Dark Tourism

  • Reference work entry
  • First Online: 26 October 2020
  • pp 3119–3121
  • Cite this reference work entry

what is dark tourism pdf

  • Philip R. Stone 2  

57 Accesses

Introduction

Dark tourism is an academic label from the imagination of scholars who wish to shine a critical light on heritage that hurts. As such, “ghosts” of the significant Other dead who haunt our collective conscience have been increasingly commodified through memorials, museums, and visitor attractions – and, consequently, the dead now occupy touristic landscapes. In other words, the term “dark tourism” (or thanatourism) has been branded into an internationally recognized taxonomy to denote travel to sites of or sites associated with death and “difficult heritage” within global visitor economies. As such, dark tourism is a broad, provocative, and contested concept that divides opinion both within academic practice as well as in empirical circles. While dark tourism as a scholarly term may have been imposed upon industry by academia, touristic sites of death and disaster across the world often blur the line between commemoration and commercialization. Yet, despite its historical...

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
  • Available as EPUB and PDF
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Hartmann, R. 2014. Dark tourism, thanatourism, and dissonance in heritage tourism management: New directions in contemporary tourism research. Journal of Heritage Tourism 9 (2): 166–182.

Article   Google Scholar  

Lennon, J., and M. Foley. 2000. Dark tourism: The attraction of death and disaster . London: Continuum.

Google Scholar  

Light, D. 2017. Progress in dark tourism and thanatourism research: An uneasy relationship with heritage tourism. Tourism Management 61: 275–301.

Seaton, A. 2009. Thanatourism and its discontents: An appraisal of a decade’s work with some future issues and directions. In The sage handbook of tourism studies , ed. T. Jamal and M. Robinson, 521–542. London: Sage.

Sharpley, R., and P.R. Stone. 2009. The darker side of travel: The theory and practice of dark tourism . Bristol: Channel View.

Book   Google Scholar  

Stone, P.R. 2011. Dark tourism: Towards a new post-disciplinary research agenda. International Journal of Tourism Anthropology 1 (3/4): 318–332.

Stone, P.R. 2012. Dark tourism and significant other death: Towards a model of mortality mediation. Annals of Tourism Research 39: 1565–1587.

Stone, P.R. 2013. Dark tourism scholarship: A critical review. International Journal of Culture, Tourism and Hospitality Research 7 (3): 307–318.

Stone, P.R., et al., eds. 2018. The Palgrave handbook of dark tourism studies . London: Palgrave Macmillian.

White, L., and E. Frew. 2013. Dark tourism and place identity: Managing and interpreting dark places . Abingdon: Routledge.

Further Reading

Current issues in dark tourism research. Available at www.dark-tourism.org.uk .

Download references

Author information

Authors and affiliations.

Institute for Dark Tourism Research, University of Central Lancashire (UCLan), Preston, Lancashire, UK

Philip R. Stone

You can also search for this author in PubMed   Google Scholar

Corresponding author

Correspondence to Philip R. Stone .

Editor information

Editors and affiliations.

College of Humanities, Arts and Social Sciences, Flinders University, Adelaide, SA, Australia

Claire Smith

Rights and permissions

Reprints and permissions

Copyright information

© 2020 Springer Nature Switzerland AG

About this entry

Cite this entry.

Stone, P.R. (2020). Dark Tourism. In: Smith, C. (eds) Encyclopedia of Global Archaeology. Springer, Cham. https://doi.org/10.1007/978-3-030-30018-0_3407

Download citation

DOI : https://doi.org/10.1007/978-3-030-30018-0_3407

Published : 26 October 2020

Publisher Name : Springer, Cham

Print ISBN : 978-3-030-30016-6

Online ISBN : 978-3-030-30018-0

eBook Packages : History Reference Module Humanities and Social Sciences Reference Module Humanities

Share this entry

Anyone you share the following link with will be able to read this content:

Sorry, a shareable link is not currently available for this article.

Provided by the Springer Nature SharedIt content-sharing initiative

  • Publish with us

Policies and ethics

  • Find a journal
  • Track your research

Academia.edu no longer supports Internet Explorer.

To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to  upgrade your browser .

Enter the email address you signed up with and we'll email you a reset link.

  • We're Hiring!
  • Help Center

paper cover thumbnail

Dark Tourism: Understanding the Concept and Recognizing the Values

Profile image of Neeru Karki

Journal of APF Command and Staff College

Dark tourism is a youngest subset of tourism, introduced only in 1990s. It is a multifaceted and diverse phenomenon. Dark tourism studies carried out in the Western countries succinctly portrays dark tourism as a study of history and heritage, tourism and tragedies. Dark tourism has been identified as niche or special interest tourism. This paper highlights how dark tourism has been theoretically conceptualized in previous studies. As an umbrella concept dark tourism includes than tourism, blackspot tourism, morbid tourism, disaster tourism, conflict tourism, dissonant heritage tourism and others. This paper examines how dark tourism as a distinct form of tourism came into existence in the tourism academia and how it could be understood as a separate subset of tourism in better way. Basically, this study focuses on deathscapes, repressed sadism, commercialization of grief, commoditization of death, dartainment, blackpackers, darsumers and deathseekers capitalism. This study generate...

Related Papers

Journal of the Geographical Institute Jovan Cvijic, SASA

Nar Aditya Rai

what is dark tourism pdf

Annals Economy Series

Madalina Cristina

Akademik Turizm ve Yönetim Araştırmaları Dergisi

Yunus Topsakal

The paper concentrates on the development of dark tourism in contemporary society as a type of special interest tourism. The study included analysis of the meaning of dark tourism, tourist motivation for this sort of tourism, Stone' s typology of dark destination offers, and a bit is committed to the part of dark tourism in contemporary society. Likewise there are special dark tourism destinations on the planet as a set of example of this sort of tourism development. The work incorporates a reference to the advancement of dark tourism in Romania, as a destination that has generally neglected to force itself on the world tourism market on the grounds that this type of tourism promotion, similarly Nepal also fails to do the same thing in promotion at world market. In the first part unique consideration is paid to the extraordinary interest tourism, which is another improvement that drives modernized society. Latest ,modern visitors have an alternate sort of motivation when they are organizing travel and tour coordinators need to concentrate on current trends. One of the trend identifying with the improvement of dark tourism and a percentage of the nations at the national level is situated as a destination which are recognized by this sort of tourism.

Maximiliano E. Korstanje , Bintang Handayani , Stanislav Ivanov

Gazing at Death: dark tourism as an emergent horizon of Research. (Korstanje M. & Handayani, B). New York, Nova Science Publishers. This is a must-read book which starts a new discussion not only on dark tourism issues but on the role of death in modern society. A much deep-seated issue that merits to be investigated in the years to come (Abraham Abe Pizam, University of Central Florida, US) Dr. Maximiliano Korstanje is one of the great minds of our young century. You may agree or disagree with his conclusions but this book, like much of his work makes the careful reader ponder his points and consider his positions. Korstankje is more than a thinker, he is the best type of academic, one who makes us question even the simplest of assumptions. Encountering his ideas is more than a mere journey into another academic work, but a chance to come face to face with multiple questions and academic challenges. (Peter Tarlow - Texas A&M University, US) Gazing Death draws together the latest research in the field by presenting new and important insights in a well-crafted meticulously researched book. The chapters in this volume employ a multidisciplinary perspective to address the social, political, ethical, philosophical and cultural perspectives of dark tourism. It is an indispensable guide that will satisfy the novice and more experienced dark tourism scholar seeking to understand the tourism of macabre spectacles, places of disaster and sites on the darker side of life. (Demond S. Miller, Rowan University, US) “The topic of dark tourism is growing in attention globally. Dr. Korstanje has dedicated this book to understanding the phenomena of travel surrounding death, disasters and terror. This book provides a one-stop shop for understanding a number of key areas of research within dark tourism: the motivations and behaviors surrounding dark travel, smart tourism for dark sites, as well as the economic impact of dark tourism. This book fills a gap in the literature which can be used by students, academics and practitioners alike.” - Professor Dr. Lori Pennington-Gray, University of Florida, USA Gazing at Death is a must-read book, which allows a restructuration in the ways global tourism should be thought. This represents a fertile invitation to build a new theoretical framework of tourism in this new millenium. - Associate Professor Celeste Nava - University of Guanajuato, Mexico

Tourism: An Interdisciplinary International Journal

Dr. Philip Stone

European Journal of Tourism Research

David González Vázquez

In the context of the huge diversification in the field of cultural heritage, there are nowadays many touristic places whose main appeal lies in the connection with tragic events. Beyond the scope of cultural tourism, it may be confusing to classify them due to the extraordinary richness and heterogeneity of the different types of tourism as typified by tourism science. Thus, the scientific community uses several labels to name the tourism practices carried out in touristic places linked to tragedy. Among the many, it is worth pointing out dark tourism and memorial tourism, not only because of their undeniable academic impact, but also because of the media relevance gained. This article deals with the problems faced when it comes to determining the boundaries of what may be considered dark tourism or memorial tourism. After a comprehensive analysis of the theoretical contributions regarding both models, what is most relevant is why and in which contexts one term or the other is used.

Deaths, disasters and atrocities in touristic form are becoming an increasingly pervasive feature within the contemporary tourism landscape, and as such, are ever more providing potential spiritual journeys for the tourist who wishes to gaze upon real and recreated death. As a result, the rather emotive label of 'dark tourism' has entered academic discourse and media parlance, and consequently has generated a significant amount of research interest. However, despite this increasing attention the dark tourism literature remains both eclectic and theoretically fragile. That is, a number of fundamental issues remain, not least whether it is actually possible or justifiable to collectively categorise a diverse range of sites, attractions and exhibitions that are associated with death and the macabre as 'dark tourism', or whether identifiable degrees or 'shades' of darkness can be attributed to a particular type of dark tourism supplier. This paper argues that cer...

Leanne White

The 5th Friendly City International Conference (FCIC-5)

Indra Kusumawardhana

Despite academic interest in the tourism industry, there is a more sophisticated set of practice and thinking that could distinguish tourism products between mass and niche. Dark tourism, as the niche of tourism offers an economic value for tourists' consumption that forged between reality and imagination. However, few studies were found to understand the realm of development of dark tourism varieties and attractions, which associated with death and suffering from lower political and ideology to the highest range while consuming it. Therefore, alongside the analytical thinking towards the product's typology and variety, the examination of both SWOT (Strength, Weaknesses, Opportunity, Threats) model and TOWS (Threat-Opportunity & Weakness-Strength) matrix, synchronize the sites' elaboration resources and capabilities in which the dark tourism's place and space operate. Both of the qualitative case studies of Fatahillah Dungeon and Taman Prasasti museum provide the research practice that emerges from the visitors' voices. The findings deliver undiscovered value for the product development initiative, where at the same time bids the model for the dark tourism's consumption in term of the value creation and experience that giving the sites' meaning in recognizing how 'dark' the product is and stand out from the mass.

RELATED PAPERS

International Journal of Language Academy

Alternative and Complementary Therapies

Revista Economia & Gestão

Economia Gestão

Family Court Review

Penny Mansfield

Materials and Structures

NUSRAT HOQUE

Games and Economic Behavior

Daniel Stephenson

Journal of National Institute of Neurosciences Bangladesh

Tanvir Haider

ConScientiae Saúde

Flávia Martinez

Acta Agronomica

PATRICIA GUERRERO ZUNIGA

British journal of psychology (London, England : 1953)

Mehmet Lermi

Journal of Health Sciences

Magister Keperawatan

Applied Sciences

The Journal of Physical Chemistry C

Solange Fernandez Do Rio

Ugyen Yangchen

Journal of Alloys and Compounds

Roczniki Nauk Prawnych

Jadwiga Potrzeszcz

hjhds jyuttgf

Borobudur Law Review

Muthia Sakti

Proceedings of the Royal Society B: Biological Sciences

Scott Pitnick

Acta Scientiarum. Animal Sciences

Carmino Hayashi

Annales françaises de médecine d'urgence

Sébastien Beaume

La formación médico militar en México

Rolando Neri-Vela

  •   We're Hiring!
  •   Help Center
  • Find new research papers in:
  • Health Sciences
  • Earth Sciences
  • Cognitive Science
  • Mathematics
  • Computer Science
  • Academia ©2024

We will keep fighting for all libraries - stand with us!

Internet Archive Audio

what is dark tourism pdf

  • This Just In
  • Grateful Dead
  • Old Time Radio
  • 78 RPMs and Cylinder Recordings
  • Audio Books & Poetry
  • Computers, Technology and Science
  • Music, Arts & Culture
  • News & Public Affairs
  • Spirituality & Religion
  • Radio News Archive

what is dark tourism pdf

  • Flickr Commons
  • Occupy Wall Street Flickr
  • NASA Images
  • Solar System Collection
  • Ames Research Center

what is dark tourism pdf

  • All Software
  • Old School Emulation
  • MS-DOS Games
  • Historical Software
  • Classic PC Games
  • Software Library
  • Kodi Archive and Support File
  • Vintage Software
  • CD-ROM Software
  • CD-ROM Software Library
  • Software Sites
  • Tucows Software Library
  • Shareware CD-ROMs
  • Software Capsules Compilation
  • CD-ROM Images
  • ZX Spectrum
  • DOOM Level CD

what is dark tourism pdf

  • Smithsonian Libraries
  • FEDLINK (US)
  • Lincoln Collection
  • American Libraries
  • Canadian Libraries
  • Universal Library
  • Project Gutenberg
  • Children's Library
  • Biodiversity Heritage Library
  • Books by Language
  • Additional Collections

what is dark tourism pdf

  • Prelinger Archives
  • Democracy Now!
  • Occupy Wall Street
  • TV NSA Clip Library
  • Animation & Cartoons
  • Arts & Music
  • Computers & Technology
  • Cultural & Academic Films
  • Ephemeral Films
  • Sports Videos
  • Videogame Videos
  • Youth Media

Search the history of over 866 billion web pages on the Internet.

Mobile Apps

  • Wayback Machine (iOS)
  • Wayback Machine (Android)

Browser Extensions

Archive-it subscription.

  • Explore the Collections
  • Build Collections

Save Page Now

Capture a web page as it appears now for use as a trusted citation in the future.

Please enter a valid web address

  • Donate Donate icon An illustration of a heart shape

Dark tourism

Bookreader item preview, share or embed this item, flag this item for.

  • Graphic Violence
  • Explicit Sexual Content
  • Hate Speech
  • Misinformation/Disinformation
  • Marketing/Phishing/Advertising
  • Misleading/Inaccurate/Missing Metadata

[WorldCat (this item)]

plus-circle Add Review comment Reviews

4 Favorites

DOWNLOAD OPTIONS

No suitable files to display here.

IN COLLECTIONS

Uploaded by station37.cebu on September 21, 2022

SIMILAR ITEMS (based on metadata)

U.S. flag

An official website of the United States government

The .gov means it’s official. Federal government websites often end in .gov or .mil. Before sharing sensitive information, make sure you’re on a federal government site.

The site is secure. The https:// ensures that you are connecting to the official website and that any information you provide is encrypted and transmitted securely.

  • Publications
  • Account settings

Preview improvements coming to the PMC website in October 2024. Learn More or Try it out now .

  • Advanced Search
  • Journal List
  • Int J Environ Res Public Health

Logo of ijerph

Dark Tourists: Profile, Practices, Motivations and Wellbeing

José magano.

1 Research Center in Business and Economics (CICEE), Universidade Autónoma de Lisboa, Rua Sta. Marta 47, 5.º Andar, 1150-293 Lisboa, Portugal

2 ISCET-Higher Institute of Business Sciences and Tourism, Rua de Cedofeita, 285, 4050-180 Porto, Portugal

José A. Fraiz-Brea

3 Department of Business Organization, Business Administration and Tourism Faculty, University of Vigo, 32004 Ourense, Spain

Ângela Leite

4 Center for Philosophical and Humanistic Studies, Faculty of Philosophy and Social Sciences, Portuguese Catholic University, Rua de Camões 60, 4710-362 Braga, Portugal

Associated Data

Datasets are available upon request to the authors.

This work aims to address whether knowing what dark tourism is (or not) impacts rumination on sadness, self-hatred, hostility, psychological vulnerability, and tourist wellbeing, as well as practices and motivations for dark tourism. A quantitative approach, based on a survey of 993 respondents, reveals that women and more educated participants know more about dark tourism; people who know what dark tourism is have visited more Holocaust museums, sites of human tragedy and natural disasters, concentration camps, and prisons; show more curiosity, need to learn and understand, and need to see morbid things. A model was found showing that gender, age, know/do not know dark tourism, and motivations (curiosity, the need to learn, the need to understand, and pleasure) explained 38.1% of a dark tourism practice index. Most findings also indicate that rumination on sadness, self-hatred, hostility, and psychological vulnerability are associated with darker practices. Greater wellbeing was not found in participants who knew in advance what dark tourism was. Interestingly, participants who visit tragic human sites present higher values in hostility and tourist wellbeing than those who do not. In summary, people who visit more dark places and score higher on negative personality characteristics have higher values of tourist wellbeing.

1. Introduction

Many people are increasingly looking for new and unique touristic experiences to satisfy a wide range of motivations. That has driven the segmentation and the emergence of increasingly specific typologies, such as dark tourism, that, in contrast with mass tourism, are characterized by a high degree of diversification and individualization. Dark tourism comprises visiting real or recreated places related with death, suffering, disgrace, or the macabre [ 1 , 2 ]. From the perspective of dark tourism places, it is important to understand what drives people to visit them to design satisfying experiences. We may think of death as an obvious motivation, often part of the site’s history, but it is not always the primary or explicitly recognized motivation for a visit. Sharpley and Stone [ 3 ] admitted that the field of motivation to visit dark tourism destinations remains an understudied area, although recent literature has provided an increasing number of empirical studies about the reasons for visiting those sites [ 4 , 5 ].

This research intends to contribute to the dark tourism literature by seeking to understand whether people know what dark tourism is and identify a differentiated sociodemographic, motivational, and tourist practice profile between people who know and do not know what dark tourism is. In addition, it aims to understand if dark tourists’ motivations for visiting dark tourism destinations explain their practices. The research approach relies on empirically exploring the motivations, practices, and sociodemographic characteristics of a sample of 933 people that participated in a survey held in Portugal.

The remainder of the text is organized as follows: firstly, a brief theoretical background is put forward, focused on the dark tourism concept and dark tourists’ motivations and practices; then, the quantitative study’s applied methods and obtained results are described; finally, the results are discussed, and conclusions and implications are drawn.

2. Theoretical Background

Despite the fact that some authors consider it one of the older forms of tourism, it has gained great popularity amongst academics from the 1990s onwards [ 3 ], confirmed by the significant volume of literature published ever since [ 4 , 5 , 6 ]. However, understanding the demand for this type of tourism persists as poorly defined and theoretically fragile [ 3 , 4 , 7 , 8 ]. For a long time, places that have been the scene of wars, disasters, deaths, and atrocities have always fascinated people, motivating them to travel [ 3 , 9 ]. Sharpley and Stone [ 3 ] often use the term dark tourism as the type of tourism that encompasses traveling to sites related to death, suffering, and macabre—a globally accepted definition. However, Tarlow [ 10 ] implies the phenomenon is complex by describing it as “visits to places where noteworthy historical tragedies or deaths have occurred that continue to impact our lives”, which raises the question about the inherent motives to consume dark tourism.

2.1. Dark Tourists and Their Motivation to Dark Tourism Consumption

Stone’s (2006) idea of dark tourism goes far beyond related attractions. From this standpoint, diverse well-visited tourist sites may become places of dark tourism due to their history linked with death—e.g., suicides in the Eiffel Tower, tombs in the pyramids of Egypt, the Valley of the Kings, and the Taj Mahal, funeral art at the Cairo Museum, and terrorist attacks in Ground Zero [ 11 ]. Ashworth and Isaac [ 12 ] also suggest that all tourist places have a greater or lesser potential of being perceived as “dark.” Accordingly, the same dark tourism place can evoke different experiences in different visitors (i.e., a site one visitor sees as “dark” may not be for another); thus, the authors argue that no site is intrinsically, automatically, and universally “dark,” as, even they may be labeled as dark, they are not always perceived as such by all visitors.

Walter [ 13 ] states that most dark tourism is not specifically motivated, comprising only parallel visits inserted in a trip of a wider reach. Nonetheless, the literature indicates that tourists who visit dark places are not a homogeneous group, and neither the factors inherent to the visitation are the same. Moreover, the “darker” motivation can undertake distinctive levels of intensity. Consequently, in addition to the fascination and interest in death [ 12 , 14 , 15 ], the visit to this type of place is also motivated by personal, cultural, and psychological reasons [ 4 ] or driven by entertainment purposes [ 7 , 16 ].

The literature indicates numerous reasons to visit dark tourism sites: educational experience, desire to learn and understand past events, and historical interest [ 7 , 17 , 18 , 19 , 20 ], as self-discovery purposes [ 17 ], identity [ 7 ], memory, remembrance, celebration, nostalgia, empathy, contemplation, and homage [ 10 , 17 , 20 ], curiosity [ 17 , 19 , 20 , 21 ], the search for novelty, authenticity, and adventure [ 2 , 20 ], convenience when visiting other places [ 19 ], and also status, prestige, affirmation, and recognition that these visits provide [ 22 ]. To a lesser extent, the literature also mentions religious and pilgrimage reasons, feelings of guilt, a search for social responsibility, or heritage experience.

The desire to learn and understand stands out as a motive associated with sites of death and/or heritage. Whereas some visitors exhibit a considerable need for emotional experience and connection to their heritage, engaging, as Slade puts it [ 23 ], in a “profound heritage experience”, and emotionally to the “dark” space influence [ 24 ], other visitors may be knowledge-seekers, who are more interested in a knowledge-enriching experience [ 25 ] than an emotional one and look for gaining a deeper understanding. Isaac et al. [ 20 ] found that memory, gaining knowledge and awareness, and exclusivity were important motivations for dark tourists; also, “(…), consuming dark tourism may allow the individual a sense of meaning and understanding of past disaster and macabre events that have perturbed life projects” [ 2 ]. Tourists’ interest in places associated with death and tragedy may also be related to educational goals [ 9 ].

Curiosity and the need to learn and understand are entwined. Dark tourism develops curiosity and satisfies the desire for knowledge of past suffering and pain [ 26 ]. Ashworth (2004) and Ashworth and Hartmann [ 27 ] suggested three main reasons for visiting dark sites: curiosity about the unusual, attraction to horror, and a desire for empathy or identification with the victims of atrocity. Yan, Zhang, Zhang, Lu and Guo [ 24 ] refer to the curious type of dark tourist who engages cognitively by learning about the issue. From another perspective, dark tourists may feel motivated by morbid tourism [ 28 ] and show interest in specific macabre exhibitions and museums [ 29 ] and fascination with evil [ 30 ], given the morbid nature of dark tourism [ 31 ]. Other authors present yet other motives: secular pilgrimage; a desire for inner purification; schadenfreude or malicious joy; “ghoulish titillation”; a search for the otherness of death; an interest in personal genealogy and family history; a search for “authentic” places in a commodified world; and a desire to encounter the pure/impure sacred [ 18 ]. Iliev [ 4 ] concludes that although tourists visit places related to death, they may not necessarily be considered dark tourists; as already acknowledged, those sites may not be experienced as “dark” by each visitor. It is, therefore, imperative that the so-called dark tourists are considered as such based on their experience.

2.2. Dark Tourist Personality

Some authors who study dark tourism have tried to relate dark tourist practice with personality characteristics, namely with the dark triad—psychoticism, narcissism, and Machiavellianism [ 16 , 32 , 33 , 34 ]. However, the nature of dark tourism, especially that related to the Holocaust, can be so complex that the personality characteristics that motivate it may be less central, so we decided to study the following characteristics: rumination in sadness, self-hatred, hostility, and psychological vulnerability.

Rumination about sadness includes “repetitive thoughts concerning one’s present distress and the circumstances surrounding the sadness” [ 35 ]. These thoughts are related to the nature of one’s negative affect, are not goal-directed nor lead to plans for solutional action [ 36 ], and are not socially shared while the rumination occurs. Thus, rumination on sadness presents a negative content, “does not facilitate problem resolution, is a solitary activity, and is intrusive if the person is pursuing either self-or situationally imposed task-oriented goals” [ 35 ].

Nolen-Hoeksema and Morrow’s [ 36 ] measure of rumination focuses on ideation, contrary to expression or disclosure, but it also includes disclosing feelings to others and emotional expressiveness as components of rumination. According to Nolen-Hoeksema and Morrow [ 36 ], ruminative responses are different from structured problem-solving because people only think or talk about how “unmotivated, sad, and lethargic they feel” (p. 569). Despite that, Nolen-Hoeksema and Morrow’s [ 36 ] stated that ruminative responses include telling others how badly one feels. Although rumination has negative consequences, disclosure may have positive effects [ 37 ]; also, some forms of emotional expressiveness, a component of disclosure, seem beneficial [ 38 ].

Self-hatred is an “enduring dysfunctional and destructive self-evaluation, characterized by attributions of undesirable and defective qualities, and failure to meet perceived standards and values leading to feelings of inadequacy, incompetency, and worthlessness” [ 39 ]. High self-hatred is related to low self-esteem, shame, self-blame or guilt, and a mental state of agitation, raising an experience of psychological and emotional turmoil [ 39 ].

According to Derogatis and Melisaratos [ 40 ], hostility captures thoughts, feelings, and actions associated with hostile behavior. Although the hostility scale measures perceived levels of expressed hostility rather than actual levels of outwardly expressed hostility, the hostility scale is significantly associated with anger [ 41 ], and high anger is related to outward, uncontrolled, and negative expressions of anger [ 42 ].

Psychological vulnerability is the “individual’s capacity to deal with mechanisms of maintaining emotional strength, in case of a pessimistic point of view, due to the lack of social support” [ 43 ]. Psychological vulnerability is a pattern of cognitive beliefs translating to “a dependence on achievement or external sources of affirmation for one’s sense of self-worth” [ 44 ]. Psychological vulnerability is negatively associated with positive affect, self-efficacy, and social support and positively associated with negative affect, perceived powerlessness, and maladaptive coping behavior [ 43 , 44 ]. Dark tourists are subjects situated in emotionally sensitive spaces [ 45 ] that can trigger their psychological vulnerability.

2.3. Research Questions

Although research on dark tourism has increased in recent years, there are not enough studies exploring if people’s knowledge of this phenomenon and their personality traits lead to distinctive dark tourists’ motivations and behaviors. Taking into account the aforementioned motivations to visit dark tourism places, the present study intends to empirically explore if dark tourists’ personality characteristics and sociodemographic variables impact such motivations and dark tourists’ practices and wellbeing (the latter, measured as a dark tourism practice index, given the diversity of known dark tourism practices). Specifically, our research questions are: Do rumination on sadness, self-hatred, hostility, and psychological vulnerability explain the practices and motivations for dark tourism and thus explain tourist wellbeing? Does knowing what dark tourism is (or not) impact rumination on sadness, self-hatred, hostility, and psychological vulnerability, as well as practices and motivations for dark tourism and tourist wellbeing?

3. Materials and Methods

Given the research questions, the aims of the present study are as follows: (1) to find the sociodemographic differences in touristic practices and motivations for dark tourism according to two groups (those who knew what dark tourism is and those who did not know); (2) to assess the fit of the rumination on the sadness scale, self-hatred scale, hostility scale, psychological vulnerability scale, and tourism wellbeing scale; (3) to determine the differences in rumination on sadness, self-hatred, hostility, psychological vulnerability, and tourism wellbeing according to two groups (those who knew what dark tourism is and those who didn’t know); (4) to find the differences in rumination on sadness, self-hatred, hostility, psychological vulnerability, and tourism wellbeing according to practices and motivations for dark tourism; and (5) to determine variables that contribute to the dark tourism practice index. Accordingly, we hypothesize:

Participants who know what dark tourism is are younger and have more education than those who do not.

Participants who know what dark tourism is are more motivated and visit more places associated with dark tourism than those who do not.

All measures show a good fit for the sample.

Differences in rumination on sadness, self-hatred, hostility, psychological vulnerability, and tourism wellbeing according to two groups (those who knew what dark tourism is and those who did not know) will be found.

Differences in rumination on sadness, self-hatred, hostility, psychological vulnerability, and tourism wellbeing according to practices and motivations for dark tourism will be found.

Gender, age, to know/know not dark tourism, and the motivations of curiosity, need to learn, need to understand, and pleasure will contribute to explaining dark tourism practice.

3.1. Procedures

All procedures followed the Declaration of Helsinki and later amendments or comparable ethical standards. The investigation protocol included informed consent, and confidentiality and anonymity of the data were guaranteed. The research protocol was applied in person to a random sample of participants between 18 October and 17 December 2021. The participants were informed about the study’s purpose and were ensured confidentiality and anonymity of the data; they also signed informed consent. The inclusion criteria consisted of being over 18 years old, Portuguese, and having touristic experiences. The respondents were approached by two researchers and five MSc students on the University’s campuses and within their informal networks, with the questionnaire being self-administered.

3.2. Instruments

The instruments that were not validated for the Portuguese population—the Rumination on Sadness Scale (RSS) and the Self-Hatred Scale (SHS)—were first translated from English to Portuguese by two bilingual translators, one from and another not from the field of psychology. Then, a third bilingual translator from the field of psychology provided a reconciliation of the two translations. Next, a native English speaker not from the psychology field independently performed the reconciled version’s back-translation. Finally, the first translator reviewed the back-translated version of the scale and compared it with the original English version to ensure linguistic and cultural equivalence consistency.

  • Sociodemographic questionnaire

The sociodemographic questionnaire included questions related to gender (feminine—0; masculine—1), age, education (no education–0; primary education—1; secondary education—2; higher education—3), marital status (no relationship-single, divorced, separated, widowed–0; in a relationship-boyfriends, married, de facto union—1), and employment status (inactive—unemployed, retired, on sick leave–0; active-student, employee, housewife, caregivers—1).

  • Questionnaire about dark tourism’s practices

The questionnaire on dark tourism practices includes a question about knowledge of dark tourism (or not). In addition, it also asked participants about their tourist practices related to dark tourism (Have you ever visited…? cemeteries; holocaust museums; sites of human tragedy; concentration camps; prisons; sites of war; sites of natural disasters; stop to see accidents). All these questions are answered dichotomously (no—0; yes—1).

  • Questionnaire about dark tourism´s motivations

This questionnaire includes the presentation of several reasons to visit a dark place: curiosity, the need to learn, the need to see, the need to understand, pleasure, and the need to see morbid things. All these questions are answered dichotomously (no—0; yes—1).

  • Rumination on Sadness Scale (RSS)

The Rumination on Sadness Scale, an individual-difference measure of rumination on sadness, was developed by Conway et al. [ 35 ] as an alternative to the Ruminative Responses Scale of the Response Styles Questionnaire (RRRSQ; [ 36 ]). It is a unifactorial scale with 13 items. Higher ratings indicate higher levels of rumination on sadness. Cronbach’s alpha, the internal reliability coefficient, was 0.91 in the original version. Since there is no Portuguese version of this scale, it will be validated in this study.

  • Self-Hatred Scale (SHS)

The Self-Hatred Scale was developed by Turnell et al. [ 39 ] to assess individuals’ levels of self-hatred. Since self-hatred is a significant predictor of suicidal ideation, this scale has the potential to be helpful in suicide risk assessment. Higher ratings indicate higher levels of self-hatred. Cronbach’s alpha was 0.95 in the original version. There is no Portuguese version of this scale, so it will also be validated in this study.

  • BSI Hostility Scale (HSS)

BSI Hostility Scale (HS) is a subscale of the Brief Symptoms Inventory [BSI; [ 40 ]], whose Portuguese version is from Canavarro [ 46 ]. BSI is a 53-item measure to identify self-reported clinically relevant psychological symptoms in adolescents and adults. The BSI covers nine symptom dimensions: Somatization, Obsession-Compulsion, Interpersonal Sensitivity, Depression, Anxiety, Hostility, Phobic Anxiety, Paranoid Ideation, and Psychoticism; and three global indices of distress: Global Severity Index, Positive Symptom Distress Index, and Positive Symptom Total. The Hostility subscale includes five items, and higher ratings indicate higher levels of hostility. In the original version, the alpha coefficients for the nine dimensions of the scale ranged from 0.64 in the Psychoticism dimension to 0.81 in the Somatization dimension. In the Portuguese version, the alpha coefficients ranged from 0.71 in the Psychoticism dimension to 0.85 in the Depression dimension.

  • Psychological Vulnerability Scale (PVS)

The Psychological Vulnerability Scale (PVS) was designed to obtain information about maladaptive cognitive patterns, such as dependence, perfectionism, need for external sources of approval, and generalized negative attributions. The PVS is a six-item scale with higher scores indicating greater psychological vulnerability. In the original version [ 44 ], Cronbach’s α coefficient ranged from 0.71 to 0.87 for different samples; in the Portuguese version [ 47 ], Cronbach’s α coefficient was 0.73.

  • Tourism Wellbeing Scale (TWS)

The Tourism Wellbeing Scale (TWS) was developed by [ 48 ] Garcês et al. (2018 [ 49 ]); it aims to evaluate tourism wellbeing in each destination, having been built from positive psychology variables, namely, wellbeing, creativity, optimism, and spirituality. It is a unifactorial scale with eight items. Higher ratings indicate higher levels of tourism wellbeing. Cronbach’s alpha was 0.97 in the original version.

3.3. Data Analysis

Prior to analysis, the normality of items was examined by skewness (SI) and kurtosis (KI) indexes; absolute values of SI less than 3 and KI less than 10 indicate a normal distribution of the data. [ 50 ]. All the instruments were subject to a confirmatory factor analysis (CFA) procedure with maximum likelihood estimation (MLE). The model fit evaluation was based on test statistics and approximate fit indexes, following the thresholds presented in Kline [ 50 ]. Thus, a non-significant model chi-square statistic, χ 2 , states that the model fits the data acceptably in the population; the higher the probability related to χ 2 , the closer the fit to the perfect fit. A value of the parsimony-corrected index Steiger–Lind root mean square error of approximation (RMSEA) close to 0 represents a good fit; RMSEA ≤ 0.05 may indicate a good fit, but the upper bound of the 90% confidence interval exceeding 0.10 may indicate poor fit; also, this test should be non-significant at the 0.05 level. Values of incremental fit index (IFI), Tucker–Lewis index (TLI), and the Bentler incremental comparative fit index (CFI), close to 1 (0.95 or better), are indicators of best fit; also, the standardized root mean square residual (SRMR), a statistic related to the correlation residuals (SRMR over 0.10 suggests fit problems) was used; the smallest the values, the most parsimonious is the model.

Besides goodness-of-fit index evaluation, model re-specification involved analyzing path estimates, standardized residuals of items, and modification indices for all non-estimated parameters. The modifications indices (MI) provide information about potential cross-loadings and error term correlations not specified in the model and the expected change in the chi-square value for each fixed parameter if it were to be freed. Only modifications theoretically meaningful and MI > 11 were considered. Finally, Cronbach’s alpha coefficients were calculated to ascertain the model’s reliability.

Group differences were analyzed. The independent t-test was applied to compare the means of the two groups. In addition, chi-squared was used to compare distributions’ differences and Mann–Whitney test to compare ordinal data. Three measures of the effect size, Cohen’s d, the eta squared, phi, and rank biserial correlation were used according to the variables’ measurement level; interpretation followed Cohen’s [ 51 ] guidelines; the statistical significance level was set at 0.05. Statistical analysis was performed using SPSS version 28 and AMOS version 28.

The sample includes 993 participants, mainly female, in a romantic relationship, with secondary or university education, and active; the mean age is around 31 years. Statistically significant differences were found concerning age and education between the sample that had already heard about dark tourism and knew what it was and the sample that had not yet heard about it. Participants who had heard about dark tourism were significantly younger and more educated than those who had not ( Table 1 ).

Sample sociodemographic characteristics.

Notes: N = frequencies; % = percentage; M = mean; SD = standard deviation; χ 2 = qui-squared test; Φ = Phi size effect; t = t -test; Cohen’s d = size effect; p = p -value. In bold: statistically significant values.

Concerning the total sample and dark tourism practices, most people have visited cemeteries, and about a third of the sample stopped to see accidents. On the other hand, about a quarter of the sample already had other practices, except for a visit to concentration camps, which was only carried out by about 14% of the total sample. The same trend remains in the sample that has not yet heard about dark tourism and the sample that has. However, there are statistically significant differences between these two samples regarding practices related to dark tourism, being that the sample that has already heard about dark tourism visits many more Holocaust museums, sites of human tragedy, concentration camps, prisons, and sites of natural disasters than the sample that has not yet heard about dark tourism ( Table 2 ).

Dark tourism practices.

Notes: N = frequencies; % = percentage; χ 2 = qui-squared test; Φ = Phi size effect; p = p -value. In bold: statistically significant values.

As for the reasons behind the desire to visit dark places, curiosity stands out in the total sample, with the least chosen reason being the need to see morbid things. The same trend can be seen in the two subsamples. However, there are statistically significant differences between these two samples regarding motives to visit dark places, being that the sample that has already heard about dark tourism presents higher values in the motives related to curiosity, the need to learn and understand, and the need to see morbid things than the sample that has not yet heard about dark tourism ( Table 3 ).

Dark tourism motives.

Table 4 shows the descriptive statistics related to the items of the instruments used in this study: the rumination on sadness, tourism wellbeing, self-hatred, hostility, and psychological vulnerability. The skewness and kurtosis values are all within the normative values, ensuring the normality of the distribution, except for item SHS3 whose values are slightly above the recommended one.

Items’ frequencies.

A confirmatory factorial analysis of the rumination on sadness scale was carried out to confirm the authors’ model [χ 2 (46) = 4.121; CFI = 0.977; TLI = 0.961; IFI = 0.977; RMSEA = 0.056; PCLOSE = 0.107: SMRM = 0.028]; however, to achieve this model fit, some correlations between errors were established ( Figure 1 ).

An external file that holds a picture, illustration, etc.
Object name is ijerph-19-12100-g001.jpg

Model fit of Rumination on Sadness Scale.

Confirmatory factorial analysis of the self-hatred scale [χ 2 (11) = 5.118; CFI = 0.992; TLI = 0.984; IFI = 0.992; RMSEA = 0.064; PCLOSE = 0.069: SMRM = 0.015] ( Figure 2 ), hostility scale [χ 2 (2) = 4.216; CFI = 0.995; TLI = 0.976; IFI = 0.995; RMSEA = 0.057; PCLOSE = 0.317: SMRM = 0.012] ( Figure 3 ), psychological vulnerability scale [χ 2 (7) = 2.886; CFI = 0.992; TLI = 0.983; IFI = 0.992; RMSEA = 0.044; PCLOSE = 0.644; SMRM = 0.018] ( Figure 4 ), and tourism wellbeing scale [χ 2 (16) = 3.787; CFI = 0.979; TLI = 0.964; IFI = 0.980; RMSEA = 0.053; PCLOSE = 0.339: SMRM = 0.029] ( Figure 5 ) were carried out to assess the models’ adjustments. Despite finding good fits for all models, some correlations between errors were established to achieve such fits. Thus, hypothesis H3 is confirmed.

An external file that holds a picture, illustration, etc.
Object name is ijerph-19-12100-g002.jpg

Model fit of Self-hatred Scale.

An external file that holds a picture, illustration, etc.
Object name is ijerph-19-12100-g003.jpg

Model fit of Hostility Scale.

An external file that holds a picture, illustration, etc.
Object name is ijerph-19-12100-g004.jpg

Model fit of Psychological Vulnerability Scale.

An external file that holds a picture, illustration, etc.
Object name is ijerph-19-12100-g005.jpg

Model fit of Tourism Wellbeing Scale.

There are no differences in the values of rumination on sadness, self-hatred, hostility, psychological vulnerability, and tourism wellbeing concerning knowing what dark tourism is or not ( Table 5 ).

Rumination on sadness (RSS), self-hatred (SHS), hostility (HSS), psychological vulnerability (PVS), and tourism wellbeing (TWBS) frequencies and differences between those who know dark tourism and those who do not.

Notes: α = Cronbach’s alpha; M = mean; SD = standard deviation; MR–mean rank; U = Mann–Whitney test; p = p -value; r = rank-biserial correlation.

Differences were assessed regarding the values of rumination on sadness, self-hatred, hostility, psychological vulnerability, and tourism wellbeing according to dark tourism practices. Being that only statistically significant results are presented, it was found that participants who visit cemeteries have significantly lower values of self-hatred and psychological vulnerability than participants who report not visiting cemeteries ( Table 6 ). Furthermore, those who visit tragic human sites present higher values in hostility and tourism wellbeing than those who do not. Those who visit sites of war present higher values in self-hatred than those who did not. Those who visit site of natural tragedies also present higher values in hostility and tourism wellbeing. Lastly, those who stop to see accidents present higher values in rumination on sadness, self-hatred, hostility, psychological vulnerability, and tourism wellbeing than those who do not stop ( Table 6 ).

Rumination on sadness (RSS), self-hatred (SHS), hostility (HSS), psychological vulnerability (PVS) and tourism wellbeing (TWBS) frequencies and differences according to dark tourism practices.

Notes: α = Cronbach’s alpha; M = mean; SD = standard deviation; MR–mean rank; U = Mann–Whitney test; p = p -value; r = rank-biserial correlation. In bold: statistically significant values.

Differences were also assessed concerning the values of rumination on sadness, self-hatred, hostility, psychological vulnerability, and tourism wellbeing according to dark tourism motives. Those participants who identified curiosity, need to see, and need to understand as reasons to visit dark places in the context of tourism presented higher values in rumination on sadness, self-hatred, hostility, psychological vulnerability, and tourism wellbeing than those who did not identify curiosity as a motive ( Table 7 ). Concerning the motive “need to learn”, it was found to be a statistically significant difference in tourism wellbeing, being that those who identified the need to learn as a motive to visit dark places in the context of tourism present higher values in tourism wellbeing and self-hatred than those who did not. Those participants who identified the need to see as a reason to visit dark places in the context of tourism presented higher values in rumination on sadness, self-hatred, hostility, and psychological vulnerability than those who did not identify the need to see as a motive ( Table 7 ). Those participants who recognized the need to understand as a reason to visit dark places in the context of tourism present higher values in rumination on sadness, hostility, psychological vulnerability, and tourism wellbeing than those who did not identify the need to understand as a motive ( Table 7 ). Concerning the motive “pleasure”, it was found a statistically significant difference in tourism wellbeing; those who recognized pleasure as a motive to visit dark places presented higher values in tourism wellbeing than those who did not. Lastly, those participants who identified the need to see morbid things as a reason to visit dark places presented higher values in rumination on sadness, self-hatred, hostility, and psychological vulnerability than those who did not identify the need to see morbid things as a motive ( Table 7 ).

Rumination on sadness (RSS), self-hatred (SHS), hostility (HSS), psychological vulnerability (PVS), and tourism wellbeing (TWBS) frequencies and differences according to dark tourism motives.

After creating a new variable, an index about practices related to dark tourism, based on the individual items, we carried out a multiple linear regression in which the dependent variable is the index, and the independent variables are the motivations, with the intent to find the variables that explain the touristic practice. It was found that gender, age, know/know not dark tourism, and motives (curiosity, need to learn, need to understand, and pleasure) explain 38% of the touristic practice ( Table 8 ).

Variables that contribute to the dark tourism practice index.

Notes: R 2 = R squared; R 2 Adj. = R squared adjusted; B = unstandardized regression coefficients; EP B = unstandardized error of B; β = standardized regression coefficients; ** p < 0.001.

5. Discussion

The aims of the present study were to find the sociodemographic differences in touristic practices and motivations for dark tourism according to two groups (those who knew what dark tourism is and those who did not know); to determine the differences in rumination on sadness, self-hatred, hostility, psychological vulnerability, and tourism wellbeing according to two groups; to find the differences in rumination on sadness, self-hatred, hostility, psychological vulnerability, and tourism wellbeing according to practices and motivations for dark tourism; and, at last, to determine variables that contribute to a dark tourism practice index. To this end, we carried out a cross-sectional study that included questionnaires related to sociodemographic aspects, motivations to visit dark tourism places, practices of dark tourism, the rumination on the sadness scale, the self-hatred scale, the hostility scale, the psychological vulnerability scale, and the tourism wellbeing scale.

Concerning the participants’ profiles, those who had heard about dark tourism were significantly younger and more educated than those who had not. These results confirm hypothesis H1. These results corroborate those of Millán, et al. [ 52 ] who found a profile of dark tourists in Cordoba between 26 and 40 years old and having university studies. Dark tourism is a niche market [ 53 ] and also is itself a trend [ 54 ], and young people are more available and attentive to new trends [ 55 ]. In addition, more educated people seek more information and have superior technological skills [ 56 ]. Significant differences between the two samples regarding practices related to dark tourism were found, being that the sample that has already heard about dark tourism visits much more Holocaust museums, sites of human tragedy, concentration camps, prisons, and sites of natural disasters than the sample that has not yet heard about dark tourism. These results confirm hypothesis H2. According to Iliev [ 4 ], “if tourists do not experience a site as dark, then they cannot be called dark tourists”, so the author proposed a more apparent distinction of the “dark tourists” based on experience. Ashworth and Isaac (2015) also stated that any tourist site has a greater or lesser potential of being perceived as “dark.” Besides, “darkness cannot be viewed as an objective fact because it is subjectively and socially constructed since (different) people in various (cultural or social) contexts understand and experience dark tourism in different ways” [ 57 ]. In fact, we may ask “who makes the association of ‘darkness’ to a place? Is the label ‘dark tourism’ applied by those offering (and commoditizing) the visitor experience? Alternatively, is any “dark” significance to be evaluated and decided upon by the tourists themselves?” [ 58 ]. “Dark tourism consumption can no longer be derived as an ordinary activity where humans might engage in for “fun”, but rather as part of a quest for a deeper experience, especially in our inherent fear of death” [ 4 ].

The subsample that has already heard about dark tourism presents higher values in the curiosity, the need to learn and understand, and the need to see morbid things motives than the sample that has not yet heard about dark tourism. These results also confirm hypothesis H2. In fact, dark tourists are very interested in understanding historical events; they are psychologically moved by the need to be in contact with authentic experiences by looking at the other’s death as if it were their own death [ 59 ]. One of the motivations that drive dark tourists is the possibility of re-creating the same emotions victims experienced, followed by the authenticity issue [ 60 ]. “Many dark tourists are motivated by the desire and interest in cultural heritage, learning, education, understanding about what happened at the dark site” [ 4 ].

There are no differences in the values of rumination on sadness, self-hatred, hostility, psychological vulnerability, and tourism wellbeing concerning knowing what dark tourism is or not. Therefore, hypothesis H4 cannot be confirmed. These results apparently seem to contradict the relationship between the dark triad of the personality (narcissism, Machiavellianism, and psychopathy) and the practice of dark tourism [ 16 , 32 , 33 , 34 ]. That relationship, studied by those authors, reflects the practice of dark tourism and not the knowledge about it (which is the subject of our study), although there is hardly any knowledge without practice. Concerning tourism wellbeing, these results may question Kidron [ 61 ] who said that dark tourism generates wellbeing and thus assume that dark tourists show wellbeing despite dark practices. However, our results do not show greater wellbeing in the participants who knew in advance what dark tourism was in relation to the others.

Participants who visit cemeteries have significantly lower values of self-hatred and psychological vulnerability than participants who report not visiting cemeteries. Visiting a cemetery can fulfill different functions, such as visiting a dark place or the social and cultural function of honoring the dead. Probably, our results reflect this last function to the detriment of the first and this conformity to cultural and social practices is in accordance with lower values of psychopathology [ 62 ], namely rumination on sadness, self-hatred, hostility, and psychological vulnerability. This result partially confirms hypothesis 5.

Those who visit sites of war present higher levels of self-hatred than those who did not. Furthermore, those who visit natural tragedies sites present higher values in hostility and tourism wellbeing than those who do not. This result reflects the relationship of this tourist practice with the above-mentioned dark triad [ 16 , 32 , 33 , 34 ] and is in line with Kidron [ 61 ], who suggested wellbeing in dark tourists. At last, those who stop to see accidents present higher values in rumination on sadness, self-hatred, hostility, psychological vulnerability, and tourism wellbeing than those who do not stop. Again, this result reveals the relationship between psychopathology and tourist wellbeing that needs to be further explained, although some authors suggest that psychopathology leads to less tourism wellbeing [ 63 ]. This result partially confirms hypothesis 5.

Participants who identified curiosity as a reason to visit dark places in the context of tourism presented higher values in rumination on sadness, self-hatred, hostility, psychological vulnerability, and tourism wellbeing than those who did not identify curiosity as a motive. Curiosity has been a central reason pointed out in the literature for tourism in general [ 64 ] and, specifically, for dark tourism [ 15 , 17 , 19 , 20 , 21 , 65 , 66 ]. Curiosity is a complex construct, which can be seen as something positive, but it can also contain darker aspects of the personality, namely morbid curiosity, and this fact explains its relationship with, on the one hand, wellbeing, and, on the other hand, with rumination on sadness, self-hatred, hostility, and psychological vulnerability. This result partially confirms hypothesis 5.

The participants who identified the need to learn, the need to understand as motives to visit dark places in the context of tourism present higher values in tourism wellbeing and self-hatred than those who did not. The need to learn and understand are also central reasons for tourism in general and their relationship with wellbeing does not seem specific to dark tourism [ 67 ]. This result partially confirms hypothesis 5.

The participants who identified the need to see as a reason to visit dark places in the context of tourism presented higher values in rumination on sadness, self-hatred, hostility, psychological vulnerability, and tourism wellbeing. This result partially confirms hypothesis 5. Similarly to the need to learn, the need to see correlates with wellbeing but with psychopathology. Perhaps this need to learn motivation is correlated with the touristic practice of seeing morbid things [ 68 ].

The participants who recognized pleasure as a motive to visit dark places presented higher values in tourism wellbeing than those who did not. This result partially confirms hypothesis 5. Dark tourism conforms with the pleasure of tourism in general (Yanjun et al., 2015); wellbeing derives from the emotional experience of dark tourism as a motor for transforming the self [ 69 ].

The participants who identified the need to see morbid things as a drive to visit dark places presented higher values in rumination on sadness, self-hatred, hostility, and psychological vulnerability. The need to see morbid things may be a specific motivation for dark tourism [ 1 , 70 ] and not tourism in general. To that extent, the relationship between this motivation and rumination on sadness, self-hatred, hostility, and psychological vulnerability is justified. This result partially confirms Hypothesis 5.

The reasons to visit dark places-curiosity, the need to see, the need to understand, and pleasure are positively and significantly correlated with all places associated with dark tourism. Gender, age, know/know not dark tourism, and motives (curiosity, the need to learn, the need to understand, and pleasure) explained 38.1% of the practice index variance, thus confirming H6. These results mean that motivations to visit dark places are associated with the touristic activity itself and may contradict those of Buda [ 71 ], that claims more emotional and psychoanalytical explorations through the concepts of the death drive [ 71 ], desire [ 72 ], and unconsciousness and voyeurism [ 73 ]. In fact, dark tourists are not altruistic persons [ 14 , 60 ]. Moreover, Jovanovic, Mijatov, and Šuligoj [ 32 ] found that Machiavellianism was related to the preference for dark exhibitions, psychopathy to the preference for visiting conflict/battle sites, and sadism was negatively related to the preference for fun factories and dark tourism sites. However, the “darker” motivation may present different levels of intensity; besides the fascination and interest in death [ 15 ], these visits are also motivated by personal, cultural, and psychological reasons [ 4 ] and/or by entertainment purposes such as entertainment-based museums of torture [ 7 , 16 ]. One of the most curious outcomes of this study is the association of motivations to visit dark tourist sites and self-hatred; the fact that the authors have not found any study that could explain such a result suggests this association exists in the context of dark tourism and not of tourism in general. The dark nature of this type of tourism can be attractive to tourists with less positive personality traits such as self-hatred.

6. Conclusions

The results of this study add new knowledge to this area of expertise as it allows us to understand the association between motivations and practices related to dark tourism. This study also identified the main motivations to visit dark places-curiosity, the need to see, the need to understand, and pleasure, being, interestingly, all internal motivations and, thus, contradicting the literature that, in addition to these motivations, also identifies external motivations. Most findings also indicate that the rumination on sadness, self-hatred, hostility, and psychological vulnerability personality dimensions are associated with dark practices (e.g., the need to see morbid things). Lastly, people who visit more dark places and score higher on negative personality characteristics have higher values of tourism wellbeing. These findings are in line with the literature, which suggests that dark tourism generates negative and positive wellbeing (or even ambivalence). As such, dark tourists, even presenting negative personality characteristics, and also because of them, show tourism wellbeing in their practices and motivations.

The fact that this study was held in a specific sample in Portugal may be considered a limitation; future lines of research could extend it to other countries and age segments.

Funding Statement

This research received no external funding.

Author Contributions

Conceptualization, J.M., J.A.F.-B. and Â.L.; methodology, J.M.; formal analysis, J.M. and Â.L.; writing—original draft preparation, J.M.; writing—review and editing, J.M., J.A.F.-B. and Â.L. All authors have read and agreed to the published version of the manuscript.

Institutional Review Board Statement

Ethical review and approval were waived for this study, as no medical research involving human subjects has been carried out, including research on identifiable human material and data, as indicated by the terms of the Declaration of Helsinki.

Informed Consent Statement

Informed consent was obtained from all subjects involved in the study.

Data Availability Statement

Conflicts of interest.

The authors declare no conflict of interest.

Publisher’s Note: MDPI stays neutral with regard to jurisdictional claims in published maps and institutional affiliations.

Advertisement

Supported by

How the Movie ‘Civil War’ Echoes Real Political Anxieties

“Civil War” has tapped into a dark set of national angst. In polls and in interviews, a segment of voters say they fear the country’s divides may lead to actual, not just rhetorical, battles.

  • Share full article

A shot from the film “Civil War.” The actress Kirsten Dunst walks through a field with tents on one side and people in uniform around her. A version of the American flag, with only two stars, waves above.

By Lisa Lerer

One subject seems to be unifying the right and the left today: Disunion.

From the multiplex to social media, the prospect of America collapsing into armed conflict has moved from being an idea on the tinfoil-hat fringes to an active undercurrent of the country’s political conversation.

Voters at campaign events bring up their worries that political division could lead to large-scale political violence. Pollsters regularly ask about the idea in opinion surveys. A cottage industry has arisen for speculative fiction, serious assessments and forums about whether the country could be on the verge of a modern-day version of the bloodiest war in American history.

And “Civil War,” a dystopian action film about an alternative America plunged into a bloody domestic conflict, has topped box office sales for two consecutive weekends. The movie has outperformed expectations at theaters from Brownsville, Texas, to Boston, tapping into a dark set of national anxieties that took hold after the Jan. 6, 2021, storming of the Capitol.

Of course, the notion of a future civil war remains a mere notion. But, as another presidential election approaches, it has suddenly become a hotly debated one, reflecting the bipartisan sense of unease that has permeated American politics. In polls and in interviews , a segment of voters have said they fear that the country’s divides have grown so deep that they may lead not just to rhetorical battles but actual ones.

“I personally do not believe we will descend into a formal armed civil war,” said Maya Wiley, who ran for mayor of New York City in 2021 and now serves as the president of the Leadership Conference on Civil and Human Rights, a civil rights group that has fielded several polls on the topic. “But it’s in the air. It doesn’t surprise me at all that we’re seeing a very explicit fear of where things could go.”

Such fear has been stirred by the violence and chaos that subtly and overtly pervades American politics. Violent threats against members of Congress have reached record levels, as have reports of hate crimes in the country’s largest cities. The husband of Nancy Pelosi, the former House speaker, was beaten with a hammer in his home. The criminal trial of a former president unfolded in a courthouse while a man nearby doused himself with an accelerant and set his body on fire.

In his first campaign speech of the year, President Biden warned of threats to the country’s democracy and suggested that former President Donald J. Trump could stoke future political violence.

“I make this sacred pledge to you: The defense, protection and preservation of American democracy will remain, as it has been, the central cause of my presidency,” he said in an address near Valley Forge, Pa., the site of one of the darkest periods of the American Revolution.

Mr. Trump has glorified the Jan. 6 rioters as patriots and maintained his false claims that the 2020 election was stolen from him. When the former president was asked last August by Tucker Carlson whether the country was headed to open conflict, he declined to directly answer.

“I don’t know,” Mr. Trump said. “There’s a level of passion that I’ve never seen. There’s a level of hatred that I’ve never seen, and that’s probably a bad combination.”

The film has no grounding in such partisan politics. The sides are unclear and the ideology — a “Western Alliance” of secessionists from California and Texas — is impossible to imagine given the stark partisan divides between the states. No details are given about the cause of the conflict or the different visions each side has for the future of the country. There’s no mention of Congress, the courts or other civic institutions other than the presidency and references to the F.B.I.

That political vagueness was an intentional choice by the British writer and director, Alex Garland, who began working on the film in 2020 before the Jan. 6 riot at the Capitol. “I’d say this film is about checks and balances: polarization, division, the way populist politics leads toward extremism, where extremism itself will end up and where the press is in all of that,” Mr. Garland told The New York Times .

His goal was to create a movie that could illustrate the risks of polarization — not just in the United States but globally — and reach the widest audience possible, said Eric Schultz, a Democratic strategist who met with Mr. Garland in the fall of 2021 and worked as a consultant for the film.

The opaque politics have helped the movie attract an audience that bridges political divides. Exit interviews conducted for A24, the studio that produced the movie, found that half of moviegoers identified as “liberal” and half as “conservative,” according to a person with knowledge of the film’s performance in various markets.

The film outperformed expectations in traditionally conservative markets like Oklahoma City and Colorado Springs, as well as more liberal ones like Portland, Ore. In Phoenix and Dallas, a majority of filmgoers identified as moderate or conservative. The top reason viewers cited for seeing the movie was not an interest in independent cinema or action films but the “political dystopian story line.”

The interest in political chaos tracks with a growing body of research showing a dramatic uptick in public fears of violence.

The polling by Ms. Wiley’s organization found that 53 percent of likely voters believed the country was on the path to a second Civil War.

Other surveys show related concerns. Forty-nine percent of adults said they expected violence from the losing side in future elections, in a poll conducted by CBS/YouGov this year. And a survey by The Associated Press/NORC Center for Public Affairs Research found that majorities of both Democratic and Republican adults said American democracy could be at risk depending on who won the next election.

Jess Morales Rocketto, a leader of Equis Research, which studies Latino voters , said discussion of a civil war could stem from more of a feeling of insecurity than a reality for voters.

“I think that people believe we are on the brink of civil war,” she said. “When people say stuff like civil war, World War III, what they mean is volatility and instability. They are saying, ‘I feel unsafe.’”

But Barbara F. Walter, a political scientist at the University of California, San Diego, who studies civil wars, says the prospect of such a conflict isn’t just metaphorical. She believes the country is facing a decade or two of political instability and violence that could include assassinations of politicians or judges and the rise of militia groups.

The movie’s realistic portrayal of such violence taking place in deeply American settings — a golf course, a roadside gas station, the Lincoln Memorial — put the scenes of violence Americans associate more with foreign conflicts into sharper relief, she said.

“This notion that America could never have a civil war; we’ve already had a really, really big one,” said Ms. Walter, the author of “How Civil Wars Start.” “There’s a sense of naiveté, of innocence, that we’re too good for that sort of stuff. We’re not.”

David Mandel, a producer and writer on the television show “Veep,” said the most successful movies and shows about American political life had a “reciprocal relationship” with public opinion about politics. His show, a comedy about a bumbling vice president that began during the Obama administration, was based on the idea that politicians behaved differently in private, and that a miscalculated public remark could lead to their political destruction. As president, Mr. Trump routinely defied that norm, and “Veep” ended before he left the White House.

“By a couple of weeks into the Trump administration, there was no ‘behind closed doors’ and there was no such thing as comeuppance,” Mr. Mandel said. “The show became impossible to do.”

David W. Blight, a historian at Yale University who specializes in the Civil War period, said he did not believe the country stood on the precipice of another one. But if the country were to reach that point, he said, the conflict could share more with the movie version than the historical one.

The Civil War was a regional and ideological crisis that featured some of the largest armies ever formed, he said. A second one would most likely be far more local and vigilante, and stirred by increasing polarization and institutional mistrust.

“For the last couple of years, there’s been all this chatter and a few books out about whether the U.S. is on the brink of a new civil war, and you have to keep telling people, ‘Well no, not in the way you may think about it,’” he said. “Our real Civil War blinds us in that sense.”

Lisa Lerer is a national political reporter for The Times, based in New York. She has covered American politics for nearly two decades. More about Lisa Lerer

Our Coverage of the 2024 Election

Presidential Race

The number of Trump allies facing election interference charges keeps growing, and prosecutors are sending a warning as Donald Trump and his supporters continue  to spread conspiracy theories: that disrupting elections can bear a heavy legal cost.

Trump has vowed to “cancel” President Biden’s policies for cutting pollution from fossil-fuel-burning power plants, “terminate” efforts to encourage electric vehicles , and “develop the liquid gold that is right under our feet” by promoting oil and gas.

A campaign watchdog group filed a formal complaint to the Federal Election Commission accusing Trump’s presidential campaign  and related political committees of concealing payments of $7.2 million in legal fees in violation of campaign finance law.

Other Key Races

Scott Perry, the House Freedom Caucus stalwart and 2020 election denier, is confronting a general election challenge in a central Pennsylvania  district that has grown more competitive.

With the 2024 primary season entering the homestretch — and the presidential matchup already set — hundreds of thousands of Pennsylvanians  cast their ballots  in Senate and House contests  as well as for president and local races. Here are the takeaways .

David McCormick  won an unopposed Republican primary for Senate  in Pennsylvania, securing the party’s nomination two years after former Trump torpedoed his first Senate run by backing his primary rival, the celebrity physician Dr. Mehmet Oz.

IMAGES

  1. The Traveller's Guide to Dark Tourism

    what is dark tourism pdf

  2. Dark Tourism

    what is dark tourism pdf

  3. What is dark tourism and why is it so popular?

    what is dark tourism pdf

  4. What is Dark Tourism?

    what is dark tourism pdf

  5. (PDF) The Dark Tourist: An Insight into the Appeal of Dark Tourism

    what is dark tourism pdf

  6. Dark Tourism

    what is dark tourism pdf

VIDEO

  1. 50 Dark Destinations: Crime and Contemporary Tourism

COMMENTS

  1. (PDF) What is dark tourism?

    Battlefield tourism is a part of "dark tourism" which is a new concept. Dark tourism, a sort of heritage tourism, can be ... [Show full abstract] defined as traveling to places where one feels grief.

  2. Dark tourism: motivations and visit intentions of tourists

    Introduction. Dark tourism is defined as the act of tourists traveling to sites of death, tragedy, and suffering (Foley and Lennon, 1996).This past decade marks a significant growth of dark tourism with increasing number of dark tourists (Lennon and Foley, 2000; Martini and Buda, 2018).More than 2.1 million tourists visited Auschwitz Memorial in 2018 (visitor numbers, 2019), and 3.2 million ...

  3. PDF Dark Tourists: Profile, Practices, Motivations and Wellbeing

    Isaac et al. [20] found that memory, gaining knowledge and awareness, and exclusivity were important motiva-tions for dark tourists; also, "( . . . ), consuming dark tourism may allow the individual a sense of meaning and understanding of past disaster and macabre events that have perturbed life projects" [2].

  4. Dark tourism: motivations and visit intentions of tourists

    Dark tourism research in this past two decades mainly covers six themes including the discussion on definition, concepts, and typologies; the associated ethical issues; the political and ideological dimensions; the nature of demand for dark tourism locations; site management; and the methods used for research (Light, 2017). The area of terminology

  5. (PDF) Dark Tourists: Profile, Practices, Motivations and Wellbeing

    Abstract and Figures. This work aims to address whether knowing what dark tourism is (or not) impacts rumination on sadness, self-hatred, hostility, psychological vulnerability, and tourist ...

  6. (Pdf) Dark Tourism: Profiles, Niches, Motivations and Experiences at A

    Dark tourism is a youngest subset of tourism, introduced only in 1990s. It is a multifaceted and diverse phenomenon. Dark tourism studies carried out in the Western countries succinctly portrays dark tourism as a study of history and heritage, tourism and tragedies. Dark tourism has been identified as niche or special interest tourism.

  7. PDF Dark Tourism: Understanding Visitor Motivation at Sites of Death ...

    Foley who labeled it Dark Tourism, Seaton who coined the term Thanatourism, and Rojek who developed the concept of Black Spots. However, despite ongoing study, there has been a paucity in understanding what actually motivates individuals to sites of dark tourism. Yet understanding motivation is imperative, particularly given the subject and

  8. PDF Dark Tourism Lennon, John

    evidence and policy issues and dilemmas in the context of dark tourism. 1.2 From Dark Tourism to Thanatourism Since 1996, the terminology associated with the phenomenon has been the subject of discussion. The term 'dark tourism was created by the author and was given significant coverage in the special edited edition of

  9. (PDF) DARK TOURISM: The effects of motivation and environmental

    Dark tourism is an alternative form of tourism in the tourism industry of special interests. They are two special forms of tourism, because they include special characteristic elements, which ...

  10. Dark tourism and affect: framing places of death and disaster

    Dark tourism is considered a niche which engages with the idea of death, and fosters encounters with remembrance of fatality and mortality (Seaton, 2018). However, the breadth of this de nition allows. fi. for dark tourism studies to collapse sites that have extremely di erent features into the same caul-.

  11. Dark Tourism

    Dark tourism is an academic label from the imagination of scholars who wish to shine a critical light on heritage that hurts. As such, "ghosts" of the significant Other dead who haunt our collective conscience have been increasingly commodified through memorials, museums, and visitor attractions - and, consequently, the dead now occupy touristic landscapes.

  12. (PDF) Dark Tourism: Understanding the Concept and Recognizing the

    Dark tourism is a youngest subset of tourism, introduced only in 1990s. It is a multifaceted and diverse phenomenon. Dark tourism studies carried out in the Western countries succinctly portrays dark tourism as a study of history and heritage, tourism and tragedies. Dark tourism has been identified as niche or special interest tourism.

  13. Dark Tourism and Social Mobilization: Transforming Travelers After

    The dark tour-ism literature opens the door to fruitful theoretical development regarding ways in which travelers can advocate for minority groups and speak-out against hatred and preju-dice. Similarly, Zheng et al. (2020) aim to conceptualize spiritual meaning as a positive outcome of visiting a war museum.

  14. Dark tourism : Lennon, J. John : Free Download, Borrow, and Streaming

    Dark tourism by Lennon, J. John. Publication date 2000 Topics Dark tourism, War memorials, Historic sites, Holocaust memorials Publisher London ; New York : Continuum ... Pdf_module_version 0.0.19 Ppi 360 Rcs_key 24143 Republisher_date 20220926191009 Republisher_operator [email protected] ...

  15. PDF The concept of dark

    dark tourism, the review of dark tourism, its related terms, tourists' motives and emotions. The primary quantitative research is based on a structured questionnaire and the research sample consists of 181 Greek and foreign tourists. Based on the data of our analysis, we came to the conclusion that dark tourism affects moderately the

  16. Dark Tourism: Destinations of Death, Tragedy and the Macabre

    The term "dark tourism" was coined in 1996, by two academics from Scotland, J. John Lennon and Malcolm Foley, who wrote "Dark Tourism: The Attraction to Death and Disaster."

  17. PDF The Magic of Dark Tourism

    The dark tourism is a form of tourism that is not unanimously accepted by the whole society, but in spite of this fact, the practitioners of dark tourism is a viable segment. Indeed the concept that defines dark tourism is none other than death, and perhaps this is why it will always be a segment that will not be attracted by this form of tourism.

  18. Dark Tourists: Profile, Practices, Motivations and Wellbeing

    2.1. Dark Tourists and Their Motivation to Dark Tourism Consumption. Stone's (2006) idea of dark tourism goes far beyond related attractions. From this standpoint, diverse well-visited tourist sites may become places of dark tourism due to their history linked with death—e.g., suicides in the Eiffel Tower, tombs in the pyramids of Egypt, the Valley of the Kings, and the Taj Mahal, funeral ...

  19. PDF Dark Tourism. What is it?

    Dark Tourism:The Attraction of Death and Disaster, suggests that Dark Tourism is a 20th century, westernized phenomenon. However, it has been pointed out that people's attraction to tragedy and paying their respects to martyrs and heroes, is a global activity that dates well

  20. (PDF) Journal of Tourism Research & Hospitality Dark Tourism: Concepts

    Dark T ourism: Concepts, T ypologies and Sites. Ana Paula Fonseca *, Claudia Seabra and Carla Silva. Abstract. Dark Tourism, understood as the type of tourism that involves a. visit to real or ...

  21. Dark tourism

    Dark tourism (also thanatourism, black tourism, morbid tourism, or grief tourism) has been defined as tourism involving travel to places historically associated with death and tragedy. More recently, it was suggested that the concept should also include reasons tourists visit that site, since the site's attributes alone may not make a visitor a ...

  22. PDF Dark Tourism: The Attractive Dark Side of Tourism

    Dark Tourism: Dark tourism involves tourist who visits the site of previous wars and battles, which are revived at the scene of previous violence, and their tour guides cite the examples of heroism, tragedy and personal suffering. Dark Tourism has been defined as tourism involving travel to places historically associated with death and tragedy.

  23. PDF Programme Opening Segment Fireside Chat Future of Tourism

    High-Level Thematic Event on Tourism Tuesday, 16 April 2024, 10 a.m. to 6 p.m. General Assembly Hall, UN Headquarters, New York Programme 10:00 a.m. - 10:30 a.m. Opening Segment

  24. (PDF) Young Tourists' Experiences at Dark Tourism Sites: Toward a

    Abstract. While dark tourism aimed at adults remin ds them of past tragic fights, fa ults, and follies, thousands of children and youth also consume inherent memorial messages at da rk tourism ...

  25. How the Movie 'Civil War' Echoes Real Political Anxieties

    "Civil War" has tapped into a dark set of national angst. In polls and in interviews, a segment of voters say they fear the country's divides may lead to actual, not just rhetorical, battles.