’s last-ditch use of her *gasp* bare leg to hail a passing car, though that too was considered rather scandalous in passing.

The touching and deeply endearing 1988 classic Rain Man tells the story of conceited jerk Charlie Babbitt who, upon his wealthy father’s death, discovers the inheritance has been left to his unknown autistic-savant brother Raymond. Tom Cruise and Dustin Hoffman deliver powerful performances as Charlie and Raymond, for which the latter earned an Academy Award.

As the brothers travel from Cincinnati to Los Angeles, Charlie witnesses the restrictions of Raymond’s condition and, in turn, gains a new perspective on life. The film’s unique premise and the chemistry between Cruise and Hoffman as they travel the country, make this a road trip staple.

Little Miss Sunshine

Oscar-winning dramedy Little Miss Sunshine features an all-star cast (including Steve Carell, Greg Kinnear, Toni Collette, and Abigail Breslin). It tells the story of a barely-functional family who are determined to get their daughter to the finals of a beauty pageant. Setting off in their VW bus (which requires a rolling start), the Hoover clan soon embark on an 800-mile road trip to California. Their goal of reaching the beauty pageant is what ultimately brings the family together.

The script for this film is both funny and heartfelt, and Michael Arndt received the Oscar for Best Original Screenplay for his effort. The colorful characters add depth and humor to the plot, which is tied up nicely by the end. Little Miss Sunshine was one of those indie films from the 2000s that broke out with mainstream audiences, and part of that is it perfectly captures what it is like to be stuck with one's family for a long road trip.

Into the Wild

This film is for those whose wanderlust leads them to less tread pastures. Based on the book by Jon Krakauer, Into The Wild tells the true story of an Emory college graduate and athlete who renounces his family fortune and sets off on a hitchhiking adventure that leads him deep into the Alaskan wilderness. Written, directed, and produced by Sean Penn, the film version stars Emile Hirsch as Chris McCandless, a.k.a. Alexander Supertramp.

Upon its release, the film was nominated for many awards, including Golden Globes and Academy Awards. It was soon added to many of the top lists that year. The abandoned bus that housed the final days of the real-life McCandless even became a pilgrimage site for fans until it had to be airlifted to a safer location. Those wanting to dive into a smaller, safer venture should carve out the 2 ½ hours for this film.

Almost Famous

The critically acclaimed Cameron Crowe dramedy Almost Famous is the ultimate coming-of-age film with an ensemble cast of Hollywood heavy hitters like Billy Crudup, Kate Hudson, Frances McDormand, and Jason Lee. The movie is loosely based on Crowe's own experience as a writer for Rolling Stone magazine.

Almost Famous tells the story of a young 1970s Rolling Stone journalist William Miller and his epic journey of self-discovery as he travels with the fictitious rock band Stillwater. As he follows them across the country, William experiences the highs and lows of adolescence: falling in love, being rejected, making friends, and ultimately accepting himself. The movie received critical acclaim and numerous accolades and is included in many lists of the greatest films ever made.

Thelma and Louise

Arguably the ultimate female buddy movie , 1991’s Thelma and Louise tells the unforgettable tale of two best friends who take off for the open road after a tragic event forces them to flee for greener pastures. Geena Davis and Susan Sarandon star as the ride-or-die duo who zip across the country in Thelma’s 1966 Ford Thunderbird.

Related: How Thelma and Louise Is a Queer Allegory

The iconic friendship of the film's titular leads, impressively performed by Davis and Sarandon, firmly cements it as a landmark feminist film. The movie also features a young Brad Pitt in one of his first major roles as a drifter who catches Thelma's eye. The iconic ending of Thelma and Louise remains one of the greatest in Hollywood history to this day.

The Adventures of Priscilla, Queen of the Desert

The Adventures of Priscilla, Queen of the Desert quickly cemented Australia’s cultural status as a producer of quirky, independent cinema when it was first released in 1994. What could have ended as a dumpster fire of epic proportions was instead a surprisingly tender and thoughtful road movie. Featuring a soundtrack of campy classics bolstered by supreme performances from Terence Stamp, Hugo Weaving, and Guy Pearce, the plot follows two drag queens and one transgender woman as they go on tour in Australia.

While the movie arguably may have been even better having an actual trans woman or drag culture enthusiast cast, the trio sure put on one hell of a show as they traverse the literal Outback in sequins, beads, and platform heels. The film, which was written and directed by Stephan Elliott, would later be adapted into a musical. The play premiered in Sydney in 2006 before touring throughout the country. It would eventually be welcomed onto the Broadway stage a few years later in 2011.

The Blues Brothers

Beloved Saturday Night Live alums John Belushi and Dan Aykroyd reprised their sketch characters for the silver screen as “Joliet” Jake Blues and blood brother Elwood in 1980s The Blues Brothers . The pair are hilarious as sleazy musicians who make it their mission to save the orphanage they were raised in from foreclosure.

The classic comedy focuses on Jake and Elwood as they reunite their R&B band and travel around Chicago in their “bluesmobile,” playing music for money. With exciting car chases, comical shootouts, and unforgettable musical numbers, The Blues Brothers remains an iconic classic of road-trip cinema.

National Lampoon’s Vacation (1983)

This film kick-started a beloved comedy franchise that continues to this day. 1983’s National Lampoon’s Vacation focuses on the Griswold family as their patriarch leads them on a cross-country trip to an amusement park... Naturally, chaos and hilarity arise. The ultimate success of this movie led to a barrage of sequels.

Starring Saturday Night Live alum Chevy Chase as Clark Griswold, Vacation also features the talents of Beverly D’Angelo, Anthony Michael Hall, and Dana Barron as his wife and less-than-adoring children. Chase is brilliant as the comical and determined Clark. This outrageous farce depicts the reality of a family on vacation. None of them are perfect, and all of them are full of endearing dysfunction as they try and fail to have a good time.

Planes, Trains and Automobiles

Comedy legends Steve Martin and John Candy partnered up with famed director John Hughes for 1987’s Planes, Trains and Automobiles . Martin starred as uptight Neal Page, while Candy portrayed the overbearing but kind-hearted Del Griffith. Stuck together, the pair join forces in an effort to get Neal home to Chicago in time for his family's Thanksgiving dinner. Because of this, it has since become a Thanksgiving classic.

The chemistry between the two leads in this film is as effortless as it is hilarious. This movie features plenty of sidesplitting situations while also being surprisingly emotional at times. Planes, Trains and Automobiles is a heartfelt flick that utilizes its comedic talent to the fullest. Planes, Trains and Automobiles is a comedic masterpiece that has endured for decades.

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The 27 best road trip movies to watch so you forget you're stuck at home

• Can't go anywhere right now? A good road trip movie could put you in a better mood.
• Here are the 27 all-time best.
• Classics like "Easy Rider" and "Thelma & Louise" are on our roundup.
• There are also more recent movies like "Logan" and "Magic Mike XXL." 
• Visit Insider's homepage for more stories .

Hollywood has always had a soft spot for road trip movies, and some have become memorable not just for what was shown on screen, but what the spirit of the movie meant for the people who saw them.

Take "Easy Rider" for example, whose no-rules approach launched a new way that movies were made for decades. Or "Thelma & Louise," which was as much about female empowerment as it was about a movie about two people on the run from the law.

Here are 27 road trip movies (listed alphabetically) you should check out before heading on your own adventure:

"Almost Famous" (2000)

Cameron Crowe's love letter to the 1970s rock and roll scene, which he covered as a writer for Rolling Stone, is a fun look at adolescence, fame, and highlights the non-stop grind of a band being "on the road."

"The Blues Brothers" (1980)

John Belushi and Dan Aykroyd play two brothers on a mission from God. Trying to get on the straight-and-narrow after getting out of prison, Jake Blues (Belushi) and his brother Elwood (Aykroyd) decide to help raise the money the Catholic home they were raised in needs to stay open. That leads to a road trip around Illinois to get the band back together.

"Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan" (2006)

With the help of director Larry Charles, Sacha Baron Cohen creates one of the funniest road trip movies ever made as he takes his character, Borat, to America to marry Pamela Anderson. But in the process, the movie highlights the US itself, as Borat travels the country doing everything from singing the Kazakhstan national anthem at a rodeo to hanging out with some fraternity kids.

"Dumb and Dumber" (1994)

In this Farrelly brothers classic, friends Lloyd (Jim Carrey) and Harry (Jeff Daniels) are convinced the gas man is out to get them after the death of their bird, so they decide to drive to Aspen to hand-deliver a briefcase the beautiful Mary (Lauren Holly) "forgot" at the airport. Oh, and they are hitting the road in a truck that's made up to look like a dog.

"Easy Rider" (1969)

It's the movie that launched the "New Hollywood" era of the 1970s and was made with little money and lots of drugs.

Directed by Dennis Hopper, the Hollywood bad boy also stars alongside Peter Fonda as two hippie bikers (Jack Nicholson also shows up) who travel from LA to New Orleans after cashing in on smuggling cocaine from Mexico. On their freewheeling trip, they find an America that's split between the stuffy establishment and the younger generation that is starving for change.

"The End of the Tour" (2015)

The days of conversations between Rolling Stone reporter David Lipsky (Jesse Eisenberg) and author David Foster Wallace (Jason Segel) are beautifully profiled in director James Ponsoldt's intimate story that has the two men interacting while on the road for Wallace's book tour.

"Into the Wild" (2007)

Based on a true story, Christopher McCandless' quest to go off the grid and hitchhike to Alaska to live in the wilderness is a powerful exploration of human desire and the kindness of strangers.

"It Happened One Night" (1934)

Frank Capra's famous movie is romantic comedy at its best. Claudette Colbert plays a spoiled heiress running from home, and Clark Gable is a reporter who finally thinks he's found a story that will get him some attention as he follows her to New York. But it will be forever known for its hitchhiking scene in which Colbert's character gets them a ride by pulling up her skirt to show off her legs.

"Little Miss Sunshine" (2006)

Filled with an all-star cast including Steve Carell, Toni Collette, Greg Kinnear, Paul Dano, Alan Arkin, and Abigail Breslin, we follow a dysfunctional family as they jump in a VW bus to drive the young Olive (Breslin) on a cross-country trip to the finals of a beauty pageant she's competing in.

"Logan" (2017)

Marking the coda of the Hugh Jackman era as Wolverine, director James Mangold delivers a somber drama of the superhero's final days. Here he and Charles Xavier set out to drive a young mutant to a refuge in North Dakota. That sounds simple, but it definitely isn't.

"Magic Mike XXL" (2015)

In this fantastic sequel to the 2012 original, Mike (Channing Tatum) sets out on the road with the remaining members of the Kings of Tampa in a food truck to Myrtle Beach for one final performance.

"Midnight Run" (1988)

Robert De Niro is fantastic in this foul-mouthed comedy as bounty hunter Jack Walsh who plans to cash in when he tracks down a sneaky accountant (played by Charles Grodin) who has jumped bail.

But with the FBI, other bounty hunters, and the mob also trying to get their hands on his bounty, things aren't easy for Jack.

"The Motorcycle Diaries" (2004)

Based on the Che Guevara memoir he wrote before becoming the Marxist revolutionary, Gael García Bernal plays young Guevara who, in 1952, went on a trip across South America with his friend Alberto Granado (Rodrigo de la Serna). The experience shaped Guevara's life as it showed him the injustices of the world.

"The Muppet Movie" (1979)

Marking the first time the Muppets appear on the big screen, Kermit, Fozzie Bear and the rest of the gang go on a cross-country drive to Hollywood in hopes of making it big. A load of cameos, songs, and hilarity occur along the way.

"National Lampoon's Vacation" (1983)

This classic from director Harold Ramis stars Chevy Chase as one of his most memorable characters, Clark W. Griswold, the ambitious father whose vacation plans always never work out.

Clark takes the family cross-country to Walley World and in the process leaves chaos in his wake.

"On the Road" (2012)

Based on the iconic Jack Kerouac novel, Sam Riley plays the book's narrator, Sal Paradise, who after meeting Dean (Garrett Hedlund) and Marylou (Kristen Stewart), head on a free-spirited road trip across the country.

"Over the Top" (1987)

Sylvester Stallone plays trucker and arm wrestling pro Lincoln Hawk who needs to get to Las Vegas to compete in the world arm wrestling tournament. But he also has to get his estranged son to his dying mother. This all leads to a big-rig father-and-son road trip.

"Pee-wee's Big Adventure" (1985)

A loose parody of Vittorio De Sica's classic "Bicycle Thieves," Tim Burton makes his own classic around the zany antics of Paul Reubens' hit character Pee-wee Herman.

The movie follows the "boy" as he goes to search of his stolen bike, which he's been told by a psychic is in the basement of the Alamo (spoiler alert: there's no basement in the Alamo).

"Planes, Trains & Automobiles" (1987)

Steve Martin and John Candy play two men who suddenly have to become travel companions as they try to get home for the holidays. Written and directed by John Hughes, Martin and Candy together are a delight.

"Rain Man" (1988)

Tom Cruise plays sleazy Charlie Babbitt and Dustin Hoffman is his brother Raymond, who suffers from savant syndrome. Hoping to cash in on the fortune Raymond got from their father, Charlie sets the two out on a cross-country trip leading to a lot of self-discovery.

If you've never seen Barry Levinson's Oscar-winning movie, now's the time.

"Road Trip" (2000)

Of course "Road Trip" was going to be on this list. Todd Phillips' insane raunchy comedy about four college friends on a race against time to retrieve a sex tape sent in the mail to one of their girlfriends is always a fun watch.

"Smokey and the Bandit" (1977)

Burt Reynolds teams with his pal and longtime stunt double Hal Needham for his first directing effort, and it would go on to become a classic road trip movie.

Reynolds plays a fast-driving bootlegger who has to transport 400 cases of Coors beer safely from Texarkana to Atlanta. But things get complicated when Reynolds picks up a runaway bride (played by Sally Field) along the way.

"The Straight Story" (1999)

In one of David Lynch's most traditional storytelling offerings, Richard Farnsworth plays a man who sets out on a trip via riding a lawnmower to make things right with his ill brother.

The story is based on a real-life event, in which Alvin Straight traveled 240 miles from Iowa to Wisconsin on a lawnmower.

"Stranger Than Paradise" (1984)

Jim Jarmusch's second feature film follows Willie and his friend Eddie as they set out on a road trip to Cleveland to visit Willie's cousin from Hungary, Eva.

The movie went on to be regarded as a landmark work in the independent film world for its unconventional long takes and do-it-yourself aesthetic.

"Thelma & Louise" (1991)

Ridley Scott's look at the road-trip-turned-manhunt adventure of friends Thelma (Geena Davis) and Louise (Susan Sarandon) is arguably more powerful today because of the #MeToo than when it opened in the early 1990s.

"Tommy Boy" (1995)

Perhaps the best Chris Farley/David Spade collaboration, in this one Farley plays an underachieving college graduate who suddenly has to travel the nation (with Spade as the geeky sidekick) to keep the accounts for his auto-parts family business after his father dies. This one truly shows off Farley's high-energy comedy greatness.

"Y Tu Mamá También" (2001)

Director Alfonso Cuarón received a best screenplay Oscar nomination with his brother Carlos for this powerful road trip movie that made Diego Luna and Gael García Bernal international stars.

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27 Road Trip Movies Every Traveler Needs To Watch

The road is one of the most enduring images in film history because it can be used for so many different purposes. It can mean the freedom of adventure, or adventure's inevitable dead-end. Road trips can result in meeting interesting new characters, or they can be the worst kind of isolation or even the worst kind of forced bonding. Filmmakers from all over the world are continually drawn to the road movie and specifically the road trip movie, where a simple car or bus ride can become something much more meaningful. It offers plenty of opportunity for unexpected change, and it often does so in front of beautiful, overwhelming landscapes. They'll never stop making movies about road trips because people will never stop taking them, always wanting to see the sights and maybe become a little wiser in the process.

The 27 films in this list all take their own approaches to portraying the road trip cinematically, emphasizing its best and worst tendencies and playing them for both comedy and drama. But even the worst trips taken here offer something to appreciate, sometimes deep thought about the meaning of the road and sometimes a laugh at the expense of the poor fools stuck in the car.

1. Easy Rider

One of the most iconic road trips in cinematic history was taken by Peter Fonda and Dennis Hopper in Hopper's 1969 classic "Easy Rider." The legendary image of Fonda and Hopper riding their motorcycles while Steppenwolf's "Born To Be Wild" plays remains people's main association with "Easy Rider." But the movie itself is more complicated than just the thrill of riding down wide-open roads. The tagline tells of a man who went looking for America and "couldn't find it anywhere," and that's a good summation of the cynical eye this takes toward the country it explores.

Fonda and Hopper encounter some friendly people in their travels, most famously Jack Nicholson in his breakout role as a drunken lawyer. They encounter just as much resistance as they do support, from people with no tolerance for their countercultural attitudes and long hair. In one scene, Nicholson tells Hopper that people are scared of him because "what you represent to them is freedom," and the film's bleak ending offers little hope that freedom can be maintained in the face of such strong opposition. But the power of the film's images of freedom and joy is still enough to keep this as one of the beloved road movies.

2. Lost in America

Despite its cynicism, "Easy Rider" inspired many Americans to go out on the road themselves, even ones who couldn't be further away from Fonda and Hopper's biker lifestyle. This is the subject of writer, director, and actor Albert Brooks's 1985 film "Lost in America," in which a middle-class yuppie couple (Brooks and Julie Hagerty) hits the road and quickly realizes they can't handle it. By the end of the trip, they've destroyed their lives and their savings, and they've rid themselves of any romantic notions about traveling America without a plan.

Brooks' directorial work is defined by bitterness and discomfort as much as by laughs, and "Lost in America" can be particularly caustic. Brooks and Hagerty sink to some miserable depths during the course of their trip, reduced to begging for the money they just lost gambling or treating each other with naked hostility. A trip to the Hoover Dam doesn't offer scenery, instead serving as a backdrop to the couple's most vicious fight. "Lost in America" is a satire of the waste and excess of the American '80s, but it's also a reminder to make sure you've carefully thought through your road trip before you embark on one. Some people aren't ready for the road, and Brooks and Hagerty learn that too late.

3. The Color Wheel

Getting stuck with someone annoying on a long road trip can be a miserable experience, so spending the entirety of the 2011 comedy "The Color Wheel" with two annoying people on a road trip can make it a tough sell. But the film's writer-director, Alex Ross Perry, has an uncommon talent for writing people who only seem to be awful and irritating so that they're both funnier and more tragic than they would be in real life. That skill serves him especially well for the two leads of "The Color Wheel," an obnoxious brother and sister (played by Perry and Carlen Altman) whose road trip through New England leads them to meet strangers and old friends who are all even more awful than they are. The scenery offers little comfort when every scene becomes a passive-aggressive argument.

"The Color Wheel" is above all else a comedy, happy to laugh at its main characters for their abysmal social skills and undisguised contempt for each other and everyone around them. But as the trip goes on and they keep meeting hostile exes and classmates, their situation starts to seem a little sad, like they've been molded into hateful jerks by the whole world around them. Their final attempt to escape the cycle of anger and venom is shocking, but it's also unexpectedly tender, because Perry respects his characters even as they embarrass themselves.

Even the awful road trip of "The Color Wheel" can't compare to the nightmare trip taken by the title character of "Zola," and hers really happened. "Zola" was adapted from the famous Twitter thread detailing a disastrous trip to Florida taken by a part-time stripper (Taylour Paige) and a woman she just met (Riley Keough). There's not much time to enjoy Florida on this trip, the scenery consists of strip malls and different men's hotel rooms, and the business Zola has been dragged into quickly spirals into exploitation and violence.

"Zola" is about very bad events in a woman's life, but like the Twitter thread, it believes those events to be hilarious above anything else. The band of fools Zola winds up with can seem dangerous, particularly Colman Domingo's ambiguously accented pimp, but mostly they're all bluster and no brains. When they encounter people who are actually dangerous, they escape by the skin of their teeth. There's tension but never fear in "Zola," and that helps to make it a wonderful comedy even once the blood starts getting shed.

5. American Honey

"Zola" isn't the only movie where Riley Keough is a uniquely awful road trip presence. There's also the 2016 drama "American Honey", where Keough enlists a young girl played by Sasha Lane into a crew of door-to-door magazine salespeople. They travel blissfully across the Midwest, and Lane falls in love with a member of the crew, played by Shia LaBeouf. But their peaceful, off-the-grid existence is threatened by Keough and the precarity of their jobs.

A common thread across many of the great American road movies is that they're not directed by Americans, with international directors often looking at American landscapes in a different way than their American counterparts who've grown up with them. English director Andrea Arnold joins that group of directors with how she films America here, pushing the colors of the landscapes to such extremes that the emotions associated with them are also heightened, whether they be romance or danger. Her beautiful imagery is accentuated by her pulsing soundtrack, which switches between big-name pop hits and obscurities that perfectly match the mood of youthful excitement and negligence that defines "American Honey."

6. Stranger Than Paradise

While road trips can be fun and exciting, they can also be tedious, especially when there's not much scenery to look at. Writer-director Jim Jarmusch expertly captured the boredom of a bad road trip in his 1984 breakthrough "Stranger Than Paradise," in which the three leads take off in search of new experiences and don't find them anywhere they look.

Two of the leads are Hungarian émigrés hoping to find more from America than they did from their home. But the America portrayed in "Stranger Than Paradise" is just the most unremarkable areas of New York, Ohio, and Florida, presented so that the camera is just as unimpressed by them as the characters are. And only the most monotonous aspects of the road trip are shown, like driving through the endless expanse of Pennsylvania or arguing about who has to sleep on the cot when they get to a motel. Despite its tedium, "Stranger Than Paradise" is a very funny study of how the myths of the road can collapse in the face of the realities of going out on the road.

7. Badlands

Not all road trips start from good intentions. The one undertaken by Kit (Martin Sheen) and Holly (Sissy Spacek) in 1973's Bonnie and Clyde story "Badlands" starts after Kit murders Holly's father and burns down their house. That's where the journey begins, and eventually Kit is responsible for much more than one murder. But there's still an innocence to young Kit and Holly's trip, where they create their own society out in the wilderness and encounter all kinds of gorgeous nature. "Badlands," writes Sheila O'Malley for Criterion , is based on the 1958 murder spree of Charles Starkweather and Caril Ann Fugate, but its power doesn't come from its killings so much as its troubling naivete, where the blinkered teenage attitudes of its protagonists and the pastoral beauty of their surroundings say nothing about the horrible violence occurring right in front of them.

"Badlands" was the debut of writer-director Terrence Malick, who would go on to develop a reputation for his eye for natural landscapes. That's present even this early, shooting trees and sunsets so that they appear magical more than natural. But that magic here comes with a terrible price, and Malick seems as disturbed by nature's non-reaction to the evil committed all around it as he is entranced by its power.

8. My Blueberry Nights

Wong Kar-wai has directed some of the most beloved films of all time in his native Hong Kong, but to date, he's only made one movie in the United States. That was 2007's "My Blueberry Nights," which explores the unique geography of America through a road trip starting in New York and ending in Las Vegas. Wong is renowned for his intensely stylized movies, and "My Blueberry Nights" is no exception. Wong's America is beautiful in a way it isn't in real life — only Wong's oversaturated colors and beautiful golden light could make it look this gorgeous. In this way, Wong captures the feeling of a great road trip, of falling in love with every location you pass. And Wong ties all these stunning locales to his usual themes of heartbreak and melancholy, showing beautiful places inhabited by sad, lonely people.

"My Blueberry Nights" is held back from the levels of Wong's best movies by a weak script and inconsistent performances. Otherwise talented actors like Natalie Portman and Rachel Weisz go over the top, while even strong performances from Jude Law and David Strathairn have to go against the bland lead performance from singer and first-time actor Norah Jones. But such flaws don't matter too much in light of how enchanting Wong's vision of the world is. This is the kind of movie that makes people want to keep taking road trips.

9. Alice in the Cities

Few directors are as synonymous with the road and road movies as Wim Wenders, the German director who's made several of the best-loved movies about the road ever made. His most overt takes on the road genre are the three movies that make up his "Road Trilogy," starting with "Alice in the Cities" in 1974. "Alice in the Cities" concerns German writer Philip (Rüdiger Vogler), who follows a disappointing assignment by meeting a woman (Lisa Kreuzer) and her young daughter Alice (Yella Rottländer), then agreeing to go on a trip through Amsterdam. Their trip is marked by complications, boredom, and a lot of music, including a Chuck Berry concert and a jukebox playing Canned Heat. And all the while, Philip and Alice begin to develop a friendship.

"Alice in the Cities" is one of the most lasting Wenders movies, inspiring the work of filmmakers like Allison Anders and Mike Mills, particularly Mills' own adult-and-child road movie "C'mon C'mon." "Alice in the Cities" holds special power for its tale of unexpected companionship, where the road has the magic to bring together people who never would have even met under different circumstances. Even when the sights aren't exciting, getting to experience those sights with someone new can be a rewarding experience.

10. Magic Mike XXL

The success of the male-stripper comedy "Magic Mike" left star Channing Tatum and writer Reid Carolin with the duty of following up a movie that seemed to neatly wrap up at the end. Rather than repeat the first one's formula, Tatum and Carolin decided to go in another direction, turning 2015's "Magic Mike XXL" into an exuberant road trip movie about friends and the joy of performing. "Magic Mike" was an often melancholy movie about the recession, and while there are still economic worries all over "Magic Mike XXL," they mostly take a back seat to just enjoying the chance to escape from them for a few days.

The first film's director, Steven Soderbergh, didn't return to direct "Magic Mike XXL," but he did serve as its cinematographer, and he deserves special credit for how beautiful he makes the film's Southern locations look. Even an ordinary gas station comes to life with Soderbergh's golden light, to say nothing of the beaches and palatial estates Mike and his friends visit on their journey. The beauty of these locations also represents the simple beauty of hanging out with people you love, and this is where "Magic Mike XXL" separates itself from its predecessor. Mike's fellow strippers barely had personalities in the first one, but here they're best friends who love each other's company even as they razz each other. It's a unique pleasure to go on the road with such a tight-knit group.

11. Y tu mamá también

After making 2001's "Y tu mamá también," Alfonso Cuarón stuck to making large-scale spectacles and big-budget blockbusters. But in "Y tu mamá también," Cuarón applies his usual technical excellence to a simple story of a woman and two teenage boys going on a road trip. The Mexican landscapes they drive past are beautifully shot by future Oscar-winning cinematographer Emmanuel Lubezki, and their conversations are profane and hilarious, especially as delivered by Diego Luna and Gael García Bernal in their breakthrough roles. But a serious side creeps into "Y tu mamá también" as it goes on, eventually taking it over entirely.

As the three take their trip, they pass by political strife and Mexican culture soon to die out entirely. The characters may only be passing through these areas, but there are people living in the areas whose lives will be very difficult long after the leads are gone. Despite its main characters' immaturity, this is a surprisingly thoughtful road trip movie, understanding that even the most pristine locales are burdened by troubling history. That also turns out to be true about the main characters' dynamics, where the teenage leads eventually realize the depths of sadness and desperation they and their traveling partner carry with them. But before they get to that point, they have a great time, and so does the viewer watching them.

12. My Own Private Idaho

Gus Van Sant's "My Own Private Idaho" opens with River Phoenix's character, Mikey Waters, saying that he's traveled so much down so many roads that he can recognize the roads just by sight. His life on the road is a beautiful but lonely one until he finds someone he can briefly share it with, a senator's son, Scott Favor ( Keanu Reeves ). Their journeys across deserted roads and rocky landscapes are sometimes silly but mostly poetic and sad, showing two young men as lost in the scenery as they are in their own lives.

Van Sant makes a lot of odd digressions in "My Own Private Idaho," including a sequence with talking erotic magazines and an entire plot loosely adapted from Shakespeare's "Henry IV" saga, writes Amy Taubin for Criterion . But the heart of the film is the relationship between Mikey and Scott, one where Mikey may be the only one of the two to realize how special and intimate it is. A heartbreaking scene at a campfire sees Mikey get tantalizingly close to professing his love to Scott and not quite doing so. While Mikey may have lived his life by the isolation of the road, he needs Scott to share that life with him, and the film offers little hope that this will happen.

13. The Straight Story

The films and TV of David Lynch are usually filled with the darkness and violence that lurk beneath the beautiful landscapes of America. But Lynch still loves those landscapes and the people who inhabit them, and never is that clearer than his only movie to get a G rating, 1999's "The Straight Story." He tells the story of a real-life road trip, where an elderly, almost blind farmer named Alvin Straight (Richard Farnsworth) drove a lawn mower from Iowa to Wisconsin to see his ailing brother (Harry Dean Stanton).

There's not much dialogue in "The Straight Story," especially for the long stretches where Alvin is on his own out on the road, but it's not necessary when Lynch is working with the wide-open expanses of the midwest. He finds magic in the crop dusters and near-empty roads Alvin encounters, setting the sights to a moving Angelo Badalamenti score and making them even more powerful. And when Alvin does meet other people, their encounters are simple and touching, showing the hard lessons Alvin has learned about family over the course of a long, difficult life.

Channing Tatum and Reid Carolin made their directorial debuts in February 2022 with "Dog," which followed the "Magic Mike XXL" model of a road trip encountering lesser-known sections of American life. "Dog" is a sadder movie than "Magic Mike XXL" because the trip's ultimate destination is a military funeral, and along the way, Tatum and his dog co-star must contend with the trauma they've suffered as soldiers. This makes the bond of friendship between Tatum and the dog even more important than it is in "Magic Mike XXL," as it provides both of them life-saving help when they need it the most.

The most impressive aspect of Tatum and Carolin's first directing job is how well they film the landscapes encountered over the course of the trip. They make them symbols of the beauty of everyday life without making them overly stylized. The duo learned well from Steven Soderbergh's visual excellence without merely copying it. While "Dog" has its faults, including some awkward comedy at the beginning and a too-brief attempt to deal with the racism instilled into Iraq War soldiers, the strength of Tatum and Carolin's filmmaking and storytelling suggests that they could have a good future as directors.

15. Kings of the Road

The third film in Wim Wenders' Road Trilogy, "Kings of the Road" is a three-hour opus combining two of Wenders' favorite subjects: the road and cinema. The two titular "kings" are a movie theater projector repairman (played by "Alice in the Cities" lead Rüdiger Vogler) and a depressed psychologist (Hanns Zischler), who band together on a road trip after the psychologist has experienced a life-shattering breakup. They drive across what was then the East German border, touring worn-down movie theaters so that Vogler can make repairs.

"Kings of the Road" offers even less of a plot than "Alice in the Cities" does, also offering one of the purest, simplest depictions of a road trip on film. There's no inevitable endpoint for the characters to reach, just a sprawling journey where they come to slightly better understand each other and themselves. It encompasses all the joy and melancholy of road trips in one package, people searching for more from life hoping that they'll find it behind the wheel.

16. Having a Wild Weekend

1965's "Having a Wild Weekend," also known as "Catch Us If You Can," is technically a vehicle for The Dave Clark Five, the British group that came into popularity at the same time as The Beatles . "Having a Wild Weekend" would seem to put the band in a comedy just like "A Hard Day's Night," but director John Boorman instead made a lovely, melancholy road movie, showing two people trying in vain to escape their confining lives back home.

Dave Clark plays a stuntman who takes off on a road trip with a model (Barbara Ferris) dissatisfied with her position as the face of ad campaigns for meat. On their journey, they encounter the youth who will soon become the counterculture and the old men still obsessed with the imagery of old Hollywood. Everywhere they go, Clark and Ferris are reminded of the culture they're trying to fight against, but they're powerless to stop it. The two have impressive chemistry together, but their relationship is a sad one, one that can only last the length of the road trip even though they're the only people who could possibly understand each other. Even once the remaining four Dave Clark Five members show up to do some slapstick, the tone is more elegiac than silly.

17. Wild at Heart

For a more representative David Lynch road trip movie, there's "Wild at Heart," which manages to be funny and romantic as well as frightening. Sailor and Lula, the giddy young couple played by Nicolas Cage and Laura Dern, hit the road only after Lula's mother has unsuccessfully tried to kill Sailor, and on their journey they'll deal with more killers and more victims. But their love may be strong enough to keep them safe every step of the way.

The giddy energy of "Wild at Heart" is unusual for Lynch movies, which usually have a more deadpan tone. Cage and Dern are balls of energy in this, engaging in grand romantic gestures and, in Cage's case, frequently falling into Elvis impersonations. The world around them has gone mad with rage and violence, the road bringing as many terrors as beauties, and they seem to have adapted to that madness by matching it. The title doesn't lie — these are two wild kids who will let nothing, not even a horrifying figure like Willem Dafoe's psychopathic Bobby Peru, stand in the way of their love. And for all the darkness of the rest of the movie, Lynch is still kind-hearted enough to give them a happy ending.

18. Two For the Road

All the good and bad feelings associated with going on the road are present in 1967's "Two for the Road," and they also represent the ups and downs of a marriage. The good and the bad are shuffled together in a nonlinear style, where pieces of the beginning, middle, and end of Audrey Hepburn and Albert Finney's characters' relationship are presented as a series of out-of-order road trips. There is some beautiful European scenery over the course of the trips, but the fractured editing means that the destinations of the trips are less important than the trips themselves, and how they function as both bonding exercises and sources of arguments.

The film's most hilarious section is when Hepburn and Finney commit the error of going on a road trip with another couple, an obnoxious American family that makes the two sure of the mistakes they don't want to make in their own relationship. But of course they end up making those mistakes, and by the end "Two for the Road" is a bittersweet movie about how difficult and tricky it is to stay close to someone, whether that means marrying them or staying with them on a long car ride.

19. Don't Come Knocking

Wim Wenders and playwright-actor Sam Shepard first collaborated on the 1984 road movie "Paris, Texas," one of the most acclaimed films in the genre. Their decades-later second collaboration was 2005's "Don't Come Knocking," another road movie that couldn't match the critical success of its predecessor. But "Don't Come Knocking" is a very good movie in its own right, finding a lot of power both in western vistas and the tragic figure passing in front of them.

Shepard wrote and stars in "Don't Come Knocking," playing a washed-up Western star who ditches the set of his new movie in favor of driving to Nevada and then Montana, where both cheap thrills and old family await him. As with Wenders' other films, he makes the western settings of "Don't Come Knocking" look incredibly beautiful, shooting casinos, small-town squares, and vast deserts with the same level of vibrant color and light. And it also shares with Wenders' other work a tremendous sadness, where Shepard has abandoned the people who need him most and has only realized this too late to do much of anything about it. This trip may not be able to redeem Shepard, but it can get him one step closer, and that's better than he's done yet.

20. Highway 61

Canadian director Bruce McDonald followed in Wim Wenders' footsteps and made his own trilogy of road movies through the 1980s and '90s. The middle film in the trilogy was 1991's "Highway 61," a joyous comedy about American rock 'n' roll. Highway 61 is the highway named in Bob Dylan's legendary "Highway 61 Revisited" album, and one of the two leads (Valerie Buhagiar) is a rock-obsessed drug dealer trying to smuggle a dead body from Canada to New Orleans. Her partner (Don McKellar) is a nervous, shy barber who prefers jazz. Their odd-couple dynamic is very charming, and it only gets more charming as the trip brings them closer together.

"Highway 61" is led not just by romance and scenic views of all of North America, but by a great soundtrack at every step of the journey, often from obscure local bands McDonald is kind enough to introduce to his audience. And there's also plenty of oddball humor, particularly with a character who may or may not be the devil (Earl Pastko) chasing the two leads. "Highway 61" doesn't have much of a reputation outside of its native Canada, but it's a blissful film that deserves more attention.

21. Get On the Bus

One of the least commonly filmed ways of going on a road trip is taking the bus, perhaps because getting stuck with many unfamiliar people is not the most romantic way to see the country. But Spike Lee found a lot of drama, comedy, and political relevance in a story of a bunch of guys trapped on the bus. That story is 1996's "Get On the Bus," following a group of Black men en route to the famed Million Man March. Lee believes that every one of those million men has their own story, and he fits as many of those stories as he can into one bus.

As usual with Lee, "Get On the Bus" has an impressive cast, including Ossie Davis, Charles S. Dutton, Andre Braugher, and Bernie Mac. The characters touch on social issues, including homophobia and the anti-Semitism of Million Man March leader Louis Farrakhan, but mostly they have frank and funny conversations that naturally reveal their prejudices and moral stances rather than shout them out. Lee didn't write "Get On the Bus" (that was Reggie Rock Bythewood), but it shares the perceptive dialogue and unexpected comedy of Lee's best screenplays, including his beloved "Do the Right Thing." "Get On the Bus" is a smaller movie than "Do the Right Thing," but its confined setting doesn't mean it's any less riveting.

22. Thelma & Louise

The road trip that runs through 1991's "Thelma & Louise" is most famous for where it ends, with Thelma and Louise's car in the middle of a jump off a cliff. But their journey shouldn't just be defined by its endpoint, as the entirety of "Thelma & Louise" is a rollicking ode to female friendship and the healing power of the road trip, showing it as a rare opportunity for two women to take their lives into their own hands.

A few things remain consistent throughout Thelma (Geena Davis) and Louise's (Susan Sarandon)'s road trip, namely the beauty of the southwest locations as shot by director Ridley Scott and the appalling behavior of the men both women meet along the way. "Thelma & Louise" is today best-known as the breakthrough film for breakout film for Brad Pitt , but he's only one of the film's parade of awful, often violent men, including the rapist who begins the journey in the first place. With such overpowering adversity, it's no wonder Thelma and Louise are so tight-knit — they must make their bond as strong as the forces united against them. And their bond can sustain even the steepest fall from a cliff.

23. Little Miss Sunshine

"Little Miss Sunshine" was the sensation of the 2006 Sundance Film Festival (per IndieWire ), its story of a dysfunctional family trapped in a Volkswagen van on the way to a child beauty pageant in California proving irresistible to both critics and audiences. The famous images of the film, like the family chasing after the bright yellow Volkswagen, suggest the kind of quirky, Wes Anderson-inspired comedy that was all the rage in the 2000s. But like actual Wes Anderson movies , "Little Miss Sunshine" deals with real pain and hurt, trapping several very fragile people in a small space where they might all combust.

It's helped by having such a sturdy cast playing those fragile people, including Steve Carell in one of his first dramatic performances, a silent Paul Dano, an Oscar-winning Alan Arkin, and most of all an Oscar-nominated Abigail Breslin as the girl all this trouble is in service of. The movie might have collapsed into road-movie cliches without a strong presence anchoring it, and Breslin, then 10 years old, proves more than capable of being that presence.

24. Two-Lane Blacktop

The most existential of all road movies might be 1971's "Two-Lane Blacktop," where driving is the only way of life for its main characters. But they aren't driving with any destination in mind; they're driving because it's the one thing they know how to do. Car culture was a big part of the '60s and '70s, and "Two-Lane Blacktop" has a supporting part for Dennis Wilson, whose work with the Beach Boys helped to cement cars as the ultimate symbol of cool and independence. But it's not all fun for the characters of "Two-Lane Blacktop," with the emptiness of the road ahead of them also representing the emptiness of their own obsessions and personalities.

Shot on the famed Route 66, with minimal dialogue to distract from the scenery, "Two-Lane Blacktop" is not short on great shots of cars in motion. But "Two-Lane Blacktop" also decries the hollowness of making cars the centerpiece of one's life, showing that a lifestyle based solely on speed and appearance cannot be sustained. The film's most famous line is "Those satisfactions are permanent," but the pleasures prove to be a very impermanent, fleeting bliss that doesn't disguise much deeper troubles.

25. The Adventures of Priscilla, Queen of the Desert

In addition to being one of the great road trip movies, "The Adventures of Priscilla, Queen of the Desert" was also a breakout LGBTQ film when it was released in 1994, offering such a sunny view of its group of drag queens that it would be pointless to resist. The next year, America was already attempting its own "Priscilla" with the fellow drag-queen road movie "To Wong Foo, Thanks For Everything! Julie Newmar," but it couldn't compete with the original, particularly regarding the gorgeous vistas passed by the central trio. The stunning deserts of the Australian Outback prove to be an ideal setting for a story with outrageous outfits and colors, offering a plain brown backdrop on top of which every outfit and character pops out.

Not that the characters need any help standing out, especially when they're brought to life with such exuberance and talent. Only Terence Stamp, playing the transgender matriarch of the group, was an internationally known actor at the time of the release of "Priscilla." But the film also catapulted its other two leads, Hugo Weaving and Guy Pearce, to their stardom. Even as all three actors are now almost three decades out from "Priscilla," it remains one of their crowning achievements, as well as one of the most infectiously cheerful road movies yet made.

26. Pee-Wee's Big Adventure

One of the goofiest, most enjoyable road trips ever taken on film was the one taken by Pee-Wee Herman (Paul Reubens) as he searched for his lost bike in Tim Burton's feature directorial debut "Pee-Wee's Big Adventure." Pee-Wee would later become famous for his television show, where he created his own wacky universe, but in "Pee-Wee's Big Adventure," he travels through the real America and finds that it's just as silly as he is. Whether visiting dive bars, Hollywood backlots, or even The Alamo, he bends every place he visits to his own indescribable wavelength.

Burton has made flashier, more expensive movies since "Pee-Wee's Big Adventure," but he's rarely made anything better. His work becomes so defined by production design and special effects after this that it's a shock to see him working mostly with real locations, making the natural world ridiculous rather than creating ridiculous worlds from scratch. And the road movie proves an ideal match for his love of middle-American eccentricity, where every new character Pee-Wee meets on his travels is an oddball in their own way. This remains Burton's funniest and sweetest movie, free of the bitter edge that distinguishes many Burton movies and instead celebrating the goofiness of life.

27. Something Wild

Jonathan Demme's "Something Wild" takes a sharp turn around its midpoint, turning from a joyous road comedy to something scarier and more intense. But all of "Something Wild" is united by Demme's love of the road and of the people you can meet along the way. Sometimes those people can change your life, like how Melanie Griffith's free-spirited Lulu gets Jeff Daniels' yuppie businessman Charlie to admit that he has a wilder side than he presents to the world. And other times they can threaten that life, like Ray Liotta as Lulu's malevolent ex-husband, Ray, who resolves to force Charlie out of Lulu's life and win her back.

Even as "Something Wild" gets dark, Demme still finds something magical in every location visited, and often in places that seem perfectly ordinary. A friendly convenience-store employee, a dog on the back of a motorcycle, and a waitress singing outside of a New York greasy spoon — these details all come to vibrant life in front of Demme's camera. Few people have taken a road trip involving this many wacky, endearing characters, but the world as Demme portrays is a better, brighter place than it is in real life. It's a joy to experience a road trip in this world, even if only for two hours.

Road Trip (2000)

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List of All Road Movies

This is a road movies list that contains all road trip movies ever made. It is a complete list of all road films, family road movies, and cross country road comedies. You can sort the road movies list by release year, director, actor, or alphabetically. You can also import them into your own list and rank them yourself. These may inspire you to take a road trip yourself!

So what are some of the best road trip movies? Well, you can't discount flicks like About Schmidt, On the Road, Dumb and Dumber and the 1960s classic, Easy Rider. And if you love these movies, be sure to check out our list of the best car movies .

About Schmidt

• # 49 of 152 on The Best Movies of 2002
• # 25 of 38 on Great Movies About the Death of a Spouse
• # 6 of 56 on The Best Movies About Having A Midlife Crisis

Are We There Yet?

• # 509 of 702 on The All-Time Greatest Comedy Films
• # 162 of 468 on The Best Black Movies Ever Made, Ranked
• # 54 of 117 on The Funniest Black Movies Ever Made

• # 19 of 35 on The Best Movies Based on Real Murders
• # 29 of 54 on The Best Movies 'Loosely' Based On True Stories
• # 158 of 199 on The Best Movies Of The '70s, Ranked

Beavis and Butt-head Do America

• # 383 of 447 on The 400+ Best Animated Kids Movies
• # 426 of 702 on The All-Time Greatest Comedy Films
• # 25 of 61 on The Funniest Movies About Politics

Blues Brothers 2000

• # 84 of 92 on The Best Comedy Movie Sequels
• # 5 of 8 on The Most Bizarre 'SNL' Movies You Forgot Existed
• # 5 of 25 on The Greatest Band Cameos In Movie History

Bonnie and Clyde

• Dig Deeper... This Gruesome Photo Shows The Moment Bonnie And Clyde Were Riddled With Bullets
• # 702 of 772 on The Most Rewatchable Movies
• # 32 of 94 on The 90+ Best Mafia Movies Of All Time

Broken Flowers

• # 81 of 143 on The Best Movies of 2005
• # 67 of 70 on Great Quirky Movies for Grown-Ups
• # 533 of 675 on The Best Movies Roger Ebert Gave Four Stars

The Long Dumb Road

College Road Trip

• # 265 of 468 on The Best Black Movies Ever Made, Ranked
• # 97 of 117 on The Funniest Black Movies Ever Made
• # 27 of 55 on The Funniest Road Trip Comedy Movies

• # 114 of 115 on 50+ Movies That Need Sequels
• # 407 of 469 on The 400+ Best Chick Flicks Ever
• # 22 of 29 on The Best Movies About Teenage Girl Friendships

• # 18 of 36 on The Greatest Classic Noir Movies, Ranked
• # 17 of 51 on The 50+ Best Movies In Public Domain
• # 10 of 92 on The 90+ Best Film Noirs Of All Time

• # 139 of 253 on The 200+ Best Psychological Thrillers Of All Time
• # 120 of 190 on The Best Movies For Men
• # 305 of 396 on The Best Horror Movies Of All Time

Dumb and Dumber

• Dig Deeper... Behind-The-Scenes Stories From 'Dumb And Dumber'
• And Deeper... 'Dumb And Dumber' Is Far Darker And Creepier Than You Remember
• # 195 of 772 on The Most Rewatchable Movies

• # 32 of 93 on The 85+ Best Stoner Comedies Ever
• # 40 of 167 on The Greatest '60s Movies, Ranked
• # 40 of 99 on The Greatest Movie Soundtracks Of All Time

• # 94 of 96 on The 90+ Best Movies Of 1985, Ranked
• # 42 of 55 on The Funniest Road Trip Comedy Movies
• # 3 of 35 on The 30+ Best Glenne Headly Movies

Fear and Loathing in Las Vegas

• # 657 of 702 on The All-Time Greatest Comedy Films
• # 187 of 379 on The Best Movies Of The 1990s
• # 255 of 279 on 'Old' Movies Every Young Person Needs To Watch In Their Lifetime

Five Easy Pieces

• # 264 of 675 on The Best Movies Roger Ebert Gave Four Stars
• # 139 of 199 on The Best Movies Of The '70s, Ranked
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Forces of Nature

• # 472 of 630 on The 600+ Funniest Movies Of All Time
• # 105 of 185 on Movies With The Best Soundtracks
• # 62 of 97 on The 90+ Best Drug Movies of All Time

Harold & Kumar Go to White Castle

• # 340 of 702 on The All-Time Greatest Comedy Films
• # 5 of 93 on The 85+ Best Stoner Comedies Ever
• # 36 of 99 on The Best Movies Of 2004, Ranked

It Happened One Night

• # 37 of 96 on The Very Best Oscar-Winning Movies For Best Picture
• # 203 of 702 on The All-Time Greatest Comedy Films
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Jay and Silent Bob Strike Back

• # 604 of 772 on The Most Rewatchable Movies
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• # 29 of 113 on The Best Movies Of 2001

Jeepers Creepers

• # 26 of 113 on The Best Movies Of 2001
• # 30 of 396 on The Best Horror Movies Of All Time
• # 26 of 77 on The 75+ Best Horror Franchises, Ranked By Scary Movie Fans

Johnson Family Vacation

• # 154 of 468 on The Best Black Movies Ever Made, Ranked
• # 34 of 55 on The Funniest Road Trip Comedy Movies
• # 46 of 61 on The Very Best Black Movies Of The 2000s

• # 47 of 113 on The Best Movies Of 2001
• # 175 of 396 on The Best Horror Movies Of All Time
• # 44 of 167 on The 160+ Scariest Psychological Thrillers

• # 346 of 379 on The Best Movies Of The 1990s
• # 403 of 675 on The Best Movies Roger Ebert Gave Four Stars
• # 16 of 27 on The Best Movies with a Psychotic Main Character

• # 204 of 702 on The All-Time Greatest Comedy Films
• # 52 of 207 on The Best Sports Movies Ever Made
• # 56 of 168 on The Best '90s Comedy Movies, Ranked

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Civil War Review: Alex Garland's Terrifying War Movie Will Leave You Shaken [SXSW 2024]

The most disarming thing about writer/director Alex Garland's "Civil War" is its deliberate, harrowing sense of neutrality. Here is a major movie, one of the biggest ever produced by studio A24 , about a brutal civil war being fought on three fronts in the modern United States, being released into theaters during a period of intense political unrest that chooses immersion over perspective. It's a choice that doesn't always click throughout the film's running time, but it pays off in a big way during the film's harrowing, terrifying final act.

Those hoping to have their personal beliefs mirrored in one way or another, to have Garland pick a side and validate a certain point of view, will be left wanting. And those hoping for a movie that is more loudly specific about its intentions may find its intentionally vague politics to be a cop out. But the key to "Civil War" lies in the choice of protagonists. Garland largely tells the story from the perspective a group of journalists traveling a war-ravaged America in search of a big story in the final days of the conflict. They're an objective bunch — the nature of their job demands it, as they float between several sides of the conflict to capture what's going on — and the movie follows suit.

"Civil War" is less about the politics of right now, and more about the horror that accompanies a world beyond politics, where all meaning gets lost in gunfire and smoke. No one knows what they believe at this point, and no one even discusses why they're fighting anymore. It's not a film about a divided America in the sense that we, folks doom scrolling in 2024, think of it. It's a film about how all of that ceases to matter when the violence starts. What the hell were we fighting about anyway?

The road trip movie from hell

All of Garland's films blend disconcerting horror and staggering beauty, and "Civil War" doesn't buck the trend. Like the veteran war photographer Lee (played with a understated toughness by Kirsten "Hey, I've Been Undervalued For Years And Now I'm Going To Strut My Stuff" Dunst ), Garland's camera recognizes the unusual beauty and surreality that can accompany images of tremendous stress and terror. Quick flashes of joy and humanity accompany a visit to a refugee camp, where people seem happy to just be alive. Snipers casually patrol the roofs of small towns. One especially unsettling sequence, a standoff with a sniper at a long-abandoned roadside Christmas experience, is the kind of haunting scene that gives the film its specific nightmare heartbeat. Something so typical and tacky, something so American, becomes the site of total inhumanity.

As Ellie and her crew head south, hoping to reach Washington D.C. to secure an interview with the President of the United States before the capital falls, the film follows a familiar road trip formula. Some vignettes are more effective than others. Some pit stops are little short stories unto themselves, a "day in the life" of these four journalists as they struggle to do their jobs. Others exist to just let characters tell each other their life stories (the weakest moments of the film, frankly). A few allow Garland, who expressed such a fascination with the corruption of worlds both natural and manmade in films like "Annihilation" and "Ex Machina," to just turn his camera toward impossible, startling imagery and to just let us exist in it all.

It's no accident that these images, among the most haunting of the film, often barely draw the eyes of the folks on the screen. It's that objective voice that steers the film from frame one — this is their reality now, they've seen this before, and they're on the hunt for something bigger. And hopefully something final.

A warning from a world too-much like our own

As a road trip movie, "Civil War" is quite good, with some segments proving more enthralling than others. Dunst is the standout among the cast, keeping us anchored through the more episodic elements, but Wagner Moura, Stephen McKinley Henderson, and Cailee Spaeny contribute strong work (with Jesse Plemons and Nick Offerman showing up in well-utilized cameos). However, "Civil War" roars to a different kind of life in its third act, as our battered journalists find themselves in the middle of a proper war zone, embedded with troops, and struggling to survive as they document the biggest moment in (fictional) American history. These scenes contain a rare and special power, and they pay off because of Garland's specific perspective choices, and his decision to leave clearly identifiable politics at the door. Everything that led to this feels so small now.

In its own weird way, "Civil War" is a science fiction movie, an alternate history tale of the biggest thing to happen in the United States since the Revolutionary War. And in a weirder way, it plays out like a movie that was made in an alternate reality, a film where this already happened, and where the most dramatic, iconic, horrible moments are so fresh, so embedded in the minds of a theoretical audience, that no exposition or world-building is necessary. We bear witness to monumental turns of events, and they're filmed through a lens that yes, of course we recognize this moment. We all saw it on the news. It's in all the textbooks now. Everyone knows that photo.

So when the film asks us to accompany the characters into one of the most relentless war sequences of recent years, there's an unusual sense of decorum. We're bearing witness to an exacting recreation of historical events that haven't actually happened. And we, the audience from this reality, are asked to take it all as a warning. This is the movie that gets made if we don't fix our sh*t. And these events, recorded with such raw reality by Garland and his crew, are exactly what we want to avoid at all costs.

/Film Rating: 8.5 out of 10